5 Historias de Brujería sin Alma , Demonios Espía y Chamán en peligro | EP 242

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00:30 Beirraille, Embarque, and profite, Embarque and celebrate, wriggoled, publiced, savouring, admire,

00:40 and profite. Via Rae, the voice that we love that this foggata of stories. The day of today of

00:52 I, I have stories about of casas malditas, phantasmas endemoneados, rites

00:59 that are satanical and pactos very destructive that we could say that are they're diabolical but before

01:08 to start for all those that is the first time I'm simply simply simply I'm

01:12 simply I'm simply I'm once said this dear family nocturna

01:18 we we're we're we're this has you've heard

01:27 you're about the phantasm rogo if no I'm I'm I'm

01:32 They say that not all what is gold and that is good at a lot of your life. Lamentably, they're not in the family

01:42 Martinez. The family Martinez is composed by mom, Papa, and her only daughter,

01:48 Elsa. They've got to have the great thing that they could have had been in their life. The papas

01:57 of both families were they were they were they were they were that they were they were

02:02 that they were certain money accumulated. So, so, without prior to

02:07 their own, they're one, the rest of the pay of the they're to have

02:11 to have them, but they're they're they're they're not much fear,

02:16 they're not nine years, this little nine years, they're having a

02:20 life and they're and the paternity and the other and the things

02:26 were in more risk of the they could at the

02:30 final, the families those were the type of people of people

02:34 that are and they're not they're not only they're going to they're

02:40 so they're so they're and they did you all the thing, all the way.

02:47 I'm going to this because I think you you can you can't perfectly the day

02:53 in the day in the two families of the department in the

02:57 part of the part of the when they stocaron the door and went to to open, yeah, with the night

03:02 a little bit in a minute, that were they used to be in batte, a point of because at the day next

03:09 his little bit to get a time to the school, and they liked to be like, they were,

03:13 they were the example. So, when they were the door, standing the both in bat,

03:19 and standing a me, maybe despeinated, and they were both and they were both families

03:24 afuerah, well, vestiges like if they were in a lot of a lot of

03:28 and in the other to say they're some of those are they're in the mother to

03:34 the father. You can imagine the car desconcierto? No they're what's

03:40 what's what? And after that the family saying you're they're in

03:45 the case. It's the noticia most impactant that they had

03:51 in their many not said, if you're going to take a

03:56 good. I'm going to a whole of a bit of the thing,

04:01 it's a going to this is a time, they're almost 30 minutes

04:06 in making to make them to get to and and

04:11 the second family was a bottle of champagne

04:14 because I want to the most but the thing

04:17 was This not was a not a fallacy, not were in the things not made, simply both parents

04:31 had been that they were to help to do you because as you've done it. They're much

04:38 at times in taking decisions, in reaction, then the parents of Elsa, one

04:43 after the surprise, went to this house, were to visit to his home, not to

04:49 move to to visit them. And Elsa was a little, Elsa had nine years.

04:54 Elsa is a a little chaperrita of the white and a baby red and a

04:59 little bit of the attention because his papas are in the couple of but they're that the

05:05 abelal blah blah that's that's stories where we know that's the that's the

05:11 thing. What Elsa had the same eyes of the same

05:16 mind. There was no there was there there was there was the

05:20 line of the line of the line apparent there is something that they're

05:25 not because when they went to visit that house and they were in the place

05:30 that's the place to be in the little she sent you strange. I was

05:35 excited. But something there in that room, something that was that's

05:40 not a good, and it was a sensation came to a part

05:45 specific of the room. The right there had a a

05:49 very beautiful, and then it was a pegged a page, and it

05:52 was a one of a little to be in the venter to have put the camera,

05:59 it was then I was he was I'm not going to get there, and it

06:04 and it was a little and a one and a quadra that was

06:11 a meter of the one was a place, his hair to the small, the

06:19 only of her. Her mom and her father entered in the room and they're in the little bit of thinking, and then

06:28 what I'm saying, what I'm saying that? She was to be able to because I felt

06:33 something like a a scalofrio that he recurre the and he was a

06:38 minute of that was a space and just moved to the head so.

06:42 Something she he said, no pices there. But you know

06:47 something? a situation. A sometimes, for the age, a veces, for the circumstances or for the emotions,

06:55 the children don't communicate or not know they're not communicate this. Because when they were

07:01 more than a thing, that was that they were to come to come to their room,

07:07 but it was that's great, the the camera was there or there. No,

07:12 there there. There was not there. No, it was the

07:14 just like that that was the thing was a space. The corner of the

07:20 square is the space in the place in the Kelsa no was to be. And that made the different things

07:26 that for their fathers were graciosos but they put an alert because they were to see that

07:31 she'd a car recorried all to the part back to where they were the

07:37 feet and it was to be to be to be the more the more possible

07:41 in the more rar and the last not the part vertical or

07:45 the long of the camera, she was just a peggatita this corner.

07:49 No, I'm a second to get a one. After of a mom and

07:53 papa, that for then they were all in all the half was there and they

07:59 were in the there had been that they've had been that

08:03 they've went to and they they're they're and they we're we're

08:09 we're we're not going and we we're not you know we're

08:14 not you you're not you're not comodda with the camera, and there's where Elsa says,

08:19 and I say, I'm going to do you know, it's that's the space

08:24 in the camera. And his mom, he did fear. In some

08:28 moment, I've heard, about about the social that's

08:34 that's obsessive compulsive, and he's all allarmas. And

08:38 there's there some, that many times is the lack of the that makes

08:42 that we're that's that we know this because in the

08:45 head to do a alarm and he's no, my my

08:49 little my my little not that the idea,

08:53 the obsession of the was to be a little a

08:58 normal in the part in the part of that should be

09:00 to not I can say the type of debates

09:05 that occurred there all all the days to

09:08 get driving roces. The little up a camera as she was doing

09:13 because she was always she was very incoomod for the space and she was a little

09:18 and the mom that's in the you're doing. It's. It's, Leggave to the most that could the wall to to be the

09:41 corner to be the corner of the area of the when it was all the everything was it was

09:49 like if was in a problem and you know you know I know and all

09:55 we've lived one once you doormes you you're

09:59 a merced of the and in some that maybe he was

10:04 he was a elsa in a a colina or in the or in the

10:07 that maybe was he'd turn about a piece, the his body

10:11 rode. And he turned and he was to go to go to and he did he

10:18 gots and he had and it was a curruco making a little like she was

10:23 in the part superior and the camera and you know

10:27 you know because in the suno when I was when I

10:31 was what she described like a A phantasm rojo. A phantasm rojo, a mancha there that was a mancha there, and then with his hands rojas, he went direct to the rost to tapar the

10:45 eyes. He gave a fear tremendous. Never had had been a pesadier. So, he was bent of the camera, and that was a lot of the room. A mancha roja, that seems a manse man, but a way not. Imagineate, like if you utilizes some lenses that you permit see everything

11:00 and with clear it. And when they're all right and when they're all right. So,

11:03 that thing was there was a totally burrosa, no pixel a borrosa like if

11:08 you were a little all over and that that's a mancha roger that she

11:14 was going to get to he was going to move to the house and it was it was

11:19 and so that's the day to be to be a little I'm that was

11:25 in this house. A part of that day the things

11:28 changed. Elsa, yeah not the same. No, because he had a susted the phantasm rojo.

11:33 Definitely. To be that not a greatable. No pego the grito. Why? Because the

11:38 last two months, mom, no, you think that you want to be a little

11:44 definitely? If you're seeing a manch-roh rogas that's moving, no,

11:48 they're not to be she can't she can't be so, so it he kept

11:53 with that. And it changed, and it changed, for something. That thing dambolab in the

12:01 house, and she was a little a little bit of a bunch of a lot of that was over that waspasable

12:08 the time, that was when mom was in the thing, that thing was that was to be

12:13 after that's like if he was able to be able to get to the back, and she was coming

12:19 and she was a coming to her mom in the zone in the one of the

12:22 I felt like she, how she, to some way, that that thing was a lot of the first of the phantom

12:31 rogo, of a Elsa perceived a rosa, but Elsa a little he was, and that

12:37 was the poor. Imagineate to bea backhating you, you're seeing that you

12:43 are observing, and then all the part of your past of your past and it

12:48 it's erisar. Like if you're going to some type of a point of

12:52 a current electric, that's that's that you can control. And when you're

12:56 there's, no you know, but you know, you know, that's the phantasm

13:01 rogo, only right not you don't know, you're not the same sensation, the same

13:06 sensation of the same sensation of the same every that's every

13:10 every time, but there is a same the fourth is too normal, except when that's

13:17 a cause there. Elsa has the idea that's a clear that was

13:23 a capture in that what is why he he was when he was a little

13:29 a new year no has a idea but why not it's

13:34 a and why why Elsa that has that has already still

13:40 still still again that he never that he

13:41 was the the time. She was trying to protect to his papas of something that no I could explain, because then she was a little bit of a child that she was a second when she was borned. When she was dormied, was vulnerable. When Elsa

14:01 was there was a car was. And it was that he had no, he had a minute, and no her left. Because every time was more And Elsa was to know because the presence of that thing

14:14 not was a percivability to his instinct to your or a maybe to something that's something

14:19 a lot of whatever you know, because the day of today we know that is. Elsa

14:25 no idea. What was that was that was that was in his own his

14:30 body, was in the body was in the the phantasm

14:34 rogo began that those were every a bit more tetric. Because the first first time that appeared, he attacked.

14:42 That mancha, she came to her, it was like a man close to the car. And she was a little bit more so much too much. But in the next occasions, when that thing appeared, the reality changed. No. Importable that was

14:57 doing it's in the sun, no important, how much, that's so beautiful, that too, how much-deltsy, that's realigned in the a dream is more. That other not respectable

15:05 the fact that not that was not the when he was a when he was made

15:12 macabro. If was in a house, the house changed all the color

15:16 all and the lights and the light of you're going to you can't be that

15:24 was the that you was the front of the time the phantasm rogo that's

15:29 the end up directly to you If you were you in a coline, in a camped abjured, you'd start out of

15:36 you're goings to see your presences, you're going to see your and you and you and you

15:43 see the blood, sent you were the and you only the only that you could

15:48 visualize a phantasm a rogo that's going to let's it was that was

15:55 going to power that was maybe it had to the energy of the mama

15:58 or of her And this not is a conclusion that I do. Not is an impotesis

16:04 that I do. It's the ideas of Elsa. Because me say,

16:08 Narrault, I agree very very well, that I know, I know, but

16:13 the more time it was, my papas were worse were were

16:19 they were and were they're they're I were they're

16:22 I sometimes they they they they they they

16:25 had my papas, very enamorado. They were two people who were really, and they were much. In that house, it was the first time, and then it was always a customary, that father's to doormeer in the comedor.

16:40 Yeah, no, they'd doormeas once together. Why? Because those days and they were, and they said, things horroros, things that sometimes me had to tap those hoidos, because you know those wanted to hear. And you know, you know, that was the worst, narrator. That when they used to talk in

16:54 the passillo, because I respected, no, I want to to get in their problems. They're many times me

16:58 have been said, you're not to make me to get me in those

17:02 things. When they were in the pass and they they're to

17:06 they're I'm that they was the more the phantom rogo.

17:13 That thing was was affecting how and how and I don't know

17:17 I don't know I don't I don't think but there in the

17:21 all all of all And he gritted. No, I remember if it was because they took the timbre, if because a pacharito was a circle of a

17:31 window and not parable to do or if there a sound in the house that was not he was a constant. It was for something.

17:40 But my mom was to take the case, and he said, yeah, yeah, I'm not more with this.

17:46 Yeah, it's a much, it's a so, he's a narrator, never had

17:51 seen. Now, I thought that my mom had been a he was a lot. He started

17:56 and for first time in much time they were there's always that I'm because also with me

18:03 the trots and they were fos. Rudd's me about the forms horrible but I thought

18:09 not they're they're that's the phantasm rojo the phantasm rogo the pantarmas

18:13 he's doing that that's in the cell it was I'm confirmed

18:18 after after that we're and that my mom was a rompio they were

18:24 coming to the cell they're in the commas I'm in the

18:28 commas he's he I'm that I'm heard my my mom

18:34 began to say to say to say to she that she

18:37 had been that she in these times she and

18:42 she and he were in a little in there

18:46 was a there there was a man that

18:49 he could be to the that his hands were amarillas

18:53 painted of rojo was all incapuched with robes and then when I'm a mom and a

19:00 papal of the ombr, it was like if those were malus. And she

19:05 was the night was the same but that always was going to that first

19:11 was resisted and then he was the first occasion he was going to go

19:15 after this was this was like a little was a

19:18 The phantasmas and put a daga in the hand to each one and said that me I was over of the altar and they were

19:25 to do you do you. I know that for the channel, no can't say certain but that

19:33 you know, what was there was there to me no there was a way to that I'm

19:39 that would that may that's that image was to the head of my mom

19:44 because all the days I was I was soneying with that and it's that's real and so

19:49 longed that was a true. When my Papa heard of this he's parted,

19:55 he started to give and he saw the cell, no I know, but I

19:59 know I and I he said, I've and he and I be and I be and I be

20:03 and I was going to something in the head of my head to the I know

20:07 I know I know I'm what's something there he's he said

20:14 yeah, but I've had been the the last few the last few the time. And if I'm not

20:23 much courage, me feel with much, no. And if narrator, there, when the two were more raros than I,

20:28 I knew that was the moment to talk. I was the phantasm rojo, is the phantasm rojo.

20:34 And then my papas said, no, these things not these things, not you're to say,

20:39 but I'm, my, pap, papa, is the phantasm rojo, I, you're in my When they were to

20:43 me accostar, I was I'm a little narrator. The life is

20:48 very strange. My very strange. My parents no

20:52 me cregier nothing. And they were like for having those

20:57 heard that that the problem was that they

21:02 they were that they're that that case we're that we're

21:08 not so that they're not a a little that the next we

21:13 move to the apartment. Not it was the same, but is the same building. Dejo to perseil us,

21:20 he was to get to us, and I, every that they were to another

21:24 other thing, never I never went to my parents, I'm and they're and in

21:32 those rents that I only I heard that there were two two

21:35 parages to the long of five, six or seven years while

21:38 they And those two Paras terminated very bad at the point that a man

21:45 almost desvied a his wife and he ended in the carcel to do day of

21:51 I can feel because I know I did that I'm with a levosia

21:56 with any but I'm sure that I will be to

22:01 the phantasm rogo and also what I have to

22:05 think that that that is a demonio and that something

22:09 something is in that that house. And I know if it was to try it or to sell

22:16 it. What I see is that I do you let me. And now I'm you're

22:21 I'm I've said, you know, has said that you don't you get to

22:26 that you're like the stories of terror and you get the

22:38 you need to hear this this story. This that I want to

22:43 let me to make a little cortes because there many people involved and there

22:51 so much the time that's that's that I'm don't want to make us those

22:55 names and you and you are not they just to talk to the

23:01 family Gonzales and for that we're all that family Gonzal

23:05 just are mom and father not the little

23:08 the children more or how it's the real than the other for

23:15 two years. I feel the impression that the most great no has been more of

23:19 14 years and it's to be to be before to do this before you know,

23:24 because this story is a story that's a terrorator is a strange but

23:32 for so it's absolutely macabra the family Gonzal

23:39 has has had to have a situation very difficult the

23:45 father had a accident laboral very very has to have to

23:49 a part of the arm and the man and the man, they

23:54 they've they have a very good for the accident

23:57 laboral I'm talking this about the year the year

24:00 the and the sir gonsal apart receiving that

24:05 money has to have to start to make

24:09 that that that that that that because not

24:12 they not they in that then, then, I'll

24:16 go in a rent a very bad at the time in the time in the time in the money, not the

24:23 money, you're going to get to be after the time. He took up with an offer in the

24:30 period. In the a hour and a hour and a half of the center,

24:36 for you imagine, here, not you not you imagine the cities of the day

24:39 of the 90s. The cities are medianas and when I take hour and media, it's a carretera, out of totally of the territory abitational, as more populated. A hour and a half of the

24:54 place, there's a rent that practically is like if you're paid for living there. Because they include bonuses. No, it's the only offerta that I've seen so. Let's cobran, we'll put a number. $100.

25:09 Pesos, for that you know, to do you $5 dollars a month. So,

25:15 no has no time. But apart, for every month that you get to the property, because the

25:21 family that is a family that is a family that they're in a certain so far to make a

25:30 money. It's a offer, but that's it is a money. It's not doesn't.

25:37 It's the Mr. Gonzalez, no, he said, he said, he said, oh, yeah, I'm going to hear the house, no, I want to see, never me a lot.

25:47 I mean, I need that place, because circumstances personal, I'm going with my spouse, I'm going to my children, when he's going to

25:54 say, oh, wait, we're going to we're going to we're doing, we're doing that we're getting a situation

26:01 difficult, give us the opportunity, we're going to be in car of my kids, and what you

26:05 are doing to do the I'm going to be the basic not you're practically to be doing the

26:13 property. Here you're going to the property. Here, for what you say in the question like of ingipis, seo, you're, in person, inpermabilization, no me. And I'm not able to do you. It's a job.

26:37 And I say, that the end of the family and if all is good and they're in and they're going to get,

26:41 we're going to do this I'll end up the first month. No, it's not of this. I'm talking

26:50 of the 90. $200 dollars, are good, 200 dollars. The sir Gonzalez spoke with

26:57 her spouse, where actually rentable, the rentero he was the situation in the

27:02 they were they were just they're just they're just He was saying, is that you in some moment

27:08 you're not going to start cargating with that. I'm going to keep that we're that's good. This,

27:14 for them, was a miracle. It was a situation that not could be going to happen to have been to

27:19 have been the lottery. They were to be able to get a going to get to the money,

27:24 they were to be a good and apart as they're in the apart. Probably

27:29 probably everything it was more better than the city. They were more than the children

27:34 no. The the children, no They're not going to go. The kids, they've got to say, they're adolescents.

27:40 Adolescentes just at first entering to the adolescence, piseando. But you have they're friends.

27:44 Then they're not they're not in the circumstances. No, captains the need some adult and

27:50 did you know, let's clear-as- their postura, because all that day, God,

27:57 the thing most insuppable that you can't imagine, from, from,

28:02 from saying things, and to go, to the peor attitude that you

28:04 imagine and well the father and the manned there's there are in

28:11 the car in this car that's a man and a middle of the city and they

28:16 they're they're they're they're getting to a one in the

28:22 in the in the more or almost every 300 to 500 to there

28:27 there a kint ranchito bard bardit made made

28:32 of madera that they have been that are that's that's that's that's

28:37 there's that's there's some that's made to do like a bardita

28:43 perimetral like to say this area this area but it's more symbolical

28:48 than other other other other other of the houses

28:51 not they're animals they're there some back there

28:55 some some there some other they're still again

29:01 The red, Hormoso, the air limpio, no there's there's a lot that the way,

29:08 it's a lot way, because it's a lot but it's the only. That's what that's,

29:13 not, marvellous the only that's the the other is the time the

29:19 time in the house, but we we're we're we're we're all

29:23 for the time and in the the the worst of the the 40 minutes

29:27 or we we're going to a we're going to not This

29:32 not is an idea that's a person thinking in things wonderful, but when they're

29:38 going up something when they're going to do you're and the they're saying, and they're

29:45 and they're and they're that many they're and they're and they're so they he's just

29:52 he's he's how you how you see you're going to come

29:57 for here but he he's like very very and no

30:00 the Mr. Gonzalez, Feliz, he said, yes, how no? I've got an offer

30:04 of a job, and where he said, I saw the person, he did he's a rarrow

30:10 and, he'll do you, no, where he to do you he's he molester?

30:16 Nothing, just say me to where to work. Well, it's in the call, that's this

30:21 in the 411. Anderle, he's and he's and he and he was, and the

30:27 Mr. Gonzalez you know he's he's passing. But at final,

30:30 it was in one of the opportunity he was to let her to pass to a year to get to

30:36 his carrito and then he's he goes, he goes, he does type of saltotes whewers, fournid,

30:42 where they say, well, not they're of this territory, then then then it's not,

30:47 and they're a accent like between Mexican kind of kind of kind of with

30:52 words in English and something, something, a mix, a text mex, they're

30:58 to understand very well, he they're they're a question of a

31:02 little of the one of the one of the person with the he's he doesn't

31:09 he's he's and at the ender he they're they

31:13 they're they're things that they're not that he's that's

31:18 that's that's that's the situation for favor not

31:22 not not not not why who who who

31:27 The second, if they're going to go to the house, need to be able to advise us minimum three days before. Well, who's,

31:36 if you're going to go to this offer? No, I'm the third. There's a room in that it's

31:43 that's probably to enter. We're we're going to let us we're not but very remarked.

31:52 And then no, no, no, you're going to have to have to have to

31:54 have you're you're for living in your house? Well, it's a very rare

32:01 this. Because the people they're they're they're in oh yeah, not more

32:07 that I'm just that I payed the $0. And he says, give me $95.

32:14 Pagem you, what me do you. Nothing more. No, he says,

32:18 well, so, so, for those they're so they're so they're

32:22 so they're they're the last they're the other Tenga with the closet

32:28 of the apartment. No has nothing to send. There's the family Gonzales.

32:37 He's is going to get into the little the world that you you've got a little

32:43 that you did you that's that's that's they're all the way to the

32:49 city, to start to see and see to be there to the school

32:54 etc. They're they're in the middle of the nada in

32:57 a rancheria where the most of the most amissive was to be a back. Dentro of the

33:02 house there's a oldisime even in even for these years they were they were more

33:09 more big than the old things that was that they were there before

33:14 before. Well, they've there was there water, there was the

33:18 services basic the television was good, black and

33:22 was this rule black, but for the other difference is that

33:27 not More or less we're talking a technology competitive in question of not so good quality. The point is that for the

33:35 Lord Gonzalez was a marvellous was a man, for the child, but they were to talk to other other thing,

33:41 but they were to accept the reality, and the first day, the things were to marcher to the first, is that when you were

33:51 to get a back the things, and they were going to get a the second of the five

33:55 the time, they were well, minimum presentarse with the bestiners with the very

34:01 very strange. Because when they were on the property and they were going to be 200, 300 meters of the

34:06 second, the second, they were looking, and as far as they were going to the house

34:12 like it and he was a car that really, that people that rar live here

34:17 they're talking the people. Well, let me let me let me the next,

34:21 and the was in the porch of the car, was in a meced see a day that they

34:25 are coming and they get in correying. Because, who know, yeah, for the

34:30 third person, they're they're in the time, and say, I'm

34:34 not going to be getting to say, and to say, people, and they're very rancher,

34:39 and rancher to refer to people who have a education with the who know they're

34:45 not able, we're to get our energy in install us in the house.

34:52 There is where came the second problem. because when when they're to open

34:55 the and when when they're a very rare out of the house and it's

35:02 a noise like if there's a a psalofan imagine a little

35:07 that they they're they're and then it and then it's something

35:12 something and then that's that cellofan that paper so it he doble

35:17 and it and it they're they're the number of

35:22 reference of the person with the person with the person with the moment, he says the first. And he says, the first, so direct,

35:30 oh, no, not me diga that he's going. He, no, why I'm going to go to?

35:34 He'll, I'm a question. What happened? Here in the house, live a person?

35:42 No, because he says. It's it's like one person is a maskando.

35:48 Ah, no don't be so, are the people, are the the

35:52 people, what is that. Cases of the house, Rewos. But we say,

35:57 with that we don't know we're going to we're doing not the people, and he's oh, and

36:02 why you don't not you when, when I received the people, no,

36:08 you know, you know, so not those are those those or you want to

36:11 go, no, but there there's there's what you to know,

36:14 I'm he's not he's the house? Well, it's rather,

36:20 but it's not bad, list? He He justed the money. Yeah

36:25 it's going to you know, three days before we're going to be to be able to talk about on the time

36:30 but I'm going to be going to end up to end up this. So is that if it

36:36 not copa something we'll do you can't put it. The sir

36:40 Gonzalez has a situation has a much because he was a problem

36:46 to the family that he was he was he got to get to take to

36:49 tach and the city. No, he wants to to tell them stories of phantasmas.

36:55 A part of the question of the people, and he's changed to be the little bit and he's

37:01 not, man, heho, are the animals. Because they also they're asking that that's macking, and they're

37:07 also that cellophan. They're to pass three days, until that they're doing the

37:11 room that the room of the area that the zone that is destined for the

37:17 closet in the room, the abitation more the place, in where the two

37:22 subjects grand, the two new ones of the place, they said they're they're not.

37:27 But there's there no, there no there. It's a room and

37:32 then it and then it's a re-quadro in the which is a little

37:36 a little escalon and that that's a area, it's totally basically

37:41 there, no, there's no, there's what they are the closet.

37:47 Because the side of there there's a point to the room, and then

37:50 that's a room and the room of the room of the room there's a little bit

37:55 a little a little there's a question, they're in that there, in this person, it's

38:03 a little a plastic, he gets a over the back, he's mastic and the plastic

38:08 it's a little to and he he's a and more or less two, three hours

38:12 after again, do you know they important the hours. That that's

38:17 that's there, he doesn't that's the plastic that nobody can't

38:22 see, to know, what's the animal of the house, says, Mr.

38:28 Gonzalez, the the culp is it's going, and he to be

38:33 the need, and want to make more an environment like

38:36 of the days in that house are the same

38:39 but the fourth night has that see in

38:42 that the nights that the night are going to be a piece in the

38:47 quarter night the children don't have had had the

38:51 money and they don't go to go back, they're not they're

38:56 not not only because a part of the house

38:59 that does not not because the second day

39:03 got a part of per people they they

39:05 don't they don't they not they no they

39:11 don't property. And they're adopted. And it's called Rufu and Refino because they said they're the first number

39:16 that's all over. Because they're going to get a new person and they're going to get a but they've been two days, no

39:22 no other no more. The father's a form in that he's a little bit of the head.

39:30 PASATEMO with those animals, they're very well, but is where they're not those perils

39:36 and why nobody came with them and it's rare because in the night, they're

39:40 They're in the abitation of the little bit because the apartment of the little bit of

39:45 a little bit made out of a bit of which are these vix that you impede in what it's

39:50 like it is a distortioned, a little darkestead a little light light

39:57 and it's a day, no, let you get the light to the night, it's horrible

40:01 because the perro's the men, it's just a bad, and to

40:05 those they're It's so It's just to pararse there in the night. And they're

40:09 jadeando all the time. Jadying and and jadeando. The kids now have transformed that's in their

40:16 in the room of the plastic that is that is the sweet that that's that's

40:23 that's not that's that's that's not horrible because I'm saying

40:28 something that I'm in the fourth night. In the the fourth night.

40:32 The kids are going to cost. They're in a caja

40:35 semi-abirt in that they have been the little it's a car in the

40:40 game gameboy generics that they were of a market in special

40:46 and simply you you had a music very strident and

40:51 two buttons and let us those buttons that you manage

40:55 that they were over right and a b. And with this is all the thing is The point is that that

41:04 thing, they had there was a worded, and they were they had put down. It was a

41:10 game of a new known that you also, that you also did you also, to be the the person

41:16 and to find out of the person that they were a other they were a problem.

41:23 I'm probably to the game. They're just they're not they're not more of the problem is

41:29 that in the quarter night, the two or three of the morning and it started to see a

41:34 real real a bit in that a room for the night and the night

41:38 and you know we're the jadeo of the men the girl she

41:44 gets a sustadish because not is accustomed to that that does

41:49 get to the back you see that the car is a and see

41:56 that the he's he can't he can't and it He came coming to the camera

42:02 and when he when he came coming to the brother and he says because

42:05 you put you put to get to get the little the volume. And you

42:08 say you don't do you know, and the little then he then he

42:14 a voice of the voice of saying about that and the door

42:19 says, I don't do you know I'm repitient what he

42:23 said to the person to the two is the person

42:26 the hand of the of the patio is a second a sombre and where

42:34 are the people are there's there's sitting at sometimes at there there's

42:40 jadey and no there no no no no per there. And conform

42:44 the sombra is the other side the other side they're to be

42:48 aubes to and the little the little the new also

42:54 because see that that The little bit the but to all the

43:04 and that that's the that's it's a part of the door, and he into the

43:08 room, a manse a man who has a hand, and simply he gets

43:14 being and he he's horrible. A one of day of today, that you

43:20 have passed almost 40 years they're they're they're they're and

43:24 perfectly a one a smileebola a a sonrisa with

43:28 a the intentions. And the Lord, so they gets watching, and he's going to and he says, I don't

43:35 he's going to get to them, so the pap' so he's very molest to, and he plays the

43:42 light, and the man, and the other eyes of the eyes, and the father, he doesn't,

43:47 he's, because he's to make sure, they're doing the good, for the way,

43:51 for the fregos you're getting, what you say, respect the of your father's

43:55 that you know you know that's that I'm going to you're and the little bit of

44:00 saying, Papa, and he starts to talk to the father. Here you

44:06 a question. What you say is after many talks, after of many

44:11 traumas. This is the armado of the story. That is

44:14 the part that the part that the children not that the part the

44:18 father is he's and he's came the back the

44:21 when the she he's not he's about all that he he's he

44:26 he's the head the heart of the attitude that's the people

44:30 not the most the more the part of the house and the sound

44:36 the he's the sound of the plastic of the

44:40 dulce his her she still quite that so

44:46 that's so that's that she's is summently molest, he's

44:52 a little bit of the video that's he's in the little and then he's

44:57 the tap and when he that's that he has been in the hand the

45:04 she only he put the the top and say you

45:07 don't play with this and he's and he

45:10 he he's he he he he he know we know, but after

45:20 right now it's a something that's something very difficult and has been a situation very and has to be

45:30 from here and in less of a year, live in a situation very difficult economically or the

45:38 inclinos. And it seems that the people are the best because it's to get us at a

45:48 time. A lot of the people don't we're and the senior Gonzalez, during many years he will repenter

45:52 of what he did in the moment. But, he's going to get to get us in the house, and they're going to

45:58 things rare as in the house. Of a repent, her husband he says, that you

46:04 have in various occasions that she hear of the o'e and she not is

46:08 thinking in the inquis she doesn't that she, she's that the

46:12 video-gue that's so no, no, he's he was he, no,

46:16 presto attention in the conversation about a a phantasm of an anciano, no he has to do

46:21 turn to of those perros that that night, they were on the other of the house because

46:26 they're not they're there. And that after that they've that they're

46:30 back, they're they're they're not, not preston in that the

46:36 she's that she is that maybe could be a problem in the

46:41 other in the there's to be to be to be the pressure

46:45 a lot. Mama pereo that so many years. And then, they're to be a

46:51 assicino silencioso, he's the television. We have to have to have a little. And he

46:55 he says, you know, what? Tomate the things with a little more of calm.

47:00 A part of he, he's he's to do it to do you, with his hand,

47:06 not two hands, he'll try to trypeer and trypeer, intents with the

47:11 children try to get a more relationship, and he's stressed and molest,

47:15 no will help in nothing to the cause? Apart, the one of the people the clinions

47:19 is he is doing a lot of the way, it has to make that the

47:22 situation there function. But it's that the people don't

47:27 this family. Because they're they're they're those inclinions

47:33 no see, but what they're so what they're so the

47:37 person a form that discover to get to

47:40 get to mentally. It's to bring that television an because when

47:45 when it's the television an old, the real the noise black also it

47:51 also the little when he can be to get to get to synchronize and it's

47:57 there's and it's with the sound of you do you and it you're

48:02 like you do you do it's just like he's so that it's that so it's

48:06 so that's that's so it's that's the family that not No, there's

48:12 no education of this time. And then the disconnect is a way to say, here I'm

48:16 here I'm in time to do you know, and he's trying to trypeer, and when he's a can't

48:24 and he's a cell, and he's in the sofa, he's in the TV, front to him a little

48:32 a piece of a piece of a piece of and a back to do the bayon that's in that's in

48:37 the way and a little Amplio, a beautiful, and not it's rare,

48:43 like when it's so in the bayon that's so far in the closet,

48:48 that's not a great, because that that's a room,

48:54 it's like it's to be to to be to be more of

49:00 your time, the the sense is horrendous. The

49:05 Sir Gonzal discovered that in this bao he a And then he said,

49:10 And then he said, So, you know He said, he did a He said, because no he said He said, look, no has changed

49:15 to be in that time. In those moments in those who is connected watching the television,

49:23 he passed to something, a little rarro. He and his wife have had been

49:30 certain communication and a certain form to communicate in the that he not necessarily

49:34 all is for power. When he he passed many

49:38 hours watching television. So, his wife, how knows, he's

49:43 a, and not he's, then, so he a back, he took the

49:48 armro three times, he's going to his room, and he

49:53 says, we're to do to do to do that's that he'll

49:58 relax. In the first, like, so it is the second, capta

50:04 that's his spouse, and in the Thirda, she relax. He was there

50:07 sat down on the sofa watching the television. Who know how time he was a

50:12 man, but he was totally disconnected. No, there was a program in specific

50:16 that was being just got and had been past hours. He had been

50:22 of the reality. Regressed because he sent the man of her where

50:26 he was a one of the second is she her third. Serena

50:32 she relax. She He's a second. He's moving the head

50:37 to the he's going to and he's not without the without he without he without him the bayon, the

50:57 door that's the door to just to the door to the door, is he's a He's a susted because he's

51:03 his wife in the armory and when he the door, the door the door and the door and the

51:09 door is there her to a tawler more. Voltae to see what what was what he

51:14 he was the front of the the passage in the door to be a turn to be a over totally totally obscure.

51:24 Separate see a his spouse to see to see to be the passio the

51:27 passile the passile It seems that the ingilinons and have they've been to be able. Because

51:33 a part of there, his days not are not normal. His his wife he said,

51:40 what's about? You're you're putting palid? He moved the head and he

51:46 to go to her. His wife he's he's he's

51:50 breathing very very profound. He has the he's his

51:54 eyes, he has been he's the major fear that he had seen

51:58 in Really there is something in that house? But no I can go to

52:03 get a there's a thing, but there's much time in these places, it's good,

52:10 so that you can be the ideas that you have you make you make the bad

52:14 decisions, has to make the reality of a very very very

52:17 because now it's a mantra, no I'm don't I'm

52:21 don't I'm we're not we're we get to get to

52:25 and it the image not the idea of that his children

52:30 were in contact with something else he's not he's he was he's a lot of

52:35 the heart of the heart is intensified that he was a very much that's

52:38 so a part of a other way, and again to be not you do it

52:45 does it do do the day the day they're

52:52 so you're so you're with with some some some

52:57 some some Cerebesas. He, I'd have some of a Cervas, but the quantity of Cereveses that he bought, put in the alarm to her and she molested at the instant.

53:07 What is this? Where is the carna that you ped? Where is the paper of the baguio? That's what I'm a little bit of a package pasted. We're going to have to be pasted-money. So, only four rolloos. We're four people

53:19 what you pass? Also, I mean, I'd try you to have a toy of the new, the Mia. Ultimately, old lido, rarrow. What happens? And then, So, the first what is to open a service and

53:29 start to take as as nobody he's talking. In nothing, the sir Gonzalez,

53:35 is he's refugating in the alcohol, in nothing. I'm talking that three days after, the man

53:40 he gets, and before to take whatever something in the day, what he does,

53:44 do you do a start, and then he doesn't do, he doesn't, he doesn't,

53:49 he has after three, of four services, the man is made is medium dormicied and he's kept

53:55 tumbled in different parts of the house. A situation lamentable. It's a moment that this is important,

54:03 because if I forget to what I'm saying, no, it's been a year. They've lived there a year.

54:10 They've passed months to be there. If that does it, it's a problem, in a level of

54:15 contamination tremendous. The kids has much that no they're because, never

54:21 they're to But now are two people very callied-tas that preferring not to talk about

54:26 that's that they're going to be going to go out of the time. The sir has got a

54:32 refugated in the alcohol and his wife she's more stressed. But no he's trying to

54:39 talk to his husband and say let us let's do you don't know you know

54:44 you're not you want to you're going to be able to be able to be

54:48 a borrach you don't want being casted with a barrache and these

54:51 two it's a raton has been the language, you know, they're

54:55 in this situation when they're in the reason, the first of the first does it has made

55:04 to say, that if they're going to receive a end of a

55:07 time, and she says, I need I need to come to come to come

55:11 to come back to try to your and those people

55:14 because those my people are that the prima the

55:19 final. The sir. Gonzales, the first is to say with a

55:23 six of a service and offer the wife she's a very and he really a

55:28 little bit to the wife and he says, he's ultimately, not he doesn't

55:35 do you, but if your husband, not I'm don't know me want to me want to say,

55:39 but there's so tontaryas because ultimately he's got done in the

55:43 partes. I think he's put in the back on the back and

55:47 he's is to be refuging in the alcohol. I know what I'm. I'm going to be able to look at here. Well, the sobrinus, the children of this prima of the

55:58 Sir. Gonzales, they went with the children. And notar that those primos are not the same. So,

56:06 so you're saying, primos in second grade, but no, they're in second grade, they're in three-grimus,

56:10 and they're in their, they're being kind of and those people are they're saying, no,

56:17 you know, not you know, now, now, now, now, now,

56:23 now, now, so, they're going to be able to talk to and the kids,

56:28 gonsalels and they're and they're in the house, they're in the house, there's

56:35 there's, and the prisms, of what you're there's there's that's

56:40 not, they're in all parts, in this house, there's the prism, the prism These two

56:51 were locus because of our our friends no, those those two

56:56 locus who are, those two people are they're in a shus or they

57:01 are in the o'clock and they're they're they're in the night,

57:06 they're much care there there no no cack

57:11 a a one a pesad there there there

57:15 there there is that the Mr. Gonzalez Tomo Demas and

57:21 getting at the 7 of the night the man he got dormied on the

57:26 camera of one of the children and then there can't the

57:30 the other camera so so so so the

57:36 sofa the sill to make a tendid in the

57:39 piece and and they say to the second

57:44 the closet when those invited to the second

57:47 the two guys they said to the mom, no, no,

57:51 we're we're in the room, we're in the room, no, in the

57:55 other all, they're all, I'm here, I'm here, I'm here, and then

58:00 the prima, and then it's what's what's all this, and

58:04 he's put to and they're all, you're not, don't end there

58:09 there, they're there, or if you you're not you were being bromista and

58:14 you you know, and you're always of ke humbrosa and that the princess and that's and they're

58:18 to come to come to come. Mew! To be what what's what they're there's some of the

58:23 ratoncitos and they're and they get in the orgoy the sufficient for that the

58:28 people, they they're to be so. And they say, but when they're in the

58:34 court, they're they're in where's they're in where they're they're

58:39 not. The problem is that his primos no. And his tia too.

58:44 When they're when they quarter, you're going to the room and they

58:48 say the first is the quarter most more dangerous. Subance. No, do not here.

58:54 Not so come to get there. And then the primos are there. There's a there.

58:59 So, there, and then the primos are the camera, all they're they're in the same

59:04 tapensse, until that may tapensse, in this quarter is very dangerous.

59:09 They're there and the primary tapado, and it's to say things. Oh, is

59:13 that you're always they're going to go and who who's who's what you know

59:17 what's you know what they're there's there's like that you don't know in this

59:22 and where they're doing that's they're doing the sabbana the camera, and they're all the

59:28 sabaaba that's that that's a little but there there's there's

59:34 there there's there because his eyes you're so it's

59:39 the second to the second to that's that way that way no

59:44 see not even the sabana, no the calcha, no see nothing. Even when

59:49 they were the camera and they're the light, there, it's reigning the night.

59:54 It's a absolute obscurity, and no there's no they're they're

01:00:00 they're and there there's a part of the door and the people were and they're

01:00:08 doing it was a person, nobody they were moving but although

01:00:12 they were to try to move a other contrary, no it was a minute. The prima

01:00:18 is the that he said, let's go to my little and they saw the

01:00:23 door the door and the obscurity that was there was there was the colcha

01:00:29 tirada. The primos no do you know that night. And

01:00:34 not know to do you what the thing the time because the

01:00:39 two of the morning they were there They heard grits in the house,

01:00:42 or ried for the children, and they were in the morning of the car. What was

01:00:48 what? Never they said. Because during years, no they were to

01:00:52 talk and the time and the day of today to today, the but the

01:00:57 thing, it had passed. The the was going was going to

01:01:00 pass. All in that house were in a state

01:01:04 super lamentable, very, very very bad. And Stando in that the husband,

01:01:12 the senior Gonzales, now not with her husband, she was she was she said,

01:01:16 she was, she had that even she preferred to do with the door and with the

01:01:21 door and the door not because they were that that's that's

01:01:26 that all the day, the sound of the sound of the sound of

01:01:32 the good, the his prime, no, that's not that they're

01:01:37 a rote, and they But she no the sound. Then with the light and the

01:01:48 she's always, it's in the room in the time. That night, she will be to be a cost to be.

01:01:57 And will, God, it was that he's been with the light and he's bad. His car

01:02:02 is very demacrata. It's has passed a while time, since that were those primos, since that was

01:02:07 her prima and his subrino, it's a much better. It's at the border of a collapse of nervous,

01:02:13 but not he has done that you've never seen the years not say one of the words,

01:02:19 they're traumatized. They're with the minding indications and they pass the

01:02:23 major part of the day to find there. The husband, the

01:02:29 the husband always ever every hebrose only to do the car

01:02:32 of the car and all after has got a fortune, has gotten much more than the 200 dollars that they're paying

01:02:42 in that there's a question. That night that she is going to be to be able to that she's being about the 2 or 3 of the morning, doesn't know how to the

01:02:55 room. And she gruny to give her to understand that not is to do a quarter but also sufficiently

01:03:01 with forces or that's or dispirta as to talk to where the the man is the

01:03:07 side that he took to the the camera, because the the other thing

01:03:11 and it's a sense of the instant. He's not the time. And so

01:03:16 he's where this man, without him, he's a question, the alient of

01:03:21 he is very peculiar, desagradable, or hewele, the which says, oh, you know,

01:03:25 you know, and then he's to feel to see how his person he's

01:03:31 with necessities that you want to see because instantaram he put his

01:03:37 hands in the cooge in the area of the area, he gets the head the and he gets

01:03:42 to see his labos where he was being the she's also there there's

01:03:49 there's there there where he doesn't that he does it and then

01:03:55 this man and he's let's go to talk to and say let's you're and part of

01:04:00 you're you're so he's every he's he agri or this he agrar

01:04:04 because that's more aggressive of a form, you know, with a less tacto, and then the time of a part of

01:04:14 the body, and take the and it's a and she'll get to a tach, and then she gets a

01:04:20 and she she says that no! And the camera is that's no, there.

01:04:25 The the rope has got the got to the up. When

01:04:29 see that he's to get to And all the night the her trauma was in

01:04:39 saying, for favor, knowing that the husband was dormied because he was he was caught and that

01:04:46 probably the children not even to get to get to go to the room.

01:04:51 When came the day the next the the she was he was

01:04:55 the he was he said he said he was we go and the he was

01:05:01 the mantra only said we have we have to to get, we

01:05:05 can't go. The sir started to do the thing, the

01:05:08 little and he said, I'm go. If you get, you

01:05:14 get a only, and I'm going to go to you.

01:05:18 Something something of the husband, that he, even he had

01:05:22 been a mode zombie, he came to the

01:05:26 vehicle, he subio. Not they did they were coming

01:05:36 the children are saying for that those the sombras not the

01:05:42 woman didn't ask you know they're doing details that night

01:05:47 the night while the man the people were awoying all the

01:05:51 time and the people and the people were men who they're like

01:05:59 there's like there's a centen of people out of trying to

01:06:05 the clasas When she is the place they're in a mercadito

01:06:12 because is made eat to do you do in the night, no, not she's

01:06:16 a coffee or something. And a person he says, wait a wait,

01:06:23 wait a you, you're going to that house, right? And he's who

01:06:29 I was you was one of your vicinas and say pardon us we're we're

01:06:33 we're not we're not we're just that but is that house is that's bad that's nobody support

01:06:39 a week you're in you know know, but all we just we're just to get to be

01:06:47 in that house, the person is all right and your family are and when the way the

01:06:51 she says, but what what's going with the house? So what what's what are

01:06:58 what are what are that's you know you know we're we know we know

01:07:02 we're but The place is maldito. It's a much. Before that were the

01:07:11 first of the first, if you did count that this case is of the other houses are

01:07:16 different constructions. We know how much time you have been that you know,

01:07:23 it's that first he had a part-terer, not- we know- we're not in the terrain

01:07:30 or we're we're to imagineate. But you imagineate. Despite of that

01:07:34 they're a personese, a Brouca, that had a limpias.

01:07:40 But it's not very strange that something that's a kilometer

01:07:44 to the city. I'm talking when the people was a

01:07:48 carretta. So, get doing ideas. What we knew we was

01:07:55 we've for notis is that they used this place

01:07:57 for two because when there was a place in the

01:08:01 people that people who They started to have how the symptoms this place this place so they're

01:08:07 so they're that they're they're they're they're if you're you're not you're not

01:08:13 you're well no we're not we're they're and then and then

01:08:20 they're the the initial of a hospital psychiatric that they they're

01:08:26 they're they're for the bad practices that I can you can't

01:08:30 you can't you know We don't know exactly in times, peaches, we know of that. What we know is that

01:08:39 the place is the place. Nobody supports more a month and I hope that God does accompany

01:08:46 because I can't imagine the inferno that they lived during this year. What

01:08:53 you think that were the inquilins? I'm want to a secret to

01:09:01 let me that one of one of the reasons for that this

01:09:05 channel grew so it's because at the moment to the stories

01:09:10 those that they're saying, a me also me also me happened

01:09:14 something they're this story that I'm about to tell you is one

01:09:21 of those cases. The last we we've a story

01:09:24 and someone has to reviv a trauma. The Jueves

01:09:29 the last the episode 241. No to I'm

01:09:33 to that I'm not a question there, but I need to make mention of there. There's a story that about a temple of scuro, in the time occurred something very strange, and they've seen a certain of which I never had heard before.

01:09:49 To tell that, for that you hear the story, and for those that you've heard of what I refer to. You know, I'll say for this. One person that heard of the history if he put the pill chinita and then he said he record

01:10:03 of something a story that has been in your family but in

01:10:08 the family nuclear since since six a year so that's

01:10:12 I'm talking about that was something he was when her when her

01:10:17 when her nine had approximately four years and he's

01:10:20 in this time what he he did much his scalof

01:10:26 but now when after this story and there

01:10:29 there there out of and that not just my imagination of her and the

01:10:33 and she that's he made a sure, but let me because I'm a point of one of

01:10:41 the stories more of the other than the story of this can't to tell in this channel.

01:10:48 This little Loretta to her his four a year he's he began

01:10:54 to do all the days the same in his libretas that that's

01:10:58 that's that called the my master in the school, that he made to call to the mom.

01:11:03 He made to call because in his dibertas was a same. A barred of the

01:11:09 matter and was it's perfectly because a sometimes are bolitas like curbiated a few,

01:11:15 a few times were rations. And above of that a ball an orange and the

01:11:21 ball was it put in a face. And it he was he was

01:11:27 and then above he was a ball and it was around as a rojo like if it was

01:11:34 a good. The maestra I began that this I repeated and I asked him like we go ahead we're going to do you

01:11:41 look to do you go to our family and he had to call to the mama and he

01:11:46 said, I don't know what I know I've wanted to talk to but this not is normal

01:11:52 the mom the mom of Loretta as was a mother that was really involved with her

01:11:57 education you It's really the attention. And in the way to discuss with the Maestra

01:12:01 and there's a little bit to be able to let me investigate and say and it's a very curious and it's very

01:12:08 very rare because that ball gris that is very rare the raya reds because so it's how they

01:12:13 a chaman so we put to our perr. It's a snouser. A perrito a little

01:12:19 little bit of little bit of little bit this is so I said, so I said that you're saying,

01:12:24 but never he has done it never he have been the rails

01:12:26 and that ball an orange that's I've been never a little I'm not

01:12:33 I'm I'm going I go know the I'm going this time this time since

01:12:38 that's this time I've been I've been occupied with things

01:12:42 apart so I've not I've got to let me see something

01:12:47 I'm let me see something the mom the mom the initial

01:12:52 the mode Sherlock Holmes and and And from the car with Loretta

01:12:56 in the part of back, he's to make a but of a form in the way

01:13:00 in the way that you get a lot of you know, a lot of you get a basketball? And Loretita

01:13:06 he moved the head to side to say, and he's saying, and you do you like the poloas

01:13:12 and where he does so, and he says an aranja? Obviously here's in an

01:13:16 alto because the gentleman is responsible and not not is talking and not while while he

01:13:22 is so the pylotot the The orange, the little bit, the little bit, saying, no, as a lot of the other, and the lady,

01:13:30 and the lady, and the lady, there is a little. A polo, a randah, because he does a man, when the mom

01:13:37 saw the rations that Loretta took in the car, I, had to pick. And the young, you know,

01:13:43 she's an little, know, what is your food favorite, and what is your poste

01:13:46 favorite? For what? Because no there's a more way to say to talk, a person,

01:13:51 that's giving what he and putting it to do you like to do the good so that she was a

01:13:57 her hamburger a little and the little she was in the little the mom mom

01:14:01 for a for a not I'm not going to say products specific but probably

01:14:05 you know you know you know a certain a car of a

01:14:08 little that's she that she's she's the but she's I'm

01:14:13 a postre that's that's the car that's they're they're you're

01:14:17 you're you're you're you're you you're And then when when he gets

01:14:21 to the house and the little bit because the mom still the she's not she's

01:14:26 a little it's not to get a let's let's see, Loretta after you get the

01:14:33 but before we're going to talk to you and the she's the lady she's a and she's

01:14:40 he says let me my postre give me my postre and he says

01:14:44 here here's but before and he he's the papelite tell me that that that's a

01:14:49 perlota and Loretta open the door and he says Loretta what's the no mom that's

01:14:58 that's bad that's a malo and he said to do you let's get to Loretta and she

01:15:04 get to see the Bava and he's oh yeah this is this is very pretty because

01:15:08 she has she he has that he doesn't he he doesn't if it

01:15:13 all the every day all all the times she would the a little is the

01:15:18 thing that the most he and preferre not to come to say to say

01:15:23 to be that I know the mother that we we're talking about here

01:15:30 that's a situation peculiar so so he he started a

01:15:37 little and he and he and he I was I'm a little

01:15:42 and the things I'm never I had to be a

01:15:46 more and then then She was to learn to read her that's She was a She's a

01:15:51 She's a She's a She's a girl And she's a She's a She'll give her Lourn't But,

01:16:02 For the benefit Loretta After the After the After she's She's a Orette He says

01:16:09 Moma is that That's bad And no He doesn't He said That's about it. The mom She's the

01:16:16 Man-Sle A-Larm If you you're Papa, when you had to have I've been the alarm because

01:16:22 difficult you'd be you're thinking in something that's thinking in a person who's maybe she

01:16:28 paint the face the orange. Then he says is someone there's a so there

01:16:34 someone that's a person who why mom she paint to someone the car of the

01:16:39 large and he he's he's he's he not mom no

01:16:44 then then what is this is it's is mal mom

01:16:48 that I like that I love to talk about him. No? But what is? It's a person. No? And then, Loretta, you're saying because you're bad. It's malo because he's come the perros. How's that the people's the perils? So, he's come those perils? The bestino, yeah no has perrots. So, Dandy, yeah no ista. Me da'amom that's a chaman. And he says, what you're saying? He says, he's gomamom, mom, she assom by the bar. It's the animal, he's going to when he's

01:17:20 summer for the barred? In the tars, when it's when it's the sun, when

01:17:47 the no, Mama, no, it's a movie, it's a bad thing but I don't want to be a chaman to get a chaman.

01:17:55 It's a very rare the situation. The lady has been to siters, to open the door of the patio, she sent to

01:18:02 the lot of Loretta and he said, a bit, we're gonna let's be where you're that's a

01:18:08 time, oh, mamma, for there there's be, it's been for the cell.

01:18:13 But if we see, we're the same part. Yes, ma'am, but for it's

01:18:16 see for the And he says, look, look, wait a, wait, wait,

01:18:20 wait, and then when begins to put in the sky dark, he says, look, look,

01:18:25 look, look, look, look, right that's, see, go, and when the

01:18:28 video, and when the mother, it's all the cell, it's the light.

01:18:34 Arriva there, there's a ball of color orange, that this ball of

01:18:40 color naranja slither completely. It's a little more grand,

01:18:45 imagine a rostro, but without a a face, but without a face.

01:18:49 And that thing is there and he and he's to desdizars for the bard. When he gets to

01:18:55 the patio, chaman is to start to get to go back, he doesn't that he has got to

01:19:02 a chaman so is that he's that the door and he's a man, chamas come back

01:19:06 and the per car, and the per perro is a detail, a movement very rapid like a

01:19:13 movement very and then the mom of Loretta The door, the door and the door, it's a little

01:19:18 back, he's a little bit of the night. That night he wants to say to his husband, because he's very imprudent

01:19:24 and he'll be to be to be to be to be that thing. Because that that's a look at the car, so it's

01:19:31 that's not he says that. And in the morning next, he's a question, the he says, no,

01:19:36 it's not you, he said, a person, a person, a person, to have a person who has, an arm,

01:19:41 someone that someone who does a zoologic, you're talking, you're talking of an animal and says,

01:19:47 is that not an animal, I don't know what I'm a ball that's just not a ball because it's

01:19:51 a little and then it because I'm going to be and not it's not it's that's not

01:19:57 it's been just that it's been by the story of the little of the little bit yeah

01:20:03 I said yeah you're yeah but you're you're you're

01:20:06 you you're you I'm the she's the new when the

01:20:12 two don't when the two Just in the zone where she saw that was, where she saw the door at the entrance,

01:20:19 it's where I'm going to but I'm talking about the size of a face, I'm talking about three or four times more great. She deslissed and left loo

01:20:28 all the zone of the past. You can't imagine, to a one of a larkitae that mida

01:20:35 a three or four meters of long for a meter and and a inch. Could be

01:20:40 more more of what this woman view. For that that story that never never was to

01:20:46 never used to never to know it was she was born paranoia during a year and was there never was

01:20:54 never to pop nothing the perros of the the people of the people were always said

01:20:59 that someone they were or things so that she was not even she was she was

01:21:03 she was but Loretta has ten years you have a bad recurors a bad

01:21:10 a bad a real shaman, I've lived in the house. And then the point

01:21:16 is this. All right. A thing that maybe even, even, he's invented,

01:21:21 no? Maybe see a picture and it's a time. After that

01:21:26 he said, the story in the episode 241 and he said, I

01:21:31 saw, I saw, I'm not a black, it's not a color

01:21:32 or that I'm that could be good idea to hear to

01:21:38 listen to to the people's when Marcel, me a story and me

01:21:49 said, a narrator, the murder, the murder the murder and the is what

01:21:53 he's the thing. Marcelo, no the one of the recommendations that we

01:21:57 say, and that's and the day of day of day of

01:22:02 he, he, he, he did he he's, he,

01:22:05 he he's reunio with some many he three

01:22:10 years, and since his life not the same. At the day of

01:22:14 today, we'll say all the time ancioso, inquietto, incomod, aterrado. Marcelo,

01:22:22 he was for a day normal and a reunion like a reunion like any other.

01:22:29 He was made a kind of that they've to do that way. Something in him

01:22:36 he said that he said that he had various voices, voices of people that recognized

01:22:41 perfectly the voice of mom, the first first time that he said, Mom, I want to

01:22:45 play a and he was a little, he said, no, no, he's this, it's a

01:22:49 not, it's a friend of the church in the he said, you're saying,

01:22:54 you're that's that's of people, people, people who know, know,

01:22:58 they're that's they're not they're listening, you're to be a life,

01:23:04 because after this because after the voice, he's just I'm not, I'm not, I'm not,

01:23:08 I'm not a coward, I'm sure that I'm 19 years. And the day of

01:23:14 day of the day of the thing that never had been a lot of you're

01:23:18 to go to you're to get to get to them to make a wayha not is

01:23:24 a whigha special not is a one a great maestors and that

01:23:30 they did and that did you that are made made of these restos

01:23:33 that those who are those who know perfectly to I

01:23:36 know no it's a mark that is a mark that makes

01:23:41 many types of games, and it's a quite commercial, let's get it

01:23:47 by the company gigante that's direct to your domicilio that the

01:23:52 day of today is a monster level world, you know, you know, you're

01:23:56 so there put you the word Uiha and then they're to buy. The more

01:24:03 barata, the more chaffa. When it when they're to organize

01:24:09 all, put the table, put the planchette, to read the instructions, because still was a group

01:24:15 like of the chicoes that they'd do the things well, and if they'd to use, they'd

01:24:21 be going to do it, but one of them, let us, we're going to be the rest, and not you're

01:24:29 a little more, and he's a pair of his cellular that were on hoas with invocations, because

01:24:35 there had to do the special. If it's chaffa and these things not serve, minimum,

01:24:40 we'd an ambient a environment they were in the the situation is that they put in all the hands in the planchette. The chico, that's that he had learned two, they had learned two, they said Lazzar, for what it was, and how, no, important, they're, they're in a They started to move the

01:25:11 deados. Mover those. They were the way. So, Marcelo, he was a moment in the

01:25:21 that's a idiot. So, for that's going to do this, it's just purestontteries. Apart,

01:25:29 these chavos just are just making a menzada because what they're to give to make a attention.

01:25:34 Why me prested to this? This is a game like for a tontos. He's, he's,

01:25:38 I don't want to to parr, remember that you can't run to the circle and Marcelo says

01:25:42 this he's a lot of don't and he and he apart the hands

01:25:46 of the planchet there there's alexa very and it's

01:25:50 a sonar. And there a song that Marcelo no

01:25:53 he took but probably you and you and

01:25:59 start calaveras and a song a rhythm pretty

01:26:06 but where where he said calaveras and diabletos, the

01:26:10 the piece he put chinita, bolted with his people who he was doing the

01:26:14 and he was surprised when they were when they were and they said,

01:26:19 we said, we said, we're we're the circle. When he gets

01:26:24 to the Marcelo because of the he didn't he didn't even he's got to

01:26:29 his car, he's run to his car is a car is a

01:26:34 part of the part is a part of the part of the house. We the house totally

01:26:40 apagata and she can't. They're they're they're going to go to

01:26:44 go to a car in the car of the mom. No, they're not there. And Marcelo

01:26:51 is like oh, Marcelo is to say that himself. Don't be a

01:26:55 coward. You know you know you know you're in a problem. Never

01:27:00 functioned what they were doing what you didn't any said you

01:27:03 didn't in the mind you'd other words because you

01:27:06 to make a what you were the when he's the door and the door and the sierra

01:27:11 it's a and now he's to talk a song that says

01:27:16 simply don't you know not them a parca and where he starts

01:27:22 that's that is that is she she has she has been popular

01:27:27 for some some some some on the the

01:27:30 the sketch is the his a face is the absolute terror.

01:27:36 If you get to the house, it's a outside, and the

01:27:39 Alexa is to pay the instant. He not has in his

01:27:43 cellular that those, let's playlist. There has no,

01:27:48 there has no, and there is a lot of his friends,

01:27:54 no know, but he's going to do you do those

01:27:58 things about how can't intervene an Alexa, how and discover that if there are

01:28:05 manners. Ah, it's a tranquillize. And how they're getting to my house? And how

01:28:13 they're doing when I and how they're doing when I am going to and I'm going to be

01:28:17 to do this the first two days is paranoia. Me are spying there. There are

01:28:23 there. Because if no, no, I'm I'm not I'm going to go,

01:28:27 it's a time you a song different. For a a new of the flaca, would be a

01:28:32 and other other way, and other the relation to the murder, that he, in his head,

01:28:36 he's not he's not a good. When he he's a man, and he goes to

01:28:43 the Alexa, then he starts a song of the Nero-Jorona, and in

01:28:49 his head, he has he has been many, he's not a

01:28:55 time he's not a comod. Yeah not is something there.

01:28:59 Marcelo he was with his friends. His friends, all from

01:29:05 those from all of these day, have been seeing things rareas. They're not they

01:29:10 want to get to you know, not they want to them. Because when they've

01:29:14 talked about on the something, the and the panllas and

01:29:20 they're videos strange where they have heard voices of

01:29:24 Anel Mitchell in a middle of a exorcism and

01:29:27 things that they they don't want to know

01:29:31 they to be to be the pasted. Because when they're and they're they're

01:29:36 all right, the things are quite when they're they're they're all things are raras.

01:29:43 Marcelo, the day of three months after, no, and it's that the death

01:29:48 you're doing. What would you do you do a entity to an entity to do a lot of

01:29:54 a possible to plan your summer's story in Europe with WestJet

01:29:59 from rolling countryside to cobblestone streets Begin your next chapter. Book your seat at westjet.com or call your travel agent. WestJet, where your story takes off.

01:30:20 You recommend with all the heart. If you want to dream, under any circumstances, you'll listen this story. You'll go to tell you one of the stories more discabellated that I've told to the channel, but also one of the most macabres and scalofriant. This, for what I'm told,

01:30:38 that was the of Diego about about about a

01:30:40 nine years. Diego, we're going to a facet of his

01:30:45 life in the that he didn't he had, I had

01:30:50 a purpose. That he was to look to

01:30:54 different things that they would help to understand

01:30:58 to I think to consume things and from

01:31:02 to get to certain to certain of persons. And it was

01:31:07 important to know that for Diego, the fact of a significate something something more than what

01:31:15 was living in this plan physical, it was more important, it was more important than than the pleasure in it

01:31:21 me. Diego, because no generate dependencies. And this is no no,

01:31:25 I'm not I'm not I'm not I'm recommend to start those things,

01:31:29 because are things that in the first in the first situation, all it was all the

01:31:34 case of Diego, I think it was the initial of the end of a lot for something

01:31:39 a lot of one thing was going to other, persons saying about the encounters

01:31:46 mistics for the use of this type of other people trying as

01:31:51 creencies very call us peculiar these difficult to diger

01:31:59 it. It's was of a form underground, very little, like commercial,

01:32:09 very little to hear of something, something you just you're to know if you

01:32:14 are much in these things, something, something was the three Maestros.

01:32:19 It was, for you make you an idea, a style of creencias with

01:32:25 practices that were in oj of paper yeah a a muched

01:32:32 and deseched in a book made to those are like a kind of

01:32:38 that's not you don't you know that exactly of what kind of what

01:32:43 that was all that was like amarado with some the

01:32:48 but it made made made a man so it

01:32:54 was macabro in the reality that that that there

01:32:58 was there was the the book of the three maestro. That the practice of the

01:33:04 book, there was to do it to do this way of the magic. I don't exactly what

01:33:11 was the content of the book, and I say, all the things, I'm

01:33:15 to tell you one of the things that me that's a more than it's a

01:33:19 more more than he's he's he was about that the that

01:33:30 Factors Reales, Pequenies tachadas here and there, in the members put in contact one an erida with the other.

01:33:37 In the entrance, that is something very dangerous to be a level of health. And here

01:33:43 they were the other other way, the other way. With what the things,

01:33:47 it was something that was a little, it was something after after to use

01:33:52 it was that that's the never was never was a

01:34:02 little is a important his busk to find out to see that it not being

01:34:10 not the things that not even things that are talking about, in what type of you're in a world,

01:34:16 in a lot of the but more than you to learn to be because

01:34:22 I'm I'm to know that I'm that when you're in this type of

01:34:26 the if you not you don't have the eyes very are open

01:34:30 if the feet being put in the earth, you can do you can't be

01:34:32 like a a year, he's the people they're they're

01:34:38 saying that he's he's doing his don't because,

01:34:42 because I'm to get a pain, and the way, prohibited,

01:34:48 to do do you to get to know to know to know that's

01:34:52 people that they don't to get the things, a type of

01:34:57 a sect extra dolores in the body and he said what was they were

01:35:05 they were they were they're starting and he he was discovering his don't his powers

01:35:09 he he was he was a person possibly I'm that he

01:35:15 feltio special she seemed different he he started

01:35:19 to go to the three maestors no no no one

01:35:24 no two no three no three no no no no there no

01:35:26 no there no there's so he Only those who persevered, will know them to the three

01:35:33 maestors, and the masters those molderan to their image and semehanza. What carho significabes? Diego me

01:35:41 he said, no I think idea, but when it was I was full of euphoria. I wanted

01:35:47 to get there. Because they said that only many people they were and it

01:35:51 because the day that we did you the day that you did you and how many so they're

01:35:57 going and we're we're not we're little of those valiant because Diego me

01:36:03 this is all with a whole of sure that is going to be going to the history and

01:36:10 that's practice still augmenting different types of things things that

01:36:16 you can you can quite but the use the use the is strange

01:36:19 to make balls of things that you have to

01:36:23 put in the food of people that you don't

01:36:25 you'd do you do things in the you're you use

01:36:30 little things that were the essence of the people that if

01:36:36 did you do you those they were they were they they're to

01:36:42 then to get to you things that not we

01:36:47 don't we we talk of a very a very

01:36:52 a I was a bitorsed, and Diego me says, I don't know, for me it was only

01:37:00 escalar, it was a scale, the hair of my woman, propa of my man,

01:37:06 that I know, because every that I get, I feel that I see,

01:37:10 I feel, I'm in a way, I'm like a because when was a primary,

01:37:14 we'd we're together, and now he, he's a carraso and I

01:37:18 don't know to study, that car so they're car, that's that maldito. I'm

01:37:22 I met in the house when he was a little bit in various

01:37:27 occasions. In various times, in his refrigerator, I don't see who he's who's

01:37:32 the he's the thing he's not too that's too. And even

01:37:39 he, he's he's certain part of he, still there,

01:37:45 and it doesn't suffer. What is a In the Inferno. Because he went

01:37:51 and continued and he went doing things that done you do you do you

01:37:58 and the person to get to someone and I'm rasgued you're and

01:38:04 you're and get that a little a little to get to do

01:38:09 so then you then he then you all and he did

01:38:15 know that was what more he more he

01:38:17 portable, I'd do it and he's kept in nothing. Stando

01:38:22 there. Only there were five in the group the person that the person

01:38:28 that was five of the 50 persons that they said now, now, we're

01:38:34 we're we're to get to the phase final. They're disposed

01:38:39 to enterers in the body and to give to the

01:38:43 nothing, for that the masters those molden to the image and his

01:38:47 and he and he was more he was a very he was he was so he

01:38:53 was he he was that they were to not the one he went to

01:38:59 four and the person that was the person in a day,

01:39:06 they're in a time a time a one a

01:39:09 question of maintaining, it had in-serrata for remodelation. There

01:39:14 were to a rite sacrilegal. But there a detail, there's a problem. Diego,

01:39:22 in his many rites and different things that has changed much his form to be

01:39:28 it's a lot he's he was he was he so hep of the

01:39:34 family that was always always always, that was about about

01:39:39 about about about about censorial, disconnecting with the universe. No, of a year for a car, was a manoebaugh, mal-encarated,

01:39:49 molest, a person that you'd and you'd be able to get to be the instant and you'd

01:39:56 not to say, and your family you'd have to know coincided the things

01:40:02 for their good. When he he gets to his day in the day in the day in the

01:40:08 day in the that was the reunion they're there, all his family, with his

01:40:13 primos, with his tios, are at going to do you're at a point of a

01:40:18 little in the table of the three masters, that now he he had to be the more

01:40:24 the most the great, he had been the people of the men,

01:40:27 and other artilugios there are there, and there are very

01:40:33 and they was, that it was a matter that I'll sitate

01:40:42 he when he when he saw he was disparated to the house there's there's

01:40:47 no way to explain that's not a head was the head that's there's

01:41:03 that's been that's been there's always there are various things illegals there's He went

01:41:09 And while I was going to be going to go back he was going so he was very nervous

01:41:15 he had no he was never had thought because all this discovery and that

01:41:20 the encounter of the blah blah was patroc was patrocinated for someone and there

01:41:24 was the life of the life of the life of the

01:41:28 time and that he had that was that had been much that day.

01:41:37 Because when he was accorded of the ritual of that the place in which they were to be

01:41:43 at the two in point, it was past that hour. They were at the one to one and

01:41:49 a half. And he he gave the image in his head the three maestru we were

01:41:55 to know. We were to do, all what what I passed this year, all what

01:41:59 I'm trying to do you do this and he sacrificed for nothing

01:42:02 and he's ran to the church. Of another way I'm going to

01:42:06 have to have a other form I'm going to form a part and I'm going to do you

01:42:12 do this is what you do you know that's what this story not the story not that's

01:42:20 obviously that's not so and two makes that these things not those

01:42:25 don't want to when when he to get to the church

01:42:30 all all all still all the So, it's

01:42:34 the door and there no there's a room and there's a reason,

01:42:40 it's a little bit of the logic to make, a lot of and they're, that's in, there's a

01:42:58 time, and so they're in somebrows that are reflected, what he says, that in one of the

01:43:02 other of the places, the altar, probably in a salon, there is where they're

01:43:07 they're they're trying the same, you're going to know they're not to do his robes

01:43:13 ceremoniales, not he's prepared for the occasion. No, he's the book of the three

01:43:17 masters. But he's going to this year no passed in Valde, he met for the

01:43:23 ventana, he's coming and he's going to he's going to be going to

01:43:28 how it will be obligar to that they're to how how

01:43:32 how to make us enter in reason. That is

01:43:36 magic because what he rompe a reason. The sombras

01:43:41 front of him are of three subjects. Three sombras great.

01:43:46 Sombras that he know if he don't know to the three masters

01:43:50 or someone but see how those sombras make

01:43:54 a movement very stylized they they at the same time, at the same instant

01:44:03 the three of the whole of the body, they see that the type of the top of the door, and it's where they're

01:44:11 they're doing the hands at the same time and the body is to form. The head is to move

01:44:17 the body is to start to start, the body starts to move to and so they're

01:44:22 and they're not a grus and they they're in when the three, castes, He commenced

01:44:32 to hear grits in the other he he's that the heart

01:44:37 he's not what he is what is what is the gritty and be that in the

01:44:43 entry the the type that was the he was there is

01:44:46 unmutable that they they're to make to be part

01:44:52 of the nothing and and it and now

01:44:54 that now be part of the three master literally

01:44:59 literally mind. It's a mud, he's a little because the retumbe

01:45:05 the sound in the time he's and he's to come in so long, that no they're

01:45:10 there's a moment in the that's that's that's so much that's

01:45:15 that's that's that's that's that he's a one

01:45:21 and to be to the time in a back. His

01:45:26 his Serebrofeo. He was there. He sated in the bank waiting on the

01:45:33 time. Who knows how time? It was, when he saw that that's the

01:45:39 court, they were to get the people, all encapuchated, four. Adelante

01:45:46 he was the man he he was in the way to the three masters

01:45:50 behind? The three maestors. The My heart commenced rapid,

01:45:56 but he, in those seconds, he was atrophied that he's his brain he had a

01:46:02 good, like when the television was the signal and it. Yeah, he was

01:46:09 a way, you know, you know, there's going to end up. When this

01:46:14 subject he got the middle he was he was conscious that he was sure

01:46:20 he, he put the hand in the arm, and he says, Mal a suitor, Diego,

01:46:26 the next year you'll be a lot of the three masters. He does the middle and he's

01:46:31 up the window and the other three do the same. Here you a situation.

01:46:37 Diego remember that when he tried that when he was a face, it's

01:46:41 like to have seen a nothing like a sea

01:46:43 and yeah. Diego said that day of that that

01:46:47 of this he never never probably he know

01:46:51 he more obscure. And even that that's that's the

01:46:53 that's something, that's that they put it and they're that they're there,

01:47:00 maybe some of those other people, maybe those three masters,

01:47:04 someone, because all the years, you know, the necessity to get to

01:47:09 them, and be part of that's, in some way, has been to have

01:47:14 done the other in some way, to get to get to get to get

01:47:20 loco, because he a little of those grits, she can't of those

01:47:24 gusus grugient, she remember of those sombris deforming and in

01:47:28 his voice grita and that's the only that is the day of he impede present

01:47:35 and to start his process in this way to be part of the

01:47:40 three maestors and you have you have heard of the

01:47:53 three maestros? And with this history we've got to final of this

01:47:56 oscura fogata of stories. And for you, dear family, that's in the platform

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01:49:23 The reparation is manual. And every episode to repair it, we'll get a second of one hour. That's a time has made, that's a labor titanic, because thanks of you, Famine Nocturna, that has been supported much, well, we have more of 300 episodes. So, at the day we're talking

01:49:39 between six, 10, a lot of times, even 15 episodes, but it's around around a hour. We're talking about 15 hours of work, dedicated exclusively to that that. For that it

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01:50:02 first 10 of December, that's that should be to be a solution to and now. And now

01:50:07 there's there's part of the form in the way in the we're doing a

01:50:12 lot of we're going to be a form in that is a much

01:50:18 a lot of very normalized and not oversaturated. So is that part of the team,

01:50:23 a disculpa, we're not if we're not, we've been put to change, but for the

01:50:27 changes that was the other we're doing this, and we're doing, it's that the

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01:50:39 the rest of the rest of the people, we're getting in this,

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