HABLEMOS DE LO QUE NO EXISTE - 5 Historias de Brujería sin Alma , Demonios Espía y Chamán en peligro | EP 242 | EL NARRADOR

Episode Date: November 25, 2024

Bienvenidos a ésta Nueva y Oscura Fogata de Historias PARANORMALES de BRUJERÍA sin alma, DEMONIOS Espía y Chaman en Peligro El día de hoy les traigo historias que ustedes querida Familia Nocturna me han compartido en el whatsdelaspesadillas y que tienen un toque fascinante y oscuro de HORROR. Tiembla con los eventos aterradores que alteraron la vida de los González luego de conocer a los INQUILINOS MALDITOS. Descubre por qué la MUERTE sigue a Marcelo y por qué Loretta teme por su Chamán. Escucha de la liberadora de DEMONIOS y de ENTIDADES tanto extrañas como espeluznantes que seguro serán protagonistas en tus dulces pesadillas. Así que prepárate porque llegó el momento de que  @HABLEMOSDELOQUENOEXISTE  Hablemos de lo que no existe es un canal de youtube con el formato podcast que comenzó en abril del 2022 su primer episodio fue vivo en un casa embrujada en el que una chica narro sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de este canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de este canal , la familia nocturna creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de este canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando esto tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora. El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado

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and profite. Via Rae, the voice that we love that this foggata of stories. The day of today of

I, I have stories about of casas malditas, phantasmas endemoneados, rites

that are satanical and pactos very destructive that we could say that are they're diabolical but before

to start for all those that is the first time I'm simply simply simply I'm

simply I'm simply I'm once said this dear family nocturna

we we're we're we're this has you've heard

you're about the phantasm rogo if no I'm I'm I'm

They say that not all what is gold and that is good at a lot of your life. Lamentably, they're not in the family

Martinez. The family Martinez is composed by mom, Papa, and her only daughter,

Elsa. They've got to have the great thing that they could have had been in their life. The papas

of both families were they were they were they were they were that they were they were

that they were certain money accumulated. So, so, without prior to

their own, they're one, the rest of the pay of the they're to have

to have them, but they're they're they're they're not much fear,

they're not nine years, this little nine years, they're having a

life and they're and the paternity and the other and the things

were in more risk of the they could at the

final, the families those were the type of people of people

that are and they're not they're not only they're going to they're

so they're so they're and they did you all the thing, all the way.

I'm going to this because I think you you can you can't perfectly the day

in the day in the two families of the department in the

part of the part of the when they stocaron the door and went to to open, yeah, with the night

a little bit in a minute, that were they used to be in batte, a point of because at the day next

his little bit to get a time to the school, and they liked to be like, they were,

they were the example. So, when they were the door, standing the both in bat,

and standing a me, maybe despeinated, and they were both and they were both families

afuerah, well, vestiges like if they were in a lot of a lot of

and in the other to say they're some of those are they're in the mother to

the father. You can imagine the car desconcierto? No they're what's

what's what? And after that the family saying you're they're in

the case. It's the noticia most impactant that they had

in their many not said, if you're going to take a

good. I'm going to a whole of a bit of the thing,

it's a going to this is a time, they're almost 30 minutes

in making to make them to get to and and

the second family was a bottle of champagne

because I want to the most but the thing

was This not was a not a fallacy, not were in the things not made, simply both parents

had been that they were to help to do you because as you've done it. They're much

at times in taking decisions, in reaction, then the parents of Elsa, one

after the surprise, went to this house, were to visit to his home, not to

move to to visit them. And Elsa was a little, Elsa had nine years.

Elsa is a a little chaperrita of the white and a baby red and a

little bit of the attention because his papas are in the couple of but they're that the

abelal blah blah that's that's stories where we know that's the that's the

thing. What Elsa had the same eyes of the same

mind. There was no there was there there was there was the

line of the line of the line apparent there is something that they're

not because when they went to visit that house and they were in the place

that's the place to be in the little she sent you strange. I was

excited. But something there in that room, something that was that's

not a good, and it was a sensation came to a part

specific of the room. The right there had a a

very beautiful, and then it was a pegged a page, and it

was a one of a little to be in the venter to have put the camera,

it was then I was he was I'm not going to get there, and it

and it was a little and a one and a quadra that was

a meter of the one was a place, his hair to the small, the

only of her. Her mom and her father entered in the room and they're in the little bit of thinking, and then

what I'm saying, what I'm saying that? She was to be able to because I felt

something like a a scalofrio that he recurre the and he was a

minute of that was a space and just moved to the head so.

Something she he said, no pices there. But you know

something? a situation. A sometimes, for the age, a veces, for the circumstances or for the emotions,

the children don't communicate or not know they're not communicate this. Because when they were

more than a thing, that was that they were to come to come to their room,

but it was that's great, the the camera was there or there. No,

there there. There was not there. No, it was the

just like that that was the thing was a space. The corner of the

square is the space in the place in the Kelsa no was to be. And that made the different things

that for their fathers were graciosos but they put an alert because they were to see that

she'd a car recorried all to the part back to where they were the

feet and it was to be to be to be the more the more possible

in the more rar and the last not the part vertical or

the long of the camera, she was just a peggatita this corner.

No, I'm a second to get a one. After of a mom and

papa, that for then they were all in all the half was there and they

were in the there had been that they've had been that

they've went to and they they're they're and they we're we're

we're we're not going and we we're not you know we're

not you you're not you're not comodda with the camera, and there's where Elsa says,

and I say, I'm going to do you know, it's that's the space

in the camera. And his mom, he did fear. In some

moment, I've heard, about about the social that's

that's obsessive compulsive, and he's all allarmas. And

there's there some, that many times is the lack of the that makes

that we're that's that we know this because in the

head to do a alarm and he's no, my my

little my my little not that the idea,

the obsession of the was to be a little a

normal in the part in the part of that should be

to not I can say the type of debates

that occurred there all all the days to

get driving roces. The little up a camera as she was doing

because she was always she was very incoomod for the space and she was a little

and the mom that's in the you're doing. It's. It's, Leggave to the most that could the wall to to be the

corner to be the corner of the area of the when it was all the everything was it was

like if was in a problem and you know you know I know and all

we've lived one once you doormes you you're

a merced of the and in some that maybe he was

he was a elsa in a a colina or in the or in the

that maybe was he'd turn about a piece, the his body

rode. And he turned and he was to go to go to and he did he

gots and he had and it was a curruco making a little like she was

in the part superior and the camera and you know

you know because in the suno when I was when I

was what she described like a A phantasm rojo. A phantasm rojo, a mancha there that was a mancha there, and then with his hands rojas, he went direct to the rost to tapar the

eyes. He gave a fear tremendous. Never had had been a pesadier. So, he was bent of the camera, and that was a lot of the room. A mancha roja, that seems a manse man, but a way not. Imagineate, like if you utilizes some lenses that you permit see everything

and with clear it. And when they're all right and when they're all right. So,

that thing was there was a totally burrosa, no pixel a borrosa like if

you were a little all over and that that's a mancha roger that she

was going to get to he was going to move to the house and it was it was

and so that's the day to be to be a little I'm that was

in this house. A part of that day the things

changed. Elsa, yeah not the same. No, because he had a susted the phantasm rojo.

Definitely. To be that not a greatable. No pego the grito. Why? Because the

last two months, mom, no, you think that you want to be a little

definitely? If you're seeing a manch-roh rogas that's moving, no,

they're not to be she can't she can't be so, so it he kept

with that. And it changed, and it changed, for something. That thing dambolab in the

house, and she was a little a little bit of a bunch of a lot of that was over that waspasable

the time, that was when mom was in the thing, that thing was that was to be

after that's like if he was able to be able to get to the back, and she was coming

and she was a coming to her mom in the zone in the one of the

I felt like she, how she, to some way, that that thing was a lot of the first of the phantom

rogo, of a Elsa perceived a rosa, but Elsa a little he was, and that

was the poor. Imagineate to bea backhating you, you're seeing that you

are observing, and then all the part of your past of your past and it

it's erisar. Like if you're going to some type of a point of

a current electric, that's that's that you can control. And when you're

there's, no you know, but you know, you know, that's the phantasm

rogo, only right not you don't know, you're not the same sensation, the same

sensation of the same sensation of the same every that's every

every time, but there is a same the fourth is too normal, except when that's

a cause there. Elsa has the idea that's a clear that was

a capture in that what is why he he was when he was a little

a new year no has a idea but why not it's

a and why why Elsa that has that has already still

still still again that he never that he

was the the time. She was trying to protect to his papas of something that no I could explain, because then she was a little bit of a child that she was a second when she was borned. When she was dormied, was vulnerable. When Elsa

was there was a car was. And it was that he had no, he had a minute, and no her left. Because every time was more And Elsa was to know because the presence of that thing

not was a percivability to his instinct to your or a maybe to something that's something

a lot of whatever you know, because the day of today we know that is. Elsa

no idea. What was that was that was that was in his own his

body, was in the body was in the the phantasm

rogo began that those were every a bit more tetric. Because the first first time that appeared, he attacked.

That mancha, she came to her, it was like a man close to the car. And she was a little bit more so much too much. But in the next occasions, when that thing appeared, the reality changed. No. Importable that was

doing it's in the sun, no important, how much, that's so beautiful, that too, how much-deltsy, that's realigned in the a dream is more. That other not respectable

the fact that not that was not the when he was a when he was made

macabro. If was in a house, the house changed all the color

all and the lights and the light of you're going to you can't be that

was the that you was the front of the time the phantasm rogo that's

the end up directly to you If you were you in a coline, in a camped abjured, you'd start out of

you're goings to see your presences, you're going to see your and you and you and you

see the blood, sent you were the and you only the only that you could

visualize a phantasm a rogo that's going to let's it was that was

going to power that was maybe it had to the energy of the mama

or of her And this not is a conclusion that I do. Not is an impotesis

that I do. It's the ideas of Elsa. Because me say,

Narrault, I agree very very well, that I know, I know, but

the more time it was, my papas were worse were were

they were and were they're they're I were they're

I sometimes they they they they they they

had my papas, very enamorado. They were two people who were really, and they were much. In that house, it was the first time, and then it was always a customary, that father's to doormeer in the comedor.

Yeah, no, they'd doormeas once together. Why? Because those days and they were, and they said, things horroros, things that sometimes me had to tap those hoidos, because you know those wanted to hear. And you know, you know, that was the worst, narrator. That when they used to talk in

the passillo, because I respected, no, I want to to get in their problems. They're many times me

have been said, you're not to make me to get me in those

things. When they were in the pass and they they're to

they're I'm that they was the more the phantom rogo.

That thing was was affecting how and how and I don't know

I don't know I don't I don't think but there in the

all all of all And he gritted. No, I remember if it was because they took the timbre, if because a pacharito was a circle of a

window and not parable to do or if there a sound in the house that was not he was a constant. It was for something.

But my mom was to take the case, and he said, yeah, yeah, I'm not more with this.

Yeah, it's a much, it's a so, he's a narrator, never had

seen. Now, I thought that my mom had been a he was a lot. He started

and for first time in much time they were there's always that I'm because also with me

the trots and they were fos. Rudd's me about the forms horrible but I thought

not they're they're that's the phantasm rojo the phantasm rogo the pantarmas

he's doing that that's in the cell it was I'm confirmed

after after that we're and that my mom was a rompio they were

coming to the cell they're in the commas I'm in the

commas he's he I'm that I'm heard my my mom

began to say to say to say to she that she

had been that she in these times she and

she and he were in a little in there

was a there there was a man that

he could be to the that his hands were amarillas

painted of rojo was all incapuched with robes and then when I'm a mom and a

papal of the ombr, it was like if those were malus. And she

was the night was the same but that always was going to that first

was resisted and then he was the first occasion he was going to go

after this was this was like a little was a

The phantasmas and put a daga in the hand to each one and said that me I was over of the altar and they were

to do you do you. I know that for the channel, no can't say certain but that

you know, what was there was there to me no there was a way to that I'm

that would that may that's that image was to the head of my mom

because all the days I was I was soneying with that and it's that's real and so

longed that was a true. When my Papa heard of this he's parted,

he started to give and he saw the cell, no I know, but I

know I and I he said, I've and he and I be and I be and I be

and I was going to something in the head of my head to the I know

I know I know I'm what's something there he's he said

yeah, but I've had been the the last few the last few the time. And if I'm not

much courage, me feel with much, no. And if narrator, there, when the two were more raros than I,

I knew that was the moment to talk. I was the phantasm rojo, is the phantasm rojo.

And then my papas said, no, these things not these things, not you're to say,

but I'm, my, pap, papa, is the phantasm rojo, I, you're in my When they were to

me accostar, I was I'm a little narrator. The life is

very strange. My very strange. My parents no

me cregier nothing. And they were like for having those

heard that that the problem was that they

they were that they're that that case we're that we're

not so that they're not a a little that the next we

move to the apartment. Not it was the same, but is the same building. Dejo to perseil us,

he was to get to us, and I, every that they were to another

other thing, never I never went to my parents, I'm and they're and in

those rents that I only I heard that there were two two

parages to the long of five, six or seven years while

they And those two Paras terminated very bad at the point that a man

almost desvied a his wife and he ended in the carcel to do day of

I can feel because I know I did that I'm with a levosia

with any but I'm sure that I will be to

the phantasm rogo and also what I have to

think that that that is a demonio and that something

something is in that that house. And I know if it was to try it or to sell

it. What I see is that I do you let me. And now I'm you're

I'm I've said, you know, has said that you don't you get to

that you're like the stories of terror and you get the

you need to hear this this story. This that I want to

let me to make a little cortes because there many people involved and there

so much the time that's that's that I'm don't want to make us those

names and you and you are not they just to talk to the

family Gonzales and for that we're all that family Gonzal

just are mom and father not the little

the children more or how it's the real than the other for

two years. I feel the impression that the most great no has been more of

14 years and it's to be to be before to do this before you know,

because this story is a story that's a terrorator is a strange but

for so it's absolutely macabra the family Gonzal

has has had to have a situation very difficult the

father had a accident laboral very very has to have to

a part of the arm and the man and the man, they

they've they have a very good for the accident

laboral I'm talking this about the year the year

the and the sir gonsal apart receiving that

money has to have to start to make

that that that that that that because not

they not they in that then, then, I'll

go in a rent a very bad at the time in the time in the time in the money, not the

money, you're going to get to be after the time. He took up with an offer in the

period. In the a hour and a hour and a half of the center,

for you imagine, here, not you not you imagine the cities of the day

of the 90s. The cities are medianas and when I take hour and media, it's a carretera, out of totally of the territory abitational, as more populated. A hour and a half of the

place, there's a rent that practically is like if you're paid for living there. Because they include bonuses. No, it's the only offerta that I've seen so. Let's cobran, we'll put a number. $100.

Pesos, for that you know, to do you $5 dollars a month. So,

no has no time. But apart, for every month that you get to the property, because the

family that is a family that is a family that they're in a certain so far to make a

money. It's a offer, but that's it is a money. It's not doesn't.

It's the Mr. Gonzalez, no, he said, he said, he said, oh, yeah, I'm going to hear the house, no, I want to see, never me a lot.

I mean, I need that place, because circumstances personal, I'm going with my spouse, I'm going to my children, when he's going to

say, oh, wait, we're going to we're going to we're doing, we're doing that we're getting a situation

difficult, give us the opportunity, we're going to be in car of my kids, and what you

are doing to do the I'm going to be the basic not you're practically to be doing the

property. Here you're going to the property. Here, for what you say in the question like of ingipis, seo, you're, in person, inpermabilization, no me. And I'm not able to do you. It's a job.

And I say, that the end of the family and if all is good and they're in and they're going to get,

we're going to do this I'll end up the first month. No, it's not of this. I'm talking

of the 90. $200 dollars, are good, 200 dollars. The sir Gonzalez spoke with

her spouse, where actually rentable, the rentero he was the situation in the

they were they were just they're just they're just He was saying, is that you in some moment

you're not going to start cargating with that. I'm going to keep that we're that's good. This,

for them, was a miracle. It was a situation that not could be going to happen to have been to

have been the lottery. They were to be able to get a going to get to the money,

they were to be a good and apart as they're in the apart. Probably

probably everything it was more better than the city. They were more than the children

no. The the children, no They're not going to go. The kids, they've got to say, they're adolescents.

Adolescentes just at first entering to the adolescence, piseando. But you have they're friends.

Then they're not they're not in the circumstances. No, captains the need some adult and

did you know, let's clear-as- their postura, because all that day, God,

the thing most insuppable that you can't imagine, from, from,

from saying things, and to go, to the peor attitude that you

imagine and well the father and the manned there's there are in

the car in this car that's a man and a middle of the city and they

they're they're they're they're getting to a one in the

in the in the more or almost every 300 to 500 to there

there a kint ranchito bard bardit made made

of madera that they have been that are that's that's that's that's

there's that's there's some that's made to do like a bardita

perimetral like to say this area this area but it's more symbolical

than other other other other other of the houses

not they're animals they're there some back there

some some there some other they're still again

The red, Hormoso, the air limpio, no there's there's a lot that the way,

it's a lot way, because it's a lot but it's the only. That's what that's,

not, marvellous the only that's the the other is the time the

time in the house, but we we're we're we're we're all

for the time and in the the the worst of the the 40 minutes

or we we're going to a we're going to not This

not is an idea that's a person thinking in things wonderful, but when they're

going up something when they're going to do you're and the they're saying, and they're

and they're and they're that many they're and they're and they're so they he's just

he's he's how you how you see you're going to come

for here but he he's like very very and no

the Mr. Gonzalez, Feliz, he said, yes, how no? I've got an offer

of a job, and where he said, I saw the person, he did he's a rarrow

and, he'll do you, no, where he to do you he's he molester?

Nothing, just say me to where to work. Well, it's in the call, that's this

in the 411. Anderle, he's and he's and he and he was, and the

Mr. Gonzalez you know he's he's passing. But at final,

it was in one of the opportunity he was to let her to pass to a year to get to

his carrito and then he's he goes, he goes, he does type of saltotes whewers, fournid,

where they say, well, not they're of this territory, then then then it's not,

and they're a accent like between Mexican kind of kind of kind of with

words in English and something, something, a mix, a text mex, they're

to understand very well, he they're they're a question of a

little of the one of the one of the person with the he's he doesn't

he's he's and at the ender he they're they

they're they're things that they're not that he's that's

that's that's that's the situation for favor not

not not not not why who who who

The second, if they're going to go to the house, need to be able to advise us minimum three days before. Well, who's,

if you're going to go to this offer? No, I'm the third. There's a room in that it's

that's probably to enter. We're we're going to let us we're not but very remarked.

And then no, no, no, you're going to have to have to have to

have you're you're for living in your house? Well, it's a very rare

this. Because the people they're they're they're in oh yeah, not more

that I'm just that I payed the $0. And he says, give me $95.

Pagem you, what me do you. Nothing more. No, he says,

well, so, so, for those they're so they're so they're

so they're they're the last they're the other Tenga with the closet

of the apartment. No has nothing to send. There's the family Gonzales.

He's is going to get into the little the world that you you've got a little

that you did you that's that's that's they're all the way to the

city, to start to see and see to be there to the school

etc. They're they're in the middle of the nada in

a rancheria where the most of the most amissive was to be a back. Dentro of the

house there's a oldisime even in even for these years they were they were more

more big than the old things that was that they were there before

before. Well, they've there was there water, there was the

services basic the television was good, black and

was this rule black, but for the other difference is that

not More or less we're talking a technology competitive in question of not so good quality. The point is that for the

Lord Gonzalez was a marvellous was a man, for the child, but they were to talk to other other thing,

but they were to accept the reality, and the first day, the things were to marcher to the first, is that when you were

to get a back the things, and they were going to get a the second of the five

the time, they were well, minimum presentarse with the bestiners with the very

very strange. Because when they were on the property and they were going to be 200, 300 meters of the

second, the second, they were looking, and as far as they were going to the house

like it and he was a car that really, that people that rar live here

they're talking the people. Well, let me let me let me the next,

and the was in the porch of the car, was in a meced see a day that they

are coming and they get in correying. Because, who know, yeah, for the

third person, they're they're in the time, and say, I'm

not going to be getting to say, and to say, people, and they're very rancher,

and rancher to refer to people who have a education with the who know they're

not able, we're to get our energy in install us in the house.

There is where came the second problem. because when when they're to open

the and when when they're a very rare out of the house and it's

a noise like if there's a a psalofan imagine a little

that they they're they're and then it and then it's something

something and then that's that cellofan that paper so it he doble

and it and it they're they're the number of

reference of the person with the person with the person with the moment, he says the first. And he says, the first, so direct,

oh, no, not me diga that he's going. He, no, why I'm going to go to?

He'll, I'm a question. What happened? Here in the house, live a person?

No, because he says. It's it's like one person is a maskando.

Ah, no don't be so, are the people, are the the

people, what is that. Cases of the house, Rewos. But we say,

with that we don't know we're going to we're doing not the people, and he's oh, and

why you don't not you when, when I received the people, no,

you know, you know, so not those are those those or you want to

go, no, but there there's there's what you to know,

I'm he's not he's the house? Well, it's rather,

but it's not bad, list? He He justed the money. Yeah

it's going to you know, three days before we're going to be to be able to talk about on the time

but I'm going to be going to end up to end up this. So is that if it

not copa something we'll do you can't put it. The sir

Gonzalez has a situation has a much because he was a problem

to the family that he was he was he got to get to take to

tach and the city. No, he wants to to tell them stories of phantasmas.

A part of the question of the people, and he's changed to be the little bit and he's

not, man, heho, are the animals. Because they also they're asking that that's macking, and they're

also that cellophan. They're to pass three days, until that they're doing the

room that the room of the area that the zone that is destined for the

closet in the room, the abitation more the place, in where the two

subjects grand, the two new ones of the place, they said they're they're not.

But there's there no, there no there. It's a room and

then it and then it's a re-quadro in the which is a little

a little escalon and that that's a area, it's totally basically

there, no, there's no, there's what they are the closet.

Because the side of there there's a point to the room, and then

that's a room and the room of the room of the room there's a little bit

a little a little there's a question, they're in that there, in this person, it's

a little a plastic, he gets a over the back, he's mastic and the plastic

it's a little to and he he's a and more or less two, three hours

after again, do you know they important the hours. That that's

that's there, he doesn't that's the plastic that nobody can't

see, to know, what's the animal of the house, says, Mr.

Gonzalez, the the culp is it's going, and he to be

the need, and want to make more an environment like

of the days in that house are the same

but the fourth night has that see in

that the nights that the night are going to be a piece in the

quarter night the children don't have had had the

money and they don't go to go back, they're not they're

not not only because a part of the house

that does not not because the second day

got a part of per people they they

don't they don't they not they no they

don't property. And they're adopted. And it's called Rufu and Refino because they said they're the first number

that's all over. Because they're going to get a new person and they're going to get a but they've been two days, no

no other no more. The father's a form in that he's a little bit of the head.

PASATEMO with those animals, they're very well, but is where they're not those perils

and why nobody came with them and it's rare because in the night, they're

They're in the abitation of the little bit because the apartment of the little bit of

a little bit made out of a bit of which are these vix that you impede in what it's

like it is a distortioned, a little darkestead a little light light

and it's a day, no, let you get the light to the night, it's horrible

because the perro's the men, it's just a bad, and to

those they're It's so It's just to pararse there in the night. And they're

jadeando all the time. Jadying and and jadeando. The kids now have transformed that's in their

in the room of the plastic that is that is the sweet that that's that's

that's not that's that's that's not horrible because I'm saying

something that I'm in the fourth night. In the the fourth night.

The kids are going to cost. They're in a caja

semi-abirt in that they have been the little it's a car in the

game gameboy generics that they were of a market in special

and simply you you had a music very strident and

two buttons and let us those buttons that you manage

that they were over right and a b. And with this is all the thing is The point is that that

thing, they had there was a worded, and they were they had put down. It was a

game of a new known that you also, that you also did you also, to be the the person

and to find out of the person that they were a other they were a problem.

I'm probably to the game. They're just they're not they're not more of the problem is

that in the quarter night, the two or three of the morning and it started to see a

real real a bit in that a room for the night and the night

and you know we're the jadeo of the men the girl she

gets a sustadish because not is accustomed to that that does

get to the back you see that the car is a and see

that the he's he can't he can't and it He came coming to the camera

and when he when he came coming to the brother and he says because

you put you put to get to get the little the volume. And you

say you don't do you know, and the little then he then he

a voice of the voice of saying about that and the door

says, I don't do you know I'm repitient what he

said to the person to the two is the person

the hand of the of the patio is a second a sombre and where

are the people are there's there's sitting at sometimes at there there's

jadey and no there no no no no per there. And conform

the sombra is the other side the other side they're to be

aubes to and the little the little the new also

because see that that The little bit the but to all the

and that that's the that's it's a part of the door, and he into the

room, a manse a man who has a hand, and simply he gets

being and he he's horrible. A one of day of today, that you

have passed almost 40 years they're they're they're they're and

perfectly a one a smileebola a a sonrisa with

a the intentions. And the Lord, so they gets watching, and he's going to and he says, I don't

he's going to get to them, so the pap' so he's very molest to, and he plays the

light, and the man, and the other eyes of the eyes, and the father, he doesn't,

he's, because he's to make sure, they're doing the good, for the way,

for the fregos you're getting, what you say, respect the of your father's

that you know you know that's that I'm going to you're and the little bit of

saying, Papa, and he starts to talk to the father. Here you

a question. What you say is after many talks, after of many

traumas. This is the armado of the story. That is

the part that the part that the children not that the part the

father is he's and he's came the back the

when the she he's not he's about all that he he's he

he's the head the heart of the attitude that's the people

not the most the more the part of the house and the sound

the he's the sound of the plastic of the

dulce his her she still quite that so

that's so that's that she's is summently molest, he's

a little bit of the video that's he's in the little and then he's

the tap and when he that's that he has been in the hand the

she only he put the the top and say you

don't play with this and he's and he

he he's he he he he he know we know, but after

right now it's a something that's something very difficult and has been a situation very and has to be

from here and in less of a year, live in a situation very difficult economically or the

inclinos. And it seems that the people are the best because it's to get us at a

time. A lot of the people don't we're and the senior Gonzalez, during many years he will repenter

of what he did in the moment. But, he's going to get to get us in the house, and they're going to

things rare as in the house. Of a repent, her husband he says, that you

have in various occasions that she hear of the o'e and she not is

thinking in the inquis she doesn't that she, she's that the

video-gue that's so no, no, he's he was he, no,

presto attention in the conversation about a a phantasm of an anciano, no he has to do

turn to of those perros that that night, they were on the other of the house because

they're not they're there. And that after that they've that they're

back, they're they're they're not, not preston in that the

she's that she is that maybe could be a problem in the

other in the there's to be to be to be the pressure

a lot. Mama pereo that so many years. And then, they're to be a

assicino silencioso, he's the television. We have to have to have a little. And he

he says, you know, what? Tomate the things with a little more of calm.

A part of he, he's he's to do it to do you, with his hand,

not two hands, he'll try to trypeer and trypeer, intents with the

children try to get a more relationship, and he's stressed and molest,

no will help in nothing to the cause? Apart, the one of the people the clinions

is he is doing a lot of the way, it has to make that the

situation there function. But it's that the people don't

this family. Because they're they're they're those inclinions

no see, but what they're so what they're so the

person a form that discover to get to

get to mentally. It's to bring that television an because when

when it's the television an old, the real the noise black also it

also the little when he can be to get to get to synchronize and it's

there's and it's with the sound of you do you and it you're

like you do you do it's just like he's so that it's that so it's

so that's that's so it's that's the family that not No, there's

no education of this time. And then the disconnect is a way to say, here I'm

here I'm in time to do you know, and he's trying to trypeer, and when he's a can't

and he's a cell, and he's in the sofa, he's in the TV, front to him a little

a piece of a piece of a piece of and a back to do the bayon that's in that's in

the way and a little Amplio, a beautiful, and not it's rare,

like when it's so in the bayon that's so far in the closet,

that's not a great, because that that's a room,

it's like it's to be to to be to be more of

your time, the the sense is horrendous. The

Sir Gonzal discovered that in this bao he a And then he said,

And then he said, So, you know He said, he did a He said, because no he said He said, look, no has changed

to be in that time. In those moments in those who is connected watching the television,

he passed to something, a little rarro. He and his wife have had been

certain communication and a certain form to communicate in the that he not necessarily

all is for power. When he he passed many

hours watching television. So, his wife, how knows, he's

a, and not he's, then, so he a back, he took the

armro three times, he's going to his room, and he

says, we're to do to do to do that's that he'll

relax. In the first, like, so it is the second, capta

that's his spouse, and in the Thirda, she relax. He was there

sat down on the sofa watching the television. Who know how time he was a

man, but he was totally disconnected. No, there was a program in specific

that was being just got and had been past hours. He had been

of the reality. Regressed because he sent the man of her where

he was a one of the second is she her third. Serena

she relax. She He's a second. He's moving the head

to the he's going to and he's not without the without he without he without him the bayon, the

door that's the door to just to the door to the door, is he's a He's a susted because he's

his wife in the armory and when he the door, the door the door and the door and the

door is there her to a tawler more. Voltae to see what what was what he

he was the front of the the passage in the door to be a turn to be a over totally totally obscure.

Separate see a his spouse to see to see to be the passio the

passile the passile It seems that the ingilinons and have they've been to be able. Because

a part of there, his days not are not normal. His his wife he said,

what's about? You're you're putting palid? He moved the head and he

to go to her. His wife he's he's he's

breathing very very profound. He has the he's his

eyes, he has been he's the major fear that he had seen

in Really there is something in that house? But no I can go to

get a there's a thing, but there's much time in these places, it's good,

so that you can be the ideas that you have you make you make the bad

decisions, has to make the reality of a very very very

because now it's a mantra, no I'm don't I'm

don't I'm we're not we're we get to get to

and it the image not the idea of that his children

were in contact with something else he's not he's he was he's a lot of

the heart of the heart is intensified that he was a very much that's

so a part of a other way, and again to be not you do it

does it do do the day the day they're

so you're so you're with with some some some

some some Cerebesas. He, I'd have some of a Cervas, but the quantity of Cereveses that he bought, put in the alarm to her and she molested at the instant.

What is this? Where is the carna that you ped? Where is the paper of the baguio? That's what I'm a little bit of a package pasted. We're going to have to be pasted-money. So, only four rolloos. We're four people

what you pass? Also, I mean, I'd try you to have a toy of the new, the Mia. Ultimately, old lido, rarrow. What happens? And then, So, the first what is to open a service and

start to take as as nobody he's talking. In nothing, the sir Gonzalez,

is he's refugating in the alcohol, in nothing. I'm talking that three days after, the man

he gets, and before to take whatever something in the day, what he does,

do you do a start, and then he doesn't do, he doesn't, he doesn't,

he has after three, of four services, the man is made is medium dormicied and he's kept

tumbled in different parts of the house. A situation lamentable. It's a moment that this is important,

because if I forget to what I'm saying, no, it's been a year. They've lived there a year.

They've passed months to be there. If that does it, it's a problem, in a level of

contamination tremendous. The kids has much that no they're because, never

they're to But now are two people very callied-tas that preferring not to talk about

that's that they're going to be going to go out of the time. The sir has got a

refugated in the alcohol and his wife she's more stressed. But no he's trying to

talk to his husband and say let us let's do you don't know you know

you're not you want to you're going to be able to be able to be

a borrach you don't want being casted with a barrache and these

two it's a raton has been the language, you know, they're

in this situation when they're in the reason, the first of the first does it has made

to say, that if they're going to receive a end of a

time, and she says, I need I need to come to come to come

to come back to try to your and those people

because those my people are that the prima the

final. The sir. Gonzales, the first is to say with a

six of a service and offer the wife she's a very and he really a

little bit to the wife and he says, he's ultimately, not he doesn't

do you, but if your husband, not I'm don't know me want to me want to say,

but there's so tontaryas because ultimately he's got done in the

partes. I think he's put in the back on the back and

he's is to be refuging in the alcohol. I know what I'm. I'm going to be able to look at here. Well, the sobrinus, the children of this prima of the

Sir. Gonzales, they went with the children. And notar that those primos are not the same. So,

so you're saying, primos in second grade, but no, they're in second grade, they're in three-grimus,

and they're in their, they're being kind of and those people are they're saying, no,

you know, not you know, now, now, now, now, now,

now, now, so, they're going to be able to talk to and the kids,

gonsalels and they're and they're in the house, they're in the house, there's

there's, and the prisms, of what you're there's there's that's

not, they're in all parts, in this house, there's the prism, the prism These two

were locus because of our our friends no, those those two

locus who are, those two people are they're in a shus or they

are in the o'clock and they're they're they're in the night,

they're much care there there no no cack

a a one a pesad there there there

there there is that the Mr. Gonzalez Tomo Demas and

getting at the 7 of the night the man he got dormied on the

camera of one of the children and then there can't the

the other camera so so so so the

sofa the sill to make a tendid in the

piece and and they say to the second

the closet when those invited to the second

the two guys they said to the mom, no, no,

we're we're in the room, we're in the room, no, in the

other all, they're all, I'm here, I'm here, I'm here, and then

the prima, and then it's what's what's all this, and

he's put to and they're all, you're not, don't end there

there, they're there, or if you you're not you were being bromista and

you you know, and you're always of ke humbrosa and that the princess and that's and they're

to come to come to come. Mew! To be what what's what they're there's some of the

ratoncitos and they're and they get in the orgoy the sufficient for that the

people, they they're to be so. And they say, but when they're in the

court, they're they're in where's they're in where they're they're

not. The problem is that his primos no. And his tia too.

When they're when they quarter, you're going to the room and they

say the first is the quarter most more dangerous. Subance. No, do not here.

Not so come to get there. And then the primos are there. There's a there.

So, there, and then the primos are the camera, all they're they're in the same

tapensse, until that may tapensse, in this quarter is very dangerous.

They're there and the primary tapado, and it's to say things. Oh, is

that you're always they're going to go and who who's who's what you know

what's you know what they're there's there's like that you don't know in this

and where they're doing that's they're doing the sabbana the camera, and they're all the

sabaaba that's that that's a little but there there's there's

there there's there because his eyes you're so it's

the second to the second to that's that way that way no

see not even the sabana, no the calcha, no see nothing. Even when

they were the camera and they're the light, there, it's reigning the night.

It's a absolute obscurity, and no there's no they're they're

they're and there there's a part of the door and the people were and they're

doing it was a person, nobody they were moving but although

they were to try to move a other contrary, no it was a minute. The prima

is the that he said, let's go to my little and they saw the

door the door and the obscurity that was there was there was the colcha

tirada. The primos no do you know that night. And

not know to do you what the thing the time because the

two of the morning they were there They heard grits in the house,

or ried for the children, and they were in the morning of the car. What was

what? Never they said. Because during years, no they were to

talk and the time and the day of today to today, the but the

thing, it had passed. The the was going was going to

pass. All in that house were in a state

super lamentable, very, very very bad. And Stando in that the husband,

the senior Gonzales, now not with her husband, she was she was she said,

she was, she had that even she preferred to do with the door and with the

door and the door not because they were that that's that's

that all the day, the sound of the sound of the sound of

the good, the his prime, no, that's not that they're

a rote, and they But she no the sound. Then with the light and the

she's always, it's in the room in the time. That night, she will be to be a cost to be.

And will, God, it was that he's been with the light and he's bad. His car

is very demacrata. It's has passed a while time, since that were those primos, since that was

her prima and his subrino, it's a much better. It's at the border of a collapse of nervous,

but not he has done that you've never seen the years not say one of the words,

they're traumatized. They're with the minding indications and they pass the

major part of the day to find there. The husband, the

the husband always ever every hebrose only to do the car

of the car and all after has got a fortune, has gotten much more than the 200 dollars that they're paying

in that there's a question. That night that she is going to be to be able to that she's being about the 2 or 3 of the morning, doesn't know how to the

room. And she gruny to give her to understand that not is to do a quarter but also sufficiently

with forces or that's or dispirta as to talk to where the the man is the

side that he took to the the camera, because the the other thing

and it's a sense of the instant. He's not the time. And so

he's where this man, without him, he's a question, the alient of

he is very peculiar, desagradable, or hewele, the which says, oh, you know,

you know, and then he's to feel to see how his person he's

with necessities that you want to see because instantaram he put his

hands in the cooge in the area of the area, he gets the head the and he gets

to see his labos where he was being the she's also there there's

there's there there where he doesn't that he does it and then

this man and he's let's go to talk to and say let's you're and part of

you're you're so he's every he's he agri or this he agrar

because that's more aggressive of a form, you know, with a less tacto, and then the time of a part of

the body, and take the and it's a and she'll get to a tach, and then she gets a

and she she says that no! And the camera is that's no, there.

The the rope has got the got to the up. When

see that he's to get to And all the night the her trauma was in

saying, for favor, knowing that the husband was dormied because he was he was caught and that

probably the children not even to get to get to go to the room.

When came the day the next the the she was he was

the he was he said he said he was we go and the he was

the mantra only said we have we have to to get, we

can't go. The sir started to do the thing, the

little and he said, I'm go. If you get, you

get a only, and I'm going to go to you.

Something something of the husband, that he, even he had

been a mode zombie, he came to the

vehicle, he subio. Not they did they were coming

the children are saying for that those the sombras not the

woman didn't ask you know they're doing details that night

the night while the man the people were awoying all the

time and the people and the people were men who they're like

there's like there's a centen of people out of trying to

the clasas When she is the place they're in a mercadito

because is made eat to do you do in the night, no, not she's

a coffee or something. And a person he says, wait a wait,

wait a you, you're going to that house, right? And he's who

I was you was one of your vicinas and say pardon us we're we're

we're not we're not we're just that but is that house is that's bad that's nobody support

a week you're in you know know, but all we just we're just to get to be

in that house, the person is all right and your family are and when the way the

she says, but what what's going with the house? So what what's what are

what are what are that's you know you know we're we know we know

we're but The place is maldito. It's a much. Before that were the

first of the first, if you did count that this case is of the other houses are

different constructions. We know how much time you have been that you know,

it's that first he had a part-terer, not- we know- we're not in the terrain

or we're we're to imagineate. But you imagineate. Despite of that

they're a personese, a Brouca, that had a limpias.

But it's not very strange that something that's a kilometer

to the city. I'm talking when the people was a

carretta. So, get doing ideas. What we knew we was

we've for notis is that they used this place

for two because when there was a place in the

people that people who They started to have how the symptoms this place this place so they're

so they're that they're they're they're they're if you're you're not you're not

you're well no we're not we're they're and then and then

they're the the initial of a hospital psychiatric that they they're

they're they're for the bad practices that I can you can't

you can't you know We don't know exactly in times, peaches, we know of that. What we know is that

the place is the place. Nobody supports more a month and I hope that God does accompany

because I can't imagine the inferno that they lived during this year. What

you think that were the inquilins? I'm want to a secret to

let me that one of one of the reasons for that this

channel grew so it's because at the moment to the stories

those that they're saying, a me also me also me happened

something they're this story that I'm about to tell you is one

of those cases. The last we we've a story

and someone has to reviv a trauma. The Jueves

the last the episode 241. No to I'm

to that I'm not a question there, but I need to make mention of there. There's a story that about a temple of scuro, in the time occurred something very strange, and they've seen a certain of which I never had heard before.

To tell that, for that you hear the story, and for those that you've heard of what I refer to. You know, I'll say for this. One person that heard of the history if he put the pill chinita and then he said he record

of something a story that has been in your family but in

the family nuclear since since six a year so that's

I'm talking about that was something he was when her when her

when her nine had approximately four years and he's

in this time what he he did much his scalof

but now when after this story and there

there there out of and that not just my imagination of her and the

and she that's he made a sure, but let me because I'm a point of one of

the stories more of the other than the story of this can't to tell in this channel.

This little Loretta to her his four a year he's he began

to do all the days the same in his libretas that that's

that's that called the my master in the school, that he made to call to the mom.

He made to call because in his dibertas was a same. A barred of the

matter and was it's perfectly because a sometimes are bolitas like curbiated a few,

a few times were rations. And above of that a ball an orange and the

ball was it put in a face. And it he was he was

and then above he was a ball and it was around as a rojo like if it was

a good. The maestra I began that this I repeated and I asked him like we go ahead we're going to do you

look to do you go to our family and he had to call to the mama and he

said, I don't know what I know I've wanted to talk to but this not is normal

the mom the mom of Loretta as was a mother that was really involved with her

education you It's really the attention. And in the way to discuss with the Maestra

and there's a little bit to be able to let me investigate and say and it's a very curious and it's very

very rare because that ball gris that is very rare the raya reds because so it's how they

a chaman so we put to our perr. It's a snouser. A perrito a little

little bit of little bit of little bit this is so I said, so I said that you're saying,

but never he has done it never he have been the rails

and that ball an orange that's I've been never a little I'm not

I'm I'm going I go know the I'm going this time this time since

that's this time I've been I've been occupied with things

apart so I've not I've got to let me see something

I'm let me see something the mom the mom the initial

the mode Sherlock Holmes and and And from the car with Loretta

in the part of back, he's to make a but of a form in the way

in the way that you get a lot of you know, a lot of you get a basketball? And Loretita

he moved the head to side to say, and he's saying, and you do you like the poloas

and where he does so, and he says an aranja? Obviously here's in an

alto because the gentleman is responsible and not not is talking and not while while he

is so the pylotot the The orange, the little bit, the little bit, saying, no, as a lot of the other, and the lady,

and the lady, and the lady, there is a little. A polo, a randah, because he does a man, when the mom

saw the rations that Loretta took in the car, I, had to pick. And the young, you know,

she's an little, know, what is your food favorite, and what is your poste

favorite? For what? Because no there's a more way to say to talk, a person,

that's giving what he and putting it to do you like to do the good so that she was a

her hamburger a little and the little she was in the little the mom mom

for a for a not I'm not going to say products specific but probably

you know you know you know a certain a car of a

little that's she that she's she's the but she's I'm

a postre that's that's the car that's they're they're you're

you're you're you're you're you you're And then when when he gets

to the house and the little bit because the mom still the she's not she's

a little it's not to get a let's let's see, Loretta after you get the

but before we're going to talk to you and the she's the lady she's a and she's

he says let me my postre give me my postre and he says

here here's but before and he he's the papelite tell me that that that's a

perlota and Loretta open the door and he says Loretta what's the no mom that's

that's bad that's a malo and he said to do you let's get to Loretta and she

get to see the Bava and he's oh yeah this is this is very pretty because

she has she he has that he doesn't he he doesn't if it

all the every day all all the times she would the a little is the

thing that the most he and preferre not to come to say to say

to be that I know the mother that we we're talking about here

that's a situation peculiar so so he he started a

little and he and he and he I was I'm a little

and the things I'm never I had to be a

more and then then She was to learn to read her that's She was a She's a

She's a She's a She's a girl And she's a She's a She'll give her Lourn't But,

For the benefit Loretta After the After the After she's She's a Orette He says

Moma is that That's bad And no He doesn't He said That's about it. The mom She's the

Man-Sle A-Larm If you you're Papa, when you had to have I've been the alarm because

difficult you'd be you're thinking in something that's thinking in a person who's maybe she

paint the face the orange. Then he says is someone there's a so there

someone that's a person who why mom she paint to someone the car of the

large and he he's he's he's he not mom no

then then what is this is it's is mal mom

that I like that I love to talk about him. No? But what is? It's a person. No? And then, Loretta, you're saying because you're bad. It's malo because he's come the perros. How's that the people's the perils? So, he's come those perils? The bestino, yeah no has perrots. So, Dandy, yeah no ista. Me da'amom that's a chaman. And he says, what you're saying? He says, he's gomamom, mom, she assom by the bar. It's the animal, he's going to when he's

summer for the barred? In the tars, when it's when it's the sun, when

the no, Mama, no, it's a movie, it's a bad thing but I don't want to be a chaman to get a chaman.

It's a very rare the situation. The lady has been to siters, to open the door of the patio, she sent to

the lot of Loretta and he said, a bit, we're gonna let's be where you're that's a

time, oh, mamma, for there there's be, it's been for the cell.

But if we see, we're the same part. Yes, ma'am, but for it's

see for the And he says, look, look, wait a, wait, wait,

wait, and then when begins to put in the sky dark, he says, look, look,

look, look, look, look, right that's, see, go, and when the

video, and when the mother, it's all the cell, it's the light.

Arriva there, there's a ball of color orange, that this ball of

color naranja slither completely. It's a little more grand,

imagine a rostro, but without a a face, but without a face.

And that thing is there and he and he's to desdizars for the bard. When he gets to

the patio, chaman is to start to get to go back, he doesn't that he has got to

a chaman so is that he's that the door and he's a man, chamas come back

and the per car, and the per perro is a detail, a movement very rapid like a

movement very and then the mom of Loretta The door, the door and the door, it's a little

back, he's a little bit of the night. That night he wants to say to his husband, because he's very imprudent

and he'll be to be to be to be to be that thing. Because that that's a look at the car, so it's

that's not he says that. And in the morning next, he's a question, the he says, no,

it's not you, he said, a person, a person, a person, to have a person who has, an arm,

someone that someone who does a zoologic, you're talking, you're talking of an animal and says,

is that not an animal, I don't know what I'm a ball that's just not a ball because it's

a little and then it because I'm going to be and not it's not it's that's not

it's been just that it's been by the story of the little of the little bit yeah

I said yeah you're yeah but you're you're you're

you you're you I'm the she's the new when the

two don't when the two Just in the zone where she saw that was, where she saw the door at the entrance,

it's where I'm going to but I'm talking about the size of a face, I'm talking about three or four times more great. She deslissed and left loo

all the zone of the past. You can't imagine, to a one of a larkitae that mida

a three or four meters of long for a meter and and a inch. Could be

more more of what this woman view. For that that story that never never was to

never used to never to know it was she was born paranoia during a year and was there never was

never to pop nothing the perros of the the people of the people were always said

that someone they were or things so that she was not even she was she was

she was but Loretta has ten years you have a bad recurors a bad

a bad a real shaman, I've lived in the house. And then the point

is this. All right. A thing that maybe even, even, he's invented,

no? Maybe see a picture and it's a time. After that

he said, the story in the episode 241 and he said, I

saw, I saw, I'm not a black, it's not a color

or that I'm that could be good idea to hear to

listen to to the people's when Marcel, me a story and me

said, a narrator, the murder, the murder the murder and the is what

he's the thing. Marcelo, no the one of the recommendations that we

say, and that's and the day of day of day of

he, he, he, he did he he's, he,

he he's reunio with some many he three

years, and since his life not the same. At the day of

today, we'll say all the time ancioso, inquietto, incomod, aterrado. Marcelo,

he was for a day normal and a reunion like a reunion like any other.

He was made a kind of that they've to do that way. Something in him

he said that he said that he had various voices, voices of people that recognized

perfectly the voice of mom, the first first time that he said, Mom, I want to

play a and he was a little, he said, no, no, he's this, it's a

not, it's a friend of the church in the he said, you're saying,

you're that's that's of people, people, people who know, know,

they're that's they're not they're listening, you're to be a life,

because after this because after the voice, he's just I'm not, I'm not, I'm not,

I'm not a coward, I'm sure that I'm 19 years. And the day of

day of the day of the thing that never had been a lot of you're

to go to you're to get to get to them to make a wayha not is

a whigha special not is a one a great maestors and that

they did and that did you that are made made of these restos

that those who are those who know perfectly to I

know no it's a mark that is a mark that makes

many types of games, and it's a quite commercial, let's get it

by the company gigante that's direct to your domicilio that the

day of today is a monster level world, you know, you know, you're

so there put you the word Uiha and then they're to buy. The more

barata, the more chaffa. When it when they're to organize

all, put the table, put the planchette, to read the instructions, because still was a group

like of the chicoes that they'd do the things well, and if they'd to use, they'd

be going to do it, but one of them, let us, we're going to be the rest, and not you're

a little more, and he's a pair of his cellular that were on hoas with invocations, because

there had to do the special. If it's chaffa and these things not serve, minimum,

we'd an ambient a environment they were in the the situation is that they put in all the hands in the planchette. The chico, that's that he had learned two, they had learned two, they said Lazzar, for what it was, and how, no, important, they're, they're in a They started to move the

deados. Mover those. They were the way. So, Marcelo, he was a moment in the

that's a idiot. So, for that's going to do this, it's just purestontteries. Apart,

these chavos just are just making a menzada because what they're to give to make a attention.

Why me prested to this? This is a game like for a tontos. He's, he's,

I don't want to to parr, remember that you can't run to the circle and Marcelo says

this he's a lot of don't and he and he apart the hands

of the planchet there there's alexa very and it's

a sonar. And there a song that Marcelo no

he took but probably you and you and

start calaveras and a song a rhythm pretty

but where where he said calaveras and diabletos, the

the piece he put chinita, bolted with his people who he was doing the

and he was surprised when they were when they were and they said,

we said, we said, we're we're the circle. When he gets

to the Marcelo because of the he didn't he didn't even he's got to

his car, he's run to his car is a car is a

part of the part is a part of the part of the house. We the house totally

apagata and she can't. They're they're they're going to go to

go to a car in the car of the mom. No, they're not there. And Marcelo

is like oh, Marcelo is to say that himself. Don't be a

coward. You know you know you know you're in a problem. Never

functioned what they were doing what you didn't any said you

didn't in the mind you'd other words because you

to make a what you were the when he's the door and the door and the sierra

it's a and now he's to talk a song that says

simply don't you know not them a parca and where he starts

that's that is that is she she has she has been popular

for some some some some on the the

the sketch is the his a face is the absolute terror.

If you get to the house, it's a outside, and the

Alexa is to pay the instant. He not has in his

cellular that those, let's playlist. There has no,

there has no, and there is a lot of his friends,

no know, but he's going to do you do those

things about how can't intervene an Alexa, how and discover that if there are

manners. Ah, it's a tranquillize. And how they're getting to my house? And how

they're doing when I and how they're doing when I am going to and I'm going to be

to do this the first two days is paranoia. Me are spying there. There are

there. Because if no, no, I'm I'm not I'm going to go,

it's a time you a song different. For a a new of the flaca, would be a

and other other way, and other the relation to the murder, that he, in his head,

he's not he's not a good. When he he's a man, and he goes to

the Alexa, then he starts a song of the Nero-Jorona, and in

his head, he has he has been many, he's not a

time he's not a comod. Yeah not is something there.

Marcelo he was with his friends. His friends, all from

those from all of these day, have been seeing things rareas. They're not they

want to get to you know, not they want to them. Because when they've

talked about on the something, the and the panllas and

they're videos strange where they have heard voices of

Anel Mitchell in a middle of a exorcism and

things that they they don't want to know

they to be to be the pasted. Because when they're and they're they're

all right, the things are quite when they're they're they're all things are raras.

Marcelo, the day of three months after, no, and it's that the death

you're doing. What would you do you do a entity to an entity to do a lot of

a possible to plan your summer's story in Europe with WestJet

from rolling countryside to cobblestone streets Begin your next chapter. Book your seat at westjet.com or call your travel agent. WestJet, where your story takes off.

You recommend with all the heart. If you want to dream, under any circumstances, you'll listen this story. You'll go to tell you one of the stories more discabellated that I've told to the channel, but also one of the most macabres and scalofriant. This, for what I'm told,

that was the of Diego about about about a

nine years. Diego, we're going to a facet of his

life in the that he didn't he had, I had

a purpose. That he was to look to

different things that they would help to understand

to I think to consume things and from

to get to certain to certain of persons. And it was

important to know that for Diego, the fact of a significate something something more than what

was living in this plan physical, it was more important, it was more important than than the pleasure in it

me. Diego, because no generate dependencies. And this is no no,

I'm not I'm not I'm not I'm recommend to start those things,

because are things that in the first in the first situation, all it was all the

case of Diego, I think it was the initial of the end of a lot for something

a lot of one thing was going to other, persons saying about the encounters

mistics for the use of this type of other people trying as

creencies very call us peculiar these difficult to diger

it. It's was of a form underground, very little, like commercial,

very little to hear of something, something you just you're to know if you

are much in these things, something, something was the three Maestros.

It was, for you make you an idea, a style of creencias with

practices that were in oj of paper yeah a a muched

and deseched in a book made to those are like a kind of

that's not you don't you know that exactly of what kind of what

that was all that was like amarado with some the

but it made made made a man so it

was macabro in the reality that that that there

was there was the the book of the three maestro. That the practice of the

book, there was to do it to do this way of the magic. I don't exactly what

was the content of the book, and I say, all the things, I'm

to tell you one of the things that me that's a more than it's a

more more than he's he's he was about that the that

Factors Reales, Pequenies tachadas here and there, in the members put in contact one an erida with the other.

In the entrance, that is something very dangerous to be a level of health. And here

they were the other other way, the other way. With what the things,

it was something that was a little, it was something after after to use

it was that that's the never was never was a

little is a important his busk to find out to see that it not being

not the things that not even things that are talking about, in what type of you're in a world,

in a lot of the but more than you to learn to be because

I'm I'm to know that I'm that when you're in this type of

the if you not you don't have the eyes very are open

if the feet being put in the earth, you can do you can't be

like a a year, he's the people they're they're

saying that he's he's doing his don't because,

because I'm to get a pain, and the way, prohibited,

to do do you to get to know to know to know that's

people that they don't to get the things, a type of

a sect extra dolores in the body and he said what was they were

they were they were they're starting and he he was discovering his don't his powers

he he was he was a person possibly I'm that he

feltio special she seemed different he he started

to go to the three maestors no no no one

no two no three no three no no no no there no

no there no there's so he Only those who persevered, will know them to the three

maestors, and the masters those molderan to their image and semehanza. What carho significabes? Diego me

he said, no I think idea, but when it was I was full of euphoria. I wanted

to get there. Because they said that only many people they were and it

because the day that we did you the day that you did you and how many so they're

going and we're we're not we're little of those valiant because Diego me

this is all with a whole of sure that is going to be going to the history and

that's practice still augmenting different types of things things that

you can you can quite but the use the use the is strange

to make balls of things that you have to

put in the food of people that you don't

you'd do you do things in the you're you use

little things that were the essence of the people that if

did you do you those they were they were they they're to

then to get to you things that not we

don't we we talk of a very a very

a I was a bitorsed, and Diego me says, I don't know, for me it was only

escalar, it was a scale, the hair of my woman, propa of my man,

that I know, because every that I get, I feel that I see,

I feel, I'm in a way, I'm like a because when was a primary,

we'd we're together, and now he, he's a carraso and I

don't know to study, that car so they're car, that's that maldito. I'm

I met in the house when he was a little bit in various

occasions. In various times, in his refrigerator, I don't see who he's who's

the he's the thing he's not too that's too. And even

he, he's he's certain part of he, still there,

and it doesn't suffer. What is a In the Inferno. Because he went

and continued and he went doing things that done you do you do you

and the person to get to someone and I'm rasgued you're and

you're and get that a little a little to get to do

so then you then he then you all and he did

know that was what more he more he

portable, I'd do it and he's kept in nothing. Stando

there. Only there were five in the group the person that the person

that was five of the 50 persons that they said now, now, we're

we're we're to get to the phase final. They're disposed

to enterers in the body and to give to the

nothing, for that the masters those molden to the image and his

and he and he was more he was a very he was he was so he

was he he was that they were to not the one he went to

four and the person that was the person in a day,

they're in a time a time a one a

question of maintaining, it had in-serrata for remodelation. There

were to a rite sacrilegal. But there a detail, there's a problem. Diego,

in his many rites and different things that has changed much his form to be

it's a lot he's he was he was he so hep of the

family that was always always always, that was about about

about about about about censorial, disconnecting with the universe. No, of a year for a car, was a manoebaugh, mal-encarated,

molest, a person that you'd and you'd be able to get to be the instant and you'd

not to say, and your family you'd have to know coincided the things

for their good. When he he gets to his day in the day in the day in the

day in the that was the reunion they're there, all his family, with his

primos, with his tios, are at going to do you're at a point of a

little in the table of the three masters, that now he he had to be the more

the most the great, he had been the people of the men,

and other artilugios there are there, and there are very

and they was, that it was a matter that I'll sitate

he when he when he saw he was disparated to the house there's there's

no way to explain that's not a head was the head that's there's

that's been that's been there's always there are various things illegals there's He went

And while I was going to be going to go back he was going so he was very nervous

he had no he was never had thought because all this discovery and that

the encounter of the blah blah was patroc was patrocinated for someone and there

was the life of the life of the life of the

time and that he had that was that had been much that day.

Because when he was accorded of the ritual of that the place in which they were to be

at the two in point, it was past that hour. They were at the one to one and

a half. And he he gave the image in his head the three maestru we were

to know. We were to do, all what what I passed this year, all what

I'm trying to do you do this and he sacrificed for nothing

and he's ran to the church. Of another way I'm going to

have to have a other form I'm going to form a part and I'm going to do you

do this is what you do you know that's what this story not the story not that's

obviously that's not so and two makes that these things not those

don't want to when when he to get to the church

all all all still all the So, it's

the door and there no there's a room and there's a reason,

it's a little bit of the logic to make, a lot of and they're, that's in, there's a

time, and so they're in somebrows that are reflected, what he says, that in one of the

other of the places, the altar, probably in a salon, there is where they're

they're they're trying the same, you're going to know they're not to do his robes

ceremoniales, not he's prepared for the occasion. No, he's the book of the three

masters. But he's going to this year no passed in Valde, he met for the

ventana, he's coming and he's going to he's going to be going to

how it will be obligar to that they're to how how

how to make us enter in reason. That is

magic because what he rompe a reason. The sombras

front of him are of three subjects. Three sombras great.

Sombras that he know if he don't know to the three masters

or someone but see how those sombras make

a movement very stylized they they at the same time, at the same instant

the three of the whole of the body, they see that the type of the top of the door, and it's where they're

they're doing the hands at the same time and the body is to form. The head is to move

the body is to start to start, the body starts to move to and so they're

and they're not a grus and they they're in when the three, castes, He commenced

to hear grits in the other he he's that the heart

he's not what he is what is what is the gritty and be that in the

entry the the type that was the he was there is

unmutable that they they're to make to be part

of the nothing and and it and now

that now be part of the three master literally

literally mind. It's a mud, he's a little because the retumbe

the sound in the time he's and he's to come in so long, that no they're

there's a moment in the that's that's that's so much that's

that's that's that's that's that he's a one

and to be to the time in a back. His

his Serebrofeo. He was there. He sated in the bank waiting on the

time. Who knows how time? It was, when he saw that that's the

court, they were to get the people, all encapuchated, four. Adelante

he was the man he he was in the way to the three masters

behind? The three maestors. The My heart commenced rapid,

but he, in those seconds, he was atrophied that he's his brain he had a

good, like when the television was the signal and it. Yeah, he was

a way, you know, you know, there's going to end up. When this

subject he got the middle he was he was conscious that he was sure

he, he put the hand in the arm, and he says, Mal a suitor, Diego,

the next year you'll be a lot of the three masters. He does the middle and he's

up the window and the other three do the same. Here you a situation.

Diego remember that when he tried that when he was a face, it's

like to have seen a nothing like a sea

and yeah. Diego said that day of that that

of this he never never probably he know

he more obscure. And even that that's that's the

that's something, that's that they put it and they're that they're there,

maybe some of those other people, maybe those three masters,

someone, because all the years, you know, the necessity to get to

them, and be part of that's, in some way, has been to have

done the other in some way, to get to get to get to get

loco, because he a little of those grits, she can't of those

gusus grugient, she remember of those sombris deforming and in

his voice grita and that's the only that is the day of he impede present

and to start his process in this way to be part of the

three maestors and you have you have heard of the

three maestros? And with this history we've got to final of this

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