HABLEMOS DE LO QUE NO EXISTE - 6 Historias de Eventos Paranormales , Encuentros aterradores y Lugares Infernales | EP 289

Episode Date: May 8, 2025

Bienvenido a ésta oscura Fogata de Historias de Eventos Paranormales , Encuentros Aterradores y Lugares Infernales en  @HABLEMOSDELOQUENOEXISTE  El día de hoy les traigo historias que ustedes, querida Familia Nocturna , me mandaron al wts de las pesadillas . Escucha la historia del Duque del Infierno, el restaurante embrujado y la casa que tiene un PORTAL al Inframundo. Descubre una nueva historia de uno de los eventos paranormales mas extraños que forman parte del Universo de Hablemos de lo que no existe ... el tren de la muerte... así que prepárate para tener dulces pesadillas.HABLEMOS DE LO QUE NO EXISTE es un canal de youtube con el formato podcast que comenzó en abril del 2022, su primer episodio fue "vivo en un casa embrujada" en el que una chica narró sus vivencias y sucesos paranormales a lo largo de 20 años en la casa de sus padres, desde ese episodio hablemos de lo que no existe ha marcado una tendencia en exponer casos paranormales de personas comunes que viven en diferentes partes del mundo. Ice Murdock es el conductor o host de éste canal, durante casi 100 episodios no apareció, nadie conoció su rostro y la comunidad de éste canal , la familia nocturna , creó teorías acerca de quién era el dueño de esa voz. Hablemos de lo que no existe se destaca por tener apertura ante las opiniones experiencias y vivencias de cada uno de los invitados. La comunidad de éste canal es conocida como la familia nocturna, de hecho por estar leyendo o escuchando ésto, tu ya eres miembro de la familia nocturna.. bienvenido. El duelo de historias es un concepto que se creó en el canal @Hablemosdeloquenoexiste, idea original del narrador, se estrenó en el episodio "Comité de la Muerte ,historias de Hospitales" el 1 de junio de 2023 y empezó a implementarse formalmente en el episodio "Abrí la puerta a un Demonio" el 11 de Enero de 2024 ; consiste en un duelo entre Narradores, una dinámica sencilla, donde cada uno cuenta una historia y busca superar a la anterior y al final la familia nocturna nos comparte en comentarios cual fue la historia más aterradora.El Narrador y todo el equipo de Hablemos de lo que no existe trabajamos para darles a ustedes querida Familia nocturna contenido original y de calidad, tardamos a veces semanas ideando formatos luego de tomar en cuenta las cosas que nos han pedido a lo largo de la temporada anterior y por eso el día 23 de Septiembre de 2024 comenzamos una nueva temporada que llamamos FOGATA DE HISTORIAS, en donde el narrador prepara una serie de historias escalofriantes una tras otra para retar al espectador a terminar el episodio por el nivel de miedo que genera. En este canal se relatan historias de terror paranormales, sobrenaturales y reales, prepárate para conocer el miedo de una forma en la que nunca lo habías experimentado.

Welcome to Family Nocturna to an episode more of Let's of What Noxist. Today, today I want to say something even when we're in a fogata of stories. Figence that we're just going to be close to the episode number 300. And I'd like to know

how they'd like to celebrate that episode 300 because, oh, yeah, no's get to 300 every day. So, so, degen me in the comments

that would be good. One episode special, an in-vibo, a invite what you would like and now so,

before I'm to start the episode for all those who are new let me say that I

do say a little recommendation to put the light because if no I'm

I can do I'm I can't do but maybe many you're

not not and if not ask in the family nocturna

and here family nocturna de let's let's your

experiences to when the other Dichael, let's go. Let's go

a fogata of stories. Because today, we're going to talk about about the phantasmas. When I

initiated this project, to let me know what there's many channels of terror. And I was

a great consumer of canals of the paranormal and the thing of the story of the mystery of

terror and all the inexplicable me and it. But when it never

had never thought that this channel would have had a time that

long, that that will be just of the audience, only of stories that you're going to have been

to be the idea. That's the idea that with my stories is going to be able to

mention, how you do you know how to do you want to do you want to

get to get. But it was there the episode like 20 that I did

that in the stories of the audience there was a there

stories that those and experiences that extra-as that me they put in

the pened, but also, and this was going to be a part of my confession. I fascinable.

Why? First, because no I'm going, and definitely not I'm there's submerged in

the situation. I think if if were in various of situations, difficult it would

get to the words because are things traumatical. But from from the

story, to learn the story, to learn the I'm a supermement impactant. I'll tell you all this, because the history that I'm about to tell you, it's a point to generate that impact

after three years of to have this project, and that's not quite anything. There's a chica in the channel that, before I'm saying, that of my part and of part of the family nocturna, we send a very

a great abrazo to you and to your family, and I know that of this that you told me, to the day of today, you have passed

more than 10 years, but there are your injuries that are in sanar, and I

want to know that the family and you have the time you have been

that you know, we're in this time. We're to put her this chick, Ingrid,

to put a name to put her to get him that when she had

14 years, he did know that his good his best his father.

not with a relation so strange or like a man a man is that she was a fissue a fissue a fissue he wastes

the baseball what has been the rarrow the baseball nothing but in those times and in the

city that she was he was not he was not notia not not it was

not not but not you're you can't you can't get

guantes and there no there there was a way to there were places that

vendier those articles. I'm talking about the 80. Ingrid he moved and he

made by a review of a show that's about that you're that that's

that's a certain hiro postal he could get the and you know,

but you know, you're in a city, in a little league

little there's no any team of baseball, nobody he's

he's where he found his papa as a his best friend. His father, even he was a fanatic, a incha of football soccer, he had to

start to learn to venting the pelota of baseball, he bought another wante, other kit like the

that had bought to to practice with her and then you're you know, and the

night in the night watching partied to learn to learn to learn the

because he really really wanted to pass time to do the her daughter, she was a

entusiasmated and so little, that no I wanted to leave there so that's that he was a little bit of

baseball, he'd get a guy, and with his gun to put on that he was to do you know,

and that that's a little bit to be a copaned. And she remember that just to

his 14 years, when you know, he's runbo to the 15, a day

has his first colico's. To this time he got the regla, but he got it so strong the colicos

that no could go to go ahead. He said that I felt some dolores terrible, they'd have been and they were almost and she kept in house. Lamentably, in the

house, had been a time of a certain dispute with her mom. Her mom was put to very celos

with the that he had now her not a cello infirmiso, but if he was he'd

that was that he'd discudable some things of the house, for being

learning things of the sport, and for care to be doing the other games of the

baseball, that in occasions were long so. So, let us that we

have a mother, not have the good, when Ingrid said that he was

going to get to because he said, his mom he said, my jita,

no, you have to go to do you when the father he

put to his mother, but a as ormiga, pisada, as in ergumena,

so encolerozo so that he was a little that he had a post too hard to get a

time, but not too because his post was very important. And that day in the

planta they were to bring new products that were to require for some new processes,

things internal of the fabric, things that Ingrid never understood.

His father, after the peat with mom, also she has to go.

Moma not's the house, Papa, he's going to and he's quite quite

and he's trying to get to get a dormita but no can. No, they're

a chorro the don't a lot of the lot of the camera? Who knows

how much time passed? But of the the house comes to

have a very specific a aroma that she detect and they put

in the aroma. Wwele a umo it something is

that's a quomando, but it's a when it's when it's when it's not a lot of

the house and where he goes to the passio and it's and be parado there in the door

being to see that the house to the and he's he said he's a hume

because you know you know because you're in the time you don't he has

gone and the he bian the man's but he's the very, very

Tristan. And then she she says, Papa, you're all manchated of the car and the

camis, let me to tryer something and he's in a bit in the room and go to

a toy. Trae a toye a mohade more more to come

to the house, and he says he's I'm there's I'm

coming the end of the car but he's in the place in the

the father. And when he's a humo, no, there um, there. She assom it, and he assom it, and he comes to

go to the house and to get to get to her, but the papa no, and he'll go. He'll be able to do something. She went to hear the car, and there, and there, come the and the other way more more, look, she'll turn to

sit down in a escalator, almost for a half hour, when she agarra-al-a-fork, if she's up and she'll and get in a chair, and in a middle to come in the escalar and the

cell and the room and he's a little after a little bit of a little after after

after your mom and it and he's a plan not very very amigable will be to be

to arm to make and when you get to get to get to and she she'll

say he's he's oh yeah mom and then the mom he said

to that I'm to hear come to come to and where he says

that Ingrid, not just is like in a retortijon. So on the telephone,

the mom contest, Ingrid, goes going to the house and when he's

that the mom is the and then the question, Moma, what is, it's all

all right, he says, he gets, seeing his mom, agar the telephone, mark

for telephone with her mother, and he says, for favor, come to

care to the child, for favor. And listen that the other side there's a busita that's talking

and says, no I can't say anything. For favor, come to care to care the child.

Cuele the telephone and he says, he's going to have to get to the house. Right,

you know me and you know me and you say he says, Mom, all right

you see, you're to be a time, you're to get to and the mom's

going to get to Ingrid that's that's a Once he had gone, when he came to the company, a half hour after, there was an explosion. The Lord could have saved, but as many of his workers,

kept trapped in the fire and no there was a plantilla of a bomber's circana, he himself, he involved and he set out of rescatars. He was to rescathe two. In the third, he intoxico, that he got into and were the vapors toxic, what he was terminated. It was a situation very d'Ura, because me said Ingrid that, after that

the house still oliened to humo. The humo no-tiener of the manabre. Then she had to talk to her papa. He was a papa, I know that is you. Yeah me said, Mom. Yeah, me said, Mom, what what happened.

And Ingrid was in these moments in that the mind not you don't you accept the reality as it,

and in the morning, she was up waiting to get the door and then to the baller and

she had been he was, but he could try it, not he was to make it, and then he was inojada

with the and he was all, and in moments was made and in other moments simply

simply simply simply simply, it was he was in a middle a man,

but he was a minute, in a question, he's This is a bad dream. I'm going to start. I'm going to go to play baseball.

But the days were going to go ahead. And after one a few his mom began to do something so rare that made

that Ingrid and she were in a mistar almost all the rest of her life until a year. All the days the mom

I was with Ingrid the agrava and he said come here me ha I need to me help and the

two were sent down close of the camera and he said tell you please to your papa

that you get to say you're saying that the two are saying the girl to and he said

and say tell him papa yeah we're we're getting to get to get to get to

get me in pass and the mom she put to restar and then then say yeah

be here we're saying yeah we're we're getting to get to get to we're all we're

going to be right And Ingrid was full of a courage, of a courage horrible, horrible. Why fredged all decided to do that her mom? If her mom, her mom, no, he was able to mastic. That's your problem. But to do it, it was so forced, it was so fow.

She had no carried to be of herm. She didn't want to accept that her father yet no ever was to start. She still had the hope that, that this was some type of dream. But yeah, it was almost a month or more of the month. after to do this like in 10

occasions the aroma of a day to one day to disappear the relation between

Ingrid and mom never was recupered he was she said she was

she she like the she and she was she and she she was

she was like a a type of an impitado permanent and and it

rotating and rotating and sometimes two three months four or five five months. She was not I was a very small.

No, I didn't know that were gastos extra for each one of those houses, no entendia that these people, not even how to manage that situation, not knew how to educate her. At the final, she was a person

that was too to be able to start with her mom. He recorded all the of the dolor, he'd be her forced to

be to be that way of her and be so ridiculous and obstinada to say that she'd be that she'd

that she'd that she'd that she'd a year. A few, It's a year, it's a podcast,

and in the podcast many people envied their experiences, and in those experiences that's certain

narrator, he said, that they were to ask, to ask, to be to be

a lot, and when he went to ask to her mom, if there a lot,

her own a lot, she put to do you to yorar. He told that just in those times, after that he had fallened, the papa,

vivied the worst of his pesadillas. In the house, no only he had um, he said that in the nights, in his abitation, he tookable in the door of the

and he used the voice of his husband that he had a help. In many occasions he'd and in his dreams,

not more he was that was kemando's a life. A situation that was real

because he no was a lot of but he's in the suns they're

they're they're and the poor were when in the dreams he was something

some of lucidess and he was and he said but is you know

you're you know this this thing that he was he and he

and he said so you do well and he he's and he was

and he was per in the middle of a body of a sensation of, like a a vacuum tremendous. Then the

the camera was going to there. There were many occasions that this woman didn't even even thought.

Ingrid, she did count, but her mom at times had been in the sill to be

with the cell on a lot, but it was that was a lot of the time,

and the camera was there had some sometimes that was that I had

the case the voice of the sposo, talking to the old to say,

you know, I don't you want to me abandon and that it's a thing. The

Lord was suffering and not he could be more, he was to ask, and it was

her mother to say, well, I'll say to you to give, tell to to the

old that's going to be good, I'm to not I'm

that I'm that was present not the spirit of the sir, but not

something that was advantageing of the tragedy. Ingrid me said that after he

he had he he had to let him and all the enemyist with her mom. His mom

was so that was so much he was so much years after decades

after when he heard when he he said he said he said

he was he was he had been but when he said to

his house he says that the was always was a sombre enormous

and there had been in to get a d'Az lazange surgely, puissance medium for 15 minutes

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Veil to play a way to be in a fashion responsible. The conditions apply. In the stories of terror and mystery, we all have our gusts. There are some stories in special that in the personal, I me like, and is when you know

what's what is what is what's going. And there's a story that me envio a subscriber, that me voled the head. It was a story, or what she lived her, no, I don't have the minority

of what is. So, when you listen, At final, tell me, what you think what she lived, because I know.

It's of these success that when the most you're in a place in a place in the way that's not going to be

what you're what it's that's supposed that's a subpoena. A subscriber went to a little

a place in the little bit them were at a mursos. No you imagine that's

that's not a luchos because not it. It's a place that has these portones

metachach you know from the those that are is enreder in the part of the middle and it's

a circle and when they're in the local, they're in the local, and they're going to be going

to hear that that kind of that's that way, that's the place, that's that's

totally open to the public, you enter there, and there's six mesitas. The six

mesitas are of plastic, rojo, there's a certain mark of a certain refreshco

that all those mesas have there marked, there there's there's there

for every mecita, a place a little bit a little. The side there's a line in that the

people are to make a little. And it's like a L, because after they're

they're they're they're and then you and then you're doing to your time.

Depend to you, it's the section to get to the same people who are the other side of

the barra, are when they get to this people major, two women, that are formed one

one and the other in the field to pay. But, ahead of there's

there's there's there's where no not see that they're talking, and concentrated, so this woman says,

are they going to pay? These two women are not going. And they're both that the last person that

had to pay and as far, and as they're not they're they're they're not, and he

does a signal to a new and the two and the two are, they're they're all over,

they're to get to the money, they're they're they're they're

they're they're they're they're all things and they're with a certain

antio and a hambe, because it was a good a lot of they're in

them to be some different plattillos specific, I'd every two charolas. When

they're they're the chasolas in each one, we'll we're a

degustation of different things, they're they're not a one of they're going

to be to be to be partes. So, so as as you're making,

the other person, take the the other person, the other the other the thing,

the Elige a mess Vassia, that is just the that is the most near the barra in the

center, and he's there's a back there had been made to ask another bandage more,

and then more degustations, take that and then and then and it took a situation

very incoodod the mess that was because practically of all

the place only there only there only two people that she had been that she

had there is a there's a there's a seat to a man and he's being enoged

but very enojaed a man and then she gets and then she par in front the mess

like to say he he had been like this place and be that the man and he has he

and he has with the hand to make the hand and move the way to and this

she's sheora to not make the place because there's necessary to get

a problem apart that person can have some problem in your head. It's a place of a

place. There's a place to do you go to the side of the handoff, regress a the manse,

the sir, the manse she'll see being very molest, take the hand her and he

back to go to the her own, she's a little bit and he's all right, she's all right

I'm right I'm the third banddeja, because in the last they're to be able to the last, you and when

when I turn to your right now is the man. And it is a very extrano.

No, he was that's a person more, and that's a person more than the

more. It was too very rare. She was she'd sitting right right. Just to

where the sir, and where were the two two gentlemen at the two

two two gentlemen and they don't in some sometimes they're when they

they're what you're what you see the and I'm a man to that was being very fey

and me had the man like to be the better, then I didn't do it, so I'm not the whole,

that's a little, he's got to have to beck like, even, even with the man, he'd be able

and look, even you know, even you know, even, and you know, and whatnot, and just, just to

relaxer the environment, because if she had been a bit of a bit of and they're in an environment,

like, and all this, and when it's, when it's that this woman, she'd

kind of kind of She's just where she pared. Here the the field in that the

people are the person's she's just when she pared aftersito of the two

youngs. She kept a a little two seconds and then after that's like if if it's

looking to be something that she can't see that she can't be able to and then

it's she's a right like making the something that probably in the

place because there no there no there And she kind of extrana

by this woman. After the she's she said, she said she were very little

to get a handker, he's all in a bandehy with the hande to his food, and he

and he the table that was this woman in the woman, in the she was doing the

thing, he, and he's he goes to a service and he goes to

the and he's a car extragated and Then, go caminandos to the mesa,

is the side right, that is where is the side of the side, and he's to be that

and it's to be a little, like if if there someone sitting there and

trying to make, and he sit in other part of the restaurant. The

sir, she's impactated. No, she be that she's a actress,

and that this is a kind of when it's that's the time to let me

he did the things there Medias. Bye and he asks the children of the

restaurant, oh, here, there's there there's a lot of other

about, or of other and the chica of the end of the

she's no, he says, no, he's well, no, yeah,

yeah, it's something, but no, no, we don't understand

we're a, he said, many people, many people, and they there,

there, there, there, there, there, four, four metritos

to and they they're They're just the round like if there's something there's been

there's a way to be there and we're never the thing we're always the people get to there and then

he's back the second. And nobody is to get in the middle of the center. First,

like they they're going, and then they're going to the other other side. That's the

only that we're that's the but that's not a what's what the restaurant?

I don't you know? You know? You know? You know, why exist in the houses

enbrued? There are some that says that for that a place is because

there's a thing that's there's there there's there's there's not that he's not

some kind of of a kind of kind of spiritual that opened the doors there.

There are other that is the entrance to the door to other

reality there. There are many theories. Our subscription no

didn't the reason because the house is a

right you're going to understand why. He, he's a lot of the house, during 20 years, never passed absolutely nothing. Now,

no he can't ask to the antigocts because no existen. He is the first dwee

of that he was he was the family. No, not occurred no

history in that a time, a fractionation of cases in that

there was there no view in any type of a city violent in

that they intend to the land cements of the casas and those things. No, it's a place tranquil, is a place aburried. It's simply and simply, a place more of the city. No, there's stories. Any other house of the sector has any

type of story. Cereca of there, no pass a new rio, no, is it near a mountaine. So, no, has been a ventanas that indicate, and, to the north, and to the south, and, it's, there are redoneed those, no colors rogues in the

entrance, and no there There's a type of energy that emanate from the subsoil. No, there's 20 years lived there and no was a lot. They were persons cruised family,

the house more tranquil that you can't imagine, until they were a third piece. In the moment

in the building the third piece, it's a third piece connect with the

infirno, because all the house went to the caro. Dice the

that since that they've that started that started things. And then he has to think in things that are no

in the salvañil maybe someone practiced a brokirian no, they're friends of his papa people with the people with the

people who had they went to them to make a construction. But for the type of society in the people

can do that they can't do that this type of constructions if they can't they're they're doing

they're they're doing because all day of today now it passed a good rato

the third piece is perfectly manned down the infirno but there's intact.

That third piece that built these salvaeels that I'll

say people people that not so did any

any type of practice but since they they they

were that they put the first they started

things very strange the the marty are and

they were they they were the marty was

that were they formed a a Cosa that was like a Bromus, to be used to

to play between you is a bromita, that as they're friends of that time, that could

pass. But it was repeated and it was in occasions, in the mornings, in the mornings,

I'd get wets of mucas, they were in the piece, and that did you

did that the owner of the house and would and they would be raganed

to all, they're they're having to be professionals, one

things are the things are that's, that are zone of construction, where there are metals and vidios

tirados and things that can damage, descalves. No, they're idiots. Here, they're taking those precautions, and if no, the one of the thing is, that's dormitas, that's me go.

And it's, it's that the new people that were the new people, they were the new people, because they're to say, no is none of

them. Ruudito, tranquil, Rewititits, that any could be able to be funer to other

thing, like a respiration profound that came of the habitation of the

creuses. A respiration that is the one of the person to get the air

to the heart of the there's things that you can't confound

with something with a wind or maybe is some

kind of a animal all when they they putio

those putio the putio and they back and they

back and they and being, you're going the compostura and started to read us and to say,

no, your car, when you're to do you, and try to do you know, and then have been

happened nothing. The day next, they're going to talk about but

they're to reproach when all when all all of the things that they're in

a boatit and in the area in the area in they're they're

having the water and they're making little little

little That's not so they put up Cuerre. Cours, things that the people have in his mind,

and maybe for the place in the place in the place, he said he when they were when they were to work and

as a car of this construction, he was he was and the house in many many

and it and I'm perfectly like some on the feet of the third piece to

and he's he would have to be nothing, he was going to go the first piece, and if

they were doing it on the occasion, it was the house. The problem

was that they were that they were the door of the door. He said he,

that was impossible living in that house. The idea original is that your abitation

was in the third piece and he was a little a bit a bit a

Papa, no, I don't understand why he he had he never, he said, no, no,

if you want to let me the little bit of the second piece, to the time you're to have

a more more than you. No, I didn't your father, if the room was going to

be a little the room, the room more than the other, he said, he said,

he's that I know, I'm going to do this when I'm going to be around my camera,

but it's around me, but it's He said that is coming around the camera. No, I want to that's the that is the one of the

car, no I'm going to talk to be the thing. So, his papa, to show him that he

should have to have seen these things, although he had heard the respiration, I was

the water badita, I had seen the of the crosses, and in some occasion

saw the white, because he had to give us, although all this he had

lived, he said, no you're to think of things of that that's

for people that's a that's that's he said, when we we're going to

do this I'm going to go to do with only there and I'm

going to be a time for you see you don't you don't you

don't you don't those are things of things of the construction. The construction

was planned for the nine 10 12 15 15, 18 18 months

in those that had to be repentingly because they were they were in bultes

of the house and they were and the form that had the thing was

that were written something like something that's but nobody entered

in the house they they were they not they saw not

saw it not even sometimes sacos of cement of cal and of different

things that were They were from the third Piso, but in the third piece, no had nothing.

Not they were not they were they were the connections electric, something was accidents between the

the people was downed, the electricity when when it was a little ever, was a

third piece of the house. 18 months were in the construction, grand

part they had to do it basically a goal because, why not tap them the

windows? Because every that you had one, it was a lot of the windows always were in like if a

big over a big over would have been going to go to get directly against the after the

next. It's like if the house had said, you know, you know the

understand the advertencies because yeah being all constructed, the day

that the day that the father, how is the third piece, because

you have been done the they're up. And as getting to

the part of the top of the door the father he's

quite palid no can even even express with

all the all the all the some tisis some

some colors precious and contrasts and they didn't

feel the everything absolutely all absolutely all piece

and the wall all the hands all the hands like

had been done all the hands marked for all parts. The problem is that the hands corresponded both adults as

children, but there was a detail that if you'd be able to notar. There's all the

hands, that had much distance between one and one and one's many more longed at

the normal, and that they'd and that they'd come in a type of unya

because at final where they were the there's there there's rugs,

no No, it was a peter, it was a ragged. All the construction of the roofed her

repinted, repopisar, reponel. That's not, because now, for the quarters, there were in

sombras that you had to be you, you're going to be able to be in a bitation

for you so that you might as a somber, it's a a somber, you can't seeing if

is that has that he's he's got to his wife. His papa never never got to

do not never he was that nobody's never and then the part of the

above it was it had that they were that not fiest normal but

those fiestas fiestas infernals so they're they're they're

they're listening they're they're they're people that they were back-and and if there

someone in the house, the only that they could be able to start the doors. Because after that they were to talk.

What they'd live in the third piece or what still living in the third piece, has been,

we're, because there are months in those that are that's done. But all know when

they're when they're when they're another time that that that that thing

is to of a regress in house. There are different types of stories that I love. The first

that I'm in this episode was a story that when I was put the little bit more that I'm

this that I'm going to have to be one of those thematicas that me will be a lot,

objects enbruchated you have to know to know to be a lot of things

that are vintage. CASE not I'm I'm but I love, I can't

that the objects have that the I love to see an silla an salon that

has a decorations also are very some things that I'm that I'm

that they talk about the people, the walls the and the things not

not seen what they they didn't they're so they're

not so but this part of the life of the life of

the other the things that I'm this perspective

the objects enbruched There was a moment in which sonnabye about stories of terror of Stephen King or of these authors until that in family

result was that a prime that had a, how we can't say, a business, of a business of objects

used, he said that were going to happen things strange as in his house as when I

heard this and was much before this can't with him and I I had to ask me the stories.

And me he told me all. He said that was like a person major in the zone in the

area in the thing that had had all the things that he had a place there was a

area where they had a old old that they were that they were

not a moment of the event or because they had decided that they they were

to don't know and that there was a energy

horrible like much a And so that you is an idea of where this building or this business, in the plant of the above, it was just the

business and was there was the bodega where they had all the robusada. In the plant in the middle, vivied a family. And in the third-pice, vivied a person solterer. The family commenced to report, one that moved this business, of

having things used, that were passing things rare in the house, things that for them had an explanation. Resulta that in the nights they were in a person coming into the house and they were astoned-isimous. In more of an occasion

they were called to the policeia, but there no had signos of that nobody had entered or nobody had gone. But they'd not even though. After that, they'd behombs

when they were outside of their and were coming and they were somebs that were like asomandos but the house was a case.

In more of one occasion, the crucifixos that had in the the walls, they were going and they're

to be able. The family had a person of the third piece, said that since

two months, he was he was a heart, because I was that I had to

and I'm going to walk to come a little little and he was a

little and rascu- and he ran and he ran and he and then it was

he was where he was all the problem is that that that that's the third

the other piece, no does any part. The houses are in only a piece.

This house oversal for all the other where he's

what he said, he said he said, he said, he didn't mean he didn't

that they were doing some that's doing, he's that

they were to don't and in the other two houses they

didn't to try these reports. From there, he said, he said,

he's got to have the things and it's that they're their energy, and for me

was a fascinating and yeah. This story I'm going to say, me the send to the

subcriptora, and he passed to something. And she said, Narraud. I am

the stories of terror because I'm a story. And not is a story that has been a story.

I'm going to be a person very proactive. I'm a person that not a Marela,

I get a point and to be a way to be a lot of my life. I'm doing, I

decide to where I go. I'm I'm think what I'm do and I do you know to do you

do it. I'm a person to do this arm's to-mere. A me I'm

like the things vintage, the things antivas. And I I do

I've done things in my house for that have certain style

because I'm I guess. I'm a that has almost 100 years, I have some

some little some of the same in the comedor that's that's about that's not a lot of

many times things that the day of they're not they're not they're not so I'm

have used I'm made that they're more of 150 years. I like

the things old. When I went to a bar in other

city and me toped with a roperito who I don't

I was was beautiful. That roperito seemed like if it would have been a person of a woman woman

about it. I mean I'm just something to get maybe it's a lot of the you're in a lot of contracting to a

a carmion of a tonalade and a million to move around because of the packetery me said that

they were to move to something that was more to be in a more of 20 or 20 kilos and

this thing was about 60 kilos so. So, I got a maldito camion

for that me they were to get my roperito. And me get there my roperito and we

have in the house and no no longer because a part of that I'm I'm

I'm My family, my family that's My family that but are going to visit me because I'm a person of much family I'm a person

that wants a much The family All right, they're saying That's been A bigita Sentada in my Sal,

a bigita that no exists, a yearita that no live in my house, a bigita that I know, I'd

take that's like that I'm just because I'm all those I'm all I'm when they're

I'm the I'm the I'm the You know what I did? Sacked the maldito roperito. And there was when the Vecinoes me started to say that

they'd be you a while of my house. But no me they said, like I've got a boyita out of your car to

call it. Oye, Leonor, there's a boyita out of your cochera. Dehala pass to be a family

to your and that's a good, it's well, it's been a bad bad and not he going to

pass something. And I knew that was that was that it was that

he was a pair of friends that had in a tinder of antiquedities and she I gave a regal I. I said that I had a regal of the endro. Yelsa me that she has a viviency, a very very traumatic, something that,

to the day of today to agree, he has to try many and much mal-estat. This that I'm about to contart is a situation very delicate,

so is that I'm that you take that take it with her life was normal. No, of atypical, no there was nothing magical,

and simply was a person more. I was studying about around of the 15 years the preparatory.

And she was very a good in the time of the preparatoria, had a group of

people, was living very with his and it's a person very done to

three things. Comer rich, and when I go rich, is very good,

is a group of people very focused in things of health. For other

other side, is very apegated to the sport, his amistades and his

families are people are very very deportists and the third he like the

movies romantic but I hate the movies of the horror. No

she does not she was not. For that

this age after 15 years she she not

she was she was she had her head, a dream that for her had an explanation, and she was to his family. The

Swayneau, it was that she was there in her house, and, of and, of a sudden, it was a little, a kind of a sound of strundozo, tremendous, and she was a bigot, and it

was a bigot, pegged in the coast, because she had in a coast, she had to absorb everything, and she'd all the person.

The dream continued, and she had asking for people that not were chadvers

for all parts, all of the city arroinada. This dream was put in

mal. She was still, and saddick, it was very realist

the the rostros of those chabers she were they're

people people known people not were not the

places of the city the how had this ola

and and so it was to get the thing, no, terrible,

terrible, terrible, I was a place of food, that restaurant a house of your

house of her how the water, and when the water and it

was to he was he got all the the problem of the

night it's the day the next he again

and the day and a day and a day I had almost 18 days,

soying the same. I had asked to her mom, to his papa, a companyero's of the school, had been asked help,

maestrus, he had gone with a other parts, and he said, he says, that he's, that's not,

what you're saying, I do you know that, no, there was no, there was

no, to be just a vacations in a certain time, for the year,

and her family had decided to go to the coast, to the play. Although she lived in a city costerer,

well, not is that she'd live in the play in the place. So they were to do to do you

have to do you're going to do you. But they're going to first the year.

First, the time, and then after certain complications family are to get to

the city. Not going to be there. And the worst of the case,

not going to have backations. What can be more than this? Until that came

a certain Fecha. In Chile in the 2010, a tsunami arrazo the city of our suskitora. The places that I knew, many families that she knew, all this disappeared. She said that was very impacted, that when he came, that never imagined that that she was living, was some type of premonition. Never was it, never lived, nor lived it. Simply was that bad dream and a coincidence. The problem is that when

was to the places specific. They were like those of the dream. How had

had been the place, that house that saw of that family that

was, yeah, not was and the the other and the same was exactly

exactly how it's a day of today, but me made this story.

And with this I'm a problem because I know exactly in what

I made but he's since 15 years I

no I no sooing with the sea. Until three days. Do I thanks a God, because it

is a dream so terrible, but if is a great, and here, in the

South of Chile, we've just made a alert of a mermot. In the

universe of what no exists, in this universe that we you,

you for be part of the family nocturn, I for narrate

the stories that me make there are there

of a repent they've been repeated. There are things that have resone

in the life of others. There are some that's been brought favorite

my and they have made that this I'm going to

I think is exactly the point between the

two. It's one of the stories that me has

been and sometimes in when the phone in the WhatsApp

or in the messages I top a pass more

a block more other piece of this rompe-cabes that

me deja marvillated and spanted at the time. I'll tell the story of

Benito. Benito had a son a young, being a military,

and he was he was a way in a future in a future,

with a place of much power, with a gallardia

tremendous and being in the old mandos, the problem

is that one that one was that was that was

an group and, and, having a certain rank of him, he he came to him, and it was a person that was a cargo of his group military, he decided to make that he would make him to get him to the army. All the things that he did was to humiliate and Benito, for more that he chava gana,

always term, always term, to cut them the almoversos, to dole to exercise physical, put them in the hours, the guardias, the places that nobody support, the tasks that nobody wants, and, and after that

something, something that was a torture physical, tortures mental, tortures

physical, the trotor espantoso. Benito, in the moments in those that were in those moments,

as a moment, to get to visit to the family, it was bad, deteriorated,

and the worst, is that only only they were they were doing the moment, they were,

they were their future, for his eyes, and it had been a lot of

decision. They're going with a battalion A certain zone The worst zone of their A place, a zone in the That nobody wants to be A place That's a very limited

But apart is a place Difficit, and it's a place in the Malaria has a great possibility of that it It's a lot of your tomb

A place in the world in the soldiers A few get into the people and nobody's busks Situations very furs. No imagines

criminals organized, or situations delictives, why not, no, not it's a story, and it's

nothing to do that's a lot that's in the cellva, in a zone in a

area that no any people, that any no no no way, no,

there's people, that's the place that's the place in the where they're a little

they're a little a little of the power, just there some there's

almost a task to be a lot, to be a This soldier, he decided to do something.

Stando there, there's going to to be a way, a new and a new day that they're only, he'll take his rifle,

he's upunted directly, putting the part of the culata to the piece, but something that's not

exactly what, and when disparre the rifle and the balla in the place to the upper of

the mollera, it's out here, for the narice. But it's so the damage that that's

that's that's the time in the hospital. No, he's responding.

The treatment is, it has their functions vitales, they've got to a very

good time, and in emergency, moved the things, and in the hospital, and it's a

moment, it's to be, maybe a court of a recuperation, no, he's not a

basically, there's a way, there's a story, but, you're to be

to what he reveled almost two months when he he, in some moment, is in his

house is still is going to and they're to get to and in that moment in the

when they are they're going to disconnect it, he'll he he

he'll to be to be going to go going to go

because the part of the the part of he was going to

write to what he He's lived. For one part, he's going to the

penient, the commander, the that he's that he's he's not he's not, but he

he's not another other side, he's a story very imberosy a story that has

been to a train, with a place dark. He says, he said,

he all of his around was rogo, a door

terrible, he he got he, he was saying that the body

was he'd all and then he inside the wagon of a train. This train I was with

some rumbo of the road to there were many people in the wagon of he and

then the train of a time and when it gets a voice that says

here those that have to have to backer because then they don't

have an opportunity and he he is he's he he's

he so the door and the train advance

all all the people who are with him see like he as

they're as grisies like if they're carrying something then

then the train will be to get to the door

and a person and a person can't decide simply the

things are going going when they when they when they

get to the door to the group of people he

he and he says, but there no there's nothing, and he says, yes, there's a quiver,

it's going when he back on the train, all is the dark, but in his feet

he's the feet like the and he and he and he starts the one of the

one of the one of he can't get to get them, and it's like it was like

he's like it's he was coming and then he then he and then he

like some Luce little Something that's There's like bright Because the

place is totally obscure The only that's behind it's all It's

dark but after all it's but after things that things that see like

like like like peteras like peteras blududas like

a light and a light and conform he's going to come from it's

like if it's like it's like there would be some type of fogata

enter that And one And one That's the One of the No, he starts People are to

People are that say People are That says, That's a yearle, that And he intends And he intends to learn But he has

He has seen-a-see-missom. It's still getting there, but no has a way to prender it. It's a torture. It's a lot of it's aphixia. It's calient. It's desagradable. Nobody interactua, is just alone. Even that there is obscure totally. And it's a vacuum terrible.

The odor that was physical, in the moment in which he's made because he's still having there. Only that every minute goes augmenting and he can't get it. He no has a right to gritter. He no has a right to do anything. And it's there, when

he's called the after what he's like he's like days, seminars, or months, that a train

is coming and he's a little, it's like an hour, and then he says, that's making

acopio, agarrand all what he had of force of the that was more than

a little granito of arros with that with that with to start to move

to get to start out and in the moment in the moment in the place he was when

opened the hospital and he he was a great he he was he was he was

he was he was the he was he he was the purgatory. And with this

history that we've got to the dark of the story

but before before that you would be that you would be we're

that you want to Let me know in the comments and the next Saturday of SOMBASS we'll talk to in the in-vibo about this. One of this, I'll ask you, subscribe,

give the buttonneta, if you're on the platforms, like Spotify, Apple Podcast and all these, subscribe and give us the five stars. I know. You debo the stories

secretes, but gremes, as it's been when it's been when it's been to do you, I'm going to pay with interests and the interests

are good, and the time this is a good time, and that's good, Pesadillas. Bye-bye.