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Cateo en Casa Endemoniada | SÁBADO DE SOMBRAS | Hablemos De Lo Que No Existe

October 3, 20260 comments♥ 0
00:01Visit BetMGM Casino and check out the newest exclusive.The Price is Right Fortune Pick.BetMGM and GameSense remind you to play responsibly.19 plus to wager.Ontario only.Please play responsibly.If you have questions or concerns about your gambling or someone close to you,please contact connects Ontario at 1-866-531-2,600 to speak to an advisor,
00:22free of charge.BetMGM operates pursuant to an operating agreement with Eye Gaming Ontario.Welcome to Family Nocturna to thisSado of SOMBras.The day of today, my dear familynocturna,I'm going to talkthat's a lot of
00:37that's veryvery perturvador and theworst of all,it's dangerous.For that I recommendthat take your precautionsbecause the day ofwe're going to
00:47talk muchthings,many storiesabout theSanta Morte.But,before to startthe episode,
00:53I'm tosay tosomething.The first isthat if youyou're oftheawas
00:57calient,the day ofmorning,we'llwe're inyourcity.This is the
01:01ultimatecall for youthat you'rein the fogata.But ifyou'rein Tijuanaand the
01:07Marikali,you're withmoresuerriesbecause we'rewe'renextnext
01:10the nextnextthenexttime.Consideratethethe
01:15lastthat youcan'tyou cangetinainfugated
01:18butbutI'mtostart.And thestoriesof the
01:23dayoftheday ofyou,Iencendida. Because if I'vetold you've told
01:27things aterradoras in the channel,the day of today is to otherlevel. But,before to start, I'm going toconfess to something. It's that I'msuper-enohedfor a question thatI'll talk to the final
01:38of the video. Thelast time is thefirst time thata person thatsaid, Family Nocturna,practically meinsults. Meput a message in the
01:47comments, andwas a insultsa very, and Isaid what is thepart of what Isaid, you know,I think you're a reason, but even asthere are ways to say the things.
01:56But I'll talk aboutof that time at this Saturdayof SOMBASS.NecessitoI'm going to start the episodesaying, mydear family nocturna,here in the channel
02:10we're respectfulof all thecreencers.Necessitowith this.Respecto,it meansthat we're
02:18that there'smany realities.And withthese realitiesI refer toexperiencespersonal, ahistories of
02:25life, to persons who havebeen takentrajectories,thewhich nobodyhas doneright tojudge.
02:32Respectoalsomeansthat inthosetrajectorieshavetalked with
02:36creencerswithexperiencesfamiliar,with traditions,and withcontexts,those
02:43whichcan'teven eveneveneveneven inthis channelwe're
02:49interestedallyou'remy family,are thefamilynocturn.And in
02:54thischannelThe family nocturn is united.For that there aremany creencersthat here we recommendto manage themwith pincettas.
03:04And to that'sI reference.If you're notthere,maintain your distance.Because thischannel,me would be
03:12that it'sabout thestories of princessesof duendiesand ofcapayeros,but no.Here we
03:16we'rethe pastadiesthat nobodywant toand thepesidiesthat aBeances, live in those
03:21Ceres.Here wewe'reabout themomentsof thetime, and themajor part
03:25of thetime, weknow, thezonemostof theother theexperiences
03:31paranormaland preternaturalyou.I'llthis,because todayI'm goingto
03:36talk,one ofthecreencersnotfor themarcophilosophical.
03:42Themarkphilosophical,is abit ambiguouswhat Ihaveseen
03:45inthisfigure.No,are theexperiences that have towith this type ofencounters.
03:53Today we're going totalk to theSantaMorty.Resultathat Geronimois aperson that
03:58was in alittle bita lot ofa familyabout,and I usethat namebecause it's
04:08a formor anexpression thathe usedto refer tohow wasconformed tohis family.
04:14He hasa brother,has afather,and hasa mother.ButBut has many years, more than 10 years,
04:20his papa and his brotherwent to home.He left her only with Moma.Moma and he, nohave the better communication,and he has since thenhe's a person abandoned.Mama is a person
04:31that during many years,he said,he has refuged in the religion.And when I neededsomeone that would bea brother and hada brother, I'd say,Resa'le to God.
04:44Now that I've got moreof 30 years.I mean, I said my mom,nobody'show to be my mom.But in yourmoment, me dolemuch, because
04:52never mesaid,God,that Goddo you orient,that the virginitybe with youand that's the
04:58she said witha woman,she wasbut a megenerate acourage andan odio.I had
05:04much resentmentbecause mypapa meleft,me abandoned,you know,you know,I think
05:09thepeople,I thinkto beinterestedinhiskids,
05:12mymy papa nevernevermeeverin asingleof my
05:15wholeday toknow,I'mgoing tomyfirst dayin my
05:21day ofhow I'mgoing toget tothepreparatory,nevernever,
05:27never,no henot hewas,he saidthat Iwere thefavorite
05:31of themomand thathe wasthat hehad ahe had ahe was
05:35that hewasnot thatwere you.Those arethewordsof
05:39thethe people that all right, and all rightand they're correct, and noare insults, but dole thana more than a punial.That was just to my papa.It was exactlythe same to say
05:52that he preferreteriathat's not.And I was so.In my video, it wasso.You know, what is the problem?That sometimes thehead doesn't play
06:00a lot of theinfancy that Ihad to be a goodperson.And I learnedto torser thosesentiments.Every time that
06:09I had courage,I said,like,same,and everythat I hada newand a
06:14time that I'mabout,and I'mto give alittle, I'mgoing to bea brother,I was in
06:21the person,and I wasa little,my headme was tomake that'smore, andme confunded
06:27much.In mylife,I don'tknow Idid athing, butI'd
06:32destroyin myentorn.I'mput out ofthethe preparatorynarrator,
06:35the firstin thefirst in theI'mnot forto donowithout
06:42count.I hadhad given akitchento theschool.And I'verailed
06:47in theend of theend of thebank,puraswords ofno,I say
06:51to nobody.I thinkwas whatI was,I need todo youand youknow,
06:57and youknow what?I didn'tget aquestion.I'm inthe middle ofthe
07:04head tothe right,and thisarmhe wasmovingto onefor another, and
07:08I said puremalaswords,one,and ryanand practicallydestroasing property ofthe school.
07:14I'm expulsedfor that,not for thebad words,but fora weaponthat could bedangerous for
07:19for all.No,me expulsedbecauseI didn'tastory, andwhen I said,
07:24I said thatI had tomoney,and inthat momentme said,you know,you're going,
07:28and it'sthe firstin mylife,that Ifelt I'mfeeling,I sent me
07:33content andI'mI was infree.I'mdoing things thatnot good.I'm going to
07:38do a littleof theway and I'mand I'mdoing thatwhat I'm doingis thatI'm not
07:45was that I'mknow how canalisemy enochand Idid thatand it'sthat'sthat's the
07:52thing that'smy momhad in thehousea statueof thevirgin andhad a
07:58some stampitaandall thetimehe wasall thetime wasI was about resandoless.
08:02I had a couragethat noyou know,I was ina littlea man,with a smile,and she
08:08resable tohis differentletanias,I'd say,ohhallathat if welisten,and I'll say
08:14a pair ofbad thewords in mycase,ohhalathat they'relistening,and all that's
08:21all that's allyou're sayingin mymind, and Ithought it,my mom,I thought,that I was
08:29saying,with her and neverme called the attention.But for the end ofnojo.I was out ofmy houseone day.
08:34And here,now my35 years,you know,I'm sure.I'm stillwhen you'rethat you're
08:41that you'reseeing that you'rethat they'rethey'reand thatthey caninfluence here.Because my
08:47life was normalin whatit'sin aspects ofwhat thereno othernaturaland the
08:53other world.Pursthings mundanasexceptedthat day.I'mI'm going tohouse, and as if my
09:00mind could besomething that my eyesnot can'tobserve, I'mI'm going tohave thecertain way, I'mto go to
09:08go to certainand I'mgoing to getright by acar to thecarer,that was whereI was to
09:15get to beto get tomy lastdays ofprepa,in theother,I'm going
09:20to go backat theright inacar,and Inever hadmet in the
09:26And in the place in which we'd havepeople were people very brava.And I'm going to, but noI'm not being perded.No, I'm sorry.It's like if in my mind, in myhead, in my mind, it's always,and I could have been the
09:39way that, front of my eyes,it's just being new,but in my head,it's one or two secondsof having been presentedand I see what is whatis to the end of thenext corner.
09:49And it's likeif it would beto imitate theway, and thenI'm comingby the cera of the left. And in myhead I see, how that camera mental,those eyes, that I'm interno.
10:00Voltae to the right, be a tentajo rojo,debaugh, there's a dendaho rojo. There's aman that he has a garra negris, andhe has a mochilla of colorred. The man is there encorvado,and here in the life real, then I go to theright, the type is there, and I seethat in my mind, cruised the car, and me
10:14went to the right, and I did exactlythe same. I'm going torun to the pendent, when I'mJust in front of a house,pass a vehicle in my mindof color amarillo,and in the life real,three seconds
10:26after it's going tothe same auto.And it's transformin this in alookura,in the momentmore fun ofmy life, in the moment,
10:37when three secondsafter after thesame time,I go back to the samecar, I'm goingback on thehouse, I'm goingto three times the
10:46door, a man,the door, andme does a carin my hands.Three secondsafter thecajaI have in
10:52myhands.I'mgoing tothemoviein mymind,
10:55it'sto beto goto goto beanot thesame
11:00was theway.It was away toI'mgoing toand thatI'm
11:05going tobeand thatevenevenjusta singlesecond
11:09withoutevenevenevento beamindthat I
11:13didperfectlytomyhouseforaway
11:17averycomplex,veryveryvery longto bewithout
11:21that'sthat'sthat I'macross,I'm cruisedthat'sa little bitabout the
11:30newest tovisit BetMGM casinoand check outthe newestexclusivethe price isright fortunepick.
11:35BetMGM andGame Senseremind you toplay responsibly19 plusto wagerOntario onlyplease play
11:41responsiblyif youhave questionsor concernsabout yourgambling orsomeone closeto you
11:45please contactConnects Ontarioat 1,866-531-2600 to speak to an advisor free of charge.That MGM operates pursuant to an operating agreement with Eye Gaming, Ontario.The movie not termed when I'm going to bar.That image that I'd try in the head continued, and he began to guide meinto the house.
12:05I'd make a momentous of wait in the door,giving the sparta to the passillo,just during a quantity of time, and thenthen I then justto the left,me movedrapidly ata certain
12:14velocity,and I'mto imitateto myhead I'm in myhead.Temeu'after I
12:19didknow whatwas going towhat wasgoing tomy mother.My mother inthe world
12:26never wasnever got tothat Ihadhad gone tomy closet.I'mto the
12:31parttracerof himand thenI'mremovedsomethe
12:34pantalonesandput therethecarduringthosewere
12:38reveling things in thehead.I learnedto usea martyput a clavosand usea cerruch
12:44of thematter.I didsomethe otherthat youcould youimagine.
12:49It was avery rustic.But veryfirm.Themeasures mewas able,and I
12:54didn'tknow thatof thatperson togo tobecause Ididn'tmoney,
12:58and thatpersonme didtheperson meand thedoorswere functionales?
13:04The doorswereto openand start.Becausewere whenwere in turnand you're in a
13:09form ofto put acondo,in the world,in my mind of themovie,me devoled all,incar me,
13:16abrassarthe caj,with mysaliva,and then,separate thepart of theabove,
13:24and to get astatue,that in mymind,no,I had aworld.In the world,
13:30the skeletonwith theguadana,me surprisedto myeyes,when Itook the
13:34hand in thecase,and Istartedit wasif thosequenksvacuas
13:37me mirrodirect totheeyes.And Ithink ita lot ofvery
13:40verybecausebecausethe differenceof whatthe peoplethink,I was
13:46that I'mthat wasthat'sthe samewas away ofbut itwas that
13:53was thatwas thatwasbeingculatedthatthingthewas
13:57thebeingandit'sand itisthatstatue
14:01itwasvery abromatedapresenceterrible.In thatmoment,
14:07in theplanta backof myhouse,I'mgritted,a reping
14:12a pen,a-and withthat I,and witha stature,to get tothe front,
14:17to startthedoors,put mypants,andto getto the
14:22room,backto gettoputtits,tomake,to be
14:28mymom,mam,my mom,I'myeahImom, what
14:35youpass?And shewas saying,I'm distraged,I'm distrage.After thatday,
14:41all of thething,I'm verysaying what's thething.Be,offercesomething.
14:49And Iknow thatmanypeople areto say,that'sthey'reto offer
14:52cigarettes,and itis analcohol.But myexperiencenot is that.In my
14:57experience,Ioffendabledifferentthingsevery day.But thereis where
15:03I'mwhere I'mto havethea movie. A manzana atinitial. A manana witha lot of sand. A mananaparted at the middle, the
15:11semillas masticated by me,all involved with a little ofa senisa of cigar.Cosses, that simplyI saw in mymovie, not to say,if some inventors, me,if it was my imagination,
15:22only it was,and then I'd doit, but there Itook to put thealto.When thosemenjurges,that in my
15:28movie,it was tobe made toto guard those, separateand some of themif they had tomixlar,when then
15:37there was aphotographia of mymother,and that withthose menjurgesto cross theeyes and theback,
15:43I decided notto do it.And thatsame day,my momdid are-spingo.A foot,
15:48he fellthe cuchioin apenerrador,at theinstantin theI decided
15:52notto do thethings.All thetimepassedthings.My mom
15:56saidthat wasa littleincoooandShe was veryveryShe'd be
16:12She'd never reallyShe'd never really to get thisShe'd never evenShe'd be in a little bitShe'd be a little bit of herShe not she'dLuched with all theFor pardoned the things
16:21That I'd with her in the infancyBut at the same time,But at the same time,I'd parted the arm.The peerer,It was myIn mydreams, that's
16:30is thebeing asun is thedark,I'min abalance of thethings.
16:34Theoffenderthat I'mdoingin themother.If Idid I
16:38reusarto offerto find out,I wasjust Iwould knowand thebad ha ha ha
16:43and thelastimating,in ahand,in therostroin theback,
16:48and in theworldalwaysoccurreda accident.A dayone dayI was
16:52Iaskedthat ifallwas averyvery can't. And shebegan to
16:58and she said, nohe said,no, he's,well,something I'mgoing towhen I'm going todo with,
17:04there's adark,there's alittle,like if itwas a chutea huddererand me
17:12lastima,me lastimein mydreams,me's justI'm notI'm justI'm still
17:17I'm sure,I'm surewhen I'mall theword,me saysthings terribleme say
17:22that youyou wantto do youI said my virgin-cita,I'll be paid mysanto's,that for favorme help.
17:29But itdoesn't evenI'mnot quite.I'm hereto be thereand meand me
17:34accompany.And in thatmoment,a narrator,something,I know howact to God.But it was
17:40like ifa martyme hadgot overdirectlyin thepecha,because
17:45capes andcapes andcapes ofthe powderand thethe pain thatthepainerun
17:50thetime,abracemy momand forfirstI feltthat she
17:55and Idid itI'mand Isaidto sayto sayto what
17:59and Iandmore andmore andmore andfor amomentmy
18:04headandIunderstoodwhat shehadlivedI
18:08didwhat shedidwhat hedidhedidhe
18:11didhisAnd it was very strange whatwhat was in thehead.Because I sentthat that'sthe ser,
18:23the ser ofthe set ofthe fact ofI've beenwas veryenojated.But nohe would give
18:29opportunity tothat helastimaramoreto mymother.And thenmy mom
18:32measkedwhy hewasdoing thatthat Ido thatI'm
18:36that I'mabout,I'mgoing tothewalk downtheand I
18:41know howdemoniosyouexplainthis?Thedoorswith a cerradure
18:45abyrt,that is acerradurethat youcan'tyou'rea lot ofthe hand,
18:50tomandolaswith allmy forces,andpugatingwith myfeet,the partof the
18:55part of thebody,no,it would bewithouta serratura,withoutthat nobody
19:01was notand mymom-and my momsaid,oh,SantaVirginita,
19:06Santa Virgencita,help mymachoand theycame inthedoorand they
19:11ranketheinstant.Coincidencyifyouyou want. Coincidences, butwere many continuous.
19:18I got the statue of there,me the statue of the way, andyou know, I'm sure that thatthing was of yesso. No, it wasponteaguda. No, I had nothingthat cuter. When me let meI cutte a half of thethe case, because I ran across
19:33to the house, I'd cutadas inboth brasos, in the pecho, and in thepanza, and I was sangranoin a manner profus. Me gave thestatue to the house of theher becauseshewas
19:43grabedwhereI'mand Igave to theshe'stheshe's a
19:49very mucharepudioand hesaid,you knowyou'renot you
19:54havea placatedIyou knowI'myouyou knowyou
19:58you knowyouyou'reyou'reyou'reyou'reyounot a
20:03wayand IknowthedoornotneverI'm
20:07I'maI'maaI'mI'mroger.
20:12Coy,it was justin theentry ofahouseand I'mback.
20:15I'mback.And fromthat day,all theyearthe yearthere.
20:20Therepresencein thehouse.The presencenotare likemany
20:25they'rethey'repeopletheyarepeople.We'retalking.
20:30Whenwe'rewe'rewe'rewe'renot.Andwere
20:34threeoccasionsthatthisdidtocontinueto
20:37meto beyouBecause I feel very amazada, he,he's, he's,he's stillhe, and I'mhe felt
20:47exactly the same.It was something.It was anojouye,and if hecould put ita form,narrator,I'm sure,
20:55that I'mthat I'm sure,that I'manother otheroccasions,narrator.He's presentfor the
21:02I've beenin acity roados,that'snot shouldbe aproblem,but are
21:07those arethat arethere,imaginethat you're in aplaceroad aroundof cars.
21:12You'rethe motorson thepeople arepeopletalking tothe claxonis more
21:16the properrechinarof theyandrasin thethingthere'sthe
21:20time youthethe timeof theand thereallyand thesound
21:24it'slikethatyou'reinmiddleofthat
21:27a20meterstoaoneaone
21:32onethatsoasoundsothatto be a little bit of a
21:37in a cityroydosajust ina middle daybut withthis thingno, thisthing
21:42I'dthat we'rethat we'regoing totell what I'msaying.The soundnot was
21:49from itwas fromit'swe'rea unywouldruneatingall the
21:55asphaltall ofthe concreteandwasthedoorand
21:59beganto raskothedoorifwe hadthe radioencendied
22:02and wesubedthevolumeno importara thatthat's reventedthe bocinawe're going
22:07we're going tobecause thosemaldictive sonnionsdon't get hereget a yeara narratorone year we'rea year
22:17we're going tothat'suntil my mombeganto go continuallyto achurch andbegan to
22:21givea beditionsI'mI'mdoingall thedayspardon to
22:26my fatherpardon to mymy brotherpardon tomy motherand Ithere camea moment
22:30in thepardon forall thethatthethat I'mthat I'mcaught.
22:35But theday intheI'mthethingswere thetime.
22:40It'sall dayofthat Idon't knowwhatso Isaid,
22:43that Iwas aparticular,and theonlythat hewasto be
22:50notusto bethenewestexclusivetheprice is
23:02rightfortunepick.Bet MDMand GameSenseremind youto playresponsibly
23:0619 plustowagerOntarioonly. Please play responsibly. If you have questions or concerns about your gambling or someoneclose to you, please contact connects Ontario at 1-866-531-2,600 to speak to an advisor, free of charge.BetMGEM operates pursuant to an operating agreement with Eye Gaming Ontario.And here, the Mona Lisa gazed into Mona's eyes in perfect health with no undiagnosed problems
23:33and her optic nerve in excellent condition. Anyone here got eyes like Mona?or brownish.Not enough people know about their eye health.That's why OCT scans are includedin every standard eye exam at Specsavers locations.Should have gone to Specsavers.Book an eye exam today.I exams provided by independent optometrists.
23:54Contact your local Specsavers for details.You know what is a cateo?The cateo is a process judicialin the which an actuarial,in occasions,abogas, policeas, and aserragero,have to get to a place
24:07in thewhichisthatthere'stherecan bepeople
24:09thereandhaveto beto beandthey'rethat
24:13they'rethey'reabandonedbutthesetheseprocessesare
24:17dangerousaremanymanymanymanybecauseare
24:22placesarecompletelyabandonedinothercircumstancesare
24:26processesarethosebutdangerousbecausetherepeople
24:31therebecausethestorynothasmanned,someone
24:36who is afamily ofan actuario.The actuariois theperson thatis theway to
24:40give himto sayall thething.This personhas thepoorsuerte
24:48of theuniversebecausewas in thepoormoment,athe poor
24:53place,and hetookto beall.Thepoor,the
24:57the worstthething,was thehe wasthe onlyhe washe was
25:02to beto beand this that I'm going toto tellis thelocus and ofme know.We're going to
25:08name thisperson,Pedro.Pedro hasa tiothat's anactuarial.He's
25:13only tohis 17yearsdeciding whatis whathe wantsto bestudying something
25:20butlook,he went tothecareerof veterinariaandhe not
25:23he washedid hedid youwas adoctorbecausethere was
25:28achild who wasfive years.Juntus, he dida ideabrilliant.Oh,that those five
25:35yearshad to bestudying somethingthat notthat'ssomething that'sa lot ofthat's
25:40that heis going tothe situationfamiliarthat hehas beennot eveneven a
25:46examintoadmission.Thenit waslikehe gotto learn
25:51toto beto beto beto beto beapay.
25:55And hispapawasthebut aftertwocarerof those
25:58those desperdicios ofthat timehis time per'dhis papahe said,look, we'llput agood to go to
26:04you,but I'mgoing togo back aone singlecareer inyour santalife,
26:09before thatyou're tryingin that youwant to beto giveto giveto giveso much,
26:15so Ithink thatyou're thinkingthat's atime,because ifyou're goingto be
26:21a trainercan't,then you,well,first he'she'ssix monthsof that,
26:25oh,you want,that youwantbe a great painter or an artistwell, first you're going todo that you're going to study,for more incongruent that sounds
26:32and the medical,I don't know how you're going to do.But me, you know,six months of medical,and in the form legal,for then,and then, Pedro,he said,
26:43You know, he says,You're a brombe,and his papa,and his papahe said,"'Debroma,was the last yearthat I was
26:47my money,and these bromitesto me don't want,I don't youdon't pay anything.And Peterentered ina dilemma,
26:54because Iother chicathathewas acareer ofphilosophy andletters
26:58and itand hestartedto seeto bea personletteredand
27:01a personpersonapersonelectual, that heliked toto get tothink of
27:26and analysisand to theother thanthose that'snot the superflu,oh,Cepedro,no
27:32he found,you know,we'rea verygoodport, andhe dida little,
27:37he wouldgo tothat verysoon,you know,not have tonot have tonot much,
27:42but alsothe lifethat'she had tothe courtof thesub-ministfor the
27:47studies,came thecourt ofthesub-inistfor the day-and inthe casita
27:51nowe'rea-gaz--s-his papa. So, if it's thatnot it's for buskart, it'sfor you goysbushed up toa techo, because if you
27:59see you're doing three months morewithout, you're going to work. You'reyour 18, no cup a flojo.Vallesee here. Here's neverto go ahead. But you know whatthe worst? When you're going toget a little bit of thelimitants that always stood there, but never
28:14never was noticed. And Pedro,lamentably, not even to beI had to doknow, that henot evento give ajob.He no
28:20never hadnever seena lot ofthat he'sthat hehad to dothat'sto do you
28:27order tobe awork,the wayhe supposedaeffort anda limit
28:32of timeand alimit inthe activitiesand thatnot allhewanted he
28:36hewanted,and how hewanted,Tio,Santo,that isreally
28:41really reallya dayof meceroa day ofthe nextwas doingand being up atopes in thehouse and
28:49he went topresent arenunciate.And he wentto find outwith thetime, how theythey're
28:54exploits,it's incredible.Travehto mecerowas afather,that meimpacted much
28:59in mylife andhis wifeand justhe said,and hesaid,and he's
29:03he said,I need,you know,you know,you're,if you'rethat you'rethat's
29:10going to be,you're going todo amagnitude ofthese things.If youdon'tyou can't
29:15work andyou'rein thattime.Sixmonths,six monthscontinuous,
29:20without asingleyourjeffes,without youdespid,sin thatyou're
29:26going toyou know,because hereyou knowI'm notyou know.But whathe was
29:32to surpriseto thefather,he wassentientto bea bicoca.No,
29:36he servedto getthe voice,grittalto hisfather,to beto be
29:40a fendido,toask tothemotherand set in their rescue.The actuctionswere so
29:46bad andvery bad andevidentesthat they wereand they'reput upfirst time.They're
29:51you'rea jobor yougo and yougo andthat'swhere itis where
29:57this situation.It'sdulledand itis aenergyhad acolor
30:01theof thepedro isa combinationof ablackand ablue
30:07of theoceanbutdark,obscure,dark,scuro, scur,Osko,
30:12it's aimpideaof Pedroeasily.If theenergy ofPeterwould be
30:17a piece,thatwould bea seventoneladsfast.It'scargare
30:22amountain,startthere tobe aside ofhim,if
30:26had aenergyof him,ifcould bebeingthey'relike
30:32spina,butaspinabecauseanypersonthatif he was nearer
30:37he'dstart of him,and he was alittle bit ofthe body,he'd have toget a littleand it was
30:44very menosissimin that moment.And thetype waswas everyaccumulingmore energypesada.
30:51Tal-bethe ideasthat hadof courage,ofdesperation,thefeeling's not
30:56valorado,thefeeling thatthey weregettingthey werethe situationthat
31:00problematicthat hehe wasthat hewereall inmore andmore and
31:04morethat malditoojo-negrovethat wasaccumulatingjust tothe centerof the
31:09part of thepart of thehe was thefatherhe was toyou're going toyou'rethere to
31:16do you knowbut what isthat'sthat youdo youyou'reyou'reyou're
31:20you'reyou're goingbut thetime you'reyou'reyou'rethis anindulgence
31:27becausenot youdon'tdo youdoyou'reI'myou're
31:30in thejob of youryouyou're goingtofreregars the loom. Because noyou're going to be there withany type of authority. You're going to
31:40like the chichinkle of the chichinkle.You're the benmitrae. You'regoing to say to you,that's all for us offreces,seigneur. In a moment,I'll take, whatis it. From apinted a party,
31:53to do a call to,recoger basura of thepiece, limpeer aban, recogent, aanimal, and get thosecargados of one point toother, and,and, care
32:04that'schinschis,because youcan'tget aunferredand you know.And you know
32:08that's thejob,if you'reI'm in thehouse atinstant.And I'meven,
32:14I'mand Iasked,how I'masked,I'mand hesaid,
32:19I'm,he'sabout,$20 dollars,a year,is theonly that'sthe time of
32:26that you'reto give tothat you'reto give toa carto do you$1.This
32:30jobbe in serious, and it's whatthat's going to saythat's all right. If you're going to have toyour attitude that you've beenright, today that'ssupposedly rumbo the job of yourtio, no regresses.
32:40We're going to,but destrozzled on that momentfull of courage, andthat courage, it helpedto moveers.Visit BetMGMcasino and check out the newest exclusive.The Price is Right, Fortune
32:54Pick. BetMGM and GameSenseremind you to play responsibly,19 plus to wager, Ontario only.responsibly. If you have questions or concerns about your gambling or someone close to you,please contact connects Ontario at 1-866-531-2,600 to speak to an advisor, free of charge.BetMGM operates pursuant to an operating agreement with Eye Gaming Ontario.Where some see heroes and others see egos,Bloomberg sees the era of billionaire athletes.
33:25While others follow the noise, we follow the money.Learn more at Bloomberg.com.He went directly to the work of the actuarial of hisTio, he was in theCamino, he was, for firsta first time in two years,arrived of a carmion,and not support the aromas of
33:42the odor of all the peoplethat had parted by the homocedia,and he,and he, bested in a wayin that it was likethat was therewas there, I was theretalking with his Tio
33:52with a cellular,we'd say,not it was a gamamedium,but two, threelevels above,when he's like fivepeople who are
34:01seeing itand we're going toand saythat'sprobablywhat they werein thoseeyes with those
34:05not thisman who'snot hispertinences,and in themoment inthe moment inthe
34:12he'sthelittlethehe was toput toput upthe
34:19maximum velocityandthat'sand hewasnot hein hisintuition
34:22becausethree peoplethey werethey'rethey'rethey'retothey're
34:25they'retheiPhone, detente.There wassomething that hehe washe washe was interested.
34:33Pedro,what he saidto have todo you knowhe was very welland he wasa man, he'she's a guy of
34:50his little bithe's a little bithe's a lintes of abigotito and he'sscribing somethingeven to work tothe right and isthe official
34:57of police.that came directlyto wherethis manthis manhe's in themanhe's in the
35:03other man tothe other mandirectly the armwhat he'swhat he's,he's myhe's myman,
35:09and the man,he's my tio,and the tiohe'll happen tolet himand thence theofficer signarathe three
35:15tipejosthat have beenin the quadrathe threethey're alland they'regoing to behe's going to
35:21he's rightwith hishe's thehe's what wewe're going todo you'rethe t'c'tthe time
35:26and itIt's notYou know,You know,And what youPeele ofThe officerand the other
35:30You know,Cair mewith all yourPadreito,that you'rea goodfor a lot ofthat I
35:35don't knowthat you'reso youknow,and so youknow,you're goingto fredgar
35:40and Ido instructionsvery specificand theymade someveryblanditasso.
35:45So,to putto put herand to thework and theyou knowyou'reyou know
35:50I'myou're notyou'reyouI'myoudon't youto come
35:56and yourtio,I'm alicensedianFrancisco,that youget a lot ofa rissita,
36:03but has thecar colorada,colorada,colorada,just move thehead to bethe headand he's a
36:09mirate,because he has amotorcyclethat's got toget aand a lot ofhe's alittle bit
36:15that'she's overa maleta,he'llhe'llhe'llhe,he says,
36:20what youand he's thepolice,the person, thehe's theperson, hesays,he says, this
36:25he'll open thedoor toyou have yourand do youdo you know,he says,you knowyou're going
36:32to be going toinstructionsand thenthe policeiawould beultewith thelicenseer withPeter and he
36:39says,no youdon't getfive minutesand youwant to getto get tohang us
36:43and hehe's aaghackand heand he'sthe margatesand thesemaletas
36:52a little toyourperson toyou'reall manchated tograss,Polvo andthe
36:55and theminuteafter thefirst of thefirst of thelittle littlea newset up to
37:01perfecta,that I'ma littlefor a datein a gymnasiato beto be alittle bit
37:06kind ofa chiroene,it's alittle bita manchasfor alot ofthat's
37:12that thingthat's allthat'sto be usedor todo youdo thatthe day
37:19the nextthe samethat's theback tothe best oftheinterna. And enter in that house. The serragero,he's a little bit, he's a man, he's a man,
37:30he's a man, he goes to, and he gets, the more rapidlyhe gets the door, more rapidly, he goes to there. And everythat's in front of a door, he's been able. More than thepolice. More than the actuarial, more than thatmaldito, a manochoso, molest. Because wherewhere he gets to open the door, and the other side,or anyone there armed,he is the
37:48he's thefront there,to the boquet,to theopen to thedoor, and hedoes make amovement of the
37:56moment in thetime in thecylinder and itcan't doa brinko back,and hedoes that theboquet
38:00and he hasthe box,and hecan't theballas.The policealwayshe's always
38:04carcajaz.And hehe says,alwaysof coard,I've beenfive yearsworking
38:10with you,how manyCateosnot I'veseen tocome,and youalways
38:14is thecubberde, that I justI just I'd try can'twhen there's people in the houseand in that's the policeia andhe says, ah, and theof Santa Rosa? Ah, well,one of 20, one of 20, and
38:26the San Juan?Well, two, two.And when, so, mewere in the other house,that's in the other house, that'sin the other house, notthat you were the other house, no,that's the car, you're
38:39can't, you, youyou're the idea of that I'ma coward. But tellwhat you did you guys when he said it was called herthe ballast. Then, then, then, thehands to the orejas and youaghasted? In the way of defendern us?Well, and for what you try me? No,
38:51you're a guard of spaseless? You're a coward.You're a poor cowardly than I. I don'tI don't bring with what to defend me. What do you guys?You, minimum, you're with what you?What's your own? Oh, and me tap-a-a-a-lars,and the oregon? And the officialcan't move the laby, so he putthe hand in the arm, and then
39:09I'd the serragero with the decenciedand he said,if me met a ballast,you'll be donefaith, right?And the actuariois he says,or the two
39:17are bothare doing likeprofessional or thoselevando a reporttechnical toboth.And to thecarjero,
39:22and to giveservices andthat's notyou can'tback back.He makesa badto do you
39:29and it'sthere,Peter,the that'sparable,foulidcompletely.The Tio
39:33is he getsbeing ableand hesays,muchachchch,he'stalkingthe serrager
39:38that heHe gets hismaleta.Whenhe doesknow thatPedrohe's
39:41tumblingthe timeandhe'sin theGod isgreat andbecause he
39:45doesn't knowhow theyhave beenin thisthislittleposturelike
39:48all thebodysuspendedby alittlehe'sheput the
39:53handthehe'sallalland heand hedoes
39:56make thatjustwith amindwith amindamind
40:01hehe movedtheaboveheandcometo
40:05get tothean abitation, aapartment that hasa lot of thecargerer, apart,it's a lighta lamp, because
40:10not it's alight that bright,it's a lighttenue, andis it's apointing to acarerer, andthere's a
40:15cargerer, andis trying toopen andand it'sanother method,and he'sgoing tothe door,
40:20it's alittle bit ofthe car,and it'sthat'sthere's alittle, thepoliceial
40:26and he says,no,well, ifyou can'tyou can't,if you can'tsomeonemore that
40:30someone moreto bethat's avery lento. And Pedro, athe change, let'sbe down the spal to all,looking directlya wall, and
40:38it's suhundinga moner profusat.It's a bad,it's a palid.And it's thethe tio, theactuarial, thethat's doing
40:44upuntes of thethings thatthings that'stopando intothewhen it'swhen it'she says,
40:50that's badthe time youthe time,so you're not,you're done,you're doneto come hereto carry a
40:55a maletta,you put ina lotlete,and thenthen Peterhe'll take asalive,move the
41:01the head ofabove,and hesaid,no, sir,you know whatto do youand he's a
41:05minute, and henoticed at theinstant, theeyes do youhave seenthe eyes, andit's tryingto press the
41:12parped,as it wouldbe thedoor, andthe nextthe nextroom,he said,
41:18this is moremore,take me themalet,and thenthe man,you need,you need,
41:23you know,you need toto do thishe,get to thetime, no,no, it'sthe
41:29officer,and heHe says,Oh,if you can't,I can'tif you want toone or two
41:34ballasosbecause of theplan of theplan to be in thedisarmado.And the serrageroset up.Metsue
41:41a littlea point.And he says,you know,I'm going todo youwork inpeace?
41:47No, I'mto do youdo you?What's todo you're going?You'regoing to startto start with
41:51getting tolet metry tothe case.And thehe says,if thetwo,
41:57no medon't medon't meto beI'm going toCorrard, yeah.This is thesecond strike,
42:03and I dothe baseball.For thethird, nothey're going totalk.Entendim-those two
42:09move in thehead toabove,they'rethey'reand they'reand theyare inoxed,
42:13andhe'sgoing toa littletheroom,but itso bad,
42:18so badthat thehe'she'sa littleand hesaid,he's
42:22a birdito,Sobrino,pardonthat I'lltalkso,but whatyou're
42:25that'sbad,and youjust move thehead to the headto be in thetroy uphe says,
42:31he's got tothe man,he puts down tothe peterand he makesthe head tosay that'she says that
42:40what yousay, what youget somethingyou gotyou gotsomething?You're doingto get
42:46bad withall,it's notthat'ssomethinghe's nothe'she can't
42:50you knowyou can'tyou'renot youdon'tyou'renot you'renot
42:53visitbet MDMCasinocheck out the newest exclusive.The Price is Right Fortune Pick.BetMDM and GameSense remind you to play responsibly.19 plus to wager.Ontario only.
43:06Please play responsibly.If you have questions or concerns about your gambling or someone close to you,please contact Connects Ontario at 1-866-531-2,600 to speak to an advisor,free of charge.BetMGM operates pursuant to an operating agreement with Eye Gaming, Ontario.And then, the guy, just the man just said,come to come back.He'll take apart the official.
43:30Enter the tio in thequarter.The official entersafter after.He says,Sulte the maletaand Perrull move thehead to the left
43:38to say,he says thatyou're saying thatyou're doingto let's getto get toget to getand then it's
43:44back again.He's thedoor where is theserragero.CASE-Caseda littlehe'll hangedand the official
43:54he gets to theAnd noI wantto make a scandal.Because ifyou get ascandal,I'll
43:59get apatruly.Yeah,we're doingto get intoa little.Your t'ois to be
44:03doing.So,so you gowith me,rightitoto theand youdo you
44:09do youdo youdo it.They'regoing toout ofbutPeter,
44:13he'sgoing tothe piece,and whilewhen inatime,their
44:19a wayand theylike ifweresomethingassomethingthere
44:23somethingtherethere istherefor themovement of the official thatafter two minutes,almost three,
44:29they're going toget to thecar, whenthey're in thecar, theofficial,open thedoor at last,
44:34and Pedrois going toget ina point in positionfetal,pointing thelook at thelook at the
44:40thedoor andhe'sa boyosandas alittle.The officialthe car
44:45the carthe carand subthewindows,de thehe'sthe
44:49end end endfor thata dayAnd he'd go and when, whenhe's som to the auto and he says,if you'd have to be able toworkal that you're costing,if you were any other,
45:00you'd have metedbut two good wajoloteras in the nookfor that you'd beyou're doing,but your t'Ot'Ot'clock,but you're doingrespect to the licensiating.But me's
45:11doing to work much.Ma'anah notyou present.Because, if notI'm going totry different.And it passedthere, and
45:18the 50 minutes.To the 50 minutesyou're morethan you'rein one of thosethat's that I'llsay,he says,
45:23he'llask the doorthe officer,he says,he says,you're going tosay,but he's a
45:28no,he's not,Officer, methe order of yourthe time,and yourman, and yourTio, and
45:33the time,he said,Officer,you know thosewant todo you'reto get,I'm going,
45:40to give meto hear,and say,to you knowto get megoing tohe's,five minutes
45:45after,five minutes after,after,the Tio ofPeter,the licensedadowith theofficer.
45:50Nothing morehe, move thehead toside to do.And he's thequestion.And he says,sorry,
45:56Tio, are theaddictions,are thekind ofquite I'm thebad you'reso thetime.
46:00And thenthe man we'reto do itto get tothem.Honestus.If you'vethose pantalonsit
46:07me to goand get intothoseporker into thepantalonsitoand get toget toyou.
46:11Maynawe're goingtotry toand theofficer'she fulminawith the
46:14mindsaying ityou occurto cometo cometocome tominty-tientedly directly to the
46:20eyes.Maynard, we'llsee him,he's gothalf-wulte,he's got to becoming down,and take the
46:26carmower of thehouse.Something has,his energy,his form ofa car,and it's all right,and it
46:33passed on thethe way,he was,he could havenever got tonever,they'd benever,
46:40they'd bein the rosto,because thepeople thepeople wereto bethe world,he'd be back to
46:45the world,and Petermesaid,narrator, thisme passedso sevenyears.
46:50He was amanidiot in thistime.I'llsay that'swhat I'mgoing to
46:54that'swhen I'mreallyhumiliated.And Ihad somegot toknow you
47:00know,to reventto thebackto thatbad thatthat'shis
47:02man,he'sthere'sthere'sthere'swiththebut
47:08then hehe wasthedoorand whenopenedthefirst in the
47:14room, Idon'tunderstand,why notthe walled,thepeoplethat had
47:20like somesome of thelittlesome symbolsextra in theI think youprobablythey're not
47:25these cultsand those ritesthat arelike they'relike theyin themoviessatanical
47:31becausethere'stherenothere'smoretherea pair of
47:35therewere thewallswerethey'rethey'rethey'rein the
47:40secondabacationtheywerethey'retherewerethere
47:44was overtheothersidetherea door thatwas aa door that's
47:47aft ofand therewas aman whowas aperson whohe was abig of the
47:56bad enoughso muchpalid, palid,palid, palid,and witha mirabingof anodio
48:01tremendous, but theproblem wasthe doorhe nothe wasopening andand thedoor
48:05and itand hewaserableand heand heand heand heand he
48:09and hewithout asoundnono onenoonly aonly
48:15I was not could understand how notthey were seeing.And it was then whenthis typeopened the door.When he openedthe door,front to him,
48:24he was abouta woman thathad a capucheon the capucheand hehe was able tohis front,his rostro,
48:32and the serrageronot was togive a count,to keepto be able tothe officer thathad been in theback to be
48:41that was going towe got to beanother room,and in oneof thethe end of thedoor.I never
48:46had seen apoint.It was alittle bit of alittle and thenit was overand thenthere were
48:53puras peoplethat weresaying,I wassaying they werewalking somein theabitation,
48:59they'dand they'dand thenthey'dand then tothe serrageroand thepoliceia
49:05not theydidn'tknowof thatI'mthe doorthepoint we
49:09camecoming youand wastherethe subjectof thefirstabetation,
49:14mirandumand mymy t'est whenit's whenit's alittle bit ofto get totake a
49:19refreshco,is ainfirm,what?What?What wasgoing tohe said,
49:24no youcan'tbe?Because theywere therewere thewomen,they were
49:28and theywere doingand theythey wereand theythey werenotand it's
49:34when Ididthat theykeptthat Idid youdid it,that I
49:38didto doto thepersonto dohishisway and his
49:43coming.Whenmewent tooutside,they werearound theother than I
49:49didn'tthe official,they wereto get in thevehicle, andwhen they wereall over,and the
49:55officialnot theyhad beenwhen Iwent tothe housethat day?I'm
49:59to do youthat Ineed tootherperson,because ifmeI'd
50:03talk withsomething,mycarno wayto betomake to
50:07maketomatter.Nunn'tInevertoIf I can't say, it's an image that one and other
50:15has been in my head since that day.That when I despeded my Tio, and me despied the official,and the official me mirro at the eyes,fulminating me, like, saying,"'Nis if you occur to come tomorrow,"'for so on his shoulder, in the entrance of the house,"'stabia, a statue of a calaver with a guadana,"'the size of a human,
50:34"'and, after to parpadear two veces,"'there no, there no, there was nothing."'And I knew that that is the place"'se was the place "'se was using for somethingRelationed with the SantaMourte.And with thisstory,
50:50my dearFamina Nocturna,we'vegot to endto theScura Fogataof Histories.But,
50:55before I'mto say thissomething thatthe day ofmorning,we'll bein AguasCalientes
51:00and nexttime,remember Tijuanaand Mexicaliand wewill beto be alittle
51:05fugata ofHistories,and thosethat havein the fogatasin Torreonein San Luis,in Lohn,
51:11in wherehas beenin,a be yousabout youall overme,I'm
51:15has been this year in the foggatas, Pachuka, Puebla, Cancun, Merida, and well,all these places, if you've been there, and you've been the experience of the fogata in yourcity, you can't have given. But before you, before that the boceitre, I've been to morethere's more than, me exigea, other history, as well, too, you've been a lot of people whothat people who do you want, much? It's that what happens to the stories.Well, I have tothat's aand then I'm of terror
51:46and thenof terror thatI'm going togo out of thestories.I'm nojadofor the nightthe week of
51:52the afternoonlast lastwas a supernoticea new newsthat weknow thatthat's full of
51:58that we'rewe're gettingthe preventingthe bookthe bookthat we'refrom theyear,
52:04from youbefore youwith much asmermuch cariniobrutal, brutal,brutal,brutal, andI let's
52:10the storyaboutof this situation,of Lovecraft and all.I want to saya parenthesis.In that storyand in these
52:17questions ofthe book,for thepeople thatwant todo it,we're doing it.There was a
52:25situation thatwas presented,that wesaid,enter in thepage,but itseems to
52:30it will beto be away.Andkeep us,and maintainto theteam in
52:35that.All theteam isin thepeople areto beto bethis time,
52:39so,so,for a lot of patience,and if we're tryingthe form for thatthey're going toget to be thefamily,
52:45this,that is the firstbook of let meknow that'svery good,we're going tomake it,but there was
52:52a message.And a messagethat was enchelme enoged,and meI'moge inserious.And a person
52:57said,ah,it's awell,that you canwant totalkdata,
53:02but alsothat's amatter that'sa manitoryand Idid,I,I,
53:07that narrro storiesthatdon't exist,that I'm going tothingsthat nothere'sthat I
53:12can'tsay you'renot you'renot really.No,no, noso it'sthe problem
53:17was whyyou'resayinga meanyou'reand in whatyou'resaying
53:20and I'msayingthat thatthatthat Iwas acarwas a
53:26falseedbecauseLopcrafttheauthoraboutthenecronomomicon
53:31butneverhe'she'shesayingthatthat's
53:36no enogedencabronedbecausemeyou're sayingameanty-y-y-tiree.When I
53:41bought thatmalditobook,I'min myhouse andI'm ina lot of
53:46a lot ofaperson tomyparents inmytime,me were
53:50to get abutyou're aidea.And thebookthat I'mnot are
53:57stories.They'reconjuros.Andthey'rethereon-juroafter
54:01conjureafterconjuro.I don'tI'mI'm notthat it wasthe
54:04and Idon'tthenecronomicon, because it's supposedthat a book that when it'slike it's like,there's a lot ofa theme in-torn,
54:12but if I'mreally, you know,but you know-and-a-more, and mehe made quite confonded,the fact,that's the type,also is that
54:19Minty-N-Kro-M-Kon.Really,Lop-Kraps,not-M-Kermin-Kon,and when Iread that'sall the two-M-N-chil-and, like,
54:26oh, but,is it's true,Lop-Kra-K-K-K-N-N-then is that I'mbecause I,did that I,I don't have that book.I went to the library.
54:32I came to chronomicon,and I no, I was going tothink two timesI got it,I went and I'mand I'm going.And then I'mwhat's it?
54:40And I said,what is the error?One person,no,a good ondathat'sthat's quiteto make a
54:48title,so I'm goingto be alegal,of the rights ofrights ofauthor,but very
54:53probablythe book,no,I said H.Lachopopcraf.And Itry afalse record
54:57in thecase,that theperson,noMiente,H.P. Lopcrap,not
55:02you know,but if yougo toany bookerbook,you put theword necronomicon,the word,
55:08you're going tomake to domake sure youa lot ofversions.A loton.And theyare from
55:14those, andthey'remany people,there's aquestion,we're going totalk aboutwhat the
55:19book ofNekronomicon.There'sanotherother thanthe analysisof theNekronomikon,
55:23but in theporta,it's necronomH.P.Lopcraft,and thenin Chiquito,it's a little bit,
55:27but if yougo to thisbuscador,that was thefirst thing,and it was themost of theworld,
55:33and now,but you knowyou're notyou usethat much.You know,you know,you know,
55:37what,what,what's,you know,and yougo to thepage,and you go,
55:42you're going,to the pagethat you'rea lot ofyears,and I'mnot to dorecommend,
55:48and it'sMarlonCom,family nocturned andI didn't evenI didn't evenI didn'tthere's a situation
56:01that duringmore of 25years he hadhad been inI said,no,is that if mypapas
56:07don't knowto get abecause theydon't knowand they'reand they'resaying,and they're
56:12saying,and soit's what?And so,then GodGod,God,so,
56:18and one,and when,look,to bethingstons,but there'sfront of
56:24myeyes,I'm like animbecile.So,so that personthat'sthat's
56:29there's away of sayingthe way ofsaying thenot necessarilyto be insulting.One,we're not
56:34in familyand we'rewe're tryingand we'retoo.Two,not youdidn't get
56:39the bookif IdidH.P.Lofcraftand saidNekronR.
56:44No,he said,no,he said hedidn't knowhe said,no he hadput to
56:49reanalice,and I'mthinking it,and ifin mymy life,I've
56:54bought a book ofa book ofa bookand it's,no,I'm going tothe time.I'm going to
57:01that's ananecdote,that I'vetook mybook of theLovecraft,because Ihad that way
57:05that's met with,no, butnot youdon't seebecause are theso you'reso that I'mmade you know,
57:11that partif you'reI'm sorry,I'm alittle bit ofa bookeria inmybookeria in
57:16my biblioteca.And,practically,and practicallyme deciesof mymy mini-bubletethat the day
57:20of today,to the day ofday of todayhas grown.If theywant to knowand thenthey'll be
57:25to get tothat's ayeah,not youdon't youknow thatI'm going tothis anecdote
57:29that's notthat'sgood,Godthat'sthatso,that's
57:33butwell,said onethisvoicethisvoiceof the
57:37morningforfor thenightnightforthatnocturna
57:41anotheranotherbackthereletletIhave
57:45onestorythatisveryveryveryvery rar.
57:53It's that'stwo perspectives.No,I don't,I don't evenI'm doing thestory, becauseno put his
57:59name and noput it what I'mwhat I'm going totell.Some two personsthose involved,and I don'tknow who
58:05is thewho's themanned.We're goingto put thisabout athree years,in a
58:10casona,in acity importantof thiscountry.One ofthe personhe's a
58:15hard,the other ofthe other ofthe personis thedueno ofthatvery complicated.
58:22Ace six monthsfellacy tohis wife.The yearhad fallenhis son,he hadcompleted 20
58:28years, 25years,for there.He gavea lot ofa lot,and that sameday,
58:32he made tothe otherworld usingthechild,thewoman,and in
58:38a otherworld,and insituations inthat the organismwas afamily,this is a
58:46person,in adepression,very, verylike in someat a bit rarer,of the paranoiato the
58:54and thebad to bewith thebarb,like nocut out,with a lot ofwith the
59:00lot of thefew years,and he's notdambulandfor thehouse.Thegardener is the
59:06onlypersonof all thegroup ofpeoplethat havein thehouse
59:09thatstillgoinggoing tocontinuethere.There wassomeone
59:14who waslike thesixmonthsof theHe'd he'll leave the job becauseno's entient.He'll despise.
59:22And thence, he's gotvery triste,and he says the gardenerwith you go toplay.No, no,those abandones.But is that
59:28there's thatthere's a wayway to accompanyto the chef.So thelast thing wasthe gardener.The gardener
59:34was there,making hischambing herwork.Cautingback,teregglingwell,
59:38all theart,and thethings thathe had tobuy to cometo buybono,
59:44he'd be aand hehe'd bemore orlike,almost five kilometersof there.A few
59:49times the cardinalerhad toget usand he'scoming toand he'sgoing to bethe only
59:52company of thistype.And thistype in thehouse,he washe waslike perid,
59:58his headsort ofhis head.So,his ideasnot couldlike enlarswell,
01:00:03not know,well,what I'mthat waslooking,he washe was veryhe was
01:00:09he had beena fortunefor acompanyjust beforethat hisotherworld,
01:00:14was innegotiationsfor thethe venture,after thefather.The Tatowas a
01:00:19pensive, butstill istalking aboutthat pesimis alittle,you,your kids and
01:00:23yourcan't bebeen abetter thanmore.But finally,but it wasalready,
01:00:30you know,retiredin avoluntary.Vive inthat house,no le,a
01:00:35sometimes notcome,in occasionshave passedtwo orthree dayswithout,and then
01:00:40he's gotdesidratedthe gardener,and thegardenerterminer salvandothelife
01:00:44as in two or three occasionsto call toa corpsmedical peoplethat's going toattender it.The typeis practically
01:00:50to start tothe other world.It's veryvery sad.The Jalenera dayand he says,he says,
01:00:56hefe,no me correspond.And ifafter thishe's going toknow thatthat'sgoing to be
01:01:01to be able toget,that you'rea lot ofa lottothat'sthat you'regoing to be
01:01:08a bit ofbut I'mnot me tolet'slet's thedoorsabirtedto
01:01:12nobody.This caseif youwas of thewomanand was ofyourand I'm
01:01:17going to beto get tothe manuntil youGod'sto be thetwo people.But you
01:01:21to beto be ableto beand thengo toand thehead.And the
01:01:26head.And thegardeneris alittlehe getsaback to
01:01:33come tobecause ofthisI'm going toget tothis typethat thegardenerer
01:01:37to thehardinerto thehe was doingthe more fielthat was doingto his mannerI'm important
01:01:44I'm importantyou don't youdo you getand the amistathe's going toget to startand it's akind of
01:01:52and the timehe's gotbadi-andeda dayand that daythe gardenerhe'llhe's
01:01:58he preparea morsoand hehe comesvery mucha goodand hehe begins
01:02:01to cometo cometo the propertyand hea type ofcharacterseveroand he's
01:02:06he'sthe gardenerhe'she'sto cut it. Why not you're doingyour work? The plants are hereare sick. And the gardenerand the gardener understands that
01:02:13this is life.This is a form ofto be fluid. It's away to startto advance toand get backof a yearrejuvenousied and
01:02:23it's very much.Yeah,it was like apersonoctagenaria,a personthat not onlyonly only
01:02:30only had moreto 80,but itwas,but it was veryvery corretiedthose years.The
01:02:37a body withmanymuscles,theskincold andvariouszones,
01:02:42theeyesveryapis,the forcephysicalis adisminuited
01:02:46and theattitudetotallytired.Now,it waslike aperson
01:02:51at the60 years,with muchvigor,with forcewith themindlucid,
01:02:56andlittle,and sothat aday,he wasto bea
01:03:00very,very,very,very,very,that there is like an exagon of cement,just at thewall.
01:03:12And he is asure that he'snot should bethere's ayear for he's thelast of 15 years.He knows all theproperty perfectly.
01:03:20He does a cabo to raveo.Every littlemillimeter of thehe knows.And more thearea of thearea.There's a
01:03:26house thatcan't beto be able todo it.He's yourterritory.There is sheknow more
01:03:32than anybody.And that'sexagononoshould bethere.No, he saysnothing to the
01:03:37hefe.They'readvancingthe days,and not thatthe jeffof that'sthat's
01:03:42that's ina lot ofthat'sa lot ofa lot ofand it'sa minute,and for the
01:03:48time,of this,he top fora lot ofmalicethat'ssure,that malleza
01:03:53not wasthe dayearlier,it'ssembratedin thepiece,and he
01:03:56he's madeinto thehe's discuade,and whereit's decuade,and wherethe sameof it,
01:04:01theexsagon. The jeff, thatnight, comes to have to havebad the dreams, and he's notand he's not reallya relation with the exagonos, butthey're going to have very bad a bad spina.To the second, the middle of the
01:04:16week, the day, enter the gardener, andwhen it's the end, and crux the umbraethe door, of the portem, it's likea scalo-frews that he recorre all thebody, it's like if you'd have cruiseda little capa, like tothe la-a-de-la-de-l-la-a-a-a-a, thatthat's it pegged to pegged to
01:04:29to trespassto thevessel,andstanding thereintoit doesdo
01:04:32littlethedo youdo thisnot aimportantbutis a
01:04:35very muchthat younot athat youknow,then it'sto bethat the
01:04:41movementthesetheselittlelikesomewereso
01:04:44thetheand whereitacomposturaandit's
01:04:50that youknowthat'sjust thepart oftheareaabout the
01:04:55more oralmostdirectly to where he'sthat they're observing,and he'll seethe piece,and it's therea macea.
01:05:05A macedathat he has put in.A macedathat no is part of theproperty of thishouse, andthose plants withflowers her
01:05:11that are theflowers that are thewife,not they'reto be there.She metrapidly to thehouse,
01:05:17be a poorjeff,he's tiredon thepiece ofa lot ofan ambulance,he gets to
01:05:22the ambulance,and afterthe next tohe has beena conversationthe gardenerwith thehe says,
01:05:26he said,no,No, for favor, no, no, so, no, so you need to movethe macetas, let me put a plant, say, no, no, I do you,I do you, I'm for that I'm going, and he says, no, I want plants.The fact, I want to keepes all.He says, jeff, no agranches, man.First, do you make that mack, and move that macea,
01:05:45with the flowers of his woman, and now has a ronke,and he keeps it all, and the chef's so he gets to be able,and he says, what maca?And, and, you think the gardener, is right now bad,and so it's still so much, but at the time,where he's kept thinking,"'Serrake, no,"'and he moved the
01:06:00"'move the maceeta,"'and debauch,"'simana"'s next,"'a,"'aubal tree"'and down"'as days
01:06:08"'as down to"'the last"'Arvonel"'in' a"'isually"'sehally,"'so,"'as,
01:06:15"'just to the"'of the"'Ehrus,"'and,"'and,"'and, like,"'the same"'of,
01:06:21"'a-one of the"'and about the"'20 centimeters"'to, "'to,"'and five, "'and "'and "'and "'and "'and "'the "'and "'-five,and they were in thepiece.Very well-en-echos.
01:06:29Peculiarlittle detailshad like ifwith a palillovery delgado,or perhapswith a filer,and see
01:06:34they're marcasand it's therewhen it'sthat they'reall ofall of them.It's allof them.
01:06:41No,you know,no, nowhat's theand it'swhen youknow,that's the
01:06:46time,there was aparrocothat wasa very,very,very,very catholic,
01:06:51and wasa personvery devota,really hisjefe,not so.And sheRecurda of the
01:06:55blessingsof the parrocoI was andhe said thejeff,he's aproblem thathe's
01:07:00a problem thathe's trying togive to bea badand it'swhen thehe'she's up and
01:07:05he sayshe says,he'llgive aone of theand hebring tothe chardinero
01:07:12and hedoes abrother andhe saysno mesay thathe's veryyoung
01:07:15no methat'she'snot heliterallyhe'sliterally hecan't
01:07:19get tocarebecause therehave to call the ambulance,it's stabilizing,and the gardener for the daynext is therewith the
01:07:26second.The problem isjust whatwhat happenswhen they crossthe door.Cruzan,the lumbral
01:07:32of thedoor,they enter inthe place ofthethe other,and thenthe
01:07:36the sasserdoteand hesays,here,there's aperson,theperson,
01:07:41thethe depressionof thefamily,no,no,you'veseen
01:07:44nothingrarehere,no,your jefeno,you'repracticants of things
01:07:48of the curesor cultas?No, fornothing.No, yourspouse was avery Catholicyou know,
01:07:54she's thebut nowthat's all,not goingto be usingto bringselacontact her,revivirla,
01:08:00not hasa personthat hasthat'sthat youwant to beto haveto be
01:08:06I'm ahere,herethere's aand thegeneralhe'sthere's
01:08:10theretherethere iswhere you'rehow isthat?How isthat?
01:08:15Vernace withpatio. And when they get in the patio the firstarbor, that'somom for aboveand in the piece, he'smoving the territus, because nowthe exagon is covered of the earth.That's rare! Why he is sure,for the quantity of the earth that is there,
01:08:30that should be a microcapa,the earth that's been accumulated, perhaps, in thesummer if he no barren in some moment.But he has taken, more or less aone pergaple of a tear, and thatthing no appears.The Father, abienta aa bendition there, he's a little
01:08:44of the water bendita, and in thesecond passada of thefoot, the stone is still firm.Like if he had undiedaround the pulgade and a media in thepiece, like if someone would havescabled and he would have metiedmore. And the father, he said,
01:08:56no, you know, to take it with the hands.Tray to a pala, try to something,and try to some bolzas.And for some, you agarra,and make the psal in thepiece and, at level,down, a statue, yeahand he says,
01:09:07and he says, no, you know,you know what is.The only that oversalia,a little guadani-it.The fatherhe says thatthe quibrehe starts
01:09:15to ventingsome of thebenches,they'reto get toall theencombrs andthe earth
01:09:20they'regoing tothe second thathe'llget theand theonly thathe'll
01:09:24see twolittlelittlelittleputesthat'sthat'sthey're
01:09:28and they'rehe'she'she'sand hedownand theythey're
01:09:32therethat areseventheexagonosthatthey'rethe
01:09:36parthe'syou'veseensomeonetohave seenHe he says that no.
01:09:41He wants to damagesince the time.Dill that's movedhere, thatneeds to be inthat need.Because if no,not it will
01:09:48liberate,is veryvery bad.And they'rebeingbeing foundhim to bethe day of
01:09:53day ofI don'tthink Iknow what I'mknow whatI'm going towhat wouldthat would
01:09:59mean tothe otheris theowner ofthe houseor thegardener.But I
01:10:03hopethat youare theday of todaytodaytoday todaytoday arethat the
01:10:08peoplethatthey want toto dieminimum,you know,theend of
01:10:11yourlittleyourlife is aquestion.You know,yourvoice and the
01:10:16yeah?It's notthebad wethefamilynocturna.And,
01:10:22dearfamilynocturn,fromthishere,untilwe're
01:10:25backthe day ofhotandthe nextsummerinTijuana
01:10:29andNewandbeforethat youknowanotherstory
01:10:32ofhowIGod,because I,oh,my,if
01:10:36mepassedthingsraraswith LopCrad.Nothing paranormal.Rar,Rar, Rarote.
01:10:42Of thoseof ha, ha,I'm sorry.But not fordifferent,but I'mand I'll tell memore of those
01:10:47anecdotes.But fromhere, untilthat youwant tolet'son theother than
01:10:52yourcity,you know,you know,you know,I'dget us,and if
01:10:57you're doingand we'refivefive.Bye,bye,bye,bye,
01:11:01thank youMarrador.Suscribetet.and others see egos.Bloomberg sees the era of billionaire athletes.While others follow the noise,we follow the money.Learn more at Bloomberg.com.