Habitantes Aterradores, Sucesos Inexplicables y Fiestas Demoniacas | EP 353
00:00Lazang sur-gillet,Pugance-Moyance-Moyerned15 minutes.We're like it's thehour dojo.Prere to play.Vive the pleasurewith Leo Jo.
00:08The casino in-linethat proposesthe most recentmachine-a-sooand themoney to do50 tourson Big Bas-Bonanza
00:15withoutexiganceance ofand withthe paymentsinstantane.Hey, I'vegained.Woo-hoo!
00:20Sentire the pleasurePlay-O-Jo.18-10 andplus,1-Depo only depoonly depo stillsin Ontario.50-Tour
00:25RANMENTof 10 dollars,Veillage me to be in a fashion responsible.The conditions apply.Biennue at board of Via Rai.Embarque.And profited.Embarked and relax.
00:36Ciroat.Bookine.Oh, so also.And profite.Via Rai.The voice that we love that am.Welcome to my,dear family nocturna,
00:51to this first episode of the year2026.Today we arein this time.And how you can'ttell you can't tellbecause I have acamis that has
00:59buttons of fiesta.I hope that hereour great editor ofThe Mass A.I can do somefor that you bebut is thatwhile you're
01:07living thestras over thedays of the dayof the yearbecause this videocame out ofthe first ofJanuary of
01:122026here we'recelebratingthat thisyear we'rebutbefore beforeto start
01:17this yearI need tosay this yearI need tosay thistwo littlesituationsthat not
01:25terriblethat'scontrary tome didmuch gustoand megave mucha lot
01:28the firstthere.There onethat she's acoupleyears with hercouple ofshe's a
01:34woman,and she'sshe's got aand she has areal real life not culposed,per se, but it's aa good thing difficult to shareto those phantasmas and a certain
01:58then she hasso he hasgot toin theheart ofand shehasnot quite
02:01to bein thehousebut in thecouple of thecouplehe went tothe husband
02:09he wasto be atime tohear ofawhole volumeand then thehe was
02:17thetime of theairportand overhour andmaybewhen he camegetting
02:22gettinghe'slisteningthe finalof theepisode ofNaviardand then
02:26heenteringthehouse,thischicashe'llforget
02:29thathe'sthehe'sthe person,he'she'she's
02:35that youknow,that'sthe storythat'sthe daynew newis that
02:39she'she'she'sshe'sfamilynocturnaand thehusband
02:44and theman'she said,no he'she saidhe'she didn'tknow
02:49and thenthey'recomingthat werefamilynight ofa closetpreviously with
02:54oneuniontherein thecarandthey'reThey didn't know that both
02:57were part of this family.Because this 2026that's a familynocturna,yeah not we'refamily of closet.We're withall of gusiness
03:04because alsoa child thatme said,narrator, I'vea situation veryduring this year,I've been avery near
03:12a veryvery much.Not exactly thecontext ofthe circumstances,but mesaid,I'm a
03:18person,I'm,it transcendedhe'she's atime, andand togo to
03:22get aI said mymy brother thatwas veryvery certainwe have avery close toand result
03:29that one of thethings thatus helped usto get thethings todo you knowmore,we'll be
03:34about whatwe're going toI'm notI'd say I'mI don't knowany theno idea.But that's
03:41is the typeof magicextraiathat has thefamilynocturnabecauseif family
03:44nocturnathis 2026we'rewe're justwe're justwe'rewe'rewe're going
03:50withallyear wehavesomestrasand thisthat I'm
03:54about to sayto themany of thenight ofthe time ofthe time.Just in thefew of
03:59the end ofthe end ofa year.We're going tocall tothis child.Sophiahas 20
04:05years andcomes toa situationalittlecomplex.She hasa bad
04:10relation withherfamily orhad aa malrelationwith afamily
04:13butfromtheyearbefore theyearto goto go
04:18to thetherapytheyrecommendedthey've done much, that luchedra forto make lots of familyarresprofound.Igual, not
04:26we're going tonot necessarily.This is the context.Sophia mesays,Oye,narrator,figure it,
04:31I've got to,do it do youdo it,get me morewith mybrothers,get me morewith my
04:38brother,get mewith myfather,because Ididknow that Iwas one of
04:43the factorslike ofthe morediscordancein thecaseand Ihad done
04:45whenwhen mybrothers,they'dlike ina goodon theown way,
04:49I'm in away of aattitudeunobable,agressive,and I'mgoing to bedoing this
04:56year I'mdoing this year,I'm doing it,I'm not,I'm doing it,and that Ihad led manyto have problems
05:04between themor problemswith me,and inserious,when Isee that,it was,
05:07it was,I'm,very deformated,I don'twant to beso that I'mdoing,I think is a
05:14levelinconsient,foris that I'm decided that thatthat's change.And justlythat'sI'm going to
05:21the fiestaI'm going toa little bit ofeach one,but I'dhave a pairof dynamics andit was a
05:26moment very specialof familybecause I'mtrying tothat the lassesare moremore thanthe rest of
05:33the day ofthe day ofI'm actually.I'm inmyroom.I'mI'm a
05:39day toget avery warmand veryelegantfor thatmy familybe a
05:44that is aday thatI'ma day that I'mdedicating special attention for thisconvivio with them.I'm saying that I'm going to saythat I'm going to do.
05:51It's always not a lot.Never's a make. And no is thathas to have something bad.I just want to say, like,the distinction ofI'm going to be smerando,you're showing that meimportant.
06:03So, understandingthat around,I'm a little bit more.My family hadsaid that they weregoing to reunir likearound the 7.5.I live in
06:11house of my papas.And they'rearoundat theeight of thenightwhen Iknow I'm
06:16I'm going tohearthat in thepart ofthehouse,they'rethe
06:20first they'reall rightfrom allfrom thevoices ofmy boys ofmymen,
06:26and theystarted apart ofsomethingand itwaswhere oneof my
06:30one ofonea carcachadofmyand Iwasin my
06:35roomand Imakeyandputting meaand Iputting me
06:40and Iand avoiceicinto memeand sayohmove
06:43very lento,and you'reafirst of thefirst of thetime.I'm going tolet me see them
06:49to be veryvery bonitabecause I'mmy littlethis thingof the day oftoday of youand then
06:54I'm trying toget thosethingsnarrate whenwhen Idecided that'smomentto say
07:00even when Ihave founda part ofthe moment in thetime in thehouse in silenceand penumbrasand I'm
07:07and I'mso you'resociedbecause it'ssocied overthe skyedasall thisof the
07:14right on theside of thestair therethere'sa switchI'mtrying totry and
07:16do youI'mmovingbut thelightand thelightand she
07:21about thehouseis totallydarkin silenceabsoluteI'mI'm
07:26to talkwith myfamilylet'ssay thatwhatthey'reall right
07:30because theydid allthedoorI'm at theroom andthen they'reon
07:37the sunnionsand theythey're inmiddle oftheplaticadaand Ithose
07:41I'mI was just goinglikea lotwith thehand with theand they'rethey're in the
07:46and they'rewhen you'rewhen you'resaying,but rightit's all you'rethe lightand I'm saying
07:53in the caseof what you'resaying?Of what you'rewe'rewaiting andyou're talking toyou're a
08:01person.My housemy housewas adarkerback theback thedoor
08:04and itthere wasthere andwhere I'mthere cameto comethereall you're
08:10in thenormality, like if you had been awaco in the time, noI want to explain to you, because I want to understandwhat was what happened, I'm sorry, I'materrather. For otherother side, there'sa family that was
08:22going to be in those daysposterior to the Navidad.This type ofreunion that's a lot ofa recalentate, I think in moreof a place, it occurs. The day of theNavidat, it's a lot ofa family, and
08:36then the day next, withall the day's the time. TheThey've got them of the plattillos that werefor the night of Naviad,they're invited to more peoplefor that also can'tthe food.Well, this chick
08:47me says,we've been a momentsuper-terrador,just the day recalentated.Invitamos somepeople who are aparage and havea baby.
08:55I was with mybrother ofthe 8,8, 8, andthe night.I'm notI'm so,I'm so much
09:00that's sureof the hour.Sincethey're allall is pureharmony,all are pure rizas,we've
09:06we've gotreallywith them.My papas had beendone fromso we're inso littlein the house
09:12in the placein the placein the day'sof the nightwas a friospantosobut spantososo we're
09:18so we'rebecause thehousewas ahotientwe'rewe put ita chimenea in
09:23that wecould puta pairof acarsewas alittle bitof this
09:28aroma ofwe'rewe'revery goodventilationso it'sthat it'snot
09:31likesoveryvery goodaCitor-cito delicious.Also, we have a pair ofCalefaction electric,
09:38then the placewas a good,yeah,a good-a-gust.Gila,all are you,all-a-s,good-deserals,
09:46to talk,how-it-all-all.And,a moment, or otherinto aplatica-plata,we're
09:51at thenight,my papasand in themoment inthe time,cross in theumbrals of
09:55thedoor,and they'rein thedoor,it's,it's,it's,
09:59it's,it's,like a-sound,that was aa,He says,No, I can't
10:11explain howit's all thewhole thehair of theback.Because it soundedlike a personthat was
10:17saying to bea parishermetic,no wayto enter there,the paradesare veryaltas,
10:23have beena thingrelated tosecurity,no there'sthere.And thatthat was the
10:28sound of thehouse,and theproblem wasthat conformthe assis goingand it
10:32wasmoremoreWe're in the area of theCometor and CucinaWe're like a vista,some ventanas of crystalthat are in the patio
10:43and are these ventanasPuerces thatthey're in at'emosquiteraSo, no there'sa easy access topatio,nor of the patio
10:51but ifsee perfectly.Prendo thelights of the patio,no,there's apthere, and whereI'm a
10:57parable?It's likeif somethingsomethinghad beenand he'llcome andthe reja
11:03because thereja'scimbroonly ofone side andhe'sgoing tosimbring the
11:06reja andhe'sgoing tosee himand he'sgoing to be alittle, he'she's
11:11we're goingin thehouse,the catitothe catitoand hegets aand it's
11:16to get thepoint of athing we'rethat's happenedthat'sthe sound,the catitois a
11:24little bitand thebaby he doesn'twe'reall thepeople,my friends,my
11:30just aftera lot offive minutessaid,well,yeahwe'rewe're going
11:33and all the rato of thetime of thetime everytwo or three minutesin what they'dsend out of themessage,it's all
11:39all right,all right,you're allthat's allthat'sand that'sand narrator,no put to
11:44do not thatnight thatthat night.What waswhat was whatwas in ourhouse?No,
11:48I don'tfeel likethathas beenthatgood.And there'sa little
11:54that's alittle bitbeforethat'sa yearnew.There's aperson who
12:00has beenand a time in acadenaof thesecadenascommercialesof thefood.
12:07The personhas beenpassingfor differentplaces.And thispass ofplaces is
12:12because theyare likethey'reobserving thathas certainqualitiesor hasa certain
12:17profilefor thateventuallymay bebeingbeing alocal orof this
12:23other of thisnewbecause it's aperson agood.And one of thegreat abilities is thatthe team of
12:30theof thepointbetweenthem.When twotheyget a
12:36not is thatget asolutionerof conflictlike theman tobut it'sa person
12:41that'sone andthe problemand hesays thea traductoraand heexplain to
12:47the oneand theotherbecausehe'sdoingthe problemand
12:50he'sdonethatthatthelastyearthat
12:54thatnot stay tanso, and there arespaces for able to desawgareand start to liberate of manymalentendidious.Why do you know this?Because in this type of places,not it seems, because many
13:11times when you're going to comethere, they're tryingbut you know,you see the equipmentof the time,they're working withmuch pressure of the time.The people are
13:19accustomed to get,and practicallythat they're notthey're in that instant.And if no,they're a malareason, and thenthere's a badmower
13:26for all ofall the time.And thatmakes that it's a tension constantall the time. That if they have theinsumos, that not is what, what you know what I'm going to do youneed to justify the cadena?You know, for you know, to understand, how
13:37can you start a team of work that work in theseplaces? These days, especiallyin that chain and in that place,is a demand. And eventhis chick, is very good,to all who they want, they're going to,and there's a moment in which is a little bitof the hands, the environment. If,
13:53if a person, a client,it,and it's to bea pejoro,and it'sto put in thethingsdifficult,
14:00it's aperson who'snot a person who'snot tendingfor abad a badcommentio,and well,
14:05are thetensions ofthe moment.If yeah,she hadshe had,she wasshe was going,
14:08but indays,pico,it's complicated.I thinkthis context.Why,I'm going
14:14this?For theother,I'm nother,I'm there,a daya new,but maybe
14:20the daymore than,the day moreparable to enterpeoplethere werefillasto
14:25five tofive minutesto get tothe fillof thepeople whohad to bethere
14:31and not parableand there waspeople whowe're saying,we're backthose people.That daywe felt
14:37two chikosto finishto finish.Then wefelt aboutpeople inkitchen,we felt about
14:42peoplemesses,wefelt aboutpeople in thecarbecausevarious
14:45we weredoingto threefunctionsto thetimethatif
14:48myteamhad beenbeenbeenBut as part,you've,no,
14:54no, I don'tto say,I'm not to put itwith them.I mean,I'm going topass, it's not.Then you're
15:01going to have torun to getthe context.And,and a repent,narrator,in the moment,like I'm
15:07a bit ofa lot ofa lot ofa lot ofa man,it's alittlelong,
15:13the sack,it's alittle bit ofa bluserera blue,a pantaloneand aand some
15:18the taconthat can bethe colorrogo.I'veI don't know fromI'm fromthat I'm
15:23the ropementand thesir isthat we'regoing to bea pissomservice,that how
15:27it's likethat'sthat they'renot atand thechild that'stotallyassorriated
15:33and it'swiththat'sbeing that'sdoing thatand thatjust saidthat you
15:37yeah,she'spardon,for thelament,I'mand the otherperson
15:41and theother womanhe'ssaying,insults,he'sthe first time,in the
15:47time in thetime inthecarin theI'm in front of the client.I say,I'm sorry to give
15:54a bad attention,but no is a wayto talk to the restaurant.I'll ask you,I'll put forwardthat's going.I'm going toto go back to
16:01repeat.And the sir,and the seniorand thething, the techniquewas this.No,you know,
16:08you know,you do youknow, you're going tomake thosewords,because you'regoing to puta very
16:12aggressive.So,then just,firm,I'm going tosay,I'm going tolet me go ahead,
16:17let's go ahead,not we'll have to attend.Vallease, forfavor.And I'll talk aboutwith the chick,I'm going totalk about to get,
16:24but,sir, nowe're going todo you know,to try us,no I'm going tolet's seehere.
16:29And I'mmuch the situation,but goyce.All thepeople who arehere are somegood attention,but no
16:34is a formto try us.So,for favor,vases.After,after 10times,
16:39almost 30minutes,the sirindignatedand he,and he'supedin thepiece,
16:45no,me,and he spoke,to vociferateLike if they were a tor,like if it was upolike if it was uproand he's
16:52a little bit ofthe street,I was like thewhole theperson was atonita.You're talkingof the clientes.Despite,
17:01like,a minute and aminute and alittle togo, aman,he started toapplauded,
17:05two, three morestarted tothe applauseosand when Iwent to thechica,the chickwas,
17:11I'm,I'm,I'm,I'm,I said,I'm,so I'm,so you
17:15so,so he came,so,So, he went,Gaveau,I don't have attended me,I know,no, no,
17:21no,no,not said,that's,that we said,that we didn't,and that youdidn't mean,
17:26and then she said,and then hesaid,he said,for that's,I'm,he leftconfused,
17:32so,never hadever had passedthis.And said,well,a rado,well,
17:35and I'm,there's,and it'sa great-to us,and it'sput a manin the
17:40armro,like,and it'sa power,well,after thatdesrago, thatdesrosed that situation
17:45that's a situationterrible,the peopleput soa goodunder theenvironment of therestaurant and all
17:49that's aboutthe sameperson,and where it'sthe same person,and where itcame into beinga friager.
18:00Because myteam, that's the otherone's the othernotice of thecommensals, notthey're takingto live, that'syeah, it's
18:10been going, butmy team,there's toall the day.So I know thatchange theand I'msaying,
18:16I'll go,and I'mreconnoxed thecar in twoseconds,a car thatnever is anever to
18:20get to beI'm going,and I'mI'm going,I'm going,I go,I'm going,I'm going,
18:27I'm going,I'm goingto give,in this moment,a bonofor youbut forfavor,
18:35goyceto here,no we'regoing todo theservice, noare thethings that
18:39you know,and thesir,she says,and me says,what you'resaying,what you're going,
18:43you know,for favor,for favor,no,we're going tothislet me,let me go
18:48to go tothe money,I'm going tomake amoney,not somethings thatI'm
18:52to make,thething,I'm going tothething,I'm,I'm,
18:59I'm going todo you,no,I'm,I'm going tobe tothat'sto be a
19:02time,he was todo youto say toall this,well,but noI'm going,
19:06I,go andis going to be,I go, sir, forfavor,for favor,be the restaurant,there's a
19:14lot of people,for a lot ofsituation, you'redoing a dayvery difficult,to do youdo this thing,and of the
19:21whole of thewhole of course.Vyace.Theladymohsand he'scoming on therestaurant,
19:28I see thatme makevery rare,the equipmentme,and I'mreally superreally super
19:33bad and Ifeel verybecause thewoman'snot thesame time,what wewhat we did
19:38do it'sa little.I mean,a little bit.So, that's away, he'sthat's away, and say,
19:43for that'snot going to beto get to bebecause he goes togo to be in theway, no, no,if you know,I was a while
19:59back to do you.I'm going togo, and I'msaying, no,manch,you're gonna do you.So, thanks,thank, thanks,
20:05because all I'm sorry,because all this,so, just to haveseen thewoman,and they'rethey'reand they're
20:09and I'mgoing toa doorto get toa littlebecause I'mgoing to beback in,
20:14I'm tootoobecause I'msaying,I'm goingto get toa partyand I
20:19can'tbear thecontrol.It's adayverybad andwe're
20:22abad I'mon thewater andthere's aperson,no,I've been
20:29to beto bejust tojust tobe ableto beto befor not
20:33notnot tobe aand I'm going toI'm going to hear a voicethat I'm going tothis womanand he's not
20:41I'm talking,is that I don'tunderstand whythey're doingthis is thefourth placeto go and they'reand they're
20:47saying that I'mthat's going todo you knowbut I'vebeen here andnarrator I don'tknow whothat's about
20:53that womanbut it'slike fiveminutes in thethat I wasabout a personand he saidis that I'm
20:59going towhy mesaying that'sbecause they'rethat I'msaying that Idid thisand the
21:04a little, she's at theworld,and he'sto come in frontto me,no,no,it's like the
21:09powerto be in thelittle to beback to beback to beunderstand,but,although I'm
21:16to talk,I'llgive tosay thenarrator,no know whatI'm going,I'm going to
21:23go, I'mgoing to beon internetwhere we'reon avideo in alot ofthis woman,
21:28or forother side,that someoneme explain,what demonioswas whathappened thatday. If she's a
21:34woman with muchpersonalities oror an actressof Hollywood oror what?But fromthis day,I'm
21:40that I think.Never hadlived asituationsuch astrange in thelife.The
21:49best friendisa gymnastand isa gymnastcompetitiveat anational.
21:54And shedidknow ofhisabilitiesfor gymnasiatheway
21:57amorethat you'reabout13 years.Andwas areality
22:05a lota reality,a little bit ofa littlestories in thehouse.The firststory was
22:10that onethe firsthad been inthe house inthat hehad been in thetime,they said,
22:16they werea little bit ofa little bit ofthe storieswe don't knowany theother idea, but wealso know that
22:28the familyof Yadiraduring variousyears,they were talkingabout alittle bit of aShe was a friend imaginary that had Yadira,
22:35a little bit of a bluson-rosa.And that was her own-lawful.And it was,and that in some occasions,they'd have been in her abitation,like, platicating with someone,and when they'd enter,the room was there.
22:50When Yadira comes aroundof 13 years,the house of herhas a remodelation.This remoderation isa remoderation major.He has an second-pice to thehouse,
23:00the habitationsare conformedin a manneras avery extravagantas a lotI'm going todescribe it.
23:07In the firstpiece,all they'rethey'rethey're doingtwoapartments inone of
23:14places thatwere verysectionedthoseare moremorevisuallywith less
23:20with lessmoremurosin thesecondthe secondpiecethe
23:24theapartmentwasverybecauseyouwere youvery small, but
23:32had threedoors.The firstdoor at theside of thefather,you'd have aa balcony
23:38that'sdecided that thebalcony hadto be abig to be alittle bit morethe otherthe other
23:45the house ofthe momyou'dand itwas a closeta closetandthat probably
23:51probably notcabiathenot came tothe othernotthey hadmade
23:54the thingsso thatthe partof thepart oftheright and thepart
23:58the doorwaswith hiswith a l'nobral with his mark,that was thepart of wherethey could haveput a place
24:03to put aplace to get maletasor cajasgrand.So, youcould get thehands and continueexpanding to
24:10the techo,but no wayto get anythere's atime, youhave to betombadothe matter
24:15that youhave beento run.And well,so they were.The thirddoor,was just in
24:21front of thecamera,the cabs,and theyhad aman whomade practicallyall the
24:25timeof theapartmentof thePapas. Why decidedthat? Every here in thosetraumas. But, sothey had in that invitation. The
24:34room of Yadira was alsostrange. Entravas in theroom and it was a verysmall, very chicita,pegged in a cornerjust like in the partmore lehanna to thedoor and in form of
24:49L, there was agreat, very, veryan inch. You're talking totalk about a little of 13 years. Thethe screen was practicallyvacill,because his momhe said,
24:57for favor,no take yourplace theplace there.And that'sthat all ofhad to beunder the
25:03cartoiobasically in thepiece, becauseno, it wasonly thematter themain thing tothe wall.
25:09The cameraof Yadira,that was asmall,a matter,unnecessary,because shedidn't care
25:15because shehad a lot ofbut hisfather wasgreat and Ihad to have acar of theroom,
25:25pegged to thewallcontrary toto theroom,then youget in theroom and we're
25:29that theside ofthe side ofthe floor,you know,and theside of themiddle, you
25:37the camera,and at thehouse of thehouse,there weresome partsof themadera
25:42that'srecorriableand theywerea spaceverylittleso that you
25:47couldyou couldyou coulddodo youthefront,it was
25:51a lotwas ayou could you enter by onedoor andgo to onebecause theydid thisdesign?
25:58Cada,here in histraumas.But that'shis design youdid her.They had todo you know,
26:03they werelike youknow,one of thestuff you know,it was practicallyimpossible tohave access to
26:09that youhad tothe closet andthe closetwas veryvery muchbut thebarita
26:14where youput youput downthat'stheand thestuff,and the
26:17that wereyou'dget youput youyou'd beyou'dyou'reyou were on the
26:23walled,with the robeson the car,the foecul,he was probablyhe was in thedoor,that thing,
26:29someone,in his poormoment,decided to dodo you todo you knowto do you adira?Why is it
26:35did I,did it,because nohe importedthe room.For therope,extend,
26:40to a side,the othermorecloser,and to thesabanato theside,
26:46and abackito,and about itwas ablue,a rosa,a rupa rosa,a rosa,
26:49a rosa,a roth,a roth,And all thesemesterHe was doinga whileto get in
26:54this closetIt was aburriedand veryvery, verycan'tYeah,if his momhe wanted
26:58to callthings,it's allyeah,and thenhe saidto yousay to
27:03and thenafter themomdesistiabecausethatclosetwas a
27:06greatwas awhen,that waswhen,that nobodysaidthat was
27:12not,neithernot youdidn'twhen itwerethosethe
27:16twootherher piece. Yadira,one day is in hiscamera.You can'ttell youthis family is
27:23peculiar.She said, and Yadirais hesaid, myquarter hadalfomber.If that closetwas insupportable
27:29with thealfomber wasbecause itwas afloor, and thealfirmand thefloor,
27:34you had tohave to bea powerwith apower witha forceI specinable in that they were in-cerned,and I said,
27:49Cerellas, you?And I'd be there to bathearer,10, 15 minutes.I said, no, I don'tgo to guard,and my mom, if you want.No, there were cajones,Naddard.
27:59Where fregated?I put my rope interior,where I put myclothesettes.They were in thecloset.Mejor,below, of my
28:05camera.There was moreeasier the access.But I wasit was, itseemed that Ihad no,they'd be able to
28:11that part,and,and, look,that was,but in oneoccasion, meI'vehappened
28:14somethingquite avery strange.I'ma costedin thecamera,and I'm
28:21can'tget abad atand I'mkind ofputting theback tothe
28:25closet.And I'mthereand Iknow what Ithink,becauseI don't
28:30know whatI'm not,but it wassomething thatwas amoment,it wasthat was
28:34myposturato think,and Ithink,and I'mwhen I'mwhen I'm
28:40when I'mput upthat I'mYou know perfectly when you saythat you don't occupies the grandthing for that you're traumatized.When you understand that that's notcan't be occurring,
28:52you traumas.And that maldita port,if you knew ashow far as it needed toto do you,what I felt Ithat put it to do youto move to the
29:01door, was a littlemore than my momand I,and I was inthe closet.Me,I'm so stoopedas I'm
29:09going away slowlyfrom the closetbecause it'ssomething that'sthereinside.If youhear that
29:14something ismovingto thecloset,and I'mgoing to bethe doorand I'm
29:19maybe it.I don'teven knowto seesee thatwhat I'mto bethe door of
29:23mycourt,morewell,I'm,I'mintended,because the
29:29not thatwas not thatwas verynervous,althoughalmostkind ofwas
29:33so,I'mprobablythepassable,thethe firstpassio, the
29:38first time,the firstmore,more rapid,more rapid,more rapid,morerapid, more
29:42rapid,I'm going totheescalator,and I'mgoing tothe kitchenpalid,
29:47like I'mwith theheart,but bomb-ea velocitythat I'mgoing to beto get to
29:52mybody, andmy momand I said,no,I'm going tolet's saynothing of
29:58what youknow,I'm saying,I'm,I'm,and I'msent to thekitchen,
30:02during thethe nextminutes,and meall themy momwas saying,that my
30:07do you do that I had done, that all theefforts that I had beendone in the house, that I'm going to bea descalced in the house, thatnot I'm a person thathas education, and I, look, blah, blah,blah, blah, blah.I mean, I'd enter by an ordea,
30:19me would say, and I was betterthan what is up.This is better than what is up.And then I was going to bemy head, me said,and I'm sure.And I'm thinking,yes, yes, yes,
30:28no, I'm going to goto go, no, I'm going togo, and then I'm,and then I said, you,you know, you,you know, you know,you know, you know,mom, is that the
30:35door of the closetnot I seeto open, Isaid, I'msaying that I'mreally tooand I'mreally a bit
30:41inoja, is thatyou're tootoo toofor not to useit.Look,we're going toget to be
30:47to put inattention.The narratorto say,my mombatya,and open toand close to
30:51it andthat'sthat's abad at thething,but theshe wasthat she
30:56was going tomake alittle bitto make sure,and it'sgoing toher right,and when
31:02he goesto go tothecourt,I had assuredthat I was able and able andI was tryingthat I'm trying to
31:07and I'm trying topassito,passito, pacito,passito, pacito,passito, pacito,and then I'mand then just,I'm just the last
31:17the lefton the lefton thethat I've beenthat I'mthat I'm surethat's thethere's a
31:23and I'm awaythe first thing,and what you'regoing to do youand just to doa half-wirtesand it's all rightsaying,
31:33Cere the doorso thatthe door soand I'mgoing to do.I said,I'm going tonot it.
31:36No,no,no,it's really,we're inthe house,and we'regoing to be
31:40to thehouse, and thenthe rest ofthe time,the time,the second,and themore,
31:45you know,you know,you know,what youhave,many,and then youdid,
31:51yeah,yeah,I'm,I,I don't comea lot ofa narrator,my mom
31:54me did,my mom,me did atalk,and did amore,They said all there.And when my papa
32:01went,my momwent tomy mom went toa fifthtasterof coffee.And,
32:05and he said,we're in clave,we have aplague ofarrains.I need youwith thepargae
32:12that's in theroom andhe saidand hesaid mymom,go to mypapa,
32:19open in thedoor,they're inthe closetandafter thatmy papavociferating.
32:23It'show youyou occurinventingthings withthelittle youyou're
32:27totraumatizetothe Plaga of Arraena?Here no isgoing to bea little bit ofhotcakes
32:33and I'm surethinking,and go to all thethat's done.I don't knowmy mombut I wasbeing very
32:40very excited.From thatthat's thetime,I'm going todo thatlast of thehouse,
32:47me kept outthere andI was madeand I'mthere wastrying tothink and Ithink how I
32:52do you knowI want tobe in thatsituation andeventually they'regoing tobe to usethe malditor
32:57So I don't want to use that and what was there.The next days, no pass anything.But I already to go back to happen to happen.And solosio.All those days, me are trying people of the college.One amiga or an friend or two amigas.Because we have a task to do.I'm going to do you guys are suborned.
33:16Because my mom has got a lot of bols of palomitas for microondas.And every time that they're coming,as in your house, no less than they'll give them.Here, I'll do a box to each one.And to my mom, nothing more, I'm, is that.They just like much the palomites, and it's to dothe time we, we're more. And she's just a trauma,for what you know, in the court, look, with the culp, what
33:35whatever, I mean, he'll buy more and more bolstits. And I didthat they've got a customary in my house all that year.People, all the days. And so muchit was, and so long ago, thatin the moment, in the way they'd,took them the door, and where my mom had they'djust had, and they'd just be in direct,if they'd go in the second-pice, and if they'd direct to my
33:54for this point meI had beenI've beenalwaysI'm alwaysalways I'malwaysall the
33:59one of thosedays narratein themorning I'mgoing togo togo tothe school
34:04whenwhen Ithink youI'm going toI'ma thousanda milliseof second
34:11but Isee alittlea man witha moinitorosasbut aa man
34:16palidademacradalike aa skeletonofanlittlesomething
34:19somethingaroundthe samethecamera and theKamai, the closet. And whereI see that, no, meassupted, as far as far as
34:28carloaders, courting, my papa is, and my papa isin the carlars, waiting. He said,if all of the car, I said, and I go, if, if, is thatI'm a job that I felt, me, me, me, me, me, me, me,and I'm, well, this is, less than what I'm, man, me, me, me,in this is, less than what I was here in thehouse. Here, no, no, no, no, it'sto invite a person, three, four, five
34:47people, and I'm, I'm going to putto make, say, like, one, I'm going to put incloset,for that theyand they'rethat's in thefrugatsis what you
34:55there's theother personbut to beand that'sI'm not,and that'sall theother people,
34:59and then itto be likethree months.Sige thepeople,get in thehouse,people say the
35:05house,they go tovisit medays atmy day,I'mmymy mom,
35:09I'vegot toother ralettwith memy papahe hasgot toother ral
35:13and thenhe'sbecause it'sthere'sthere's aquestion, myAnd one day I'mAcosted in my
35:23CamaI'mI'm in myCucchoo the voice of mymom,that someoneis mygood
35:29friend and mymy besttime in thistime was superflohasuper-flojawas thehouse because
35:35oh,and thenI'mto go toget toget acarerererand I said
35:41no,but is that'syou're away farit's tooit's tooI'mlisten to
35:46the scregolabut itcomesbecause sheI'mso I'mthat I'm like I'm saying, in thatthe door of the
35:53door of my invitation,and I see whereenter running andhe's seen,like plank,like table,brink, with thearms to the
36:02side, andhe's going toto see herfront and Iwant toget her,she's like,I'm going to
36:07make aa pallasatand a tonteria.And Isee it incamera,the entertainerator.It's
36:12the door,she comesshe's coming,she's likerunning,and like,vows to beto the front,
36:19and whereis upthe camerahe was toget,he cameto get acar,
36:23he's putpallid,and shehe'slike alittleand hea moment
36:29in the momentin thehe gothe didhe'swith thehands,that's
36:33he wentto bea resorttobackback,hecame to
36:37thehouseand hewentto theday.Shedid she
36:41put shetopracticegymnasiabecauseshedidknow
36:42thatshedidlikeayearand whatme
36:46toldisthatwhen shesheput so plana,view thata little
36:51said awoman, according tohis words,she wasomdown to thecamera andshe waswhen she
36:57got to getherhis instincthe madethat he saidthat youand thenI said,
37:04and whynot medid you?BecauseI hadtohave toget to
37:06mypejejoandand fromsheshe startedto practicethe
37:11gymnasiaand Inotmetododothe
37:19year.Theyearthe 25thatjustit wasa year when
37:23it was abut I've beena situationquitestrange.I've saidthat thereactions of
37:29the peopleand thesituationparanormaldependenmuch ofthe context,the form
37:35of theway ofhow theywere,how theywerein thethings
37:38paranormal,howthey'rethey'reandmanyfactorsmore.
37:42I'mathing,I'mthat thisthat Ihad tothis
37:47that I'mall theform andI've known,I've known to two generationsthat have beenvictims ofa success
37:54paranormal and thathave been usedin waysmany differentgeneration.The situation isthat one personwe're going to
38:01name Samir,the good Samirbought ahouse, butwell,more than Iwant to sayhe bought
38:08a terrain.In thatthe terrainconstructeda firstyear.Passeda couple of
38:13years anda baseof mucheffort orwith basein theireffort,construed
38:18a secondPiso and 10 yearsafter when Samir iscome up with his 40,construct a thirdpiece.In the planta back, Samir
38:28transformed his house ina bodega.And in that bodegahas a division,the zone ofan emerson and thezone of mouestra.In the zone of
38:37a moucestra, youcan go there andsee the differentthings that Samirhas to showyou.Objects used,roba used,
38:45clothes,and,and movels andthings it'slike if it werea house ofantiquedades.The rope,
38:51much hasit's avery goodquality andin occasionsput outa lettererin the
38:55letterer in theone ofa fourthman oror areporceand thatis for
39:03when youurgeyeahwhateversomethingyou knowSamirhas
39:07somethingthat youhaveto serveinthathousehas
39:10hasbeenallallfromthingsthingsBut Samir, no, he didn't
39:18matter,a businesswas ano matter.But I'mmatter.No,he was
39:25I mean, Ireferio,I mean,he hadquired,he put it,and itand it wasa business.
39:31The problemis thatwas thatthe peopleall overthe peopleare gettingto do you,
39:40and they'reto pay it.How are?They'reto get aconsignation.Consignationis a
39:45system inin the world Samirreceivepresents,receive objects,and he says,well,the day that he
39:53does themoney, you makethe note,and you pay forthat youdo you know,a quantityin the majority
39:58of thebecause Samirnot knowthey'renot to geta onein thethey were
40:04subastas.Not morethat here thesubastasare oneone.No,there's more
40:07public,no,there's moreonea negotiation,and theythey're,they're in
40:12a pointin thethe way,of a repent,you can'tget aa prend ofa chair
40:16in a dollar,or in occasionsyou're goingto be able toyou're goingto be infive,10,
40:20$15,or $20dollars.Dependee alittlethat theythey werethey were
40:24on themoney,or ifthey weresaying,Samir,commencing,that
40:29thebodyahas atiborra,but whenI'm notto youdo you're
40:35that's thatthree-quartersof thethebodegaarealmost,who
40:40I don't know that,that, having threesillsabove,there werea mountainso greatof the
40:45top of themiddlethat in themomentdecided thathe wasto put themin a
40:51littlea littleafter theand hedid youtry thatyou intend toget the
40:58the mostminimumprendaoftheabove,you,you're
41:01going tobegoing toyouget tothelittle.In this
41:05place,in thisalmacensoccurinthingsvery extra-in-lachers. In thenights, if you get to
41:11come up to mind-as, you're going to beat the side of these torres of thesemountains to a womanmajor that seems to be ablethe place. If you're thebad fortune, that youto take those strange nightsin those that are rudiments
41:27in the almasen and you asomas,the woman will go to go andgo to the encounter at your mind.And it's going to sum up to the same timethan you and you're going to bedirectly to theeyes. And thatyou do
41:36because at thelong of15 years,the family ofSamir,family'svery far froma family
41:42alhanna,I'm refer tohis,children,and notthe familythey've beenabout this
41:48woman.Samir nohas seena look atasight, hasseen asummer,
41:54has calledin twooccasionsthe policeandthey have toget toand he
41:57sayshe's moreabout aperson whowhen they'rea bigita,and soa person
42:02major,no soit'sa velocity that Iwas arare, because it's the same siloate in various occasions.And,I'd say that Samir's had to know that no
42:10no matter, but neither Samirknows what he has been there.It's a much bit ofsay, what I can say is that ifany, if anyone elsewould have been done over it,and that's not occurred.Samir's said that no,
42:21he's got to do that.Sacchar cause of there,is a thing very complicated.Yeah, has yethas a moment in thethat the business hasbeen a lot of the newis what has been
42:28exhibited, and thenew is more big,and it's more bigger.That bigita,he puts very nervousbecause themirrored,not is of a person
42:38good,it's of a personmalvada,is of a personthat theeyes,is of theanger, is there
42:43is a lot,in somea moment,Samir,he's aquestion,as aquestioner,
42:49to seeI've got,I'm alittle,let's be,if youwere you'rethat you're
42:53thinking withthe eyesand yousaid toSamir,that's myhouse andyou're
42:58about here,bette,noI'mI'm here.And thatThat questionsaid a various
43:03persons and theresponse was thesame.That was verystrange,persons thatnot are youknow,
43:10it's a point,is a point,it's aene,know muchpeople,you can'timagineof things
43:14that they'rebecausethey knowmany of thefamily thathas beenthat hasa point,
43:19is thatthat'sthat personthat in thelifereal,not havebeen
43:24a lot ofthere.There's amoment inthat Samiraon the secondthirdpiece of
43:30hisOne day, they did an book of orations.I don't know that religionhas Samir.But Samir is in thisplace and where he startsorations.He said that he commenced
43:40a respirationevery more agitadaas a person major.In a occasion,in the one of thefamily said thathe said,when he went to the
43:49second-pissueto the house,he startedto be ahospital almostfor a month.Siente thatthere is a
43:55when he makesin a boatwith waterbecause thathe's arecommend to someamissed thatcre in questions
44:02esoteric, andSamir wasput it,he started toget to learnthe llamavery rapid.The limonels
44:07wereafter justa dayof having beenbeen in thewater.What heled you
44:12was tothink itwas theproblem,it wasall thewater, sohe was
44:17a fewdifferent,and thelimonersthey wereputtingnegros,change
44:21of theprovoer oflimoners,change ofthenew onesthey stillputting
44:24never,and itstartedI've been growing,in all thething of thecommerce,in houses that
44:33has that youhave to rent,in casesthat they'rewith people,and the limonelsthat are intactafter 24
44:38hours?Is it thatsomething,it's put tothink, andcontract aarchitect, andhe came to
44:43revisit,and thearchitect whenwhen he getsto thepart of thebuilding,that's the
44:48same time,know,they're going toknow,because it'sall saturatedof therope and
44:51other things,and thearchitect,and he says,oh,no,I don't mesaid,
44:55he said,he's,Samir said, well, I wasI was contracted, so I'm not forservices specials,important, not forthat I'm going todo you.
45:03And the architectohe said, no,no, no,I'm going towork to work foryou.And he wasa person, and he
45:10was a person,and he was areal, he'sa lot ofhe said, andhe startedthings in thehouse,
45:17he started toput araduras,he startedto put up,arrasions,has triedpeople tomake a lot,
45:22more thanone hashad gone todo,he hasa lotvery pesado. You'reyou're trying with
45:26something that not is human.And after many,many, many years,Samir,not is goodwith the place.That's Samir.Yeah,
45:35is a persongreat.But I tookto know hisnietos,various generationsafter.And it was
45:40a greatwhen I said,ah,the abelMalda!Si!The VuelMalah,
45:46we know,we know,it's thelife thereback.Ah,Samir,Samir no
45:50he does,Samir,we dome dowe getto getto getto
45:53usAssumable, poor there. Abuela Mala, thatno-persige! And when we putto say that, Salen thingsballando of that quarter.Las have been taken vassos,us have vented, prendas, us have beena vented, us has been to
46:06a-saint-a-sitter, and we'llmore force, that no-puehsand we'd like tomolest her. Now are two occasionsthat we're like, we've got to,because Samir's putto malas. He no's nota count, but the days
46:19that the limoniesare more negros, two, threehours, before we'rewe're just about thewell, but it's of those big gruy-knonas.No, he likes to play.And, for us, for us, we'lllet us get more hard.
46:30And when I heard that,I looked to see that,and Samir was colorado,colorado, with a carof anewho tremendous.And I decided that nowas going to do you to dothe two for the histories,
46:41I did the middle and Iwent and I went, and Iwent, and after me,there was a pairof grunirited,and a voicethat I recognized,but I was in other
46:49other idiom in the whileI don't know,that I thought that SamirI was sayingthat that's whatthey've beendone to be it.As I've got
47:02to tell,it depends on thecontext of howwe've beenthe event'sparanormal.And there'sa special
47:08that theymade on twooccasions thisyear thatthat I'mvery veryvery much.Before
47:15to start,I'm going toexcuse.The themeof thething that Ido youmanage in
47:20anysense,then Idon't knowthe pormenoresand ifI usesome word
47:24that thepeoplethat areknow thistheme,or they livetoget a
47:28time,a good timea gooda seconda newquestion,it's morethe time of
47:32thisthings.And whatyou know,it'sfrom mymore profoundignorance,
47:37but alsoadmiration,and youare goingto understandbecause.There'sa family
47:42nocturnbut isof awhite,colorado,colorado,and mesaid,
47:47she sheshe hassheshe'saschoolin aschool
47:50of thepeople,thepeople sheit's astudentthat's astudent that
47:57this is thething thatI don'tknow I knowI'm notexactly if I'musingone of the
48:02mannererratica.Forfavor,you put iton here inthecomments,
48:05because it'sa goodthat theyshare thisand it's agood at avery muchand that's
48:11a good.This personthat'sthis person whohe'sa person whoI'mI want to
48:17talk aboutbecauseafter aftera lot ofyour storiesI putto analyzeif really in my
48:25environmentexistialike somethingsomething like abecause Iin myhead was with theidea of the
48:31really theonly thingis to hearyou knowthat I'mthat I'mthat I'mthat I'm
48:37don't knowthat'sthat's whythat'syou'reso youdo youdo you
48:43do thiswe'rewe're going tofindnothingand yousee thatI'm
48:48that's that'syou'realwaysIt doesn't meanSETI.You're going tosay something thatI'm not
48:55this institution,but I thinkmany of thosewe're working withwith the kids andthat have in thisspectrum,they can be able to
49:05this situation andnot they've donethat.That's what I'mgoing to say,no, there'sa methodologyscientific.
49:10There's theexperience ofa person,then it'sjust not morea story.We're going tojust to be
49:15just a story.But if youare, but if youare thequestion andme countessand alsothe same
49:21Now, said, once this, there's this.There's a bit of locus.He says,it's a lot ofa situation.And it's a situationsuper-strainer.We're in a institution
49:31that is great.With a grandme refer tothere's an areaof thearea of stacconementample,there's a
49:38place you get to thepart administrative, andafter that's,there's apiece ofthe city,but not necessarilythe restacionationationation.
49:50The man,for that notthey're notstimulationwe'rewe're notthe timefrom the
49:56light,the soundhow is thatadequatethe placesfor thatnot havedistractors
50:01and ablethethings toget themuch we'redoing themuch thatthey're
50:07all oftheirsupportmany ofthose ofwe'renotnot they're
50:12not evenbut we'rewe'retherewe'retherewe'repeople
50:16people whowe'reverypeople whowe'repeoplewe'reWe're experts, but we're going to help.
50:23And something we can do,even if we're a granite, we can put there.So, then we're accepting much the help.To what I refer to?That's what?That sometimes we're doing the master's ombrough.That's also we're doing to the master.A lot of people that are like
50:36of voluntaried.We're a group of grand.At the final, it's needs to be muchpeople who are pretty muchpersonal, and that's all of athing.But, well, why do you say this?Because it's much one and other
50:48see the same. And until I putto give it to give upa little bitstrange.Of a repent,of thelittle of thechos not
50:56some are all.Some arethey're comingand they'renot me,but they'rein the air.Ah,
51:04that's goodthat youget themaster forput anman,Rolando.Ah,
51:09yeahthere's themom,Sylvia.Ah,hego thelittlethis is very
51:12strange becauseno anynono otheran aviso, thosethat especially thosethat I'm saying,for saying,
51:19Roland,the seniorSylvia and themother,and those thatI'm saying,I'm going torememberance,
51:27are people whoare people whowere notto work.So whenit's like,ah,he's just a
51:32littletwo minutesafter you,you're goingto be thatperson passingfor there,and you
51:37tell me,I'm,I'm,I'm,I'm going tocome towork,but I'm
51:42I'mcame. How demoniosknow they'rethey're doing? No, thereare no they're talking, nomandator a message,nobody passedthat information.
51:52Some people who areto work and aregetting.You say,I'll do, becausein serious,after thatthat I put to
52:00give to give usto give usthe samethree students,that's thesame, and thesame, thesame,
52:07and the same,in that thewindowsare inthat theattention inif whenwhen they're
52:12these peopleare peoplethat they'rethat'sthat's beenalmostkind ofhaving
52:17who'sand whogoing towork and I'msurprised,more thana lot ofpeople,
52:21people whoare thepeople whoare thepeople whoare notto workand when
52:27they'rethat they'regettingto thetime,without theythey'rethey're
52:33not soI know,no seewhere it'sthe truckbut itcan't bethat
52:37somethat in somemannerthey'veI don't know.Well, there'sa family nocturn.That's what I told
52:45this chick.But there'sanother person of thefamilynocturner thatme said,narrator, Ihave a vivience
52:51that is aexperience likea lotorosabut at thetime it waslike aliberator.My mom
52:59was in asituationvery grave,very delicateofhealth,sincea few
53:03years.In thelast yearswe saidthat shenot hadaa new farmer 24-7 in the
53:11house or in the hospitalin the care ofin medias or inin the caretives or inin the care of insiderssituations of viasrespiratories and otherthemitts that I'm going to
53:24mom is a personyeah great and she's alwaysvery luchador and shenot she doesn't evenand still do theshe's the lady's whenshe's totallyconstantly conscientie no me
53:34I'm going toget so fastthat sheenahas been my heroinaalways has been my model to saywhen Iwhen I waswhen I'm a
53:43new year I'mmade on thediagnosis ofand for thegrad in theI knew tothat I would havemany situations
53:50that would haveto havemany relationssocialthat wouldneed tocare of themost of the
53:57first was like awaterfreethen II'm justfor thatfor that wewe're going to
54:02make thatwe're going tosee amodelwhen I'mI'mbeenthe
54:07Sinoaand meI'mtodo it.And mylittle.My little
54:11mylittle,my little,he has alittledistinct,some people,a much
54:18not.It's difficultthe interactionwithhim,it's alittleto be a
54:24hospital,but thehospitalhe putvery badto him.I knowexactly
54:28what is,butwhen Ienter,then theypresentcrises,and are
54:32crisesthat aredifficultto manage.To beto manage,Ineed to
54:35to take theplace,and beingout of theplace,all is themore easy.Peor
54:40my momin the way,the man,in the time,that'sbeing to bebeing to bea little
54:46a man,I'm going toget to betension,and it'sgoing toit's likeit's like
54:53it's away,and I'mthey're insituationsand I'mI'min situations
54:58sometimesI'mI'mdon't knowthat Idon'tsimplyare people
55:03aresituations difficult andandcomplexbut inoccasions, I have tohave to leave amy
55:07chachio in thecar and I'mgetting tomy hospital fiveminutes, I'mgoing to get tome and I'mput to my
55:13my second.I'm going togo and I'mgoing to dotwo months.I'm amalida.No,
55:20I can'tpay attention tothe mom,nor I'mto be aman, butI don't,I don't
55:24want tono, I'mno, I'many of thetwo, andthere's certaincircumstances.I've passed
55:31something, andI'm able to.I'mmy kidismylittle is togo to
55:38her way,and I'mto get toget to theman,that mymom,that my mom
55:42to make thething,I'm notbecauseI know Iwas goingto get intothe moment
55:48of themom,mom,in twooccasionsfor thefirstin the
55:50life,memymy jitamymylittle,I'm
55:54I'mI'mI'mI'mso,I'mso,I'm
55:58that youget amomentthatthey'reacrisis respiratory veryvery
56:02very strongand momis ainconsientand mesay the doctorI cansay a
56:08say I'mpermitto be veryfrank withyou knowthere arethere arethere are
56:15there arenot anot so muchto beto beto getlet'ssay you
56:22let'ssay youandsay youknowthat itwas reallyit was
56:26you knowbecause becausebecausesincemy momsupoAll the situation with mychild
56:32neverI nevernever hadand sheshe feltthat evenshe hadthat even
56:41she was makinga pillarimportantno,I made themiddleand I metthe
56:47the quarterand thenafterthe last ofI gotchaand I gavea bit ofthe front
56:52and I saidmomawe're goingto beto getto get toget toI'm
56:56I'm likeI'm likeI'm likeI'm likeEven with these situations, I have to go toto look to my child because me is waitingin the car, back to the car.And when I go to the car, I go,
57:07for favor, that me want to want to betantal, and I want to get,to get a, even to be,vented to the ventana,to you explain to her little bit,that she's a boy, that'sthat she'll be, that, you're trying.No, I got to get a caro when
57:21me marked on the cellular.My mom had to partier.The mother, I've got toNo, well, II'm crying,the matter of thebadger, thebad I'm
57:29and I'mand I'mand I'mknow, I'msure and I'mgot herthe man,and me said,
57:35yeah, yeah,yeah, yeah.And mewent to thehouse andI wasnot I'mnot able to
57:42get tome of mom,me sent meand I'mvery culpable,had beenmomentsvery difficult,
57:48I'mI'm veryveryvery complicated,not a situationtoo,but at theThe chancin, the
57:55Cansio,a lot ofsometimesto think manythingstons.And I waslike a
58:00Ruedawith all myemotionsnarrate,but cansadI need togo toget a
58:06little bit ofand it'smy momme would havea ballof emotionsand I'mmy little
58:15time,that'shaving alittlesomething,I'msay a wordand it's
58:20in voicebackitaand thenit'sdetain andhe'll saytwo threewords and
58:25then Iam I'm ata quarterto see whatis doingand it'sa minuteof the
58:31wall and thenyou know themanitaso on thehead soand thengo and Igo and I
58:37go toand veryvery quietitofor thatno tome alterand I'mand I'm
58:42sayingthe nanahe'sshe cametomehe saidno you
58:45don't youdon'tdon'the'snot youknowmom and mecould be to
58:54do you knowso my momso I'mso mygreat familynocturnait's goodto start the
59:05year doingdoing thethings,revisating ourthings,revisating ourpublicities,I think there
59:11situations inthe momentin thethethethetheopportunity and
59:15it'sa,to turn tosee,to look toto bethosemoments
59:19importantand herethere'sgoing tolet'sgo toanotherbecause
59:24not going towant toto create whatI'm going tobecause it's oneof thosethings thatthat you
59:27think it'sthat itthat makesthat it'sthat maybe thatmaybe that'smaybe a lot ofscabroo and
59:34with alittle bitlittle bitin thistelathat wethink we'revery solid and
59:40very firmin thewe can'tmake it,it'scan be glenalfastilelyand it
59:44could beof agetting toquestionerall whatwe'rewe'regoing to
59:50let's puta personand wewe want toput tothe personthat wethem,
59:53a mana woman,something thatnot wehave beenin thechannel,what you
59:57do youput himthe namePenelope?ThegoodPenelopehas a
01:00:01situationvery complexthat theday ofthat isthat youthat'sit makes
01:00:08thatmaybethemaybe thebettertobeto the
01:00:12family.Idojustjustrememberin thecan't
01:00:16thecan'ttheresituationsverycomplexwhatis
01:00:20what isliving Penelope, not isfor her, but it'sfor her,but more than youyou can't even, you can'tcomment what you'rein the case of her.
01:00:29But there'sa lot.Penelope hasa situation,since many years,but after oneyear, it wasa little bit of
01:00:36a house.Since beforemany years,you know,that in thehouse, thatwas abecause they're
01:00:42moving,but thehouse stillbeing beingof them,but,but, well,there's a
01:00:46thing there,and that was,in that houseabitablea littlemal.So,like you
01:00:50do itwithoutwithoutabout,withoutshe's thelittleshe was a
01:00:54one of thesomething,something thatwas in thetime,and they were,and inthis
01:01:00place,in thepeople,thepeople,thepeople,there was
01:01:03therehadmany,thereabit ofa bit ofsome
01:01:08that's,buta poorcochechee.Ahour ofthefregazos
01:01:12all overall overdifficult,all theyall wereall theywereall
01:01:18they wereneeded alittlebutvery unedand weknow hethere was a
01:01:22questionvery complexin thishouse.That houseat finalhad alittle
01:01:27a napalels,alike anapalerabuta littlewe'rethere's
01:01:32about aboutthe problemthe raris thatcertainnot realrareand form
01:01:39an arc.How exactlyI knowbut itbut itwas yousee yousee in
01:01:45a skinin theark.That malditoarcoHe said,Since I'mlittle,
01:01:50when I'mwhen I'mso it'sadark,not I seesay to saywhy.
01:01:56I don't seeI'm thinkingmuch,but I'ma way youa littleand a littlewas a bit
01:02:02and it'svery encirrated.It wasthe imaginationsof alittle bit ofa carbut I'm
01:02:09not used tothe patio of thehouseI was sentiafeo.When thedoorwas over
01:02:12after,then Isaw thethe sombra.And thethe sombrathea woman,
01:02:16I saw thatshe was aplace in certainthat woman, we're in awe're doing a lot of the house. We've got toa lot of people, and I'm just a lot of people, and I'mThey were many,they'd help them,
01:02:45and alwaysthey'd be inanother placethat we're sure.Well,I'll tell you.Because they'reto pass
01:02:51about about15 yearsuntil I'mlike between19 or 21,and we'llgo to theranchito of
01:02:59Papa, becauseI don'tI'd,I'd say thatI'd likethe house.We're goingand we're
01:03:03going toget aend of aproperty, becausePapa wantsto buy themoney,Difficitement
01:03:13someonewill beinterested.Papanot want toget todo itapart.
01:03:16We're going toget to doa lot ofthispart of thewe need tohave to turn tothis
01:03:23move to makethis,let us,let me comethese materialand we'llget thisthing,
01:03:29and whileI said,in what Idid,what no,there was a scubaa shooaa beader bioe
01:03:35and apaled depapering,but you'redoing thethat's thewell,well,
01:03:39well,but wewe havewe have beenwearomatic. No, he has it. With thatthe car's gonna'clock, becausethe casita, not even to be, you know,
01:03:47there's little-a-a-a-a-a-a-a-a-a-a-a-a.I gothap-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a-a.Then, I'd go to-a-bable,it, all the water, like,like a color, coffee,a bit feo,and then I'dstart a normal,
01:03:59I'm going todo you know,there's a lot of,well,the casita,cositasthat we're justusing, they're doing,
01:04:07it's about two,three hours,and I get amoment in theI'm a cance.I'm goingto the patio,because,
01:04:14fiftate,the nopalesbut it'sthat's,but it'sgoing to be adoor, andI was the door,
01:04:20I said,I'm going to,what the door,well,if you're atthe power,but if youme, me, I mean, when I saw, when I saw,
01:04:28she had been chined up, I said, I said, this case, it's abad guy that guy, and I said, then I went to go to front,me sent, and me put to respite, and me pung, to restirals,me dolead those brasos and the hands, and I said,oh, man, for me, that this vioch, you know, it's for sure of achero, and no regress, we, we're going to covera bit tardy, I don't want to be able to do this time,but, well, I know, we just saw that we're going to be able to
01:04:49to be all the end of theday of theday offwhen of thetime when to beafter meit's stillthe door.
01:04:55It's very rarebecause nothere's alittle entry ofthe house,the entranceto the door.No,
01:05:00man,we had tothat's thedoor and thedoor was overdisvencigated andout of thebader, feo,
01:05:07but noit was the point.Where is thedoor, I'mto say, I'mchihuas, but whatwhat's all?But, so I
01:05:13see, I'veno, noany of thehouse, andnobody'sand nobody'sand part ofwho they
01:05:17wouldranchito, nobody, nobody doesdo that. So, I'm thinkingthat what's thepast, and that's it,that's aanother, and there's athing that you,
01:05:27there's a little,like, yeah,I'm going to,and I'm trying,and I'm,to see, and I'mkind of a bit ofgetting me,
01:05:36to get me,to get me,and then thesombre's,and then the sombreis my papa,and me,and I'm,
01:05:45and I'm,and I'm,and then I'mthat's,and then I'mI don't know, butI'm in a formin the way
01:05:50in theway to getthose friosefeos,like a personbad, he said,what you'reyou, I'm
01:05:56going to thedoor,I'm going togo to thekitchen and I'mgoing to beand where youget you,
01:06:02and where youget thiscar?And the houseno, cacky,cacky,cacky,I,
01:06:10I'm doing thethe world,I'm going toget theworld,but now I'mI'm stillpsalid,
01:06:15psaly,and II'm saying that I'm parida, because whenmy papa, like in the media hour,he went, no, borrachio,he went with a camonetet cargated,very cancansed,me said, no, man,
01:06:23that was over the ferretary,that almost had to go tothe city, and I was aboutwhen I was up and said,and I said,and I'm saying,you know,no, no,
01:06:33no, no, it's like,no, no, it's,like, I'm like,to comeer,something, and I,do there,a botanita,and a busito
01:06:38with the water,and then then,then he said,no,no, if you want,we'll,no,house. I said, if you want to,
01:06:47I'm going to help with thingsfor a bit of something, or if not'she like to be like that. Or,if it was my imagination, or if me intoxicatedwith a little to-as-you-law, no, see.And I'm out of my papa, and I'm going togo and friega, to one side to another. I'll get, me, and say,no, I'm going to, you, go ahead. I'm going to be
01:07:05bad, you're very palid.You? We're going to, no, papa. Yeah, no,I don't you'll, I'm going to be able. You, d'all.You, now I'm going to be able. My papaall of the camionetta,all perfect,a narrator.I go with it,
01:07:18I'm going tothe barryand the trapeaand thelittle bit of thelittle bit ofmy house andwhen I
01:07:24go there,me do youknow thatI'm put it inthe paderis youra mobileof the madeer.
01:07:29That's amanorI didn'tnever evernever,I think it'sthat's thatwas that
01:07:35was thatwas thatthat's notthat youdon't youneveryou'reso you
01:07:39want toyou'reso youI don'thaveusedmuchyears, I got a comoda of
01:07:46madera, and I'm trying to openthe cajones, the way upthe other, it's a very hard,like if it would have claved, practically.And the second, when I'mI'm hallo, I'm,I'm a book, a little negro,he's, I'm gonna'-a-en-gachos,
01:07:59and it's pure little munchos,like, pure monsters.Then I go to my papa,and I'm, and this book?And see,it's very rare, this book,where do you, but it's just,but it was in the cajone,
01:08:11in which, the in-medio,and it's gotra and ithe says,it's beenof the cairnsthat you usedfor the schooland I go
01:08:18no papabut I don'tdo you knowI know you knowyou knowbut it'sit's like it'sbut it's
01:08:24to sayof the cairnswell youlook itwell it'sall inoh yeahI'm
01:08:29there'syeahyeahyeahmy father andmy papame saysmy dad
01:08:36and it's ofand where itI'm gonnayou knowyou'reyou're gonnayou're gonnayou know
01:08:41we're gonnawe'reif you feelyou feel bad,let me say,I'm saying,I'm going to say,I'm going to
01:08:47see the other thingsbig gatchesthere,purest differentdifferent differentdifferent differentdifferent.And my papa
01:08:53the otherthe so he'ssaying that's all rightand I'm sayingand just I'm justI'm going to beI'm going to beoh no, but I'm
01:09:04that I'm sorryI'm reallynever reallyI'm gonnaand I'm put upabout a part in thepart in theall of the
01:09:12and he'swith a littlelittle bita little bit ofand then I'ma little bit ofa littleI've had
01:09:20put down to thewall,I don't knowin what youknow that I'mand I'm going toand it'sand it's just
01:09:27and it'sa bit ofa pill ofa guyin andit cameto come intomy papa butwith that
01:09:32sonrisafeated ofthe carthat Ibefore heand justI just wasvery tense
01:09:37because hehas been vestidoall ofblack witha troyand aof a festival. He was nothe wased-a-vested-up to chambia. With a
01:09:44camisa, quadru, remangada,trai, there, a lot of it, like, no,he'd be it to-a-the-pans. And it's now, thisman, all-been-bested, moredelgado, and with a look at, butvery fair, and I'll bethis, yeah, he's going to, us, we're going toleave, and it's a voice of my
01:10:02papa, but it's the same car, butit's the same car, and thebody, he's right, go to thebook, he'll go, and he'll go,and he'll go and then, andgo and then, and, you'reopen tothe
01:10:12door of thedoor to thedoor tothe door toenter thenarrator.I'm notI'm not really.
01:10:19And thedoor of thedoor of thedoor islike thatthe doorlike it's liketo be able
01:10:25to get toget toget to beto thedoor and thenopals.Thenopalels
01:10:31it'sgo toand it'sthey'removingone'sand they'reand they're
01:10:35thinkinghow thishe'sall this yearthat'sall you'regoing togo can't
01:10:40and allin the arch. But it's abig-divoucated to thedoor that I had seenwhen I was a little.Abirted completely.The sir gets there.He gets debaugh of the
01:10:49arco of the nopales.Cere the door.And where it'sthat I'mgarran back theombrose.Cajate!Cytate!
01:10:55Darmes!Get it!Get it!Let me!And then I'mmy baba.And then I said,oh,
01:11:01I'm like,I'm here.And where he'sto be?I'm doingstill to behandotasoseven altars.
01:11:06And he'sto be the arco.No,the napoleSeco, sec, sec, the arco,the arco, gray,feo,almost a piece of opal,
01:11:14I see where it'sthere's a lot,but there neverthere never wasno way,I just went to my papa,and I said,my papa, me said,
01:11:24yeah,pa, me, I'msiento, I'msure, I'msure, and younever did youget to tellnothing.
01:11:28My papahas tried tospend the property,never hadbeen tonever, andwhen it gets theproperty,
01:11:35the property,the property,I'm surethat'sthatthat's athat was thething that's
01:11:39that's thething that'sthat'sthat's aboutmybut I'mnot to talkthe time.
01:11:43And I'mthat you knowthat'snot thething.And with thefinalof the
01:11:55first videoof the yearof thefirst fogataof theyear inthis2026,
01:12:00preparebecause wehave morestories,moreatterradorasbecausewe're
01:12:03we'rewe'rereally inserioussomething,thelittlelittle
01:12:07pesardiesbutbeforeto getto getat thefinal withthis video,
01:12:12we're withall familynocturnafor oneSpotifyprepareatebecause we'refor you
01:12:17or asour caridiaourwe'reto do youand we'regoing toone thing
01:12:23we'reso we'reso thatso thatmy dearfamilynoif
01:12:27if youdon't knowon Spotify,please insome episodesee usand give usand give us
01:12:33andyouin YouTubeI thinkI'mI'mthat ifin the
01:12:38next videowe'rewe'rewe'regoing towe'rewe'rewe have we got us, but here when we're grabbing,
01:12:43even felt about 2,000.So, we're going to wait.That video special of YouTubeof the million of followers,we'll do we'll do.One way that's the placas,to be able to celebrateall in family,
01:12:54because this is the logronot just a server,is of a whole newa family that we'reuned,being the familymore obscure and more chidaof internet.
01:13:03One of this,family nocturna,sing us in YouTube.For favor,go on Spotify,see us and regan thefive stars,and a question
01:13:10about this.This 2026,orgoyosomely,Family Nocturna.Bye-bye.We'll see theSaturday of SOMras.Bye-bye.
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