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Historias de Casas Embrujadas , Cementerios y Hoteles Malditos | EP 264 | EL NARRADOR EP 264 | EL NARRADOR

February 10, 20250 comments♥ 0
00:02Welcome to Family Nocturna, to thisOskura Fogata of Histories.The day of today we'll beof casas engantas,suceses,and possessions.As the episode, Tilda,for a episode
00:14is a supermouslyI recommend thattake the protectionof the familynocturna.The Family Nocturname has saidthat one of the
00:21things that havedone the greatmajority for thatfor thatis subscribe toand pick up thecampanita.And one of
00:28this,let's say thisa dark fogata of stories.If you attractorne of the paranormal,take it's a lot of course,because it may be a attraction,sino inspiration malignant.No, me understand.
00:46Listen this story.Mercedes me mando a story,a story that more of onewas going to be to bewithout a day of today.Something that'sjust for and d'arty curious.There are things with those
00:59that not is recommendablethat you're curiousingand less if it's abouta bit of a normal.Mercedes,So, after two years,he knows a episode that the day oftoday we don't have to be able.
01:09You know what I'm talking.She said so muchthe episode, buthe generated a greatdoubt.Because that episodeis called Angel's Caidus.He was going to
01:20investigate.I don't understandin that occasionto what we'reto referiams,so is thathe put toto look at
01:25internet.What significalAngel Caido?When hehe saw,what other formto call themto these
01:32entities is, demonio,she's a sifted, but at thesame time captivated.And that's a problem.It's a problem.It's a lot ofthis theme.That's more than the
01:47sombre, that is like a necessityof a buskid.It's just likeinspired or inspired by themalddad.To tell you for whatwhat he passed to Mercedes.Mercedes, results that
01:59after having heard that episode,He had many doubts.He started when he saw that we're talkingreally of a possibility of that were demonies.Ah, and Mercedes,I want to know more of this,what are those entities?And he started to scarvary in the theme.
02:14Mercedes is a person religious.Mercedes is a mother of familythat, standing in the house a little burridden,he liked to find this hobby.No, he had protections,no has a firm base of creencers,no took precautions,and he began to indagher,
02:30indigar,and indigarin thetheme.It led torevisarcertain textsthat not
02:35are recommendablethatyou're reviscertainclavicles,certainchavis,certain Salomon,
02:43in thethat there arenames andseels,in thethat'sin thedescriptions
02:46detailedthat'sput tosee,videoinvoicein
02:51thosethat wewereaboutsomethingsandthings,
02:53hesaid,sheandof monologos, andhe started toconsume muchof this
03:00time.For that'seight monthsafter whatoccurred,definitively,it was aeffected much,
03:05butalso ittook itwas asurprise ata 100.Resultathat eight
03:10monthsafter havingheardthis episodeand havedone thisdocumentationthat
03:15sheand shemeand shenot knowbecause,but itwas like
03:18tocare moreandmoreto benot itwasthat it
03:21wasthat wasjustI wanted more,I wanted to know more,I'd hear more,I'd like to knowa fond.
03:30And if someoneme asked,it was very difficult,but he couldtell you couldexplain what I wastalking,no he was able to
03:37get to be able tounderstand,but it waslike mymind, if myspirit,me would bethat I'm
03:42more of this.I'mI didthat that'snot agood,and thatmaybe not
03:46I was I'mbecausewhen Ikneweight monthsafterJust in the plantBaja,
03:57we're ourmy husband,myI'm,and my mama.And theywere therethey're
04:04with a tartof ayear-a-a-with abelles in thepart ofthe top ofthe house,
04:11they've beenthe lights,and thenall wasall rightthat'sthat'sthat were
04:16like chispaswhenthen itentered anairgelido,sonoa gulf
04:21in theplant ofthe above,butaA coldyou'retalking
04:23like ifhad beena car,a trailerone,alittle bit ofthat's
04:28that'sretumbed,we'rewe'rewe'reand we'rewe'reand we
04:33we'rewe'rein theroom,that is in thething,especiallywhen I'm
04:42especially whenwas athing,because thisthing,it'ssome farsome things,
04:48but notthethose youhavebeen thepodcast of Time forback.No.
04:53They werelikesomethoseveryveryveryvery
04:57and itand itwasperfectlywhereit wasfrom thesecond
05:11and thesecondand so itwassothesoundthat
05:17thefourthatwe'rewe'rewe'rewe'renot
05:22evenit'sit'sasomethingit'saperson
05:26aahouse. Horrible. It was like if we hada lot of people armed if we were to do notdo we're going to do not even breathe, becauseuntil any sign of life, they'd be attack us.We'd get us alled, and we're going to hear-asksingevery pass-acred by the passillo of the river.
05:53It's a escalarer, and it seems like if mewas to destroyer for completely.are escalerasand sonavaand sonablehow themaderaeven crugia
06:02for theand theblowswere goingback onall you can'timagine tomy
06:08husbandstill aboutthe tautartin thehandand theyI wasI was
06:13thereno muchlightin wherewe'rethe lightthepart of
06:17thetime'stimeand it'stimeand itdoesthe night
06:21totheand Ihearthatthethingthere's
06:25nothingtherethere. No, more the onlythat I'm doing to move it is movetantied to the head. I've beena fear that neverbefore in my life hadhad seen. And I'm
06:34like, I'm justoutside of the cell in thewe're in the same. Narrator, whenhe stoop, that thing,entered more air.All we were talking.The poor moment of ourlives. And then, something
06:49something, something, somethinghappened into me.My little bitin the moment in theall my instinctssuperan thefear that I'mfeeling in that
06:58instant and Igo, I'mI'm going tomy back, I'mmy back,and I'mjust over thehands, I'm
07:04know what I'mno, I'mjust I'mjust going toup and I'mup to beup right tothe door
07:10because I'mthat's somethingthat's anormal andI'm justI'm justI'm notyou're not
07:14you're notI'm notI'm doingnothing,I'm feelingnothingI'm going toand I'm
07:20I'm going tostart because it'ssomething thatin voice alta.God,God,God,God,
07:27God, and I'mgoing to beto say,narrator.In serious,I don'twhere Isaw the
07:32forces.Myhusband,no,I'mnot themother.And I'm
07:43a lot of thething.I'm not, and I'ma lot of youknow thething, thesensationlike in
07:53thecar andjust wejust wejust we'regoing totheway to get
07:58the waywhen they wereto get ahousewas like thehouseit was athing that's
08:16it was athing that was thething morething that was thething that wasall the sametimewe're just we're
08:22we startedtoy'clock.And meI'mgoing tomy momand I'm
08:26my poormotheris toand I'msaying it'syourlittle bit ofyour
08:31littleand it'svery affected.Narrator,noI want tothisI'm
08:35that thispersonbutI thinkthatI'mgettinga time
08:40in thistimemorethey'rethey'rethey'rethey'rethey're
08:44that theythey'reto beto bemyYou know,they didthe worst.
08:52They werean act ofpresence.And now I'mI'm going toyou.Lazangesurgilled,
09:03Puccencemodern for15 minutes.We're sayingthat's thehour dojo,ready tolive the
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09:23Play-Ojo.18-year-depos only,Exluent in Ontario.50 tours gratis on the machinea sub-based Bonanza.Depos minimum of $10.Veil to play in a wayresponsible.
09:30The conditions apply.Biennue to Vyarai.Embarked and profite.Embarked and celebrate.Rigolet.Publied.Savourate.Ammire.
09:42And profite.Via-Rai,the voice that we love.You've heard the theme of the mentors?Probably probably for Harry Potter.But you know,But if you know that they're based on questions and thematic asparanormal are a type of beings that some people have toped.
09:57Here I'm going to talk to the mentors of the life real.This story me let me send to Marcella.Marcela,at the day of today,is a castada,has more than 10 years of casada,has two children and is a person veryvery happy and that me says that,
10:12thanks a God,she thinks it's paranormal,but now he doesn't know perfectly,that isthat'ssusceptibleforso he's
10:21carefulinto gettobutthissurge10
10:25yearsor morein thepast in thepastwhenjustwas
10:30inpreparationsforhertheretherehas arelationship
10:34in therelationshipthatshe hasMarceandOmarare
10:39somethosearealittlethe risktheyjust a
10:45littlewith thestatisticsthereand an offertaofaOmar,
10:50this is inPuebla.And heis a pointto take thembut it'sa lot ofa lotcura.
10:57It's atype ofwork veryvery usual.It's atype ofthat hehas a
11:01lot ofI don't knowI can'tsay,but whatI cansay isthat he
11:06has tomoveto acitywith agoodand away
11:12and ashe'sin plans ofcasers,he saidMarcellathatand then
11:16they'll do oneaone of theone's theshe's going tothink it'sa personthat's a
11:22certain valuesand it'sthat you'regoing tonot soshe'dshe hadsaid that
11:29she's themomentin thethen theywouldevenfor herfor her
11:32was thebutMarrhasto cometo maketo maketo make
11:37to hershehe saidhe he saidnoI respectvery wellall
11:40all theyou'reI'mI'mgoing tofeelvery solo, me going tofeel very solo in the
11:46house, in the case, in thethat's been tolive, if youhave seen,the house?And she said,what car?The house that
11:53had thecompany thatme renta,because I saidthat one ofmy solicitudeswas ahouse in
11:59special.And thenshe was acomputer andhe makes itin theinternet,a house
12:06that isincredible,a housethat's verybut withsome colorsveryvery big,
12:12totallytheof thegood ofMarcella.every one of theone of theNo, there was much modernity in that house.
12:44Teaches summally alt,all the parts that were like externalrelated to the window,of the matter that wasold, crystalsold, for all the otherthings,the house,
12:57in a cascaron,no,I had movels,salvo one of thesecajonesin those youguards vaguelythat has,
13:05a crystal,a type ofa cartelero orguardabahiathat wasso beautiful inthat cell.But so beautiful.
13:14And she, when I sawthose photographs,he said,but no,no, no,there's no,there'sno, there's,
13:21he's,ah,is that thosealso,I'm going toand heand hestarts
13:27to do thehouse arreglad.You know,what isthe mostincredible ofthis?Omar is
13:33good inhiswork,and isa personthat knowsprobablyprobably I
13:37think isin theBecause all what he wasteaching was exactlythe gusto ofCases that muchnot would likeand things that
13:46maybe other,yes,things made ofa little toxic,that you'dmore than ahouse ofshe was
13:53she wasshe wasshe wasI wantthat I'mwell,when wewe're going to
13:58we'regoing toyou'regoing totryningyou abut you'reand Marcella
14:05and Marcellashe hadcourageand whenI washisthe room, therespaldo that
14:09was to havethecamera,and it wasa muchquite avery much,because,
14:13of atinder ofantiqued atwhat wasgetting.And shesaid,no,
14:19but isthat is therest of theroomia,that Ialways havebeen tohave been
14:24when wecall uswhen wewe're goingand youget tocome youto be in
14:29you knowwhile I'mbeingwhile youyou'renot youdon't beyou're
14:33not they'reall thetourofhouse,of thenew, no,no, no,
14:39Marcella,he said,I don'tyou knowI'm going toyou'rethere'sthat's
14:43that'sthat'sa timeand heand heunderstoodperfectly.He was
14:47was doingsomethingthat shehadso much,that Icould saythat no.
14:52Beforethethe boda,and evenwhen thefamilyof Marcellawas
14:55a lot,decidedthey weregoing togo tolivetogether.And that
14:59was agraveerror.Not toliveto livetonot the
15:04the fact of havingtohave beentotheboda.No.The
15:07factof haveseenspecificallythathouse,thehouse
15:12thatin thishouseblue,somethingsomethingsomethingthat
15:17was athingthatwasthatis thesoilof
15:23thatis thematerialthatis thematerial thatthere'sthere
15:28thereis thethingthatis thetheand in the pasthe did something there. No
15:34I know, but I know that has tohave to be with the place and notwith the inquilino's.Marcella,he gets with Omar.And the first daysin the Casa Sul is amarvellia,
15:45something tremendous.They're trying tothose thesenewbles, that thecompany,and decided topay him toget to some
15:53money formudance,things that henegotiated veryand finally,she isbeing likeevery
15:59every room,everyspace,every place,is yourhouse-suethat's thehouse no
16:05it's ahouserented,but asa workfor along-plas,no they
16:11don't theydecide,they'rethere,and sothey'rethe firsttwo
16:14days,and thenthey'regoing toget thethingsstrange.Marcella,
16:20isonly inthehouse.Omaris hehadgone to
16:23work,and it'spartof thecustomsincethathas
16:25come toaplace.He hasa lot ofhis routine.He goes toa time.
16:33He has alittle bit ofhishe'she put inhis rope,and normallyhe's going to
16:38go toget acity,behind theexcuse togetbuyingvivere's
16:43for thehousein manytimes.And after thefirst time,any trynothing in the
16:50chuchery,whateversomething thatis liketo comeinthebut really is more the excuse is to know the
16:56way. When it's out of thebathroom, after being, occurredsomething very rare. She's all right. She'sgoing to, now, what route ofa camo I'm going to take, to what plazaI'm going to get, in what mercaditome go to get to, and see whatI'm top. And he's thinking
17:14things of that type. When Ihear something very strange, itIt's like ifif she hadculledan airverya high
17:24velocityin thehouse,you know,thesethings thatarelike a
17:28how oldaand thensheinstantlyshe puta littlealert,
17:37noshe'sin aplace in alittlein aplacebecause that
17:42that o'jidnot isused tohear thatthenceadoor toa
17:47doorin thesecondand in thefirstWhy happenedthat?No,
17:58it's nothe says,Omar,no moreno moreno singlesound,it's a
18:06littlea littletimorosa,a littleaexpectativeif someonewill be a
18:10thing,something,somethingnot knowexactlybecausenobodyis prepared
18:15for thistype ofsituationswhenwhen heisomon theroom,
18:19theall thetwopeople,areallured,he'sjust about
18:25imagine that.Tal-beeswas avery concentratedin themarket.All those arethose are
18:30different.They'rethings thatare thinkingbecausenot hasanysense.
18:37First,that'ssound ofthewind.Second,nodidn't
18:41feelnonothedoorisperfectlyhow
18:45they'resoson-ssound ofsoson-sardurandthings
18:51that aftertohear thetentwentytimesyouThey're kept grabadas.
18:56And there,all over.Very, veryextra.Baja the firstdoor.There alsoheard how the
19:03door'sall right.The windows.The windowsare perhapsare open.The doorof some closet,
19:11the doorof somethat daynot is todo yourroutine.Because it'sso your
19:17brainincognita anda sensationof uncertaintythat'sthat'sto be tosee to
19:22to reviewforquarter tothe door.Thewindow,and openand start
19:26the door.It's thesameno.It's theno, butit'snot it's
19:31not acloset,and it'sto beto beobsession withthis idea.Of
19:35this idea,all thehouse.Whenhe comes,Omar,he topawith
19:42anotherMarcellaverydifferentto thehe knows.Here,it looks
19:44aa local,all thewholeall overallallshe can't,
19:49she can belikebreathingin formagitadaand whenhe getshe gets
19:52and theone of thescenesmore of thelifethis womanwith thewoman with
19:57the hairand thestuff aboutand alludeand aceratedandshe'sopening and
20:02a doorand thenhe saidhe saidit'sit'ssure youand he
20:07he'sacarcacheadandhe saidyouI'myou're
20:10you'resosheshe'slikewhywhy whyyou're
20:14youso Marso Mar'sacrossand sheAnd he says,you present toMarcela, the
20:21local.And whereshe'sshe'll be,she'll bea carcacheand he's,she,
20:26and she,and alittle,a littlebuta local inserious.And the
20:30twoand shedespeja,she's going totake aothertime,he's
20:35he'she'sand heand hedoes,total thatwhenMarcela
20:39back,hedoesn'thehe doesn'the says.Omarwas very
20:43enfrascatedforsituations ofhistime,not hedoesn'tfor a
20:47dialogue, butyeahallis alittle bitbutthere'sthe
20:50head ofMarcellatherethere'sa grandinterrogate,what theand a
20:56verypositive.Because it'stheway tostart thedoor toyour
21:00mind toto beto bethatthisbecause ithappened,how it
21:06happened,this,because itdid yousomething that's supposed that noexists. But here, in thischannel, we just to talk about that.And Marcella me says,
21:25narrator, I, of some way,I think that I've committed errorafter error. Have meto go to that place,no see,without,to make himar passsome days there,
21:35then,having me meted inthat time,so,to form so obsessive,to make that mymind was soobsesionated
21:43for the whathad passedthere,I thinkthat something affectin the energyof thehouse.
21:48Becauseif I wasveryobsessionatedoneonce thatI'mnot
21:53I'mnot theI'mnot theoptiontwois thatI
21:57was thatwas aonea weekaoneatime
22:02I'mgoing toget togettoget toyeahin
22:06formthinkingandI'mthinkingtheputinternet to
22:14to lookto thedoories thatprovokedthe world ofthat'sthat'sthat's
22:19not theworst ofI'm intalking aboutstories ofthat's horriblenarrative.Yeah,
22:25after thetime,mybrain,I'm going,leth-let'snot I'm
22:30thinkingin that.And Iknow thatthat'sthingscan'tbecause it
22:35was justthe day inthat Idid youyeah,yeah,let'slet's
22:39otherother thing.ThatOmarwas wentto cometoI remember what?
22:45And when I goto go toto come in agarden, andit's asound that'sa lot ofthe house, and
22:55then thedoors will beto be in theroom, and now,so, all thedoors areall thedoors.
23:05I'm veryfear.I mean,so, so,is,so, is,it's going toget a
23:11thing thatsomething else,but nowis it'sgoing toget to thedoor,the door,
23:15the door,I,bolt,all,they'reopen.Narrator,me
23:22I'mout ofI'malmostand I'mmordiatingwhen I'mhad
23:28had madea lot ofa man.Yeah,I don'thave alittle bitand I
23:32say,I don'tknow howexplain tobut isthere'ssomethingthere's a
23:38thing,and Iknow,he's apersonveryapegatedto the
23:41reality.Then IstartedI'mvery strange,veryvery incomod,me
23:47I started to put paranoiaevery dayI startedto have an insomniaand he startedto be badme saidhe was a
23:54he'd get overI don't wantme to geta rapid orme go toor somethingbecause Ibe it bad
24:00I said thatI was inrisk mylife, thatnot wasthat I'mjust thatI didn't
24:05that wasgoing tothe caseand Idid itall thethat I'mall the
24:10so it'sso it'sso they'reso sure it'sthey'reso thereand theventions
24:15are thereare in-carras, how car-oentered that soundto the house?Well,there's beeninto a lot ofsome part,
24:21you're doingsomething like,and justme he keptbeing,because younot stood there,because you
24:26not stood thereand you said,you said,you'd say,you'd be morethan you,that's been thesituation more
24:33destructive,convening usthat mypap, thatcame in atime,a time,in what I,
24:41like I,like metranquillizeda little,was better in question of nervos.I reallynot was likeall the time
24:49doing to himthe daybut I wasnot he was togo tomy eyes in thehead all theday was thinking
24:58in that I'mhe'd be able tobut I think he'sto have to know of thatbefore I was therebefore I waste abefore he wastesI'd be able
25:10and I'd be it likeand now myhead all the timewas about in that othertime. When he went tofather,I felt thathe'd be
25:19not going to bea house,I said that'smy questionto the father.Papa mesaid,no,
25:24don't youdon't youdon't youknow aboutand you'regoing to bea newfoundin the
25:29of thenarrator becauseI don't meI'm reallywith muchcareyand allI'm
25:33I'mI'mnot anot worthnot to entermore inthis themenot it
25:40to tryto convince himto know meI'm cre,not meI'm cre,like Omar,if no me
25:44I'm cre,no me cre,to me cre,to me cre,to me cre,to me cre,to meto be the demonia.
25:46Yeah,no,it's not.And that'sthings,narrate,those thingsare the
25:51thing,because,I'm,I'm,I'm going totalk more,that's,that's,
25:56that's,that's,that's,that's,that's,I'm going tobe,so, how can,
26:01I'm,I'm,I'm,to my 20-tantosyears and mypapaand my papaand I'm
26:07this is somethingthat'sI'm justno moreno more.No,I'm goingto be
26:11important.And theywill beto be able todo thismy fathercame,we'd
26:18we'dthefirstbecausewas themostarreglablethe
26:22onetheroomwas theroom wherewas thethere wasa
26:28closettherewasallotherotherotherbecause not
26:34the idea.We had ourour roomof thelittle littlea littlea littlea studio
26:38for awork for aand thenwe werethat nightthat we weregoing toour
26:43book,a book,narrator,I was goingto be wegoing totheyears,
26:48it wasouridea.But inthatthebigotetwe
26:52extendedsomewe'resomecoldchesmymyhusband
26:58he wasanowhe'ssomeputin thethe soil, these, like,
27:03camas or telas that areto be, they'reall the restynd,we're gonna'we're gonnaprobably dormiedalmost the instant,and I then,
27:13when I'm startingto start theeyes, Icuchothat malditoshillid,that maldito,but I don'tI'm the
27:21house,I'm justI'm just likeif methey're intheo'leges.He's,
27:28but thepeor,narrator.It was likeif Iwould beaugiar inthe
27:32orrejas, me to make ahead and me,me, me,start tostart with,I'm areally strange, andwas a sensation
27:40horrible, likeif I rancaraof mybody, andof myperson, mybody is there,there, there
27:47something,I'm, andI'm, butno I'm,because I don'tcontrol of whatI think is mybody, but my
27:54body is in front,no, Iintend to,not my hands,or my feet,nothing, becauseit's reallythat something
28:01that'sis takingofthere, andonly I'mreallyI'm goingup to the
28:05door,I'm goingthe houseand I'ma fearthat I'mgoing to beto be
28:12that I'mthat'sauioand it'sa windtremendousthat'sthat's
28:17it'sI'mit's amoveand I'maI'm aa hoh
28:22that'sgoing tobecauseI'mI'mgoing tomoveto
28:25not veryway toI'mseeingthetheof theis of the day,
28:32is of nights,of days,of nights,of days,of days,and only I'mdoing that's,in the
28:37the floor,sombras,illuminationtremendous,sombras,night totallyobscura,somras,
28:43illumination tremendous.I'm fascinated,but at thesame time,I'm terrified.Siento thatin anymoment I'm
28:50to go togo togo to bethose thingsthat arelikelights andsomebers,
28:54and ofIn a moment, like, I'mknow of a newion, and I'm in thepiece.I'm in what I thinkis a bocabacco,as a bocabado,I don't know my
29:04body, no loggrobut I'mon my foot,and I viewsomething very rare.I see that'smy house,for the
29:11arbor gigantescothat we're inthe garden.That's alittle moremore young.The terrainno has any
29:19house.No,there's thereja thatI like much,no is thepart ofthat's
29:23that looksa little,No, there's a lot of that.It's a placeabjointed, and,of the actual,it's a doquin.There,
29:30there are somecables calledto poste to,those postsantichisimus,and there area pair offocos
29:34that arethere.Bombillas,narrators,bombillas,of those thatsee only instories,
29:40in thefilms thatare you'relike,the time ofThomas,Alba,Edison,
29:45things antichism,and alot of people,that theonly timethat I'veseen someonehas been
29:52ina lot ofa photographia of 1,800 or 1,900.And it's a lot of people in a reunion.They're playing.Others are talking.And I don't know what it'sI'm much of that I'm going to
30:06because my roba or how meare, who are they, or what are going to do?And just I see howcomes a pairha coming into me and meand trespass.Me passes if you're front.No, I don't know what isgoing to.
30:18Siento much fear.And then I hear youI hear a gritty with that group of persons andall start to goa fear terrible, I don't know what isgoing to, and I'm over the wind.I'm going to. Whereme is up, I'm going to, I'm much
30:32fear and just I'm thinking, I'mgoing to go back to my body, and I don't wantto be here, I'm going toand then, in a parapedeo,I don't know how to say, like, ifif I'd have to haveto have a, and otherway, it would be, because
30:45no is a parpadeo, what issomething that's going to bedifferent,of aperson,I'm going tofrom theroom,
30:53where I'm inthe room,there's mybody,and I'm inmywork,because I'm
30:58know that'scovering, but there'ssomething thatis a littlethat's beenand is inclinedto me,and it's
31:08I'm going topositionar mea lot,not meyou know,not I'mnot I'mI'm doing,
31:11and I'mthis,and I'mtold me,becausethispassed somore of 10 years. When
31:18it was,never tooksense for me andnot knew whatwas going.Until that in theepisode numberthree,
31:26you've got achild thatshe said shesaid amentor.And whenit describedme
31:31was ahelled.It wasthe samethat Iwas goingthere in frontof me.
31:37It wasa thingthatwas atype ofa mantlebutnot it was
31:43a mantle,not it waslike ifwere acombinationof vapor or waterthereflotting in
31:49middle ofthe nada,that waswas inclinedto me,and I felthad theintuition,
31:54that was,that was,and I was,and I wasmy instinct ofsupervivencyme said,enter for
32:01yourbook,no degesthat I'mthat I'mgoing tothink tosay to
32:06anotherrepeat,enter foryourback,enter for yourbook,enter for your
32:10book,and thenI'mmovingrapidly,and inthat I'mthe eyes,
32:15yeah in myand thatthing isinclined tome,not hasa rostostotally
32:21lice,and it'sto beto beauntilthat'sI'ma need to
32:26I can'tsay,I can'tsay,I'm surein thatinstant,that my
32:32mindnow isnotI'mgoing tolookI.All the
32:35night,all thenight,I wasI wasI'mthe daythe next,
32:40what Iwereto do themy father and my husband ascendedof that.I was going toget mea little
32:46manicomio toa hospitalpsychiatric andto get meI'm arota,narrate,totally rota.
32:53I wasI wasnot hadput to geta pestaianoI intended totalk to
32:58my maridbecauseif Iwould say,I said,I didn'tsay,I was
33:03he wasnot, Iwant toI'mnot he,and myfather,I think
33:07my papathat myfather'sthat myIt would begoing to beto get theway to get the
33:13and if Omaryeahnot wanted tobe able tonot evenbut I'm going toto be todo a manicomio
33:19something.Something isgoing to bereally sad.I'm reallyabated.I intend tonot that no
33:25me nota kilometersand I think ityou're doing,and I'm tryingto say,yeah,just I'm
33:33just a morethe mindand I'msaying,you know,I'm sayingI'm very bad,and I'm
33:38really, I'mfeelis all.Yes, but youare youall.Let me be sad.Let me.
33:43Let me.Let me.Demme.My name.And so they'reto be ableto talk aboutnarrator.
33:47I know howto maketo show.So,without you know,so,so, since,you're doing
33:52to come toOmar,of thehouse, andmy papaand mesaid,Marcella,
33:57yeahI've gotwhat yousaid,in thishouse,they'reand where
34:01me says,oh,narrator.I'mthat I'mso Istart toget to
34:05For a moment it was like,then I'm stillI'm going toand my papame said,there's athere's ahouse and I'm
34:13a little bit morewhere mesaid that's whatI said,I said,yeah,I went toand then I
34:21heard mydoor thatstarted liketo startlike to startit,but veryrapid,
34:27as if therea air,like awind,and where Iwent andand therewas a
34:31little,there was alittle,mecar of enoched andhe went.I'masom
34:37and I'm justI'm justI'm justseeMarcela,there'sthere'sthis house
34:44after myfather.Also the mydid I mean Isaw,I'm surethat's ahouse.
34:53I don'thave thesameI'm atime totell youthe experienceof my
34:57dream becausehow youtell youwhat waswhat was whatwas?I don'tthe menor
35:01idea ofwhat Iwas what Ithatwas what Ithat waswhat I wasI don't know, no
35:05I know, but he imploree Omar.Casse me inco, forfavor, let me inco, forfavor, let me,let me, let me.One of us, he was up to, and he said,he wascepted and said,I don't know what I'm,
35:16for not ever to understand.Let me know what I'm supposedtwo times, he leftthe casse-equed.No, he interestedto get to geta single thing.And now, if with
35:25his money, on,that was a guy,even though he wasa new apartment,he was onethat was made,amoeblado. In that department, weliving two years. Narrator, was a
35:34pernard of a period of the money that no you imagine.Omar, no-seeked oneone of the things that were in that house for him.Now that he saw the little bit, all thething, all right. Yeah, no matter ofa question of, what, what-as-in-what-cose-no.Nothing. All those thingsare like if were things radioactive.
35:50No, I was going to talk, not lastNo, he important.Yeah we've lived two years,but two years,under the yoga of the paranormal,with the sensation of thatany day, in any moment,when we were dispirited,
36:03if it would appear something.It would occur to something strange,and it was notable.Because somethingthat was the second year.In the second year,when we were,just being two years
36:13out of that houseand we wereand Omar suspiredand me said,Marcel, still rightI'mI'm thinkingthat
36:22maybe notwe're notwe'remaybe thehousebluehad akind of
36:26kind oforsomethingor somethingand Ithink I'mthinkinga narrator
36:30and ifnot Iand ifis thatwe'reaplaceand
36:35I'mthequestionif youknowis thisdementorwhat
36:40typeofwhatyouhavedonelet melet me
36:43let melet metheNo, did you blouse?No.The Devil Wears Prada 2.He's the movie event 20 years in the making.Honestly, can't with the secrets anymore, so I think we just should tell her.
37:00Will you two please spit it out already?This Friday, be the first to experience it only in theaters.In light of the recent scandal, I'm here to restore your credibility.Oh, because we're a team now?That's a nice story.The Devil Wears Prada 2 in Theaters Friday.It's something else here now.Something new.
37:22Exclusively on Paramount Plus.It's the series Stephen King callsScary as Hell.Everything here is impossible,but it's also real.Sci-fi vision calls it the best showstreaming right now.We're running out of time and we still don't know the rules.
37:38Don't miss what the movie blog calls something you need to watch.Saving those children is how we all go home.From binge all episodesexclusively on Paramount Plus.It's normal,to go to aCemetery.What is normal
37:52is thatstandingto listento thecarrettaof themortals.There's a
37:56thing thatI'mthat I'mreally thatwe're notreally abouttheinteraction with
38:02thefamilynocturna.Fromthewhen westartedwhen we
38:06did itand thatI'ma bitaa lot ofthatI'm
38:11not I'mI'mnotreallyand itand itwerewhen they
38:15werewhen Isaidto youwhat youdidAnd methat
38:21attention and meto talk totalk towith thefamilynocturnerespeciallyat the
38:24initialwe're inI'm notimportant.To tell youthat we'remuch moreI'm
38:31that you'rethatthe phenomenonthat'sa formcontinualbutin a
38:36veryexorbitantis somethingveryrepetitivethere.There wasa history
38:42thatmemadethat withall honestywhenwhen theythey're
38:46a greatstoryof terrorbutnomeIt's suenna that that'soccurred.
38:51And that I'mviewing in acommenta personthat says,I knowwhere I'mgoing to be
38:59in thatcity.And boom,me bowed thecase.I'm goingto tellwhat was
39:03what happened.It'sthat thisis going tomake sure.And incomments,for
39:09favor,me cansay todo thisquestion.InAguasCalientes,
39:15therea littlecity,ain thewhere there is acemeterythat if you
39:23you want togo tobe a normalbut if youget you getin certainhours ofcertain days
39:29you're going toa carrettaand youyou're going tohear thatbut ifyou'renot you see
39:36absolutelynothingnothing.Bernardand BiancawerenobioBianca is
39:41the chickthat sheme respondedforcommentsthat meI saidwhere is
39:45thatI knowsheThey were an anniversaryluptuosoof somefamily.They were there
39:53to the cemetery.Yeah,it was anlittle bitbut I saida narrator.It's asmall,
39:59it's alittle bit ofmuch vigilance,it's acemeteryso we'vetime,but no is
40:07of thoseplaces,there's acertain hourto enter.Asometimes theresometimes,
40:12no.And whenthere's belator,and when theremore,he says,if you'refor the coca's and you let's pass
40:16then we're going toour rhythm and in our timeif we're not evenit's darkerand then we'rewe're in the cemeteryand standingin the cemetery
40:27we've heard of thecarretta butwe're not manbut fantasies ofour vows those areso many yearshow are yougoing to hear
40:35a carrettato day oftoday you anycarretasthere'sand as wewe're sayingabout that
40:42carrettanarratorcommenced tosonar thecarrette in the cemetery. No, there are carretasthere, no, is there close to thatplace. And then I'mmore fascinated than a sustada, and
40:53I'm going to, come to here. And Bernardo,he's, he's afraid, Bernardo, says, no,man, let's just, let's get, let's the chamook,is the chumco. I said, no, me, now,the chamook, me, now, I'm going to tryera better a carrasso, no? And then, Bernardo, mesaid, yeah, no, you're just burlating,let me say, but, because me
41:11I'm according to the legendthat says that theCarretta of the Mewertosonlysound in theCasa of theMurtos.Then I go
41:19with Bernardo tothe entranceand in thatbeing there,I'm going tohear of thecarretta,but it's like
41:24a movementstrange,a narrator,there'sthere thatthere's notyou've beennot said,
41:28it's notit'snot aother,it's likeif it'sa movementconstant
41:34that neverit's,like ifnot itto bethesufficientas the
41:38sufficient astheIt's rare, it's rarer, but imagine that you'resaying that's going to go advancing to you, butnever sees that advance. Something,narrator,I'm going to find out of theplace and where I'm my second
41:53foot outside, nono, no, and I'm going to dothe two feet outentro and Iwill go to hear me will be topizar out and, fifted, that nothere's a word, and I'mI was surprised.The legend
42:08pass inin thewascalientesis afact.And I know,now thatyou've got
42:12about two,three episodesabout thatand thatyou knowa pair ofa pair of thethat was
42:18that I'mthat I'mnot to sayif I'm not,but thatexists acarretteof the
42:24Morts,if it'sin thewaters.And nowI'myou'reI've
42:29heard youhave youheardabouttheCarrettaof theMurtos?
42:37TheDr.VictornotI'min theparanormaluntil the paranormal
42:41is a paranormalis apresent itis athis is astory.I have aquestion if you
42:46get to thispart ofthe fogataof thefoggates.If youget tothis point
42:50of thefogata,we'reto dotwo secondsbecause Iwant toask you
42:56have amania,you know,you know,you havea formcontinuaand that
43:02if ifit'sa occasionyoudo youdo,becausehere your
43:06serveris athingthat haseverythathas aopportunity
43:09When I go to someplaceand I knowpeople thatin a form recurrentare in thatsay a coffeea place, a
43:22center commercial,or that isbut thatthat way tomake acontact withthe samepeople,
43:28not going topass fiveoccasionsfor that insome of thoseI don't youI'velived something
43:34that's beensomethinghas beenthat I'msomething thatI'ma question,as a question, as a question,
43:41as I've said,it's aquestion of,from thisthing, Ilike to knowto thistheme of this
43:47thing, andI think muchin the experiencespersonal.Thistime,has twodays,
43:55a personwith thatwas theexceptionin theregular,because itwas a
44:00six,eight,about thisdoctor,I'mto dope.Me,I'm
44:03top incircumstancesagenasto thenormales,and inanan environment
44:07alot ofaveryI'm afraidtoask youa doctor
44:11Victoraquestion youhave beenaproblemand youhave to
44:16knowtoDr.Victoris apersonpersonha
44:20personveryverycorrectsomeonethathehas
44:25apercentevenevenoutsidewheretheplace
44:29inaplaceaperson thatisBut to be strictlywhat necessary.
44:37What youask isyou respond,butalways,we're notgiving youenough enough
44:41information,not extendingso muchin thedialogue.And whenI'mabout the
44:46paranormal,his reaction,is interesting.Mehe said,you've livedsomething tosay,
44:53when youhave saidthat,variouspeople,is thatthere's thatthere's
44:58therebecause,because normally,whenwhen youwhen youis that therea moment in
45:04that youknow youand the peoplenot youknow,and youhave donethat you
45:07know,that'sthat'sthat you'reto beto be inthen I'mto do you
45:13know,I'm notthat's,of thecourse,of theI'm saying,I'm saying
45:20in serious,yes,I'm,I'm,I'm,what Ithink Idid you
45:24know,and there'sa lot ofmetold,because notone,were a
45:28one,it'sResult that the Dr. Victorhas a sequence of situationsthat were occurringfrom many yearswhen I tell youare many decades
45:39accumulated.When he was anadolescent,that is a personmaybe a,but when hewas an adolescenthad a tia,
45:49a tiathat,lamentablyper die of asobriene.The sobrinowe're going tocall him
45:55Charlie.And this tia,the tia tencha,with hisSobrino Charlie,they'd livesolos.The Tia Tensha
46:02no put,we'd,say,front tothe dolor ofthe son.And afterthat this
46:08prim of thedoctor hadhad fallenthe years,and allthe familyof theTia Tensha
46:15had incontact withher,but attime,not much.Because theTia Tensha
46:19wastalking withCharlie.All thetime wastalking withhim,and all
46:23the timeaboutto talktoCharlie.No,and isthat
46:26if youIf you knew the things thathe said Charlieand the familywere othertimes, noI didn't knowabout about
46:32saying, Tensha,yeah, forcarajos,let her doormeto yourlittle to beyour ownand then
46:36they'dnot get itor not frontthe duelof a certainway.All ofall they were
46:45in silence andjust to bea littleyou're saying.Look,look,and yeah,they'd
46:50have done forLocke.But theDr.Victor,since everwas veryvery observable.
46:55and hestartedwhen werethe timewhen were thetime when theTENCHAhad a
47:01badderedconversationswith Charlesand it waswhen sheput tofumarand she
47:07had the Tia Tentchahe woulda cabgettillahis packetea cigarand shesat downa mecedora
47:13a frasquitothat wastherethat wasthat theydidn'tthey werethey were
47:20and theCil-Swere bivusyou knowfor thisthe personthatshe had we had
47:26heard.She saidthat thechair thatwas in frontthe mostnear thedoor,
47:32it was wherehe waswhere hewas there wasthat he wassaying that hesaid,and so
47:38he wasmore pointsto thetheory.So,Victorstartedattention.
47:43Everythat I was,even thoughwas alittle bit,and inmany occasionsthe tia,
47:47no,not shedidn'tbe thatso.In occasionswhenwhen they
47:50whenwhen theywere theI'm going tocallwith Charlieor asometimes
47:54I'm atthe doorand there was ashe was she's aCharlie, say, oh, Charlie, go,and say, and say, and thence,the house, exaggeratedof humo, like if not
48:25were one,like if they weretwo, three,four, five.No, oneperson,fumando repeatedlyone or
48:33after another.No.The humothat was in thearea,the tianchewas tooa much
48:39there's aextrano,no hadno,I neverwas theround thefrasquit,
48:46never movedto positionhis sillies.In oneoccasion,the espiafora ventana
48:51and theemmeceder wasmoving.And theworst ofis that in oneoccasion thatthe Tiencha
48:57is aplace that'spreparingsomea littlefoodand he'sa
49:00tableora placein theplace in herasignisersthere
49:07werethereareidenticalofboththingslike
49:11ifthereheiswiththatideamy
49:16mymy mommy primreallyreallyreallyis an adolescent andCreece with that idea and the years
49:25going to pass in the life of theMr. Victor. And the senior Victorwill study medicine,he will start to prepare. He willhave to forj her character, and start tostart to develop as a mannercontinual. And willget a moment in the career of Dr. Victor
49:37that will be taken andbefore to graduate, they'llget to be there, a place reconditin a place despoblado inmiddle of the nada.There he took togive his service social,metied there in the
49:48sierra. And this type,although is very serious, and is a personvery correct, is very amableand very sociable. For that, in verylittle time, he can't all the people wholive in this place. All right.And in occasions, to geta good relation, he's going to
50:03visit them in one-one, and he'slittle details. In occasions,he's a good platics, in occasionsare things like viandas,comiditas,cositas, because he's notis rich. He is justjust a penas
50:17doing hiscareer and thepeoplethe peopleand thepeople whoknow he'sa man who
50:22they're notthey're notthey're ina housewhere heoccurred thesecondevent
50:28paranormalof yourthing,something thatif hehadhad traumatedhe
50:32had traumatfor therest ofhis dayshe'sin ascenein this
50:37scenein thisthingthey'resomepeople whothepeople of the
50:42peoplemoreor lessoftheirand that daythey'dthey'd have
50:45someand theythey're inthey're inthey're inthe doctorVictor Victorsays,
50:50well,he'she'sa couple ofservicesnothingexaggeratedthe problem
50:54is thatthey'resomethat theyknowthat youknowthere
50:59theretherehad lettherethereto be thedooris over the
51:03doorand betoand it'sallthenthen hethen
51:07he'she'stheareaandhe'stheonly
51:09heistodotodoone, thenthen you know
51:14he needs totake awayto thehouse,simply doing theback,and going tosome place
51:18that's aplace in away, it'snot apart of theother,and theplace in
51:22thethere'sno,and he'sa placewhere thepeoplehas a
51:27kind ofthings,and thingsand it'sthere.And it'swhen hestarts
51:32movementin thepatio,andsomethingthepatio isthe
51:37is oscuro,no,there practicallylightapartof thethecar,
51:39but whenitjustlyhe,a scarcethree orfour metersto him
51:45to awomanin a beloin ablack ina lotfloating.So,
51:5220centimetersof thepiece,braosabjurt,probablya velo
51:56in thehead,but isthere'sthere'sthere'she'she can't
52:01get inridiculbut hecan'tget amind andhe'sthere's
52:07a waythere'ssorapidlytoAccommoded the things,and begins toto come in
52:11the house,and theresomething init's alittle into it,it's alittle bitto be able to
52:18say,and he said,Vittor,no,he does itis front toyou'rea coward for
52:23always.So,he,he,he,he,he,and with the
52:28eyesand thelittleand thepoint,he's,going to begoing to be
52:35thinking,no,I'm going tobe aco-barde, noimportant,we'll goand then
52:41after thefive, six,seven,10-pastosto be theeyes.It's atwo meters.
52:46It was atendedero.And ifwhat wassomethingwas alot ofthe people
52:52of thehouse,a rop ofa lot,ormaybe thecolorof the
52:56was tegidfor thenight.But therewasand hewas movingthe
53:00wind.And iftherehad alittlethat wasmovingwith the
53:03Viento,it wasa womanfloating.And wherebe that?The doctorVictor
53:09solaced acarcatchaand said,how Ithink thesestupides?Well,if the
53:13TiaTenchacould havebeen havingbeen doing thelittleone of theday.
53:19Now Inot I'mnot reallya bit ofeverto pass many years, decades.And he, thatthematic,
53:38that's beenreclued in thecharlatanerian,in the thingsthat are therewith the peoplewith the peopleignorant, with
53:45those whonot have donemoreexplanations or thosewho knowof somethat they'rein a situation
53:53that's notthat's notthat's atime,and he getsto happenin hishouse,
53:57standing withhishusband,it'sto occursomething,that heno
54:02he doesn'the doesn'tanyan explanation. AndI was a information andhe's documented and nohe's got. He has aperrito, a perritte
54:10a good ghouqueton,very little, very welltrained. But onlya certain day of thetime, at a certainhour, during15 minutesspecific,
54:20augia alittle,he starts tojust to thefoot of thestairs,vaulted toup to
54:26see arivae,and noparpade.He'sbeingfichamentesomethingsomething to do. And the doctor
54:31Victor is extrano because heand he asks his husband,what is he, what is his post? He's,he's there, the foot of the escalator?Let's do. But,to the second, he was understanding the patron.Also, it wasthe week of the last month past,
54:47more or less this hour. And theThursday of the next, oh, yeahare three? Yeah, they're five.Yeah, van 20.And he had just asomableby theScalerato see
54:58that Ithere wasabsolutelynothingnothingnothinguntilthat
55:02in amomentin theinvestigationshe tookadoubtnothing
55:06nothingthatthatdidthatthisthatwas
55:10thatwasthatwasredthatthepeople
55:14haveanotherrangeofauditionandanotherrange
55:17andthentherethereisthereisbeing
55:21somethingInotnotjustoneonesimple
55:26ideaasit was a got of venenowithin of a stank.Somethingthat passedthe yearsand it
55:33was thatit was toit's notbecausethat perrittepassed abetterthe history
55:40stillsnormal.No,they werethesethings.Afterhe,
55:43there nootherotherother thanothera methodologyperfectto do the
55:48thing,in amachineto write,in acertaindocuments,the
55:53I wasback,and theyrevisable,they'dalwaysthemalways took
55:56the samepart of theDr.Victor,he wasput in fronthim in thesame
56:00zone,and thesamemovementsto theside ofthe right,and the
56:04right,he'd be right,exactly atthe samerhythm,he'dtime,and the
56:09time,and itwas in thesamezone,and I'mmakingthat routine,
56:13that wasuncansableand repetitive,and somethingthat hedid itwas tomore of
56:20a decade,he'sfrontapaper andhe'sthat allthat even
56:25with hisfingers,something hetakes thepaperand hehe'she's
56:31not theand he'snot it'slike ifhis handsandhave beenthe
56:35one,no,something hehehe'she'sand thedoctor
56:40victorhe getssoatonithe'ssohe'sso that
56:45oftenthatHe doesn't want tothe sensation of having been styrated, is clear.So, if you're going to write a document, andthen it's to consume the hours.The rest of the day, the paperlessthose agarren, neither voltair
57:04to go ahead. We're just front of him,yet no, it's not looking,he's playing the pastos of those that normallyhe has.Yet, that voice authoritative in hismind. Victor, not is a cowardly,for favor, is a paper.And Victor, says,
57:19yes, yes, true, because I'm doing this.But is thatsometimes,asometimescan be youryoursense,
57:26yourintuition,that saysif there'sthere'sthere,because whenhe'll
57:31there'sin thiscase,no there,nothe paper,not it'snot the
57:38and theroom inthat heis ahousemadeaso,
57:42aa good,aaachair,is all.so,
57:47and it'sthat'sthatis thatheputtofeet. Caminas is in an
57:51extreme of theroom and he'spar there in thecorner and it'sbecause ifchange theangle ofvision, it's
57:55it's verythat the paperis there,contrasts tothe piece.The pieceis a lota little
58:01coffee withpinketwith theblack,that'sthat's going tolook tolook up
58:06and it.Contrastaperfectlybut therethere nothere.It'smove to
58:10theroom of theroom.No,there.If couldhave beendown to the
58:14door,the door,the doordoes a corridor in thethe door morenearer is almost20 metersand there no
58:23there's nothere's salitiesof airno there'sa portatanother corridorthat's aanother corridor
58:29that's in acarter in aone area in aone areathat'sthat hasbeen out ofthat's down
58:37the tablehas tohave to bedown to themasterthe doctorVictorterminus
58:41and movingthe workand it'swithout withoutwithout somerobarevisandif no
58:45It was in some part of the pantalone or evenin his camisa.And there, in this zone ofthe time of the time,all overteed, all revisited,every one of the papers that I did in that day,all the cajones of that mecitarevised by the papereries
59:01that I'd, the papernever appeared.That idea, if the pastwas a got,this yeah was a chorrito of veneno.No, I don't know whatWhat happened? No, I can't explain. And threemonths after,
59:16here, here the ballad ofwater free. He's not working.It's another way in that mesita, in the zonewhere the paper, is there in the seat, and, ofthe point, in the door principal, for that noI'll go back to occur, the paper, if somethinggets, it, and it's just a minute, and it looks. Andthat door permanence abierta. If no, there's
59:36to have to have a serrada, not let's have to befor above,he's going togo toinventing stories.No,sir, no,me will be
59:43being able tobe able to bebeing in thehouse,in thebunker,that you haveto pass
59:48many of thecar,where there'sthere'sthere,no, it'snot there,and he
59:54is thereis aand whenhe'sdirectly,the formclear,that a
01:00:01little,that alittleof theeyes ofblue,he has aHe's looking and he
01:00:07He says toHe says to be inback back.But no,there's nohe's a littlehe's going todo you?
01:00:14Who is thatthat's doing?Apart,he's a suddena sudden.The body, thebody does it.Like this
01:00:18a cold,the cold.It's alittle bit ofa piece.It's acobarred.He's all right.
01:00:26But in aquestion, I'mtalking to be aminute,is a baseion.And that'sback tothe other
01:00:34other sideis aThe problem is that are thoseserraders that onlyare they're in thedoor. No, they're in anyside. And nocan't get the key and
01:00:44the moment in the time in the trankas, it'sit's a second. So,is that's going to go to get direct with the guardprincipal. No, I'm going to makethat this situation, he'snot going to be the same, no, I'lllet's make it. GARY RICKEN. LIEGELMAN. LIEGELMAN. I'mto say, to KATHLEEN, And he said, Dr. Victor,
01:00:58to be sure. To tell you. To tell you, no, no, no.there wasin thepassioI don'tknow whatI'm talkingnot here
01:01:07you'renot thereyou'reyou have toyou knowyou're notyou'rethe key
01:01:13no I'mthe keyfor thefor yourpassionot Idid youyou're
01:01:18you'renormallyfor atimeI'mI'mI'mI'm
01:01:23you'reyou'reyou'reyou'reyou'reyou'reyou'reyou're
01:01:28a personI'mI'mI'mnoI'mNo, I'll do you pass toand in serious,
01:01:36I know what moreto say to theand the doctorVictor,since thence,he's preferreto say,that these
01:01:42things notbecause thenwhen they said,he said,me passedsomething thatwas aman,
01:01:48you're notyou're talkingto go toget tothe psychiatrist,and it'she's got toget a
01:01:53little in theseburs, inthese comments,for that,if you get,you'reyou're talking,you're
01:01:59Dr.Victor,and youhave livedsomethingparanormal? Inthe otherto responder,
01:02:03to bere-re-res tothe samequestion.And you,you,what are youin the
01:02:07lapis ofDr.Victor?I'dquestion youwould youquestion andyou're
01:02:11in this?Oryou'dsimplyto say?No,thosethings
01:02:16no exist.RBCTraining Groundhasdiscoveredpotentialin over20,000
01:02:26Canadianathletes andCounty.Your storycould benext.If you'vegot the
01:02:31drive,they'llhelp youfind yourpath totheOlympics.Let's see
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01:02:54Has heard about the legend of the bellow of the novi?Raul, he took over it for his own eyes, and after that, his life no has been able to be thesame.Whatyou arelike?What are youdoing?
01:03:07Well,what I'mabout totell you,alsome thesamethere's
01:03:12there'sa person,in mypeoplethat Iknow,and Ithink,
01:03:18that duringa time,he wasgoingon thesupervisionin hotels.He
01:03:25washe waswith agroupand therein thosehotelsa
01:03:30sometimesthere werethings,butnormallywerethingsthat
01:03:32ifyou puttolook atalittleof theexplanation
01:03:35youend upyouexcept forananecdote.There'san anecdote.
01:03:40Therearetwopeopleof thispersonthat weresituations
01:03:45thatreallynotonlytheydon'twantto
01:03:50theythey'resotheywerethattheywere
01:03:54togetto bebecausewhattheywerethere
01:04:03I don't see if youwould bea lot.We're going tocall thenumber ofthese peopleas a question
01:04:10of anonymity.Then to thisperson,we'll callRaul,and to thechica,with the
01:04:15other thanthe supervisionof thehoteles,we'llcall hershe wasassigned to
01:04:22a complexhotelerthat hasa zoneof aarea,the area,the zone of
01:04:29the areahas aform aparticular.They'relike if it were a mediaLuna.And in that
01:04:35medialunar,if youyou're goingto thepart ofyourhouse,
01:04:39there's akind ofof abalconythat youcan'tsee thebut
01:04:43at theright andsee thetheoneand eventwoand to
01:04:49havetwobutalsoincertainangleyou
01:04:53lookyoulooktherethatthehouseI
01:04:57thinkthisthisisalittleinthe
01:05:00imageofthebecause it has a level of importancetremendous. Raoulhas to revisit a lot of questionselectric, questionstechnical, the armado of
01:05:10the quarters, filtrationof air, efficiencyenergy, and a lot ofthings. So, is that,being in those places,is part of thework to be in thecomplex of the hotel,
01:05:24part of the job,to be much hoursafter the sun,revising questionsof how is madeto the constructionof the complexof the hotel.
01:05:30It's a moment in which thosesemans,that are youare a adorable anddelicious becauseyou're in theplace,is,
01:05:38I don't want tobe in theplayia becauseI'm working.It's veryvery different.So,so it's that,
01:05:46not, no,I'd have todo you have tothat's atime, that'sin the night,I'm going tosay, I'm
01:05:52to go,to go togo and doand get morerapid theend of theor thatthe time or the
01:05:58morning thenext to getto get toto get todo you're going toyourrhythm normal.This is the
01:06:04case of Raboland Erika.Raoul,yeah isfastidiedied.Levern morea year.They've been
01:06:10complicatedmany things inthat they'remany times.And thepeople ofthe hotelthey had
01:06:17done numbersthat werenarraticosthat practicallyhad beento dothe workof a
01:06:21monththere inquestionof asecond ofa second.Thereparations,
01:06:26thechanges and whatthey wereto have tochange,and it was aa lot ofa lot of
01:06:29the reporteswithout they werethe problem,without they werethose of thehotel,that they werecarrying the
01:06:36money,puras thingsthat arenot youinterested andme interestedto me,but that
01:06:39they were athing,that'sa yearn't,it'sthe night,it's thenight,
01:06:46Erica,says,oh,for despehto geta bit ofa bar,and Raoul
01:06:51he says,and I'mwant todo you,I'm here,and thenSo, Erica, shekept thinking
01:06:56and he says,no,then I alsoI'm doingbecause I knowto knowto get todo you,
01:07:03and yeahtomorrow,we'll haveto have doneto dosome time.And hesays,
01:07:09yes,there wewe'rewe'reon somerestaurantcitoand wecome we're
01:07:12some goodforhere.That istheconversation,theultimate
01:07:16that theyhaveatabout the8,40,perhapsat the
01:07:219 of the night.Everywho'severythe room.The of Raulis thefirst,
01:07:27and it'sof thosein thosethat ifyou'reyou'rein theroom.
01:07:31The Dericais onhis sideand thenRaulis thetelevisionand is
01:07:38being aprogramand theonlythat isthe onlythat'ssomething
01:07:43somethingsomethingsomethingdoesthetelevisionwithout thatis the
01:07:51incendidaare theimages butnothere'sa lot ofa lotone more
01:07:56of the lastof thelast of thetime,but it'san areain thequestion
01:08:01of thetelevision isnot itso youjust tolook totheback and
01:08:06and itand it'slikeanotheragain.And inthatthe television
01:08:09isverystrangebecauseat theinstantthatthe
01:08:14thereasensationin thesituationlike iffor instinct.One
01:08:21more, that instinctthat wehave that intuition,queried it'slike salvage,queried tonotto not
01:08:30to beto do you,it makesthat it'sthat's inany senseanyany,
01:08:35you know,you know,you know,in thelife real,in theday-a-not-sor-
01:08:40the day-a-not-a-in two occasionsthey'vetriedto havetriedto him?
01:08:45With thenod-dil.And henot he doesn'theHe doesn't let me dredentar.He is a person that thefear that he muster
01:08:52aghaching thehead to thehead.He's nothe musterwith courage,he'll demuestraattacking.
01:08:57And therehe sentiomuch fear.And hisinstinct hesaid,see theeyes,
01:09:03he peter,he pukes,he pere thoseeyes,he said, andhe said,he said,he's up
01:09:09to you,and he'sbeing,you know,he's notyou be,you befor your
01:09:13eyes,no,you know,that was,What was that? That was that,that never,to day of today,never had known that it was.
01:09:22But I had the eyesclosed, the poonies appletraged,the boca,and he began tolisten,into the abitation,that the abaccon,the ventilator
01:09:30of the techo,is itand it's amove to.That's nothas aonly form ofthat this
01:09:37thing isjust at theendrault ofthe endraptorthat youhave to move,and everythat it's
01:09:42move, truan,to give youevery one ofthe velocitiesand thereno one ofthose sonyes,but the
01:09:47ventilator isclear andis upthe velocity.It's amoment inthat thesensation of
01:09:53beingthe soundof thesound ofthe ventilator,thefeeling sothat
01:09:57beingso much,it'sthat notthat hehe can'tand hethe eyes.
01:10:02And justfrontto himsee somethinghe'ssomethinghe,he's
01:10:08he'sis beingthe techoon thecamera,andthebody,
01:10:12it's akind of ataut,a typesabana,that'simagineatelathat one
01:10:18unvisibleand he'sdoing it'sgoing toget to bewhere it'sa little,it's
01:10:24little,and thenit'sback,and itthen itlike ifwere a
01:10:29littleakind ofor likesomethingthat'ssomethingthat's
01:10:32not doingthat'snononoexplanation,goto the
01:10:36end ofthelight,and whentheabanicois aparado
01:10:41theinstantnoit'snot aturn totheturn to
01:10:44theway toit'stotallyrightthelightis
01:10:48thelightand therenoabsolutelynothingnothingit
01:10:53isasustadissbuthedoesmucha
01:10:57verytohavetohavetogoto
01:11:01andthennowthattheheishe's
01:11:04stillisgettingsothatmoreandalso,
01:11:09so thatnotgoing todo you know,because thistype ofthings,if they get
01:11:12to callto get abad,they're atpeople whothey're inthey'reso he's
01:11:19he's nothe's notbuthe has toget toget toget tothere.
01:11:25So,he's thathe startsto spend thetime,sat down in theroom,and he
01:11:31has to bea carcullsof thethingsthat havethetimea night
01:11:35spantosos.Spentososas you know,not you know,not you know,he's amoment in thelight in the
01:11:42sunfor thewindow,he's putto be in themorning,and he'sto do the
01:11:48and he's,but in themoment in thethat hethe room,he asksin theroom of Erika,
01:11:54and Erikahe says,ah,untilyou've gotto belet mego,
01:12:00but he's,but he's,super enojada.And thenwhen Erikawhen Erikatheabetation,
01:12:04thethe cabo has allmojado,he's gotsecaing witha twasand he says,I'm just,
01:12:09I'm going toput agirl, and hehe says,it's good,but you'regood, howthat's
01:12:14I'm doing,that's ridiculous.Wait,let's goto do you know,and it'smade afury in the
01:12:21woman.He,although nota personthat'sa lot ofthings,salvo the
01:12:26he has beenaother nightafter youhave toput to doto do witha woman,
01:12:32and lesswith hercompany ofwork ifis thathe's going tocall herand make a
01:12:38whole of theand she's alot of thepathos, he's,I'm sure,he's reallythat's not reallythat's
01:12:45something that's notthat's whatthat's all,the fear,see,he's aand the snowthat's he
01:12:52he's aand he'smore calmmore normal,he'sgoing toback to herand then
01:12:58when you'reto get toa certainzone toto be aa carrito forto get to thearea to be in the
01:13:03area toget to geta restaurantin thatin this timehe saidhe's aokay
01:13:08what youyou're goingthat'sso that'sso thatthis womanwith theeyes
01:13:14you'rea manyou're amanhow youtryvesto sayme that
01:13:19afterafter youdid youI saidI'mI'mI'myou're
01:13:24so yousaid thatyoudidn'tthat youdid you'rea nightyou're
01:13:31not youNo, no, no, no, no,you will be able toask questionsof that typeno,well, thisman,
01:13:37poor Raul,she's thehe came toa balledof thecold,no say hethey're
01:13:41not doing,if he'stalking abouttheif you'redoing,and he's,he's,
01:13:45he's,and he'sabout,well,all yourmowler,thesmearer,
01:13:50the lastthat'she said,well,well,well,I,so,
01:13:56so,so,so,I'm,I'm,I'm,I'm,I'm,
01:13:58the door. And if there werelike two, three moments in the night that I opened thedoor and I went to say, I said, hey, butbut for two, three, riddits,all, how you're putting, what,what happened?And she was, really enoched.He said, Raoul, no,
01:14:14is that stupid. No, isstupid. In serious, me is verymolest. No, you guys. No,you're going to say, a bit. AA little,a little,a little.A year in the
01:14:24night,me passedsomethinga very,very,very rare.At the pointthat you're
01:14:30to get usto do withthe night.And I'm,let me saywhat I'mwhat I'm saying,because
01:14:35not you'regetting tonothing.I'mto get tothe television.I don'tsee if you
01:14:41to do youhave thevolume inhigh,but Idon't evenI'mI'm
01:14:45no waythe televisionand itjust noto turnto beThe ventilatorSo, my
01:14:54eyesSomething isto say itI don't sayto say towhat I'm sayingI'm goingin the techo
01:15:00And I'mgonna say,And I'm gonnasay, what caragosyou're saying?And said,yeah,Eric, I,
01:15:05Abry theeyes and Iasked meI'mI'm gonnaI'm gonnaI'm gonnaand he
01:15:11and he'sand he'sto beall agitadoand he'sand hehe gets,that she
01:15:16that's aboutthat sheis of what sheis about.But thismanis toHe's a lot of fear, no he's
01:15:21a minuteing.No, is an actor.This man,he's a fearthere, he tumbleda lot, he's,he's a sierra,and then
01:15:30Erika, he says,well, and thenso, for thatthis desmadre?And he said,but I'min the camera,he was trying
01:15:37to turn tothe light,I'm tryingto make atonto withthe job,but yeahno, I'm
01:15:42sure I'mso stott,and thenI'm all rightin the passie,and I putand I'ma chearmre,
01:15:46and I said,I said,the humoof thecigar,I said,you'reyou, you're
01:15:51very hermetic?So,so,that's thenight that'sthat I'mnot the time.And then you
01:15:56know,I'myou know,because you'rebeing aman, because you'rebeing meanand your
01:16:02party?And yourand yournight,how goodyou'rethat you'reput into the
01:16:08night, they'rethat'sabout,we're,we're,we're,we're,we're put
01:16:13in aone in aonewe'rewe're just,so we'renot so,so,
01:16:18so,so,of people,they're therewith music,they'rewith conversations,and they've
01:16:24had a fiestavery indecentand they'reto thehouse,and they'redoing thenight.
01:16:30I mean,you know,I'm going toyou'retalking about,what you'resaying,look,
01:16:35I'm really,I'mso I'mthat'sme,and mea more,that's just,
01:16:40that's,just,I'm just,all thesombras thatwere thepeople who wereon the
01:16:46other to thecar, and thethe Chinita, and say,Dime thatyou're sayinga minute.He said,Erika,
01:16:52no met Ia oneone of asingle personin all thetime in theroom.I said,
01:16:57I wasseen,see thepeople,and came inone way andon theother
01:17:00othera party.All therest of thetime,Erikawas onlyfor one
01:17:08reason,because thistypewas theback therest of theday andwas like
01:17:13traumaand hewas liketurnedto bein a littlehe said,in serious
01:17:18I've seensomein myroom,in seriousI've seensomething,Eric,
01:17:23yeah,I don'twant todrinkhere.And neverinhis life
01:17:26Eric,I'veseen apersonthat I'mafterafter thatfor a
01:17:31favor,nonotnotnotthey'retheminimum
01:17:35that theycouldneed.Youhave youhavehearda
01:17:38situationlikethatsomeonepercivasomethingthatnot
01:17:42the otheristhat theother isso,please mein thecomments.
01:17:47And with thisstory,our familynocturna,we'vegot tothisdark fugata
01:17:56of thestories.So,is thatbefore weget tolet meask you,
01:18:00you couldget toat thefinal ofthis fogataand you,you,you,
01:18:04you're fromtheplatformsof theaudio,if it'sso,let me
01:18:09on thecommentsto give meto give metothisfamilynocturn
01:18:13andif youwant,if youyou likethe storiesof terror.And if this
01:18:18episodeyou liked,for favor,see us andgive us thefive stars.Because thisyear we're
01:18:23a meta,a matter,that you andonly youcan't helpto bethe firstto be the
01:18:28first ofSpotify.And ifwe dowe know,that weknow that wedo that we
01:18:33do you know,you know,we're going tothose fivereally, butthey're super-encast.And oneonce said
01:18:42this,we'll seethenextJuebys with theend up thedayn't8 of the
01:18:46morning,the time ofthe cityof Mexicoand afterof theepisode,you know
01:18:51you knowwhat yougo towant todocebedbedbye
01:18:55bye