HABLEMOS DE LO QUE NO EXISTE - Historias de Casas Embrujadas , Cementerios y Hoteles Malditos | EP 264 | EL NARRADOR EP 264 | EL NARRADOR

Episode Date: February 10, 2025

Bienvenido a ésta Oscura Fogata de Historias de Cementerios, Ángeles Caídos y Hoteles Embrujados en @HABLEMOSDELOQUENOEXISTE  El día de hoy les traigo historias escalofriantes que ustedes, querida familia nocturna, me enviaron alwhatsdelaspesadillas y unas cuántas mas que me topé por ahí. Escucha la historia de Mercedes y como la curiosidad la puso bajo acecho DEMONIACO. ¿Alguna vez has escuchado de los dementores? tal vez en alguna película, descubre el que habitaba en la Casa Azul. Tiembla de miedo con las historias de una persona que se consideraba escéptica hasta que se topó de frente con lo PARANORMAL y conoce las historias que corrían en ese Hotel Embrujado... así que prepárate porque llegó el momento de que @HABLEMOSDELOQUENOEXISTE 

Welcome to Family Nocturna, to this Oskura Fogata of Histories. The day of today we'll be of casas engantas, suceses, and possessions. As the episode, Tilda, for a episode

is a supermously I recommend that take the protection of the family nocturna. The Family Nocturna me has said that one of the

things that have done the great majority for that for that is subscribe to and pick up the campanita. And one of

this, let's say this a dark fogata of stories. If you attractorne of the paranormal, take it's a lot of course, because it may be a attraction, sino inspiration malignant. No, me understand.

Listen this story. Mercedes me mando a story, a story that more of one was going to be to be without a day of today. Something that's just for and d'arty curious. There are things with those

that not is recommendable that you're curiousing and less if it's about a bit of a normal. Mercedes, So, after two years, he knows a episode that the day of today we don't have to be able.

You know what I'm talking. She said so much the episode, but he generated a great doubt. Because that episode is called Angel's Caidus. He was going to

investigate. I don't understand in that occasion to what we're to referiams, so is that he put to to look at

internet. What significal Angel Caido? When he he saw, what other form to call them to these

entities is, demonio, she's a sifted, but at the same time captivated. And that's a problem. It's a problem. It's a lot of this theme. That's more than the

sombre, that is like a necessity of a buskid. It's just like inspired or inspired by the malddad. To tell you for what what he passed to Mercedes. Mercedes, results that

after having heard that episode, He had many doubts. He started when he saw that we're talking really of a possibility of that were demonies. Ah, and Mercedes, I want to know more of this, what are those entities? And he started to scarvary in the theme.

Mercedes is a person religious. Mercedes is a mother of family that, standing in the house a little burridden, he liked to find this hobby. No, he had protections, no has a firm base of creencers, no took precautions, and he began to indagher,

indigar, and indigar in the theme. It led to revisar certain texts that not

are recommendable that you're revis certain clavicles, certain chavis, certain Salomon,

in the that there are names and seels, in the that's in the descriptions

detailed that's put to see, video in voice in

those that we were about some things and things,

he said, she and of monologos, and he started to consume much of this

time. For that's eight months after what occurred, definitively, it was a effected much,

but also it took it was a surprise at a 100. Resulta that eight

months after having heard this episode and have done this documentation that

she and she me and she not know because, but it was like

to care more and more to be not it was that it

was that was just I wanted more, I wanted to know more, I'd hear more, I'd like to know a fond.

And if someone me asked, it was very difficult, but he could tell you could explain what I was talking, no he was able to

get to be able to understand, but it was like my mind, if my spirit, me would be that I'm

more of this. I'm I did that that's not a good, and that maybe not

I was I'm because when I knew eight months after Just in the plant Baja,

we're our my husband, my I'm, and my mama. And they were there they're

with a tart of a year-a-a- with a belles in the part of the top of the house,

they've been the lights, and then all was all right that's that's that were

like chispas when then it entered an air gelido, sono a gulf

in the plant of the above, but a A cold you're talking

like if had been a car, a trailer one, a little bit of that's

that's retumbed, we're we're we're and we're we're and we

we're we're in the room, that is in the thing, especially when I'm

especially when was a thing, because this thing, it's some far some things,

but not the those you have been the podcast of Time for back. No.

They were like some those very very very very

and it and it was perfectly where it was from the second

and the second and so it was so the sound that

the four that we're we're we're we're not

even it's it's a something it's a person

a a house. Horrible. It was like if we had a lot of people armed if we were to do not do we're going to do not even breathe, because until any sign of life, they'd be attack us. We'd get us alled, and we're going to hear-asksing every pass-acred by the passillo of the river.

It's a escalarer, and it seems like if me was to destroyer for completely. are escaleras and sonava and sonable how the madera even crugia

for the and the blows were going back on all you can't imagine to my

husband still about the tautart in the hand and they I was I was

there no much light in where we're the light the part of

the time's time and it's time and it does the night

to the and I hear that the thing there's

nothing there there. No, more the only that I'm doing to move it is move tantied to the head. I've been a fear that never before in my life had had seen. And I'm

like, I'm just outside of the cell in the we're in the same. Narrator, when he stoop, that thing, entered more air. All we were talking. The poor moment of our lives. And then, something

something, something, something happened into me. My little bit in the moment in the all my instincts superan the fear that I'm feeling in that

instant and I go, I'm I'm going to my back, I'm my back, and I'm just over the hands, I'm

know what I'm no, I'm just I'm just going to up and I'm up to be up right to the door

because I'm that's something that's a normal and I'm just I'm just I'm not you're not

you're not I'm not I'm doing nothing, I'm feeling nothing I'm going to and I'm

I'm going to start because it's something that in voice alta. God, God, God, God,

God, and I'm going to be to say, narrator. In serious, I don't where I saw the

forces. My husband, no, I'm not the mother. And I'm

a lot of the thing. I'm not, and I'm a lot of you know the thing, the sensation like in

the car and just we just we just we're going to the way to get

the way when they were to get a house was like the house it was a thing that's

it was a thing that was the thing more thing that was the thing that was all the same time we're just we're

we started to y'clock. And me I'm going to my mom and I'm

my poor mother is to and I'm saying it's your little bit of your

little and it's very affected. Narrator, no I want to this I'm

that this person but I think that I'm getting a time

in this time more they're they're they're they're they're

that they they're to be to be my You know, they did the worst.

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And profite. Via-Rai, the voice that we love. You've heard the theme of the mentors? Probably probably for Harry Potter. But you know, But if you know that they're based on questions and thematic as paranormal are a type of beings that some people have toped.

Here I'm going to talk to the mentors of the life real. This story me let me send to Marcella. Marcela, at the day of today, is a castada, has more than 10 years of casada, has two children and is a person very very happy and that me says that,

thanks a God, she thinks it's paranormal, but now he doesn't know perfectly, that is that's susceptible for so he's

careful in to get to but this surge 10

years or more in the past in the past when just was

in preparations for her there there has a relationship

in the relationship that she has Marce and Omar are

some those are a little the risk they just a

little with the statistics there and an offerta of a Omar,

this is in Puebla. And he is a point to take them but it's a lot of a lotcura.

It's a type of work very very usual. It's a type of that he has a

lot of I don't know I can't say, but what I can say is that he

has to move to a city with a good and a way

and as he's in plans of casers, he said Marcella that and then

they'll do one a one of the one's the she's going to think it's a person that's a

certain values and it's that you're going to not so she'd she had said that

she's the moment in the then they would even for her for her

was the but Marr has to come to make to make to make

to her she he said he he said no I respect very well all

all the you're I'm I'm going to feel very solo, me going to feel very solo in the

house, in the case, in the that's been to live, if you have seen, the house? And she said, what car? The house that

had the company that me renta, because I said that one of my solicitudes was a house in

special. And then she was a computer and he makes it in the internet, a house

that is incredible, a house that's very but with some colors very very big,

totally the of the good of Marcella. every one of the one of the No, there was much modernity in that house.

Teaches summally alt, all the parts that were like external related to the window, of the matter that was old, crystals old, for all the other things, the house,

in a cascaron, no, I had movels, salvo one of these cajones in those you guards vaguely that has,

a crystal, a type of a cartelero or guardabahia that was so beautiful in that cell. But so beautiful.

And she, when I saw those photographs, he said, but no, no, no, there's no, there's no, there's,

he's, ah, is that those also, I'm going to and he and he starts

to do the house arreglad. You know, what is the most incredible of this? Omar is

good in his work, and is a person that knows probably probably I

think is in the Because all what he was teaching was exactly the gusto of Cases that much not would like and things that

maybe other, yes, things made of a little toxic, that you'd more than a house of she was

she was she was she was I want that I'm well, when we we're going to

we're going to you're going to tryning you a but you're and Marcella

and Marcella she had courage and when I was his the room, the respaldo that

was to have the camera, and it was a much quite a very much, because,

of a tinder of antiqued at what was getting. And she said, no,

but is that is the rest of the roomia, that I always have been to have been

when we call us when we we're going and you get to come you to be in

you know while I'm being while you you're not you don't be you're

not they're all the tour of house, of the new, no, no, no,

Marcella, he said, I don't you know I'm going to you're there's that's

that's that's a time and he and he understood perfectly. He was

was doing something that she had so much, that I could say that no.

Before the the boda, and even when the family of Marcella was

a lot, decided they were going to go to live together. And that

was a grave error. Not to live to live to not the

the fact of having to have been to the boda. No. The

fact of have seen specifically that house, the house

that in this house blue, something something something that

was a thing that was that is the soil of

that is the material that is the material that there's there

there is the thing that is the the and in the past he did something there. No

I know, but I know that has to have to be with the place and not with the inquilino's. Marcella, he gets with Omar. And the first days in the Casa Sul is a marvellia,

something tremendous. They're trying to those these newbles, that the company, and decided to pay him to get to some

money for mudance, things that he negotiated very and finally, she is being like every

every room, every space, every place, is your house-sue that's the house no

it's a house rented, but as a work for a long-plas, no they

don't they decide, they're there, and so they're the first two

days, and then they're going to get the things strange. Marcella,

is only in the house. Omar is he had gone to

work, and it's part of the custom since that has

come to a place. He has a lot of his routine. He goes to a time.

He has a little bit of his he's he put in his rope, and normally he's going to

go to get a city, behind the excuse to get buying vivere's

for the house in many times. And after the first time, any try nothing in the

chuchery, whatever something that is like to come in the but really is more the excuse is to know the

way. When it's out of the bathroom, after being, occurred something very rare. She's all right. She's going to, now, what route of a camo I'm going to take, to what plaza I'm going to get, in what mercadito me go to get to, and see what I'm top. And he's thinking

things of that type. When I hear something very strange, it It's like if if she had culled an air very a high

velocity in the house, you know, these things that are like a

how old a and then she instantly she put a little alert,

no she's in a place in a little in a place because that

that o'jid not is used to hear that thence a door to a

door in the second and in the first Why happened that? No,

it's not he says, Omar, no more no more no single sound, it's a

little a little timorosa, a little a expectative if someone will be a

thing, something, something not know exactly because nobody is prepared

for this type of situations when when he isom on the room,

the all the two people, are allured, he's just about

imagine that. Tal-bees was a very concentrated in the market. All those are those are

different. They're things that are thinking because not has any sense.

First, that's sound of the wind. Second, no didn't

feel no no the door is perfectly how

they're so son-s sound of so son-sardur and things

that after to hear the ten twenty times you They're kept grabadas.

And there, all over. Very, very extra. Baja the first door. There also heard how the

door's all right. The windows. The windows are perhaps are open. The door of some closet,

the door of some that day not is to do your routine. Because it's so your

brain incognita and a sensation of uncertainty that's that's to be to see to

to review for quarter to the door. The window, and open and start

the door. It's the same no. It's the no, but it's not it's

not a closet, and it's to be to be obsession with this idea. Of

this idea, all the house. When he comes, Omar, he topa with

another Marcella very different to the he knows. Here, it looks

a a local, all the whole all over all all she can't,

she can be like breathing in form agitada and when he gets he gets

and the one of the scenes more of the life this woman with the woman with

the hair and the stuff about and allude and acerated and she's opening and

a door and then he said he said it's it's sure you and he

he's a carcachead and he said you I'm you're

you're so she she's like why why why you're

you so Mar so Mar's across and she And he says, you present to Marcela, the

local. And where she's she'll be, she'll be a carcache and he's, she,

and she, and a little, a little but a local in serious. And the

two and she despeja, she's going to take a other time, he's

he's he's and he and he does, total that when Marcela

back, he doesn't he he doesn't he says. Omar was very

enfrascated for situations of his time, not he doesn't for a

dialogue, but yeah all is a little bit but there's the

head of Marcella there there's a grand interrogate, what the and a

very positive. Because it's the way to start the door to your

mind to to be to be that this because it happened, how it

happened, this, because it did you something that's supposed that no exists. But here, in this channel, we just to talk about that. And Marcella me says,

narrator, I, of some way, I think that I've committed error after error. Have me to go to that place, no see, without, to make himar pass some days there,

then, having me meted in that time, so, to form so obsessive, to make that my mind was so obsesionated

for the what had passed there, I think that something affect in the energy of the house.

Because if I was very obsessionated one once that I'm not

I'm not the I'm not the option two is that I

was that was a one a week a one a time

I'm going to get to get to get to yeah in

form thinking and I'm thinking the put internet to

to look to the doories that provoked the world of that's that's that's

not the worst of I'm in talking about stories of that's horrible narrative. Yeah,

after the time, my brain, I'm going, leth- let's not I'm

thinking in that. And I know that that's things can't because it

was just the day in that I did you yeah, yeah, let's let's

other other thing. That Omar was went to come to I remember what?

And when I go to go to to come in a garden, and it's a sound that's a lot of the house, and

then the doors will be to be in the room, and now, so, all the doors are all the doors.

I'm very fear. I mean, so, so, is, so, is, it's going to get a

thing that something else, but now is it's going to get to the door, the door,

the door, I, bolt, all, they're open. Narrator, me

I'm out of I'm almost and I'm mordiating when I'm had

had made a lot of a man. Yeah, I don't have a little bit and I

say, I don't know how explain to but is there's something there's a

thing, and I know, he's a person very apegated to the

reality. Then I started I'm very strange, very very incomod, me

I started to put paranoia every day I started to have an insomnia and he started to be bad me said he was a

he'd get over I don't want me to get a rapid or me go to or something because I be it bad

I said that I was in risk my life, that not was that I'm just that I didn't

that was going to the case and I did it all the that I'm all the

so it's so it's so they're so sure it's they're so there and the ventions

are there are in-carras, how car-o entered that sound to the house? Well, there's been into a lot of some part,

you're doing something like, and just me he kept being, because you not stood there, because you

not stood there and you said, you said, you'd say, you'd be more than you, that's been the situation more

destructive, convening us that my pap, that came in a time, a time, in what I,

like I, like me tranquillized a little, was better in question of nervos. I really not was like all the time

doing to him the day but I was not he was to go to my eyes in the head all the day was thinking

in that I'm he'd be able to but I think he's to have to know of that before I was there before I waste a before he wastes I'd be able

and I'd be it like and now my head all the time was about in that other time. When he went to father, I felt that he'd be

not going to be a house, I said that's my question to the father. Papa me said, no,

don't you don't you don't you know about and you're going to be a newfound in the

of the narrator because I don't me I'm really with much carey and all I'm

I'm I'm not a not worth not to enter more in this theme not it

to try to convince him to know me I'm cre, not me I'm cre, like Omar, if no me

I'm cre, no me cre, to me cre, to me cre, to me cre, to me cre, to me to be the demonia.

Yeah, no, it's not. And that's things, narrate, those things are the

thing, because, I'm, I'm, I'm going to talk more, that's, that's,

that's, that's, that's, that's, that's, I'm going to be, so, how can,

I'm, I'm, I'm, to my 20-tantos years and my papa and my papa and I'm

this is something that's I'm just no more no more. No, I'm going to be

important. And they will be to be able to do this my father came, we'd

we'd the first because was the most arreglable the

one the room was the room where was the there was a

closet there was all other other other because not

the idea. We had our our room of the little little a little a little a studio

for a work for a and then we were that night that we were going to our

book, a book, narrator, I was going to be we going to the years,

it was our idea. But in that the bigotet we

extended some we're some coldches my my husband

he was a now he's some put in the the soil, these, like,

camas or telas that are to be, they're all the restynd, we're gonna' we're gonna probably dormied almost the instant, and I then,

when I'm starting to start the eyes, Icucho that maldito shillid, that maldito, but I don't I'm the

house, I'm just I'm just like if me they're in the o'leges. He's,

but the peor, narrator. It was like if I would be augiar in the

orrejas, me to make a head and me, me, me, start to start with, I'm a really strange, and was a sensation

horrible, like if I rancara of my body, and of my person, my body is there, there, there

something, I'm, and I'm, but no I'm, because I don't control of what I think is my body, but my

body is in front, no, I intend to, not my hands, or my feet, nothing, because it's really that something

that's is taking of there, and only I'm really I'm going up to the

door, I'm going the house and I'm a fear that I'm going to be to be

that I'm that's auio and it's a wind tremendous that's that's

it's I'm it's a move and I'm a I'm a a hoh

that's going to because I'm I'm going to move to

not very way to I'm seeing the the of the is of the day,

is of nights, of days, of nights, of days, of days, and only I'm doing that's, in the

the floor, sombras, illumination tremendous, sombras, night totally obscura, somras,

illumination tremendous. I'm fascinated, but at the same time, I'm terrified. Siento that in any moment I'm

to go to go to go to be those things that are like lights and somebers,

and of In a moment, like, I'm know of a newion, and I'm in the piece. I'm in what I think is a bocabacco, as a bocabado, I don't know my

body, no loggro but I'm on my foot, and I view something very rare. I see that's my house, for the

arbor gigantesco that we're in the garden. That's a little more more young. The terrain no has any

house. No, there's the reja that I like much, no is the part of that's

that looks a little, No, there's a lot of that. It's a place abjointed, and, of the actual, it's a doquin. There,

there are some cables called to poste to, those posts antichisimus, and there are a pair of focos

that are there. Bombillas, narrators, bombillas, of those that see only in stories,

in the films that are you're like, the time of Thomas, Alba, Edison,

things antichism, and a lot of people, that the only time that I've seen someone has been

in a lot of a photographia of 1,800 or 1,900. And it's a lot of people in a reunion. They're playing. Others are talking. And I don't know what it's I'm much of that I'm going to

because my roba or how me are, who are they, or what are going to do? And just I see how comes a pairha coming into me and me and trespass. Me passes if you're front. No, I don't know what is going to.

Siento much fear. And then I hear you I hear a gritty with that group of persons and all start to go a fear terrible, I don't know what is going to, and I'm over the wind. I'm going to. Where me is up, I'm going to, I'm much

fear and just I'm thinking, I'm going to go back to my body, and I don't want to be here, I'm going to and then, in a parapedeo, I don't know how to say, like, if if I'd have to have to have a, and other way, it would be, because

no is a parpadeo, what is something that's going to be different, of a person, I'm going to from the room,

where I'm in the room, there's my body, and I'm in my work, because I'm

know that's covering, but there's something that is a little that's been and is inclined to me, and it's

I'm going to positionar me a lot, not me you know, not I'm not I'm I'm doing,

and I'm this, and I'm told me, because this passed so more of 10 years. When

it was, never took sense for me and not knew what was going. Until that in the episode number three,

you've got a child that she said she said a mentor. And when it described me

was a helled. It was the same that I was going there in front of me.

It was a thing that was a type of a mantle but not it was

a mantle, not it was like if were a combination of vapor or water there flotting in

middle of the nada, that was was inclined to me, and I felt had the intuition,

that was, that was, and I was, and I was my instinct of supervivency me said, enter for

your book, no deges that I'm that I'm going to think to say to

another repeat, enter for your back, enter for your book, enter for your

book, and then I'm moving rapidly, and in that I'm the eyes,

yeah in my and that thing is inclined to me, not has a rostos totally

lice, and it's to be to bea until that's I'm a need to

I can't say, I can't say, I'm sure in that instant, that my

mind now is not I'm going to look I. All the

night, all the night, I was I was I'm the day the next,

what I were to do the my father and my husband ascended of that. I was going to get me a little

manicomio to a hospital psychiatric and to get me I'm a rota, narrate, totally rota.

I was I was not had put to get a pestaia no I intended to talk to

my marid because if I would say, I said, I didn't say, I was

he was not, I want to I'm not he, and my father, I think

my papa that my father's that my It would be going to be to get the way to get the

and if Omar yeah not wanted to be able to not even but I'm going to to be to do a manicomio

something. Something is going to be really sad. I'm really abated. I intend to not that no

me not a kilometers and I think it you're doing, and I'm trying to say, yeah, just I'm

just a more the mind and I'm saying, you know, I'm saying I'm very bad, and I'm

really, I'm feel is all. Yes, but you are you all. Let me be sad. Let me.

Let me. Let me. Demme. My name. And so they're to be able to talk about narrator.

I know how to make to show. So, without you know, so, so, since, you're doing

to come to Omar, of the house, and my papa and me said, Marcella,

yeah I've got what you said, in this house, they're and where

me says, oh, narrator. I'm that I'm so I start to get to

For a moment it was like, then I'm still I'm going to and my papa me said, there's a there's a house and I'm

a little bit more where me said that's what I said, I said, yeah, I went to and then I

heard my door that started like to start like to start it, but very rapid,

as if there a air, like a wind, and where I went and and there was a

little, there was a little, me car of enoched and he went. I'm asom

and I'm just I'm just I'm just see Marcela, there's there's this house

after my father. Also the my did I mean I saw, I'm sure that's a house.

I don't have the same I'm a time to tell you the experience of my

dream because how you tell you what was what was what was? I don't the menor

idea of what I was what I that was what I that was what I was I don't know, no

I know, but he imploree Omar. Casse me inco, for favor, let me inco, for favor, let me, let me, let me. One of us, he was up to, and he said, he wascepted and said, I don't know what I'm,

for not ever to understand. Let me know what I'm supposed two times, he left the casse-equed. No, he interested to get to get a single thing. And now, if with

his money, on, that was a guy, even though he was a new apartment, he was one that was made, amoeblado. In that department, we living two years. Narrator, was a

pernard of a period of the money that no you imagine. Omar, no-seeked one one of the things that were in that house for him. Now that he saw the little bit, all the thing, all right. Yeah, no matter of a question of, what, what-as-in-what-cose-no. Nothing. All those things are like if were things radioactive.

No, I was going to talk, not last No, he important. Yeah we've lived two years, but two years, under the yoga of the paranormal, with the sensation of that any day, in any moment, when we were dispirited,

if it would appear something. It would occur to something strange, and it was notable. Because something that was the second year. In the second year, when we were, just being two years

out of that house and we were and Omar suspired and me said, Marcel, still right I'm I'm thinking that

maybe not we're not we're maybe the house blue had a kind of

kind of or something or something and I think I'm thinking a narrator

and if not I and if is that we're a place and

I'm the question if you know is this dementor what

type of what you have done let me let me

let me let me the No, did you blouse? No. The Devil Wears Prada 2. He's the movie event 20 years in the making. Honestly, can't with the secrets anymore, so I think we just should tell her.

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Don't miss what the movie blog calls something you need to watch. Saving those children is how we all go home. From binge all episodes exclusively on Paramount Plus. It's normal, to go to a Cemetery. What is normal

is that standing to listen to the carretta of the mortals. There's a

thing that I'm that I'm really that we're not really about the interaction with

the family nocturna. From the when we started when we

did it and that I'm a bit a a lot of that I'm

not I'm I'm not really and it and it were when they

were when I said to you what you did And me that

attention and me to talk to talk to with the family nocturner especially at the

initial we're in I'm not important. To tell you that we're much more I'm

that you're that the phenomenon that's a form continual but in a

very exorbitant is something very repetitive there. There was a history

that me made that with all honesty when when they they're

a great story of terror but no me It's suenna that that's occurred.

And that I'm viewing in a comment a person that says, I know where I'm going to be

in that city. And boom, me bowed the case. I'm going to tell what was

what happened. It's that this is going to make sure. And in comments, for

favor, me can say to do this question. In Aguas Calientes,

there a little city, a in the where there is a cemetery that if you

you want to go to be a normal but if you get you get in certain hours of certain days

you're going to a carretta and you you're going to hear that but if you're not you see

absolutely nothing nothing. Bernard and Bianca were nobio Bianca is

the chick that she me responded for comments that me I said where is

that I know she They were an anniversary luptuoso of some family. They were there

to the cemetery. Yeah, it was an little bit but I said a narrator. It's a small,

it's a little bit of much vigilance, it's a cemetery so we've time, but no is

of those places, there's a certain hour to enter. A sometimes there sometimes,

no. And when there's belator, and when there more, he says, if you're for the coca's and you let's pass

then we're going to our rhythm and in our time if we're not even it's darker and then we're we're in the cemetery and standing in the cemetery

we've heard of the carretta but we're not man but fantasies of our vows those are so many years how are you going to hear

a carretta to day of today you any carretas there's and as we we're saying about that

carretta narrator commenced to sonar the carrette in the cemetery. No, there are carretas there, no, is there close to that place. And then I'm more fascinated than a sustada, and

I'm going to, come to here. And Bernardo, he's, he's afraid, Bernardo, says, no, man, let's just, let's get, let's the chamook, is the chumco. I said, no, me, now, the chamook, me, now, I'm going to tryer a better a carrasso, no? And then, Bernardo, me said, yeah, no, you're just burlating, let me say, but, because me

I'm according to the legend that says that the Carretta of the Mewertos only sound in the Casa of the Murtos. Then I go

with Bernardo to the entrance and in that being there, I'm going to hear of the carretta, but it's like

a movement strange, a narrator, there's there that there's not you've been not said,

it's not it's not a other, it's like if it's a movement constant

that never it's, like if not it to be the sufficient as the

sufficient as the It's rare, it's rarer, but imagine that you're saying that's going to go advancing to you, but never sees that advance. Something, narrator, I'm going to find out of the place and where I'm my second

foot outside, no no, no, and I'm going to do the two feet outentro and I will go to hear me will be to pizar out and, fifted, that no there's a word, and I'm I was surprised. The legend

pass in in the wascalientes is a fact. And I know, now that you've got

about two, three episodes about that and that you know a pair of a pair of the that was

that I'm that I'm not to say if I'm not, but that exists a carrette of the

Morts, if it's in the waters. And now I'm you're I've

heard you have you heard about the Carretta of the Murtos?

The Dr. Victor not I'm in the paranormal until the paranormal

is a paranormal is a present it is a this is a story. I have a question if you

get to this part of the fogata of the foggates. If you get to this point

of the fogata, we're to do two seconds because I want to ask you

have a mania, you know, you know, you have a form continua and that

if if it's a occasion you do you do, because here your

server is a thing that has every that has a opportunity

When I go to some place and I know people that in a form recurrent are in that say a coffee a place, a

center commercial, or that is but that that way to make a contact with the same people,

not going to pass five occasions for that in some of those I don't you I've lived something

that's been something has been that I'm something that I'm a question, as a question, as a question,

as I've said, it's a question of, from this thing, I like to know to this theme of this

thing, and I think much in the experiences personal. This time, has two days,

a person with that was the exception in the regular, because it was a

six, eight, about this doctor, I'm to dope. Me, I'm

top in circumstances agenas to the normales, and in an an environment

a lot of a very I'm afraid to ask you a doctor

Victor a question you have been a problem and you have to

know to Dr. Victor is a person personh a

person very very correct someone that he has

a percent even even outside where the place

in a place a person that is But to be strictly what necessary.

What you ask is you respond, but always, we're not giving you enough enough

information, not extending so much in the dialogue. And when I'm about the

paranormal, his reaction, is interesting. Me he said, you've lived something to say,

when you have said that, various people, is that there's that there's

there because, because normally, when when you when you is that there a moment in

that you know you and the people not you know, and you have done that you

know, that's that's that you're to be to be in then I'm to do you

know, I'm not that's, of the course, of the I'm saying, I'm saying

in serious, yes, I'm, I'm, I'm, what I think I did you

know, and there's a lot of me told, because not one, were a

one, it's Result that the Dr. Victor has a sequence of situations that were occurring from many years when I tell you are many decades

accumulated. When he was an adolescent, that is a person maybe a, but when he was an adolescent had a tia,

a tia that, lamentably per die of a sobriene. The sobrino we're going to call him

Charlie. And this tia, the tia tencha, with his Sobrino Charlie, they'd live solos. The Tia Tensha

no put, we'd, say, front to the dolor of the son. And after that this

prim of the doctor had had fallen the years, and all the family of the Tia Tensha

had in contact with her, but at time, not much. Because the Tia Tensha

was talking with Charlie. All the time was talking with him, and all

the time about to talk to Charlie. No, and is that

if you If you knew the things that he said Charlie and the family were other times, no I didn't know about about

saying, Tensha, yeah, for carajos, let her doorme to your little to be your own and then

they'd not get it or not front the duel of a certain way. All of all they were

in silence and just to be a little you're saying. Look, look, and yeah, they'd

have done for Locke. But the Dr. Victor, since ever was very very observable.

and he started when were the time when were the time when the TENCHA had a

baddered conversations with Charles and it was when she put to fumar and she

had the Tia Tentcha he would a cabgettilla his packete a cigar and she sat down a mecedora

a frasquito that was there that was that they didn't they were they were

and the Cil-S were bivus you know for this the person that she had we had

heard. She said that the chair that was in front the most near the door,

it was where he was where he was there was that he was saying that he said, and so

he was more points to the theory. So, Victor started attention.

Every that I was, even though was a little bit, and in many occasions the tia,

no, not she didn't be that so. In occasions when when they

when when they were the I'm going to call with Charlie or a sometimes

I'm at the door and there was a she was she's a Charlie, say, oh, Charlie, go, and say, and say, and thence, the house, exaggerated of humo, like if not

were one, like if they were two, three, four, five. No, one person, fumando repeatedly one or

after another. No. The humo that was in the area, the tianche was too a much

there's a extrano, no had no, I never was the round the frasquit,

never moved to position his sillies. In one occasion, the espia for a ventana

and the emmeceder was moving. And the worst of is that in one occasion that the Tiencha

is a place that's preparing some a little food and he's a

table or a place in the place in her a signisers there

were there are identical of both things like

if there he is with that idea my

my my mom my prim really really really is an adolescent and Creece with that idea and the years

going to pass in the life of the Mr. Victor. And the senior Victor will study medicine, he will start to prepare. He will have to forj her character, and start to start to develop as a manner continual. And will get a moment in the career of Dr. Victor

that will be taken and before to graduate, they'll get to be there, a place recondit in a place despoblado in middle of the nada. There he took to give his service social, metied there in the

sierra. And this type, although is very serious, and is a person very correct, is very amable and very sociable. For that, in very little time, he can't all the people who live in this place. All right. And in occasions, to get a good relation, he's going to

visit them in one-one, and he's little details. In occasions, he's a good platics, in occasions are things like viandas, comiditas, cositas, because he's not is rich. He is just just a penas

doing his career and the people the people and the people who know he's a man who

they're not they're not they're in a house where he occurred the second event

paranormal of your thing, something that if he had had traumated he

had traumat for the rest of his days he's in a scene in this

scene in this thing they're some people who the people of the

people more or less of their and that day they'd they'd have

some and they they're in they're in they're in the doctor Victor Victor says,

well, he's he's a couple of services nothing exaggerated the problem

is that they're some that they know that you know there

there there had let there there to be the door is over the

door and be to and it's all then then he then

he's he's the area and he's the only

he is to do to do one, then then you know

he needs to take away to the house, simply doing the back, and going to some place

that's a place in a way, it's not a part of the other, and the place in

the there's no, and he's a place where the people has a

kind of things, and things and it's there. And it's when he starts

movement in the patio, and something the patio is the

is oscuro, no, there practically light apart of the the car,

but when it justly he, a scarce three or four meters to him

to a woman in a belo in a black in a lot floating. So,

20 centimeters of the piece, braos abjurt, probably a velo

in the head, but is there's there's there's he's he can't

get in ridicul but he can't get a mind and he's there's

a way there's so rapidly to Accommoded the things, and begins to to come in

the house, and there something in it's a little into it, it's a little bit to be able to

say, and he said, Vittor, no, he does it is front to you're a coward for

always. So, he, he, he, he, he, and with the

eyes and the little and the point, he's, going to be going to be

thinking, no, I'm going to be a co-barde, no important, we'll go and then

after the five, six, seven, 10-pastos to be the eyes. It's a two meters.

It was a tendedero. And if what was something was a lot of the people

of the house, a rop of a lot, or maybe the color of the

was tegid for the night. But there was and he was moving the

wind. And if there had a little that was moving with the

Viento, it was a woman floating. And where be that? The doctor Victor

solaced a carcatcha and said, how I think these stupides? Well, if the

Tia Tencha could have been having been doing the little one of the day.

Now I not I'm not really a bit of ever to pass many years, decades. And he, that thematic,

that's been reclued in the charlatanerian, in the things that are there with the people with the people ignorant, with

those who not have done more explanations or those who know of some that they're in a situation

that's not that's not that's a time, and he gets to happen in his house,

standing with his husband, it's to occur something, that he no

he doesn't he doesn't any an explanation. And I was a information and he's documented and no he's got. He has a perrito, a perritte

a good ghouqueton, very little, very well trained. But only a certain day of the time, at a certain hour, during 15 minutes specific,

augia a little, he starts to just to the foot of the stairs, vaulted to up to

see arivae, and no parpade. He's being fichamente something something to do. And the doctor

Victor is extrano because he and he asks his husband, what is he, what is his post? He's, he's there, the foot of the escalator? Let's do. But, to the second, he was understanding the patron. Also, it was the week of the last month past,

more or less this hour. And the Thursday of the next, oh, yeah are three? Yeah, they're five. Yeah, van 20. And he had just asomable by the Scalera to see

that I there was absolutely nothing nothing nothing until that

in a moment in the investigations he took a doubt nothing

nothing that that did that this that was

that was that was red that the people

have another range of audition and another range

and then there there is there is being

something I not not just one one simple

idea as it was a got of veneno within of a stank. Something that passed the years and it

was that it was to it's not because that perritte passed a better the history

stills normal. No, they were these things. After he,

there no other other other than other a methodology perfect to do the

thing, in a machine to write, in a certain documents, the

I was back, and they revisable, they'd always them always took

the same part of the Dr. Victor, he was put in front him in the same

zone, and the same movements to the side of the right, and the

right, he'd be right, exactly at the same rhythm, he'd time, and the

time, and it was in the same zone, and I'm making that routine,

that was uncansable and repetitive, and something that he did it was to more of

a decade, he's front a paper and he's that all that even

with his fingers, something he takes the paper and he he's he's

not the and he's not it's like if his hands and have been the

one, no, something he he he's he's and the doctor

victor he gets so atonit he's so he's so that

often that He doesn't want to the sensation of having been styrated, is clear. So, if you're going to write a document, and then it's to consume the hours. The rest of the day, the paperless those agarren, neither voltair

to go ahead. We're just front of him, yet no, it's not looking, he's playing the pastos of those that normally he has. Yet, that voice authoritative in his mind. Victor, not is a cowardly, for favor, is a paper. And Victor, says,

yes, yes, true, because I'm doing this. But is that sometimes, a sometimes can be your your sense,

your intuition, that says if there's there's there, because when he'll

there's in this case, no there, no the paper, not it's not the

and the room in that he is a house made a so,

a a good, a a a chair, is all. so,

and it's that's that is that he put to feet. Caminas is in an

extreme of the room and he's par there in the corner and it's because if change the angle of vision, it's

it's very that the paper is there, contrasts to the piece. The piece is a lot a little

coffee with pinket with the black, that's that's going to look to look up

and it. Contrasta perfectly but there there no there. It's move to

the room of the room. No, there. If could have been down to the

door, the door, the door does a corridor in the the door more nearer is almost 20 meters and there no

there's no there's salities of air no there's a portat another corridor that's a another corridor

that's in a carter in a one area in a one area that's that has been out of that's down

the table has to have to be down to the master the doctor Victor terminus

and moving the work and it's without without without some roba revisand if no

It was in some part of the pantalone or even in his camisa. And there, in this zone of the time of the time, all overteed, all revisited, every one of the papers that I did in that day, all the cajones of that mecita revised by the papereries

that I'd, the paper never appeared. That idea, if the past was a got, this yeah was a chorrito of veneno. No, I don't know what What happened? No, I can't explain. And three months after,

here, here the ballad of water free. He's not working. It's another way in that mesita, in the zone where the paper, is there in the seat, and, of the point, in the door principal, for that no I'll go back to occur, the paper, if something gets, it, and it's just a minute, and it looks. And that door permanence abierta. If no, there's

to have to have a serrada, not let's have to be for above, he's going to go to inventing stories. No, sir, no, me will be

being able to be able to be being in the house, in the bunker, that you have to pass

many of the car, where there's there's there, no, it's not there, and he

is there is a and when he's directly, the form clear, that a

little, that a little of the eyes of blue, he has a He's looking and he

He says to He says to be in back back. But no, there's no he's a little he's going to do you?

Who is that that's doing? Apart, he's a sudden a sudden. The body, the body does it. Like this

a cold, the cold. It's a little bit of a piece. It's a cobarred. He's all right.

But in a question, I'm talking to be a minute, is a baseion. And that's back to the other

other side is a The problem is that are those serraders that only are they're in the door. No, they're in any side. And no can't get the key and

the moment in the time in the trankas, it's it's a second. So, is that's going to go to get direct with the guard principal. No, I'm going to make that this situation, he's not going to be the same, no, I'll let's make it. GARY RICKEN. LIEGELMAN. LIEGELMAN. I'm to say, to KATHLEEN, And he said, Dr. Victor,

to be sure. To tell you. To tell you, no, no, no. there was in the passio I don't know what I'm talking not here

you're not there you're you have to you know you're not you're the key

no I'm the key for the for your passio not I did you you're

you're normally for a time I'm I'm I'm I'm

you're you're you're you're you're you're you're you're

a person I'm I'm I'm no I'm No, I'll do you pass to and in serious,

I know what more to say to the and the doctor Victor, since thence, he's preferre to say, that these

things not because then when they said, he said, me passed something that was a man,

you're not you're talking to go to get to the psychiatrist, and it's he's got to get a

little in these burs, in these comments, for that, if you get, you're you're talking, you're

Dr. Victor, and you have lived something paranormal? In the other to responder,

to be re-re-res to the same question. And you, you, what are you in the

lapis of Dr. Victor? I'd question you would you question and you're

in this? Or you'd simply to say? No, those things

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Has heard about the legend of the bellow of the novi? Raul, he took over it for his own eyes, and after that, his life no has been able to be the same. What you are like? What are you doing?

Well, what I'm about to tell you, also me the same there's

there's a person, in my people that I know, and I think,

that during a time, he was going on the supervision in hotels. He

was he was with a group and there in those hotels a

sometimes there were things, but normally were things that

if you put to look at a little of the explanation

you end up you except for an anecdote. There's an anecdote.

There are two people of this person that were situations

that really not only they don't want to

they they're so they were that they were

to get to be because what they were there

I don't see if you would be a lot. We're going to call the number of these people as a question

of anonymity. Then to this person, we'll call Raul, and to the chica, with the

other than the supervision of the hoteles, we'll call her she was assigned to

a complex hoteler that has a zone of a area, the area, the zone of

the area has a form a particular. They're like if it were a media Luna. And in that

media lunar, if you you're going to the part of your house,

there's a kind of of a balcony that you can't see the but

at the right and see the the one and even two and to

have two but also in certain angle you

look you look there that the house I

think this this is a little in the

image of the because it has a level of importance tremendous. Raoul has to revisit a lot of questions electric, questions technical, the armado of

the quarters, filtration of air, efficiency energy, and a lot of things. So, is that, being in those places, is part of the work to be in the complex of the hotel,

part of the job, to be much hours after the sun, revising questions of how is made to the construction of the complex of the hotel.

It's a moment in which those semans, that are you are a adorable and delicious because you're in the place, is,

I don't want to be in the playia because I'm working. It's very very different. So, so it's that,

not, no, I'd have to do you have to that's a time, that's in the night, I'm going to say, I'm

to go, to go to go and do and get more rapid the end of the or that the time or the

morning the next to get to get to to get to do you're going to your rhythm normal. This is the

case of Rabol and Erika. Raoul, yeah is fastidiedied. Levern more a year. They've been

complicated many things in that they're many times. And the people of the hotel they had

done numbers that were narraticos that practically had been to do the work of a

month there in question of a second of a second. The reparations,

the changes and what they were to have to change, and it was a a lot of a lot of

the reportes without they were the problem, without they were those of the hotel, that they were carrying the

money, puras things that are not you interested and me interested to me, but that

they were a thing, that's a yearn't, it's the night, it's the night,

Erica, says, oh, for despeh to get a bit of a bar, and Raoul

he says, and I'm want to do you, I'm here, and then So, Erica, she kept thinking

and he says, no, then I also I'm doing because I know to know to get to do you,

and yeah tomorrow, we'll have to have done to do some time. And he says,

yes, there we we're we're on some restaurantcito and we come we're

some good for here. That is the conversation, the ultimate

that they have at about the 8, 40, perhaps at the

9 of the night. Every who's every the room. The of Raul is the first,

and it's of those in those that if you're you're in the room.

The Derica is on his side and then Raul is the television and is

being a program and the only that is the only that's something

something something something does the television without that is the

incendida are the images but no there's a lot of a lot one more

of the last of the last of the time, but it's an area in the question

of the television is not it so you just to look to the back and

and it and it's like another again. And in that the television

is very strange because at the instant that the

there a sensation in the situation like if for instinct. One

more, that instinct that we have that intuition, queried it's like salvage, queried to not to not

to be to do you, it makes that it's that's in any sense any any,

you know, you know, you know, in the life real, in the day-a- not-sor-

the day-a- not-a- in two occasions they've tried to have tried to him?

With the nod-dil. And he not he doesn't he He doesn't let me dredentar. He is a person that the fear that he muster

aghaching the head to the head. He's not he muster with courage, he'll demuestra attacking.

And there he sentio much fear. And his instinct he said, see the eyes,

he peter, he pukes, he pere those eyes, he said, and he said, he said, he's up

to you, and he's being, you know, he's not you be, you be for your

eyes, no, you know, that was, What was that? That was that, that never, to day of today, never had known that it was.

But I had the eyes closed, the poonies appletraged, the boca, and he began to listen, into the abitation, that the abaccon, the ventilator

of the techo, is it and it's a move to. That's not has a only form of that this

thing is just at the endrault of the endraptor that you have to move, and every that it's

move, truan, to give you every one of the velocities and there no one of those sonyes, but the

ventilator is clear and is up the velocity. It's a moment in that the sensation of

being the sound of the sound of the ventilator, the feeling so that

being so much, it's that not that he he can't and he the eyes.

And just front to him see something he's something he, he's

he's is being the techo on the camera, and the body,

it's a kind of a taut, a type sabana, that's imagineatela that one

unvisible and he's doing it's going to get to be where it's a little, it's

little, and then it's back, and it then it like if were a

little a kind of or like something that's something that's

not doing that's no no no explanation, go to the

end of the light, and when the abanico is a parado

the instant no it's not a turn to the turn to

the way to it's totally right the light is

the light and there no absolutely nothing nothing it

is a sustadiss but he does much a

very to have to have to go to

and then now that the he is he's

still is getting so that more and also,

so that not going to do you know, because this type of things, if they get

to call to get a bad, they're at people who they're in they're so he's

he's not he's not but he has to get to get to get to there.

So, he's that he starts to spend the time, sat down in the room, and he

has to be a carculls of the things that have the time a night

spantosos. Spentosos as you know, not you know, not you know, he's a moment in the light in the

sun for the window, he's put to be in the morning, and he's to do the

and he's, but in the moment in the that he the room, he asks in the room of Erika,

and Erika he says, ah, until you've got to be let me go,

but he's, but he's, super enojada. And then when Erika when Erika the abetation,

the the cabo has all mojado, he's got secaing with a twas and he says, I'm just,

I'm going to put a girl, and he he says, it's good, but you're good, how that's

I'm doing, that's ridiculous. Wait, let's go to do you know, and it's made a fury in the

woman. He, although not a person that's a lot of things, salvo the

he has been a other night after you have to put to do to do with a woman,

and less with her company of work if is that he's going to call her and make a

whole of the and she's a lot of the pathos, he's, I'm sure, he's really that's not really that's

something that's not that's what that's all, the fear, see, he's a and the snow that's he

he's a and he's more calm more normal, he's going to back to her and then

when you're to get to a certain zone to to be a a carrito for to get to the area to be in the

area to get to get a restaurant in that in this time he said he's a okay

what you you're going that's so that's so that this woman with the eyes

you're a man you're a man how you tryves to say me that

after after you did you I said I'm I'm I'm you're

so you said that you didn't that you did you're a night you're

not you No, no, no, no, no, you will be able to ask questions of that type no, well, this man,

poor Raul, she's the he came to a balled of the cold, no say he they're

not doing, if he's talking about the if you're doing, and he's, he's,

he's, and he's about, well, all your mowler, the smearer,

the last that's he said, well, well, well, I, so,

so, so, so, I'm, I'm, I'm, I'm, I'm,

the door. And if there were like two, three moments in the night that I opened the door and I went to say, I said, hey, but but for two, three, riddits, all, how you're putting, what, what happened? And she was, really enoched. He said, Raoul, no,

is that stupid. No, is stupid. In serious, me is very molest. No, you guys. No, you're going to say, a bit. A A little, a little, a little. A year in the

night, me passed something a very, very, very rare. At the point that you're

to get us to do with the night. And I'm, let me say what I'm what I'm saying, because

not you're getting to nothing. I'm to get to the television. I don't see if you

to do you have the volume in high, but I don't even I'm I'm

no way the television and it just no to turn to be The ventilator So, my

eyes Something is to say it I don't say to say to what I'm saying I'm going in the techo

And I'm gonna say, And I'm gonna say, what caragos you're saying? And said, yeah, Eric, I,

Abry the eyes and I asked me I'm I'm gonna I'm gonna I'm gonna and he

and he's and he's to be all agitado and he's and he he gets, that she

that's about that she is of what she is about. But this man is to He's a lot of fear, no he's

a minuteing. No, is an actor. This man, he's a fear there, he tumbled a lot, he's, he's a sierra, and then

Erika, he says, well, and then so, for that this desmadre? And he said, but I'm in the camera, he was trying

to turn to the light, I'm trying to make a tonto with the job, but yeah no, I'm

sure I'm so stott, and then I'm all right in the passie, and I put and I'm a chearmre,

and I said, I said, the humo of the cigar, I said, you're you, you're

very hermetic? So, so, that's the night that's that I'm not the time. And then you

know, I'm you know, because you're being a man, because you're being mean and your

party? And your and your night, how good you're that you're put into the

night, they're that's about, we're, we're, we're, we're, we're put

in a one in a one we're we're just, so we're not so, so,

so, so, of people, they're there with music, they're with conversations, and they've

had a fiesta very indecent and they're to the house, and they're doing the night.

I mean, you know, I'm going to you're talking about, what you're saying, look,

I'm really, I'm so I'm that's me, and me a more, that's just,

that's, just, I'm just, all the sombras that were the people who were on the

other to the car, and the the Chinita, and say, Dime that you're saying a minute. He said, Erika,

no met I a one one of a single person in all the time in the room. I said,

I was seen, see the people, and came in one way and on the other

other a party. All the rest of the time, Erika was only for one

reason, because this type was the back the rest of the day and was like

trauma and he was like turned to be in a little he said, in serious

I've seen some in my room, in serious I've seen something, Eric,

yeah, I don't want to drink here. And never in his life

Eric, I've seen a person that I'm after after that for a

favor, no not not not they're the minimum

that they could need. You have you have heard a

situation like that someone perciva something that not

the other is that the other is so, please me in the comments.

And with this story, our family nocturna, we've got to this dark fugata

of the stories. So, is that before we get to let me ask you,

you could get to at the final of this fogata and you, you, you,

you're from the platforms of the audio, if it's so, let me

on the comments to give me to give me to this family nocturn

and if you want, if you you like the stories of terror. And if this

episode you liked, for favor, see us and give us the five stars. Because this year we're

a meta, a matter, that you and only you can't help to be the first to be the

first of Spotify. And if we do we know, that we know that we do that we

do you know, you know, we're going to those five really, but they're super-encast. And one once said

this, we'll see the next Juebys with the end up the dayn't 8 of the

morning, the time of the city of Mexico and after of the episode, you know

you know what you go to want to doce bed bed bye

bye