Historias de Magia Romántica, Seres Macabros y Niños Fantasmas | Episodio 426 | Hablemos De Lo Que No Existe
00:00 Welcome to Family Nocturna to These Cura Fogat and Stories in Let Me Exist. The day of today, you will talk about spirits infantiles and of encounters with series demoniacos, with those which is not you want to topar. But, before to start with the episode, let me say something, if you're because you're just because you're going to the stories of terror, because someone you recommend
00:21 the channel, or because, of a sudden, you've seen a porta of strange in the way that I'm like, and now we're seeing and we're seeing, So, so, before to continue, subscribe to and give it and give us
00:32 and give us and give us and give us to five stars because we're a point of to start a full of
00:38 stories. Let's come. My dear family nocturn, let's thank you because I
00:50 said a few times of that I want them and especially when are cases so super rareos
00:55 of those which I have seen nothing, no me has talked to nothing. And this
01:00 that's I'm going to to tell, no, but enter and it's position in the first places. What demonious is this of what
01:08 they're talking here? I'm going to think that I'd know if someone has to someone,
01:15 because right you see, one and one things and at final, I don't have idea of what I'm
01:20 about to talk. This occurred in some part of South America. No
01:26 in what country occurred. There's a family and It just to occur
01:30 a tragedy a few a man a man who is a father solterer a second
01:36 before the time to the commandancy of his city to get a report that not was
01:41 the person not the first profile not the person not the
01:47 person especially because it was a person more abutero isolated and
01:53 separated as the world and the people question about much the
01:57 that the a little. Not a a treat violent or really a simple. The type was
02:02 a little very a little and I'm a lot. But as a little a
02:07 person not they had to get a little bit and it was a perfectly
02:12 well. But then the type to get to the commandancy and
02:15 he comes to be to be a little more data the subject
02:20 is with the subject is there when the officer is
02:23 when the officer and he he says he he says if I'm so
02:28 so much that's the only that's the only that's the thing that's not a lot of what he has that's not
02:36 to make the thing that's about the story that he is totally imverosimil. He's telling that
02:43 his has been about about about a woman that a woman who's a woman who says, a woman
02:49 or someone else she, no, it's in a second piece and she
02:53 she's a woman very old, very, that she's that's is up and from
02:57 and then the official and with a companyer, then they'll look to get it you're in the problem is that the second
03:07 day, they're at the second day, they're taking the report of the disappearance, the disappearance, they're going to investigate and, and, veradermint, and that's what the
03:25 other, and that's what the people, and says, of one for others, he has been to the door to the
03:29 area, and they're in a person, and he offers chupits, little tracts, because Rigoberto
03:36 no has been to work the days, is really over the really disgasted, preoccupated,
03:40 he's the face of a subject that no, he has got a son, since
03:44 a little he's a old old he's never, embegesido as never, and he
03:50 he's a little the only that the thing, but no has force in
03:55 your interior to put her to do this way to be able to be a few and it's
03:59 in these circumstances in those that's a point to be given to the commandancy
04:04 as a principal when you're the same that's quite the first of the back, he goes to the back,
04:22 regress a loose, but not in all the place. three luminaries for the last immediate, a few minutes, the next
04:30 to some and the other to get a one of the other to about, Rigberto is not totally ebrew
04:38 but is a part of the resaca that the researche that's the thing, for not not been
04:42 in these days, is something that is something that's more alkalisado than
04:47 what really is but what he's front to his eyes he
04:54 the ultimate light, is in the piece something something that's a little bit
04:59 that's really a little bit and then you, you, what are you doing you?
05:04 And he and he and he and then that light is a light, it's overshalta
05:11 and does a brinko back back and it starts, the eyes the eyes
05:14 and the eyes and when I go will be to go back in the
05:18 light in the light now is a lot of clarity, and it's a little bit a serdito, a marranito. The problem of this chanchito
05:27 is that's all of color gris. Like if it was a pieter, something else, a little artisanal, a peter in form of a cerd. So, it's a little bit extranaut for what is occurring, for the law of the
05:39 but at final, you'll say, you're talking about the cedbre in that moment of a person that's very in the last days, no reasona
05:46 well, but, but instinct, it's a certain, and it's tambaliening. And it's and it's before the first light,
05:54 before to enter in that circle of the light and he look to be perfectly the marran. And when
05:59 it's directly the eyes, the coerer's the enchina and grita of the because
06:04 Rigoberto just about to recognize something. The Cepardt is of
06:08 the little, but the eyes and they have a color that he
06:12 recognize the color red, the same the same the same his
06:17 her daughter. Grita, grita, grita pithing a usilio, grita with a little, what he has been to to pass to my little, what he has to pass to my little, and it will be a sonar a goal, where so on that goal he's over-salted, like the
06:30 body is starting to reactioner a little more for the adrenaline, but it's like if were the corduera and were and regressara, and then there all his obscurity, salvo the light that has front of him,
06:41 and front of him, sent him, sent out of his patas, over two waraches, two chanclas, is a cedar a little more grand, but yeah not is the cerdoc that's the cedar that's a little bit more.
06:54 The eyes have those redos, but the eyes not corresponden to the other of a bird, they're not those of a person, and those have fichos in those popillas. Rigoberto commenced
07:04 to feel a lot of fear. He says, what he did you to my little, and where he says that, the cerdo strangelyly,
07:13 it's to move to the such a that the the and the and it's
07:18 to start, and that thing that was a little, it was more like it was a
07:23 type of that it that's to be to be to the and the and it
07:26 and it in a parpadeo that at the there a woman
07:32 encorada enormous, more of two meters and a minute, it's a
07:37 farola the laminar of the night that The other thing that was there, and that was like a chanchito, she stiroed for complete, and
07:44 da the form of a woman of a cabo long. And he entient the words of her a woman, me has been visited, me want to do something, papa. There's a woman that's summed a-upon-for-the-venting is very high. It's a lot of course is to give her a little bit.
07:59 Leverto, yeah, for the alcohol, the co-barrella, or what was he, no, can't do you front. The fear is tal, that comes to get to get like loco, he does the back and he
08:09 starts to go and to go and get to go and then the house of the same, the other the other
08:14 he's the brother, he's like he he's going, he's going to me's going, the second to say that
08:20 and just to say that three three goals in the door. It's very strange
08:25 because one that he's a third goal Rigobert I hear a voice
08:30 a voice that he recognizes the instant a voice that he has a fear
08:34 that's maybe is the tono. Tal-be is the matis. Tal-be. Are the
08:42 intentions behind? Or, maybe is that he recognizes that's that you're
08:48 that's listening, you know, I don't to son in this world, because
08:51 he's he went after years, and he transcending, the that's doing
08:56 in the house of the person, I'm saying, he, I'm,
09:00 the the the bestino the man, the Voltaire, and he says Rigoberto, Why is he talking to my mom?
09:08 Every who heard things distinct. Every who has got a proper mother. The vicino is a subject major. His mother, passed a few years
09:15 to the other world, and both are you both that the other one of the time that the I'm saying, three goals
09:24 more severe are directly at the door. Riguerto is he kept being and both both will be
09:29 to listen the voice, but a more cavernos, a little more agriettada, is like if by the middle of some fissures that abergan that
09:37 could be able to some of those demons that guard that cause in their thing. The thing that's got to the wife
09:45 of Riveuberto is there is there with a voice spantosa, with the voice of the Murtos.
09:52 Three times I took that night, three times he spoke. Riguerto no abro the door.
09:57 Each one of them more severe. In the moment in the that the two were
10:02 to the door, and decided that no he were to be the thing,
10:06 the little bit more a clach he was going and he was going to the chanclete between
10:13 them, it was the form of refer to that the other people,
10:18 not they did you do you don't make the words of a
10:22 hebrose and the words of the other hebron pedernido that
10:25 all that all all the same he's the sir major not
10:28 not will be for the rent a but it's but it's for the chupitos and to invite them
10:33 and to get to go over the rogoberto terminate in the commandancy but also there are proofs that
10:40 incriminate and the resident know that there is something that there's a form of a woman
10:46 that says and that it's all that they're that they're that and they're talking of
10:53 these strange there are three stories that me about of certain spectros, those which could
11:01 seem to be that are spirits infantiles, but let me me more, I'll tell you the story, and then we'll
11:07 get to some conclusions. There's a family that has a anniversary luptuoso. A man, goes,
11:14 with her wife, that much years after, much, many, many,
11:18 many years ago, had been a new a new year, a new certain certain difficulties,
11:23 and when it was the other world, let's know, the other other side. This man,
11:31 this man, both have been families, who are they're and they're with their
11:36 family, in that there's more of 30 people, the most great,
11:39 with 53 years, but the most little has seven. That little
11:43 one of seven years is a one of the subrines that are
11:48 that are I'm not saying that's there just there's because he's accompanying someone more. No,
11:55 know they even because they're in this cemetery. No, know the situation. And it comes that
12:01 has been to a family the whole has no kind of any depego or a problem with
12:07 the situations related to the life. Because the little she's a little campante in
12:14 the cemetery. He's comeinand at a time, a time, a time, a time of a time,
12:18 and they is asking things. Because that is of color gray and that is of a color
12:22 coffee? That is there in a house. Because there a little of a little bit of
12:27 that's really really very free? In the nights it's more frio, it's too
12:33 because those people are too, and because that sirs and that
12:40 poor-s of the family of this little that he seems in
12:42 the age of the question and because he has questions for
12:46 all sides and all they're all but there's but there's a moment that are you are the
12:50 questions very complicated and that they're not those are the people who they're to explain
12:54 this new about what going to when the life gets to the final. What is what is what
13:02 the little? The new that's they're in that they're not there so much
13:09 there's a time. The little bit the world but not in a sense
13:15 religious in a sense of understanding the transcendence or that for some people, it's a place, a
13:22 place of much a lot or an encounter, a recogiment, a much reflection. For the the new,
13:28 it's like a museum. It's a place that is a place that there's written, and
13:34 it's written, but not read so that's very that's doing, he's doing in voice
13:42 all to do. Jose Maria P. 1.9. 6. 5. one, nine, nine, two. And so the little, coming down to one
13:51 side to another, and, of a sudden, and, of the stupon, and then, he's put to play with a mariposa that was reposing there. The mariposa is the termina putting here in the naris, and the little, she acuesta in the lapida, felice, being and waiting, and, waiting, and, waiting, and something
14:11 something very strange. You going to what was what was five minutes
14:15 after the process of the maripos and the little all the little bit of the tio and the tia
14:21 giving us all right. Allient. Even when he passed many years from that that's a
14:29 anniversary and for them is something when when of a repent he gets a car
14:34 coming a man in the middle of all the tio and he And he says,
14:40 I say, for favor, that you yeah, he's the he's, and the kid's the little bit of
14:47 the little the other time, she's about, the other thing, and he's disculpe-a, disculpela. And the
14:54 the little, Oscar, and he says, no, wait a, and he's he put a little,
15:01 he said, he said that he's not put to the whole, because it's being the moment
15:06 more incoomod, that nobody could have imagined that he was occur. The two Tios were two Tos Trio-T-T-Yosan.
15:14 A-Ros-A-Rom, and now are a little bit of a moment very inco-to-to-to- the woman. The woman, that was there was a ex-n-a-
15:23 and hernia, she'll be a-n- little bit, and he says, A-be, me can't explain to what you're talking?
15:32 And then, then the little that makes that all the way they do, the little, the the little, he says,
15:38 is that his that's a that's a that's the that's the he's not, they're doing,
15:46 and where does they say, it's a silence, absolute. Well, the two men were
15:52 there's there's that you imagine, you know, you know, you know, when it's
15:57 a little she's she's, she's, she's getting the limone and the yager,
16:02 God, God, something, she has a little, she has been, the and when the braza, he
16:07 He says, yeah, yeah, for favor, yeah. And then the sir, that was in the lute, I'll see to the young, and very surprised he said, no, no, no,
16:17 dehalla there, and you know, he's a reason. It's a carrying to the tomb of the little bit of the was, and adivina
16:24 that tomb was. It was the tomb that a young, she used to a woman that was a camera there is a cross, and the
16:36 Lord, it takes, and when the Lord, he'll look, and when the le, he, he'll, he says, I can't say, for favor, how is the
16:44 little, the that you're saying, and he said, she was a littlegat, like, I was a
16:50 moward, the labos were made morados, the cabo he had very maltratated, he was
16:55 he had to come to be and the narice is it had to be
16:59 a romegated, and here but he has a sonrisa very beautiful. And what was doing that was that was doing
17:07 that was a little bit. And the Lord, I was there and I said, Thank you did a little
17:15 more? Me said, I said that, for favor, and she was going to have to be and he's
17:20 a baby and me disculate. And she he said, and she she said, she, she she said,
17:28 she said, she said, she said that she said that she would be able to be able to tranquil,
17:30 he's going to the sir. And I know you know you know you're
17:35 not in the story. But that's then when the child, she's a little bit of this family
17:42 and the question to the parche, me can explain what you can't because I
17:47 feel very confused. And to you know a part regosicated and other part like
17:52 very compugied me can explain for and the two men are in the Rises and Lachrymys and they
17:59 They say, Describeau our And is that when We came to come here We'll forget And it's a little That's come in There was a cross
18:08 There was a cross There was a There's a little Nuebe-a-it And I'd take And I'd like A-rere and I'm I'm a recordito
18:15 I'd like my My little Wernha And it was a A-Way And that I'm B'I'm Witt'Rits'E
18:23 And is of a T'Ocee That's the four Messe's, he put the cross and it I'm going to put to cargare a kid to give to a kid. We're trying to make,
18:33 because our little she was very very, and it was very and it was a friender. But, wait,
18:40 wait, before you do you make you keep you're going to another story. And I know you're going to say,
18:47 ah, clear, but wait a before you before you I'm, because there's a story more.
18:53 And then you're what you think you? There's a in some part of Mexico, in the that occurred a sucese very, very, very, very a subjectio of around
19:05 19 years, called Esauu, making use of all his arts romantic, conquist, a one of a becina of three quadras of his house, that had 27 years in that time.
19:18 Esau was a manned to be presuminging to all parts. You've seen a my novi. And as there there had
19:25 many moms young, some of the muchuchos of the chou they were like they're their age of
19:32 their dad of their dad of their their they're a lot of another was something
19:36 that they were a other they're a typical to do you don't you don't you
19:42 mean, I don't you do you what he did you and the people he was to
19:47 he was he was he was and he he was and he mentioned and I'd
19:51 the photograph or I and she was presentable, and all the people had reactions, and Azahu he had loved. Comeensan to pass some months, and the breach of generational and begins to do yougit,
20:02 because this chick has become very exigent with Esau, and he begins to exigntes and when will be to be a life more in serious? Esau is to have an time in the while he wants to be able to
20:13 live in the fiesta, and now that has conquered, all having a woman a much more than he, so he's still he he's Siente,
20:20 then he wants to start to be your life not going to be like the of those aborried parents, pure work, casa,
20:26 house, house, and that legato he's a word to say it's directly to her in
20:32 a discussion. No, I don't you to cut out things in the discussions, but there be prudent,
20:37 because when he said she, she he said, she's he's a face, and
20:43 he's the question, you know, you? You're doing with me? Or you? You know,
20:48 that I if I want to be a mother, and she's a year with a perorata that's even know who's even to stop a lot of trancaso that he gave mental and emotional and to his autoestime and for all parts. The type came to say, he's made more
21:02 regaigned than all his life, and of a sudden, he said, that was a woman who had of her to her mom, but a becito, a bracito, the things more tranquillas,
21:12 and evadiered the thing. It's rare, because at that moment when he goes and he goes and the visit to your house,
21:17 the environment not it's not so much it's a little,
21:22 and it's a little and it's been a little bit of a lot and it's a lot of
21:28 a lot and not positive and it's very funfunion yeah since it he's up,
21:34 it's a little a lot of here in the endresheho where he's during
21:38 the night because he's doing pure the those who were they'd be to discuss and and playars the
21:44 mandibule and the of the poor type when it moves truanah. He's been with much stress. He was never prepared for that. And he was in the house of this chick thinking in how he'll confrontal the things when
21:56 a pass something super-extual. He's a question. Yeah, no, want to be it to be doing, if you're sorenes for something. So, is that, he wants to do a when, of a repent, he gets a manita fria, frie, frie, friea,
22:09 that he agarra's a man and he'll be extradard for one side. And there's a muchachita and around about of
22:16 about to about to be about a year to nine, 10 years. And I went to
22:21 and she relax the he says, who is you? And he said, I can pay a
22:27 favor? And I say, he's a not a kind of that I
22:32 know, and he's so, yeah, what happened? I'm, tell to my
22:35 mom, that I let me that no he's that no I'll be there in the patio and that he not visit. And where the
22:43 young, that's the bus is he kept seeing. And he says, Who is your mom? And she'll signal it. When he has a photo. There's a photo of a lot. And Volta, yeah no is the little. And he starts. Nieu. Nieu, who is? Who is your mom? No, I didn't. And he's par. And he starts. How she met a little in the house? The door should be at the door principal. And if it's been to be the door principal and siesta serrada,
23:06 she has crossed for some place in a place of a place of a car to be in the house of his wife
23:11 when she's no, nobody entered in that and nobody out of that and he and he's
23:16 walking right the and in the quadros are many photos, there's this chica
23:22 the new of her, and she and she with the mother of her, with her
23:26 familyaries but it's she's she's like a one quadro that's a picture
23:31 he's very perplego She'll get this chick around A while to have a little bit more enoched, isa, he's surprised and angustied. She'll know and he asks, My amor, what's the past? And Esau-u'll say,
23:46 me passed something very rare here in your house, very rare. She said, what, what was? She pele-oed my papa with you. You said, no, no, no, no, no, no is of that, no, is of that. You'll say, but, for favor,
23:57 no, you think you're like I'm sorry. I'm sorry, if you're going to, No, you don't, you goys enoching with me. Needs it. And she says, yeah, he said, yeah, and you're doing, you? Beviste something, tomast something. For favor, no empresses. No,
24:09 you chocker, that you metas with that. For favor, no you know, I'm sitting there in that sierra, when I sent me a man very free that me agarro, I'll lookie, and I saw a chaparita, morinita, morenita, with the cabo, all dispeinado.
24:24 And the little bit said, that he said to her mom that he had pardoned, but that, for favor, that's that's a much that
24:31 they've got to see a and the and when it's just to say that the chica and he put in
24:36 all the eyes, and he quivered the and he he's that she does that
24:42 she's so that she that's that he and to feel that that's the time,
24:47 in the other of this you're saying you're you're doing, what's what's what's
24:51 what's what's what's because you're that's you're just that you want to
24:56 and he her, her daughter, her is her here. Venae. Come to help. See me mal. Help them. And, yeah,
25:03 finally this chick he's up out of the house and he starts. And he's a year and I'm like
25:08 a maddalen. During a half a time and he did it all the social is it
25:13 doesn't know, he's got to he pico. One part of him is more more tranquil.
25:19 He's was getting in the things too serious, and what happened with that
25:22 she was that she did the chalof-a- why's he's he's a not it's a
25:28 phantasm I'm I'm going to I'm going to it's a really a
25:32 real of a little he's a name of he said we need to talk when we
25:37 to go to the little she's she's she she's she
25:41 she's I'm I'm and he he's he's that's I'm sure
25:47 he's that I'm I'm in you're I'm not you're I'm I'm
25:56 time, you know you're not my first no new you know you're
25:59 you're know, you're always I'm a really a I'm very a little bit of
26:05 but, but they're going to do. And as things were very, bad and
26:11 me could pass things bad as my family me help,
26:14 and it is there behind the back a a little
26:17 a middle my mom. My mom my mom if you have
26:22 all my mom, my mom, if there's I've seen much that I've so I'm
26:28 I'm a but I'm going to be a time to be a time a week to be a time to give to
26:36 my daughter I'm sure that I'm just gonna but me I'm a way to make a way of all right and I'm
26:43 I'm gonna know I'm gonna know about my radio yeah nothing before you get to come
26:50 and here is where you yeah is a story of Veronica is a And she has worked
26:56 in something an guarderia. There's encargated to receive children that run down
27:01 from the year to be to the six years and a year. They were
27:08 like years multiple a type of a kind of a
27:12 kind of for the different people that were of a certain
27:15 of a good good, a with an he was a lot Risa and said,
27:26 "'For what we "'for what we're "'if here "'could have "'n't even "'un't we "'un't use "'un't use a
27:32 "'all we "'to use "'this salon "'of football "'and the "'sas canches "'as can't "'isperdice'
27:38 "'Depo "'Yes, "'and before "'it was a "'secundary "'and did it "'in't, "'and then-it-you-
27:46 "'that, "'ah, and be "'to be "'on't, "'the day, "'onononon' "'I'll be "'toe' "'he was
27:53 "'toe' "'I'm very enamorado of his work. He was very well with
27:56 all the parents of families and muchachos. But when when he to get a
27:59 pandemic passed two things very very or their
28:03 property they have to suspend the classes there
28:06 no no no more access for nobody only
28:10 some some people people that are in the
28:14 system of the system but they start the
28:17 months and the last or the final of the first
28:20 year of pandemic. Viener a storm, but of those tormented, tormented, it's fendue the sky,
28:28 he opened the ciper, that bolsa and it's all the firmament on the and over,
28:34 and various tachos of the salons, the structure of the school was
28:38 got a and the school was not able to open to be back.
28:42 Passed the pandemic, and no there was there was the
28:46 person they were in nomin no they they were they And they'd mostkeying and they'd
28:51 all the area of the building on the building. They were those who were in the silts of color yellow,
28:57 putting in a building in a building that was a little little bit more and it was a time. It was a
29:02 moment in the place was a thing that was all over all right, and it was a lot of she was over
29:12 a corner of a year, and they were more than a year, and you're not you're talking about
29:17 just about just about there's They've got the idea of not to do nothing and go to do that's, but many of
29:24 those of them very young, to the six months that was that were going to that were going to talk about it, they said,
29:31 and they said, that, that, that, for you not they were, that they were that they were doing,
29:36 to receive the money, they were they they were doing, and it's in these circumstances, when Veronica
29:42 let's give, that they're they're doing that they're to make, and they're to make sure,
29:47 because they're a great a group, and she has a lot of that's a lot of a lot of the year that's the year that's
29:54 you're going to you're going to something. The maldito auditorio that we'll use, we're going to do something in
30:01 that place, and it invite to that all the planteel, that are more or almost one of
30:06 15 persons, those families, and especially those children, are going to do celebrations
30:12 there, one once every year, one every every day every day, every things made as invented. It was like
30:18 to open them a little park that they could have been despise, that they would have people with whom is conversar, and it was a little in a lot of hours extra. The fact that was that did they were not, and that was it, yeah, yearn't do you know, they were to docile to do that, they said, no, there was a single person to rejects that idea, so is that
30:36 they'd be part of this team and began the celebrations for the third celebration, and to all the kids of the workers know the place. They're all right. They're They were in a tournament of basketball the last time that they were reunied, and this, that is the third, they were going to do a work of theater. The work of theater was free.
30:52 The men chasches had to put in accord. They were going to do the dialogues, and they were to play directors and actors and all. The parents were a convivio. They were a four papas that were from the grades when the children were to make sure, and all the other papas were distributed They were in the salons that
31:10 even could enter, cancha of basketball, and a lot of the papas were there a cascarita, they were in a moment of convivion
31:20 very, very sano. And it was in that place, in that scenario, with those four papas absolutely distraided
31:27 in a conversation that they'd there in when the place was full of a gritty a stoutudinal
31:34 espantos the 15 children that were there were at the a bit of a-hastroces, and they were to
31:42 go to a stampida of little abestruces, that were at all velocity to the entry. The parents no they'd be and even they'd
31:49 get them, and even they'd get them, and they were allosted-asimous when they they'd to get to get to be
31:57 to get to the end of the same, a phantasm, a phantasm, a phantasm! And the the papas
32:02 started to say, is that you know, we'll just we've got much time and they've been with
32:07 their fantasias. At the final are the most great of all the whirquitos had one of course and there's all over.
32:14 And there were little gotheb more than more than you can't make it. So, all had passed a very good
32:20 rato, up at the tarima, they're that they're to have to have done a story
32:24 of terror, and there, as you're a little in ruins, no, per no per
32:29 little in ruinas, have to have seen a little bit of a rana or whatever thing that's
32:35 A thing is that is that's rare, because there are the convivio. All go to their own
32:42 in the planteel. And there is doing his labor to director, intendent, maestra, mother of
32:48 family, and aodologist. And Beiro is to recoguiting all the basura now and
32:53 is very very strange because when he gets to the area, that is of this
33:00 scenario, just put the other put the entire the the spalda and column
33:06 vertebral is like if they give these little discargas that are incontrolable but he's making a movement very
33:13 rapid for one and to other like if the body were doing doing those are doing the and it gets
33:19 a moment in the back the because it's like a ormigue horrible and he's yeah,
33:24 yeah, and where he says three times yeah and he and at the front
33:29 of the scene he comes a man he has been the problem
33:32 are two little details Before that I'll tell you, what reaction you'd
33:37 ever? That the children told them of a phantasm that you're not you're
33:42 about a person that's been a lot of a lot of people, and the
33:48 people, and of trying to that's the place that's she she knows
33:53 the she knows the she not in the people who think
33:57 that's that's he's he he's he's he's going
34:00 and she He was the devil. He went directly to his office. He gotro the keys, he left the door abjured, and all the place abentated, patas
34:08 to be in the stationationation. And he went to the same. I'll tell you. Because when he gets to his house and
34:16 he goes to his son, because he had given one of the other parents of family. He's direct and
34:21 he's he's a question, me you can't say exactly what was what did you? And then
34:25 the child he said he was a little he was a Bajito, Mama, but all the car had like if
34:33 all were a pinkura and the center of the front of the front of the same, it was
34:38 like it was like they were put out of because those were red, rojo, rogos, and in
34:44 the other little bit our rottita and we was seeing, and we saw, and me
34:50 it gave the impression that if we're we're the time, it's the mother, and
34:55 he was the head up back to because Verro I just I think it's the moment of to be it. And it's now that I'm sorry, to the demonios, we're talking. And with that story, my
35:27 standing there, I would be able to be borrated. One of the whole of the summer, so we're going to
35:37 we're going to we're going in Saltillo and Torreone, I'd I'd say that you'd have some
35:41 fun of you guys. Bye, bye. And what said, that no is the
35:48 Boceita of the but here I'm here I'm Otra Otta
35:53 Otta Boceita you We extranavom, boceita. Like, one day you felt like were many more was a bit
36:01 a way to get that the time? A little, a little, yeah, but I'm back. The end of the end-vibed,
36:06 when you were you soundabas more grave, bocecest, it was that was the other voicecita
36:11 that's that's the more those are you those are very very similar. You're like they're
36:17 different to do the two voices of or maybe are three? Let's let's get it. So,
36:24 then, Boceita, What to be what Desceas the day of today? Another
36:29 Another story? Yeah. Because I have one that is a rare, rara, rara, I'm really
36:36 Rarer me good. Rar as got. This history of my dear
36:40 Family Nocturna, you tell me me, for favor, is that
36:43 all what you made to be great doubts. I'm I'm
36:47 don't know. First, there one there's a thing is a thing.
36:51 And when it describe. Definitely, there are many children, but that's that they're describing, it seems a little of a movie of terror. It's very strange. Could have been many things, I'm going to have been quite, but it's very strange.
37:04 And how, that a phantasm, you put another thing, and it's related to the other phantasm, but apart of that, it has to, it? It's super-straio. So, I don't know. I don't know any to think. It's all right. Yeah?
37:20 no, me going to import. And so, without I'm going to tell this story. Because in
37:25 serious, I don't have the idea of I'm going to say you're a point of a lot of
37:32 a car. It's a house that you're and since you're in a cell
37:36 principal, the which only has a seat of three places, and there
37:41 in the front a television an old, that's separated
37:46 of the part of the a right, there's a a room that does a recamara
37:53 a recamara that's a room, that piece, has two doors, one does a closet
38:00 and the other of a little a little a minute. When you you're you're in
38:05 this apartment, the sillion of three plasas and the television, if you
38:08 look to your side there, there there a a corner a corner.
38:15 They're of these kitchen that are a messita on a psal
38:18 but it's a cocina, it's a barra large, imagineate a rectangle so delgado, and in one of the extremes, it's a part of a patio. And that's all the house. Why did you get a lot of the zone of the zone? Who knows? And only to have, there's a sillon, and a
38:34 telek that yet no serve. There's a chica that is that in a cruce of various things. The first is that in that house, vivied his abuel. His abuel, the last years, had transformed to
38:45 a person a little ozka, a little in the family she had separated of her his abuela, her
38:50 his abel in a apartment, the two don't not even and the other
38:55 he was in that he was a house. She and the father she
39:00 never never had a relation in some in a night
39:04 but the but the little no that no that he was
39:08 she was she never a very so. So, so after
39:14 three months that and it was like a noticrouserate, but nothing more. No, there was a relation. Never took them as a moment, records, moments specials.
39:25 Nothing, no construed her. They've passed three months, and in those three months, it's supposed that the abuela, of when-in-cunded to this house, and she said to the family that will remoderal to the place to put it in rent,
39:38 and there's going to do that rent, that no-seeked to the property. The abuela is a very good administrator. the abuel, we'd, we'd say, that's more or less. But yeah no is the
39:48 sir. The house is there. And this chick a situation that is much more complicated than the of his old.
39:56 She has a newio, that is five years more than she. It's a type that no has a
40:02 real rebel, and is a very conteston. So, is that the family of her
40:07 and the odia is a little. He has a prohibitissimo that that that's that's
40:13 to be able to see her, and less be able to the house. This manchette is very enamorated, and that type has a labo and a language, like,
40:23 you know, you know, she has to edit. Yeah, they have a lot of codes and form
40:29 to communicate with her, and every that she can be a woman, she has been a woman
40:35 with a friend, and you can't understand. They're in these years in
40:39 all that all is passion, and all is a fire that arde. And one day this chick encountered,
40:46 around the roperer of her mom, some little know, she was not know they're not they're doing, she was going
40:52 to the room to the house, he said, and her mom and said, franklylylyly. Ah, well,
40:59 you're of the house of your abel. Your abelah me did some copias, but,
41:03 but I, those have I'm, I'm, I'm here, she, this chica, this chica,
41:07 was was she was was going first in a caj, then in another. Then they
41:11 they left and was he was called behind the other a lot of the house that they were
41:16 they were in a lot of then they were a lot of the keys and they had been behind.
41:22 When they were three semannitas that the mom not had never
41:25 never for those the and she and sheverer and
41:29 that that she'd get a little there The man
41:40 He justo He quissed He quissue He said He said He was doing Something he's doing Something else
41:46 They're doing They're doing a like recapacit, she aghach, he does a and the things start to turn
42:14 very rapid. The chara the door rapidly. The chica terminate a postada in the
42:20 sillon. He's up of her giving her some when you listen two things.
42:26 A to a to come from the fourth of the old, segued of a
42:30 point out of the the chica she put palid the instant and the the man
42:34 he's not to be she, she's my abuelita, it's
42:38 us agarro. And he says, Poske, does that say something, and the muchach, even when yeah, I'd have to be a instant, because what
42:46 is doing definitive is something that all the family is to know, succumbed ante these fos juveniles. And the
42:54 man, after three or four verses more, has that recet the cassette that has this much at the little,
42:59 he's a little, he has to be saying, and it's then when he'll soundar a portas on the
43:04 house on the house, and after the door, the door, the door, the the water with all the force of the world.
43:10 There, the manchho's put to foot, and he says, no, I'm going to tell you that no, I'm molest, and she already, yeah, he understands that this subject is at a point of doing to do something that's going to repenting for all the life. He's a little bit. He says, no,
43:24 v. Let me go ahead. I'll say, sir, the next time that no, there's a man, let me ask you all right. The man, the much time to getcharse and give to her. She'll be able with the trompas when he has a
43:39 face of a look to turn to the door, she starts, she doesn't what is going to what's going, he's
43:46 he's going, and he's going to the door, and he's going to get to the she's going to go ahead
43:54 to the room to the little bit of the door a little bit of a little a silhouette that even with that
44:01 not had a little relation is clearissima and it's a a sombra that is in the
44:06 window of the door, even when when there's light in the place. And it's exactly the
44:10 sunbra of his abuel, the silhouette perfect, exact. And there's something that he should
44:16 have been out of but your instinct or something or something to do to do it
44:21 to be that I that's that I'm that's a thing that he's there's
44:28 there's there. There's a someubber there's a smearerer, that he's in the moment in the head
44:35 and he goes to the door, a few meters, a lot of her side of her. Note, for your arms are a way to get a
44:42 way. She'll come like a local just to see how the door, the door, the door,
44:49 the door. She's got getting the auto. She's a little bit more and then just just, just,
44:57 just, no, I'm going to do it, no do you want to do it, no, the cerrador it, Gira,
45:02 for fin in his hand, and then he's over the house, the other the house
45:08 are the and they're the place very well protected of these these extraions.
45:16 Oh, that's the locus, bravoceita. You? You know, so? Thank you.
45:21 And you are you did you know, what was the story of the day of five stars? But if you're
45:29 here in YouTube, see us and terminate the terminating, share this video, but comment me in
45:33 any of the two reds, what was the story of today of today of that I'm
45:36 that you see that we're on the next next a in the fogat
45:40 in Salty and Torgian you have you docese bye-bye
45:45 bye-bye boy-bye bocissita. Bye-bye! No, we're we're we're
45:51 yeah came again again in the trap and it suppose
45:56 that in that you cutabas the gravation This not is just
46:02 For favor, detain me Abrable to your leader That's supposed That's it's not It's not functioned
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