83 Weeks with Eric Bischoff - Episode 271: AEW Collision & The Four Horsemen
Episode Date: May 22, 2023On this episode of 83 Weeks, Eric and Conrad discuss the announcement of AEW Collision and the pros and cons of a new Saturday show. They also discuss legacy of the Four Horsemen. Eric shares his thou...ghts on the faction and if he believes the group is worthy the praise it receives to this day. He also discusses in detail the different formations of the group and why he ultimately shut it down. BLUECHEW - Try BlueChew FREE when you use our promo code 83WEEKS at checkout--just pay $5 shipping. That’s BlueChew.com, promo code 83WEEKS to receive your first month FREE HENSON SHAVING - It’s time to say no to subscriptions and yes to a razor that’ll last you a lifetime. Visit HENSONSHAVING.com/83WEEKS to pick the razor for you and use code 83WEEKS and you’ll get two years' worth of blades free with your razor–just make sure to add them to your cart. MANSCAPED - Get 20% Off and Free Shipping with the code 83WEEKS at Manscaped.com. EMPIRRA - Sign up now and receive free onboarding, your first 14 days for free, and 24/7 support. Get ahead of the game and save 20% on your subscription by using the code 'wrestlebiz' at checkout. Launch your business plan faster and with less effort than ever before. Visit www.empiraa.com/eric today and start your journey to success! FITE + - Fite+ is the ultimate digital platform for live sports and entertainment, and they are now offering a free 7-day trial at TryFite.com SAVE WITH CONRAD - Stop throwing your money on rent! Get into a house with NO MONEY DOWN and roughly the same monthly payment at SaveWithConrad.com ADVERTISE WITH ERIC - If your business targets 25-54 year old men, there's no better place to advertise than right here with us on 83 Weeks. You've heard us do ads for some of the same companies for years...why? Because it works! And with our super targeted audience, there's very little waste. Go to AdvertiseWithEric.com now and find out more about advertising with 83 Weeks. FOLLOW ALL OF OUR SOCIAL MEDIA at https://83weekslinks.com/ On AdFreeShows.com, you get early, ad-free access to more than a dozen of your favorite wrestling podcasts, starting at just $9! And now, you can enjoy the first week...completely FREE! Sign up for a free trial - and get a taste of what Ad Free Shows is all about. Start your free trial today at AdFreeShows.com. Get all of your 83 Weeks merchandise at https://boxofgimmicks.com/collections/83-weeks Learn more about your ad choices. Visit megaphone.fm/adchoices
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Thanks with Eric Pischoff.
Eric, what's going on, man?
How are you?
I'm doing great.
But before we even get started, Conrad, I just want to thank everybody that's listening.
Okay.
Just every time I do one of these episodes and I'm done with it, I just think about how grateful I am to have this opportunity and be a part of the community that you've established here.
You and the team have established here.
it part of podcast heat and ad free shows network it's it's a great thing and thank you to everybody
that's listening i didn't develop it dude we developed it and we're excited that you guys are here
along with the ride it's fun to record with you every week man you know this is uh i guess
technically something that we do uh for a living as part of our income but man i'd pay to do it
i'm having so much fun and i love talking about the good old days of professional wrestling and
we're going to do that today we're going to have a little fun talking about the four
horseman and I think I have an idea of what you think about the horsemen we're going to find
out for sure and we're going to examine that in long form but before we do man we should talk
about some some big news and wrestling these days goodness gracious it finally happened this past
week AEW announced their brand new show this will be their third television show
of course we all know how blockbuster it was when tony con was able to land live shows on
Wednesday night called it dynamite and then soon after he rolled out a Friday night operation
called Rampage. We know there's been a couple of shows on YouTube, dark, and elevation,
but now he's acquired Ring of Honor. And now he's also got a Saturday night AEW show
collision. It's a real thing and it's going to be here before you know it. As you and I are
recording, it's inside of a month. It's going to be live on Saturday, June 17th. And man, I can't help but
notice that the graphic and the presentation. Boy, it feels a little nostalgic for a little
thing called Nitro, which used to be a big doggone deal on T&T. What did you think when you
heard the announcement? And more importantly, what did you think about that new logo?
Well, the announcement is, you know, it was kind of anticlimactic because we all,
we all saw coming. You know, the rumor of it and various details of it, however correct or
incorrect they were. It's been floating around now for a couple of weeks.
So, interesting, I guess.
You know, I've talked about, and John Elba and I are going to go into the business of this in greater detail on strictly business.
But it's great news in, I guess, many respects or a couple respects.
Financially, it's probably a good thing for Tony.
We don't know what the details of that are.
But I'm assuming it's going to be financially a good deal for Tony, maybe a great deal.
We don't know.
Um, strategically, I think it's a bad move.
I've said that since the very beginning.
In fact, back when AEW was, you know, promoting the stuff that they were going to do
on YouTube, I kind of shook my head and went, man, don't do that yet.
You know, build your core audience, grow your brand.
Make sure you have a strong foundation before you expand in more programming, more content,
because it takes time. It takes money. It takes creative resources. It takes human resources.
And until you've got your infrastructure, your team, your process, all in place,
and you can add another show without diluting or taking away from your core product,
whether that be human resources, financial resources, which probably isn't an issue,
but human resources is and clearly creative resources are.
there's enough talent, no question about that.
But I think the creative resources and experience within AEW have proven to be less than, I don't know, inspiring.
So they've got their work cut out for them.
I'm going to remain optimistic.
I hope it works.
Oh, yeah, and let's throw in the fact that it's Saturday night from 8 to 10 targeting 18 to 49 year old males.
Obviously, somebody in TBS programming knows something or believes something.
that I don't know or believe, but that's a tough spot.
And then you add the, you know, clown car antics surrounding CM Punk and the announcement
and the unannouncement and all that.
They're stepping into a very difficult time period, day part, Saturday night.
They're stepping into it awkwardly with all the buildup and the hype and the speculation
about CM Punk being the center of the show.
all that. And now they're setting out press releases saying CM Punk's not affiliated with the
product. That is not the right way to the debut a show. That I can tell you. So I'm,
you know, I'm not negative about it. I'm I think realistic about it, hopeful for, for the team
at AEW, but it is not without challenges. Well, listen, I don't want to pretend that I think I
have all the answers to any of this but as you might imagine do have some counterpoints for you
some head scratchers based on what you said in my opinion we'll start with the saturday night
time slot first of all i mean i think we both agree and i don't know but i would imagine
that it's not like tony was able to dictate okay i'll take a show on so-and-so day like the
network is going to have the leverage there and i wonder from your perspective
perspective, how is Saturday night much different than Friday night Smackdown on Fox?
Well, number one, because it's Fox, so you've got a broader reach anytime you've got a network
opportunity versus a cable opportunity. And let's face it, TBS is not, you know, they're probably
in a top five, I would imagine. I haven't looked in a long time, maybe the top 10. But TBS is not the
hottest network on cable and you can't really compare tbs on saturday night to smoth to fox on
friday night you mean t and t and t i'm sorry t and you can't compare not t and t i'm sorry i
you know brain fart there um t and t is a more popular network in large part because of the nba
and the eyeballs that that attracts and they're able to build down throughout the year
but i i just don't think you can compare either t and t on a saturday night or five or um tbs to
fox it's an unfair comparison number one uh just so you do you mean is established
w w i'm sorry go ahead t and t is the uh the fifth as of december 2020 they're the fifth
most watched cable network so okay that's that's good but that's not fantastic um
I just don't think, you know,
WWE's got, is an established,
has been for decades,
has an established audience.
AEW has got,
I think they've cornered the market on hardcore fans
that will pretty much,
you know,
fall in love with anything AEW does.
Good for them,
much like ECW did, right?
ECW was,
they,
ECW captured 100%
of that portion of the audience that really love that extreme hardcore alternative presentation
of wrestling.
I think AEW in some respects has done the same thing, but certainly they're not strong
enough to compete with WWE.
This isn't a criticism.
It's just a reality because they're such a new company.
It would be impossible to really compete or compare, compare to WWE and Fox.
well i guess what i was saying is you know you're saying it's a it's a hard night to capture an
audience and and maybe someone at t and t or turner knows more than you do about how they're going
to be able to do that but db is doing it the night before on a friday night and i would argue
that being on network versus being on cable matters less and less i understand generations
ago people used to have you know over-the-air antennas so they would have rabbit ears way
back when and you could pick up those channels but you had to pay for cable i get that but now it feels
like a lot of people have just cut the core completely and they're using things like youtube tv
which would give you both fox and t-and-tis i think that matters less and less but the parallels
are there for me like i think back to when you were sort of dictated to uh when you were a part of
this turner organization and they said okay eric you're doing a thursday thunder show now
you've acknowledged boy that was really stressful and put a lot of stress on all the resources
in your organization not just personnel but everything and you didn't really want to do it but
you had to because that's what the network wanted we don't know the way this is coming out but
ultimately we understand that the the key revenue driver now is no longer pay-per-views
it's no longer ticket sales is no longer merch those still matter but it's all television
right. So doesn't it stand to reason that Tony Kahn's in a similar circumstance that you were
where if the network wants another show, yes, you technically were their employee. I get that.
But he's got to sort of keep the cash cow happy. If they need another show, he's kind of got to do
it, right? I mean, he's trying to get some more leverage and grow that number. You do that by
being a good partner, right? Being a great partner, not a good partner. A great partner is such an
important part of the equation, you have to have a great relationship with your television
partner, especially, as you pointed out, is now television and rights fees are the key driver.
So yes, if Turner came to Tony Con and said, we absolutely have to have a show, we want another
show, we're willing to pay for another show, we believe another show will be beneficial to the network
and eventually your brand.
So here's what we want you to do and here's what we'll pay you.
It would be hard for Tony to walk away from that.
Right.
It would be hard for me to walk away from it.
I might want to, but I understand that.
I understand that he may, because we don't know, do we?
We don't know if this is something that's being kind of, I don't say forced,
but put upon Tony and Tony's just reacting to it or this is Tony wanting to do another show.
We don't know.
We're assuming that Turner is mandating this.
I don't believe that is the case.
But, you know, Tony Kahn once said, and this isn't something,
I'm not trying to start shit here,
but Tony Kahn once said early on after the start of AEW,
I'm not going to make the same mistakes WCW made.
I'm not going to go into the litany of mistakes that have been made
and continue to be made by Tony WCW.
that are significant, and many of them are similar to some of the mistakes that I made.
He's making the same ones.
This is another one where if I was Tony and I was looking at the long-term viability of my brand,
I would do everything I could to talk Turner out of creating that Saturday night show
if indeed they're pushing it on him.
If Tony's stepping up and wanting to do another show for any reason,
then I question his judgment because it clearly does not have the resources.
And what we've seen in the last couple of days with this,
I can only refer to it as a clown car competition regarding CM Punk
and the litany of the mistakes that have been made, profound ones too, by the way,
that have been made that has created this situation tells me that internally just as a business
operation they still don't know what they're doing and and i think that's a challenge it i i i just
and again it's probably because of my own experience with thunder and in the impact that that had on
wcw and the bad decision that that was and keep in mind we were hot we were beating wwe at the time right
We were outperforming our competition head-to-head.
We were generating times of money.
We were well into the profit, 30, 40, $50 million a year in profit,
depending on who's accounting you want.
It was actually more than that.
But because of intercompany allocations in the way Turner was structured,
WCWCW can get credit for a lot of the revenue that we created for the Turner organization.
But even at the peak, at the height, we were in so many ways strategically and tactically.
So far ahead of the game and Thunder really, really, I think was one of the, that was the beginning of the end.
People liked when did WCW really?
What was the, you know, finger poke a doom, sting not winning the title at Starcade, you know, fans and people that weren't in the business and don't really understand the business beyond what they see on TV or they read on the internet.
It's easy to point to those things.
But the real fatal mistake was adding thunder.
And because I lived through that, I would hope that Tony wouldn't make that mistake again.
But here we are.
It is what it is.
And look, I hope I'm wrong for the sake of a lot of great talent that have great opportunities in AEW,
making good money in AEW.
I really hope I'm wrong.
I just don't think I am.
Well, you know, listen, I often wonder when I hear you because I mean, I think sometimes people discount your take in your opinion because it's not popular and because maybe they're AEW tribalists.
And listen, I'm a huge AEW fan and friends with a lot of those folks and count Tony Kahn amongst them.
But I do at least listen when you talk because you're one of the only guys who've been.
in this spot like really in this spot even with turner but a few moments ago you were even critical of
him having a youtube show and i'm wondering like how is that different from having a syndicated show
named prime or pro or worldwide like i understand once upon a time it was all about Saturday night
but then it was about Saturday night and Nitro but that's just part of the equation you still had
these other weekend syndicated shows, the power hour and all that sort of thing,
isn't that kind of the same thing?
Like you're trying to just get eyeballs out there on the product.
And if you've got all this talent on the roster and YouTube now is a global property,
so it's not something that you could only see domestic or you got a bicycle tapes here
there, aren't you just leaning into a more modern version of the syndicated show,
except now it's global and on demand?
A couple things.
number one, those syndicated shows created revenue for Turner.
And they existed long, not a lot, but they did.
Those shows existed long before I arrived in WCW.
Right.
I didn't, I didn't endeavor to add programming to WCW.
I didn't even my idea to add nitro, by the way.
Truth be known, well established, well documented.
That was a Ted Turner idea, not an Eric Bischoff idea.
I was trying to reduce the amount of content that we were producing,
like I was trying to reduce live shows or live events, for example,
for the same reason.
I wanted WCW's core product to be successful and have the production values
and the creative necessary to become profitable.
The difference is Tony is, this is proactive on Tony's part,
at least the YouTube shows are.
again, we don't know situation with.
I mean, Rampage was, I think, a Tony Kahn idea that was a result of the move from TNT to TBS with
dynamite that was part of, and Tony told me this in his own words, that was Tony's response
to, we're going to have to move you to TBS.
Well, okay, if you do that, can we get another show on TNT?
I don't know what the details of the negotiation sounded like, but it was a minute and a half
conversation I had with Tony at one point. That was a Tony Con decision. That was a Tony Con
strategy. The difference is, the point is, it's not a difference. The point is, Tony needs to
establish AEW to begin a growth pattern in AEW, to create a demand with that growing
audience for additional programming. I don't know that he's created that demand. The AEW product
as a television product, I don't want to hear about Wembley. That's a one-off. That's outside this
conversation. The television product is, it is what it is. It hasn't seen growth in forever.
They've got a solid, solid 850,000 viewers a week. Now, you can argue, yeah, but
TBS. If they weren't happy with it, they wouldn't have expanded the program. This is true.
It's a vote of confidence for Tony. Whether he wanted that Saturday night show or Turner
wanted that Saturday night show, it doesn't freaking matter. It's a vote of confidence from the
network. We'll see if ultimately it has a positive or negative impact on a AW. But going back to
the point, Tony is, it was Tony's strategy to embrace YouTube before, in my opinion,
he really had his feet firmly on the ground when it came to the creative or when it came
to his infrastructure.
You can't, I don't think you can really compare him.
I mean, we had, look, we had WCW Saturday night.
We had WCW main event on Sunday night.
Right.
on TBS so we had two shows on cable and we had probably three or four of them in syndication
those all existed before I got there well I just uh I understand that you and I both share
a growth mentality in our approach to business and things like that but I mean even last week
with all the NBA playoffs and all the NHL playoffs AW was still top 10 I think they came in number
nine on that Wednesday. And that was some really stiff sports competition. I mean,
there were three NBA shows and two NHL shows ahead of it. And then that CNN town hall with
Trump. And I'm just saying, I don't think it's nearly as doom and gloom as you do. I'm much
more optimistic. And I think it's, if anything, this does solve at least one of the problems that
you and I have identified along with, well, everyone else that boy, there, there sure is a lot of
talent on this roster and there's only so much TV time to go around now perhaps this is an
opportunity to showcase some more of that talent because he's got a hefty roster and and now
maybe this represents more opportunity for some of those folks who felt a little frustrated
with their spot if you will that's got to be a net positive right no okay but potentially
yes but what have we seen audit that because that puts a lot of pressure on
EW creative.
It's just because you put someone on TV doesn't mean they're going to get over clearly.
Just because you give somebody an opportunity on television doesn't mean that it's going to work
for anybody.
So having a roster, again, one of the mistakes that I made that Tony has decided to replicate,
having that many people on your roster in feeling the need to, well, I've got to come up with
another television show to get these people on television.
I'm sure that wasn't like the driving.
Right.
But to say, well, you know, I've got all this talent.
Now I've got an opportunity to showcase them on TV.
Showcase them in what?
Showcase them on a pretty tough night on a Saturday night,
arguably industry-wide.
That's accepted.
It's just a tough night.
But have we seen any creative at all really consistently out of AEW
that would suggest that this is an opportunity where talent is going to
get a shot and AEW creative is going to do something that elevates them, or are we just going
to expose them in bad story and poor production and, you know, kind of same old, same old, same old
that we've been seeing on YouTube and, frankly, dynamite. I know it's unpopular because there's a lot
of fans out there that love it, but I think for the most part, AEW dynamite is very indie-rific.
And if that's your thing and you love that indie-rific style and presentation, then you're going to be,
You love that show, but it's not going to grow beyond that core audience that they control.
They've got a great handle on 850 some on thousand people that are into that indie-rific presentation.
And that's what it is.
And just seeing more of the same thing isn't going to get that talent over.
They don't get them on TV.
They'll be able to tell them family and friends and text their buddies from high school.
Say, hey, check me out.
I'm on TV.
That's all fun.
but it doesn't mean they're going to get over.
In fact, it could go the other way.
There's two ways of killing talent.
One is to not expose them enough
and the other is to overexpose them.
Those are two really great ways of killing off careers.
And if I'm an AEW talent,
I'm going to be excited on one hand
because now maybe I'm going to get an opportunity
to be on television and prove what I'm capable of.
But on the other hand, from a business perspective,
if I'm getting that opportunity and I ship the bed,
either because the creative isn't right
or nobody's watching television,
now I'm stuck with that stink.
Now that stink's going to follow me around.
So I don't know, man.
And I'm not doom and gloom.
Don't get me wrong.
I'm just a realist for every action.
Well, I'm but I'm being honest.
I'm not doom and gloom.
I have not seen anything out of AEW.
that suggests to me that there is a really great creative brain trust, quite the opposite.
Why aren't we talking about creative? Who gives a shit?
Because creative is what's going to determine in a large part, is going to determine whether or not
this Saturday Night Show is a good thing or bad thing.
Yeah, but come on now, Eric, come on now.
You're just wanting to be, you're just wanting to be argumentative today.
No, I'm not. I actually, I actually am not. It's quite the opposite because every
time I'm trying to offer an alternative perspective. And it's like every time we talk about Tony
Connor or the tapeworm, it's like, oh, Eric Bischoff is obsessed. He's, he's jealous because Tony
didn't hire him. Are you fucking kidding me? I wouldn't go near AEW for any amount of, well,
that's not true. I am a whore at heart. But any reasonable amount of money, I wouldn't go near
that place right now. I wouldn't want to be, I wouldn't want to even be in the same zip
code because then all the dysfunction that you're seeing to now like on a daily basis
that's making headlines would all be attributed to me I just no thank you I've been
there you know I went to T&A once and the entire world thought that I was making every
business and talent decision within TNA and creative and that wasn't the case no I wouldn't
go near TBI Tony Con or AEW right now I think it's a mess I but that's just
me. I don't want to, I didn't bring this up. I didn't ask myself this question. I'm just responding
to it. And I try to be honest. I try to be, I try to have some grace. I understand that Tony is
going through growing pains. And I identify with that. I have a lot of empathy for Tony that sometimes
I don't express here because I know the kind of pressure he's under. And, and I feel for him in that
regard. But I'm just honest about this. Having lived through it, as you pointed out,
name me one person you know that has been in a situation that is even remotely as parallel
as this one. Name me one person you know that was in the position I was in and grew that brand
and competed directly with WWE and stumbled and fell and messed some shit up with some bad
decisions along the way. You can't find anybody else. And when I'm asked a question, I give an honest
answer. I don't give a political answer. I don't give a kissing Tony's ass answer. I give an honest
objective answer. And people who like you think I have an axe to grind or I'm just being
doom and gloom aren't really seeing the point. No, you have a hard on for Tony Con. And it's not
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So Eric, come home.
Hey, it, Cameron, before we forget, because we spend a half hour talking about this nonsense.
Oh, I'm not doing it.
By the way, Keith Morrison, who's a part of the Ad Free Show's family,
thank you so much for joining us this morning.
All of you, Coach Rosie, Eddie Prey there, so many of you, Bobby,
keelofoxra 5 golf tango x-ray thank you for joining us this morning but Keith
Keith says I love you Eric but I think these answers are too personal and thinking way too
much about AEW I don't think about AEW unless I'm asked a question Keith
that is my point you were proving my point I didn't ask myself to comment on the recent
developments of AEW I was asked that question and I'm asked frequently when I do
interviews or I'm a guest on someone else's podcast. And I will continue to answer them as honestly
as I can and objectively as I can. It's not personal for me. I don't care. Whatever happens
in AEW, whether it's the greatest thing in the world and they have incredible success or whether
they don't is not going to affect my life one way or the other. It is not personal. The only time
it becomes personal for me is when Tony, and he hasn't done it in a long time.
Let's be honest and fair about that.
Don't he hasn't made too many stupid comments about WCW or Bischoff
and not making the same mistakes or trying to convince people that AEW is in the same position
that WCW with Nitro was in 1996.
He's not saying stupid shit like that anymore.
He's really not.
That's the only time it would become personal for me.
The rest of it is just an observation from somebody that's been there,
done that respectfully Eric you're talking like a fan today these guys got a new television deal
which we all assume is for a new guaranteed television rights deal that's something that
almost every wrestling promoter in the world would cut their pinky off for and you had an
opportunity here today to say hey man congratulations but now the real work starts it was a real
for me trying to do nitro and thunder and you've already got rampage it's going to be a lot
to juggle he might need some more support staff but hey he secured the bag instead you said
well but the creative dude we're talking about business and you're talking about creative that's
some silly are you going to tell me they're not related yes they're not related is the creative
oh my god great workers eric you're on television you're going to go out of business am i allowed to talk
this fucking show at all. I said, welcome to 83 weeks and you vomited for 30 minutes. Can
I have two minutes? No, you ask me a question. And then you just keep on and on and on like one of
those goddamn toys where you can pull the string in the back, but yours is in the front and you
just keep pulling. Can I talk? I'm here to enlighten not to give fucking pep talks and accolades and
be a prop and a promotional. It's not about being a promotional opportunity. I'm here to give
an observation based on experience. That's it. That's it. That's it.
I'll keep my, I'll keep my, I'll keep my responses shorter and succinct.
No.
Congratulations, Tony.
I'm not asking you to do that.
Listen, the idea is, you know like I know, uh, 15 years ago, I don't know the timeline.
Let's just guess whenever it was 15 years ago, what have you, if one of these organizations
approached you and said, hey, we're going to give you a boatload of cash and you got to go
do a show on Saturday, figure it out.
You would have done it.
I did do it, and I'm sorry for it because it was a mistake, and that's my point.
Well, here's my question, though.
What could they have done this week that you would have praised?
Is there any way anything they could have done this week?
Or you said, damn, they had a home run with that.
What night would have been a better night, Eric?
What terms would have been better?
Who should have been on the fucking poster?
You're on here talking about, well, see and punk clown show, based on what?
A report you read on a pay-per-click website?
You don't know what really happened?
you're the guy who rails anytime I quote the observer now you're buying into that and saying well with what happened this week you don't know what are we talking about this is a net positive they got a lot of money for wrestling it's good for all the wrestling and okay okay it's good for all of wrestling it's just such a that is a fanboy response kind you think impact wouldn't want that it it is not good for all of wrestling to to fail
at an opportunity.
How have they failed?
They haven't even started.
Exactly.
And keep in mind, because you tend to forget,
like a lot of wrestling fans that grew up on the tapeworms pig shit dirt site,
the, I did come out.
I congratulated Tony.
On this episode, go back and listen.
I congratulated Tony.
It's a great opportunity for Tony.
I'm hoping for Tony and AW.
you and the roster that it is successful.
And it might be.
I think I said somewhere along the line in this conversation,
let's wait and see.
We'll find out.
Hopefully I'm wrong.
What is negative about that?
And to suggest that creative,
we shouldn't be talking about creative as it relates to a new show.
Oh my God, Eric,
you haven't even seen the creative yet.
You know they just hired a new cat to help back there.
You don't know what he can do.
But they made a big hubbleau about it.
Have we seen anything yet?
The show is a month away.
Have we seen anything in dynamite?
Have we seen anything in dynamite consistently?
Not some hot angle or guys bleeding all these over each other and some fucking a wacko,
you know,
hardcore match.
Have we seen any consistent story?
Not like fan boy storytelling.
I mean legitimate storytelling that's growing the audience because that's what happens when you come up with great creative.
your audience grows.
It doesn't decline.
And I have not seen a thing in AEW.
Hell, the graphics they used to announce this new show was a direct rip-off of Nitro.
If that's an example of the creative brain trust that's behind this strategy,
whether it's a combination of Turner and Tony Conn or Turner by themselves or Tony by themselves,
that very decision to use that graphic, yeah, flattering as it may be, because imitation is
the most sincere form of flattery, and I am indeed flattered in some respects, but it certainly
doesn't suggest to me that there's anything new coming out of this. It's going to be more
of the same. And frankly, I think what is currently the same is indie-rific and doesn't show
any real opportunity for the world. I'm so glad you said it again. Could you go ahead and name all the
promotions that you believe that are running today that are not indie rific go ahead no i can't
there are none there it's independent wrestling with television it's it's it's three steps up
from backyard wrestling in some respects said differently if it ain't wwee it's indie rific
until somebody else comes along and finds a different a new way to present the product
something that's fresh that we haven't seen a thousand times before that's produced on a large scale
with high production values that has consistently as consistent as you can be in 52 weeks a year
of programming consistently good creative that indicates there's a team there that actually knows
what they're doing and are not just throwing pig shit up against the wall and opening it sticks
yeah that is a function if somebody comes along and does it absolutely that there's
ever in the history of ever been 52 week consistent good creative no there's not as well and
that's what any promotion as good as it can be with a 52 week schedule i'm just saying it's not going
to be great 52 weeks a year but you can have moments you can have a couple weeks or a couple months
that really establishes great story and great character i haven't seen that out of dynamite i haven't
seen you take a real objective view on a w in a long time and i don't understand why that is
if they sell that
motherfucking Wembley
stadium out,
you're going to come on here
the next week and say,
well,
it was a bad finish.
I wouldn't have done that.
If you're full of shit,
absolutely not.
Yeah.
I have done nothing
but put over Wembley.
I'm not arguing that,
but I'm saying you specifically
point fingers out,
well,
they used to say the way we screwed
the finish at Star K-97
with Sting,
we were dead.
But did you see how many people
were in the Georgia dump?
Da-da-da-da.
There's the business
in the creative and you just conflate them
you just want to change the narrative you
are captain goalpost mover that's what
you do on this show every single Monday
you just move the goalpost again yeah
they did this but they can't do that
okay they might have done this but they won't do that
they got another freaking TV show on T&T
like you don't think G
I congratulated him for the for God's sake
how many times do we have to go back
and listen to it together do you want me to post
video receipts on social media
I would love for you to do that I put them
over and said congratulations
I have multiple times and multiple interviews on this show and on others.
I think it is a vote of confidence.
It is a good thing.
But there is a challenge that comes with it.
And so far, what I've seen out of AEW as a whole is that in terms of their infrastructure,
their operational capabilities and the depth of their operational roster,
people that really know what they're doing suggest to me that, yes,
while this is a great opportunity, and I applaud Tony for having
relationship with TBS and Turner that has provided this opportunity.
That's all great.
But with every great opportunity, there is a challenge.
And so far what I've seen out of AEW,
organizationally, operationally and creatively,
they're not ready for this opportunity.
And it could, much like Thunder did, have an adverse impact.
We will find out.
I may be wrong.
I'll say it again.
I hope I am.
Unfortunately, my track record,
in terms of predicting things like this is pretty good.
And I'm not 100% confident that this is a great idea for Tony.
Not because of anything but timing.
And the CM Punk thing, that's an organizational issue.
It's not a creative issue.
And it's not just, you know, listening to Dirtcheys.
There have been Brandon Thurston published the press release,
I believe it was the press release,
that was going to announce
CM Punk
only, and he has a copy of it,
it's online, you can see it from
TBS, I believe, or from T&T.
I believe
that that decision
to bring punk back
to build a show around him
or just to involve him in that show
was a mistake if they had not
previously cleared up
all the other Michigas that was going on
and crazy shit.
And the legal issues
that were outstanding.
This is a guy that
I honestly I don't want to talk about this is a guy who tore his
bicep and has been off injured and they found a way to keep his name in the
headlines. And if he shows up on one of these other shows and you got
fucking worked, you're going to look like a goof out here talking about
creative.
The show has never.
Well, see.
And you know what?
I'll be happy.
The show has never aired.
I just don't understand how we jump to all these conclusions about this guy's
not on that show.
He's not on this show.
That was created.
him there was we've never no one from turner has ever said boy we gave tony all we gave tony all
this cash because we thought we were getting cm punk and now we can't get him to the table
that's never been said that's not what i'm saying you're putting my words of my mouth you're jumping
to that conclusion though what i'm saying is that the the premiere the announcement of this show
was to include cm punk and now it doesn't and tbs or turner had to come out and actually send
out a press release saying seen punk is not affiliated with the new show you're going to tell me
that that that's good business that's a reflection of some great strategic thing why would you
make the announcement in a press release instead of having him show up this weekend at the
paper review i'm not i'm not arguing that if i would have if it would have been me i would have
resolved any outstanding issues i had with cm punk i would have cleared all of that up you don't know
that they haven't i don't know that
they haven't. Here's what I do know. I do know that TBS had to put out a press release saying
CM Punk is not affiliated with with collision. Why would they do that? It's creative because he might
be on the TNT show. He might show up this weekend. You know what? If that is the case, if that is
the case, I will on the next episode or whenever that, June 17th, I think is the premiere date,
if that happens and if this is all some complex, very creative,
layered, strategic, creative effort on behalf of TBS,
since they're going to put out press releases on their network letterhead
to convince their audience that S&Punk may not be a part of the show,
and that's all part of a plan,
I will be the first and the loudest person to applaud,
whether it works or not.
At least there's some creative and strategic thinking there.
but if that's not the case and based on everything that we've seen out of AEW so far
I would not bet any money that that is the case but if I'm wrong I'll shit I'll I'll sing
Tony's praises as well as to turners but I just don't think that's the case so I think
let's make a bet if Tony con if CM Punk is on the pay per view this weekend or he's on the
June 17th collision.
Will you shave your head on this program with a Henson razor?
While you're thinking about it, let me just tell you, if he does, he'll get the best
shave of his life.
I know that for a fact.
I believe in Henson shaving.
It's one of my absolute favorite sponsors we've ever had on the program.
It's going to be a part of my life forever.
I have one in my travel bag right now.
I have one at the office.
I have one here at the house.
I even got my barber.
And think about that.
She's been shaving dudes for,
ever and ever and now she does it with a hinson shaving you got to meet hinson shaving now here's what
makes them different they're family owned you know i dig that but they're an aerospace parts
manufacturer that's made parts for the international space station and the mars rover and now they're
bringing that same precision engineering to your face you see what they're doing is they're
using aerospace grade c and c machines to make metal razors that extend just 0.0013 inches which is
less than the thickness of a human hair that means a secure and stable blade
that gives you a vibration-free shave and it gets better. This razor has built-in channels
to evacuate hair and cream, and that makes clogging virtually impossible. What I respect most
about Henson's shaving is these cats wanted to make the best razor, not the best razor business.
That means no plastic, no subscriptions, no proprietary blades, and no planned obsolescence.
Now, let me give you the heads up. Henson razor uses a standard dual-edged blade like your
grandfather used to use. That has an old school feel that you're going to love. But it has the
benefits of the new school tech. You see, Pop Pop never heard of a razor that was less thick than a
human hair. And not only that, what I love most about this product is usually when something is
better. Well, it costs more. We all know that, right? But not only is this better than what you've
been doing. Hinson razor is also cheaper. You see, it's only $3 to $5 to replace the blades. Not $3 to $5 a week,
not $3 to $5 a month, not $3 to $5 a quarter, $3 to $5 a year.
It's time to say no to subscriptions and say yes to a razor that will last you a lifetime.
Visit hensonshaving.com slash 83 weeks to pick the razor for you and use code 83 weeks
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That's 100 free blades when you head to H-E-N-S-O-N-S-H-A-V-N-G.com.
slash 83 weeks and use the promo code 83 weeks and Eric I got a real life example I want to tell you
about a listener of the show actually tweeted me not too long ago to sort of complain about
the Henson razor and he said he showed his face and he tagged Henson and he said I hate your
razor this is unacceptable and then he tagged me and said hey Conrad I bought this on your
recommendation now I'm regretting it and I responded
dude, I love mine. What don't you like? Are you using it the right way? Do you have the blade in and all that right? I've put over a hundred folks on this and always hear rave reviews back. I'm legit curious why you don't love yours. And he says, it cuts my face like raw hamburger. And now I've got to pay for postage to send it back. And I said, man, no disrespect. This is user error. How else has everyone else, myself included, had such great results? Are you putting the bottom of the razor on upside down?
And he replied, and he said, I don't think so.
I just followed the instructions on the box, and that's what's happened.
I'd love it if it works if you said or how it does, but it doesn't.
And then he tried it, exactly what I suggested.
And he wrote, holy rainbow socks, Batman, you were exactly right.
I tried it your way and I had it in upside down.
The first shave the right way felt amazing.
Therefore, I bestow upon you the title of His Excellency, the Lord Chancellor,
are the exalted eminence of hinson shaving it's a fantastic product i'm arguing about it on social
media the only way you don't have the best shave of your life is user error but it is a razor
be careful y'all follow the instructions and you will love it we're turning those frowns
upside down you're going to be the smoothest cat all around town henson shaving dot com slash 83 weeks
use the code 83 weeks i love this razor more than eric bischoff hates tony con
And you know from listening to this show, that's a lot.
It's Hinsonshaving.com slash 83 weeks.
You, you are perpetuating the myth that I hear on the facts.
The same facts, yeah.
It's not a fact.
I don't know where it comes from either.
Here's what we'll do.
We'll go back to your bet.
I'll take you up.
Oh.
As long as if I'm right, you do the same.
I was trying to transition to a spot.
Do you want to start handing on the transitions?
No, no, no, no.
I take stuff personally like this.
I'm committed to my beliefs in the things that I say.
I stand behind them.
All right.
Fuck it.
I'll shave.
All right.
Now, here's a deal.
Either one of us shaving our heads on camera live is not great video, right?
It takes too much time.
But what I will do is if I lose this bet, I will shave my head with a Hansen razor.
Mrs. B will take video of it.
and we'll post that or clips of it and you will do the same and yeah let's let's do it and i'll show
up on this show with a shaved head if if you're right and i'm wrong i'll you're gonna look like
lex luther in this motherfucker and i'm ready for i just wear a fucking hat man it's not that big a deal
my hair grows fast it's just hair i i am uh listen we're we're we're kidding around and having
some fun about when seeing it's gonna be back well here's the thing i bet everything i got that
dudes at all in. There ain't no chance he's not there. He's going to be a part of it. But it doesn't
make sense to spoil the return in a doggone press release. If wrestling was handled the way it is
now back in 1996. And there's all this speculation about who is the third man. And TBS or TNT put
out something that says, no, Hulk Hogan's not affiliated with the NWO, these outsiders, blah, blah,
blah. That's nonsense. Come on now. Let's just have a little patient.
and see how it plays out.
I'm a big fan of that.
I'm a big fan of that.
And I try not to predict failure.
I do predict challenges along the way.
I do recognize patterns along the way.
And if it weren't for all of the craziness surrounding punk and the things that have
gone on and the lawsuits and the threats of it and the internal drama,
if it weren't for all that, I would be like you.
And I would believe that this is just this is good creative.
this I'm a half. I'm a glass half full guy when it comes to this kind of stuff most of the
time. But when you see the patterns that we've watched over the last, especially over the
last year, um, I'm hoping that you're right. I just don't believe it. All's I'm saying is
everybody got served up this week when it would be akin to Hulk Hogan's not coming to work
and that's we give Jimmy Hart a raise. Come on now. Let's, you know how much money is on the table?
let's just let's have a little patience and figure it out i'm i'm down with you on that i hope
i hope congratulate tony and the team i'll say it one last time and then we're going to
switch gears here i hope i could i like yelling at you let's just yeah fuck the horseman
let's just yell at each other for the rest of the show that's fun for me it's actually fun
for me too oh i know listen this is it's not like you and i get to log off and then go pick a fight
with the wife about hey supper wasn't so good last night
You know, what are we going to do?
So this is our outlet.
Serious business, we're having a lot of fun.
You know, one thing we can all agree on is that the horsemen are the original
great faction in wrestling.
Now, of course, we can debate.
And certainly Mick Foley has debated recently on his podcast, what is the most
important faction of all time?
He would contend it was the bloodline.
I thought that was maybe premature.
Fans agreed.
NWO came in first.
DX came in second.
but there's always a first and I think one of the first great factions in wrestling
was the four horsemen go ahead debunk that you're just in a mood to argue today
why are you so negative I'm just I'm just ready for if I'm throwing a fastball it
should have been a curve if I'm throwing a curve ball it should have been a slider so I'm
just teeing it up that way I'm just ready for you to show me I'm wrong and you're just
being negative. You're setting up a negative conversation. So here's, let me just answer it.
Let me solve the issue here. I agree with you. I think the horsemen were one of the first
great stables, if you will, I hate the term or stable, but it's appropriate here because
they're horses, right? Right. Cal. Yeah. Why not? I absolutely agree with you. There's no question
about it. It never has been in my mind. I've always recognized, well, not always because I didn't even really
hear about the four horsemen until I got to WCW.
Right.
Because it's not, for no other reason than it was, you know, the late 80s, early 90s,
and I didn't watch TV.
W.A. or Crockett promotions.
I didn't have access to it.
So until I got to WCW, I had never heard of the four horseman.
But once I got there and learned and had an opportunity to work with Rick and Arne and
some of the other people that were at one point or not Barry Windham at one point or another part
of the four horsemen. I began to understand it. And yes, you'd go back and look at history and time,
and particularly in their era, no question about it. Can't think of another stable that would
even come close to the forehusband at that time. I'm not, I'm not asking this to argue because I
just want to understand. We all, I shouldn't say we all, a lot of us listening to this have fallen in
and out of love with wrestling. I was a super fan from 88 to late 92 and then took a break and then fell back
in love in 96 till maybe
sometime in 2005 and then took
a break. And now
as you can tell, I'm just way too
deep. But I'm wondering
you weren't really watching
wrestling on television in 85, 86, right?
No, I was. I just wasn't watching the same wrestling you were
watching, but I wasn't watching at all. I'm just saying
they were the most watched program
in the country outside of Saturday night's main
event because the ratings
for TBS, 6,000,
605, Saturday night, that outpaced Tuesday night Titans from WWF, that outpaced
primetime wrestling and all the American wrestling, more people were watching TBS than those
because they were the first super station.
They just had more access.
They were in more homes than, say, a USA network at the time.
So just by nature of that, while the WWF was certainly the more pop culture and quote unquote
in thing, it was the hip thing, if you will, more.
people were watching this because it was on a better station.
And so when you come on the program and say,
I didn't have access to it.
I'm just wondering,
what were you watching if you weren't watching this?
And was that on like a local station that you could get with rabbit ears or
whatever?
No.
We had cable,
but TBS was not part of our cable package.
Okay.
If you go back and look at TBS,
because we had a limited,
a very limited cable package,
by the way.
But if you go back and look at TBS, their footprint, well, everything you said is true.
First, Superstation, there's a lot of things that you said that are absolutely true.
But it's not completely true because there were pockets in the country where TBS,
while it even may have been available, nobody watched it.
Right.
It was predominantly a southeastern footprint for a long time.
Even with the launch of Nitro, one of the challenges that we had was even TNT,
TNT, as successful as TNT was and broad as it was, didn't have a lot of the penetration.
Was it available?
And that's where people get a little messed up sometimes.
Just because something is available doesn't mean people watch it.
There's a lot of things that are available on my 385 channels that I don't watch.
And TBS in the market that Minneapolis that I lived in was just not something people tuned into.
Southeast, yes.
And there were some parts of the country where it did.
What I'm saying is it, whether it was available and I never discovered it because I'd never heard of it and wasn't interested in the Braves or any of the other,
Andy Mayberry or even WCW early on, I wasn't aware of it.
It just wasn't on my radar, nor was it on the radar most people have the hardcore wrestling fans.
Yeah, maybe Wade Keller was into it.
You know, he was writing about wrestling and following it.
I'm sure there were fans in that market that were.
In fact, I think AWA promoted in the Minneapolis market.
It just wasn't on my radar.
That's all.
That's why I didn't hear about the four horseman until I really kind of got embedded into
WCW to learn the culture and where it came from.
We should remind everybody that this original OG version of the group,
man, it does feel a little bit like the NWO did once upon a time.
Of course, we're talking about from a championship perspective.
Rick Flair was your world champion, much like Hollywood Hogan was.
later. And Tully Blanchard was your TV champion, much like they had a variety of U.S.
champions in the NWO or whether it's six for the cruiserweight title. And then
only and Arne are the tag team champs, just like the outsiders. So I really like, you know,
the idea of creating a dominant stable and there's maybe no better way to signify and
solidify their dominance than to make them all champions, right? I mean, that, that, that,
especially in this era because the idea is you wanted heel champions and the baby face is chasing
so it could always be on the live events so-and-so is getting a title shot, you know,
whoever your new hot baby face is.
And I think that's one of the reasons that the NWO worked.
And of course, the NWO was a stable with a twist because we made them cool and they weren't
just bad guys.
But you could even argue, maybe perhaps, that the four horsemen were trying to be cool
because if you watch some of those old TBS shows, you'll see kids in the
front row or adolescence, young men dressing up in suits and holding up the four fingers,
it's interesting to see how that dynamic has evolved over time.
I agree.
I'm not sure how to comment on that.
It is interesting.
And again, there's this feeling.
And it's like your conversation with Mick Foley, you know, asking Mick,
what he thinks the most influential faction of all time was.
his pick was the bloodline. I guess, well, he could be right. I'm not seeing that now. I mean, I think the bloodline in its story, and I was one of the biggest, at least vocally, podcast. I was one of the biggest fans of it. I put, I sent texts to the people involved and congratulated them and I was generally enthusiastic about it. But it's kind of at this point, it was a big buildup and we had WrestleMania and we'll have to see where that goes.
but did it change the industry?
Are we seeing bloodline merchandise, you know, in non-wrestling environments?
Maybe we are.
I'm not, but, you know, I live in the middle of nowhere, Wyoming, so it's understandable.
But I just think it's a little early.
But everybody has a particular opinion based on what they like and they dislike.
I think the four horsemen, they were first.
They were long before the NWL.
I think your point about the heel champion.
and the parallels between some of the members of the NWO are right on the money.
I think the reason the NWO, in the eyes of the fans and the people that vote on silly things like this,
I think the reason the NWO is arguably the most successful faction, at least at this point of all time,
was because it changed, it actually changed the industry.
it wasn't a marketing point.
And a lot of it has to do with timing.
Yeah.
And in all of the circumstances that surrounded the launch of NWO was very freaking unique.
And that's and it's it's had a lasting impact.
Have we seen yet to date other than the bloodline?
And I think the jury's still out on that.
Anything that comes close to the overall impact that the NWO.
has had on wrestling and television. I don't think so. I'll tell you what. I don't think it's
even close that the NWO is number one. And the reason why throw that graphic up against Silva
of the NWO is the t-shirt. And I know that that sounds really, really silly and a lot of people
will think I'm trying to be argumentative or funny. But I mean it legitimately. There's not a cooler
t-shirt in wrestling history. Now, you could argue Austin 316. I'll give you that. But that's not a
faction the four horsemen didn't have a shirt like this today the bloodline didn't have don't
have a shirt like this and the dx shirt was just not as cool as this i mean yet had the degeneration x
logo on the front but then it said suck it on the back and and that's kind of lame this is a cool
shirt then now forever and the thing that separates it above all yes it did change because you did
an invasion angle that was great creative high five on that you turned the biggest superstar in the
history of wrestling into a bad guy that's never happened
before that was awesome high five for that you made them super cool high five for that but really most
of all man just to show that brand support and that loyalty and it's not like hey i like that guy so
i'm going to buy that shirt it's hey this is a fucking cool shirt i mean to the point where these
they we see people on the runway so i mean like fashion shows they're rocking n wos shirts
like that's never happened for dx or the horseman or the bloodline and i don't think it ever will
that's what makes the nw the number one all time in my opinion as silly as it sounds
that freaking t-shirt dude what a boom that was i think the t-shirt was the the logo yeah
the imagery the all of the and i agree with you i don't know that i agree with you 100
percent. I think the logo, the merchandise was a reflection of the attitude and the character
of NWO as a whole, not of any one individual, but as a whole. It was anarchy. It was,
let's turn this shit upside down. It was deep down inside everything that people wanted to be.
Everybody wanted to be able to tell their boss,
to bite it right everybody wanted to deep down inside it was just it was a cultural thing as
much as it was a wrestling angle it just tapped into a psyche and again not by design i was i
didn't sit in the room i think people have this deep down inside they you know they really want to
be like this character i didn't think that it just became obvious after a point but again it was
timing i think the logo is a big part of it but the logo was a reflection of an
attitude that was the NWO as a whole, not anyone individual.
And you can look, I've said it before.
I'm not going to beat it up.
You can wear that T-shirt out anywhere.
It's like going to a NASCAR event, folks.
If you're going to a NASCAR event, you're wearing your favorite drivers of merchandise
and you got the hat on, the T-shirt on, your cooler's got logos all over it.
You fit right in.
You're cool.
Everybody, you know, boom, part of the family, right?
NASCAR fan family.
But if you wear that same merchandise out anywhere,
into a restaurant, you're going to look like a geek.
And that's part of the problem with wrestling merchandise today.
It really hasn't changed much.
It's also talent image intensive.
And if you're an 18 to 49 year old guy and you're going out to have a cocktail
hang out with your friends and maybe meet somebody new, you're not going to wear
wrestling merchandise out because you stand out.
I mean, you don't, you're not going to do that.
You know why you're not going to do that.
But the NWO merchandise, like if you're a wrestling fan,
you're part of the wrestling family, a fan family.
But if you're not a wrestling fan, you see that NWO shirt,
you don't think the person wearing it's a geek,
because you don't really relate to it.
You don't know what it is.
It's just a cool, simple black and white design.
Well, and what's cool about it to me is even when the creative for the NWO
wasn't maybe what it once was.
when the wheel started to come off and it's just not as cool and it's not as hot the shirt was still cool it's still cool uh of course we're talking about the horsemen today and they were on fire in late 85 and certainly 86 was the biggest year in crockett's uh run 87 the wheel started to come off a little bit but not because of the creative for the horseman although the folks participating in the horseman did change it's the only
move out and then we would see
some other cats come in like Lex Lugar
and Barry Windham. So it just
continued to evolve much like a lot of other
factions, whether it was DX or certainly
the NWO. But it really
sort of disbands for a bit
when Rick comes to an
impasse with WCW and he's out of
there. He's going to leave
guys like Arne behind
and I guess actually
you know, it really wasn't the same
when Arne and Tully left for
the WWF. I mean, we talk about this
lot sometimes and whereas we're talking about old WCW stuff, but as much as the horsemen
were a Rick Flair property, they were in Arne Anderson property too. I mean, that's sort of,
I think when people think about the NWO, they usually say Hogan, Hall, and Nash and yourself
and Waltman, but I think a lot of people consider the, the pillars like the first two guys,
right? So it's Hall and Nash in that order. It feels like with the horseman, if Arn't
it in there and if Flare isn't there, and if Flare isn't there.
It's just not the same.
You agree with that?
No, I couldn't agree with you anymore.
I couldn't agree with you anymore.
And that's part of the, that's another parallel, right?
I think part of the success, and again, I wasn't there and I wasn't watching.
So this is just, you know, obviously hindsight.
But looking at it today, I think Rick Flair and Arne Anderson had that buddy cop chemistry
that individually,
Yes, they were successful.
They were powerful.
They had great value, particularly Rick, just because of the way he was positioned.
But that combination of Rick Flair and Arn Anderson, not taking away from Tully or even only Anderson,
but Rick Flair and Arne Anderson brought the believability, credibility, and legitimacy to it.
If you would have taken Rick out of the equation and tried to launch a four horseman,
I don't think we'd be talking about it today,
the original four horsemen.
If Arn would not have been in that equation,
I don't think we would have talked about it.
Not because Rick didn't have great value,
but that combination of Rick Flair and Arne Anderson,
to me,
is what made everything else work.
And without it,
you take one of those components out of it,
you're going to lose a lot of value,
brand value.
Hey, Silver,
I throw that photo up of the horse,
in the cul-de-sac again.
Rick, you ever, I mean,
Eric, you ever sport some of those nut huggers that you see Tully and
Arn wearing there?
You know, I wasn't even going to point that out.
I was just going to let that go.
Well, let me just say, if you're listening to this,
at the Arn Show on Twitter,
whatever you do, don't start spamming that photo to Arn.
He doesn't like the nut hugger photo.
Oh, I may have said too much.
Don't let everybody know that you've seen.
seen it and you like those shorts and maybe he should wear him on dynamite don't do that
whatever you do mr silver could we put that up once again just to make sure i i don't inadvertently
um tweet this out on social media or send it to urn or anything like that we don't want arn to see
this and we don't want all of you to let arn know that you saw that eric do you see over rick's
left shoulder our right the far right see that four wheeler in the background yeah so when this
photo first popped up again and started getting circulated a handful of years ago i said hey look
at this cool old photo of the horseman showed my wife megan and she zooms in she goes hey look at
my four wheeler in the back that was rick's house in the background oh wow they're in the
cul-de-sac there they'd all just gotten their new their new rides you see them leaning on some new
mercedes and stuff and the stories of these guys making a bunch of money and going down to the
mercedes dealer together together and loading up that's all true and you see all the gold there
the national title the tv title the world title but yeah man i think i think we need to get you
on stage and some of those nut huggers.
I mean, he used to model.
If we had a line of 83 weeks
nut huggers sponsored by Manscaped,
I think we could make that work.
What do you think?
You're going to support some of those?
No.
All right.
Well, listen, if you're thinking about it
because it is summertime,
can I recommend Manscape enough?
Friends, family, loved ones.
I bet you haven't purchased a Father's Day gift yet.
Have you?
Well, not to fear.
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20% off plus free shipping with the code 83 weeks at Manscape.com. Eric, I think I just came
up with something. Are we going to start our own MWO manscaped world order, the guys who are
let's do it. I mean, I think that's a good idea. It's already the color scheme. They're
already rocking black and white. The MWO. That's what we need. MWO nut hugger shorts and you can let
it hang because you don't have anything that you can't tuck away. All right. Here's the deal.
Let's start with dad. Let's take care of dad. It's the MVP of Father's Day. It's the
performance package 4.0. I have it on good.
authority. That's what Rick used to call his gimmick back in the day before it was Space Mountain,
the performance package. Now inside this, you'll find the lawnmore 4.0. It's a brand new
trimmer that you're going to need if you're walking those nut huggers. And they've got the brand new
weed whacker 2.0 ear and nose hair trimmer. They had to do a 2.0 because everybody who's
close to Rick knows his nickname is beak and he wore out the first one. So he needed a second one.
It's the 2.0. It's good to go. And if you could see Tully in the nut huggers there, you know my man
knew all about the crop preserver ball deodorant and if we could get a shot of jj you'll notice
that he's wearing long pants that means he needed the crop reviver toner you don't want those
boys hit in the water the performance boxer briefs are exactly what dad needs and how about a shed
travel bag to hold his goodies it's all inside the performance package 4.0 and how could we forget
the money maker let's throw that photo up there of arna Anderson again look at that beard he's rocking there
look at how groomed that is you know how much time he had to spend on it to get that line like that let me tell you it's a lot you can save a lot of time though with the new manscaped beard hedger pro kit not only that you can hook that up with the beard hedger tremor the beard shampoo and conditioner the beard oil the beard balm and two free gifts like the beard comb and the scissors and let me just tell you if you're in a serious business meeting and maybe it's a negotiation and you get to that awkward silence and you reach in your desk and you pull out your must
mustache comb and you start doing that, those guys are going to freak the fuck out and go with you.
The confidence that you have to comb your fucking beard and mustache in front of them during a
business deal, they're just going to submit.
I do it all the time.
And we know dad's love their comfort.
And if his grooming routine has already dialed in, man, hook my man up with the boxers.
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and make this Father's Day one he won't forget with Manscaped. Join the MWO. You'll be in it
for life. I love this. I think we need to come out with some MWO. I can't wait to, you
know. I'm just going to be curious how long it takes for us to get a cease and desist,
but let's go for it. Well, here's the thing. If we start doing it, we're really promoting
their brand at manscape.com using promo code 83 weeks. But imagine, let's just imagine,
boys and girls, you find yourself at a bar over the summer. Maybe it's a beach bar. Maybe it's
a bar. Maybe it's a bar on the lake. Everybody's outside doing outdoor activities. And you cruise in,
all the ladies are wearing their bikinis, right? But you got your tank top on or your sleeveless
t or your t-shirt and it says manscaped world order now they know what they're signing up for come
on now crazy like a fox manscape.com use the promo code 83 weeks that is pretty
brilliant i mean that ain't bad right i'm just saying uh listen let's talk about oly anderson
he's the first he's one of the founding members of the four horsemen he's the first got to get
kicked out of the four horsemen but he's also someone who's going to have some influence creatively
when you're there in WCW, and by and large, a lot of times WCW would go back to the well
with this four horseman idea. Was Oly a proponent of that? Or did he do it reluctantly? Did he see
value in it? What do you remember about the relationship? We'll call it in the 90s, early 90s,
with Oly and should we or shouldn't we do something with the horseman again?
You know, I really, I don't know. I don't know what Oli's creative involvement was prior
to me getting involved in management, so I couldn't honestly tell you.
I did work with Oli was involved when I first was made executive producer when I had nothing
to do with creative and I was only in charge of the physical production of the show.
I know that Oli was there.
He did have, obviously, he was involved in creative, but what influence or what his view
of the four horsemen and how he was involved in trying to bring them back, I couldn't
honestly tell you.
let's uh let's talk about something that happens while you're there i know you're not handling
creative you're involved in more of the television side of things but when flair comes back
from his little joint with the world wrestling federation we're going to start a flare for the
gold which is essentially his talk show vehicle much like maybe the piper's pit or whatever
the the barber shop the funeral parlor now it's the wcw side of things so we're going to call
Flair for the gold.
Decent little idea.
Possibly a workaround because I don't think he could do in-ring action,
but he could still appear on the program.
He just couldn't wrestle on TV.
And they make the decision,
hey,
let's get the band back together.
You know,
let's do this.
Let's get the horsemen back together.
And the idea is we'll have all the guys there,
including Tully Blanchard.
And then that doesn't work.
At the last minute,
there's a change of heart.
Can't come to terms on a new deal.
so we need to scramble to find
because we love the idea of bringing back the horsemen
so if we can't get totally well
just like we had to once upon a time
with only we'll just find a new member
and the person chosen is Paul Roma
and this has become all these years later
still something that's controversial and discussed
and old school Crockett fans
just absolutely hated it
even Rick wrote this in his book
meanwhile Dusty Rhodes became the Booker
one of his first acts was
regrouping the four horsemen
with myself, Arne, Oli, and Paul Roma.
Basically, Paul had been a very lower-tier guy
in the World Wrestling Federation who'd gotten a moderate push there.
In my opinion, he also had a shitty work ethic
and once leaving an opponent waiting in the ring
so he could finish up a game of cards.
As soon as Roma's name was announced in Atlanta,
the Omni went silent.
It never ends, I thought.
Here's Dusty screwing with me again.
A lot to unpack there about.
Rick and Dusty. We'll table that for now. As a fan, I actually really enjoyed power and glory
over in the WWF. They were a guilty pleasure of mine. That's Paul Roma and Hercules Hernandez.
I know you probably weren't watching the WWF at the time, Eric, but they would do a superplex off
the top rope. Hercules would. And then here comes Paul Roma with the big splash. Eventually,
we would see FTR even use that a little bit in the WWE. I love that finish. I like the
presentation. I didn't perceive him to be a quote unquote job guy or a very low tier guy or whatever
the phrase that Rick used. But I know that man, it looks like all these years later, Rick and
Roma are just not on the same page. They don't respect each other. You didn't see the heyday of
the horseman, but you had to know, hey, everybody ain't happy about this idea. What do you remember
about the Paul Roma experiment? I mean, obviously, I was there for it. A wide,
I didn't work with Dusty and creative.
So that really was a Dusty Rose decision and idea.
And I certainly couldn't begin to explain how or why Dusty decided that it was a good idea.
You know, I think if you just kind of step back and pull yourself out of the history and the politics of it and just look at it from a casting perspective, you know, Paul Roma did have exposure in WWE.
That was valuable.
You can, as a wrestling fan, you can discount it.
if you want, and resent it, in many cases, wrestling fans do.
But you cannot undervalue the idea that someone from WWE,
as lower on the card as they may be, were getting significantly more exposure
within a company that had significantly more express and brand value than WCW did at
the time. So bringing somebody in that has had that exposure to the, to the wrestling
world, wrestling audience, I understand the logic of it. I didn't know Paul Roma. I had no,
to this day, couldn't talk about his work ethic or anything like that, but Rick clearly
had an issue with him. And right off the bat, you've got a chemistry problem. You got four guys
together and not everybody's on the same page.
So I can understand why Dusty made the decision.
You know, I mean, even just aesthetically, you know, Roma had a great look.
He was, he had a great physique.
He had a great, you know, camera loved him.
There's a lot of reasons why I could see why Dusty made the decision.
But having not known Paul Roma previously, I was certainly not knowing him at the time.
not sure what led to that decision years later the wb e would produce a four horseman documentary
DVD and roma would be quoted as saying something like flare wanted to be me but never could
it's uh it's always going to be contentious with those guys and this incarnation of the horseman
just never works only is on tv for very little of it you'll see rick and aren't team up against
the Hollywood blinds.
You'd even see Arn and Roma team up.
They kind of positioned as baby faces.
I always felt like, you know,
they were probably better served as heels,
but this is a dusty idea as,
as Rick laid it out.
And I wonder,
is it just maybe Dusty didn't have a better idea?
Like, you got Rick coming back?
What will we do with him?
Well, let's go with what we know.
Let's go with what works.
And that's something that,
a lot of people do creatively like because you think you're going to get that nostalgia pop
and then maybe it just doesn't work here.
It's always a risk, isn't it?
Yeah.
You know, bringing someone back or recreating something that existed before.
It's hardly ever as good as the original.
You know, that's a, that's a challenge with anything.
It doesn't matter what it is.
You know, when you come up with a great idea in any form of entertainment and you're the first one to
the dance, when you can plant your flag and be the first with a new idea or a new group
or whatever, a new character, there's real value there.
But once you've done it, trying to recreate it, I think you're going to almost always come
up short because it's never as good as the first edition is perceived to be.
Yeah.
Maybe short term, you're excited to see it back once.
And then diminishing returns.
Like being the second man on the moon would be a great opportunity, right?
Yeah.
But it's not going to get the attention as being the first man on the moon.
No, it is not.
And the same thing is true creatively.
You know, that's a risk you run with bringing shit back because you expect you're going
to get the kind of reaction that you previously enjoyed and the audience just isn't thrilled
with it as much.
It's interesting to see how, you know, the horseman would sort of evolve as a creative
piece because, you know, they're the top storyline when they're first created in the mid-80s.
But by the time we try in the early to mid-90s, it's not quite the same.
And the horseman gimmick pretty much comes to an end when Orrin and Sid have their
incident over in England.
Roma starts teaming up with Paul Orndorff as pretty wonderful, flares back on his own.
And it's kind of interesting to think that maybe what changed that all again is,
is Starcade 93.
You know,
everybody knows about the bonanza that Starcade 83 was,
the granddaddy of them all.
It predated WrestleMania.
They shut down traffic.
They turned away thousands of fans.
And now because of the Cid incident,
he's out for Starcade.
But it's in Charlotte.
Let's get the old man in there.
So Rick gets in there with Vader.
It does the highest gross of the year for the company.
From a ticket standpoint.
and sooner rather than later we're starting to think about hey what if we bring back the horseman
and do something else and we all know the story in 94 Hulk comes into the company and he's
going to eat up flare because he's the guy that they trust and he's going to become world champion
and retire Rick and then Rick of course makes a come back a few months later and
the evolution of how we get back to the horseman again I think
think happens in 95. Now, by that point, you're more in control of, of everything that's going
on, but you're still not as hands on creatively. So I'm wondering in that era, do you think that's
Rick getting with Kevin Sullivan maybe to talk about, hey, what if we did something new?
Yeah. I mean, it could could be that. Um, obviously Rick would be able to answer that better
than I. But I did support it. I love the idea of it, of refreshing it. So I was very supportive
of it, but I couldn't tell you, I couldn't imagine what the conversation was between Rick and
Kevin Sullivan, but clearly that's where the power line, right? I gave Rick a lot of rope. I had so
much confidence in Rick and his experience and his outlook on things at that point in time
that, uh, yeah, I fully supported it.
But I couldn't tell you who whose idea it was originally.
Bash of the Beach 95, which we're going to cover at some point, Hogan defeats Vader in a steel
cage and eventually Flair comes in, Lambass Vader, Vader gets on the attack and
Arne comes in to save Rick.
And that looks like we're beginning, you know, to put those guys back together.
least on screen. Vader beats them both in a handicap match at Clash of the Champions,
but that starts to create some divide between Flair and Arne on camera. And we even get
a singles match at Fall Brawl where Arne defeats Flair one-on-one. A dream come true for
Arne Anderson, I'm sure. He's admitted on his podcast. He was so nervous before
hand he threw up. I mean, he's really wrestling. Why? Why? Why? The
pressure was always there because he's wrestling his best friend, his real life best
friend. Like my wife grew up calling Arn, Uncle Arne. That's not even his name, but that was
what she called him. And so that's where they are. And so now there's this pressure of if he
doesn't perform, what is this going to look like? And what could you know what so weird about
that is can you imagine Arne Anderson having a bad match? No, I don't think anybody. I don't
think he could today. He'd still figure out a way to make it work. But,
But what's interesting here is at this point in time, Arne Anderson, who is, I think,
unquestionably, if you talk about the top five technical wrestlers of all time,
I don't know how Arne Anderson isn't in that conversation right up at the very top,
along with Brett Hart, and I'm sure many others or others.
But Arn, I don't think he could have a bad match with anybody.
And now Rick Flair, who could have a match literally with anybody and make it entertaining and look good,
how could Arne not have that confidence in himself to the extent that he got so nervous he threw up?
That's, I don't know.
It's interesting.
And, you know, I understand the personal relationship was a big part of that.
There was a lot on the line.
But it's just an interesting thing to hear that Arne was so nervous about that when he was so gifted.
And he was in the ring with a guy who was equally.
is gifted if not more so and by the way both of them loved each other and wanted to make each other
look good what's there to be nervous about but i understand i totally agree i get it uh ultimately
arn gets the win though with a little help from brian pilman so now see what we're doing here
flare was in trouble arn makes the save they team up against the guy who was beaten on rick
and that guy beats them but they both blame each other for the loss they settle it in a singles match
But Arne can't help himself.
He gets a little help from Brian Pilman.
So now it looks like it's Arne and Brian Pilman versus Rick Flair.
Flair needs a tag team partner.
He's got to have somebody to help take care of Arne and Pilman.
So who does he go to?
He goes to one of his greatest rivals,
but also a former member of the four horsemen, Sting.
And Sting, as he always did, got suckered in.
At Halloween Havoc,
sting finally makes the hot tag to flare flare flare struts around nail sting with the right hand boom
they all beat the shit out of sting it's just great stuff man it's great storytelling i absolutely
love this angle the big reveal hey we're back together you thought i wasn't with my best friend
you're wrong uh and and i'm wondering the timing of this just to let everybody know where we're at
it's it's around the same time that the nitro's launching of course that was at
Halloween havoc nitro launched just a couple of months prior whoever is helping
chart the course felt like hey this might be good for business let's let everybody know
the horsemen are back I mean that nostalgia thing it's a real thing it always works
yeah I mean just say it can always work yes but you have to be careful with it it's not easy
You can't assume a lot.
You can't take anything for granted.
You have to put some real thought into bringing back a nostalgia act and find ways to freshen it up and give the acting new perspective, a different perspective, a different personality, if you will, different motivation, all the things that go into creating any kind of a good story.
And I think in this case, Rick and Kevin Sullivan working together or individually, however it came about, we're right on the money, especially with,
with Pilman. That was a that was an edge and a freshness that I think bringing back a nostalgia
act needed. Now let's talk about the the new added wrinkle. Chris Benoit. Do you know why Chris
was a good fit here or who would have helped make that call? I mean, we know that it's going to
have an interesting to say the least relationship with Kevin Sullivan. But I mean, I know from a
work rate standpoint, the dude could go. I'm just curious. Why do you think Chris became the guy?
Because I think if you look at, and in no disrespect to Brian, Brian's style was a much more
dynamic, kind of athletic, aerial kind of presentation. You look at Arne and Rick. They were
the professional wrestling version of ground and pound. They were technical wrestlers. They were,
They, flamboyant as Rick may have been, you know, on his way to the ring and his character outside of the ring may have been inside of the ring, he was traditional wrestling.
He was what most people who grew up watching wrestling in the 60s, in the 70s, or in the 80s recognized as a real professional wrestler.
Arne, same, maybe even a little more so, because Arn didn't have the flamboyance,
right he didn't have that wasn't coming to the ring dressed like you know looking like a peacock with the glitter and the fly in the boas and the sequence and arn was just he's just coming to the ring take care of business and he had so much credibility then you look at chris benoit it's like he was right out of this he was right out of the arn anderson mold he was while he had that flying headbut he did have some aerial stuff
Chris was that basic foundational ground and pound, if you will,
version of a professional wrestler that just had so much credibility.
And it's like they were related.
Right.
You know what I mean?
There was so much similarities in their presentation and their credibility
that Chris Benoit was just probably the best casting that had,
from my perspective, at least, for the,
four horsemen post its original inception.
He just, he had just brought, he brought, unlike Paul Roma, who didn't bring a lot of,
he brought a cue rating, he got that recognition within the WWE world that Dusty, I'm sure,
was trying to take advantage of, and he should have.
But Paul Roma didn't have that character.
He didn't have that vibe, that intangible quality that made him fit.
he was almost too pretty right didn't work but chris benoit he was just serious as a heart attack
so credible in his presentation was so similar that it was a perfect perfect casting
woman who we don't talk about enough these days in wrestling she's going to return and become
a manager and uh as crazy as it sounds they're one of the top heel factions them and believe
it or not dungeon of doom that's a real thing uh so that means they're going to be working with
the other top baby faces, which at the time are Hulk Hogan, Randy Savage, Sting, and Lex Lugar.
Of course, Sting and Lex Lugar, very familiar with the horseman, but now you've got the top
guys from the other channel, Hogan and Savage, on the roster here.
Let's talk about Super Brawl, perhaps it's most well known for that infamous Brian Pilman
and Kevin Sullivan, I respect you, Booker Man thing.
We've talked about that a lot in the past in our archives over at 83 weeks on YouTube.com,
but do you know what a guy like arn anderson thought of this loose cannon persona that pillman
was trying do you think maybe it took away from the group or did everybody see it as hey man
uh controversy creates cash i don't know what was in arn anderson's mind i don't think he
and i ever spoke about it uh and i'm sure arn had a strong opinion but arn was
what was how do I define my relationship with Arn?
Arn was in so many respects an ideal person to have on your roster because he
you knew he was going to deliver you knew he was going to work hard and let's
you know be honest here Arn had some baggage right but not inside of the ring
or in the venue.
You know, once he got to the building,
he was all business.
But he and I never really spoke much creatively.
I never went to Arn and asked his opinion.
Not that I can remember.
I may have, but it would have been kind of courtesy or in passing.
And Arn certainly never came to me.
He was very respectful in that regard.
He never came to me if he had an issue.
He probably worked through Rick.
or Kevin Sullivan, which is, by the way, the way it should be done,
especially at that time when I wasn't really in charge of, I mean, I was in charge
of creator, but I wasn't running it.
Arn, I was extremely professional in that regard.
So if he had issues or concerns, he didn't express them to me.
He probably did to Kevin Sullivan, and probably most likely to Rick, but not to me.
Well, listen, what's not often talked about, because that's such a big moment.
the whole I respect you bookerman thing at super brawl later that night
flair wins the world title from randy savage so he's on top of the company and
the following night on nitro iron anderson beat holcogen now it took miss elizabeth's heel
in his eye but still doesn't matter you got to win over whole cogan are you kidding like
the horsemen are back on top again uh on the way to uh uncensored
we should point to the Nitro and Chattanooga in March.
It's something that maybe is undersold in history here.
He's in Chattanooga.
It's a Nitro.
And he's booed very loudly during this promo.
The fans are not Hulk Hogan fans.
They're not here to see Hulk Hogan.
And it almost seems like for the first time,
because there have been, you know,
some booze here and there since the early 90s.
Like, oh, it's,
of the kids. It's for the women. It's for the families. And some of the hardcore adult male
wrestling fans, eh, boo. That's always been there. This is the first time it feels like it really
gets to Hogan visibly. Do you remember seeing him, I'm talking about Hulk Hogan now,
pronouns, pal, where the booze maybe shook him a little bit in this era. I'm not talking about
recent stuff. I'm saying way back when he's supposed to be the top guy and the top baby face.
and there's never been enough booze that it really felt like it got to him.
But this nitro in Chattanooga, it feels like it does a little bit.
Do you remember seeing something like that?
Sure.
Sure.
And I remember it.
It's one of the reasons why, you know, a year before Hulk Hogan actually turned
heel in 96, I had gone to Hulk's house to talk to him about turning heel because
the baby face thing wasn't working.
And that, look, Hulk would never, you could know, I never saw it.
I never saw him react.
I never saw him sell or even do anything that made me believe while he was making his entrance or while he was in the ring that it was getting to him at all.
But it seemed like even before this event in Chattanooga, even at center stage when he'd make it appearance, you know, you get that initial reaction from a lot of the fans.
and after the newness where, you know, the new car smell kind of wore off and Hulk had been
around for a while, you started hearing, started out very subtle, not that noticeable on
camera, but when you're standing there, when you're backstage or when you're, you know, near the
floor, you can hear it, see it. And I started hearing it and seeing it more and more and more,
not all of a sudden, but progressively over time. And at this point,
for sure.
And it was one of the reasons why I felt like this,
this red and yellow thing isn't really working,
to the extent that we wanted it to.
It was still working strategically,
business-wise, business-to-business, tremendous value.
But the crowd reaction was becoming more and more obvious
that a larger and larger part of the audience
wasn't reacting the way Hulk wanted him to
and certainly not the way I wanted them to.
And when I would notice,
said, I think, to answer your question better, it was backstage.
Right.
There's a difference between going out, you get that great reaction, you have your match,
you get a great, yeah, you can cup the ear, do all the things that Hulk did in, the pose.
And that's a, you know, you makes you feel good.
You come back and, you know, Hulk would be, you know, higher to kite.
But when you come backstage and you're getting, you know, you're starting a sense that
the audience isn't with you to the same extent, you don't have that same attitude coming
backstage you're not on the same adrenaline high that you would have been otherwise and that
became noticeable over time let's also remind everybody that same show in chattanooga the main
event is hogan and savage as a tag team that's right the former mega powers but you know
seven years later here teaming up against flare and kevin sullivan in a texas tornado match and
that's not very horseman like to be joining the horseman with the dungeon of doom but these are
the two top heels and fans are cheering for the horsemen and we know that eventually we're going
we're going to see a change with Hogan but I want to remind everybody this era with Hogan now
not in the title picture it's Flair and Savage them working the house shows are really something
that turns house show business around for WCW before the NWO now there's no denying the NW
took it to a whole new level.
But prior to this Flair Savage house show run,
house shows were drawing,
and this is real,
700 to 1,500 fans.
Not good.
That's like what GCW,
GCW's probably beating that this weekend.
Now,
with Flair on top,
working with Savage for the world title,
they're doing between 1,800 and 3,200 fans.
So we're proving that
Flair still a little bit of a draw, even if, you know, he has been killed off dead.
What happens, though, next creatively is the Alliance to End Hulkomania.
So now it's not just, can I, can I interrupt?
I'm sorry.
Sure, sure, sure.
You said that despite the fact that Rick was killed off.
Well, he lost a retirement match and went away and all that stuff.
Okay.
So I'm just saying we're on the heels.
So this is 95 and at Halloween Havoc 94, he lost.
a retirement match.
So it feels as if, okay, I mean, I think most people thought when he lost a retirement
match, and I know no retirements in wrestling are real.
But I think the original plan was, okay, we'll have you gone for X number of months or
whatever.
When he's inserted back in, it's almost like he picks up right where he left off.
Like, that's in the rear view.
It doesn't matter.
We're going forward now.
And I think that's interesting because I think in mixed martial arts, and I realize
we're comparing apples and pomegranates.
I'll never forget when Chuck LaDale first lost or when Ron DeRousey first lost or when
Connor McGregor first lost people were just really quick to say oh their appeals over the
mystique is gone they're not a draw anymore that's not the way it works like when someone
is a fan of yours they're a fan of yours and you know what sometimes it doesn't hurt you to lose
because now they want to see can you overcome and I just think that narrative that well he lost
the world title. Well, he lost a match. Well, he lost a retirement match. That doesn't mean people
quit caring, right? Not if you're a great character and you've established a relationship with the
audience. Yeah. No, I think way too much is made of that. Way too much is made of that.
The alliance to end Hulkomania. Boy, this is, uh, right out of the book of bad ideas. We got the
horsemen teaming up with the dungeon of doom. And I'm not saying this is the best version of the
horseman. But I don't even know what we would call the best version of a dungeon of doom.
Maybe one that didn't exist. But it's a tower of doom steel cage match with the likes of
Z gangsta. So we can't call him Zeus anymore. Hogan's rival from the 1989 movie No Holds
Bard. The Ultimate Solution, who we know from a Batman movie. And then Hogan and Savage are
going to fight through Lex Lugar, Kevin Sullivan, the barbarian, Ming. And eventually,
Arne and Flair, this might be the most unhorsman-like thing of all time.
I'm sure they weren't tickled to be here.
Hey, it's a paper view main event.
It's a lot of eyeballs.
But if we had this one to do over again, probably wouldn't do that match, right?
I wouldn't think so.
Yeah.
But again, Kevin and Rick were working very closely together.
I don't know that.
I mean, Rick, you know, you know, I would love.
to hear from Rick on this subject, but in terms of how he felt about going into this particular
match, I don't know that Rick was against it, maybe, but since he was so close to Kevin
Sullivan, if Rick was unhappy with it, I'm kind of shocked that it would have happened.
Right.
They had a good creative working relationship.
There's a lot of mutual respect there between them.
The idea to me sounds very Hogan-esque.
oh yeah i mean and and kevin solid and hulk also had a very good relationship
so i can kind of see in my mind at least how this all came together
um and i think there was a tremendous amount of hogan influence in this creative
strategy when it's all said and done randy savage gets the pen on rick flare it would have been
really easy for randy savage to pin i don't know kevin
Sullivan or Lex Lugar or the Barbarian or Ming or Zeus or Ultimate Solution, but
Rig didn't have a problem, Liz and Randy, I'm sure.
And that turns into the horsemen of the Dungeon and Doom pairing off against each other.
As we know, Pilman's going to exit the company.
Benoit's going to take his spot in a feud with Kevin Sullivan.
That doesn't end well for anyone.
And Flair randomly drops the WCW title to the giant on Nitro in late April.
this feels as if we had some confidence in the horseman but maybe now with with pilman peeling out
and we're going to take the belt off of flare it feels like hey we're trying to do something new
was there a time where you felt like the horseman could have become a bigger deal here
or was it more about we need some sarsa let's get the belt on a new cat let's put it on the
giant i think it was both i i wasn't a fan of putting the belt on the giant
but I went along with it, supported it.
I think you're probably right.
I think it was more of a reaction to Pilman leaving than a thought process.
And I think it's unfortunate because I think the four horsemen,
hindsight's just such a wonderful fucking thing, isn't it?
Yeah.
But I think in hindsight, it would have been better to keep the horsemen together
and to focus on it and build it up than to just quickly move on,
drop the title to Giant, which I'm sure there was some logic behind it.
I don't know how good it was,
but there was, I'm sure, a reason for it.
It wasn't just a random idea as somebody came up with.
But I think there was a missed opportunity there.
No doubt a missed opportunity.
We should talk about with Pilman gone,
there's a hole that needs to be filled.
so who's it going to be mongo that happens at great american bash flare and arner teaming up
to take on kevin green and steve mcichael as you might imagine mongo opens up the
haliburton that was handed to him by his wife deborah it's filled with money and a horseman
t-shirt mongo joins right up and this has been something that a lot of fans have been critical
of saying mingo wasn't the wrestler that a lot of the other horsemen were and he wasn't the
performer and well if you ask Rick Flair Rick says man he's one of the greatest
horseman of all time that dude knew how to party he knew how to have a good time he
knew how to spend money so out of the ring he checked all the boxes in the ring
maybe so not so much I've never been able to get a straight answer out of this though
Eric I've sort of talked about it with you I've sort of talked about it with Rick
I've sort of talked about it with Arne where Arne and Flair ever sort of asked hey who
would you like in the group or is that just not the way the collaboration process really
worked back then of course they were asked of course they were part of the discussion
did they have the ability to throw a flag and say no i don't think so right but if they would
have thrown a flag and said no we probably would not have moved forward knowing that the chemistry
wasn't there it just wasn't going to work rick and mongo were
tight from the get-go right look i i think the idea of putting mongo in the four horseman was a
i'm not going to call it a great idea but it was a solid idea i would agree i think if there was
a mistake in the execution of a really solid idea on paper is that mongo should have been
the finisher he should have been the anchor he should have been that
power move here, power move there to set up a finish,
whether Aron's going to go over, Rick's going over, whoever, Chris Benoit.
If Mongo would have been in there as, I've got to get new lights.
These suckers only lasts about 20 minutes now.
If Mongo would have been a part of the group and his role would have been to
soften somebody up for the kill or to be, not to take anything away from Arn,
but to be kind of that enforcer backup, use only, you know,
Break glass in an emergency only kind of character and not let him try to be a horseman in the sense of the way he wrestled.
Because there's no way a guy like Mongo who's going to come into the business late in life,
no matter how much of a phenomenal athlete he was and he was,
there's no way that guy's going to be able to hold a candle from a technical perspective
and do the kind of things that an Arne or Rick or Chris Benoit are going to be able to do.
But he could do four, five, or six things that were devastating and have an important role.
I think the mistake in hindsight was that we let, and this comes from an agenting kind of failure,
we let him do too much.
We let Mongo try to do more than he was really.
really ready to do yet.
And all you need is a couple baches.
All you need is a mistake here or mistake there,
especially when you're in a high profile position,
especially when you've got people who are so, you know,
loyal to the four horsemen and the tradition and the history and all that.
The minute you botched something, you're kind of branded for life.
And I think if we would have brought Mungo in with his credibility,
his notoriety in the NFL, because he was.
you know, go back and listen to read about some of the things that people said and wrote about
Steve McMichael as a part of the Chicago Bears.
He was a, he was as a legit of an NFL player as there was out there.
Absolutely.
And it's scary on top of it, you know, just intimidating.
That fit very well into Four Horseman.
Had we not let him overexpose himself in his own enthusiasm and desks,
desire to do more it would have been better for everybody well let's talk about what what
maybe wasn't best for everybody but it was good for the whole the NWO really becomes a thing in
July here of 96 and it kills the momentum of the horseman as a whole because essentially
everybody's turning baby face now so guys like Flair and Arne who've always been standing across
the ring from guys like Sting and Lex.
They're teaming up in war games because they want to keep this new rival outfit,
these outsiders to not steam roll through the whole company.
And the whole horseman versus the NWO thing gets started,
but it doesn't feel like it ever reaches full speed.
Do you think, like even, you know,
the whole Hogwild event where Hogan's going to win the title and he's
spray paints it with the NWO and all that jazz.
That was against Flair.
And so it's,
it's fun to see it get up and going,
but it almost feels like we kind of move on.
Do you think there would have been an opportunity for it to be just the horseman
versus just the NWO and then maybe try WCW?
Or why did,
why did you think creatively at the time it was best for everyone to sort of band together
against the outsiders?
The enemy of my enemy is my friend.
There you go.
That was the psychology behind that.
So, yeah, even though Rick and Arn, Horseman traditionally heals.
Right.
But to have this group come in and try to take over WCW from the outside
and have that be such a threat that former enemies would align.
however temporary as it may be, to keep that threat away, to me made the threat more believable.
It made it more important.
To answer your question, could we have done something that was just horsemen and NWO
and then move on to the rest of the team or the rest of the organization at WCW
and start going after staying in Lugar and all the other people that represented WCW as a brand for so long?
Yeah, possibly.
Do I think it would have worked better than what we did?
Hard, hard to say.
I'm reluctant to suggest that it even might have because of what we did do work so well.
It's hard to imagine just the horsemen in NWO first having more impact.
Because the NW came in with, just came in to seek and destroy.
I mean, they wanted to seek and destroy everything.
They wanted to completely turn the organization upside down.
and I think having a traditional angle first with the NWO and horsemen before we got to the
seek and destroy could have maybe it's possible would have worked it's hard to imagine that
it would have worked better than what we did want to give a shout out to everybody over in
the group chat if you're hanging out with us during our live recordings you're definitely
a member of ad free shows.com we always
say you get the shows early and ad free well how about being a part of our live studio audience
want to give another shout out to everybody hanging out including denovius mac and a bunch of
others who've joined us but man my man adam arpin has a great question here he says or comment
mongo should have been to the horseman what solo is to the bloodline man i think that's right on
the money go i mean if you would have done that with him and not asked to do too much and as you
said maybe that's a producer uh issue that could have really worked man he just pops up hits a move
done i like it he's the enforcer yeah and i think even you know i'm i'm hesitate to say this
because it sounds like i'm criticizing and i don't want to in this context but it i wish
in retrospect guys like arne and rick Kevin sullivan people that were involved
Benoit would have never done it, but I don't think.
But if those guys would have just put the reins on Mongo a little bit,
just slowed him down, less is more approach.
We were just discussing it would have been so much better for Mongo and so much better for the horseman.
That's a really good observation.
Another observation is once the NWO gets up and going, Arnes hurt.
Flair is hurt.
He's going to have a torn rotator cuff.
He's going to have operated on.
But in October, right after fall brawl,
Jeff Jarrett joins the company.
He's immediately associated with the group.
We've had a lot of fun with this on our network of pods.
Do you consider Jeff Gerard a horseman?
Technically, yes.
Yeah.
Spiritually?
No.
Okay.
well with orange uh career wrapping up due to his injury there is a hole that needs to be filled
and jeff jerr is in a story where he's sort of flirting with the horseman and it maybe gets
a little convoluted it's like they let him in and then they kick him out it was maybe just
a little too cute but the uh the competitive spirit in flare is still there even in his book
which came out in 2004 so this would have been years
after this.
Quote, personally, I thought we blew away the NWO.
Arne could talk better than those guys.
Bongo was a marginal performer, but he had a million-dollar look to go along with
a Super Bowl ring.
To the fans, we were all tough, believable guys.
The only problem was that Arn could no longer continue as an active wrestler.
And listen, we have discussed in great detail.
That now infamous Arne Anderson retirement speech,
it's all in the archives, 83 weeks on,
YouTube.com. We've covered it from seemingly every angle. But it does feel like when Arne has to
hang it up and give his spot, I know we try it a little longer. It's not the same without
Arne Anderson. That's kind of the end of the horseman to me. Let's say you. I agree. Yeah.
You know, so much of it is chemistry. You've talked about it so much. I hate to even mention it
again. But the NW will work because of great casting and a great chemistry. Doesn't mean everybody
it along all the time, but on camera, the chemistry was magic. Same true with horsemen.
As I said, as we first started talking about this, you take out Rick Flair, you take out
R. Anderson, what did I say, 45 minutes ago? Yeah. It's not the same. That's right. And there's
not much you can do. You know, it's the magic is in the chemistry. And once you take a big portion
of the chemistry out of that chemical equation, it's not the same product. It's just not. People
aren't going to feel as connected to it.
Rick would write this.
Less than a month after the emotional night
when Arn handed over his spot,
Henning turned on the horseman,
slamming my head in the cage door
and joining the NWO.
The match took place in the heart of horsemen territory,
Winston-Salem, North Carolina,
and basically killed the city for WCW.
For a second year in a row,
the horsemen lost war games in their own backyard.
In terms of storyline,
the turn and result didn't make sense.
The only motive seemed to be,
burying me. The plot continued with Kerr Henning stealing my robe, tearing off the sleeves,
and awarding it to Hogan. Forget the fact that I'd paid $5,500 for the robe and wasn't reimbursed.
When it was handed to Hogan, the fan outrage transferred over to him. In other words,
it wasn't Kurt's storyline anymore. Hogan stole it. And there's been a lot of hurt feelings
about what Rick wrote in his book. And I'm sure he's last.
out and maybe that's the way he really felt at the time but I'm curious did you ever even
hear of him trying to be reimbursed for the $5,500 road because that doesn't feel like that
would have been an issue for WCW at all.
No.
Yeah.
And if it would have landed on my desk, it would have become even less of an issue than
it would have been for WCW as a company.
Right.
So I don't know what the background is on that.
I kind of hesitate to comment.
them about things that people wrote in books 19 years ago.
Yes.
Good call.
But if there would have been an issue, had I been aware, had Jenny Engle come to me
and she could have easily, and Rick could have easily gone to her.
Right.
They had a great relationship.
They were very, very close and had been for a long time.
It would not have ended up in Rick's book.
Let's just put it that way.
The horsemen were dormant for a long time, loosely associated.
are Ben Juan McMichael, but flares out and he's going to be working with Brett Hart
and then he's got the contract impasse and a lot of legal wrangling.
Eventually, it all gets worked out.
And it is one of the more memorable moments in television wrestling history, certainly
nitro history, when the horsemen are reformed seemingly for the last time.
Arne Anderson introduces the group, it's Dean Malenko, as a new addition.
And then eventually, as we know, he brings out.
Rick Flair. It was September 14th in Greenville. It's a super emotional night. Meltzer would say
interview, although he may very well might be, but at his motivated best, nobody can touch
him. And for people who admit to Flair being a great worker, but not a superstar in the
industry and the level of others who have more mainstream notoriety, or say he's past the
point due to his age of being marketed as a top star, well, the earthquake sounding reverberations
heard around the country on 914 must have been quite the jolt of reality. You can tell
that Dave is a really, really big fan, and what an iconic night that was, and it was a special
moment, and you're a big part of that. Fire me. I'm already fired. This is like the last great
horseman moment, in my opinion. Would you agree? Yeah, I would. But going back to, you know,
something that Rick said in his book about how we killed Winston-Salem, obviously, we intended to
piss off the audience.
Right.
And we booked it in Winston-Salem, and we booked that finish because we knew the way the audience
would react.
If somebody would have come to me and said, do you mind if we just kind of do something that's
going to probably burn the town as far as ticket sales because we're going to get so much heat for
what we do?
People are genuinely going to be pissed off, not in a, a, what's the term?
Not a, not a Pavlovian wrestling fan response, but a genuine distaste and hatred and angry for what we did.
Now, you're going to build up Rick Flair.
When Rick Flair comes back, it's going to be even more meaningful because of the way he was treated,
because the fans are loyal to the forehorsmen,
because the fans love Rick Flair,
when you finally do bring him back,
there's going to be even more support for him.
But in the meantime,
we're going to piss off a lot of people in Winston-Salem,
despite the fact that the rest of the country
is going to get with what we're doing
because it's real heat.
Would you do that again?
And the answer would be in a minute,
less than a minute.
It would take me less time to make that decision
that it would take for someone to present that opportunity to me.
And the reaction that we're getting here, I think justified it.
There was, I think a Rick got more love and support and a horseman in this situation than they would have if they would have gone over in Winston Salman said the fans home happy.
Yeah.
That was the risk.
It was a good risk.
And I think as Dave pointed out, despite the fact that he just may have been in love with Rick Flair or the horsemen at the time.
I don't know what his feelings were.
But I think the reaction that he got, that deafening reaction, if indeed it's true,
because it did come from tapeworm, um, as a result of the way Rick was treated in
Winston-Salem.
He was coming back.
They wanted him back.
This nitro where Rick Flair comes back is the second to last time that Nitro would ever defeat
Raw in the ratings.
The only other time that Nitro beat Raw in the ratings is after Halloween Havoc that year,
where the show went long and a lot of cable systems weren't able to air the main event.
So you guys showed Goldberg versus DDP on free TV the night after Halloween Havoc.
That's the last time.
Yeah, that's, and that's not even fair.
So let's call it what it is.
The return of Rick Flair gets enough national attention.
It's the last time WCW Nitro beats Monday Night Raw.
I say all that to say, come on, Eric.
I know you like to say things here to get some clicks and to fire me up and create some
controversy.
I'm not poking you.
I'm not trying to let you up.
That's your role.
You said here tongue and cheek.
The horseman never drew.
Well, they got the last time.
I mean, come on now.
Hey, Drew.
Are you kidding me?
Are you fucking kidding me?
Wasn't a Prince Ikea match.
Are you suggesting that the last time that Nitro was able to,
first of all, the last time that Nitro beat WWE
had a lot more to do with WWE than anything going on in WCW
or not going on in WCW, number one.
Number two is the reason that it, I don't know,
reason. I'm pretty sure that if we look back objectively, it's because of what the NW
did with Rick, to Rick, to the horseman that made that come back so powerful. It was the story.
It wasn't the horseman. It was the story. And as far as me saying that the horseman never drew
within my era of WCW, my experience, my firsthand experience from the time I got there,
there till the day that I left, the horseman without the NWO was interesting.
The fans loved it.
It was great entertainment.
But when it was the focus of WCW, WCW was losing money.
You can't hold me accountable or expect me to be able to comment on what happened with the
Crockin organization.
That was another world, another time, and it wasn't mine.
But my experience, just my experience with the four horsemen within WCW,
from the time I got there in 1991 to the time I left and whatever.
The horsemen, while the audience loved them,
they had loyal following and all of that.
Go back and look at financial records from that time period
and tell me otherwise.
No, I understand that they may have printed money in the Crockett era.
I wasn't there.
I don't know.
All I know is what I was involved with and what I saw first.
And it's not a knock on them, has more to do with where WCW was and the lack of strategy
and the lack of creative, all the things that you made fun of me or ripped me about
when talking about my concern about where AEW is at and taking on more, more television
at a time when they haven't really figured out their creative yet.
That's exactly what I mean.
The NW, or the Four Horseman, it's not even a discussion as to whether or not they had the talent or whether their characters were 100% on the money.
The question is, what was their creative and did it work?
Did they draw revenue in house shows?
Did they draw a revenue in pay-per-view?
Was there a license in merchandising sales?
And in any one of those metrics, the answer is no.
it's not because they didn't have the talent.
It's not because they weren't viable characters.
It's not because they weren't powerful characters.
Indeed, they were.
The timing wasn't right for them because WCW didn't have what WCW needed to take advantage
of the power that they had in the four horsemen.
It wasn't a talent issue.
It was a corporate issue.
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uh listen you're working against flare in the build up to starcade 98 uh it's really one
of the last great programs that rick is in in w cw
of course you meet him and then the night after you're going to lose to flare and you get control
or he gets control of the company for 30 days and that story is sort of completely forgotten about
in history because instead we do the old finger polka doom on January 4th 1999 but it does lead
to the last major successful WCW pay-review that the company ever had uncensored 99 in Louisville
at Freedom Hall, we would see Flare turn heel in a first blood steel cage match against
the WCW champion Hulk Hogan, have a little help from his old pal Charles Robinson, and he
becomes the WCW champion earlier in the night. Benoit and Melenko won the tag titles with
the help of Arne Anderson. The horsemen are riding again, but a few weeks later, old Mongo
just wanders off. Lord bless him, he's done with the company. Flair is going to lose
the main event of Nitro to Ray Mysterio by DQ
and he drops the title to Diamond Dallas page
at Spring Stampede.
That leads to Flair becoming a bit of a nut job.
He needs a personal nurse.
Asia is going to come in in that regard.
We're also going to have David Flair come in as U.S. champion,
which has Benoit and Melenko leave in May in protest over what Rick is doing.
And they're going to join Shane Douglas' Revolution Group.
And that is the act.
actual end of the four horseman it's a sad end to a great stable but listen it was pretty
creative at times people had a lot of fun once upon a time it drew money once upon a time
it drew ratings but they say we say this a lot timing's everything and it just felt like
the timing was never quite the same as this original version and that harkens back maybe to
the beginning of our conversation today we talked about the new aW collision show and
the similarities in that new logo with the OG Nitro logo.
And I got to tell you, Eric, I know, you're flattered by that as you should be.
I kind of secretly, selfishly hope that when we see that show,
we got those big stainless steel letters that say AEW there and that diamond plate.
Like, just lean into the nitro nostalgia.
I think that would be fun.
Like, nostalgia does work, but I'm wondering from your perspective,
have we learned just dissecting all the,
the second and third and fourth and fifth and 17th incarnations of the different versions of
the horsemen, will that nostalgia wear off if that's what they do?
I'll be right back.
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That's save with Conrad.com. Inimeless number 65084 equal housing lender. Let's do a question here
from Adam Arpin. I wonder if they ever approached OLE about taking on the JJ role and later
renditions of the horsemen while JJ was head of talent relations in WWF. That might have been interesting.
As I understand it, Oli was shown the door in 94, so he wasn't really around in the company.
Was there ever a consideration and say 95, 96, 97, 98, somewhere in there to say,
hey, let's get Oli back or were you just glad to be out of the Oli business?
No, Oli was too.
Oli was, he was too negative.
He just, he resented too much.
He just had so much baggage.
He was pissed off at the world.
He didn't respect Rick.
He didn't respect Dusty.
He didn't respect me, which I can understand.
He just, he just, everybody, the entire world was wrong but him.
And he was the only one that knew how to do things right, in his opinion.
And I can kind of understand that to a degree.
If you can manage it internally and work with us.
other people. But when you got a guy who is, I think at that time,
Oly might have been a vice president. Bob Doe would have made him that.
Punching holes in the walls of the offices at Turner Broadcasting.
Yeah, that don't work. It just doesn't work.
Oly was too bitter. That's the better word. He was too bitter to do business with.
I'm going to go back to your question about AEW and the logo and seeing the
stainless steel set and all that.
Do you think that could just be a short-term thing, or do you think that could work
long-term?
Is nostalgia short-term?
I think if it's a short-term, if that colors and the logo and the direct rip-off,
it's what it is.
As flattering as it may be, it is what it is.
It can work, and parts of me would love to see.
see it, but going back to what we talked about for the first 30 minutes of the show.
Having had some experience in trying to recreate something, you run a very high risk.
And here's the truth from my perspective.
It doesn't mean it's a fact.
It's just the way I look at things and I believe it to be true.
that the fans perception, those fans who think that watch Nitro and were part of that
and it changed their lives and it brought them back into wrestling.
Because let's keep in mind in the early 90s because of the steroid trial in WWE at the time
and all the craziness that was going on there and the fact that WCW couldn't hit their ass with both hands
and a compass. They couldn't find their ass with both hands and a compass, creatively speaking,
because that is a big part of the business. The audience for wrestling was leaving. The prevailing
opinion, the consensus opinion among television executives that I worked with 92, 93, 94,
was that wrestling was dead. The audience has come and gone. Wrestling is going to be a part of
television history. It's never going to come back to its glory day.
That was the consensus of opinion amongst people that were not only in the wrestling business,
but in the television business as well.
And that changed.
And we created this Monday Night War thing, you know, blah, blah, blah, blah, blah.
We all know what that is.
And people will have a feeling about Nitro and a relationship with Nitro and what was.
And it's overblown.
their minds in a way it's it's i'm not saying this the way i want to say it people who were fans of
nitro and recognized nitro for what it was and how it changed the industry and during that period of
time put nitro and the product on a little bit of a pedestal in in some regards and to a large
degree it's unfair this is not really true i mean there was a lot of things that we did at
that changed the industry.
Yes, there's a lot of things that made it better,
made it more on shining,
created the Monday Night Wars, yes.
But when you bring something back,
much like you're bringing back the four horsemen
or trying to bring back a character,
the audience expectations
and their kind of fantasy relationship
with the original version
makes it almost unattainable.
It's the risk of disappointing the audience
if you lean too much into, okay, you know, we're on night.
We're AEW, but man, we were born in this nitro, whatever.
We're an extension of it.
A little bit of it's okay.
Too much of it will backfire big time because there's no way AEW will be able to deliver on the promise.
As unfair as the promise may be, they'll be unable to deliver up.
Not because of all the obvious reasons, because they just don't have the creative horsepower
or the vision.
It's not even creative.
It's vision and strategy.
They don't have anything new or different.
So to lean too much into the nitro thing could backfire.
I think it already has a little, you know,
at least what I see social media.
Let's put a button on the four horsemen talk.
What do you think the four horseman legacy will be in this sport?
Originators, innovators.
They were the first, right?
They were the first real powerful,
successful,
stable.
And nobody is going to be able to take that away from them,
not the NWO, not the bloodline.
Nobody.
They were the first.
It's a big advantage of being first and they were the first.
And they did it well.
They did it very well.
Next week, that's a legacy.
Next week, we're going to talk about the legacy of Lex Lugar.
We're going to cover his time in WCW from 98.
to 99 we'll talk about joining the wolf pack turning heel in early 99 with the NWO
and the plans for his return before you left WCW by the way I just want to give a shout
out as this episode drops we are exactly one month away from our annual top guy weekend event
I can't believe this is real Huntsville was voted on to be this year's location we've done it
twice in Chicago and now we're coming to Huntsville we're going to have a lot of very
special guests here it's going to be a lot of fun uh i can't wait super excited i don't even want to
spoil it but let me just say eric you often have said on the show it can be less than
better than or different than you know some of the things we're doing this year's top guy weekend
it's going to be different than is it not yeah it's going to be a lot different but i think it can
be uh it will be a lot more engaging i think fans are going to have an opportunity to be a part
of the event as much as showing up to the event so that's cool it's going to be fun by the way
there's still a chance for you to join us over on ad free shows sign up right now at adfreesows
dot com by the way if you sign up and become an annual member uh we'll see a top guy weekend
why not join us uh by the way if you're not sure about the value why not try a free trial on us
just go check it out right now your first week is free we want you to get a peek out of the hood see what's
what come to some of our live taping see some of the bonus
events. You get bonus events with, man, a who's who. Kurt Engel and Arne Anderson and
my God, we just had Rick McFoly earlier this week. Something for everybody. By the way,
if your business targets men 25 to 54 years old, there's no better place to advertise than
right here with us on 83 weeks. You've heard us do some of the same ads for the same companies
for years. I don't know why that is. Well, because it really works. And with our super
targeted audience, there's very little waste. Go right now to advertise with Eric.com and find out more
about advertising here with 83 weeks
love to have you check out Eric's new book
it's on Amazon it's
Bischoffbook.com or of course on
Amazon you can find Grateful
I absolutely loved it got some summer travel
coming up I'm sure a lot of people do
why I go ahead and read what easy E has to say
I would love to have your interactions on social as well
the show handles are easy it's at 83 weeks
on Twitter Instagram and Facebook
you can find Eric over on Twitter at E Bischoff
I am at Hey Hey it's Conrad
and of course the easiest
way to support our show is to go subscribe to our YouTube channel. It's 83 weeks on
YouTube.com. That's 83 weeks on YouTube.com. Tons of new swag too available, including
the brand new endeavor to persevere. How about their stickers you can put on your laptop like
the big gold belt? Maybe it's time to do some grilling. We got an 83 meets little Yeti cooler
and you know, it's the NWO inspired swag that you've been looking for. It's 83 weeks merch.com. That's
83 weeks merch.com.
Eric, I had a lot of fun talking with you today.
I always love yelling at you and debating AEW.
And I'm sure we'll do more of that next week.
But I'm glad we, we set the record straight and you and I agreed the horseman or the
innovators.
Bravo to the horseman.
And congratulations to Tony Conner, as Eric Bischoff would say,
fuck you very much.
Wow, you were just evil.
I'm excited, man.
Listen, if you would have told me, and I think we can all agree with this, this cat started this thing just over four years ago.
He didn't even have his first episode four years ago.
And now he's got his third show on the Turner Network, two of which are going to be live.
Like that just didn't even seem possible just five, six, seven years ago.
And now it's happening.
I think it's moving in the right direction for the whole industry.
I'm excited to see what's happening with WWE.
It seems like their stock is just climbing by the day.
as a wrestling fan, I just think it's good for the business. And I know you think that's pandering
bullshit, but as a wrestling fan, I have to admit, 10 years ago, I wasn't sure this thing would
even exist in 30 years. It felt like it was just on a downward trend. And maybe it was going to
become Pass A and it was going to be something like roller jam or something. And it was something
we used to do. And then it just went away. And I'm glad that doesn't seem to be the case right now.
Now we feel like with everything that WWE has done and certainly the investment we've seen,
The Turner organization, man, there's going to be wrestling for a while.
And I think that's, uh, that's good for people who work in the business and good for the fans of it.
So apologies for being excited about a new show and hopefully a boatload of cash coming into the industry.
Wholeheartedly agree.
Wow.
It took us two and a half hours, but we finally agreed.
Let's just stop there.
So we don't, uh, I was just about to follow it up in the comment, but I'm not going to do it.
I'm not going to do it.
Not here, not now.
Send your hate tweets to add E. Bischoff, and we'll be back next week right here on 83 weeks with Eric Bischoff.
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Hey guys, need to call a quick time out here.
I wanted to tell your listeners
what I've been telling my listeners over at O you didn't know for a while now,
about all the cool things happening over at ads-freeshows.com.
An all-new mailbag series debuts later this month on ad-free shows
as we pick the braid of a man who has spent 40-plus years in the wrestling business.
Longtime WCW and WWE referee Nick Patrick answers your question.
St. Kurt Angle.
Where are you getting better on it?
No, it ended up being my own blood.
Austin had the title.
It had the little jagged edges on, right?
and it had a deal where Angle pulled me in, and I took a belt shot.
A little bonus content comes your way, courtesy of the Kurt Angle show.
A dream match became a reality back in 2016 as Kurt Angle squared off against Cody Rhodes on the Independence.
For the first time, Kurt watches back his match against the American Nightmare.
This kid's really talented.
He's selling the ankle here on the Leap Frog, went down on it awkwardly.
He's outside the ring talking to the referee.
This isn't, like you said, all part of the match plan.
Hey, start to show that weakness in the ankle.
Yeah, yeah.
This was his idea to make it look like he hurt his ankle.
So when he did lose, he had to get him right about.
Ad free show members have chatted one-on-one with AEW stars like Eddie Kingston,
Dax Harwood, Ricky Starks, and many more, including a recent live interactive session with Renee Paquette.
He still continues to do that.
He's on commentary on AEW.
So I think it was cool for him to kind of put on that analyst hat and get to kind of test out those waters a little bit.
But end of the day, it was a thing that I think made him feel like, you know what, wrestling can be okay again.
I can have fun in the wrestling space again.
And now we have Sampunk Wrestling.
So you're welcome.
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