A Bit Fruity with Matt Bernstein - Boy George’s Very Strange Spiral
Episode Date: August 7, 2026When Boy George released an AI-generated reggae Zionist fight song last month, I was not shocked. That’s only because the 1980s queer pop icon and “Karma Chameleon” singer quietly directed his i...re at me (ME!) a few months earlier. How did such a legendary countercultural figure resort to… whatever this is? Today, we’re telling a bizarre story of fame, crime, geopolitics, and artificial intelligence. A lot of artificial intelligence. George Michael, as the decidedly superior 80s gay pop singer from across the pond, we salute you. Listen to bonus episodes on Patreon! Thanks to today’s sponsors! Get 15% off a cuter, more sustainable way to clean at https://www.blueland.com/fruity Work smarter, not harder, with Factor meals ready in two minutes at https://www.factormeals.com/fruity50off Watch Caroline on Twitch. Follow Caroline on Twitter. Follow Kat on Instagram. Follow Kat on Bluesky. Find me on Instagram. Find A Bit Fruity on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices
Transcript
Discussion (0)
It feels like every controversy now is so, like, weird.
And it has this, like, sheen of, like, apocalypse.
And it's so, like, end-timesy.
Like, I don't know, Kat and I were just talking about Britney Spears the other day, as usual.
And it's like, when you think back to the controversies of the Britney Spears aughts,
and it's like, did you see how Britney Spears installed her car seat?
Like, she's an unfit mother.
And now it's like, your favorite British pop star from the 80s?
is making a robot Zionist fight song that's being upheld by officials within Netanyahu's government.
It's just like everything feels so end times.
Oh yeah, fully in hell.
There's like a sheen of AI psychosis to everything.
Feels bad.
There's only up from here though, right?
Hello, hello.
And welcome back to a bit fruity.
I'm Matt Bernstein.
Thank you so much for being here.
So this all started for me a couple months ago.
in a little podunk corner of the internet called my own Instagram.
Let me tell you a story, my dear listener.
On May 5, 26, a synagogue on the Upper East Side of Manhattan held something called
the Great Israeli Real Estate Event, wherein Jewish New Yorkers, and only Jewish New Yorkers,
can come, check out and plan to purchase property not only in Israel,
but also in the illegally occupied West Bank.
It is a land expo for New Yorkers to move onto stolen Palestinian land.
And yes, this is an episode about the British pop musician Boy George.
Just hang on.
I went to a protest of this real estate expo where outside protesters,
many of whom were anti-Zionist Jews like myself, by the way,
clashed with Zionist counter-protests.
who were supporting the Expo.
It was a dizzying scene, to be honest,
and somewhere I perhaps naively did not expect to get recognized,
but I was.
One of the counter protesters noticed and began berating me,
saying things like,
What's up, Matt?
How are you?
I said, do you want to suck Mandani's cuck?
And here I was thinking that I had to go to Gaza
to experience homophobia.
Fascinating.
Anyway, I made a short Instagram video about this,
whole ordeal on which Rosie O'Donnell, God bless her, left a comment of support.
I've never spoken to Rosie O'Donnell, but I think she's really cool. If she happens to be
listening to this, Rosie, hit me up. So you can only imagine my double shock when in response to
Rosie O'Donnell's comment on my Instagram post, British pop singer and long-time queer icon
Boy George commented, at Rosie, what are you cheering here?
He continued in a second comment.
They are not right speaking to you like that,
but there is a serious lack of nuance in your own point of view.
I don't see you protesting Putin over Ukraine
or standing up for LGBTQI people in Africa.
What?
I mean, the list is endless,
but you chose a country that would absolutely not accept you
and likely kill you.
Also, ignoring October 7th,
young people like you, peaceful people,
dancing who were raped and murdered.
I don't get why anyone thinks you are brave,
especially Rosie?
Damn, he got you.
He was like, he got me,
but he was really pissed that like Rosie O'Donnell
had something nice to say about this.
Something about Rosie O'Donnell makes all of these men go crazy.
We're missing some important context here.
Like, I feel like these two had some interaction
in line for the bathroom like 20 years.
years ago. I really appreciate Rosie O'Donnell because she seems to have a singular ability to make Donald Trump go completely insane, like something about Rosie. Like, he's just never been able to get over the fact that Rosie O'Donnell doesn't like him. It's, funnily enough, it's sort of a similar thing to what Deborah Massing had over Donald Trump for a very long time because the apprentice and, oh, God, two minutes in and I'm talking about Deborah Messing.
Oh, here we go.
It's also similarly
Kathy Griffin.
Yes.
Hates Kathy Griffin.
But funny lore with Deborah Messing
and Donald Trump
is that The Apprentice
and Will and Grace
aired on the same channel
during the same time period.
And so Donald Trump and Deborah Messing
kind of knew each other
from behind the scenes.
Donald Trump, according to one book,
I'm going to throw it up on the screen
because I forget the title,
had a crush on Deborah Messing,
which was not reciprocated.
by her. And then for a while during the 2010s, when Deborah Messing would criticize Donald Trump a lot,
of course, she doesn't anymore, he would get really upset because he still had this lingering crush on her.
Now, of course, you know, she's posting videos of Donald Trump and Netanyahu positively to her Instagram.
So I don't know, maybe he's feel like he's gained some ground. But anyway, boy, George, very pissed at Rosie O'Donnell on Matt Bernstein's Instagram.
It all goes down in your Instagram comments.
I never understand this line of attack from Zionists when they're like, I don't see you getting mad over, what did he say?
I don't see you protesting Putin over Ukraine.
We're, we, the entire Israeli military is upheld by our tax dollars.
That's why we're talking about this.
He can't even come up with a country in Africa that he thinks you should be protesting over.
He's just like, why aren't you talking about the entire continent of Africa?
Yeah, what is that?
even mean it's it's so like there are hungry people in africa ay ay but anyway it's weird for someone
like boy george who does feel so intimately part of my own personal history as a makeup wearing femme
boy adjacent queer person to be as they say coming for me but you know here we are boy george has in the
months since this ordeal which of course only i noticed made a lot of headlines globally
chief among them for his release of an AI-generated reggae pro-Israel fight song.
None of those words are in the Bible.
Today I want to talk about what I perceive to be Boy George's very strange spiral,
one that deals in geopolitics, yes, but perhaps even more so in artificial intelligence,
insecurity about relevance.
Anything else that rhymes there.
And I'm so excited to be doing that with two of my great friends, pop culture and political Twitch streamer, Caroline Kwan and journalist, writer of the excellent newsletter, Spitfire News.
Kat Tenbarge, welcome back to the show, my leading ladies.
I'm excited once again to dive deep here with you both.
And I already said this before the episode started, but I have never been so deep in Real Housewives tea and more as I have in preparation for.
this episode because it's all connected.
The web is huge.
I feel like there was a part of me that knew this was always coming.
Really?
I couldn't have put words to it, but it just makes a lot of sense to me that like after I
saw Boy George attack you all of those months ago, I was like, this story can only get
weirder and worse from here.
That's a very nice way of calling me like a very vindictive gay man whose only sword
is to wield as a podcast.
A three-hour deep dive into the mess.
I honestly, I wasn't going to do it, though.
I wasn't going to do it.
I was like, you know what?
Let's just like just let this one go.
Like, it's fine.
But things have just gotten so weird.
What was the thing that made you think maybe this is not worthy of a deep dive?
And then what changed your mind?
Well, to be honest, I get a lot of weird Instagram comments.
And, you know, sometimes from like strange corners of celebrity universe.
Like this isn't the first time that has happened.
Like, I remember getting a comment from what's the Tiger King guy's name?
Joe Exotic.
Joe Exotic.
Who did give us the line, it's all corrupt girl.
And I was like, I thought you're in prison.
He is.
That's literally where it's all corrupt girl came from was like, how are you tweeting from prison?
It's all corrupt girl.
But I'm like, I can't, you know, I can't, nor do I want to, like, sit down and make an episode about my own beefs every time someone leaves me in comment.
Like, it's just, who cares?
Like, this isn't that interesting to people.
However, the more that I learned about Boy George's past and also the more that he continued to do in the months since this little skirmish with Rosie O'Donnell in my Instagram comments section, the more I was like, no, maybe actually there is meat on the bone that is interesting to people.
This isn't an episode about me and my beef.
Like, I don't think anyone cares about that.
And for the record, I don't have beef with Boy George.
What am I being saying?
Oh, my God.
Let's just start the episode.
I think, too, if you have been kind of peripherally paying attention to Boy, George,
in the corner of the internet, he's on, prior to this song release,
there had been a couple things he did that were so bizarre, but also very reminiscent.
of this growing boomer conservative,
like people feeling much more comfortable
in the second Donald Trump era
to be very openly conservative.
He wrote a post that was crying over Charlie Kirk.
Yeah.
Boy George did that.
And then also unlike when the Chapel Rhone,
the latest global hate campaign happened.
He, of course, was piping up there.
So he has definitely been chiming in on the hot tops.
We have a lot to talk about, and not to spoil my own thesis, but I do think that sort of like
disgruntlement with the changing world around him, combined with an excessive use of AI,
just is not a breeding ground for a healthy state of mind.
But we'll get into all of that.
Now, what do we all know about Boy George, barring all of the stuff we're going to talk about today?
Because I feel like he's extremely famous, but also more famous for people who are.
maybe our parents age.
Like I feel like if my dear listener does not know who he is,
their parents definitely do.
Before all of this started happening,
I literally only knew him for the song,
Karma Chameleon.
And now it's been stuck in my head for like the past three days.
It's a perfect song.
It's an earworm.
My experience is a little bit deeper, I would say.
I started to.
Can I just say, sorry.
Yeah, go ahead.
I texted Caroline and Kat.
And I was like,
do you guys see this boy George stuff?
And Caroline was like,
br-
So I do believe that your experience has been deeper.
There was a moment where I went,
this is too much, Carol.
You have sent approximately 20 messages in a row.
This is too much.
And that was only the tip of the ice.
I responded in the morning.
My understanding experience with Boy George,
so when I started to get into David Bowie,
I became very interested.
interested in that entire scene in the 70s and the 80s in the UK. And that was how I started
to discover artists like Boyd George. And I was very fascinated with like the political and social
time period and the new romantic era, which is what Boy George came up in. And this real
emergence of queer culture in the 80s, which was in contrast, of course, to the Margaret
Thatcher conservatism in the UK. So a lot of like a lot of pop culture and political history.
that I was very interested in,
but also because my family listened to George Michael.
So I remember being confused.
When I first realized that there were two gay icons in the 80s in the UK,
both like soul pop singers.
And it was this strange thing where you realize these are two different people,
like very different music, but going, oh my God,
Okay, so there's George Michael and then Boy George.
And my family listened to a lot of George Michael.
George Michael over Boy George because George Michael was more mainstream.
He was over the couple of hits that came from Culture Club and Boy George.
I'm sure that there are LGBTQ individuals who Boy George was so formative.
Maybe they tend to be of an older generation, but I'm sure that they were greatly influenced and inspired by him.
Nothing but love for George Michael, our cruising king.
Boy George or George O'Dowd, very British name.
He's a 65-year-old British pop star.
He came up in the late 70s, early 80s,
with a sort of androgynous glam rock style a la David Bowie.
In 1981, at the tender age of 20,
he and three other musicians formed the group Culture Club.
which found pretty much immediate success in the British glam rock scene.
And after two years, Boy George became a global sensation
with Culture Club's number one hit, Karma Camelian.
The new romantic era was really a fashion movement,
but then a lot of the artists who emerged like Boy George,
they mixed a variety of musical sounds,
but a prominent feature was the fashion.
So for Boy George, it was very androgynous.
It was very eccentric.
He had his signature braids and his bowler hat.
His philosophy as a musical artist was that it wasn't just about your sound.
It was about your look.
It was about all of it to create your identity.
So the NRE was this underground subculture movement that came about as really kind of a,
not necessarily protest, a contrast to punk.
which was huge in the 70s in the UK.
And there were a lot of young people,
kind of art student types,
who felt either left behind with the punk movement
or were just tired of the nihilistic punk sound.
And so they were really looking for something romantic and theatrical,
just to kind of give a little timeline here.
Before you had the new romantic kids,
you had the Blitz kids.
And this was the London.
underground club scene that boy George as a teenager and then as as he started to form culture club
and came up in the music scene, he lived in this underground club movement. And prior to that,
that came from the kind of Bowie, what they called Bowie Knights, David Bowie and other artists
like Mark Boulan and Roxy Music, who were very, very influential in the 70s. So this was the
environment that boy George literally grew up in. There were no rules when it came to dressing,
but the only rule was that you had to be saying something with your look. You had to have an
identity with the way that you presented yourself. It was all about inventing and reinventing. It was
all about there were no rules. Steve Strange, who was another artist of this era, and he was also
huge in the underground nightclub scene. He would be a bouncer at these clubs and would turn people
away if they did not show up in a fit with a look. That was the scene and there are like really amazing
photos and stories from that time period. The environment you can imagine was so, was so fun and
exciting. And then a lot of great artists emerged from this time period. You had all of that just like
top of the dome ready to go.
Well, you know, I brush it up a little bit, but I'm, that's, this is, I love this stuff.
Yeah.
I love to study like these different eras in pop culture and also then what the political context
was at the time.
And so like I said, in the 80s, like in the U.S., there was this real pushback against
emerging queer culture because of conservatism.
So in the UK, you had Margaret Thatcher.
That bitch.
She literally said.
Children are growing up thinking they have an inalienable right to be gay.
That was the political environment of Margaret Thatcher's conservative party.
And so that then, of course, clashed with the new romantic artists and this movement with artists like Boy George, who he was very involved and he was very adamant in using his music and his artistry to fight back against that conservative.
And of course, then you also had the AIDS crisis.
Both George Michael and Boy George lost a lot of friends.
It was such a devastating time period.
And Boy George went even harder in his identity as a queer artist.
A lot of his music, if you listen to the lyrics, one, it's about his secret gay affairs.
But two, it's all about expressing your true identity.
In karma chameleon, there's the line, a man with no convictions.
A man with no conviction.
Exactly.
I'm not even worried about getting copyrighter because I'm so fucking bad at saying.
And it's all about what happens when you are kept in the closet, when you are unable to express yourself fully and freely.
Anyway, it was a very exciting time.
Which makes the state of things now feel, I don't know, somehow more dismal.
Because he was a great artist.
He was a great artist.
Yes.
And he did come out as bisexual initially, I think in 1985, obviously super, super radical for the time.
He did later on in a book he wrote in the 90s come out as gay.
I'm trying to decide if I should bring up this point now or when we start talking about the AI reggae.
Because in talking about Boy George's sound and his influences, it is so devastating.
to see someone like that involved with AI.
And we'll get to that part when we get to that part.
But basically, like, he was heavily influenced by black pop music by reggae.
He, in early interviews, first of all, he's pretty lovely.
Like, he's funny, soft-spoken, but sharp.
Always a popular guest in media appearances,
because they would always get, like, some iconic line out of him.
But anyway, so his influences were pretty widespread.
He was, of course, influenced by David Bowie,
but also artists like Aretha Franklin and Marvin Gay.
And so he had this very soul, pop, glam rock, art pop mixture of a sound.
And he talked about Culture Club as a culmination of cultures.
And Culture Club was diverse.
So the members were very diverse.
a big part of it was boy George's belief that, and he would always credit especially black artists
for say rock as a genre, acknowledging that rock comes from black music as pretty much every
genre of music has its origins in black artists and black music. So he talked about how
Culture Club was to take all of these cultures and all of these inspirations and these influences
and have it in one place.
And so that's what and who they were.
He was also, I'm sure, subjected to a level of like constant homophobia.
Yes.
That makes him like, again, just kind of like one of the icons who is in the tapestry of people
who makes it so someone like me can express themselves, you know, more readily and with less
fear, which is, again, why, you know, some of.
what we're going to get into is so heartbreaking, I think.
It is. There's an interview with, I think it was David Letterman, and boy George is 21, 22,
and he's got this really eccentric fit on, Perjouge, this big yellow coat and his hat and his braids.
And Letterman goes, so how long have you been like this, which he's obviously, he's referencing
the boy George aesthetic, and he goes, my whole life.
You know, of course he's saying to Letterman, I've been, I've been queer my entire life.
This is who I've always been. But now this is how I'm expressing myself. But yeah, he was so
celebratory of eccentricity and queerness and otherness and was really a powerful force in the 80s.
And now look where we are with boy George. But also he's far from the only icon from this time period who
has now ended up as like some Facebook boomer conservative posting AI slop. Yeah, and we will get to that.
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Culture Club ultimately dissolved in 1986 after just six years, though,
when Boy George entered treatment for heroin addiction.
You know, I think drugs, I would imagine,
I'm more familiar with these scenes in the U.S.,
but if it was anything like that over in the U.K.,
I would imagine drugs were a huge part of this scene.
Oh, yeah.
And it was also tied to what was happening with the AIDS crisis
and what was happening with conservatism in the UK
where they were really pushing back against queer rights.
And so I'm not saying, like, directly Boy George developed a drug addiction from that.
There were other factors as well.
But it was a very tumultuous period.
Yeah, I mean, he was also, like, after a few years, he was rich and famous.
Like, you know, the rich and famous rock star struggling with drug addiction is not new nor relegated to gay people, obviously.
he gets out and in the late 80s, boy George achieves modest success as a solo act.
And then through the 90s, obviously glossing over a long time here, but I know you guys like
three hour long episodes, but I can't edit them. It's too much. Through the 90s, he expanded
his work with a successful foray into DJing, playing at nightclubs and parties around the world.
he struggled to kick the drug habit though and fast forward again in 2005 boy george was arrested in new york
on charges of suspicion of cocaine possession and falsely reporting a burglary for which he was sentenced to five days of community service
during which photographers were staked out wherever boy george was instructed to like clean up trash on the street in his orange vest
there's a million photos of Boy George doing community service online
and they're pretty incredible.
Very Paris Hilton, The Simple Life.
I'm looking at them now.
I put a few in the outline.
He's like wearing his mask on the top of his head.
It's like he doesn't, he's never seen like a trash can and a broom in his life.
He's got to have that hat on still.
The mask serves as his former bowler hat.
Oh.
See, like he's so, he's funny.
No, if I just knew him by these photos, like they're kind of iconic, like the facial expressions
he's making, the sunglasses that he's wearing, the attitude on display.
In 2007, however, things take a turn. And we are going to be talking about this is going to be
like a little bit of a true crime chapter, which I don't love to do. But there is a reason
that we will be talking about this because I think that we should and I think that we have
and I think that it's actually morally correct to talk about this.
Content warning, we're going to be talking about some physical abuse here.
In January 2007, boy George, then 45 years old, met Auden Carlson, a 27-year-old male escort
who he'd met on the website, Gaydar, very early aughts.
George hired Aoudin to do a nude photo shoot at his apartment, for which he paid out in a few hundred pounds.
During that initial meeting, Aoudin says George tried to initiate sex with him, which he rejected.
From Aoudin, quote, he wanted to do things to me. He tried to perform oral sex on me, but I wasn't up for it at all, and I told him that politely.
Then he wanted me to lie over his knees and to spank me. He wasn't my type at all. I was up for a good time, but that was not part of the plan. I made that clear to him.
It made me uncomfortable and at 4 or 5 a.m., I told him I was going to leave.
He started to be rude.
I left and went home.
George apologized that April a few months later and scheduled a second photo shoot with Auddin.
Outen arrived at George's house, and the two drank wine and did cocaine and had a photo shoot.
After a few hours, George called Aoudin into his bedroom, where another man was waiting.
Together, this man and George wrestled out into the ground.
They handcuffed him and attached him to the wall.
Some accounts say that he was chained to a radiator, others to a wall hook, and they beat him.
While chained, Auden says George taunted him with sex toys and said, quote, now you're going to get it.
And according to Outen, George, quote, punched him repeatedly and then beat him with a metal chain.
like a dog chain, for half an hour before Audan was able to detach himself from the wall,
at which point he ran into the streets of London, naked, and bleeding.
He said to the first person he saw, a shopkeeper named Dip Tesh Patel,
quote, help me, help me, two guys have hurt me.
George would later attribute this behavior to the extent that he admits to doing it at all,
to a drug-fueled psychotic episode, and paranoia that,
Audin had hacked into his computer.
Aoudin says that George was simply punishing him for not having sex the first time they'd met up.
George also, like, he continues to, like, defend himself online and, like, really deny this.
But he'll, like, he'll stick to, like, really specific points and be like, I never chained him to a radiator.
My apartment didn't even have a radiator.
And it's like, I don't know.
I don't think the story is hinging on whether it was a radiator or something else.
But anyway, in court, boy George admitted to chaining Aoudin to his wall, but denied beating him,
suggesting that the red welts that were seen on Aoudin's body after the attack were actually there because Aoudin was HIV positive.
That detail disturbs me a lot because thinking back to Boy George's,
rise to prominence during the 80s as a prominent queer celebrity during a time when AIDS ravaged
the gay community to then excuse himself from this abuse of a sex worker that he hired and his
excuse being, well, that guy has HIV. So I guess that's how it happened. It's just, you know,
I don't really mean to like relitigate a crime from 20 years ago, but man. Well,
Boy George does because he's still in the comments on Twitter saying completely untrue, false.
That's true.
Yeah.
Yeah, it's a really stunning, horrifying part of the entire Boy George story here.
And his star had been on the decline.
He had done like television appearances here and there.
I think maybe he was still working as a DJ.
But he was what I would say in this period of time that extends up till today, which I think has been like,
like this one long chapter of boy George that has been very terrible and abusive and really just
frightening.
Yeah.
There's like a couple different like biases that come to mind that were like at play throughout
this because on one hand you have the like nature of sexual violence against sex workers,
which is common and leads to I think a lot of sort of attitudes that like,
well, if that person showed up and they were being paid as a sex worker, then the person who paid them has a right to do what they want.
And obviously that's not the case.
Like consent still applies in these situations.
But you can imagine that not just that bias coming into play as, you know, this person tries to get justice.
Also, the bias against like being a queer person in general.
And unfortunately, you see this fairly frequently in the LGBTQ community.
where it's like these forms of sexual violence are no less severe, really no different.
And a lot of the language of trying to excuse and deny that the abuse happened is eerily similar
to like what happens when men abuse women. But in this case, like you have so many different
stigmas to go up against. And one of them is like people struggle to hold two things in
their mind that someone could be a queer icon and could also abuse another queer person.
And so it can lead to this desire to like, oh, we don't want to talk about that because we don't want to tarnish this person's legacy or feed into a stigma that's harmful to the entire community.
But in the process, what happens is that this poor person gets retramatized over and over and over again.
And of course, like, there's the classic, you know, Boy, George is acknowledging that something happened.
He's attributing it to, you know, substance use and he's denying certain elements of this to try to like lessen the severe.
but he's not denying that this happened.
We know that something happened that night.
So it's just like a lot of really tired victim-blaming tropes coming into play.
And the thing about addiction too, which is an illness in its own right and, you know,
one that I'm extremely like sensitive to.
But you also, I mean, one of the things about addiction recovery, which boy George has
been sober since 2008, is that you have to take accountability.
Which is something that boy George, uh, is there.
refusing to do still. Look at his exchanges with random people on Twitter and, you know,
tell me if you think it's accountability. Another terrible thing here is that boy George, prior to his
arrest and conviction, he had talked openly about how he pays for sex workers, like open in not
being ashamed to say, yes, I pay for sex work. And he even had said in an interview two years
before this incident, he said sex work is the oldest, most respected profession. And then two years
later, he turned violently abusive towards a young sex worker. Yeah. George told the court in East London
at the time that Auddin was lying to the police, to which Aoudin responded, quote,
do you think I would put myself through all of this for the sake of a few thousand pounds?
George was ultimately sentenced to 15 months in jail for false imprisonment of a male escort,
a sentence of which he served four months of before being released on good behavior.
Aoudin says that he was in therapy for eight years because of the incident.
In 2016, how many years is that later, nine years later,
boy, George was cast as a judge and mentor on BBC One's The Voice,
for which he earned a rumored salary of 300,000 pounds.
Upon the announcement of his casting,
Auddin Carlson told the UK son,
quote,
my life was ruined by that attack.
I spent eight years in therapy.
I only finally stopped three months ago.
I thought I was moving on until I saw him on TV.
I felt sick.
It has put me back again.
TV presenters are supposed to be role models,
and he clearly isn't one.
He has never won.
once apologized or shown any hint of remorse.
And another six years later in 2022,
when Boy George was cast on ITV's I'm a Celebrity,
for which he was paid an alleged 500,000 pounds,
out and said to the Irish mirror,
quote, every time I see him, I feel it all over again.
I have a permanent back injury.
Two or three times a year, I get a slipped disc.
I have not used dating sites since.
I can't meet anyone because I can't.
get too anxious. I get skeptical about people because I don't know what their intentions are.
It's basically just like every few years when boy George gets cast in some huge high profile thing,
this man who's now in his 40s comes forward to give like a single interview to be like,
you know, this thing happened to me and I feel like nobody cares about it.
And I feel like my attacker's professional life hasn't suffered one bit as a result of it.
And that's why, you know, I said it's like, I don't really like true crime as a genre.
But it does seem like this victim feels that he really has never gotten any justice for what
happened to him.
I can only imagine how it feels to see this person who attacked him, like continually get
propped up by various communities, various entertainment platforms, now once again, all over the media.
And so I felt like, you know, that we should talk about it.
Yeah.
Yeah.
It's also like the details that he shares are so just like saddeningly familiar to the stories of so many other victims who I've spoken to, both of people who are very famous and even of people who are not.
Because it's like people like to think of this type of attack as really just lasting for the duration of the incident itself.
They don't see the lifelong consequences.
They don't see the fact that you can have physical injuries from being assaulted that will continue to, like,
pain you and cause you like costs throughout your life. They don't see how much of an enormous
financial loss it is to be assaulted because you need to pay for therapy for eight years. And then
any time you see this person's face again, the victims can't move on like psychologically, financially,
mentally, they don't get that opportunity. And like even in these cases where boy George did go to
jail, it's like he served a four month sentence. His victim will be serving the sentence for
the rest of his life. Also, in 2023, he wrote his third memoir. He has three. And this one is
called Karma, my autobiography. And within it, he writes about his prison stint, his recovery.
So much still, though, of course, from his perspective, has been on how this was a terrible time
for him because it was so drug-fueled and just a lot of the trauma that he had had from growing up
in the 80s and these really, really turbulent times and being a pop star and turning to drugs.
Anyway, I just imagine, too, there is a unique position that you inhabit when you are a victim
of a celebrity because there's such a power differential there. And also, this happens all the time,
where these famous people who have harmed individuals with significantly less power,
they go on and they not only have careers, they write memoirs.
They get to control the narrative.
They are the one who caused this harm and yet get to rewrite the present and the future and the past.
And get to reframe it as something that happened to them and make themselves the victim.
And it's like as we explore like the evolution of boy George, it's like he clearly sees himself as like, I don't know if he's ever identified as a victim of cancel culture or anything like that.
Oh, yes, he has.
He's doing it right now.
He's doing it right now.
Wait, wait, wait, wait.
Did you say that?
Like, do you know why I'm going to?
Nope.
Okay.
Put a pin specifically in the cancel culture thing because just everybody strap in.
Oh, the thing that really like sticks with me from here.
hearing these stories is that like it robs someone of so much potential in their life. Again,
like physically, mentally, psychologically. And also in terms of relationships, like so many people
who go through this suffer to trust people again. Like it's not to say that it's life ruining
to put people into despair, but rather to reckon with the actual lifelong consequences that like
this one night had on this man and on so many other people. But of, of course, it didn't surprise me at all
that boy George views himself as like the larger.
victim of this, even though he's been able to make millions of dollars.
And the whole allegations ruin men's lives.
Not even arrests and convictions do.
Right.
Right.
Right.
Please.
And when people say, like, we don't care about male victims, it's like, yeah, we really
don't.
Yeah, we actually don't.
I think despite Boy George's continued busy, professional life, his behavior online in
recent years seems to reflect an insecurity with the changing world around him.
his own relevance in that world, creatively, professionally. Boy George has continued to release
music, a lot of music, but none of it has stuck in the way that work from some of his
80s contemporaries like Madonna has. Additionally, the work that he has been getting,
he continues to tour as a, you know, sort of a nostalgia act, which isn't a bad thing. It's a great
thing if you can do it. His stint in Mulan Rouge on Broadway.
They haven't been getting good reviews.
When Culture Club performed in 2024, they did a tour in Europe, I News wrote in a review,
Boy George struggled through Culture Club's disappointing O2 show.
When the between song chat is more entertaining than the concert itself, you know something's gone seriously wrong.
The UK Sun wrote,
Watch as out of tune Boy George attempts to sing culture.
Club hits and is slammed by complaints.
He can't sing.
The Times wrote,
Culture Club review.
Plenty of classics, but Boy George can't sing them.
And his Moulin Rouge performance on Broadway was similarly panned by Broadway fans like one on
R slash Broadway who wrote,
He's Terrible, Can't Act, Can't Sing, Looks Lost.
Now, in preparing for this episode, I spoke to someone who was in Boy,
George's orbit at the time.
Who told me that all of this made Boy George pretty depressed.
And I can only imagine I'd feel the exact same way, barring everything else we know about
Boy George and what we just talked about.
I can't really imagine what it must feel like to get so famous and beloved for this
talent you have and then be told by thousands of people night after night that you don't
have it anymore.
Yeah.
Sometimes, though, being in a bad point.
place can lead you to make questionable choices.
In March of this year, 2026, as Chapel Rhone was dealing with yet another round of controversies
around how she treats paparazzi.
A.K. How dare that woman exist?
Boy George tweeted.
It's probably not helpful.
Yeah, no, it's not. You could have literally stopped there, boy, George.
But I have been doing this fame thing for a while.
and you learn slowly and painfully
that you don't get a free pass
once you turn yourself into a bird of paradise.
I watched at Chapel Rhone
filming the Paps in Paris
and I laughed because I have kicked off at them many times.
The trick is to own your fate.
Yes, it's annoying at times.
But so is being ignored
and told, you're a has been.
Life is always now and I think Chapel looks great
but cheer up, girl.
The world is.
at your feet, stop kicking it.
It takes so much more time to say no to a picture or a signature.
Boundaries are boring.
Break them with the magic of kindness.
You look better when you smile.
Also like, oh, no, you go.
Of course, somebody who is convicted for falsely imprisoning a sex worker would say,
boundaries are boring. At least he's consistent.
I just have to say too, it's like, yeah, boundaries were boring when you were coming up in the
80s and the rules were no rules. Express yourself to the fullest extent. That's not the same
boundaries that Chapel Rhone has advocated for in, hey, don't stalk me and my family, please.
You're not a fan. You're a parisocial obsessive stalker and it's scary.
Yeah, and you know, I understand the anger towards what he's writing here, but I also read it and I just felt sad.
He wrote, the trick is to own your fame.
Yes, it's annoying at times, but so is being ignored and told you're a husband.
And I'm like, ooh.
Rejection!
He's just envious that Chapel Rhone is receiving paparazzi attention at all and sort of projecting his own frustration with lack.
of relevance onto her in a way that is so obviously unfair, but also like pretty transparently
sad.
Every single time one of these figures goes down this like right wing path at the root of it,
almost like 99.9% of the time is personal grievance and an insecurity and an anger
at the world because you feel like you didn't get what you deserved.
In reality, I'm like, boy, George, you're lucky you didn't get what you deserved.
You deserve a lot worse for what you did than that.
and like getting a bunch of bad reviews.
But also, I mean, Boy George, what is his net worth?
Well.
I mean, Google says his net worth is $50 million.
Oh, I don't think so.
You don't think so?
This gets into the whole financial mess that then involves P.K. Kemsley,
Boy George's longtime manager BFF, who has borrowed against Boy George's brand,
who is borrowed against Culture Club.
Yes.
Wait.
He has used those assets as,
collateral, which then gets into the whole divorce and asset mess with Doree Kemsley,
who P.K. is currently going through a very contentious divorce with. And her team is trying to
file a restraining order on the assets here because they're saying that he has taken out
personal loans against Boy George and Culture Club, which means that those are the type of loans
where the banks, the financial lenders get first right in having that money paid back.
So that money then is no longer part of the marital assets, which would then go to Dorit.
I'm just saying this is all allegedly.
I have literally no idea what you just said.
It's a mask.
What does any of that mean?
TLDR, it's a fucking mass.
Your brain is so crazy.
I think this is actually a good place for you to elaborate on everything that you just said.
but I want to tee you up for it. Okay.
Okay. Can you please spell out for us who is P.K. Kemsley and what he's doing with Boy
George's career and finances? Okay. So P.K. Kemsley is an English businessman. He's worked in
property development and he's a talent manager. And he has managed Boy George on the talent side
for very long time. And they are very, very, very good friends. In fact,
Boy George performed at P.K. Kemsley's wedding to Dorrit.
The housewife.
The Housewife.
The Real Housewives of Beverly Hills fans will know P.K. and Dorit from the show,
which boy George has also made many appearances on because he was such a close part of their life.
But in the wake of now what is a very messy, very contentious divorce between P.K.
And Dorit, Boy, George has come out and made a lot of statements, of course,
fully supporting P.K. saying that Doreet is the problem here,
pushing back on her and her team's claims of, like, economic abuse,
claiming that P.K. is a fraudster who has borrowed all of this money against Culture Club.
There is a long history here with P.K. Kemsley filing for bankruptcy at multiple points.
He filed after the 2008 financial crisis. When he left England,
I think he had acquired something like a $50 million dollar.
I'm just going to say allegedly to all this.
Yeah, very alleged because I don't think he's afraid of litigation.
But he seems like a total slime.
Absolutely.
This guy is not a good guy.
Not that Dorit is great, but P.K. Kemsley, I think, plays a big part in the boy George
story here, especially the last decade.
And we will get into his connection to the AI company, which P.K. founded.
Yes. DeRite and P.K.
have been at war, and one of the main issues has to do with the Encino property.
This is J.Lo's old house.
The tentacles this story has is crazy.
There's so many tentacles. And now there are, there's like a foreclosure issue with this house
because they have not been paying on the mortgage.
And Durit has now been claiming that she's been saddled with all of these costs that she can't afford.
Meanwhile, P.K.
Who also has a history with alcohol abuse and a gambling addiction.
And at one point, allegedly, had millions in gambling debt.
So their teams of lawyers have been going at it.
But we don't actually know what Boy George has in the bank.
We don't know what P.K. has.
Dorita and her team claiming that essentially, she's broke, allegedly.
And who knows what he.
has. She was like a swimwear girlie. She had like some swimwear line. And then supposedly she stopped
doing her business side when she got married to PK. So now she's also claiming like he trapped her that
there was financial abuse, etc. The lives of the mega wealthy are so strange because and I am not an
economist. But it's like they're always like broke and like in debt for millions of dollars,
but also like living like kings because they're like bar.
throwing against assets that aren't even there.
It's just so fucking confusing.
I'm pretty sure there was an episode where he bought her on the show.
He bought her like a gold Rolls-Royce, something just so absurd.
They were always, of course, showing off this lavish lifestyle while the funds themselves
were in question.
And we don't need to get too deep into this, but I will mention it.
In 2021, Dorit claimed that masked men had broken in.
into her house. Oh, yeah.
Yes.
P.K. was supposedly out of town on business, and she said that it was such a, it was like the
most traumatizing time of her life. They stole a million dollars in jewels, et cetera, et cetera.
There's a lot of details about this story that has fans and other detectives online.
Either calling bullshit on saying P.K. and Dorit concocted this scheme together for insurance purposes,
or P.K. did it and Doreet didn't know.
You can sound off in the comments.
I'm not going to say one way or another.
Well, you know who else allegedly faked burglary claim?
Boy George.
Boy, that was what led to his five days of community service.
But anyway, P.K. Kemsley sounds like an upstanding guy.
Also, of course, him and Doreet, mega sinus.
That's what I was about to say.
Oh, my gosh.
I think Derreet's grandparents are Israeli.
I think there's something to be said about Boy George's, like, standing up for the Jewish community being directly tied to his BFF, P.K. Kemsley.
I think that too. I think that too.
Derreet and P.K., both huge Zionist.
Derreet has Israeli roots.
But can you even have roots in a place that's like my grandma's older than Israel?
I don't know.
Anyway.
When I looked up Boy George Net Worth, also a hit as to where his financial situation.
might be a few years ago, there was a lawsuit involving the former drummer of
Culture Club that he lost and was ordered to pay him like $1.75 million.
And he had to go on a payment plan and was telling like the UK tabloids, like,
I'm working hard to like pay this off.
Because he clearly didn't actually have like more than one point five.
He didn't have that money.
He's like Klarnaing his lawsuit with a fellow bandmate.
Who is also a former lover?
And he was quoted saying, like, don't sleep with the drummer.
We all know celebrities who are in financial ruin do extremely ethical things to climb out of those situations all of the time.
This leads us perfectly into the next part of our story.
A quest for relevancy and money and unfettered access to AI has proven to be a lethal combination on many levels.
In a March 2023 interview, George said, quote,
I've written like five albums already with AI.
AI is brilliant.
Nothing to fear.
I say to everyone, if you get replaced by a robot,
you weren't trying hard enough.
Obviously, I care about people losing their jobs,
but there's so many great things.
An artist like me, they try to force you to work in an old-fashioned way.
and I'm ahead of them.
Boy George is like, if you look at any of his social media profiles lately, he is like knee
deep in AI slop.
And I think his relationship with AI is, yes, one that he hopes to financially benefit from, which
will outline in just a second.
But I also do think he is experiencing some form of like AI chatbot psychosis.
Mm-hmm.
I was like combing through his Twitter.
And at one point, he was like having a conversation with Grock.
He posts a lot of like AI generated like softcore porn of attractive men across his various social media accounts.
If you scroll through his Instagram, you'll see a lot of what I'm talking about.
He generated one such image and put it on Twitter, which then Twitter took down for some reason.
I don't know if it was like an opposition to nudity or graphic content or something.
that inspired Boy George
to then draw the image himself.
Good for Boy George.
Boy George tweeted the two images,
the AI one and the real one.
He wrote,
So at Grock censored an image
which was AI generated
so I created a piece of real-time art
which I love.
Wait till it's beaded.
So rejection and abuse
can be spun with creativity.
Everyone's a winner.
To which Grock,
the Twitter chatbot replied,
Love the creativity in turn...
Wait, actually, how should I do my AI voice?
Love the creativity in turning that into real art.
As GROC, I follow guidelines
to avoid generating certain content,
but I'm glad it sparked this.
Can't wait to see the beaded version.
Keep creating.
And then boy George responds to GROC.
No worries.
It always works out in the end.
And yesterday, you accidentally showed
a bit of bum.
I think at Grock and all AI
is a great creative sparring
partner. At Grock replies
absolutely agree.
AI like me can spark
ideas and push boundaries,
turning no into new creations.
That bum slip was a glitch,
but glad it fueled your art.
Excited for more convos.
What's next on your creative horizon?
Thank God, boy George
found something to do
and did not keep this conversation
going. But it was so crazy. I genuinely think he's like, Grock can't hurt you. Grock is not the reviewers
of Moulon Rouge. Groch is not people on Reddit saying that I'm washed up. Grock will never hurt me.
But that is, I mean, he's just, he's a celebrity engaging with an AI chatbot publicly in the way that
like normal people oftentimes do privately when they're in vulnerable situations, which is like,
I need this chatbot to tell me that I'm right about everything.
and that everything I do is perfect and innovative.
And it's this yearning for relevancy and, I think, the ability to reinvent,
as well as some shoddy business advice that led Boy George and his manager, P.K.,
to start their new company, Artist Included in June of 2026.
Now, what are the first letters of artist and included?
AI.
Wow.
That is a level of creativity that I could not possibly attempt.
Off the charts.
Now, what is artist included?
Literally off the charts.
Like, not on the charts, not charting.
Sorry.
The purpose of artist included is to help artists re-record their own music using AI to create
new copies of the songs that the artist can own.
the masters to. Boy George was basically like patient zero to both test and push the idea
that this could be a viable solution to predatory record label contracts. Boy George and
Culture Club have never owned their own masters, including the masters to that of Karma Chameleon.
And boy George wanted to use artists included to revive his younger voice in the context of
these reviews letting us know that he can't really sing anymore makes some sense to create
near identical new recordings in sort of a similar style to the way that Taylor Swift re-recorded
her own music, except that she can actually sing the same way she sang. And she's rich enough to just buy
back the original master's. And then she just bought them back anyway. So, you know, good for her.
Kemsley told the Hollywood reporter that the idea for artists included came together after a recent
licensing deal for Karma Chameleon netted $4 million.
He said, quote, $4 million changed hands.
George didn't get anything at all.
I mean, I think like a lot of things that people talk about, like, oh, we should use AI to do
this.
We should use AI to do that.
Like, there's a real problem here that I think you could critique, which is that like
people who are not artists, people who have nothing to do with the music, are able to make
so much money off of like selling and reselling these thoughts.
It's the same problem NFTs tried to solve.
Exactly. That's the thing is like these new tech advancements, like big air quotes around
advancements, can't actually like solve these base issues.
They just contribute to an industry that itself is like perpetuating issues like plagiarism
and making billions of dollars off of other struggling artists work.
Like you cannot use this technology, I don't think, to fundamentally solve the same problems
that belong to the AI industry itself.
Yeah, it's identifying a very real predatory ongoing issue
and then trying to slap on a solution that brings its own set of issues.
I also just don't really understand the company.
And this could be on me having a limited understanding of like how different AI tools work.
But wouldn't AI at the rate that it's progressing ultimately just make a company like this
itself obsolete?
Well, yes.
Because couldn't anyone soon enough just make their own re-recordings that sound exactly like the original recordings?
Couldn't anyone just do that without using artists included?
To me, it just sounds like such a scam, which I don't know, knowing the situation that Boy George and P.K.
Kemsley are in sounds like something they would do.
Yeah.
It's hard to say how much of it here is from Boy George's perspective, him genuinely trying to have control over his sound.
and is really wanting to kind of tap back into the nostalgia that has been propelling him for years now.
And how much of it is like him and P.K. going, we need money.
And that's what a lot of people who are like AI entrepreneurs are in the position of doing.
And it comes back to the argument that boy George was making where he was like, yeah,
it's like sucks of people that losing their jobs.
But like you need to just like learn how to use AI.
And we hear this all the time from people who are like pro AI adoption.
like learn how to use it or get left behind.
And it's like I despise this argument so much because it's like taken to its logical extreme,
AI is going to take your job whether you learn how to use it or not.
Like that's literally the whole point of it.
And in fact, by using it and like training it and helping it grow,
you're just speeding up the timeline for AI to like, quote, take your job.
Because if anyone can make a boy George song, then anyone will and he's not going to get any of the money from that.
Exactly. The first product that artist included put out is the artist included version of Karma Chameleon. It's very funny how much of this is modeled, I think, after Taylor Swift, because it's literally called like Karma Chameleon in parentheses Artist Included and very like Taylor's version. But the AI version, it's weirdly flat compared to the normal song. I can't play them here for copyright reasons, but you can go listen to them if you want or don't. I don't really care.
You know, to an untrained ear, I think it sounded like not bad.
To me, some people might disagree with that.
But, you know, the bottom line is in six months, it could sound, I think, probably very good at the rate we're going with no regulation, no breaks, no anything.
But what's more interesting to me when considering all of this as a business model, in the two months since its release, the AI karma chameleon has received 150,000 streams on.
Spotify. In that same period, the human version of Karma Chameleon continues to receive 350,000 streams
per day. Yeah. So without a devoted fan base like Taylor Swift's that really like streamed all of the
Taylor's versions of her songs because they wanted to support her, they were, you know, deeply attuned to the
politics of their favorite artist's management disputes and master's ownership. Without that, though,
which almost no artist has,
the AI reclamation model,
all ethics of AI aside,
to me, I don't think it works.
The main draw here,
according to Boy George and P.K.,
is that the artist will be able to reclaim the money
that they're losing out from on their old hits,
but people don't want to listen to the AI version.
And that's if they even know it exists.
Also, he has, at many points, mentioned Taylor Swift,
saying that she's his inspiration in how her business acumen and drive to have ownership over her music is.
I know that they had met at one point, like a decade ago and took a photo.
So he very much has explicitly pointed to Taylor Swift and her battle over the control of her art.
Yeah. And like it's fucked up that a song like Karma Chameleon that the rights to that song can be sold for $4 million.
dollars and that the people who made the song receive none of that but creating this like shoddy
AI solution it just it doesn't work and I don't know so much of this marketing that these like weird
random AI products are going to are going to fix all of the wrongs of the world of business of
science it just instead of addressing the reason that the problem exists itself which is like
greedy record label contracts and
stuff like that. It just, I don't know, it feels like putting a band-aid on a pipe to make more money
off of a system that's just going to keep breaking and getting worse unless we actually deal with it.
Like, you should have made that money. You should have made that $4 million. You're never going to
make it with this. I feel like for this system to get more ethical for artists, there would need
to be some sort of collective action among artists in order to like force change from the industry
itself, but Boy George's politics as of late do not seem to be in line with collective change
in service of the greater good. So I don't think that's going to happen for him. Well, let's talk about
Boy George's politics as of late. In July, Boy George through posts on Twitter and Instagram
releases his new song called We Will Dance Again. It is a pro-Israel reggae fight song generated
by AI.
I don't know if I can post it in the podcast.
Like, does this have a copyright claim on it?
I guess it doesn't because it hasn't been released by a record label.
Well, that was part of the problem here.
Well, so maybe I can put it in and maybe I don't know.
Either way, listen to it or don't.
I don't care.
He wrote on threads, quote,
The song was created using AI.
I call it AI for good.
Truthfully, I would struggle to write this with a human.
I don't know if that's good or bad.
I think that's good because no human would be like, this is a good song.
This was seemingly inspired by a visit that Boy George took to the Nova exhibition some weeks prior.
The Nova exhibition is an experiential art installation.
currently in London where visitors can experience October 7th. And this ties in well to something I
talked about in our Jerry Seinfeld episode, but Amy Siddharo wrote about an idea called prosthetic
trauma, which is how museum exhibitions and immersive memorials like this can encourage viewers
to feel vicarious suffering and how that can shape collective identity, in this instance,
Zionist identity and not only I think does it create vicarious suffering for the viewer but
vicarious anger towards Palestinians and sort of vicarious dehumanization of Palestinians and and like
I said I don't know exactly where this fervent Zionism comes from in the case of boy
George but I was talking to that person who was close with him a few years ago and and they
suspect that a lot of it might be a product of his association with P.K. Kemsley.
The opening lyrics of the song are, you say genocide, I say war. When you're attacked, that's what
the army is for. Does it get ugly? You bet it does. When I know you want to kill every last one of us.
When you want to kill every last one of us, who's us? Boy George is not Jewish.
God. Enough.
Sorry.
Yeah.
Anyway, this song immediately draws widespread backlash.
And after just a few days, boy George withdrew from his upcoming run in Jesus Christ Superstar at the London Palladium.
Questions remain of, you know, why he was cast in the first place.
How he got cast in the first place?
Yeah.
His withdrawal from this show was announced by P.K.
and also seemingly was a decision that was made by P.K.
P.K. posted on his Instagram that it's his responsibility to, quote, make decisions in the best interest of his artist.
Sounds like they have a really interesting relationship going on there.
And, you know, of course, online Zionists have turned Boy George into some sort of martyr for this.
Like, he lost his role in Jesus Christ Superstar because of how much he loves Israel and how much people hate him for it.
He wasn't fired.
No.
He pulled out.
The Zionist activist Hen Mazig wrote a substack piece called The Unforgivable Sin about how Boy George had no problems finding work on the voice and on I'm a celebrity and in Broadway's Mulan Rouge, despite his abuse of Auden Carlson.
Work that I agree, he should not have gotten.
But the fact that he's no longer in Jesus Christ's superstar is evidence that no crime or something.
sin is as bad as supporting Israel. But again, boy George wasn't fired. He dropped out.
Funnily enough, this essay of, I would say tepid support, was actually addressed by boy George himself,
who responded on Twitter, Hey, Hen, I'm confused by your stance and by the misinformation
about my court case. Are you for or against the Jewish community?
It's crazy that someone can be like, hey, boy, George, love your Zionism, didn't love your
abuse of a male sex worker, and boy George being like, do you actually hate all Jewish people?
Right, because he's still, because he's still trying to deny, of course, what he did to Outen.
That's why he's saying, how dare you spread misinformation about my court case.
Are you pro or anti-Jewish?
Which, funny enough, is the Zionist strategy of, yeah.
Oh, here's this thing I'm deflecting away from by saying, are you an anti-Semite?
Right, right, right.
So he's got that down.
Boy George in 2026 doing purity testing with other Zionists.
They're only real true friends of the Jewish people if they deny that boy George ever abused a male sex worker.
I can't even believe the words that are coming out of my mouth.
It's also just like incredible to direct this line of questioning at hen of all people.
Like, I'm sure he loved getting that.
Don't get me started.
Don't get me started.
Boy George in the wake of this fired a man named Tony Pontius,
who is the manager or was the manager of his production company,
Boy George Productions, in a statement on Twitter.
In Buddhism, we understand that every action comes with a consequence.
Due to my decision to stand up for my Jewish friends,
I am losing a few people from my life.
Today, I parted company with Tony Pontius.
who has run my record label, BGP, for a number of years.
I wanted to release, we will dance again.
But he was unequivocal and said,
I want nothing to do with this song.
And I responded, okay, we are done.
Tony's a real one.
I think Tony was just like this song, socks.
What are you talking about?
This is a flaming pile of trash.
Anyway, he continues on,
when someone is gutless, it really does not hurt to say goodbye.
My faith in humanity will not diminish and the truth will always win.
I will release it.
It's so indicative of this specific brand of brainworms that you often see with these
like random like Zionist jumping on the bandwagon people where it's like this man
who is your long time friend and colleague who disagrees with you one time over your decision
to make an AI generated song about Israel. And all of a sudden, you're like, oh, well, I don't,
I don't care that he's not in my life anymore. He's gutless. Like, they would literally rather just,
like, decide that the entire world, including, like, long time, like friends and colleagues
are against them for anti-Semitism or whatever than, like, reckon with the fact that they
could be wrong. It just is like, it's so indicative of like your brain has gone down a very dark
path. Also, to be clear, yet again, like with his removing himself from Jesus Christ Superstar,
he parted ways with Tony. He was the one who announced it. This was not Tony Pontius came out
and said, fuck this shit. I'm leaving. Boy, George, these are his actions. Yeah. Why are you
hitting yourself. This statement firing the manager of his record company was applauded online by
Hananya Naftali, a 31-year-old Israeli YouTuber who served as Benjamin Netanyahu's social media advisor.
But of course. He wrote, Boy George just revealed he is losing friends and business partners
because he chose to stand up for the Jewish people. Thank you, boy George, for choosing more
clarity over fake friends.
He didn't drop out of a show and he didn't lose business partners.
He excused himself.
Yes.
Because Boy George is currently unable to release this quote unquote song on streaming apps
like Spotify for reasons that are not entirely clear to me, he uploaded the song to
Bandcamp.
Bandcamp, it's an online music distribution website.
amidst this campaign to release the song.
I will release it.
He really has reduced the entire issue of like Zionism down to like,
can I or can't I release the shitty AI song?
It's crazy what's going on on his social media right now.
But he posted one video where he said, quote,
I want this song to be played in Baws and Cause and Out the Window.
If you would like to have a copy of We Will Dance Again,
it is available on band camp.
look for boy George free the number three and it's on my profile and you can buy it's like cheap
but I really want the song to get out there and be heard and played in cars and bars and
people's houses out the window oh yeah no it's getting tossed out the window for sure
what window what he's like he's like everyone like making their summer like beach road trips
they're just going to be jamming we will dance again I mean you know what frankly in Israel
they might. Bandcamp happens to have a strict anti-AI generated music policy, and so they swiftly
removed the song from their platform and terminated Boy George's account, to which he responded
on Instagram. What a bunch of cunts!
He's at war with Bandcamp, and I was like, I was looking at this post. I was like, oh my God,
like Boy George has gone to war with Band Camp. I look into the comments, and who do I
The real Deborah Messing writes
At Bandcamp, this is despicable.
Uncontinous amendment.
This is a song about peace in the future.
It does not incite violence.
There is no reason to bar at Voyager's officials' song to be erased from your platform,
but brazen hashtag Jew hatred.
Jew hatred.
At Lawfare Project.
These people cannot be.
They're not real.
They're not real.
At Lawfare Project, at End Jew Hatred, at Canary Mission, get to it.
Fire emoji.
Don't forget that.
She's tagging Canary Mission.
At Canary Mission, get to it.
For people who don't know what Canary Mission is, it's basically a doxing website.
It's like Libs of TikTok, what Libs of TikTok does to, like, LGBTQ-friendly people.
Canary Mission doxes the workplace of anyone who's like visibly pro-Palestine and
public in an attempt to get them fired.
How do you Canary Mission banned camp?
Right.
Well, if anyone's going to find a way, it's Deborah Messing.
Oh.
I can also see why going further and further into both the AI rabbit hole and the Zionism
rabbit hole is probably so appealing to Boy George, because I'm sure this is the most
like satisfaction and validation that he has gotten.
in years, because it's like no one was really talking about him before this.
Like, no one was really engaging with his critique of chaparone or, like, his attempts to, like,
make more music or, like, go on reality TV.
Like, this is probably feeding his ego in a way that it has not been fed in a very long
time.
Yeah.
And interestingly enough, I was like, I wonder if he's going to, like, lose, like, followers.
Because he's, he's been just, like, outrage posting about this every day for weeks.
ever since he got pushback over the AI song.
And not only has he gained more than 20,000 followers, I think,
but he also just seems to sort of like revel in the controversy
because at least it's like something that's putting his name in headlines
is my interpretation.
Mm-hmm.
Mm-hmm.
Yeah.
I do think this is a good time to point out that, like, Zionist adoption of Boy George
in this scenario to me represents the complete collapse of their celebrity PR.
strategy that they've employed for decades.
Yeah. Israel used to have every major
pop star doing their bidding.
Have you guys seen the compilations of celebrities
like in the 2000s, the 2010s?
Oh yeah. Lady Gaga. I mean, the biggest names.
Yes. Some people, Brittany Spears.
Hi, guy. We are getting super close to the show now.
July 3rd at Park Harriyricon. I can't wait to see you all there
and I hope you're all ready to party.
Shalom, everyone on MTV Israel. I'm Taylor Swift and here's my new video.
They would announce, like, their shows in Israel.
They would, like, premiere their videos on Israeli MTV.
Now, the same community is arguing over whether the Zionist celebrity tent is big
enough for clavicular, which was a whole other thing.
I was, like, going to do a mini episode on that.
And then I was just like, I don't know.
Like, I don't.
Should I kill myself?
And then rolling out the red carpet for boy George's.
AI generated song, which has been celebrated by outlets like the Jerusalem Post,
the Times of Israel, and Jewish News Syndicate, and by, of course, Deborah Messing.
Now, the irony of all of this being that in December of 2025, less than a year ago,
Boy George tweeted,
When I found out David Ike was following me, a big smile erupted on me.
my face. I like him. I always have. Really always? Do you guys know David Ike is?
Oh yes. Entirely separate episode. We don't have time today. But David Ike is a very prolific
British conspiracy theorist. His like chief belief is that the world is run by like shape shifting
lizard people. I think that sounds like something pretty close to garden variety anti-Semitism. It is.
He is a vocal supporter and pusher of the protocols of the elders of Zion, an anti-Semitic book from the early 1900s that alleges a Jewish plot for global domination and is basically the handbook for modern anti-Semitism.
David Ike has cited the protocols of the elders of Zion in not one but two of his own books, the Robots Rebellion from 1994, and The Truth Shall Set You Free from 1995.
which led publishers to reject him as a client,
and he's published all of his own books since then.
By the way, by the way, by the way, by the way,
this isn't like niche information.
David Ike is like...
Oh, he's so well known.
He's well known as a conspiratorial anti-Semite.
He's fully banned from countries like Netherlands.
He has been banned off of just about every social media platform.
I don't know if he's back.
And during COVID-19, of course, he was out.
out there spreading very, very, very dangerous disinformation and contributing to the rise of
people disbelieving public health organizations and rejecting vaccines.
On his Wikipedia page, the section for accusations of anti-Semitism is longer than the entire
early life in education like section. Yeah. Yeah. This is who I guess maybe
Boy George smile according to his own words. But like, this is the thing that gets me, right? This is the thing that
really gets me. All of the, I guess, like, mainstream Zionist sort of institutions, publications,
influencers online are like hailing Boy George as like so brave in the way that he's standing up.
And many of these same people, you know, including the author of that essay, I mentioned some minutes
ago. They call me like a self-hating Jew. They'll call me an anti-Semite. They'll say that I've
turned my back on my people, yada, yada, yada, yada, yada. Like we've, you know, we've heard it all
before. And this isn't about me. And it's like at the end of the day, it's like, who cares?
But it gets me the way that someone who tweeted this in December of 2025, like really, really
not that long ago, it gets like just treated amazingly by these people for his one like,
fucking bullshit AI reggae song.
You know, it reminds me like clavicular.
Like I said, you know, he, not that long ago, he was in a club in Miami singing Heil Hitler
by Kanye West.
And then he like took a trip to Israel probably as image rehabilitation for that scenario.
And to their credit, not all the Zionists were happy.
I was like, I was like in Zionist influencer content spheres.
And there was a lot of argument over like, should we or shouldn't we welcome clavicular into our holy land?
And I'm like, what a conversation to be having.
That's how you know how bad you are.
Yeah.
If they won't take you.
They're like, I don't know about this one, guys.
I guess it just like, this is where I'm just like, no, you guys, like actually anti-Semitism and anti-Zionism and Jews and Israel, not the same, not the same at all.
Because if you can publicly celebrate David Ike and then be called.
called like a hero to the Jewish people less than a year later.
What a joke to insist that these things are, you know, the same.
To add to the point that he's literally just doing it for engagement as well, like when I
glance at his Instagram account and look at him posting about anything that isn't Zionism,
he's getting like maybe a few hundred, maybe like a few thousand likes at most.
But when he does post about how he's being oppressed because of his love for the Jewish people,
he's all of a sudden getting engagement
that's like in the tens of thousands of likes
and it's just so like cheapening.
Like it's like he's doing this for attention
not because he actually has any like
he doesn't even think he actually believes in Zionism.
I think he might like I think he's in a deboroughamessing algorithm
and has been for a while actually.
Okay. I guess what I would say more so
is with this AI song.
I think one, it has to do with the company
that they are trying to direct attention
It is a marketing tool for them.
They decided to choose this format of generating AI slop around the genocide of Palestinians.
Yeah.
Because P.K. Kemsley is a Zionist.
In that conversation, the ongoing conversation I've been having with my source who was
close to these people a few years ago, I feel so TMZ being like a source close to the subject.
An anonymous source.
This person did tell me that one thing P.K. Kemsley is very good at is ginning up.
outrage and turning it into business. So I would not be shocked if that, allegedly, could have
also played a role in Boy George's putting out this piece of audio. But, you know, I want to talk
just like a little bit to cap things off about the sort of continued spiral Boy George seems
to be making into the land of AI, especially in the wake of all of this. A cursory scroll
through Boy George's social media accounts
amidst his latest controversy
reveals, I think, a troubled person
who is obsessively using AI
to feed their own worst impulses.
And Kat, you asked if Boy George
has identified as a victim of cancel culture.
Well, wouldn't you be happy to know
that he has put out a follow-up hit
to We Will Dance Again?
It is an AI-generated song
called Cancel That Cow.
Oh Lord.
And he will release it.
I am confident this won't get any copyright claim.
So I'm just going to play it into the mic for a moment because I do think it's deserving of a listen.
I'll do a radio voice.
And here, ladies and gentlemen, is our newest hit, Cancel That Cow.
You get the point.
I feel like part of that song is plagiarized from like a Bonnie Tyler song.
Like there's like a tiny part of the bat.
Like it sounds like a bunch, which granted, this is what AI does.
Oh, you mean an AI generate song that has scraped other artists work off the internet?
Yes, exactly.
Like it's like, it's just that they're pulling different pieces from other songs and then splicing them together.
And I'm like, oh, it's bad.
As someone who has voluntarily listened to many, like a YouTuber,
failed album music career.
Like they all greatly surpass whatever that was.
I honestly think this story we have told over the last two hours is the encapsulation
of so many things we talk about all the time.
Yeah.
And to see Boy George as really, you know, exemplifying a once famous, once iconic, once
barrier-breaking, boundary-breaking artist to really an aged now conservative boomer mess,
where he is absolutely looking at the current environment and going,
what are ways to gain relevancy?
Oh, lean into cancel culture.
Talk about how woke is bad.
Talk about how I'm a victim of cancel culture.
Use AI.
Like talk about, you know, Israel, yay.
All of these things that, to a reasonable.
person, you go, that's actually not, that actually doesn't make sense to try and lean into that
because of now how it is so representative of a person who is washed up, who is a has been,
who is so desperate for relevancy that it is just dripping off of them.
Man. You know? Well said. Well said. As I was putting this together, I had the exact same
feeling of like everything that's going wrong with the world right now is like somehow converging.
on boy George
like what?
Hard to believe.
And yet here we are.
If I saw someone posting this much AI slop to their Instagram account who I actually
knew and I don't say this like to be glib, I would genuinely like be concerned about their
mental health.
Yeah.
Because it's just like every few hours he's posting some sort of bizarre AI creation.
He released another song three hours ago.
Since we started recording.
Someone stop him.
He said this was released on, available on at Payhip HQ, which is an e-commerce platform with 4,000 Instagram followers.
And it's an electro-antham about Amanda Lapoor.
Oh, leave her out of this.
Oh, my God.
Out of this.
It's scary.
Also, a lot of the AI-generated imagery that he keeps posting on his Instagram account,
is of himself, but of his younger self, which makes me kind of sad.
And, you know, there's AI videos of young versions of himself dancing.
There's AI images of a younger version of himself with empowered slogans on top of it.
And the one I wanted to end on, he did one of these AI videos where, you know, he's de-aged
himself.
The caption just says,
None of this happened, but who cares?
That kind of like took my breath away.
None of this happened, but who cares?
Boy George is online about 24 hours a day lately, and that's no shade because like me too, girl.
And so I don't think he wrote this to try to be profound or anything, but I don't know.
The breakage from reality just feels not only specific to boy George, but very, very,
I think specific to the moment we're all living in.
This post-truth, post-reality type world.
And it's interesting to think like, in the way he's behaving now,
which seems obviously so strange in so many ways.
And yet in this caption saying none of this happened, who cares,
it's almost like, but it was all the dream.
This is the most podcast-y podcast I've ever ended a podcast doing,
like I feel like I'm on like Bill Amar.
and we're all smoking blunts and being like,
what if none of it matters at all?
And you know who has been a guest on Bill Mars Club Random?
Boy George.
Boy George!
Yep.
I believe we're just going to be seeing more of Boy George,
hearing more of Boy George's musical stylings.
I don't know.
I could see him picking up like a sort of alt-conservative podcast circuit.
That's the thing is I think we're going to see more and more of these.
celebrities who were like very influential and very iconic like 40 years ago go down this path
in part because I imagine it's probably one of the only ways for them to establish any kind
of income stream. If you take this like really devoted like really unhinged audience and
you just feed them like whatever extremist form of content they want, then you probably can make
like some sort of meager income from that. So I feel like this is not the end of boy George and
probably also not the end of a lot of celebrities like him doing the same schick.
There's a line here I see in a telegraph piece that just came out today.
And it's so frustrating.
But the line is from Suzanne Moore.
I'm not wild about Boy George, nor am I a fan of the song he's recorded.
We will dance again in defense of military action in Israel.
Military action.
Right.
But I am inclined to admire anyone who refuses the soul-crushing conformity of our
current cultural establishment.
Oh, whatever. Whatever.
And I think that is such a twisted and reverse 180 of where boy George was once upon a time
as a person who did refuse soul crushing conformity, who did refuse to bend to the will
of the establishment. And once upon a time, he was authentic and real in how he challenged
norms and how he and others of that period rose up against the establishment, against the
stranglehold of conservatism in the 80s, against the denial and ignoring of the AIDS crisis.
But fast forward to today, and that is completely hollow and completely inauthentic.
Well, Caroline and Kat, where can people find you being?
authentic. I don't know. Sorry.
In a really long, weird week.
Well, no AI on SpitfireNews.com.
Much to the chagrin of Ozzy Osbourne's son randomly.
Yeah, I was accused by Ozzy Osbourne's son of writing articles with AI, which is not true.
But no, you can subscribe to my newsletter at Spitfiren news.com. And you can also find me at Kat
Tim Bard on mainly Instagram and Blue Sky.
I swear y'all have the strangest celebrity.
I mean, I guess Ozzy Oswald and Son is a celebrity, but you know,
y'all have the strangest interactions, but I do live for it.
I am talking about politics, pop culture, and doing film class just about every night
of the week on Twitch.tv and otherwise I'm Caroline Kwan on Twitter, Instagram, YouTube,
all that. And now band camp.
Release the song!
Release the song!
And if you would like to find more of and support this podcast, you can do that over on Patreon.
In fact, recently I put out a new bonus episode. It is the three of us talking about yet another very bizarre AI deep dive situation where I do a little bit of investigative journalism.
I was very proud of it. That is on Patreon. If not, that's all good too. Thank you for listening
this far. I appreciate you. I love you so much. Good things are coming. And until next time,
stay fruity.
