A Hot Dog Is a Sandwich - Welcome to Your Mama’s Kitchen
Episode Date: April 29, 2025Sharing another podcast we can’t get enough of: Your Mama’s Kitchen. It’s a show about cuisine and culture, ingredients and identities, and the meals and memories that make us who we are. Host M...ichele Norris talks to Michelle Obama, Glennon Doyle, José Andrés and so many other guests about the complexities of family life and how their earliest culinary experiences helped shape their personal and professional lives. And of course, each guest shares a recipe for a favorite dish from their youth so you can taste a bit of their story. In this episode, America's favorite kitchen icon Ina Garten opens up about the tumultuous relationship she had with her mama's kitchen when she was a child. She walks us through how her relationship with food evolved in later years, thanks to her husband Jeffrey and a summer spent camping across Europe on a shoestring budget. Plus, we learn how to make the one dish Ina enjoyed from childhood: Chicken Parmesan. You can find more Your Mama’s Kitchen at https://lnk.to/yourmamaskitchenHD To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Transcript
Discussion (0)
This, this, this, this is Mythical.
This week, I wanted to share something special.
Another podcast.
I cannot get enough of this one podcast called Your Mama's Kitchen.
Yeah, it's incredible. It does a lot of what we try and do,
which is like tell a larger story about people in the world through the lens of food.
Ultimately, it's a show about cuisine and culture, ingredients and identities,
and the meals and memories that make us who we are.
So check this out, right?
Host Michelle Norris talks to Michelle Obama,
Glennon Doyle, Jose Andres ever heard of him?
And so many other awesome guests
about the complexities of family life,
how their earliest culinary experiences
helped shape their personal and professional lives.
And of course, each guest shares a recipe
for a favorite dish from their youth
so you can taste a bit of their story.
Yeah, in this episode, one of my favorites
and America's favorite kitchen icon, Ina Garten
opens up about the tumultuous relationship she had with her mama's kitchen when she was
a child. She walks us through how her relationship with food has evolved throughout the years,
thinks her husband Jeffrey, and the summers spent in Europe with the shoestring budget.
Plus, we learn how to make that one dish Ina has always loved, chicken parmesan.
Oh, what I would give to eat chicken parmesan
with Ina Garten.
All I want to be is someone's Jeffrey.
You know what I mean? Just getting flowers.
So true.
Making tarragon lobster salad.
But really, this is an incredible podcast,
and I really hope you all enjoy it.
-♪
-♪
And you have to remember, we never had toys.
I didn't have dolls. You didn't have dolls?, we never had toys.
I didn't have dolls.
You didn't have dolls?
We didn't have anything.
If it wasn't educational, we didn't get it.
Hello, hello.
Welcome back to Your Mama's Kitchen.
This is a place where we explore how we are all shaped as adults by the kitchens that
we grew up in as kids.
Not just the cooking at the stove and the meals at the table, but all the stuff that
happened, the games, the tears, the laughter.
And we're in for a special treat today because we're joined by someone who really, really,
really knows her way around the kitchen.
Today I'm talking to one of America's favorite food people.
And I think you could just say one of America's favorite people,
the Barefoot Contessa herself, Ina Garten.
And I feel like I need to pinch myself because she is like a companion to me
with her 13 cookbooks, Barefoot Contessa Parties, Barefoot Contessa Family Style,
Cooking for Jeffrey, of course, Jeffrey is her beloved husband,
Cooking Like a Pro. All of these cookbooks have been in my home and have given me wisdom and have
brought joy to my own family. And Ina, I'm so glad that you're with us. Thank you for
joining your Mama's Kitchen.
Thank you. It's so nice to see you.
It's great to see you.
We met the first time in Paris.
It's great to see you in person. Yes. And in fact, there are so many things that are
wonderful about what you have done.
You have won half a dozen Emmys, James Beards awards.
But I think that the thing that truly makes you special is that for people who don't even
know you, you feel, as I said, like a companion, like a trusted friend.
And so when I saw you in Paris, I just rolled up on you like we'd known each other forever
and started a conversation.
And in that conversation, I asked you to join me on the show and I'm so glad you said yes.
I am too. Thank you.
Just in time for your memoir, which is beautiful. Be ready when luck happens. You know, we always
began in the show with a simple question, those six words, tell me about your mama's
kitchen. In your case, you begin your book in your childhood
and because of that, I know that asking you to go back to the kitchen is asking you to
go back to a fairly complicated space.
It certainly is. My mama's kitchen isn't anywhere I'd like to be. I would say my mother was
austere, cold, didn't take pleasure in things, cooked for nutrition more than pleasure or sharing
food. I think looking back, my brother and I were talking about this, I would say that
my mother might have been somewhere on the spectrum, didn't know how to have a relationship.
So cooking for people wasn't about love, it was about feeding them. And to me when you cook for someone
it's about taking care of them about
Showing them they're important to you. I mean, it's nice when the food is really good
But it's also really important to me the sharing part and the community part
You know, I think people hearing this will be surprised
Yeah
Well, you know one of the things I decided when I was 15, and I remembered making
this decision, that if I was dating somebody who so much has raised his voice to me because
my parents were very, very harsh, that I was out of there, that I really wanted to do it
differently, that I wanted to have a different life than I had as a child.
I don't think I really understood how bad it was at home until I was maybe 40.
And I kind of sorted out that what happened to me was not okay.
But a lot of people decide to do it differently from their childhoods, and they end up doing
the same thing.
I really do it differently.
My parents only cared about achievement. And every day they would say,
what did you accomplish today? And if I had knit a fisherman's sweater, if I'd won a
tennis tournament, if I'd done anything I wanted to do, that was not considered an accomplishment.
It had to be something I didn't want to do that was academic. And I've built my life around things that I love to do.
So I think that experience both made me much more empathetic because I know how people
feel and stress, but also it made me decide to do it the way I wanted to do it.
And I've really, I feel like I've really done that.
Al, you definitely have done that.
Thank you.
I loved reading this book, but I have to say, in that chapter, what goes in early goes in
deep.
Yeah.
I had to put the book down for a minute and I was thinking, I wish I could engage in time
travel.
I wanted to go back and find the young Ina and give her a hug or a chocolate chip cookie
or a little pep talk and say, girl, it's going to be okay.
You're going to be just fine, you know, because I've seen your future. You really go there
in that space. And I wonder if you had to literally go there in that space. Did you
have to put yourself back in that home and in that kitchen in order to write with the
clarity?
I actually did. I actually went to the house that I grew up in. And I mean,
I didn't go in, I drove by and I sat outside. And I thought about did I want to go in and I thought,
I don't ever want to go in that house. And it kind of forced me by going to those places
to actually think about what it felt like to be in that house. And there was no place I ever
wanted to be again.
It's even hard to talk about it.
Well, you know, if you want to let me know if I'm going places you don't want to go.
No, no, no, it's fine. It's fine.
Picturing you though sitting outside in the car outside of your childhood home, you know,
that actually happened to me. I did that. I took my kids back and I was busted.
By whom?
They recognized me and brought me through the house and showed my kids, you know, my
childhood bedroom.
That sounds like that would have been a terrifying experience if that happened to you.
It would have been.
I wouldn't have gone in.
I really wouldn't.
I think the reason why I told that story was not, you know, a lot of people have had worse
childhoods by far.
But I just wanted people to know that the story of their childhood doesn't have to be their personal story.
That you can actually decide with enormous determination to do it differently.
And you have to check yourself along the way because it's very easy to slide back into something that's comfortable even though it's painful.
I mean, I think if you grow up in that environment, you live with a very deep sense of shame,
even though it's not your fault.
And you have to check yourself all the time.
Is this something I should be ashamed of or is this an old feeling that I have to just
pass over?
And when you recognize it, it's easier to quiet that voice.
It's easier to say, this is someone else telling me I can't achieve.
It's not internal, it's external.
Exactly.
And I can ignore it.
And I think it's important to know that it's somebody else's voice in your head, not your
own. And as long as you can extricate that, I don't think I'll ever lose it. I'll always
be checking it, but I can overcome it. And I'm just wanting people to know that they
can. You know, your mom was a nutritionist, which is ironic because she was serving food that
I get. Oh, maybe not ironic. Maybe that explains why she was serving, as you said, food that
was nutritious, but not delicious. No carbs, no butter.
Did your mother really send you to school with a sardine sandwich?
Yeah. As I think I wrote in the memoir, no sane child would trade a sardine sandwich. Yeah. As I think I wrote in the memoir, no
sane child would trade a sardine sandwich for anything else. All I wanted was a peanut
butter and jelly sandwich like the other kids. And it was absolutely forbidden.
You write about a difficult childhood, but you had, as you say, two personalities. In
the outside world, you were full of joy. The rest of the world didn't see the shy, quiet child that spent most of her time in
her room and you're someone who loves to entertain.
And it sounds like you figured that out pretty early when someone gave you, it almost was
like your rosebud moment, a gift that meant so much to you, that little pink tea set.
When I was about four, I think, an uncle of my father's brought a gift.
And you have to remember, we never had toys.
I didn't have dolls.
You didn't have dolls?
We didn't have anything.
If it wasn't educational, we didn't get it.
So I mean, maybe we had a chess set and, but we didn't play games.
I mean, games were considered a waste of time. So my father's uncle brought me what I thought was,
I mean, for a four-year-old, the biggest tea set I've ever seen.
And it was all pink.
I'm sure it was plastic, but it was all pink tea cups and plates
and everything else.
And I used to play with that.
And I mean, when I think about it now, how educational was that? When children play,
they learn things. And we just didn't have an opportunity for that.
Well, socialization is a big part of childhood, figuring out how to deal with the world. How
did your parents react when they saw how much joy that brought you in that you had imaginary
friends and you were giving them tea cakes?
My parents weren't around when I was, you know, they were off doing other things.
I don't think they were really that engaged with us.
I don't remember my mother being in the same room with me.
So if I was playing with the tea set, that was what I was doing.
So it was, it was pretty door childhood.
I'm sorry, you just said you don't remember your mother being in the same room with you.
No, I really don't.
Because it wasn't about a relationship.
She was the parent and she was just doing the things that a mother should do.
Because if you don't have an emotional connection with a child, then you don't have any reason
just hang out and talk to them.
But I'm more than made up for it.
It certainly hasn't defined my life, but it certainly informed my life.
And I made very strong decisions to do it differently. And how glad I am that I did.
Well, and how good for the rest of us.
No, thank you.
Were there outside influences? I'm thinking about your grandmother, your grandparents.
My mother's mother was extremely cold. So that was not an outside influence. My father's mother was extremely cold, so that was not an outside influence. My father's mother loved to cook, and when my father was in medical school, we actually
lived in their brownstone.
They lived in Brooklyn, and we lived in the lower level.
And I used to go upstairs and watch her cook, so I'm sure that had an influence.
What did you learn watching her?
I don't know.
I was probably two or three, but I think probably watching somebody cook like that was a big
deal.
And she just adored me.
I think we had a real connection.
I can see that when you talk about her, your face just changed.
Yeah.
Is this the grandparents, the house where they live next to the junkyard?
Yes, exactly.
Better known as scrap metal.
And she invited employees and customers in?
Exactly.
She would invite employees, knew that they could come.
My grandfather started, had several businesses, but the one that I knew about was what was
called scrap metal, but it's basically a junkyard.
They would take like a car and separate it into separate metals. And he had a lot of employees working for
him. And they knew that they could come into the house and open the refrigerator and help
themselves. And so my grandmother would cook for them.
They would just come in and I'd like some sauerkraut. I'm hungry.
Yeah. And she'd be having the ladies for tea and they'd come in and say, hey, mom, and
just go help themselves in the refrigerator.
So I think she made them feel welcome and cared for.
And I like that feeling.
Who doesn't?
Who doesn't like that feeling?
Everybody loves that feeling. What did you learn in that kitchen that informed you as a home cook,
as a hostess, and as a business owner because you sort of ran the Barefoot Contessa as an extension
of your home kitchen? Well, running Barefoot Contessa was really the beginning of my career
in food. And I was very aware when I opened,
particularly the third store in East Hampton,
is that when you walked in,
I wanted all of your senses to be engaged,
the way you would feel if you went to somebody's house.
So when you walked in, there was a screen door.
It had this summer feeling,
the screen door slamming behind you.
When you walked in to the right, there was coffee
that you could help yourself in the winter with an apple cider
on the heater.
So you could help yourself to hot apple cider.
And it made the store smell good.
When you walked in, there was music playing.
And it wasn't like current music.
It was old-fashioned music.
It was Frank Sinatra and the Beatles and just great music.
There were samples of food everywhere so you could taste things.
So all of your senses were engaged.
And I think that's what I like to do when people come to my house, that when you walk
in it smells good, that there are cocktails waiting for you, that there's somebody there
to give you a hug, that you feel welcomed.
I think that's a really important part of it.
And I think that's the way my grandmother made people feel when she walked into her
kitchen.
Could you describe her kitchen?
What did it look like?
They had an attached townhouse.
So you walked up the stairs to an outdoor porch where they had chairs with I'm sure,
they were probably 60
years old and they would just sit in the chairs and watch the world go by.
People of that era, when they were 60, they were old.
And then you walked in and the kitchen had a huge table in the middle with the actual
kitchen part behind.
But I remember the room basically was filled up with that table.
And everybody just sat at the table. And then there was a parallel room that was the living room.
And then there were some bedrooms in the back, but it was fairly, it was very modest.
And where did you eat? Dining room table or kitchen table?
There's only one table. It was both. It was with the kitchen in the back and this big table that
everybody,
my grandfather would sit and read his newspaper on the other side while we sat and talked.
We used to go visit them every Sunday actually from Connecticut. We were all piled into the
car. They actually died within three months of each other, which is, I mean, I think that
my grandfather died first and my grandmother was just devastated and died three months
later.
And I think I must have been about eight when they died. So I have a memory of them, but
not an adult memory.
Do you have a memory of a Sunday supper that you really loved?
I don't remember. She wasn't well when I remember her going to visit, so she wasn't cooking.
So we would go and have tea, I think, but I don't think we would go for a meal. But they would come to us every other Sunday and they would
bring huge bags of groceries because they were sure there was no food in Connecticut.
So they'd go to a really classic Jewish deli and bring pastrami and hot dogs and good mustard
and knishes and classic old fashioned Jewish deli kinds of things.
And we would have that on Sunday afternoon.
That's love though to show up with a big bag of food.
Yeah, exactly.
That's an expression of love.
When you think about sweets are so important to you, but did you have sweets much as a
kid?
At home, never.
I mean, there wasn't a cookie in the house.
If I asked my mother for a snack, she'd say, oh, just eat an apple.
I'm sorry, an apple is not a treat.
I mean, it's not exactly what I had in mind.
It's funny, I asked Jeffrey the other day, did he have milk and cookies when he got home?
He said, yeah. And my mother, I mean, she wasn't even there. I never had
milk and cookies.
So did you roll over to somebody else's house to have milk and cookies? Did you raid the
cookie jar at your friend's house or your grandma's house?
When you came home, you went into your room and stayed there for the night. You came out
for dinner and then went right back.
And at least that's what I did.
I don't know.
It was a combination of that's what you were supposed to do to study, but also to keep
myself safe.
It sounds like there was always an impending storm in your household.
You write that everybody lived in the shadow of your father's anger.
Do you have a better understanding of the source of that anger?
And with that, did a certain kind of forgiveness come over you?
I don't really understand the source of his anger.
He was the children of immigrants.
And his parents came here when they were in their late teens. And in one generation,
they went from not speaking English to my father being a surgeon at Mount Sinai Hospital. I mean,
it was an extraordinary story of success. I don't know if I can make generalizations,
but as a lot of people feel, surgeons tend to be very controlling and he was just very controlling.
And it was the 50s in all fairness.
It's not like now with helicopter parents.
In the 50s, you did what your parents told you to do.
It's just that if you didn't do it, there wasn't violence involved.
So they were very harsh on me, but I don't understand my father's anger.
And the irony is I'm actually very much like him.
He loved parties, he loved his friends, style was very important to him.
I mean, there are a lot of extraordinary similarities and I'm nothing like my mother.
But I don't have his anger.
I just don't understand where that came from.
Yeah.
If I may make an observation, you know, they said this in the 50s, assimilation was so
important in the 50s.
Yeah.
You know, if you go back and look at, I have a bunch of cookbooks just over there, they're
from the 1950s.
And some of it was about food, but also some of it was about, you know, getting with the
program.
This is the way things are supposed to look.
This is the way your table is supposed to look, your house is supposed to look.
And you know, when you describe your family, they went from, you know, newly arriving in
America, almost as country people, to moving to Stanford and then becoming, you know, when you describe your family, they went from, you know, newly arriving in America almost as country people to moving to Stanford and then becoming, you know, people
who were enmeshed in a country club lifestyle.
That's-
Well, these were their parents were immigrants.
So they were the first generation in America.
But you're right, it's a very short distance from immigrants to the country club, exactly.
Your dad also at some point, I remember marking up the book, your dad had a conversation with
Jeffrey, your husband, who was interested in going to medical school and he said, he
talked him out of it.
And I wonder if he was in some way saying, don't do what I did.
No, I don't think he loved what he did. He loved being a doctor. I think he saw in Jeffrey that
it was, you know, I think it was a lot of people expected him to Jeffrey to do well. And that was a
very classic road to success is being a physician. But Jeffrey was always interested in other things.
He was just interested in foreign affairs, and it was in foreign affairs and he was interested in countries and world affairs.
And I think my father wisely saw that in Jeffrey, that he wasn't really interested in medicine.
And many years later, I think when he must have been about 40, I realized that Jeffrey's
dyslexic.
I mean, Jeffrey was so smart, he always overcame his dyslexia. But at some
point, I thought, this is really interesting what he just did. And I thought, oh my God,
he's dyslexic. And I realized when he was a child, he was always overcoming that. But
he taught himself how to read a certain way that other kids weren't. I mean, it's just
extraordinary.
And he spent his life looking at spreadsheets at Lehman Brothers. And how do you do that
and living in Thailand? I mean, that's amazing.
He spends his entire life reading. And it's reading is not easy for somebody dyslexic.
But he does it with enormous intention and determination. And that's what he does.
Well, it's interesting that he has to figure out how to decode language. But one thing
he didn't have to decode is when he saw you.
I love the story of how you first met.
He looked, he saw you out a window and he knew she's the one.
I mean, talk about be ready when the luck happens.
Yes.
Can you tell that story?
Well, I was, my brother went to Dartmouth and my parents and I went there for a fall
weekend just to visit him.
And Jeffrey happened to be sitting
in the library with his roommate and he looked out the window. I remember it was all boys
school at the time. So I was probably the only girl walking around. And he looked out
the window and he said to his roommate, hey, look at that girl. I was 16 and I don't know,
I guess he liked what he saw. And his roommate said, I actually have a date with
her tonight. Because his roommate belonged to our country club. We used to play tennis
together. And Jeffrey, can you imagine how unlikely that is? That A, he would see me,
B, he would say something, and then that his roommate had a date with me. So after that
evening when I went to the movies
with his roommate, he said, are you like dating her?
And he said, no, we're just friends from tennis.
And he said, can I call her?
So that's how it happened.
I'm trying to remember what you said in the book.
There was something that you were wearing
that really caught his eye.
Was the ribbon in your hair?
I had a ribbon in my hair.
How 60s was that?. How 60s was that?
How early 60s was that?
Yeah, but it was probably the smile that got it.
And then once Jeffrey came along, you guys started to write letters to each other.
I love that you had a whole relationship built on letters.
Yeah, that was an old fashioned idea, but I still have the letters, which is wonderful.
And it's a lot of what I referred to when I wrote the memoir.
So you've all these years, you've been carrying them around because you've moved around a
lot. You've lived overseas, you've had a trove of letters that you've kept in some sort of
shoe box somewhere.
Oh, no, it's more than a shoe box. Actually, it was at my parents' house because I kept
them when I was living there. And then when my parents sold the house, maybe, I don't know, when I sold their house, I found
the box when we were cleaning it out.
And so I took it.
So no, I didn't carry it around.
I've had it maybe for 15 years.
Wait, wait, wait, go back.
You found the box?
I found the box of letters.
Tell me about that.
Well, I'd just forgotten about it.
I'd forgotten I had it.
And there was, you know, in my room at their house, I was just forgotten about it. I'd forgotten I had it. And there was, you know, in my room
at their house, I was just cleaning out the closet and there was this huge box of letters.
And what's so interesting about them is that going through them to write, I didn't really
read them then, but going through them to write the memoir, there were letters in there
that I would never have imagined were predicting exactly what
we did.
I mean, one of the letters was, Jeffrey said to me, I think we must have been in college
at the time.
He said, I want to take you to Paris.
And he said, maybe in the beginning, we won't be able to afford a hotel, but maybe we'll go camping.
And then hopefully someday we'll be able to afford a hotel and maybe someday we'll be
able to rent an apartment.
Neither of us have any recollection of this letter.
And yet that's exactly what happened.
When we went in 1971, we went camping because we literally only had $5 a day.
We couldn't afford a hotel.
And years later, we went and stayed in a hotel. And in 2000, we bought an apartment. And it's
just to look back and think that that was already in our minds. But we thought we were
thinking of something new. And it turns out we weren't at all. We were just fulfilling
what we'd originally intended.
There's maybe a lesson in that in manifesting things.
Yeah, exactly.
Like actually writing things down because maybe what you're doing is not just writing
something down.
Yeah.
That you're creating a map for the rest of your life because that's incredible.
You did all of those things.
We did all those things and we had no recollection of having
predicted that we wanted to do that. Yeah, there is something there. I was surprised
that you were as enthusiastic as you were for camping. It was fun. He had a great time.
I mean, there were times I wanted to come home and wash all my clothes and go back again,
but there was something really free about it was between the time
that he was in the military and he went to graduate school and we had about four or five
months with nothing to do and no money. And we were not about to go live with my parents,
that's for sure. So Jeffrey said, why don't we go to Europe? We'll rent a car. And if
we're really careful and we stick to $5 a day, we can afford a
campsite, we can afford food, and we can afford gas and we'll be free as birds.
And we were so aware at that time that it might be the last time that we had nothing
to do for four or five months.
And we would just get up in the morning and just say, okay, we're in Saint-Tropez, where
would you like to go today?
And we're like, let's go to Nice.
And we would pick up the tent and we'd put it in the back of the car.
We'd drive to Nice, find a campsite, and stay in Nice for as long as we wanted to stay.
It was just heaven, absolutely heaven.
And we spent four months in a tent like that.
Now you should explain because people will listen to this conversation. You can't buy
a latte for $5 now.
It was a long time ago.
But this was a part of a movement. I mean, there was a very popular book about doing
this city on $5 a day. And so, there was a little bit of a guidebook for that.
Did you follow that guidebook
or was that more of just an inspiration
and you just tried to figure out
how to do everything on $5?
I thought it was an inspiration.
It was Arthur Fromer wrote a book,
Europe on $5 a day.
So, you know it was possible, but it seemed extreme.
And hotels were, you know,
you couldn't stay in a hotel for $5 a day.
I mean, I'll tell you how tight it was. Yeah, we didn't feel that we were on a budget. We just felt like we
had to be careful. We were in Switzerland and it was freezing cold. It was probably June
and it was like 20 degrees, maybe 25 degrees and we're in a tent. And at some point I said to Jeffrey, maybe we should go see if we can get like a little tent heater. And he said, okay, so we go off to
town, wherever, I think we're in Davos, and we find the camping store and the heater was $35.
Oh, seven days.
Seven days. So we could either buy the heater and go home seven days early or forget the heater.
And that's what we did.
And I think back now and I think, well, it was no big deal.
We just decided not to buy the heater.
But to be freezing cold and just say $35, it's beyond our budget.
And it was fine.
But you probably made really smart decisions later in life because you learned how to handle
money and you learned how to trust each other. And I think something comes from frugality.
And it didn't matter. It really didn't matter. We had a wonderful time. And we just, you
know, we just love being together. And we loved exploring on our own terms without having
somebody say you need, you should be doing this
and you should be doing that.
And we knew ahead of us was graduate school and jobs in Washington and being serious and
we could just have a really good time.
And this turned out to be the most formative time for me because it's when I discovered
French food, French cheese, French markets, real peaches that are ripened on
the vine, great baguettes when all you could find here was a loaf of white bread and a
plastic wrapper.
So again, what looked like play turned out to be really, really important professionally.
Yeah, French food in France will blow your mind.
I think Americans think of French food as fancy and kind of stuffy because that's the
way French restaurants here tend to be.
But this was country French food.
This is real food.
This is eating things in season, which we didn't do, you know, and we sometimes don't
do now, but it was real
farm to table. It was, you know, the chicken farmer came to the market and sold rotisserie
chickens and the berries were raspberries weren't just, you know, one kind of raspberry,
they're different kinds of raspberries. Strawberries were different strawberries in season. So
it was a real education for me. And I'll actually
tell you this one story when we were in Mont Saint-Michel. We drove into the campsite.
I had a little guidebook and it had stars rating the campsites. So we couldn't afford
a five-star campsite, but we could afford a two-star campsite. So we drove into this
campsite at Mont Saint-Michel and the woman who ran the campsite said, I
just made some cacao van for my husband.
Would you like some?
And I don't even know if I knew what cacao van was, but who would say no to that?
And it smelled great.
So, I said, sure.
And we took it back to the tent and I heated it up for dinner.
And I just thought, I need to know how to make this.
This is amazing. And I just thought, I need to know how to make this. This is amazing.
And that's country French food.
I mean, that's not some fancy French restaurant.
And you have a recipe for that in the book.
I do, yeah.
And it's Julia Child's recipe
because that's the first one I used.
I admit I've never had it.
I've actually I've had it in a restaurant,
I've never made it.
It's actually not that complicated.
I have a recipe in in Barefoot in Paris that's based on Julia Child's but it's simpler.
Oh, I'm definitely going to be making this one and the recipe that we're going to talk
about in just a bit that stems from your childhood.
But I want to ask you something about Jeffrey because your love story is just beautiful
and people who read your books, people who watch you on TV, Jeffrey
is a constant character, not just in your life, but in your work life as well. And there's
a section of the book though, where you talk about a moment where you sent him away because
he wasn't treating you as an equal. You wanted to be seen as an adult and not a child and you separated for a time.
It's interesting that you included that. And I always think about the reasons and the motives
when people write books. Was it just something that poured out of you or were you thinking
of your audience that trusts you so much? And were you maybe trying to send a message
to them that this is what marriage sometimes means.
This is what happens in relationships.
Sometimes you need to take a breather so that you can lean back in even more strongly.
I didn't do it to just expose anything.
I did it because I think sometimes in a long-term marriage, you do need a break.
You need to figure out what you want and what your partner wants and then come back together
and figure out how to do it together.
Again, this was the 70s when Jeffrey expected to be the husband and expected me to be the
wife and reasonably so because nothing had ever been different than that.
But it was the era of Gloria Steinem and the women's movement
and women were kind of finding themselves not in roles, but as equals. And I think it
was very hard to make that shift. And remember, I came to Jeffrey kind of broken, and he really
brought me up. And I'm forever grateful that he did that. But at some point, I felt like I couldn't get out of the parent-child relationship.
I'm sure he saw us as equals, but I didn't feel like I did.
So we took a break.
I just said, I just bought the store.
I just wanted to work.
I wanted to be left alone.
It must be, I don't have this experience, but it must be like how people feel with a
new baby.
They just want to be
there in the moment and block out everything else. And I just, I felt like I needed to
be on my own for the first time in my life. Because I went from my parents' house to
Jeffrey's house. So we really separated for about five or six months. We each thought
about what we wanted going forward. And I learned a lot,
he learned a lot. And I just wanted people to know that sometimes you need to do that
to have the kind of relationship that we have, which is we are equals. And he has as much
respect for me as I have for him. And if there's something, I mean, there was a year when he
wanted to work in Japan, and I had just signed a lease for a store
in East Hampton. And any normal person would say, well, whoever's the investment banker
in Japan, they're the one who gets to decide. But Jeffrey had as much respect for what I
did, even though I didn't make nearly as much money as he did. And he said, okay, let's
figure out how we can do both things. And we did. And I would go to back
and forth. We would go back and forth. I would go to Japan for a week a month and he would come
to East Hampton for a week a month. And, and we got through a year, two years actually doing that.
And it was great. I appreciated the way that, that you told the story story also because it wasn't like you ran back into
each other's arms running through Heather, you know, along some sort of beach that you
were sitting on a stoop and you were having a really difficult conversation and trying
to figure out which one was going to be the person that said, let's try to make this work.
Because that's often how it happens.
It's a little bit more rocky, more clumsy.
It's done with enormous respect and consideration.
And it worked out.
Thank goodness.
We always gift our listeners with a recipe that means something to somebody and it usually
harkens back to their childhood.
And the recipe that you want to share with us harkens back to your childhood, difficult
as it was, and it was something that your mom made that you actually liked.
Yeah. Are you talking about the parmesan chicken?
I am.
Yeah. It's probably the thing I've made the most and it's just the simplest really. It's
boneless chicken cutlets that are pounded and flattened and then it's dipped in flour
and egg and seasoned bread crumbs and parmesan cheese and then just sauteed.
And then I added a fresh salad to the top like an arugula salad with fresh lemon vinaigrette,
lemon juice, vinegar, salt and pepper. And it's just delicious. Yeah, that's, I was trying
to think of what childhood recipe you were thinking of, but that actually does come from
my mother.
Did your mom do the salad on top also? Because I think that that's, I've done it with it
on the side and it's a difference. It makes a big difference when you put the salad right
on the top.
I don't think there was a salad involved and I think she just did the chicken cutlets.
I think there was probably canned peas involved rather than a fresh salad. The sun is my version of it.
Not the same.
Oh, God.
There's a generation of us that grew up eating a lot of canned peas.
And Harvard beets don't even get me started.
Oh my God.
Or those little asparagus stalks that came in the tall can. At least there's some frozen vegetables that are actually perfectly delicious.
Frozen asparagus, not the same, but artichokes, peas, some things that are okay if you're
using frozen vegetables, but canned vegetables, they have no texture, no flavor.
No, no, no.
Sorry. Did you grow up on that?
I did. And my mom canned also. So we also had vegetables that came from like a larder
in the basement. But at the end of the summer, she would can a lot. And those were different
and a little bit better. And she'd make things like cha-cha, which is like a bunch of vegetables
and vinegar. But I am actually very forgiving when it comes
to frozen vegetables. I think frozen peas are fine if you're making a soup.
Absolutely. And or risotto. I mean, fresh peas are really a pain. I mean, you have to
peel them and they're always like starchy or they're, it's very hard to get them.
Exactly the right moment. And they're always like starchy or they're, it's very hard to get them.
Exactly the right moment.
Exactly the right moment.
Exactly.
So like beef, for my beef stew, I definitely use frozen peas and frozen pearl onions.
Yes, they're great.
Yeah.
And frozen okra.
I make gumbo.
There's gumbo season in my house.
And you know, okra is hard to deal with.
Frozen okra is just fine.
Just fine. Exactly. That's why I with. Frozen okra is just fine. Just fine, exactly.
That's why I say store bought is just fine.
Yeah, it is.
So I must say before I let you go that you have the most amazing resume.
My resume?
Well, I mean, you know, working backwards, we know what we see on TV and we know what
we read in the books, but I think a lot of people don't know that you worked for the OMB or that you spent a summer camping or that you
worked for a place called the body shop, which was not about mechanics, which you have to
read the book to find out that story.
I wasn't working in the body shop. I was working in the back office.
Where the police came and I guess your boss said run.
My boss said, tell them I'm not here. And I thought that's my exit strategy. I'm leaving.
So you have a really interesting resume. But thankfully for all of us, you answered that
little ad that want ad for the cheese shop called Barefoot Contessa.
How lucky are we that you said that you picked up the paper and that you found that ad, you've
changed a lot of lives. One of the things I realized in writing this book is I realized I
had something that I never imagined, which is courage. I never thought of myself as having
courage. At a lot of different places, I really jumped off a cliff and I just thought, I'll just
figure it out.
And fortunately, I did.
But I think it's the things that we do with courage that really make our lives.
And I just want to encourage people to take a chance.
And you know, sometimes I say this often, it's one of the, you know, mantras in my life.
Sometimes you have to write your future in pencil.
You know, it's okay to change your mind, to pivot.
Well, I think we're brought up actually to believe that we should know what do you want
to be when you grow up is the question everybody gets.
And the thing is, you don't need to know what you're going to be when you grow up.
You just need to know what you're going to do tomorrow. And then tomorrow you'll figure out what you can do the next day.
And if you stay open and you're swimming in a stream and all of a sudden you go,
oh, that stream over there is really interesting. Maybe I'll splash around in there and see what
that is. And maybe you'll come back or maybe you'll just follow that stream. But I think we're much
more able now to follow wherever the stream takes us
until as a friend of mine says, you're in a stream where the stream is carrying you
along. And I feel like that's where I found myself, which is really a nice place to be.
And when that happens, if you've ever done that, you just relax. You float at that point.
Well, you just know you're in the right stream as are you. Yeah.
Well, I feel like that in this conversation, I have loved talking to you.
I spent the past year talking to people about their parents and it's made me think a lot
about mine.
And my parents were gardeners.
My dad in particular grew beautiful roses.
People around the neighborhood would come to watch his champion roses.
But every so often, he would take one of his rose bushes and he would plant it in an unusual spot.
He would put it in bad soil or rocky soil or a place where it didn't have enough sun.
And the roses that bloomed on those plants were not abundant, but they would usually
produce some kind of bloom. And the bloom that they produced was usually
big and bright and it may have been the only one, but it seemed like it was bigger and
brighter and more resplendent because it had to work harder to find the sun.
And I'm telling you this story because it reminds me of you.
Oh, thank you.
That a rough childhood somehow has created something in you that has made it easier for you to
reach for joy and to share it with all of us. So thank you very much for reading that
ad for saying yes when I met you in Paris and for joining us.
Thank you, Michelle. It's an absolute pleasure talking to you. And I hope to see you again
soon.
I hope so. The book is called Be Ready When Luck Happens.
It's a pretty good title for a book.
It's a great title for a book, but it's also a great mantra for life.
Thank you, Ina Garten.
Thank you, Michelle.
Ina Garten is the barefoot Contessa, a kitchen confidant, someone who brings us joy and wisdom,
who models a life well led, a marriage marriage well-nurtured, and now
with this memoir, a story well told.
I love how she told us that she didn't understand that she was a courageous person, that she
only realized later in life that she's been courageous all along.
I bet that applies to a lot of us.
Thanks for listening.
We're glad you're here, but guess what?
We wanna listen to you.
We wanna hear about your stories, your memories.
Tell us about your mama's kitchen.
Send us a voice memo.
You can use your phone to do it,
and then send us a voice memo at ymk
at highergroundproductions.com
for your voice to be featured on a future episode.
And if you wanna try out that parmesan chicken that Ina
mentioned, we will have that recipe at our website, yourmommaskitchen.com. I will also
post some information about that recipe on my Instagram page. That's michelle__norris.
Again, that's two underscores and you can find that recipe there. Thanks for listening
to us. We're glad you're here. We'll hope you come back next week because we are always serving up something special.
And until then, be bountiful.