Acquired - Kevin Rose from Web 2.0 to Web3
Episode Date: August 30, 2021We sit down with the one and only Kevin Rose to talk about his journey from pioneering Web 2.0 with Digg to leading the charge on Web3 and NFT + DeFi investing as a partner at True Ventures a...nd his new show Modern Finance. We cover it all -- TechTV, Digg's true origin story, Milk, Hodinkee, interviewing Beeple and where MoFi goes from here. This was an episode we’ve been wanting to do forever, and Kevin was truly a blast to hang out with. Tune in and then go check out everything he’s building now over at Modern Finance! Sponsors:ServiceNow: https://bit.ly/acqsnaiagentsHuntress: https://bit.ly/acqhuntressVanta: https://bit.ly/acquiredvantaMore Acquired!:Get email updates with hints on next episode and follow-ups from recent episodesJoin the SlackSubscribe to ACQ2Merch Store!Links:Modern Finance: https://modern.financeEspecially the Beeple episode: https://modern.finance/episode/beeple-his-story-the-future-of-nfts-his-favorite-digital-artist-and-more/Proof: https://www.proof.xyzKevin on Twitter: https://twitter.com/kevinroseNote: Acquired hosts and guests may hold assets discussed in this episode. This podcast is not investment advice, and is intended for informational and entertainment purposes only. You should do your own research and make your own independent decisions when considering any financial transactions.
Transcript
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Welcome to Acquired. Today, we're sitting down with Kevin Rose. Kevin was one of the
pioneers of Web 2.0 as the founder of Dig and then became one of the Valley's first
super angels, investing early in companies like Twitter, Facebook, and Square. Today,
he's a partner at True Ventures and host of the Modern Finance Podcast. Let's chat with
him.
All right. Did you like that? Should we put that in?
I've always wanted to do that.
Who got the truth? Is it you? Is it you? Is it you? Who got the truth now?
Is it you? Is it you? Is it you? Sit me down, say it straight. Another story on the way.
Who got the truth?
Welcome to this special episode of Acquired, the podcast about great technology companies
and the stories and playbooks behind them. I'm Ben Gilbert, and I am the co-founder and
managing director of Seattle-based Pioneer Square Labs and our venture fund, PSL Ventures.
And I'm David Rosenthal, and I am an angel investor based in San Francisco.
And we are your hosts. This was so effing cool.
Kevin is so great. We had such a blast. Of course, we went deep, covered the screensavers,
the real origin story of Digg, the Digg Nation parties at South by the bend you were at
back in the day. Totally. I wasn't expecting him to... He corrected the record. All the previous
Dig founding stories are wrong. I know. Wikipedia is wrong, apparently.
Well, listeners, this episode basically has two chapters. We start in web two and we end in web
three. And obviously, Kevin is super deep on all things crypto, blockchain, NFTs, and he's doing a
really cool thing on the Modern Finance podcast. And he even ends the show with announcing a new thing that he's doing. So stay tuned for that. But I had so much fun this
episode pattern matching everything Kevin learned from Web 2 to the Web 3 world. Okay, listeners,
now is a great time to tell you about longtime friend of the show, ServiceNow. Yes, as you know,
ServiceNow is the AI platform for business transformation,
and they have some new news to share. ServiceNow is introducing AI agents. So only the ServiceNow
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So what are AI agents? AI agents can think, learn, solve problems, and make decisions
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and make work better for everyone. Yep. So learn how you can put AI agents to work for your people
by clicking the link in the show notes or going to servicenow.com slash AI dash agents. All right, two last things. One, as usual, this is not investment advice from
either us or Kevin. Do your own research. Come to your own conclusions on making your own
investments. This is for entertainment and informational purposes only, as usual. Two,
join us in the Acquired Slack, acquired.fm slash slack. We
are nearing the 10,000 person mark. It is a great group and we'd love to have you.
Now, on to our conversation with the one and only Kevin Rose. Kevin Rose, so great to be
talking with you. Yeah, thanks for having me on the show. It's going to be fun.
I think many, many episodes of my teenage years watching Dignation later, I feel probably the
same way a lot of our listeners do when they run into David and I and they're like, Oh my God,
you're like a real human. I feel very, very similarly talking to you today. So thank you
for all the just massive indulgence of nerdery over the years.
Yeah, there is a bunch of nerd stuff there,
a little comedy. Hopefully, I didn't convince you to start drinking at a young age because
we were of legal age, but we did consume beers on each episode.
No, no. I was lucky. I actually started watching you on screensavers when there was no alcohol
involved. That's right.
So back when I was- Tech TV days.
A middle school tech. Yeah, tech TV. Oh, we're going to get into it. Tech TV days. that like? Yeah. My earliest memories, I was born in Redding, California, but I don't remember it.
And then I remember living in Oregon for a bit, which is where I am now in Portland,
but we were living in a little town called Salem. And then when I was in second grade,
we moved out to Las Vegas because there was just work there. That was like a place where my dad
could find a job. And so we moved out there. I kind of grew up thinking it was normal for, you know, 7-Elevens to have slot machines
in them.
Like there was just a lot of things that Vegas does to you.
And, you know, it was one of those things where I got geeky and got into computers and
then quickly realized that the action, you know, really wasn't in Las Vegas.
If you wanted
to be in the hotel industry or work in gaming in some capacity, that was the place to be.
But when I was around 18 or so, I realized, well, I should probably think about moving someplace
else like Silicon Valley or someplace that had a bigger tech scene. I'm super curious. How did you
figure that out? I felt the same way. I grew up in Pennsylvania,
but I had no idea that Silicon Valley existed. What was the process by which you learned that
this was a thing? Because there was the internet, right? But it wasn't obvious in the way it is now.
Yeah. So basically, when you started to get into computers back then, you're right. There wasn't
the internet where you could just go and figure all this stuff out. So I was on bulletin board systems and kind of
dial up. And I remember going into computer stores and buying computer magazines because
that's what we did. To stay up with all the latest trends, you would just buy a magazine
that was about computers, take it home and read about motherboards, right? So I just basically
would hear about these conferences. And there was one called Comdex, which was the
world's largest computer convention. And it was held in Las Vegas. And so I was like,
oh, I got to go to this Comdex thing, right? You're in high school at this point?
Yeah, I was in early high school. And I filled out a Comdex application to go because it was
free. The passes were free, but you had to have a
business. So I just made up a fake business name. I called it Foliage Software. And then I would
apply and I received a badge in the mail. And I was like, okay, I'm going. And I talked my parents
and they drive me down to the convention center. This was before CES or CES was very much, much
smaller back then. And I would go and just walk the aisles and look at all the
different processors and motherboards and video cards and all the crazy... Every big manufacturer
had a block, a display there that you could go and walk up and try out all the new products.
And it was the coolest thing ever.
And this was stuff that hadn't hit the market yet, right?
Hadn't hit the market yet. It was brand new. And that's how I realized that all these companies
were not based here. They were based... Most of them were California, Silicon Valley based. But I was
the youngest kid on the floor. I had to dress up. I put a collared shirt on. And then it was funny
because they noticed a couple of kids started coming and they banned... You had to be at least
16 to get in. And so the next year, I think I was 15. And I was like, oh, how am I going to prove
that I'm 16? I think if someone asked me, I just told them I was 16. I had to have my birth date
memorized for a year earlier. And then the next year, they made it so you had to be 18 to get in.
And I was like, crap. And so they just kept moving the gold line. Yeah, exactly. A fake
idea to get into a computer convention. So anyway, that was the early days.
Oh my gosh. All these silicon companies that were like,
all the companies that were exhibiting at Comdex.
Oh yeah.
Yeah, they're all based out in Silicon Valley.
It was really Silicon Valley,
but they weren't building fabs anymore.
And so they could just move at such a faster pace.
I remember this and it was like all this new product,
all these chips, all these PCI plugins for motherboards.
They were all hitting the
market so fast oh that was awesome it was so exciting when you hear about a new clock speed
come out right like intel would announce something you're like wow a 66 megahertz processor or
you know amd would have out their new chip and then you know you have the weird folks that were
all like the deck alphas like a completely different different RISC versus CISC-based processors
that weren't compatible with Windows.
And they weren't compatible with other things.
You're like, whoa, wait a second.
What's this Unix thing?
And it was just, it was a crazy time.
Okay, so before we move on from Vegas,
obviously you were dyed-in-the-wool computer geek
sneaking into Cobdex.
That's amazing.
Was there anything like sort of presaging
your soon-to to be future career
on in front of the camera? Like, did you do like drama in high school? Like what?
No, I think I was like the most shy kind of kid growing up and just didn't have a ton of friends
in high school. And back then, I don't even know if this holds true today, but back then it was not
cool to be into computers.
And so you got made fun of a lot and didn't have a lot of friends.
We were definitely not the popular kids in school and got picked on.
And so it was not in my DNA to be, I didn't apply to work at Tech TV to be in front of the camera.
I just wanted to be behind the scenes.
And so I was kind of like setting up all the technical demos and if they needed a certain version of Linux installed, I would install that and just making sure that things were moving smoothly in that regard. So it was just by
chance that I ended up on camera. Yeah. Do you remember your break,
like the moment where someone was like, hey, Kevin, you should be on AirTalent?
Yeah. I mean, I had discovered a vulnerability in Windows that was a way to spam people using
this kind of internal messaging tool. And so you could basically just send a message to any IP
address, and Windows would display it on the screen. And while it wasn't necessarily kind of
a vulnerability in the sense of the person wasn't getting hacked, it was definitely a way to spam
people. You could just write a little utility that would just go through IP addresses and deliver little notifications to their desktop.
And so I told the host about it. They're like, well, you figured this out. You should come on
and talk about it. And so they invited me on. Were Lilliport and Patrick Norton hosting at
this point? Exactly. So Lilliport had me next to him and I was so nervous. I was just sweating and
just like, and I went on and I kind of
delivered it and explained it. And the executive producer, Paul Block was like, Hey, I like what
you did there. Like, can you find more weird things to talk about that are not really known?
And I was thinking like, well, I know a lot of these like hacking tools and stuff that I
mess around with at night. Like we could talk more about those types of things. And he was like,
yeah, do more of that. And let's see how you do. And let's have you come on once a week and talk about a certain tool. So, you know, I look
back and kind of cringe at some of that stuff because it was, you could just hear in my voice
and the way I presented, especially in the earlier episodes, I just didn't, it wasn't in my DNA to be
on camera. And actually they sent me to a talent coach that would come in and record you and play back footage with you and make you watch yourself and talk about how you holdotaped. And I think it was like 5k for like
two hours. Like it was this exorbitant corporate markup. And she videotaped me for some of my
talking points and then like made me watch it back while we were sitting there at the table.
And it was the most painful experience. It helps a ton though. I mean, it's a good,
it's a good strategy for sure. Totally. You were the dark tipper on the show, right?
That was the horrible nickname they gave me on the show.
Yeah.
Was that from that first episode?
Did Leo just like riff that?
Like, where did that come from?
Well, we used to have these things called like Windows tips.
And like, it was like a quick check-in.
You're like, okay, when you're doing a segment, so everything in TV is broken into blocks.
And so they'll have like the A block, which is the very beginning of the show, and they
break it down into individual segments.
There's a person keeping kind of a timer on making sure when you're doing live TV, making
sure the blocks don't go too long because it impacts other people's segments.
And it's a very tight, well-oiled machine that has to run perfectly to pull off a live
show.
And so they had these little kickers that they would do.
Like when you finish a block, you bump out to a Windows tip or a little 30 second, 45
second, one minute long max little tip.
And so they're like, okay, well, we're going to do Kevin's going to do tips that are about
the dark side of the internet.
Let's call them dark tips.
And then they call me the dark tipper as a joke.
And then it just kind of like was a funny little thing on the show.
That's so great.
Screed Savers was live in front of a studio audience, right?
Yeah.
Were they like changing over the set while you were doing this on the on the main segment?
Well, the cool thing is that they could have basically because the number of cameras they had and the locations on the set, you didn't have to do a lot of changing because there's always
two locations to shoot. And so you would have like one off to the side and one primary like front location, and then even one of all were in the nook where we took
live calls. So there wasn't a lot of quick set change unless it was like a guest interview.
And that was typically done between commercial breaks. We would go off to a commercial,
you know, you have three minutes and change, and then they'd swap out, roll away the main
center console, and then, you know, put in a couple of chairs, get the guests seated, all the mics checked, all that good stuff.
So it's a crazy thing because weird stuff breaks.
A guest microphone goes out and somebody is running in 30 seconds before you come back
on TV, swapping out mics, and just demos break, computers reboot randomly.
Weird stuff would happen, and you just have to kind of roll with it.
So that's the fun dynamic of live television. David, we're so spoiled with Acquired, like infinite retakes,
just audio. I was literally thinking I'm kind of jealous. Like that must have been such good
trail. Like this explains like why you're so good because you had to just like roll with it.
Whereas, yeah, we just we've been doing this for six years but like we have so many luxuries you know well
there's something nice about just being able to say okay screw it like if i mess up like so be it
and we're done then you're done you know what i mean like with my podcast and stuff that i do now
it's like i'm always going back and you know i'll listen to an episode that i think is really
important i want to make sure the editor got it right and you're like listening to it again you're
like okay we can trim a little bit here and you you know, it's like, you just walked out of the studio and you're
like, okay, we're done for the day onto the next day. So there was nothing you could do when it
goes out. You really can obsess for like a week, like until it is out there. And even after like
you get any feedback that it was actually good, you're like, I just released something awful.
Like this is just, I have this pit and the feeling in my stomach. I wish I had spent more time editing, even though I'm sure I just spent way too much
cognitive load on this.
Yeah.
And you'll, you never know with your guests, right?
Like you'll have a guest and you're like, okay, this is a very important person to have
on the show for X, Y, or Z.
And then you get them on and you're like, so tell me about your background.
And they're like, it was great.
And then they just like, stop talking.
And you're like, oh, come on. Like, I got to pull more out of you. This has to be entertaining. You know,
so it can be challenging, you know, someone doing the interviews to kind of get people to actually
open up. Totally. Well, because we're having that enormous problem here, I'm going to pry even
deeper. Yeah. So you did not move to the Bay Area to work at Tech TV. Was your first job digital marketing for an online furniture
retailer? That's right. Yeah. So basically, there was a company called Next Office that
had hired me to come out and just really track all of their ad campaigns and ad spend. And so
they had a marketing team that was going out and buying banner advertisements. And people would
click on those and eventually
lead all the way down to a checkout. And they wanted to know what the conversion rate was like
and where they should be spending their money. And it wasn't ideal for me, but I knew at that
point, I'm like, I'll take any job that gets me to the Bay Area. What can I do to get me out there?
Because it was the dot-com boom. I was reading about it in magazines and it was a crazy web 1.0 and just insane valuations and parties and just all the madness that you saw
with IPOs. And I was like, I got to get out there. I got to get out there. So I just went online and
posted something on, I think it was monster.com, the jobs board. And Mike Mazur, who later became really good friends,
reached out to me and was like, hey, I think you'd be great for this role. We had a phone
interview and then they flew me out and gave me a job offer and I took it.
Super cool. Do you recall how many years you were on screensavers before the whole G4
seemingly debacle from the outside.
Yeah, it wasn't that long, actually, because I think it was two and a half years that I was at
Tech TV, which at that time, you know, it was the longest job I'd ever had. And it was just,
oh, it was so awesome.
It seemed like it was a special place.
A really special place. The majority of people were in their 20s that kind of like were
around the
set and hanging out. And we would all just party with each other afterwards and go out. And we were
all really close. We were just like a family. And still even today when I see those people,
it felt like a very special time in our lives. And we just had no idea what we were doing,
but also we knew what we wanted to create. And it was a very
creative group of people and the content was good. And Leo was like a great anchor host.
He was a little bit older than us, but kind of brought everything together and
had a great executive producer that was hilarious and fun to work for. And yeah, it was awesome.
But the problem with tech TV is that we weren't as a network really making that much money.
It was Indie, right? It was owned by Paul Allen?
That's right. So Paul Allen owned it and he was pouring a lot of money into it to keep it alive.
And it was an expensive network to operate. I mean, we had hundreds of people.
And eventually they said, okay, I can't keep spending more money here. We need to actually
do something and be acquired. And so G4,
based out of LA, came along and said, we're a video game network. We think this is the future.
We're going to acquire Tech TV more or less for the subs. So they bought Tech TV.
And they also thought there was a very similar audience. And they didn't want to lose that
because we had some shows, a couple of shows, screensavers being one of them,
that were getting decent ratings. So they're like, okay, how can we kind of bring that audience along,
merge it with our video game content? And so that's what happened. They bought us and they
said, okay, by the way, we're going to shut down San Francisco. We're moving folks to LA.
And so they gave me an offer to come down and continue to host the show
down in Los Angeles. And so that's what I did. In retrospect, it seems so obviously silly,
because especially, I mean, even now, but at that point, the Bay Area was the center of
everything that you guys were doing with screensavers to move it down to LA. Because
G4 was owned by Comcast, right? That's right. Yeah. Not to mention just the culture clash.
That must have been rough. They knew it was really rough. And they knew long term that they wanted to morph the screensavers
into another show. And they weren't going to tell us that, but they knew that was the plan.
So when I saw that was happening, that's not what I wanted to be long term. I didn't want to be an
on-air TV person. So for me, the kind of writing was on the wall that I needed to go
do something else and hopefully get back to the Bay Area. And so it led me to write around when
we created Dig. And then also I created a podcasting network called Revision 3 that was
about creating more of that type of content, more geeky style content in podcast format.
Does Revision 3 predate the term podcast?
Yes. Yes. Because we were doing video only and there was no way to do a feed of that. And so Steve Jobs had announced that there was something called podcast that they were going to support
and build that into iTunes. And that's when Alex and I said, okay, let's get together
and do a show
called Dignation because now we have a place to distribute it. At the risk of being way too
far down the rabbit hole of internet nostalgia, I seem to remember an opening jingle from Leo's
shows that was like netcasts you love from people you trust. That's right.
Funny thinking that netcasts almost became the thing.
Yeah, he didn't want to use the word podcast, and I'm not sure why that was. I think that he wanted
to brand it his own thing. And yeah, I don't think he had quite the momentum. It was Adam
Curry that coined the term podcast. And I think that Leo was thinking at the time, and I believe this is
accurate, that he was thinking that it shouldn't be just about Apple and about the iPod, because
that's what podcasts referenced. Because Leo was always a big open source advocate and things like
that. Oh, that's so Leo. That's awesome. So Leo, like how can we make this more broadly applicable? Which, yeah, it makes sense.
But once the kind of snowball of the term podcast grabbed hold, there was no going back.
Yeah, it's like here I own zero iPods and listen to my podcasts on Spotify,
who's actively suing Apple.
Right.
Like it stuck pretty hard.
Yeah, totally.
I always thought a lot of those terms were just hilarious.
Like the iPod, like I,
when you used to put I in front of things,
it meant like internet.
Yeah.
And so I always used to like
to say these things out loud
just to hear how ridiculous they were.
Like sometimes I still tell people
to send me electronic mail
because like that's what E stood for
and anything E, you know,
it's like, it's so funny
when you like actually pronounce them out loud. It's amazing how long these things stick.
Yeah. All right. So thesis with revision three, though, like there's a very clear,
loud part of Twitter today talking about the creator economy and like beating the drum that
this is the next emergent thing. David and I feel like we've sort of experienced it firsthand.
You've been experiencing it through multiple generations of the web. Did you have a thesis in starting that about the web and the internet as this new direct way to reach consumers?
Yeah, absolutely. When we started Revision3, the thinking there was that video was working
online, like it was starting to take off and people could consume and watch video content. The thinking there was that video was working online.
It was starting to take off and people could consume and watch video content.
It was easy to produce on our side. We could have some kind of mid-range cameras and gear and editor that we would just pay
part-time.
We could churn that out.
And if we got enough people interested and excited, there would be brands that wanted
to sponsor it.
And that ended up being true.
And so we had an ad sales team and we had a network of shows.
And Revision 3 grew pretty quickly because people were starting to tune in.
And we found that niche audiences were quite large.
And when they would talk to each other and use the internet to kind of share that this type of content was out there, we didn't have to rely upon these distribution agreements of these big old school television networks to get viewership. And we could actually measure it in a much more accurate way. And so that's what kind of started Revision 3. And yeah, that went on for many years and actually had a great outcome. It was sold to Discovery Networks for $ million. And even though that sounds small these days, at the time it was a big deal.
Yeah.
And it became Discovery Networks' digital arm. Basically, they were all about traditional media.
And so for them to get into digital, this gave them a handful of folks that could come and lead
that effort on the digital side. So it was pretty cool. That's great. And so at what point
did you realize the flywheel effect of having a media stream with Dignation and other ways that
you're reaching people and being the founder of Digg, like having this web 2.0 property?
Yeah, it's a good question. When we started Dignation, we thought of it as a way to... Because we had a
base of people that really loved the dynamic that Alex and I had back when we were hosting
the television show together. So when we started this, we were like, okay, here's a great way for
us to talk about the stuff we would normally be talking about, which is like the geeky news,
our favorite stories. I also happen to have the website dig. And so it's a great way to surface the best stuff for us to be chatting about.
And it became this kind of like, way to engage the community and highlight their names. I had
a top leaderboard back then on dig. And as silly as it sounds like it was, it was really people
love seeing their name in lights like saying like, oh, Kevin and Alex mentioned me on the show.
They mentioned one of the stories that I submitted.
So it just led to more usage of the website.
And yeah, there was this little kind of flywheel that happened.
And then eventually, at some point, Digg became much bigger than Digg Nation.
It was clear that there were so many people listening or watching and reading and consuming Digg.
And Digg Nation still had a pretty niche following of the hardcore original people.
But that was totally fine with us. We were just having fun doing the show.
Dig was reaching, I think, what did it cap out at? Like 38 million monthly uniques?
That's right. Yeah.
Wild. I mean, at that point, that was an enormous audience to be reaching on the web.
Yeah. It was pretty big. It was like top 10 web
property. And it's still pretty big. I would love to have another site that does 38 million
unique. Well, I guess when I say at that time, because Facebook now reaches what,
3 billion monthly active users, I think if I have it right, you were out ahead of Facebook
and Facebook hadn't really started
becoming the juggernaut that it is until the sort of late 2000s. I think that was started in 2004.
But at one point, didn't Mark come visit you when you rolled out the dig button that was like
letting you upvote articles on their websites when they were thinking about the like button
that is now sort of famous and everywhere? Yeah, that's right. Yeah. So we had a common investor, Greylock. And David Z, who was at
Greylock, who was on our board, and also on the board of Facebook, was like, hey, you guys should
get together and did an email introduction. And he's like, this is a company, Facebook. It's like
really taking off. You guys should chat. And it had already taken off and gotten a ton of press.
And so,
yeah, Mark hit me up and he's like, hey, I'll come to the city because he was down in Palo Alto.
And he's like, I'll come to SF and love to see your offices and let's go grab some food. And so he came to the office and we chatted about just what voting meant. For us, it was voting on
content was helping us service the best stuff. And it was feeding back into our algorithm that would eventually recommend similar content
to people that we had this like suggested stories portions where we had a couple.
It was early kind of AI machine learning type stuff that we were applying to articles.
So if you like this, you might also enjoy these articles.
And so, you know, Mark was really interested in that.
And this is before they had the like button.
Pre-news feed, I think even pre-mini feed.
Yeah, I don't remember what was going on at Facebook.
It was locked down to just colleges.
And then they started opening it up.
And that's when I got an account.
But yeah, he was very curious.
And yeah, it was nice.
Mark was a nice guy.
We ended up hanging
out a handful of times and doing a handful of dinners. And he was always just like a very
thoughtful. And even once Facebook took off, it was clear that they were going to be much larger
than Dig. He was always really helpful. He just said, if you ever need anything, shoot me a text. Happy to collaborate in different things.
And he invited us into the early Facebook platform stuff.
So we were like an early partner there when they first launched their platform.
And yeah, I mean, I have nothing but good things to say about how we got to know each other.
Okay, there's one question I got to ask.
So we've seen it.
It's been reported.
But I don't think I've ever heard you talk about it so supposedly the story goes according to the media you were inspired to start dig to like
make the leap and actually start this after you had lunch with somebody is that true are you
talking about commander taco oh no uh the story i heard was you had lunch with Waz. Oh, no. It was not Waz.
No. Oh, interesting. Okay. So this is from the Business Week story. We read the story that was
the famous cover. And they reported there that you were inspired to start Dig because you had
lunch with Waz and you were like, I'm going to go be an entrepreneur.
That's so funny. There's so many different... That's Sarah Lacey that wrote that story. That's
funny. This is the problem. And this is so true with so many different... That's Sarah Lacey that wrote that story. That's funny. Yeah.
This is the problem. And this is so true with so many of my friends' startups. Success has
a thousand founders, like they say, or they used to say a very like a thousand fathers or whatever
it was, but that's like not PC. So there is so many different lore stories or there was even
Wikipedia is completely wrong. So when I look at Wikipedia and the founding stuff there, it's completely wrong.
It's just amazing.
Yeah.
So do you want me to just like cover the quick little?
Actually, yeah, let's do it.
Let's do it.
What is the like non-apocryphal as you remember it, even if it's like a bland, the real, what
happened?
Well, this is the truth.
This is exactly how it went down.
And I don't know that I've ever told the full thing, but I'll just do the quick version
of it.
So basically what happened is there was a site out there called Delicious that was created
by Joshua Schachter that was all about social bookmarking.
And he would bookmark things and he would count the number of bookmarks on things.
And this was one of the very first Web2 properties.
And it would surface interesting bookmarks.
But it wasn't news because people didn't typically bookmark news.
They would bookmark things that they wanted to return to later.
And I would see that.
I was like, wow, it's servicing cool stuff here.
I wonder what this would look like if you applied it to everything.
Okay.
So that was one piece of it.
The other piece of it was that I did have lunch, but it was with Commander Taco, who
is the founder of Slashdot.
Slashdot.
Yeah.
And so he came and he was a guest on the show.
And when I had lunch with him.
And this was on the screensavers?
Yes, but it was down in LA.
Okay.
And so I had lunch with them.
This was 2004 or early, mid 2004.
I asked him where all those user submissions went because Slashdot is great in that it
promotes their favorite stories to the front page and they're all user submitted content,
but you can't see any of it.
So I was like, gosh, there has to be just so many good submitted stories here that they're
just not surfacing.
And I was like, why don't you make it? I literally told him, I was like, why don't you make it so we can see
all the submissions and then we can vote up the best ones? And he's like, nah, I don't want to
do that, blah, blah. That's not the way it works. And so I was like, okay, well, I'm going to go
build this. This is like when Vitalik proposed the idea for a distributed world computer to
David. Oh, it was the colored coins and master coin, the Israel Bitcoin 2.0 projects.
He was like, yo guys, we should just do this all as one master thing. And they're like,
no, we're not going to do that. And he's like, okay, cool. I'm going to go start something new.
Yeah. I mean, that was basically what had happened here with Slashdot. As I said,
well, I'm just going to go start something new then. And then I went out and I kind of
basically just sketched it out. I sketched out what it would look like, what a dig button would feel like, what an
upcoming section would be, where submissions would go, like the whole thing.
I found a freelance developer.
I hired that freelance developer to create the first prototype.
His name was Owen.
It says on the website he was a co-founder.
That's not true.
He was a freelance developer. But he's the
closest thing I had to a co-founder because we were in this together and he built it.
It also says that Jay Adelson was a co-founder. That is not true. I hired Jay to be the CEO
four or five months later. It also says that Ron is a co-founder. Ron was my first technical
backend hire a few months later.
So it's like, and I'm not claiming that these guys claim that. I'm just saying this is the way it was written. So I don't have any ill will against any of these people. But when people see
who the first few people are, they call them all co-founders and all this thing gets written about
who did this and that. And I'm just like, whatever. It's fine with me. I don't care
that Wikipedia never gets corrected, but that is the origin story.
Oh my God. That's so great. so great well it gets so twisted because uh so in the lore out there like having a guest on the show on the screensavers and then that leading to part of dig is out there but
it says that you had jay on the show and then you brought him in but it sounds like no there
was commander taco no jay was was on the screensavers.
And I met Jay through going out.
He was one of the co-founders of a company called Equinix, which was a big data center
company.
Huge.
Yeah, huge.
And so I went out and met him through that.
And then he, about six months into...
Well, he really wanted to do Revision 3.
And he was the first check into revision three to create that content. And so that was awesome that Jay supported us back in that day.
But he told me to get rid of dig. He thought it was a distraction to revision three. And he was
like, oh, you should sell it. Like, dude, just focus on revision three. This is our thing. I
put money into this. Like we need to focus on this. And I was like, Jay, you don't understand. Dig is going to be big. It's growing. We can do both. And so eventually,
about three or four months later, Jay was like, oh, I see. Yeah, it is growing quite a bit.
And I was like, hey, how about I give you some equity? Would you come on and run this? I don't
know anything about raising from venture capitalists. I've never done it before.
You've clearly been down this path. You've taken a company public. You can help out here.
And so we agreed to... I gave him some equity, a few percentage points to the company.
He then built out the right legal folks to work with, brought them on board.
I had formed the company using one of these... There was no Rocket Lawyer at the time,
but it was a Rocket Lawyer- the time, but it was a Rocket
Lawyer-esque type thing. So the docs were all done wrong. I didn't have any board meetings or
meeting notes. And it was all jacked up. So we had to have the docs all redone. And so Jay was
very good at helping correct a lot of my mistakes that I had made early on. But yeah, he didn't
actually come on until six or seven months later after there was some real momentum there. There's a thing that I've referenced and you've
referenced here, which is Web 2.0. What did that mean to you at the time?
I didn't know. I didn't even know what it was called. I literally, Jason Calacanis came up to
me who had run Weblogs Inc, which was Engadget and a bunch of the other sites. He tried to buy
Dig very early on. He saw that it was driving traffic to his sites. And he sat down with me at Sushi in LA.
And this was after Dig started. It was very small. And he's like,
I'll give you a million dollars for this. And then I was like, okay.
Which is a classic lowball.
So J. Cal.
Yeah. Well, honestly, I was like, okay, you know, I came from nothing, man. Like my parents had $0 as did I. And so I was like, yes, let's do that. And he sent me...
And you've just been making a salary at Tech TV, right?
Yeah, exactly.
You didn't have equity in that.
No, I had like $10,000 in savings. And I'd spent a lot of it on building the prototype of Dig.
And my girlfriend was pissed at me for that. And so basically, you know, he came in,
but then there was like, he sent me a term sheet. And it was like, you get
200k upfront. And then if you hit these like, you get 200K up front. And
then if you hit these milestones, you get another 100K here. It was this really complicated... I was
like, I don't like this. We're growing a lot. And so ended up saying no and actually raising money
instead. But he said to me during that lunch, he was like, you're one of the biggest Web 2.0
companies. And literally,
I thought, is there a software I need to upgrade on my servers that makes me Web 2.0?
I was like, there's something I'm not aware of I need to upgrade because I'm not Web 2.0.
I did not do that upgrade. I had never heard that term before.
Which is so fascinating because to me, and maybe it was a couple of years later, Dig was the embodiment of Web 2.0.
It was dynamic content.
It was Ajax.
It was user submitted content.
It was what became social media.
Oh, dude.
After I found out what it was, I was like, of course, I'm Web 2.0.
Yes.
Yes, of course we are.
I invented this stuff. I had no idea what it was.
Well, it's this amazing thing that I think the people who are the deepest
in a thing that's becoming a thing in the world aren't the people who get to name it, which is the most fascinating thing. When we were interviewing Vlad from Webflow, he was like, oh, I found out two years ago that we were a no-code company, but our company is 11 years old, so good to know about this no-code thing. And now, of course, they have embraced it and have the no code conference and all this stuff. It's so cool. I mean, on your show, like you're having
all these awesome NFT artists on, and I feel like that's their story, right? Like that, like people,
like everybody, they're like, yeah, I don't know. Like I'm just making my art.
It is one of those things that almost everyone, a lot of entrepreneurs that I meet,
it's a dirty secret.
It's like you go back and you look at these different covers of magazines and this great success and no one really has a clue that they're ever going to be as big as they become
when you talk to the top companies that are out there.
It's always like, this should exist.
I'm going to go build it.
But 99% of the time, it's quite shocking that it gets as big as...
You don't really plan that.
It was kind of like, I remember when Uber first came out.
It was like, oh, how many people are going to get into other people's strangers' cars?
Oh, I guess it'll work for black cars.
It'll work for black cars.
That's what it'll be.
And that was the launch.
The plan was like black car service, like with an app.
Like never did the founders ever dream it was going to be applied to a random Toyota Corolla.
You know, like it just, that was never imagined that you would feel comfortable.
Well, you must've known Garrett from this whole era, right?
Garrett and I were really good friends and he had created StumbleUpon and we didn't see
each other as competitive really.
So we had always go, Garrett and I just like, we're really close in the web 2.0 days.
And we would just go have beers
all the time and talk about features and building out some of this stuff. But then, yeah, I later
ended up dating his ex-girlfriend and then we kind of had a little that didn't go over so well.
But we're cool now.
That's why JCal invested in Uber and Angel invested in Uber and you didn't?
That would be a big reason why I didn't invest in Uber.
But we're good now. It's like the dumb shit you do in your 20s you know it's like it was it was such a small thing though like you gotta remember that web 2.0 and you know this whole
world it really isn't as big as startup scene as it is today and so when we would go meet up at a
bar we say okay okay fly bar and divisadero and SF. Let's go hang out. Let's grab some beers. It was easy to grab Garrett from StumbleUpon and
get Josh Schecter from Delicious to show up to something or Ev from Twitter or whatever.
We would just all hang. So it wasn't like we never knew that these projects were going to
be that big. We were just having fun building software.
Meanwhile, let me just insert a midpoint.
So today, tech is like the five biggest companies in the world.
And Kevin, you're describing this era where basically all the people that run a lot of
those big companies or started them or were involved in the founding or were angel investors
are hanging out getting beers.
There's this interesting midpoint that I remember viscerally where I went to South by Southwest and
I want to say 2011 and you and Alex were doing a live dig nation at Stubbs barbecue, huge sort of
like outdoor, like great barbecue, but like concert venue and 4,000 people. It was huge.
And I'm pretty sure after you did the show,
the Foo Fighters played.
Was it the Foo Fighters?
I think,
no,
it was a big band though.
I can't,
was it the Foo Fighters?
I don't,
I wasn't a fan of the Foo Fighters.
So maybe it was,
but I remember there was a big band we had play one year that I was just
kind of like,
I don't know.
I wasn't a huge fan and everyone thought it was a big deal.
And then we had the Walkman play another year, which I was a huge fan of.
And so that was awesome.
I stuck around for that one.
I was like, oh, this is really cool.
Well, that was the cool thing about South by right is you had these big bands coming in because they would play music the next week.
And they'd come into town early and it was easy to book someone. Like I remember Snoop Dogg was going and doing different South by things because he was going to be out there anyway for the following music week or whatever. So it was easy to get a big name to come play your little gathering.
That makes sense.
Podcast live show. of me feeling like as someone who was totally following this all from the outside, because I
was in high school and early college in like 05 to 09 and feeling like there's a bunch of insiders
and I'm not part of the insiders, but they're spitting distance away where when I grow up,
I want to be like one of them. That Dignation moment where I was looking around at South By,
I was like, oh, this is pretty mainstream. This has become a part of culture.
Dude, it shocked us all. Literally, we booked that venue. And I'm like, I hope it looks like
there's enough people here. Otherwise, this is gonna be a little awkward. We had no idea
that that many people would show up. And it was crazy because I brought my dad out to that show. And my dad had really no clue.
I mean, he had seen that we did these live Dignations.
And I kind of hid it from him because he didn't like me swearing a lot, even though he swore.
So it was just like, I think he'd be cool with it today if he was still around.
But anyway, he saw that show and saw all those people.
And then when we left the venue,
all these people were back in the day trying to come up and get my autograph and all that stuff.
And they followed me out to the car that we were getting into, which was just crazy because I was
like a geek and to have that kind of treatment was odd. But my dad saw that and my dad was just
blown away. And he ended up passing away two years later. I remember just
being like, you know, it was a special moment for me because we didn't have a whole lot growing up.
And my dad was really proud. I'm just really glad I had that. Because I didn't, I didn't,
I bet I decided to fly him out. I didn't know whether I should or not. And I was like, okay,
I should fly my dad out because he should be part of this. And it was just like, it was the right call. Those are very special moments for me,
for sure. I bet. There's an interesting looking backwards moment there where that probably applies
universally. It's almost always the right call. If you're like, should I do something that
overextends myself financially or is an inconvenience or something to have a family
member come see something that could be special, it's almost always the right thing to say yes.
Yeah. And experiences, I would say, are definitely the number one thing to invest in. They're the
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Well, gosh, I could do this absolutely forever. I do want to talk about some Web3 stuff.
And I want to make the point, and I think we have a little interlude in the middle where I want to
talk about before you became MoFi Kevin, but after Dig, there's some interesting chapters in to be a lot of real genuine information sharing
and just belief in a common purpose, even though everyone kind of interprets the purpose differently.
Does it feel like that to you too? It does. Yeah. I would say this is the first time
since Web 2 where I've felt that type of connection and camaraderie around a new technology that the mainstream has yet to
embrace, is starting to embrace, but is yet to embrace. And we're all early and we all see it
and we all believe in it. And it's just a matter of time. Time creates confidence.
It's interesting you feel like it's the first time since then, because you look at all these theoretical waves since then that the media and VCs were calling the next big thing,
some of which have been machine learning is a reasonable one. Obviously, there was the mobile
wave after the social wave. But the mobile wave felt like a land grab. It was very obvious. The
mobile wave was something where when the iPhone came out, everyone's like,
oh, of course, this is going to be huge.
There was no doubt, you know, and it hit consumers hands immediately.
Right.
And so there was none of this.
You have to believe it just it was a given.
Well, it was also just it was an expansion of the existing Web 2.0 market.
Really?
Right.
Like Instagram was Flickr, right? Like WhatsApp was, you know, aim. just it was an expansion of the existing web 2.0 market really right like instagram was flicker
right like whatsapp was you know aim like it's not uh the analogies were one-to-one right and
then and then the big players were like okay we'll just make apps like facebook made a mobile app and
like twitter made a mobile app and like that was just an easy kind of transition for them
and and web 3 is very much like web 2 when When Web2 first came out, people were like,
I don't know if this is going to be big. What are these social network things about?
Am I really going to show people what I'm into by voting on things? There was a lot of like,
just I don't know that I believe this to be true. And that's the same thing that's happening in Web3
now. Like, is this crypto thing real? Is it really going to scale? Are these NFTs really
collectible? Is it just people making up stuff?
And there's a lot of doubt there.
So that's the kind of excitement.
Because I love...
There's an excitement that you get when you see something early that you believe to be
true, but everyone else disagrees with you.
That's always kind of fun.
And there's so many more entrepreneurs, like we said, NFT artists, entrepreneurs,
DeFi projects, where they're building stuff because they're like, oh, I'm in this community, this needs to exist, right? Not like, hey,
I've got this business plan. And there's this obvious, you know, seem I'm gonna go attack.
It's true where I'm a partner over there, we don't invest in business plans, we sit down with
an entrepreneur, we listen to their idea, we want it to be new, novel, exciting. And if it works,
it should be massive. And that's what we get excited about. We want it to be new, novel, exciting. And if it works, it should be massive. And that's what
we get excited about. We want to back incredible people building very ambitious things.
Okay. So let's talk about during this transitionary period, what was your journey in
crypto? When did you first hear about it? When did you buy your first Bitcoin? How did we go from
the end of Dig to MoFi?
It's a great question. I'd have to go back and search Twitter. I think I first tweeted
about Bitcoin in 2012. Have you ever searched your Gmail to try and figure out... You can use
the before search operator. This is kind of a fun thing to do. It's like open your personal Gmail,
search Bitcoin or crypto, and figure out what the very first mention of it is in an email exchange.
Oh, that's interesting. The question is, yeah, I guess I would have had that in,
I never even thought to do that. I mean, can we stop down for a second while I do that real quick?
Yeah, let's do it.
Let's see here. So the first email I have about Bitcoin is June 12th of 2011. And it's an angel investor business plan,
Andre from Canada, says he likes Dignation and Foundation and wanted to tell me about this idea
around Bitcoin. That is the first time that I actually see it mentioned in my inbox. And then the first Coinbase transaction I have is from...
Okay, yeah.
So apparently I tweeted out my Coinbase link to get referrals
and they were sending me on Tuesday, August 14th of 2012.
I started receiving a 10th of a Bitcoin, 0.1 Bitcoin.
Oh my God.
Which it says, this is what it says.
Hi, Kevin Rose.
Coinbase has sent you 0.10 BTC worth $1.13 USD using Coinbase.
Hell yeah.
Congratulations, your friend.
And there's email address has verified their account on Coinbase.
We've credited you 0.1 BTC, your friend. And there's email address has verified their account on Coinbase.
We've credited you 0.1 BTC to your account.
And so I was started getting a quarter of a Bitcoin.
And then I have just like dozens and dozens of those emails worth $1.16.
It was a quarter.
So yeah, Bitcoin was pretty cheap back then.
So that means that I had a Coinbase account back in mid 2012.
Okay, awesome.
We're gonna get back to Coinbase in one sec,
but we gotta have one little digression.
You mentioned Foundation.
It's Trent Reznor, right?
Is the music in the beginning.
Yeah, yeah, the starting music on Foundation.
Yeah, that's another little show I did
where I interviewed entrepreneurs.
Okay, how did you get Trent Reznor music?
Well, he released that as a complete open
source and he got rid of all the rights. All the stems, right? Even the tracks. So he had one album
where he just released the entire thing to be used for any purpose. And we were doing, I don't know
if he had commercial rights. I don't think he would have said commercial rights in there, but
we were non-commercial. We weren't putting any ads in or anything. So we use that. I had a chance to go and visit Trent at his house because we had him on for, we used to do these before they were asked
me anything. So we did these things called dig dialogues where people could vote up their
favorite questions for people to ask. And so we had the community vote up their top questions for
Trent Reznor. And then I went and interviewed Trent and that was a ton of fun. Oh, that's so
awesome. I like love searching old tweets and old emails, as you can tell.
In preparing for this episode, I think the first time I tweeted about Dig was a link
to the Dig dialogue with you and Trent.
Oh, that's awesome.
Yeah, that was so much fun to do that show with him.
His house is crazy.
He's like the most rock star, coolest house ever.
It's all dark and leathery and cool looking dogs. Everything about his house is cool. He's such a pure artist.
Yeah. Well, it's crazy. We were chatting and we were talking about all this different stuff and
we were walking out and he's like, do you want to see my recording studio? Because he's got one in
his house. You're like, nah, I got to go. gotta go yeah yeah exactly like in my mind i'm like you don't understand like my high school years were all
about nine inch nails and like some that was my favorite music and and so i was like that kind of
nonchalantly i was like it's like yeah yeah you've got time i'll check out your recording studio
and so we like just walk down there and it's exactly what you'd expect it's like you walk
into this room it's all soundproofed and it's like racks of old analog equipment with like wires going between them like a mad scientist
like room to be a fly on the wall in this room it's just so cool like he's creating all this
music with real analog electric signals running through. Yeah.
Which is how all those guys used to do it.
Like Fatboy Slim and like there are a bunch of great documentaries out there about it.
That era now where like it wasn't, it was digital, but it wasn't like, like the source
was analog.
Right.
Exactly.
I love it.
All right, Kevin, bringing us back.
I found your first three tweets with Bitcoin in it.
In June 2011, you tweeted, testing out Bitcoin.
Can someone send a couple cents to this address?
Thanks.
And then you have a wallet address.
Yeah, that address I lost the keys for.
So you can look up that wallet address.
And I think there's over a Bitcoin in there or something like that.
So there's like, whatever the prices are, lost 50 grand or something.
You and everyone else, man.
Yeah, I'll never recover that. If you pull up that tweet,
please do not send any more Bitcoin in that direction.
Second one, for those asking about Bitcoin, this is also in June.
More info here. We use coins.com. Still haven't gotten any coins. Must be doing something wrong.
I started mining, I think, back then.
Oh. And then here it is, the big one, 2012.
Playing around with Coinbase, a new startup that hosts your Bitcoin wallet.
Check it.
Yeah.
So that I was...
Brian, I had him on Foundation, Armstrong, the founder.
And I saw him at Demo Day at YC.
And I told him I wanted to invest.
And I was investing at Google Ventures at the time.
And so I was a partner over Google Ventures. I brought that to the Google Ventures team.
I won't call out any partner in particular, but let's just say one partner who I absolutely adore,
and I'm not going to call them out, but if you hear this, I adore you, called it Tulips.
And basically said that we can't... The fear, and this is a valid fear back then,
so I'm not slamming this person. You have Google Corporate's money. What if you invest Google
Corporate's money into something that becomes or is called a scam later down the road? That does
not look good for Google. Ooh, this is like a great argument against corporate venture because that is basically what venture capital needs to do in consumer.
Right. So it's okay. I ended up investing in Coinbase a little bit later personally.
It all worked out. But Brian's an awesome human. We got him some great early exposure through that
foundation. And I just am delighted that we helped get that company off the ground because I know
that foundation episode, he told me later, really recently, maybe three or four months ago,
he told me that people still refer to that foundation episode where he was on as the
first time they actually got into crypto.
So we got a lot of people on board into cryptocurrency with that.
And at the end of the day, that is the thing that gets me excited about doing the foundation
podcasts, about doing podcasts around finance. The reason I don't take sponsors and I don't try to monetize this stuff
is that's not what it's about for me at this point in the stage of my career. It's about getting more
people on board and excited about these new and upcoming technologies and hopefully helping them
avoid a lot of the crap that's out there. Because anytime there's money involved, there's people
that are trying to scam and take advantage of others. And I want to put out content
because there's a lot of that other content out there. There's a lot of people on crypto Twitter,
not the groups that I run in. But if you just go a layer or two deeper, you'll see so much
shilling and flipping and trying to pump and dump. And that's the stuff we need to get rid of. Do you have any hot takes on something that has a large user base, but you feel is pretty scammy?
Well, I would say that it depends on what the goal of the project is. There's a lot of
knockoff projects that happen. Dogecoin, for example, when it first got started,
I had Jackson Palmer, the founder on my podcast as well on Foundation. knockoff projects that happen. Dogecoin, for example, when it first got started,
I had Jackson Palmer, the founder on my podcast as well on Foundation. And it was meant to be a cryptocurrency that could be used as a way to more or less give away for good deeds.
So people were using it to kind of tip. There was all these Dogecoin tipping bots on Reddit.
Vitalik got a ton of Doge.
Yeah. I mean, people were like back in the Reddit days of when Doge first launched,
people were using the tip bots and they would send, you know, a thousand Doge here,
like 2000 here. Oh, that was a great comment. Here's 50 Doge. And so that's why the supply
was so large is they, he wanted to create this enormous supply so it wouldn't be hoarded.
And it would just be thought of this fun thing
to kind of like create this little tipping economy.
And I thought that was a really cool idea
and one that was worth playing around with.
Now, there is a lot of knockoffs and clones of that
with not the intention of pushing technology forward
in any meaningful way, but with just the intention of pushing technology forward in any meaningful way, but with just the
intention of price appreciation because they want to jump on, ride it, sell it, make money,
and rinse and repeat. And you see that happening over and over. So those are the projects that I
think are to be avoided. I certainly believe that Doge did not have that intent. I know that they didn't have
that intention when they launched. It was not a pump and dump scheme. It was just like,
let's have fun with this and see where it takes us. And that was the thinking there.
It makes total sense. I mean, anytime there's a new paradigm or a new opportunity,
let's just phrase it as new paradigm. Everyone's mindset has to shift to become a believer in the new thing. Look at Web 2. The easiest thing to do
would be to say, no, why would I submit stories that other people could see?
Or even worse, I mean, I remember my parents, Ben, I'm sure you remember this being like,
don't put your personal information on the internet. Don't join Facebook.
Which it turns out may actually be pretty good advice. I should be more succinct. Anytime there's a paradigm shift, it requires a leap of faith to
become a true believer in the new thing. And the earliest people that have to do that, there's the
most upside for them because they get to be early to that thing, which could accrue them reputation
or actual shares in whatever the new thing is, but it requires that leap. And so it's really easy
when you are someone who's looking around and seeing other people become awakened to this new
thing to have some shyster convince you that, oh, you should just become awakened to my new thing
too. That looks a lot like the legit awakening that's going on with other people that's paying
big dividends for them. Right. And I get that. I think that you have to ask your question, and this is happening in the
NFT space as well. You have to ask the question, what are the real motivations of this project?
And so I will certainly miss some things that start off as a joke and eventually have real
legs to them and evolve into a place where they are
innovating in some interesting capacity that means multi-billion dollar kind of ideas out of a joke,
right? Like that will happen. Communities will form and they will evolve and make something that
is more than just that initial kind of hype cycle that happens, we see a lot of. But for me, when I evaluate new
cryptocurrency projects, I always look through the lens of, one, is there a use case here that
needs to be solved that this company is going out and solving? Is it a credible team behind it?
And is there a discussion of price appreciation? Is that the main topic? Because the easiest way to see through a
scam is to look, what are people talking about? Are people talking about the mooning of the coin,
the price going up? Or are they talking about why the underlying technology and what is being built
is so important for the future of the world? And if the conversation is around making money,
there's a good chance you're in something that is going to be some
type of pump and dump or eventually just has the bottom fall out from underneath it.
So that's how I try to evaluate things. And it's a part of why I want to start focusing
and having more NFT related content is because there's a lot of that happening in the NFT spaces
as well now is like anyone armed with Photoshop can instantly churn out 10,000
characters with
different glasses and hats and goggles and all that other stuff, right? And people, they call
it aping into something where you just kind of go all in. People see this and they ape into something
and a community can be built around that and you can have some serious growth there.
But I worry about the long-term durability of
these projects. Is there going to be so many of them that they just seem all like kind of
copycats and clones? And so for me, that means I'm very selective about which investments I
place there. And I do consider them investments. You're talking about when you personally buy an
NFT. Right, exactly. An NFT or a cryptocurrency. But when I personally buy an NFT, I'll say,
first and foremost, what's the price point? The price point is hundreds of dollars. And it's
something that you could afford to lose if you had to. Then I want to love the art. I bought
some Cool Cats a few weeks ago. It wasn't because I thought Cool Cats were going to be the next
Crypto Punks. I just thought they were cute little characters. And I like to swap out my
avatar from time to time, right? And they had a great community that was following them. And they
had plans to launch other little cool cats related things. And I'm like, this is a fun little
community. And so that is why I went in and bought a few of them at lower prices. And I'm okay with
losing that money because there's no money to be lost. I'll always consider them fun little things that I can put in a digital frame or have them up around my
house. And it kind of marks a moment in time of when I thought that was cool, right? So that's
fine. Now, when it comes to spending like real dollars and like actually making an investment,
then I'm looking for more blue chip related stuff. And so that is, in my mind, projects that are not clones, but that were actually the first at something like, you know,
the first fully on chain generative artwork, or, you know, CryptoPunks defining the ERC 721
standard and being the first to kind of put that out there. Those are the projects I look at and
saying, those will always historically look back and
say those were important for this space if you believe in the NFT space.
And I think they will have long-term collectability and durability from a price standpoint.
So that's how I look at it when I'm buying those things.
It's funny.
Implicit in what you're saying is the very same reason why the founders of some new groundbreaking consumer thing always have
way more upside than any investors or anyone who comes later. It's because they were true
believers in the thing for the value of the thing even before it had any notion of being an
investment. That's right. And that's why oftentimes anybody who's seeing a trend and saying, oh,
I got to get in on that,
and they develop their business plan just to use the same parlance that we used earlier.
That's why there's always less opportunity there than for that initial core community where there's
a lot of heat. Right. It also strikes me like, man, the parallels to modern art, right? Anybody
can make a knockoff painting of a Campbell soup can
or Marilyn Monroe, right? But nobody was doing that before Andy Warhol. It's just such an obvious
analogy here. Yeah. I mean, there's things on the NFT side that are first. There's certainly
some of the programmability that you can do on NFTs and what's coming there is really interesting.
There are going to be new genres of art that are
created, which is a very exciting thing. I mean, this idea of generative art, like what's happening
with art blocks and that the user doesn't know what they're going to receive when they make a
purchase for the first time. And that transaction hash is used as part of and fed into the algorithm
that actually generates the art. I mean, that has never really
been done before in a way that we could capture it and hold on to it. I mean, it could have been
prototyped and done in a way that could be displayed a decade ago, but there was no way
to prove ownership. And so, yeah, there's some really cool things that I'm just seeing.
And I'm excited for the depth that is going to be coming to NFTs rather than it just being about a
place to mint a JPEG or a GIF. It's going to be, or I guess it's called GIF. I always get
corrected when I say that. Oh no, it's GIF. It's GIF. It's GIF. It's actually GIF.
We had a whole debate on this. I know technically, but like...
The developers that created it say it's GIF, like the peanut butter.
The community has wrest rested control of this. Yeah, it's crazy. But anyway, yeah, so there's some really cool new thinking there that I'm
excited to hopefully invest in. Were you into art before NFTs?
Yeah, I have been for quite some time. Not in a deep way, but it's something that
as someone that has built a bunch of projects, I've always kind of been a usability, a feature,
and a branding kind of person. So everything that I've created has always been the names that I've
come up with, logos, things like that. I always work very closely with designers on iterating and
kind of refining. And so I'm someone that can appreciate it. And, you know, I've always been a big fan of certain artists.
But yeah, this is just like a whole new level.
These new digital first NFT artists like Xcopy and some of the people that are just doing
really bold, fun things.
I just get really excited about.
I didn't realize it until now, but you're kind of the perfect person to really understand
a lot of the value with NFTs, because in a lot of ways, you're an artist yourself. You look at a lot of the products
you've built that have always had really strong design sensibility or literally been in things
like watches or, I mean, even the more recent apps you've built with fasting and it's called Oak,
right? Yes. Oak, that meditation app.
Yeah. It's very clear that you have a strong point of view on how something
should look and feel and be as an object to use. And also you have this great investing lens at
True and formerly at Google Ventures and doing all these incredible angel investments, having
been a founder. And so it really is this fascinating sort of convergence of art and
investing and the internet that is kind of
like this Kevin Rose stew. I like that stew. It's a good stew.
That's a great way to describe it. Yeah, those are all the things that I care about. And for me,
that's what makes doing these types of podcasts just a lot of fun. That's why I want to produce
more of this type of content. I love chatting with these artists and these founders and these
creatives that are doing new and exciting things and bringing that awareness to other people.
So I'm curious about that. How'd you get hooked up with True? Did you know Om from the...
I knew Om from back in the day. Yeah. And he used to cover Dig a lot when he was a writer.
But True had actually backed and invested in my company Milk that I sold to Google Ventures. Then they went on to back
Hodinkee and Xero. And so they've backed several of my companies. And so I just met them and just
fell in love with the people there. I mean, they have a fantastic team of very low ego folks.
I love everyone at True. Anyone that I've worked with, I always walk away feeling like,
oh, that person has the longest view in the room
to use a Sam Hinckley parlance of caring deeply about relationships above all else.
I mean, that's it exactly. There are such long-term, long-view kind of investors.
We pride ourselves in trying to take all the pressure off the entrepreneur. We backed Matt
Molenweg from WordPress 15 years ago, and we still have a board
seat and we still have stock and we're not saying, hey, you have to go IPO or you have to sell.
That's not in our DNA. We want entrepreneurs to... It's their baby. It's their company.
They invite us in for the ride. So it's like, who are we to go and try and force outcomes and do all
the mean, nasty things you read that other VCs can and have done in the past. And so I realized that working with True early on, when I was going to
sell to Google, it was going to make a tiny bit of money for the investors, but not world-changing
money. And the partner I was working with was like, Kevin, this is your company. Do whatever
you want, man. If you want to go sell it, then sell it. If you think the time is right, make it happen. And so it was just that kind of like, it just makes me, as an entrepreneur,
you have so many things that you're trying to juggle on your head and wrestle with. And just
knowing that your investors is not one of them is one of the reasons why I was attracted. I said,
I have to work with this group. And so, yeah, that's how we got hooked up.
And you initially became a venture partner, right? And then transitioned into a full-time partner role. Yeah, it was a venture partner. So I was still building stuff. I built Zero and
then we decided to bring that and Mike Mazur took that over as CEO and then we funded it True.
Wait, Mike Mazur, your first boss? Mike Mazur, the dude who hired you?
Yeah. That's awesome.
Yeah. Mike and I just remained friends for a long time. So I hired him to work for me at Dig. He first hired me. Then he left the office company, went and started
working in electronic arts, was a VP over there, left EA, was a VP at AOL for a while, left there.
And then I hired him to run marketing and BD at Dig.
Wow.
And then eventually, he's the one that got me into fasting because he had a bout with
really serious stage four cancer that he beat back and went into remission.
And in conjunction with chemotherapy, he also implemented fasting. So he's a big believer.
And so he took it over as CEO.
That's so cool.
Oh, that's awesome. Okay. So how did you make that call of
sitting in that emotionally of, I'm a venture partner, so I'm helping to bring great entrepreneurs
to the firm. It gives me lots of flexibility where I'm not... Were you sitting on boards at that
point? No.
So you have time to sort of tinker and explore and start things and build and do media and
transitioning into that full-time partner role to have investing be your day job.
How did you make that call and how has that felt?
Yeah.
Well, I will say I was sitting on boards just not related to True.
So I was on the board of Hodinkee and Harlan Estate and the Tony Hawk Foundation and a
few other things.
But it was one of these things where building is a lot of work and it just, it is one of those things that you have to kind of
go all in and give it your all. And so for me, we had just had our first kid and I was just at
this point in my life where I realized that I didn't want to go and do another startup.
So that's kind of the venture role thing is like, you're trying to figure it out. You're like, should I do another startup?
Should we, should they fund me again? Should I go into this? And, and I thought, you know,
I want to optimize quality of life a little bit more. And so I was like, you know what,
I think I'm going to come on. And if they'd had me, I'd be an investor there. And they were like,
yes, hell yeah, let's make it happen. And so I joined full-time a couple of years ago and have been doing deals ever since.
That's really cool.
Are you looking at crypto stuff in particular?
Yeah, I would say that 95% of my day job is evaluating cryptocurrency or blockchain-related
companies along with NFT NFT related stuff. So,
you know, we've probably deployed, if I had to guess, probably 75 million this year into
blockchain related startups. Wow. So it's a decent chunk. We have a 750 ish million dollar fund. So
it's a big chunk of our fund. Yeah, 10% of a fund in a particular industry is pretty heavy.
Yeah, I mean, it's pretty well diversified in that that spreads across a whole slew of different protocols and coins and DeFi
and scaling solutions and NFT projects and a bunch of different things there. But yeah,
we're firm believers in the future of blockchain. There's no doubt that this technology is going to
change everything, especially the financial and collectibles world, and gaming as well.
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slash acquired. Okay, so this brings us to, I think the perfect place to start to wrap here is,
you know, M obviously i mean i think
you've explained throughout the whole thing why you're doing it this whole conversation
where does it go from here you know you could just keep doing what you're doing
and it would be great it's got magic it's wonderful but it's also like it's all about
crypto and web3 and it feels like there's also so much more that what used to be social media
can become
in a Web3 world.
How are you thinking about it?
You could have a DAO.
You could be doing all sorts of stuff.
Yeah, it's a good question.
And I think that I'm starting to see two individual worlds starting to separate a bit. So in some sense, you have traditional cryptocurrency
scaling solutions and DeFi in one bucket, and then you have all the craziness that's happening
with NFTs in another bucket. So I'm actually going to be launching a new podcast, if I don't
already have enough podcasts, that is dedicated to all things NFTs. So just NFT content.
Awesome.
Yeah, it's going to be called Proof.
So it's proof.xyz is the domain name.
It's a great domain.
Oh, that's awesome.
Thank you.
Yeah, so I'm excited.
Proof is going to be just going really deep
on all things NFTs,
and that will cover everything
from the art and programmable side of things
to the generative side, to tokens that cover DAOs and what DAOs are doing to the gaming world and how NFTs unlock different assets and how people are buying virtual land as NFTs.
We'll just cover it all there.
Yeah.
And then Modern Finance, the podcast, we'll still do on occasion a little really important piece on NFT. So the people that listen to that
won't miss out on the big, deeper peoples of the world or when you have someone really big on that
you want to get out there. But that will focus more on everything that's happening on DeFi and
scaling and new coins and that world. So I just was getting a lot of... There was two camps.
There's people saying, give me more NFT content.
And then there's the other camp being like, hey, get back to some of that crypto stuff
that we miss.
And I'm like, I can't please everybody.
So I got to break it.
It's funny.
We're getting that unacquired a little bit of like, hey, give me more of that, you know,
Atari, like the classic tech history, or even just, you know, non-crypto stuff.
And people are like, give me more crypto stuff.
Yeah.
So it's, you know what I'm talking about. You can't please everybody. So for me,
it's just easy to carve out a separate feed and say, listen, the best of the best from Proof,
like the big names will always make it to the main Modern Finance podcast. But if you want to
hear about the new and upcoming artists that hasn't broken out yet, but I think is really
cool because they're doing something unique and novel, you're going to find it on the Proof
podcast. So it should be fun. Okay. So nerd out a little bit. What's
your strategy for launching? Are you going to do the first couple episodes of Proof
in the MoFi feed and then spin it out? Yeah. Most likely what I'm going to do
is make an announcement. I have the CEO of SuperRare, which is one of the big NFT platforms
that I just recorded. I'll announce it at the beginning of
that episode when we drop it on MoFi and then people can go subscribe. I'll probably backdate
and put all of the NFT content that we have in MoFi into the new feed. So if you come into that
feed, people can always jump back in time and say, oh, I want to listen to that interview with
Snowfro, the founder of Artblocks. And they'll be able to jump back and hear that or hear when
I interviewed the founder of CryptoPunks or whatever it may be.
So it'll be pre-populated with probably five or six episodes. And then I'll start releasing
a new NFT episode, hopefully every week to week and a half. And I would say probably one a month
or so of those will make it to the main Modern Finance feed. And if you subscribe to both,
you'll know you're like, oh, I already listened to that one. I don't need to click it on MoFi. But then MoFi
will be more just like big name people in the crypto industry, both in terms of creators and
then people that are analyzing it and where it's going. And so I want, you know, talking through
where DeFi is, how it's evolving and some of the new and interesting projects and more of that.
So yeah, it's going to be a lot of work, but this is the stuff I love to do. Cause I feel like
both of these industries are filled with confusion, confusion and a lot of hype and a lot of,
you know, back in the, remember the ICO world a few years ago, there was so many scammy projects
there. And it's like, I hope that people can come in and know to trust me that I would not
want to promote something that, that is a scam or that is just there for the hype.
But actually, I'll always call out why they're on the show and why I think it's worth covering.
So it won't be everything.
It'll be a subset of what's out there.
I'm so glad you're doing this because I would say I've been a latecomer in almost everything
in crypto.
But I guess in some ways, all of us who
are currently participating in the ecosystem are early adopters because there's going to be 10 to
100x more people after us. But I would say it took me listening to the Beeple episode and-
Which is so good, by the way. Oh, thank you.
Oh my God. Beeple, what a character. I love that guy.
I just want his accent. I I want his like manner of speech.
It's so fun.
Oh my God.
He's the best.
He's hilarious.
I mean, you couldn't, it couldn't have happened to a nicer, crazier dude.
Truly.
But it took me listening to that and several other of your NFT episodes for it to kind
of click.
When NFTs first started becoming buzzy, I was definitely one of those people that was
like, uh, the whole point of digital art
is that it's infinitely reproducible.
And like, why would I pay for something?
I can view on Instagram.
I was definitely one of those people.
And I think it took me till hearing people,
first of all, learning about the artists behind the art
is actually the value.
Feeling close to those artists
and why they're doing what they're doing,
that is the reason to buy it, at least in my opinion. And sure, it's cool and it's fun to
look at, but it was also the realization that he brought up of people aren't buying NFTs.
People finally have a vehicle to value digital artwork. And digital art has been a thing for
10, 15, 20 years in kind of in this format, but
there's been no incentive to make it since it's just infinitely replicable and easy to
rip off.
And finally, now there's like an incentive for artists to make incredibly cool stuff
and rare stuff in a way that is totally driving the level of creativity and innovation here
because there is actually now an incentive
for it. Yeah. There's so many pieces that unpack. That is a major one. You nailed it.
But then there's also just imagine... Sadly, you say I'm a little older than you guys. You
guys are old too. Oh, yeah. We know.
There is a younger generation that grew up skinning their characters in games and are
so used to purchasing and holding virtual objects and virtual goods.
There was a survey that was done that there is a very large subset of gamers that consider,
it was like more than 50%.
It was something really scary.
They consider their online identity in their games to be more important than their offline,
like in-person identity.
Wow.
And so you have this world...
Which actually makes total sense when you think about it.
It makes total sense. And you have this world of people that have grown up digitally native
that say, I want to be able to show my friends something cool on my phone that I own.
And when they get older, they're going to say, or flip it up on my wall and have it as something I can show my wall. And guess what?
If the house burns down, I don't lose my painting. Or I don't have to worry. For me,
I think about when my kids walk by something, I don't have to worry about them taking a marker
to it. It's like, there's just so many beautiful aspects to the portability and how you can
showcase your favorite pieces of art,
and also just how you can unlock the potential. When they're programmable,
what if my art changes over time and the artist bakes in certain things that unlock it the longer
I own it? Some of that is just so cool. So there's so many aspects to this ecosystem that
what NFTs brings to the table that you can't have with traditional
art that I think are going to take another decade or so for people to really wrap their head around.
Do you know that back in the day, so when people moved from when Canvas was created,
do you know that there was a huge blowback on it?
No.
Yeah, there's a huge blowback on Canvas because everything was painted on walls or on these like
wooden-
Yeah, fres's a huge blowback on canvas because everything was painted on walls or on these like wooden frescoes. Yeah. So to move to canvas, many people thought during that time, it's portable. Why wouldn't you want something permanent? It's like it can be taken and copied. Like there was all these like worries around moving. lot of canvas art was actually worth less than things that were actually in a more permanent,
you know, on the wood or on the wall. So it was just like this transition that happened and it
took a while for people to finally adopt canvas. That's amazing.
I just thought that was a hilarious story. And like the same thing's happening here, you know?
Oh man, that's so cool.
I just love that like there's something really cool about being able to walk into a gallery
or bar or wherever you are,
see something on the wall and being like, wow, that artist really connects with me.
Oh, it's $700 worth of ETH. Scan a code. It transfers to your wallet. It disappears from
the wall. Something else appears there. And now you own it. That's freaking cool.
That is going to happen.
Well, okay.
Thinking here about the future of MoFi, Kevin, you're too much of a tinkerer to just let
it be that the final form of MoFi is like, I record an MP3 and then I toss it into some
podcast players.
So like, is there an on-chain version of content, media, something that could make sense for MoFi?
That's a good question. That's a very, very sharp and pointed, smart question that,
of course, I think about that type of stuff. I don't think of it as much for MoFi as I do for
something like Proof, where I think, what can we do that is unique?
And well, you just have to wait and see.
I can wait and see.
I went and built Hodinkee for a few years and Hodinkee was kind of a proxy
for what Proof might eventually become.
And we did really in-depth editorial
around mechanical timekeeping and watches
and that attracted millions of people per month still
does. I mean, there's 150 people that work at Hodinkee right now. It's a massive enterprise.
Hodinkee has this unbelievable characteristic. I think you guys do or did this best in the entire
world of using content to enrich the value of purchasable goods. It is half a content business,
half a commerce business, and they are
so wonderfully intertwined. More people should take a look at that. Yeah. I mean, Hodinkee,
they got that blend. And honestly, one of the things that we were really good at, Ben, the
founder, and myself, when we sat down and we started planning out e-commerce, we wanted to
make sure there was kind of a church and state line between editorial and e-commerce
because it's very important to be able to have independent, critical pieces written about
watches that you may sell. And so we had to make sure and draw that line in the sand and say,
and let the brands know that we can be critical about your watches still and talk about them.
If we don't like the way that something is manufactured or you cut corners on some, one of your movements. And I mean, it gets really geeky for people that
aren't into the watch world. Think about like the mechanical insides of the watch. And then think
about the most hardcore vintage Porsche collector. They care about every little tiny detail inside of
that machine. That is the engine inside of this watch. And so the geeks,
and that's partially why I'm attracted to it. Some of my favorite watches are not expensive
showing off watches. They're watches that would never get any attention at a party in New York,
but they're meaningful because of what's inside of them. You know, when you go and you pick up
an Omega that has a 321 movement, that was the exact
internal engine, the exact movement that was taken to the moon.
Like that is awesome.
And so like, that's the kind of geekiness that got me excited about watches.
And that's what I want to bring to the NFT world.
I want to talk and go deep on with these artists and talk about what drives them and how they
created some of the first, especially when we're on the programmability of the stuff.
It's going to be really fascinating.
Eventually, when I have Dimitri on that created one of the most popular projects out there
called Ringers, I want to see code snippets of the Ringers project and put that into the
article and show.
I mean, that's the geeky level I want to get to.
So that's where I'm hoping to take proof.
And what's so cool, but well, I don't know if this is how you're thinking about things,
but with watches, it's like this little preview of what it could be.
But the thing about watches is, the super rare stuff, it's hard to get.
My dad's really into watches.
Hi, dad, if you're listening.
But you can also kind of buy it anywhere, right?
You don't have to buy it at Houdinki.
You can buy it at Houdinki.
You can buy it elsewhere.
That may or may not be true, depending on where you go with Proof. It's not like a retail
environment. Right. Yeah. I mean, the thing is for us with Proof, what I think about is,
and this is what Hodinkee did as well. I don't think of these businesses being built in the
next six months to a year. We need to spend the first three years gaining trust, right? That's the main thing is
in-depth editorial and content that is worth reading and a brand that you can trust to bring
the best artists to you and explain why they're the best. And that means above and beyond me.
I'm going to be looking to hire editorial folks that are both traditionally and classically
trained art critics that are also embracing the NFT world
and give us both perspectives. We need to know why something might be historically important
when it comes to the new stuff that's being created on the NFT front. So it's going to be
a fun little venture. All right. Well, I found a whole new thing that I'm imagining I'm going to
be very geeky about. So I'm excited to listen and tune in, Kevin.
Awesome. Well, you're the first listener. Thank you so much.
Sweet.
It's not out yet. It might be by the time this podcast is out, but there'll certainly be a way
to-
Proof.xyz?
Yeah, proof.xyz. There'll be a link up there to subscribe to the podcast, even if there isn't
an episode out yet. There will be the historic ones that we've done so far. So that'll be the
best way to join. And then of course, modern.finance is for all things crypto. And that's where we
go deep on all of the crypto stuff. And that's a whole nother can of worms. That's a lot of fun.
It's awesome. Probably our biggest segment of the acquired audience is
entrepreneurs or aspiring entrepreneurs. Where can folks get in touch with you for that or with
True? Yeah. It's kind of hard on the True side in that we typically, I would say 90% of our deals
come from referrals from entrepreneurs that we've already backed. So we have a little over 300
entrepreneurs that are kind of referring in new companies to us. So you kind of use that as a
filter because if you just had an open submit form, you would just be overwhelmed and it'd
be impossible to get through. So if you know a true company, that's the easiest way to get a hold of us.
I would say outside of that, my DMs are always open on Twitter. I try to go through them like
once a week, but sometimes it gets a little crazy. For me specifically, I'm looking at all
of the new cryptocurrency blockchain related and NFT related deals. So if it's something outside of that realm, unless it's like health and fitness, which I also am very
passionate about, or some consumer internet stuff as well, I'm probably not the right partner for
you all to pitch. But yeah, those are probably the best ways definitely through the network of
founders who've backed. Love it. Okay, one last little tidbit before we go. You said Twitter. How'd you get on the...
Who to follow list?
Suggested follow list. That happened at the bar in San Francisco?
Yeah, that happened at TED. So at TED, we were down in TED conference. This was when it was
down in SoCal. And it was me, Evan Williams, and Chris Saka at a bar having some drinks.
And this is when Twitter first started taking off. We were
just talking to Ev, we're like, dude, this is crazy, man. There's like thousands of people
signing up per day. Like, it's nuts, you know? Like at that point, I think it was like, you know,
he's probably hitting 10,000 plus new users a day. It was like, it was clearly working, you know?
And Sokka's like, hey, do you think you, you know, you think you could add Kevin and I to
the suggested user list? And it, cause it was like, um, it was a manual list. And so it was one of those things where you, it was just hard coded.
It was no like algorithm. And so Ev's like, he looked, looks at us and he's like, all right.
And so he pulls out his phone and he literally does it right there on his phone. And he's like,
okay, done. And we're like, thanks dude. dude and like i had turned on notifications for any
time someone follows me because that's how small it was and instantly my phone was like boom boom
boom boom boom i'm like holy crap dude this is taken off and i like went and turned off that
the notifications and i was just like getting so many followers and then i was it was just like
you know i kept growing and growing and growing.
And they kept that suggested usually it was kind of the same for a very long time.
And then I got this retweet from this woman. This was like a month or two later. And I like
looked at the icons, like that girl's kind of cute. And I like click on her and it was like
a foodie lives in San Francisco into wine, into health and fitness.
No way.
Working on her neuroscience PhD. And I was like, oh, who is this? And it was my now wife, Daria.
And it was all because Ev added me to the suggested user list. And actually at my wedding,
I told Ev that, like I especially called him out and said and said thank you for and Sokka for making that happen.
Because that's how I met my wife.
I hope you did something like really nice.
Can you get him like a Beeple or something or like a CryptoPunk?
I'll have to see if he's into NFTs.
I haven't asked him about that.
I haven't seen him as much now that we've had COVID.
But there should be a gift.
I know I've sent him some nice bottles of wine in the past.
That is so cool. I feel like you got to do more than wine. No, it's a good point. It's a good
point. You have like one of the best stories at a party behind the statement, like, Oh,
my wife and I met online. Yeah, definitely. This was before I, you know, I'm kind of jealous
though of these people that have, it seems like it it's easier these days. I didn't have any of the swiping stuff that was to date.
Back in my day, it was a 24 by 24 icon on Twitter that we used for dating.
You had to upvote your future one.
Yeah, exactly.
Now the CryptoPunks make more sense.
Yeah, that's true.
Love it.
All right, Kevin Rose, thank you so much.
Thank you guys.
Thanks for having me.
This has been a blast.
It's always fun to walk through the history of all this stuff and talk about the future.
So thank you.
All right.
Likewise.
Well, listeners, thank you for joining us on that journey.
That was so awesome to get to do this with Kevin.
As you could tell, so much of David and my, I don't know,
adolescence, young adulthood was involved in things that Kevin has built. So super cool to
get to do that with him. Super, super cool. I have one special carve out for the end of this episode.
It is a company that we at PSL Ventures just invested in. We led a $5 million round in a company called Trovatrip out of,
speaking of Portland, out of Portland. And I am so pumped about this company.
And I just wanted to share a little bit because I think, A, people should think about going on
trips. But B, I think it's an incredibly cool company to work for if anybody's thinking about
their next thing, whether you're a software engineer or designer or marketer or whatever.
So what Trovatrip does is they enable creators to create custom trips to over 100 places around the world and take 8 to 16 people from their audience on a group trip together.
So you're traveling with like-minded people to cool places with a person that you sort
of identify with, be it a yoga instructor or your favorite disc golfer or someone else that you follow on Instagram or TikTok or anything like that. And it's just a really cool upending of the sort of group travel industry, and especially now when travel is actually starting to happen again. So it seems like it's just great timing and great team.
Oh, man, this is so cool. We totally need to get an acquired trip going. We could do all the Silicon Valley hots. Well, now after this episode, we got to go find that bar on Divisadero in San
Francisco, where apparently everything went down in the Web 2.0 days. But oh, man, we can go to
Stanford, we can go to the old pro in palo alto go to bucks and
woodside oh man actually david you and i we almost went to bucks one time right we went to that right
didn't we spot next door no we looked in it was full we ended up going to that other lunch place
next door to the like the bakery yeah the woodside bakery or whatever it is yeah oh man okay we got
to do it we got to take you to bucks well we got to do it just so you and I can go to Bucks. Bucks is a crazy experience. This diner in Woodside, which is right next to Palo Alto,
that has all these crazy airplanes on the ceilings and stuff and all the old school,
like the Don Valentine era. And even a little later too, all the entrepreneurs and VCs would
meet up there for breakfast. It sounds like David's going to be our tour guide. This is great.
I am going to love this.
Awesome. Well, listeners, if you are curious to learn more, it's trovatrip.com. Click the link
in the show notes or feel free to reach out to me in the Slack or at acquiredfm at gmail.com
if you're interested in the company in any way. Well, with that, join the Slack, acquire.fm slash Slack, become an LP.
We just dropped probably our nerdiest LP episode ever, where we had Matt McBrady on who has worked
in presidential administrations for hedge funds, advising on monetary policy to basically walk us
through the history of the Fed and the Fed's role
in our economy and the difference between fiscal and monetary policy and what the heck is
quantitative easing. And for such a hot button topic right now, it was great to get an expert
two-hour chunk of information on what are all these concepts and how do they interrelate.
Why does everybody try and interpret Jerome Powell's every last word? And why doesn't JP just say what he means? There are reasons for this.
Oh, it was so cool. That it was.
And also check out Modern Finance. It's seriously really good. I've listened to almost every episode.
Yep. We talked about the Beeple episode is so great. We'll link to that in the show notes.
Man, what a cool dude. And not what you would just think on the surface.
You got to listen to it.
He's awesome.
Careful, you'll become a NFT believer after you do.
Which is a good thing.
All right, listeners, we will see you next time.
We'll see you next time.
Who got the truth?
Is it you? Is it you? Is it you?
Who got the truth now?