American History Hit - Crime of the Century: Who Kidnapped Charles Lindbergh Jr?
Episode Date: November 24, 2025The Lindbergh Kidnapping is one of the most influential crimes in American history; it plunged a national hero into an investigation which changed the way America thought about law, justice, and “ce...lebrity” forever.In this episode, we’ll look at what happened inside the Lindbergh home that night, how the investigation unfolded, and how one suspect was tried, convicted, and executed amid an unprecedented media storm.Today, Don is joined by Thomas Doherty, Professor of American Studies at Brandeis University and author of Little Lindy Is Kidnapped: How the Media Covered the Crime of the Century.This episode was edited by Aidan Lonergan and produced by Tom Delargy. The Senior Producer is Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here.All music from Epidemic Sounds.American History Hit is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.
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Morning streams through the windows of a New Jersey house, normally quiet, peaceful, secluded.
It now buzzes with investigators from the New Jersey State Police.
Outside, officers search the grounds for clues.
They discover a ladder, footprints.
Inside, upstairs, detectives huddle in a child's nursery, where, near the window, a ransom note sits in an evidence bag.
The handwriting is jagged, the wording, oddly constructed.
The head of the state police, Colonel H. Norman Schwarzkopf, is officially running this investigation,
but he defers to the man of the house, none other than the legend of the skies, Charles Lindberg.
Schwarzkoff gives orders to his men while Lindberg, America's hero, moves from room to room with a tent of authority.
But beneath his calm composure, Lindberg's face is pale, his son's crib is empty, and soon, the world.
will be watching. This investigation is only hours old, but what is transpiring here? The kidnapping
of an innocent child and the hunt for the perpetrator will become known as the crime of the century.
And greetings to you. Thanks for listening. This is American History Hit, and I'm Don Wildman.
On Tuesday, March 1st, 1932, a horrifying crime shattered a New Jersey family and instantly seized
a nation's imagination. A child.
a toddler, taken from his own crib, a ransom note left by the kidnappers,
and the victim's father, no ordinary man, but the most famous aviator on earth,
Charles Lindbergh, the hero who had just five years earlier crossed the Atlantic
in the spirit of St. Louis. Like all true crimes of the century,
the Lindbergh kidnapping rose beyond mere criminality. It became a full-blown cultural
spectacle, splashed across front pages, magazines, and
radio waves as America hung on every new twist of the story. Today, we join the media blitz
after the fact in the company of Thomas Dougherty, cultural historian, professor of American
studies at Brandeis University, go judges. A prolific author whose latest book, Little
Lindy, is kidnapped, how the media covered the crime of the century was published by Columbia
University Press. Hello, Professor Dougherty. Tom, great to have you with us. It's great
to be here.
I mentioned the date already, but let's cover the context.
Time and place, so important in this story, the Lindbergh kidnapping happens in 1932 in
North Jersey, not too far from New York, and we're in the midst of the Great Depression.
Fundamental to the story, isn't it?
Yeah.
Also, what's fundamental is, as I think you noted, is we're beginning the age of universal
broadcasting with radio.
Yes.
One of the contexts you mentioned in passing, of course, is everybody knew who Charles Lindberg
was in 1932 because of his historic flight across the Atlantic in 1927.
But I think what might be underscored about Limburg in that moment.
And this always sounds like hyperbole or sort of advertising Ballyhoo and superlative is when Limburg
successfully crossed the Atlantic in May of 1927, he became the most famous, admired,
beloved man on the planet, a phenomenon that has really never been repeated in human history,
where because now we have sort of universal connective web of live radio transmission via shortwave,
everybody is yoked to this moment in a way they had never universally been yoked and
instantaneously to a news story. So the 33 and a half hour flight,
that Limburg makes on that date is something all Americans now are intimately involved in.
Now, if Lincoln had been assassinated, everybody got the word at a different time and mourned in their own way.
But this is something that happened by all accounts utterly spontaneously.
Nobody knew that the entire nation was going to react this way.
So there was an emotional investment in Charles Limburg that I think we really can't imagine today of universal esteem and adoration.
And I don't think that word adoration is hyperbolic in this sense.
So in that context, when the baby of this beloved man is kidnapped in 1932, it was something people were personally invested in.
So usually when you think of a crime story, you know, even the terrible ones, you know, the murder of Sharon Tade or, you know, Nicole Brown Simpson, we don't know those people. And our investment in the story is imaginative and vicarious. But with Limburg and his child and the mother and Murrow Limburg, people felt they knew them. You know, they felt that this was sort of a member of the family. So that's the kind of the big cultural background.
And then the media background is radio now is reached a level of penetration where everybody either has a radio in their home or there's one on the apartment floor that people now can be universally linked to this breaking news story. And in fact, the word breaking news and bulletin all come about at around this time in 1932.
This is the first story everybody wanted instantaneous information on.
And it's also at the end of the roaring 20s.
I mean, we're in the middle of depression, so those are over.
But that sense of a new age in America and the big buzz of the cities and what's happening with radio especially is, I mean, RCA is taking over.
It's like, you know, if you take Apple or any of the iPhones and technology in the middle of everything in our lives, we're cynical about it now, of course.
We're so used to it.
But it was brand new in those days.
And it was going to fix things.
And it was very exciting.
And it was real.
You know, this is a real effect.
So into that societal mix that's going on comes this extraordinary crime to this extraordinary
individual.
And it sometimes seems like there will be an historical incident that will happen right at the time
that the media has reached a level of penetration, that it can accentuate and report that incident.
So in the American tradition, another example might be the assassination of John Kennedy,
which comes right at the moment where the networks.
are universal and now have something like the capability to do remote pickups from Dallas or
from Andrews Air Force space.
You're speaking my language because constantly on this podcast series, I'm talking about
how media pushes events at any age, really, back to the telegraph, you know, I mean,
how the technology really is at the front of so much that's new and different in America
in society itself.
It's also the first time where people reach for the dial to get news.
Yeah, yeah.
And we will do that for the rest of our lives and for the rest of the 20th and into the 21st century is when we want information, we will go to an electronic device.
Yeah, what we're about to talk about, what happens in the Lindbergh house, kind of vicariously happens in everybody's house because of radio now is entering in and penetrated the personal lives of Americans.
So let's talk about where this happens.
It's in Hopewell, New Jersey.
There's a cast of characters involved in this whole story.
we're going to really drill down on Charles Lindberg in a moment, as we have already started.
But let's talk about his wife, Anne Morrow Lindbergh and their marriage.
They had just gotten married fairly recently, and this is their first house that they're living in that they've built on the wave of his fame and I guess the beginning of the fortune.
But he's married into big money, isn't he?
Yeah.
Anne Morrow was one of three daughters, sounds like Ping Lear, of a very wealthy banker and later United States Senate.
and he meets her while he's doing a goodwill tour in Mexico City where he's a father is one of the ambassadors
and just like in a fairy tale there are three daughters and say what you will about Lindbergh.
He picks the one of real character that Anne Murrow was a quiet girl.
And of course, Lindberg could have had any woman on the planet.
And the minute he, you know, he's 25 handsome, looks like Gary Cooper.
In fact, the immediate question people had when he came back from 1927 is who's the first
princess that's going to marry this great American Prince Charles Limburg. And he picks Anne Limburg,
who will emerge over the next decade as an extraordinary person in her own right. Of course,
he immediately teaches her how to fly, and she becomes one of the best aviators of her time,
not as well known as Amelia Earhart. Yeah, she realized, in fact, that the reason Limburg taught her how
to fly is that she was then going to be the navigator and the radio man for his exploits. And
they go, you know, flying some routes around, you know, Alaska and overseas, because
Limburg had this very prophetic vision of flight was going to be for passengers. So you needed
to get up, you know, like Howard Hughes, you needed to get up above the atmosphere. And he
had to pioneer flight path that are still kind of used by some of the airlines. And so she was
like a remarkable woman. She becomes a noted poet, as a matter of fact, doesn't she? I remember
this because a girlfriend of mine gave me an Anmaro Lindberg poet when I was 17 years old. That's
my introduction to her. Yeah, she wrote memoirs and philosophical meditations and some of them
were some of the bestselling books of the 1950s. And unlike Charles, kind of also had the
capacity to look back and reflect on your mistakes. And I like Charles, especially when he gets
into the Nazi stuff, would never second guess himself. So she's a remarkable woman in her own right.
And we're just underscoring what a power couple they really are.
Everybody has their attention on these folks.
They have one child whose name is Charles Jr.
So his namesake, the victim of this crime, the direct victim of this crime.
This boy was how old at the time of the crime?
He was 20 months old.
So just starting to, you know, talk and do a little crawling and toggling, as you mentioned.
He was developmentally challenged.
Fair to say?
Well, there's a lot of dispute about that.
He had sort of a little deformity in one of his feelings.
which will become important because a lot of people said they had the baby, and that was the way they told.
And his head was a little large.
So there is some talk that the child might have, as you said, been developmentally challenged.
But nobody outside of the Lindbergh family had any inkling of that, certainly not the kidnapper.
Right.
This is stuff that we run into.
And when we talk about the crime itself, he was on medication, which was what's such an important part of getting him back and the worries that the family had.
Exactly.
That medication had to do with his mental situation, or what was that treating?
He had some kind of, not exactly, you know, hydrostomphalic head, but his head was a little abnormally large.
And if you see the pictures, you can kind of like tell that as well.
Yeah.
Now let's talk a little bit more about Charles Lindberg.
I just want to understand.
We've covered a lot here, but I want to get some biographical details.
1902, the guy's born in Detroit, Michigan.
his father was a Swedish board immigrant, a U.S. congressman, as you mentioned.
He was one of the first congressmen to oppose the American entry into First World War,
which was kind of a legacy for Charles Limburg.
Limburg drops out of University in 1922 to pursue a career in aviation,
which was just the biggest, sexiest thing, of course, to do because it was coming out of
World War I where they first started using them in military.
He enrolls in the Nebraska Aircraft Corporation's Flying School.
He most famously, of course, undertakes, he's basically a mail carrier for a while there,
and then he undertakes the first successful nonstop transatlantic flight from New York to Paris,
the Lindbergh flight, Spirit of St. Louis.
He began to gather wealthy sponsors and resources for this historic flight in obscurity,
but then would become hugely famous.
1927, May 20th, takes off from Long Island, lands in Paris 33 and a half hours later,
met by a teeming crowd of some 150,000.
people. Just picture that in your mind in a field, oh my Lord. There are newsreels of that, as you probably
know. And Limburg, they expected Limburg to land in one section of La Bruges field, and everybody's
certain near the tower waiting for him. And he lands in another section. And so what you see in
the newsreels, you don't actually see the landing, although in documentary films, they'll put in another
landing he made for continuity purposes. But you'll see the entire crowd shift to the
left of the frame as they're chasing the plane down.
Well, it was an incredible thing.
I mean, there's no way to overstate how amazing this was.
Everybody thought he was going to die.
You know, it's like it was an incredible event.
A couple weeks earlier, two famous French flyers were trying to go from Paris to New York
because there was a $25,000 prize for the first plane that could do that.
And these famous World War I French flyers are never heard from again.
And so the notion that a lone individual could fly 33 and a half hours across the Atlantic was something that was unbelievable.
William Shire, who would later go on to cover Nazi Germany and write the famous book, The Rise and Fall of the Third Reich, was a cub reporter working for one of the Paris newspapers at the time, one of the American branches.
And he talks about talking to survivors of the Lothia d'escadrill.
There is an American airman's club.
And he goes down there and talks to the flyers and they say, we admire this young man.
But, you know, he's got to go into the ocean.
No human being can do this.
And Shire goes out and meets the Limburg plane.
That's his first big story, which is not a bad first byline if you're a cup reporter.
That's right.
There's a lot about Charles Lindbergh that comes out later on, and we're going to talk about that under more of a later part of this conversation.
But he's a mysterious figure in many regards, and some of that has something to do with this story as well.
But we'll cover those negatives, no matter, you know, kind of hard to get away from that later on in this talk.
I want to get to the crime itself, Tuesday, March 1st, 1932.
Let's go through the details.
I can kick you off here.
Between 8 and 10 p.m., we're at nighttime here in a place called Hopewell, New Jersey, where you can
visit. And as a matter of fact, this house still stands. And I know this because I did a television
special and traced the whole crime, including climbing up this ladder, as we'll talk about.
Surprisingly, this house is not any kind of historic house. It's actually owned by the state of
New Jersey. And it's a home for teenage girls. You know, it's a dormitory, basically. And it's
as unspectacular as you get. And in fact, it is a very modest home. Even when they built it,
people should understand. This is not a grand estate we're talking about. Fairly
small, as a matter of fact. So between 8 to 10 p.m. that night, March 1st, 20-month-old Charles Jr.
is abducted from his second-floor nursery in the Lindbergh home. So this is one floor up.
There's a ladder being used, and they get in through that window, come in and snatch the kid out
from the thing. I'm saying they, it was likely one person who went in there. Charles and are at
home at this time, and there had been dinner and were past dinner, of course, because it's 8 to 10 o'clock.
The actual crime, I believe, happens about 9.30 at night. Is that right?
That's what they estimate, yeah.
Can you take us through the events that transpire through the evening then?
How do they discover the kidnapping?
Well, Betty Gao comes in and sees that there's no baby in the crib, and she assumes that the mother, she had put the baby to bed, and she assumes that the mother was playing with it, and the mother is not.
and then they go down and think maybe Charles is playing with the baby and he is not. And then
the house is in an uproar for the next 30 minutes or so. And they call the police finally. And by
chance, there's actually a reporter who's calling into the police to just find out if anything's
going on. So he gets this big scoop very close to the time that the kidnapping happened. So by
around midnight, there's actually reports on the radio and the wire service about this kidnapping
that will be the crime of the century. It's creepy. It's shocking. And by our standards, of course,
you mentioned true crime earlier. And now we're all like true crime forensic experts, right?
Anytime a case breaks, we're all armed chair detectives. But at the time, first of all,
nobody thought something like this could happen. And then there's an extraordinary, what, in retrospect,
a level of incompetence by the police. You know, they're trampling over evidence.
So reporters are all over the place. Passerbyes are coming right up to the grounds of the
Hopewell estate and mucking things up, you know. And eventually they discover the Limburg,
on the second trip into the nursery, they discovered that there's a ransom note being left for the child.
Exactly. It's sitting on the chest where the kidnappers come in through the window and when they're taking this baby out. Now, the really important factor in this is the baby is not a small baby. This is a year and a half old child we're talking about. That's not like taking a little tiny infant. They've got a full on walking toddler supposedly, I guess, in a sack. We never find out exactly how they did this. But that child had to be carried down a ladder.
Now, he was sleeping, presumably, so maybe that's okay.
But it's a very difficult thing to do what they are trying, what they've done.
And so they pull this child out the window and then come down this hand-built ladder,
which is a crazy construction anyway.
And that's how this is accomplished.
When they do their, when the police come and Charles has grabbed his gun and is out there with his flashlight,
they're looking through the woods.
They discover that wooden ladder.
Or rather, was it on the house?
I can't remember.
The latter was on the grounds of the estate.
That's where they discovered it.
Okay.
But it's clear that that's how this is all had.
There's footprints in the mud nearby the house.
They understand what has happened.
It is shocking.
It is awful.
Local and state police are called.
FBI later notified.
And after this short break, we're going to take right now.
We'll detail this police investigation and figure out what happened.
Okay, welcome back.
We're with Professor Tom Doherty talking about the Lindbergh kidnapping.
In the immediate aftermath, Tom, Tom, of
Charles Jr.'s disappearance, what actions do the authorities take? Give me the early stages here.
Well, they, of course, are going through the estate to try to look for evidence, but so much of
the evidence is mucked up. They don't even get a good footprint out of the footprints in the mud
because they're reporters and all kinds of hangers on who are trampling it. And you mentioned the FBI,
and one of the reasons this case is so important is that the utter incompetence of the New Jersey
state police, which is led by a guy named Norman Schwartzcoff, which if you're a historian of the
Gulf War, you might remember that his son, Stormin Norman Schwarzkopf, who is a much better
general than his father was a police officer, that Norman Schwarzkopf Sr., first of all,
he was deferential to Lindberg.
So he didn't really take control of the case.
Yes.
And this is also hard for us to imagine, but Lindberg's stature was such that nobody was
gone against say Limburg. So when Limburg says, I trust all my servants, that, you know,
the people that you would like really give the third degree to were like Betty Galvin nurse
and some of the other servants in the house. And the police don't really do that because Lindberg
says lay off. Limburg also tells Jayager Hoover of the FBI who comes in to offer his assistance
to bug off, go back to Washington. And Hoover does. Because Jaeger Hoover is not quite the Jay
Hoover he's going to become. So there's no sort of federal intermediary authority with forensic
expertise investigating the case. And this is not sort of like 2020 hindsight. People at the time
criticized the New Jersey state police for their level of incompetence. Like even what we knew in
1932 to do, they by and large didn't do. So they mucked up a lot of the forensic evidence.
Yeah. There were no prints found. I mean, they check for fingerprints.
in the nursery. They found nothing.
Experts conclude the kidnapper
war gloves, cloth sold
shoes. It's a hard floor
in there. There's a hardwood floor. There's no carpet
in there, apparently.
Lots of noise would have been made had they
not been careful. And the
ransom note is examined, noting that
it had numerous spelling and grammatical
errors. I'm going to just read
a bit of this note
for you here. It reads like
this, and this is what they find in an envelope
inside the room.
This is a movie unspooling in front of us. It's incredible.
Dear sir, have $50,000 and the dollar bills in the wrong place with $50,000,
ready, spelled R-E-D-Y, $25,000 in 20 bills, $20,000, 15, and $10,000 in $5 bills, oddly.
After two to four days, we will inform you where, spelled W-E-R-E, to deliver the money spelled
without an E. Okay, so there's a lot of misspellings in the way.
this. We warn you for making any ding with a D public or for notify the police the child is in
good care spelled G-U-T-Care. Indication for all letters are signature spelled wrong and three
H-O-H-L-S, whichever that, whatever that means. It's a mess, okay? And it's not intentionally made a mess
of, we imagine, or you can assume. It seems like someone who doesn't speak English or
write it at least, wrote this note.
And that's an important factor here.
One other thing, Don, that you might want to mention now, is there's a symbol at the
bottom of the note that the kidnapper has created.
It sort of looks, we will find out later, like the Mercedes-Benz symbol at the bottom
of the note that the kidnapper has put there.
So when cranks get in touch with you, if the note doesn't have this special symbol, you can
know that they're a crank.
that sort of becomes the certification that you're really in touch with the kidnapper.
Interesting.
Interesting.
Can you describe the visual of this for our radio audience?
It's kind of like a circle with like some crosses in it, you know.
Okay.
But it's not like your classic hostage note with magazine letters.
This is a type note or a written note.
Yeah.
No, no.
It's a handwritten note.
And then there's a symbol that will serve as the kind of signature certification.
that when somebody gets in touch with you about this kidnapping, if you see that symbol,
you will know that the authentic kidnapper is in touch with you and not a crank.
Got it.
Let's talk about that media covering this.
It spreads like wildfire, right?
Yeah, yeah.
If ever that phrase, Carmen Century was invented for anything, it was this.
Yeah, and I actually do think it is the crime of the century.
One of the things that this crime does in media terms is it's for the first time we see
kind of the three tributaries of the modern media matrix all come together. And you mentioned
print newspapers, which of course had been around a while, wire service, syndicated reporters,
you know, wire photos. And then the second thing is radio, which in 1932, as we mentioned,
has just reached that magic moment of what media scholars call penetration, which means now it's
kind of part of the lifeblood of the culture. Yeah. And then,
And the third tributary is the moving images, the newsreels.
The sound newsreels had just come on and, you know, sound did come into the motion picture
medium in the newsreels in 1930.
So the newsreels are also covering this story.
The newsreels are on the scene with airplanes and with their motion picture cameras
the next morning.
And they're actually taking films at the Hopewell estate.
They want to get Limburg and Mrs. Limburg to make a statement for the cameras, but
They never do.
But one of the newsreel guys asked them, he says, do you have any home movies of the baby?
Limburg says initially no, but then the newsreel guy says, well, I kind of remember some
home movies being taken.
And then Limburg remembers, yes, the family had taken some home movies of the child
on its first birthday.
And they get a copy of that home movie to issue with the newsreels that very day.
So that night, the kidnapping happens on a Tuesday night. By Wednesday, the newsreel cameras are on the scene at Hopewell. And by Wednesday night in New York and New Jersey, the newsreels kind of serve as an all-points bulletin to what in America today you'd call an Amber Alert with home movies of the baby that they will show in theaters around America saying, you know, everybody keep an eye out for this baby. And it was allegedly, as what everybody at the time says.
the first time the newsreels had used home movies in one of their regular newsreel issues.
So all three of the media, yeah, print, radio, and the newsreels are coming together to cover this story.
And for the radio and the newsreels especially, what they realize now, where in the past, both on radio or in the newsreels, they basically just read what the newspapers told them.
So radio news was a guy reading the newspaper headlines and then saying, if you weren't further details, consult the New York Herald Tribune or whatever paper that night.
But the newspapers start withdrawing their reporting from the radio because they know now that radio can do instantaneously what the newspapers have to do in several hours before they can put the papers on the street.
it has the unintended consequence of creating broadcast journalism because radio now realizes we need
our own reporters on site. So they start sending their own radio reporters on site in Hopewell and
in Trenton to cover the story. So I think you could make an argument is really the beginning
of modern broadcast news. I get you. Yeah. It's one of those phenomenal moments.
This will all take place over a period of a couple of months. There's a lot of
lot of story here. We have to sort of pick and choose how we do this because it's very detailed.
If listeners are noting as we go a little bit of a weirdness to the story, there's a lot of
weirdness to the story. And we're going to cover those possibilities at the end of this episode.
But in the meantime, let's get down exactly what happened. All this has to do with these ransom
notes that start coming. In March 6th, about a week later, a new ransom letter arrives at the
Limbert home. It's sent from Brooklyn, New York. The note says the ransom has been raised now to
$70,000. It's big money in the 1930s. A third note arrives at Charles Limburg's attorney's address
identifying a man named John Condon, kind of out of nowhere. He should act as an intermediary
between the kidnappers and Lindbergs. You know, this really came kind of out of nowhere. So he met
with a supposed representative of the kidnappers who claimed, now this is a great,
episode. Out there in the Bronx, he goes to an appointed place, which is near a cemetery,
you can still walk next to. And there he talks to a figure behind the bushes. And he never sees
a clear picture of him. But this person speaks with a foreign accent. He stays in the shadows
so Condon can't see this face. And he tells him that Charles Jr. is fine. All right. So now we're
in mid-March. Take us through the events of March 16th. And I'm talking about Condon receiving the
toddler's sleeping suit. Yeah. John Condon is one of these weird characters. And you mentioned
there are a lot of conspiracy theories about the Limburg case. And one of the things that
gives some oxygen to these theories is no matter what scenario you buy, this is a weird case.
It's not only the crime of the century, the kidnapping, or the most famous baby in America,
but it has all these sort of weird, circuitous oddball moments. Yeah. Now, any did you?
Detective will tell you that, you know, any crime case sort of has this, you know, all the threads
aren't going to be put together at the top of the hour after the, you know, one hour of crime
drama is over.
But the Limburg case has like 97 of these weird moments.
And perhaps the weirdest is the involvement to this guy, John Condon, who has no other association
with the Limburgs, except that Condon mentions in his local Bronx paper.
He was like, is a 72 years old, very colorful, local.
character known around the Bronx, one of these guys that all the community knows, and he mentions,
we're going to need an intermediary between the kidnapper and the Limburg family to secure
the ransom money and then hand it over.
He volunteers himself.
Yeah, and it's a dangerous job because you can, you know, after you turn over the money,
the kidnapper could kill you, right?
And so he gets in touch.
He gets a letter after he puts this notice in the local paper.
he gets a letter from the kidnapper the next day, which has that certification symbol on it.
And he calls up the Lindbergh household, who are getting all kinds of calls from all kinds of cranks.
He talks to the Lindberg's lawyer, who is kind of the middleman for the case here,
and Condon calls him on the phone and says, I've got this letter here, and it's got this symbol on it.
And that's when the lawyer invites Condon to come out to the estate.
I see.
And he meets with Condon.
And you have to believe Condon is who he says he is for at least one strain of this story.
So he comes out, he meets with the lawyer, and the lawyer says, well, what's in this for you?
You're risking your life.
And Condon says, well, I do want something.
And the lawyer thinks, aha, now comes the mercenary motive.
And what Condon says is, I want to be the man who puts the baby back in Mrs. Limburg's arms.
Wow.
And that's all Condon wants.
And Charles Limburg, as we mentioned, is in charge of this investigation, basically.
He's saying yes to these things.
He's basically right.
Yeah, he's running the case.
Which is a very weird thing when you think about it.
The whole story is strange.
Yeah.
And so Condon meets a man he will call Cemetery John because in good egg or Allen Poe fashion,
where do they decide to meet a cemetery?
and they have some dialogue there. Condon tries to fool the guy by saying, you know,
Bistu Deutsch, are you German? And the guy doesn't fall for it. And then they go back for another
meeting for another cemetery and hand over the ransom money, which you mentioned is initially
$70,000. And the Treasury Department has gathered some money in gold certificates.
Yes.
There are so many bizarre details to this case.
I don't want to like burn your listeners with too much of this, but the cash money is going to be in something called a gold certificate, which is a special kind of currency and a special kind of bill, which the Treasury Department knows next election cycle in all likelihood.
We're going to go off the gold standard.
These certificates will be withdrawn, and they will be rarer in currency and in circulation.
And so they're actually angry when Condon kind of gets the kidnapper to agree for $50,000.
instead of the 70,000, because that means there will be fewer bills in circulation. He hands over the money. The kidnapper says that the baby is in a boat off Martha's Vineyard. It's a total wild goose chase. They never get the baby. Time passes. May 12, 1932, more than two months after the kidnapping, the body of this little boy, Charles Lindbergr, Jr., is located in the woods near Mount Rose, which is four and a half miles from the Lindberg case. He's deceased.
Yeah. Basically, people expect that the body had been there since the night of the kidnapping on March 1st, 1932. It's been decomposed. There have been, you know, some animal damage as well in the body. You can actually see the Hopewell estate from the little mound where the body was discovered. So, so the assumption is the baby had died that night during the kidnapping. Either it had been intentionally killed and disposed of, but you get the
that what happened is on the way down, the kidnapper broke a rung of the ladder, and the
baby's skull was crushed either on a rock on the ground or on the ladder itself. And so now
the kidnapper is there with a dead baby on the grounds of the Hopewell estate, and he gets
rid of it. Yeah. Interestingly, Lindberg insists on a cremation and very swiftly, but it was blunt
force trauma that really creates this fractured skull that was the cause of the death. Yeah, and there
as an autopsy and some pictures of the body as well. And since we're talking media, this is a moment,
of course. One of the things that's kind of hard for us to recapture, Don, I think, is nobody really
expected the baby to be killed. There was always the expectation that there'd be a ransom exchange.
The baby would be returned to the Limburgs, and there would be nationwide rejoicing. And there were
some communities that actually had planned little celebrations where there'd be a little parade
and the bells of the church would ring when the news of the rescue of the Limburg baby broke out.
Instead, what happens is the body has discovered the press is called together
and the news breaks on radio that the baby had been killed.
And the cultural historian Frederick Lewis Allen has this poignant phrase about how
in the 1930s many people whose memories are otherwise vague about that decade
remember exactly where they were when they heard the news that the Lemberg baby had been killed.
And the next morning, the New York Daily News has its famous headline, two words, baby dead.
Oof, yeah.
Heartbreaking, truly, but on another level altogether.
Yeah, and Will Rogers, the great humorist and commentator of the time, who knew the Limburgs and knew the baby,
talked about how the nation feels one emotion, and that is, of course, stunning.
stupefied grief, which in a nanosecond turns to a bloodthirsty need for revenge to find the man who has slain the Limburg baby.
It changes from kidnapping to a murder case, and now the investigation is a whole other kind of can of worms.
From 1932 to 34, this massive investigation is underway. FBI is now involved. They're tracking these bills for over two years, and a few of the bills turn up in
scattered locations. Over the course of 30 months, several bills were turning up in New York City,
being spent along a route of Lexington Avenue, connecting to the Bronx down to the east
side of Manhattan. In those days, this was a very large population of Austrian Germans. This was
Yorkville, you know, in Manhattan part. And it was a lot of Germans lived in this area. So there's a lot
of clues that they're on to something here in this area. And one day, a,
gas station attendant at a Manhattan gas station notices a gold certificate.
Yeah, well, the Treasury Department wisely had paid the ransom and gold certificates and
kept a record of the serial numbers of the ransom bills.
And so every bank teller, every hardware store operator near their cash register has this
list of a $20 bill serial numbers for $20 and $10 bills.
and this German guy comes up to pay for some gas and he pays it with a $10 gold certificate.
And the alert gas station attendant looks at it, has a little bit of conversation with the guy
who speaks with a German accent.
The gas bill is like $96.
He gives them a $10.
And as the guy is driving away, the gas station attendant kind of looks at the bill and it just starts
feeling a little hinky.
he turns over the bill and writes the license plate of the car that's just bought the gas.
He turns it into the bank that weekend.
And then that Monday, the banker at the bank gets the hit for the serial number.
And he turns it over.
And there's the license plate of the guy, which the local New York cops trace to this house in the Bronx, as you mentioned.
The license number was registered to one Bruno Richard Hauptmann,
German immigrant who happens to have when they look into him a criminal record back in Germany.
He had $20 of the ransom money on him when he is arrested,
and more than $14,000 was found in a suitcase, or rather in the walls,
some of it was in the walls of the garage.
Pretty damning.
Halman claimed the money was left to him by a recently deceased business partner named Isidore Fish,
who had returned to Germany.
He denies all connections to the crime.
We're often running on what becomes the trial of the century.
Police search his home.
This is important.
We're going to take a break in a moment, but I just want audiences to understand.
The police search his home.
More evidence is found.
A sketch of the latter, similar to the one at the scene of the crime, is found in the home.
A piece of wood from which an exact match to the wood in his attic was made.
So one can assume he pulled out that wood and made.
this crazy contraption of a ladder, which probably led to the child's death of his own.
Hauptman was indicted in the Bronx for extorting $50,000 from the Lindbergs,
and he actually extorted them for more, and later indicted in New Jersey for the murder of Charles Jr.
The governor of New York surrenders him to New Jersey authorities, and here we are.
Halpman is moved to Huntington County Jail in Flemington, New Jersey,
and we are going to see a trial like this nation has never seen before, right after the break.
And we're back with Professor Tom Dardy, author of the book Little Indy is kidnapped,
how the media covered the crime of the century.
So Tom, New Jersey authorities now have who they suspect was behind the kidnapping and murder of Charles Lindbergh,
and now we have the trial, the likes of which this nation has never seen before,
mostly due to the celebrity of the father, Charles Lindberg, but we have a country already
fascinated with salacious and criminal crimes.
For that matter, you go back to Jack the Ripper.
in London. We're coming out of the Victorian age in a way. People are very interested in this
kind of stuff. What does the trial of Richard Hauptman say about the state of American culture at
this point? Your book is all about this. Well, the first thing it says is we really want this
guy to be electrocuted. And one of the reasons that he's tried in New Jersey at the site of the
crime and not in New York, where they can only get him on extortion, is we want a capital
murder case. And at the time, kidnapping was not a capital murder.
However, the New Jersey law said that if somebody died while you're committing a crime, say like breaking and entering, then you can execute the person.
So that's why New Jersey gets the case and why New York is so willing to give up Bruno Richard Houtman is because we want this to be a capital murder case and we want the suspected perpetrator or the kidnapped murder or the Limburg baby to be strapped into the electric chair.
And so the trial is held, as you mentioned, in January of 1935, in Flemington, New Jersey. It's still the biggest thing that ever happened to Flemington, New Jersey. All the biggest crime reporters and gossip columnist of the day come down to cover this case. Radio should have been able to cover the case live. There was a request by the broadcast networks to be able to put their microphones in the courtroom. But the
governor says, no, that'll be too sensational. The newsreels also want in. And the judge in the trial,
a guy in Judge Trenchard, Thomas Trenchard, says to the newsreels. And I think he's a little angry that
the governor kind of had, you know, kept the radio out. This is his courtroom. He says to the newsreels,
you can put a camera in the balcony and have sort of like moving cameras, a moving camera on the
floor, but you cannot film any testimony or you can't.
cannot film any time the trial is actually in session, only when there are breaks between the actual testimony.
But you can keep your camera up there and they kind of make it a quiet camera.
It's wired for sound, but it's up there in the balcony, only taking pictures, allegedly, of non-testimony.
The evidence presented for this thing.
First of all, Charles Limburg, Sr. is front and center for this again.
He's on the stand for a lot of this.
He basically tells the story and talk about dramatic.
You've got the murderer of his son, supposedly, in front of him, and he's telling the everybody how he thinks it happened.
The evidence is the ransom bills were tied to Hauptmann.
The wood analysis of the latter, the handwriting experts link the notes to him.
Testimony from John Condon.
He sounded like a German guy out there in the night.
Defense isn't very strong.
It's all circumstantial due to no reliable witnesses and so forth.
And by February 13th, 1935, remember this started in 32.
That's how big a long story this was.
Bruno Richard Halpman is convicted of first-degree murder and kidnapping and is, of course, sentenced to death.
He appeals twice.
This takes some time.
Both of those appeals are denied.
And then we have the execution, which happens in the Trenton prison.
I forget the name of it, but it's April 30.
Yeah, the state prison.
The 3rd of April, 1936 at the state prison in Trenton, New Jersey, is a gloomy sight to this day.
if you stand outside those walls, a man is executed by electric chair.
He had turned down, this is important, he turned down a large offer from a newspaper outlet,
crazy to think of it, for a confession, as well as an offer to commute his sentence to life
without parole in return for his confession.
He turned down both of those things and went to the electric chair.
Yeah, and in those days, you know, the warden would come out on the steps of the prison
and, you know, all the press is there.
and the first question that the press always yelled, and people were executed a lot by lecture chair in the 1930s, as you know from Warner Brothers movies.
The first question they always asked was, was Houtman game, which means, you know, did he go to the chair stoically and courageously rather than as a sniveling coward?
And the warden says, yeah, he was game, he was very game.
So Houtman goes, yeah, to the chair in the end.
those days, the reporters are witnessing the execution. They searched the reporters very thoroughly
to make sure nobody had a camera on them because in the 1920s, there was a famous case where
a reporter had snuck in a camera and got a picture of Ruth Snyder, who is a murderess.
There's actually a kind of a blurry photograph of her being electrocuted. That's on the front
page of the Daily News with the indelible headline, Dead.
And so they search the reporters pretty thoroughly in those days.
And then there are accounts of Houtman, of course, going to the chair stoically.
After Houtman's execution, some have questioned the conduct of this.
This is where we want to turn this conversation a bit.
There's a lot of theories about all the kind of crazy way that this unfolded.
It's dangerous territory.
It's Tashi Dutter territory to get into because basically everything about this is up for
questions. So anything we might suggest here, you can find some other version of this in another
way. But let's talk about a few things. There has been accusations of witness tampering,
planting of evidence, the wood in the attic and so forth. Helpman's wife, Anna, sued the state
of New Jersey for an unjust execution of her husband, dismissed. She fought to clear his name until
1995. All of these things, now, they all pale in comparison to what is suggested about Charles Lindberg
himself. Now, we started to talk about this when we were going over his biography. I want to circle back to
this about him becoming so notorious in those days as a Nazi sympathizer, you know, an admirer of
Germany and the rise of Nazis. Along with that came his own feelings about eugenics, his belief in
strength and purity of, you know, very much in keeping with Aryan thinking in those days.
He is the beginning of the America First Movement, the first America First Movement, back in the
pre-World War II era, believing that we shouldn't have gotten into that war. You know,
all this is a big mixed bag that I'm throwing out here, not necessarily related to this kidnapping,
but we look back on Charles Lindberg as a questionable individual in many ways.
Front and center, as far as I'm concerned with this investigation, is that he chooses to run
it and it all happens in his house. And it's a very odd coincidence of many different things
happening that make you look at the man himself and wonder, anyone who doesn't know this
story or have any familiarity will just be blown away by this. Could Lindbergh have been
involved in this crime? Many have suggested that he was. Yeah, but like so many other conspiracy
theories, you sort of have to use an Occam's razor test here. Exactly. How did he get the
ransom money to Helpman's house, you know? Because basically if you take like kidnappings,
if they find the ransom money in your house, there's a 90% chance you're the kidnapper.
Like maybe the real kidnappers came by and decided to hide the ransom money in your house
randomly, right? No, I know. And then how about the notes? How about the wood, the forensic evidence,
which basically they had traced to a lumber yard of the Bronx before they actually had
Houtman's name.
Yeah.
So the conspiracy theories, it's a lot easier to use Occam's razor and say that this guy that you
have all the forensic evidence against, including the fact that he went out and bought a lot of,
you know, high-end electronic equipment right after the ransom money is overturned.
Yeah.
Is probably the kidnapper.
However, you're right, there are these like hinky details in the Limburg case that means
that you can go down a rabbit hole very easily with this case in a way that you can't with like,
you know, other other cases that, you know, have one or two elements. The Limburg case has a lot
of these elements that if you're of a conspiratorial mindset, would allow you to believe that
something else is going on. Either that gangsters had kidnapped the baby, that Limburg had
kidnapped the baby, that the German-American Bunt had kidnapped the baby. And then, of course,
If you're an anti-Semite, you believe that the Jews had kidnapped the baby to perform.
That's what the Nazis said into Sturmer for, you know, their Jewish blood rituals.
I mean, you can go down the craziest rabbit holes with this case.
Now, and some of the things just flat don't make sense about the limbered case.
Well, for our purposes today, I want listeners to understand.
We're here to tell the story of this kidnapping, the events that happened here.
So we've done this.
I'm just following that up with, oh,
boy, if you look into this case, there is a lot to wonder about, not unlike every other major case like
at top of the list, JFK. Will we ever answer these questions? Probably not. But as far as Limburg's
concerned, I can't believe there hasn't been a major movie and a major series done about this guy because
he goes on to have this extraordinary life that is so strange beyond this strange experience.
You know, his whole life is like this. It's amazing. One of the things, if you're looking at
The crime of the century, the Limburg moment, say, from 27 the flight, 32, the kidnapping,
35, the trial. You've got to sort of historically put your, and imaginatively put yourself
in a place in which you don't know about Charles Limburg's later life, where he starts
cozying up to the Nazis in 1938. And then in 1940, 41 is the most famous spokesman for the
isolationist anti-Semitic American First movement.
Yeah.
And so that's sort of difficult to do because we're looking through Limburg case from what
we know about Limburg afterwards.
Well, I hope we've wet your appetite to know more about this case and you can do so by
starting with this man's book, Little Indy is kidnapped, how the media covered the crime
of the century.
My guest, and the author of that book is Thomas Doherty.
Thank you very much, sir.
It was a pleasure to meet you and I hope we meet again.
I do too, Don.
Take care. Thanks again.
Hey, thanks for listening to American History Hit.
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