American History Tellers - History Daily: Introducing Mickey Mouse
Episode Date: November 18, 2024November 18, 1928. Mickey Mouse makes his big screen debut in Walt Disney’s Steamboat Willie.You can listen ad-free in the Wondery or Amazon Music app. Or for all that and more, go to IntoH...istory.com.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Transcript
Discussion (0)
It's November 18, 1928 at the Colony Theatre in New York City. As the lights dim, the packed
audience slowly hushes and looks toward the big screen. Among them is 27-year-old Walt
Disney, who wipes his sweaty hands on the front of his pants.
It's a big day for Walt. For the last nine years he's been working in the new industry
of animation. He hasn't had much success so far, but a few months ago Walt embarked
on a radical project, an animated short film with synchronized sound. And today it's
being screened for the first time. Walt holds his breath as the curtain pulls back and the projector flickers to life.
On screen, a cartoon mouse whistles as he spins the wheel of a steamboat,
steering it down a river.
At first, there's no reaction from the audience,
and Walt isn't sure whether that's a good sign or not.
But when the mouse sticks out his tongue and blows a raspberry,
the audience finds its voice.
The audience starts to laugh.
Then they roar, as a female mouse is hoisted onto deck using a crane hooked to her underwear.
Then they cheer, as the leading mouse defeats the steamboat's captain, a grumpy cat.
The worried look on Walt's face banishes.
With a broad grin, he's certain now that this short film is going to be everything he hoped for.
From his childhood in Missouri to the bright lights of Hollywood, Walt Disney's journey
will be a remarkable one. But he won't make it to the top of the film business alone.
At Walt's side will be one of the most famous and iconic characters ever created, a cartoon
mouse who was first introduced
to the world in the groundbreaking short film Steamboat Willie on November 18th, 1928.
What's the first step to growing your business? Getting people to notice you. But how do you
do that? Two words, constant contact. Your struggle with expensive, slow, and unmeasurable approaches to marketing your business is over.
With constant contact, get email marketing that helps you create and send the perfect email to every customer.
Connect with over 2 billion people on social media with an all-in-one tool for posting and sharing,
and create, promote, and manage your events with ease, all in one
place. Join the millions of small businesses that trust Constant Contact with their marketing
success. So get going and growing with Constant Contact today. Ready, set, grow. Go to constantcontact.ca
and start your free trial today. Go to constantcontact.ca for your free trial. Constantcontact.ca.
Kill List is a true story of how I ended up
in a race against time to warn those
who lives were in danger.
Follow Kill List wherever you get your podcasts.
You can listen to Kill List and more Exhibit C
Truecrum shows like morbid early and ad free right now
by joining Wandry Plus.
Add free right now by joining Wondry Plus. History is made every day. On this podcast, every day, we tell the true stories of the people and events that shaped our world. Today is November 18, 1928, introducing Mickey Mouse.
It's around 1907 in Marceline, Missouri, 21 years before the premiere of Steamboat Willie.
Six-year-old Walt Disney grabs hold of his younger sister Ruth's hand, tugging her out the door and into the backyard. It's a beautiful sunny day and the siblings look
for something to play with. Walt wanders across the grass to the corner
of the house and spots something that wasn't there earlier, a bucket. Walt peers inside to find the
bucket half full of tar. Off to one side are a few brushes. So Walt picks one up and dips it in the
tar, smiling as the thick gooey substance drips off the bristles. Then Walt takes the brush and
dabs it on the side of the house. Ruth stands back at first,
but Walt encourages her to join in. And before long, Walt and Ruth have painted a series of
figures on the pristine white woodwork. Walt tells Ruth that it's their family, and he's even included
their pet pig, Porker. But Walt and Ruth's artistic endeavors only come to an end when their mother
calls them inside for dinner.
But when they walk into the kitchen with black tar on their hands and clothes, it leads to
a scolding they don't soon forget.
Walt and Ruth spend the rest of the evening scrubbing the woodwork clean, but the stain
only disappears when their father eventually covers it with a fresh coat of white paint.
But despite the punishment, Walt's passion for visual art doesn't diminish.
He continues to develop his skills and more than a decade later, they help him secure
his first job.
But it's not as an artist or animator.
Instead in 1918, 17-year-old Walt uses his talents to alter the date on his birth certificate
and then join the Red Cross as an ambulance driver.
He's shipped to France, but by the time he arrives there, World War I has come to an end. So Walt spends much of
his time in Europe doodling. Eventually, some of his paper drawings are published in an
army newspaper, and that helps convince Walt that he really can make a career out of art.
When he returns to America, he decides to try his luck in a fast-growing industry, where
he thinks his drawing skills would be in high demand. Just over 20 years ago, the invention of celluloid film led
to a new art form, Motion Pictures. And alongside live-action productions, a thriving industry in
animated films has developed as well. After serving as an apprentice at one animation studio
and making commercials for another, Walt decides to start his own company in Kansas City.
But he soon finds that moviemaking is competitive and it's difficult to make a profit.
Walt creates animated shorts based on fairy tales, but the money he makes from them is
barely enough to pay the bills.
His drafty studio is infested with mice and the rodents use Walt's discarded drawings
to make their nests.
And in 1923, at age 21, Walt runs perilously short on cash. He decides to make one last attempt to
make it big and closes his Kansas City studio to move to Hollywood, the center of America's film
industry. The gamble soon pays off. Just a few months after arriving in California, Walt sells a series of short comedy features based on Alice's adventures in Wonderland. And with his reputation
growing, Walt then decides to create a new character. Oswald the Lucky Rabbit is different
from anything produced by animators before. Walt gives Oswald a distinctive way of moving
and his quirky mannerisms give him an instantly recognizable personality.
The rights to Oswald are soon snapped up by Universal Pictures, and Walt signs a contract
to produce 26 cartoons for the studio. Oswald the Lucky Rabbit soon proves popular among
theatergoers, too, but that doesn't mean he's a success for Walt. In February 1928,
Walt begins negotiations for a second batch of Oswald cartoons, but
Universal Pictures offers him 20% less than he earned on the first contract. Walt is furious
at what he sees as Universal's heavy-handed negotiating tactics, and he refuses to sign
on principal. But since Universal owns the rights to Oswald, it's a take-it-or-leave-it
deal and Walt's decision is a costly one.
Without Oswald, his business has lost its best source of income.
With his company on the edge of failure, Walt tries to replicate Oswald's success with
a new character.
And inspiration strikes in the form of a memory from a few years back, the mice scurrying
around his waste paper basket back in Kansas City. Soon Walt will sketch the first image of what will become his most famous character,
and by the end of the year Mickey Mouse will have made his debut on the big screen in Steamboat
Willie. But Walt will learn from his mistakes of the past and he'll fight to retain control of his
new creation, a decision that one day will transform Walt's company from an animation studio into
an entertainment empire.
For more than two centuries, the White House has been the stage for some of the most dramatic
scenes in American history.
Inspired by the hit podcast American History Tellers, Wondery and William Morrow present
the new book, The Hidden History of the White House.
Each chapter will bring you inside the fierce power
struggles, the world-altering decisions,
and shocking scandals that have shaped our nation.
You'll be there when the very foundations of the White House
are laid in 1792, and you'll watch as the British burn it
down in 1814.
Then you'll hear the intimate conversations
between FDR and Winston Churchill
as they make plans to defeat Nazi forces in 1941.
And you'll be in the Situation Room when President Barack Obama approves the raid
to bring down the most infamous terrorist in American history.
Order The Hidden History of the White House now in hardcover or digital edition
wherever you get your books.
This is the emergency broadcast system.
A ballistic missile threat has been detected inbound to your area.
Your phone buzzes and you look down to find this alert.
What do you do next?
Maybe you're at the grocery store.
Or maybe you're with your secret lover.
Or maybe you're robbing a bank.
Based on the real-life false alarm that terrified Hawaii in 2018, Incoming, a brand new fiction
podcast exclusively on Wondery+, follows the journey of a variety of characters
as they confront the unimaginable.
The missiles are coming.
What am I supposed to do?
Featuring incredible performances from Tracy Letts, Mary Lou Henner, Mary Elizabeth Ellis,
Paul Edelstein, and many, many more, Incoming is a hilariously thrilling podcast that will
leave you wondering, how would you spend your last few minutes on Earth?
You can binge Incoming exclusively and ad ad free on Wondery Plus. Join Wondery Plus in
the Wondery app, Apple Podcasts or Spotify.
It's November 21st, 1928 at the Disney Studios in Los Angeles, California, three days after
the premiere of Steamboat Willie. Walt Disney walks over to his desk, nervously eyeing the
copy of Variety magazine that his secretary left for him. Walt lowers himself into the
seat and opens the cover, searching the contents for a review of Steamboat Willie.
After coming up with the idea for Mickey Mouse, Walt set his team the task of creating an
animated short film for the new character.
And within weeks, the animators transformed Walt's early sketches into a short film.
But Walt wanted Mickey Mouse to make a splash when he was first unveiled, so he decided
to add an extra element, synchronized sound.
In 1928, movies with sound are still a new phenomenon.
It's been only a year since the premiere of The Jazz Singer, the first feature film
to incorporate synchronized sound.
And after that was a hit with audiences, Walt wanted this new technology in his short film
too.
So he signed a deal with distributor Cinephone to screen Steamboat Willie with synchronized sound. Now Walt is desperate to find out whether the critics agree with his decision.
Walt flips through the pages of the Variety magazine until he finds what he's looking for.
His eyes scan the text and then he smiles. The reviewer has nothing but praise for Steamboat
Willie and remarks on the laughter that rippled through the audience throughout the screening. Other publications also recommend Steamboat Willie to the viewing
public, with several pointing out that Walt's film doesn't just look good, it sounds good, too.
With critics agreeing that Steamboat Willie is a hit, moviegoers soon flock to theaters
to see it, and Walt is eager to capitalize on its success. Over the next few months, he focuses on producing
more Mickey Mouse animated shorts. And with each film more successful than the last,
Walt soon decides that his company deserves a greater share of the profits from the Mickey
Mouse animations, and he tries to renegotiate his contract with distributor Cinephone.
The talks don't go well, though. Cinephone's bosses claim that they have a binding agreement with Walt and refuse to
budge.
When Walt declares his intention to withdraw from the deal, Cinephone responds aggressively,
poaching several of Walt's best animators to start their own company and threatening
to sue for the rights to make more Mickey Mouse cartoons themselves.
The stress is unbearable for Walt and in October 1931 he has a breakdown.
Walt takes several weeks off to recover, but when he gets back to Los Angeles he has renewed
energy and optimism.
He leaves Cinephone behind and signs a new distribution deal with Columbia Pictures instead.
This time he makes sure the contract is watertight.
There's no treacherous small print and the deal makes it crystal clear that Mickey Mouse belongs to Walt. With Mickey secure, over the next few years,
Walt adds other popular new characters to his stable, including Pluto, Goofy, and Donald
Duck. Then Walt embarks on his first feature-length animation, a remake of the classic fairy tale
Snow White and the Seven Dwarfs. But Snow White is a big gamble
for Walt. Making feature films is expensive. Initially, he budgets $250,000 for the production,
around ten times the cost of a typical Mickey Mouse short. But even that's not enough.
Walt wants his first feature-length movie to be the best-looking animation ever made.
He insists on multiple rewrites of the script.
He demands full color throughout, and he has his animators take classes on human anatomy
to make the human characters as realistic as possible. But all these changes mean the budget
balloons out of control. So to get the film finished, Walt mortgages his house and borrows
$250,000 from the bank. When the final cost
is calculated, Snow White and the Seven Dwarfs has set Walt back $1.5 million, six times
more than he first predicted. Many industry insiders suspect that the film will bankrupt
Walt and his studio. But when it premieres on December 21, 1937, any doubts are quickly
dispelled.
The audience jumps to its feet and gives Walt a staining ovation as the credits roll.
By the end of its run in theaters, Snow White and the Seven Dwarfs will have grossed almost
$8 million and become the most successful synchronized sound motion picture to date.
Walt will be celebrated by Hollywood's elite and featured on the cover of Time magazine.
But his most cherished recognition will come when the organizers of the Academy Awards
decide to honor Walt in a special way, with a unique award for a unique achievement.
Three, two, one, liftoff! With an entirely new way to play.
Wondery Kids and the number one kids podcast,
Wow in the World, are making STEM toys fun like never before.
Tinker with slime bubbling volcanoes,
build rockets that fart, and uncovered dynamite dinosaurs.
For the first time ever, be wowed with exclusive, engaging
companion audio that comes with each STEM toy.
And as you play, Guy Raz and I, co-host of Wow in the World,
bring you and your family bonkerball facts
about the natural world, like how crystals and rainbows
are related.
And each STEM toy includes a bonus science tool
and three months of Wondery Plus free,
so the whole family can listen to their favorite podcasts
like Wow in the World early and ad
free.
Shop Wow in the World toy collection today at Amazon.com slash Wondery Kids.
That's Amazon.com slash W-O-N-D-E-R-Y Kids.
In the Pacific Ocean, halfway between Peru and New Zealand, lies a tiny volcanic island.
It's a little-known British territory called Pitcairn, and it harboured a deep, dark scandal.
There wouldn't be a girl on Pitcairn once they reached the age of 10 that would still
have earned it.
It just happens to all of them.
I'm journalist Luke Jones, and for almost two years I've been investigating a shocking story
that has left deep scars on generations of women and girls from Pitcairn.
When there's nobody watching, nobody going to report it,
people will get away with what they can get away with.
In the Pitcairn trials I'll be uncovering a story of abuse
and the fight for justice that has brought a unique, lonely Pacific
island to the brink of extinction.
Listen to the Pitcairn Trials exclusively on Wondery+. Join Wondery Plus in the Wondery
app, Apple podcasts or Spotify. It's February 23, 1939, at the Biltmore Hotel in Los Angeles, a year after the premiere
of Snow White and the Seven Dwarfs.
Amid rapturous applause, 38-year-old Walt Disney walks out from the wings and joins
10-year-old actor Shirley Temple in the middle of the stage.
They are both here for the Academy Awards, the most prestigious night in Hollywood.
Walt's no stranger to the Oscars. Over the past few years, he's won several awards for his animated
shorts. But when the Academy judges met to discuss the latest awards, they realized that Walt's
feature films Snow White and the Seven Dwarfs had no other full-length animations to compete against. But they still wanted to recognize Walt's pioneering work,
so they decided to give him an honorary Oscar instead, and now they've asked Hollywood's
most famous child star to present it.
As the crowd's applause dies down, Shirley enthusiastically begins telling Walt that boys
and girls around the world will be happy that the father of Mickey Mouse is about to receive this award. Then Shirley whips away a cloth that's
covering the Oscar. And much to the amusement of the audience, it isn't just a single golden statue.
Next to the main award are seven tiny replicas, one for each dwarf. The success of Snow White
and the Seven Dwarfs will spur Walt to produce dozens more
animated feature-length films. By the time he dies in 1966, Walt Disney will have won a record 22
Academy Awards, and he'll have grown his small animation studio into a global multimedia empire.
Today, the Walt Disney Company remains one of the most recognizable brands in the world.
And although Walt and all the artists that came after him have brought many iconic characters
to life, the face of the company remains Mickey Mouse, who had his public debut when Steamboat
Willie hit movie theaters on November 18, 1928.
Next, on History Daily, November 19, 1863. In the midst of the American Civil War, President
Abraham Lincoln delivers a speech dedicating a new cemetery at Gettysburg.
From Neuser and Airship, this is History Daily, hosted, edited and executive produced by me,
Lindsey Graham. Audio editing by Mohamed Shazi, sound design by Gabriel Gould, music by Thrum.
This episode is written and researched by Rob Scrag, edited by Scott Reeves, managing
producer Emily Burke, executive producers are William Simpson for Airship and Pascal
Hughes for Noiser.