American Scandal - Oklahoma City Bombing | April 19 | 1
Episode Date: February 14, 2023An explosion rips through downtown Oklahoma City. The FBI launches a nationwide manhunt.Need more American Scandal? With Wondery+, enjoy exclusive seasons, binge new seasons first, and listen... completely ad-free. Start your free trial in the Wondery App, Apple Podcasts, Spotify or visit https://wondery.app.link/rUic7i1hMNb now. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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A listener note, this episode contains graphic details and may not be suitable for a younger
audience.
It's the afternoon of April 25th, 1997.
Elena Garrett is standing at the front of a federal courtroom in Denver, Colorado.
The place is packed with journalists,
attorneys, and members of the public all sitting quietly, waiting for
Garrett to testify.
Garrett knows that what she says today
will be printed in newspapers across America.
Her words will be scrutinized
by members of Congress, and people
will probably talk about her testimony
over dinner and at the water cooler.
It's a lot of pressure,
especially considering that she's about to lay bare the most painful memories of her life,
a grief that's almost seemed boundless.
So when Garrett raises her right hand and swears to tell the truth and nothing but the truth,
her voice almost comes out in a whisper.
The judge tells Garrett to speak up for the court reporter.
Garrett swallows and answers the court bailiff again, louder this time, swearing to tell the truth.
And as she settles into the witness box, Garrett can't help but look at the skinny man with a military-style haircut sitting at the defense table.
He's the reason Garrett is here today in the federal courtroom. Two years ago, this man parked a truck in front of a federal building in Oklahoma City
and set off a bomb that killed 168 people.
Since then, he's been the subject of a national conversation about political violence
and the rise of domestic terrorism.
Everyone seems to have something to say about the tragedy in Oklahoma City.
But Helena Garrett has tried to tune out all that noise.
At this point, she can really only do one thing,
bear witness to the truth and bring this man to justice for killing her baby.
Garrett's son, Tevin, was only 16 months old.
He was among 18 other children who were killed in the blast in downtown Oklahoma City.
It's been two whole years
since that day, the day her life changed and Garrett was plunged into endless grief. The federal
prosecutors told Garrett that she could serve as a witness at the trial and that it could be one
small way to get a measure of justice. So even though the national spotlight is now on her,
and even though she's still suffering from the pangs of loss, Garrett agreed to take the stand and give the strongest, most damning testimony possible.
One of the prosecutors stands and begins his questioning.
Ms. Garrett, thank you for being here. It takes a great deal of strength to come in and speak in
front of a jury. So I wanted to start out with a simple question. Where'd you come in from? Oklahoma City. Ms. Garrett, when you
answer questions, could you please keep your voice up? Yes, I'm sorry. I'll ask again. Where did you
come in from? Oklahoma City. And do you have any children? Yes, I had two. Miss Garrett, tell me about your oldest child.
Her name is Sharonda. She's eight.
And your other child?
His name is Tevin.
He was 16 months old when he died.
The judge leans forward on the bench.
I'm going to interrupt here.
Could we bring in a microphone?
I think that might make this easier.
The prosecutor nods. Thank you,
Your Honor. Garrett fidgets in her seat, suddenly feeling ashamed
and embarrassed. She was already
worried that she was going to be a bad witness.
She's not used to this kind of public
attention. And now somehow,
she can't even manage to speak loudly enough
for the court. The prosecutors
are probably furious. They probably
wish they never invited her
to be a witness in the first place. Garrett tries to calm her racing thoughts. And as a clerk sets
up the microphone, Garrett reminds herself that she just has to remain strong. All right, Miss
Garrett, I think we've got you all mic'd up. Now, can you tell us how your son Tevin died?
Can you tell us how your son Tevin died?
Tevin died in the bombing in Oklahoma City.
He was crushed in the rubble.
They had to use a fingerprint sample from our mirror to identify him.
He was too unrecognizable.
Miss Garrett, I'm so sorry for your loss.
It's a tragedy I don't think most of us could ever imagine.
But could you tell us,
why was Tevin at a federal building in the first place?
That's where he went to daycare.
My daughter used to go there too,
but thankfully she'd already started kindergarten.
I see.
Now, Ms. Garrett, this is going to be hard,
but could you take us back to that day?
Start at the beginning.
What happened on the morning of April 19th, 1995?
Garrett nods, fighting back tears. She wishes she could forget that terrible day and just hold on to the happy memories of her son. But the jury has to understand what happened. And if that means
reliving the day in excruciating detail, then she's willing to do it. So Garrett leans forward
and begins telling her story. About a spring day in Oklahoma City in 1995. A day that had
started out so normally, but which quickly became a nightmare.
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From Wondery, I'm Lindsey Graham,
and this is American Scandal. In American democracy, citizens enjoy a wide range of political powers and rights.
We vote in elections.
We choose new members of Congress and new presidents,
and we elect leaders at the state and local level.
The Constitution gives Americans the right to peacefully protest,
and everyday people can publish scathing critiques of the government,
and journalists have the freedom to expose politicians' wrongdoings,
leading to change in our political system.
These are some of the central features of America's democracy,
giving citizens the freedom and power to influence the shape of their own government.
But built into these political riots is the expectation that Americans will take action peacefully, an agreement that some Americans have chosen to violate. On April 19, 1995,
a moving truck was left in front of a federal building in downtown Oklahoma City.
It was packed with 4,800 pounds of explosives. When the bomb detonated,
it killed 168 people, becoming the deadliest act of terrorism to occur on U.S. soil at that time.
At first, both the American public and law enforcement believed the attack was the work
of international terrorists, but the evidence in Oklahoma City led investigators toward an
unexpected and chilling conclusion.
The bombing appeared to be the work of domestic terrorists, driven by an extreme ideology
and a desire to wage war on the federal government.
This is Episode 1, April 19.
It's 7.46 a.m. on Wednesday, April 19th, 1995,
two years before Helena Garrett gives her testimony in a federal courthouse.
On a wide street in downtown Oklahoma City,
Garrett is driving her old hatchback through morning traffic.
She's trying to make good time.
Already, the morning has gotten away from her.
But as Garrett approaches an intersection,
the traffic light turns from yellow to red, and Garrett has to hit the brakes. She groans in frustration. She was late leaving
the house, but now she's somehow hitting every single red light. It's like she's cursed. Garrett
can see her destination on the next block, the Alfred P. Murrah Federal Building. This nine-story
structure looms against the morning sky, almost
taunting her at so close. Garrett sits waiting for the light to turn and steals a quick glance
in the rearview mirror. Her 16-month-old son, Tevin, is strapped into his car seat. He's smiling
and babbling to himself, his dark eyes shining in the morning light. Elena grins as she gazes
at her son. He's so innocent, so happy and untroubled.
Garrett wishes she could just enjoy the time together with her son,
not worry about being late.
But Garrett is a clerk for the Oklahoma Regents of Higher Education,
the state agency that oversees the state colleges.
It's a busy office, and Garrett's boss is a stickler about being on time.
And Garrett can't do anything
to jeopardize her job. She's a single parent, and her two children depend on her. So even if she'd
rather spend the morning playing with her toddler, Garrett has to hurry and get her son to daycare in
the federal building, which is just a block away from her office. The light finally turns green,
and Garrett drives forward
Soon she pulls into the parking lot of the federal building and stops the car
Garrett looks at the clock
It's 7.48 a.m.
Getting to work by 8 is going to be tight
But as long as she hustles, she'll make it
Garrett opens the back door and scoops Tevin into her arms
Her son begins fussing, saying he wants to walk,
but Garrett says she's sorry they don't have the time.
Her son keeps protesting, crying out that he wants to walk,
but Garrett knows she can't give in,
not if she wants to make it to her job on time.
So when they arrive at the daycare on the second floor,
Garrett lets out a sigh of relief.
She loves this place.
It's full of bright colors
and feels open and safe. She knows Tevin is in good hands. So Garrett signs her son in for the
day and then sets him on a rainbow-colored rug where several other toddlers are playing with
toy cars. Garrett greets each child by name. She's known most of them since they were just a few
months old. Then she bends down and kisses Tevin goodbye.
She'll see him later.
Garrett is almost at the door when she hears her son start to wail.
Garrett turns, finds Tevin with his back to her,
his little shoulders heaving with sobs.
Garrett bites her lip, wishing she had a little more time.
But she knows these are the trade-offs of being a single mother.
She can't risk losing her
job. And anyway, she can make it up later and give her son a big squeeze when she picks him up at the
end of the day. So Garrett hustles back to her car and starts the engine. She checks her watch.
It's 7.55. If she moves fast, she'll still be able to make it to work on time.
able to make it to work on time. About 30 minutes later, Susan Gail Hunt gropes for her coffee mug as she sits entering data into a spreadsheet. With her eyes trained on the screen, Hunt lifts her mug
and takes a big gulp of coffee, then nearly spits it out on the keyboard. It's cold. Hunt rises from
her desk and begins making her way to the break room. Hunt works for
the U.S. Department of Housing and Urban Development, or HUD as most people call it.
The agency oversees federal housing programs, including loans for homebuyers, and Hunt manages
a 124-person office in the Alfred P. Murrah Federal Building. As the office manager, Hunt has an
endless supply of administrative tasks. But the
job involves much more than just entering data into spreadsheets. Hunt believes it's her job to
look after the emotional and physical well-being of the entire staff. People in this office are
employed by U.S. taxpayers and work to serve the American people. Of course, taking care of 124
employees requires a lot of work. And to do our job well, Hunt has to remain focused.
And that requires a steady stream of caffeine.
Cold coffee won't do.
So Hunt beelines it to the break room.
As she passes the desk of Tony Reyes, her fellow employee holds out a bowl of candy.
It's a running joke between them.
Hunt never eats breakfast, and Reyes always offers a bowl of candy. It's a running joke between them. Hunt never eats breakfast,
and Reyes always offers a piece of candy instead. Hunt keeps walking through the office and says
good morning to legal assistant Kim Clark. Clark is about to get married, and Hunt is arranging
the wedding bouquets. She promises Clark that she'll get the flowers this weekend, so everything
will look beautiful the day of the wedding. Clark beams, offering her gratitude for what she knows has been a ton of work.
And it's true, helping a colleague plan her wedding has taken time.
But Hunt doesn't mind.
This is what she loves most about her job,
the feeling of camaraderie, of being part of a family.
A moment later, Hunt reaches the break room and grabs the coffee pot.
But as she pours herself a cup, she realizes the filter must have broken. Her mug is filled with soggy grounds. Hunt shakes her head.
It's time to make a fresh pot. As she preps the coffee maker, Hunt thinks about the busy morning
ahead of her. She's got a lot to do, but if she can get some fresh coffee, everything should be smooth sailing.
About 15 minutes later, Marine Captain Michael Norfleet pulls his black pickup truck into a parking spot in front of the Alfred P. Murrah building. It's a lucky break. It's not easy
finding a good parking spot at the Federal Building. Norfleet needs to just pop in and
join a celebration for one of the sergeants who works in
the Marine's Central Recruitment Office. The young man is about to be promoted to officer, and
Norfleet wants to be there when he gets the news. Norfleet himself works as a recruitment officer
for the Marine Corps over at the University of Oklahoma campus. He's not taking the day off,
so it'll have to be a quick in-and-out thing and then off to work.
the day off, so it'll have to be a quick in-and-out thing and then off to work.
As Norfleet begins walking into the building, he notices a yellow moving truck parked behind him in the loading zone.
A gangly young man in a black baseball cap is walking away from the truck.
He crosses the street, hurrying away from the Murrah building.
Norfleet feels a flicker of concern.
It's not unusual to see moving trucks
around the federal building. Inside, there are several military offices, and soldiers driving
these kind of trucks often stop in to meet with their command. But if that's what this man is
doing, he should be heading into the federal building, not walking the other way. But Norfleet
just shakes his head. It's probably nothing. He served in the Gulf War and then in South America,
helping to fight the drug war.
Those kinds of experiences will do something to a person,
leave you with a few scars
and feeling itchy about things that don't feel right.
But Norfleet has nothing to worry about.
He's not deep in the jungle.
He's back home in downtown Oklahoma City,
and it doesn't get any safer than this.
home in downtown Oklahoma City, and it doesn't get any safer than this.
Norfleet exits the elevator on the sixth floor of the federal building and walks into the Marine Recruitment Office and Command Center.
An American flag and a Marine flag stand in the entryway,
and when Norfleet turns a corner, he runs into Ben Davis, the sergeant due for promotion.
Oh, hey, Norfleet. I'm glad you're here.
Because I've got to tell you, I'm starting to sweat.
I haven't heard anything. You think that's a bad sign?
No, I think it's barely 0900 hours, Davis.
Relax, you're going to be made officer.
Davis nods, but Norfleet can see the young man is still worried.
Now, look, look, I'm sure you were up all night, right? Waiting for this moment. You want me to call over to HQ, see if the approval came through?
Is that too much to ask? Not at all. It's no problem. Norfleet steps into the operations room
and picks up a beige telephone. He dials the number for Marine headquarters, but can't manage
to get through. So Norfleet hangs up and returns to the young sergeant.
Sorry, line's busy. I'll call him back in five.
Can you wait that long?
I can try.
Good.
I'm going to go check in with some of the other guys, but I'll be back.
Norfleet begins to walk past Davis,
making his way to the other end of the office, and then stops.
Hey, Davis, you know, you're a good man.
You're going to get this promotion, I promise you. Thanks, Davis, you know, you're a good man. You're gonna get this promotion,
I promise you. Thanks, Norfleet. I appreciate it. Norfleet walks to the other end of the office and he's about to say hi to one of the guys he served with in Desert Storm.
Suddenly, Norfleet is thrown forward with a terrifying force, slams into the wall.
In every direction, glass windows shatter and splintered shards come flying into the office like a swarm of bees.
Norfleet is thrown to the ground.
His vision goes blurry, and a moment later, the whole world goes black.
When Michael Norfleet comes to, he's sprawled against a wall.
Blood is pouring down his face.
His head and nose throb with pain, and he can't see out of his right eye.
Norfleet looks down.
There are pieces of glass sticking out of his left arm.
Blood is gushing from his wrist, and something is piercing his forehead.
Norfleet reaches up.
It's more glass, and a large piece by the feel of it. Norfleet isn't sure what happened,
or how long he was unconscious. All he knows is that he has to get medical attention,
and quickly. So Norfleet begins staggering through the office. Up ahead, he can just make out his friend we had just walked over to greet.
Sergeant Tad Snedeker looks confused in a state of shock, but when he sees Norfleet,
he springs into action. Snedeker clears everything off his desk and orders Norfleet to lie down on
top of it. He says he's going to find bandages and stop the bleeding. Norfleet does as he's told
and lies down on top of the desk.
But as he waits,
it feels like his life is seeping out from him.
Norfleet starts to panic
and pushes himself up on his elbows.
The world is swimming in front of him,
a hazy, confusing mess.
But Snedeker comes rushing back,
ordering Norfleet to lie down.
But Norfleet refuses.
He says he needs to get to a hospital.
He's going to die if he doesn't.
Snedeker hesitates, but says he might be right.
They have to get out of here.
Snedeker then wraps his arm around Norfleet
and begins helping his fellow soldier make it to the staircase.
As they round a corner,
Norfleet suddenly feels the wind whipping his face.
He stops for a moment, confused.
When he finally takes it all in,
Norfleet realizes what he's seeing.
The entire north wall of the building is gone.
The whole section of the recruiting office
looks like it's been hit by a wrecking ball.
Even the stairwell is blocked by rubble.
It's going to be hard to make it past
all the debris, but they don't have any choice. They just have to keep going. So the two men
climb over the obstructions and then begin descending the six stories step by step. When
they reach the bottom, Norfleet stumbles outside. The spring air is shockingly cold. Sirens are wailing, and all around him, people are crying and screaming for help.
Norfleet is immediately tended to by a highway patrol officer,
and then begins making his way to an ambulance.
But Norfleet stops, looks back at the Murrah building.
It's hard to see with all the blood clouding his vision.
But there's no mistaking the scale of the explosion.
The entire front of the building hasing his vision. But there's no mistaking the scale of the explosion. The entire
front of the building has caved in. The floors are pancaked on top of each other. Mangled furniture
and jagged rebar are spilling from the rubble as black smoke billows into the air. Norfleet's
vision begins to blur again. He's been to war, and he knows that tragedies like this happen all around the world.
Still, this does not feel real.
This is not supposed to happen in America.
Not here, at home, not in downtown Oklahoma City.
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This is season two of Finding.
And this time,
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It's the morning of April 19th, 1995,
in the Washington headquarters of the U.S. Department of Justice.
Merrick Garland is reading a transcript of a deposition when there's a ding on his computer.
Garland stops what he's doing and puts on his glasses.
When he clicks over to his inbox,
Garland sees a message with the subject,
Urgent Report.
It's not unusual for Garland to receive a message
screaming for attention.
As chief of the criminal division,
he's one of the top officials
in the Federal Department of Justice
and oversees an enormous number of cases.
Garland has earned a reputation
as a meticulous legal strategist,
one who can handle both complex litigation and a sprawling department.
And while he has to be careful about how he divides his time, Garland decides to hit pause on the current case in front of him and take a quick look at the message in his inbox.
The message is from the U.S. Attorney's Office in Oklahoma City.
It's composed with staccato sentences and has several typos, signs that it was written
fast. As Garland scans the text, it becomes quickly apparent that a crisis is unfolding in Oklahoma.
According to the message, there's been a huge explosion at the Murrah Federal Building in
Oklahoma City. Several government agencies housed inside the building are already reporting casualties.
Garland forgets all about
the deposition for the other case and hurries next door to the office of his direct superior,
Deputy Attorney General Jamie Gorelick. She's sitting at her desk, staring at her own computer
monitor with a similar look of shock. Apparently, the top three floors of the Murrah building were
blown right off. Small explosions are continuing along the
gas line. There's even damage to the U.S. courthouse across the street. Whatever happened
in Oklahoma City this morning is turning into a disaster. Garland's mind races as he processes
the details and tries to figure out a plan. It's possible that the U.S. courthouse was the target.
There have been reports of a defendant
in a federal drug trial making threats.
But Gorelick thinks that's a lot of assumptions.
All they know is that there was an explosion.
It could have been an accident with a gas main.
They don't know for sure this was an attack.
Garland nods, but either way,
the DOJ has to respond right away.
Gorelick picks up her phone.
Then she dials her boss, Attorney General Janet Reno. Either way, the DOJ has to respond right away. Gorelick picks up her phone.
Then she dials her boss, Attorney General Janet Reno.
Gorelick puts the Attorney General on speakerphone.
Reno doesn't mince words.
She tells them to alert FEMA and to make sure the agency is coordinating a response right away.
Top priority is to protect the people on the ground.
Reno also wants the FBI overseeing the investigation.
Federal agents should take over from local authorities.
Then Reno says she's going to brief President Clinton.
She'll call back in 15 minutes.
In the meantime, Gorelick and Garland should continue trying to figure out what happened.
After the call with the Attorney General, Merrick Garland races back to his office,
continuing working to gather more information about the explosion.
Garland finds another report in his inbox.
This one clarifies that the entire north side of the building was blown away.
The report goes on to indicate that there was a daycare center inside the building,
and as of now,
the fate of the children is unclear, although some are reporting several are dead.
Garland sits staring at the report. He's the father of a preschooler himself.
Reading such a horrifying account, Garland's mind flashes to his daughter's bright eyes, an infectious laugh. Could someone really be sick enough to blow up a building housing a daycare?
Garland turns on his TV to see if anyone has footage from the scene.
He flips through several channels until he finds coverage of the event from CNN.
There on screen is live footage from Oklahoma City.
Staring at the images, Garland almost feels sick.
Nearly the entire front half of the federal building is gone.
Down on the street, you can see the inside of the building,
the offices with collapsed ceilings and overturned furniture,
computer monitors scattered in the street.
It almost looks like a mangled diorama.
Garland has only once seen something like this before.
That was back in 1983, when a suicide bomber attacked a marine barracks in Beirut.
And while gas line explosions can be destructive,
they're nothing like this.
Deputy Attorney General Gorelick
warned Garland not to jump to any conclusions.
Seeing the wreckage and savagery in Oklahoma,
Garland knows there is only one explanation.
The federal government has just come under attack.
And whoever is responsible may not be finished.
It's a little after 9.30 a.m. in downtown Oklahoma City.
Outside the Murrah Federal Building,
Susan Gale Hunt is walking in what feels like a trance,
passing through an endless sea of chaos and destruction.
Injured people are sprawled on the ground.
Law enforcement agents are digging through rubble,
barking orders.
Overhead, there's a loud, constant drone of helicopters
circling in the sky.
Hunt turns to one of her colleagues
from the Department of Housing and Urban Development.
Hunt has always taken care of her coworkers,
but now isn't any different.
Hunt is helping her colleague walk through the rubble. He has a large gash in his head
and can barely put weight on one of his feet. Suddenly, Hunt's colleague begins to tremble
and sag. Hunt spots a police officer about 50 feet away and yells for him to come over.
The officer at first doesn't hear the call, so Hunt yells again, using all of
her remaining strength. The officer finally registers her voice and comes running over to
help, wrapping her colleague in a blanket and helping him down to the ground. As they wait for
an ambulance, Hunt asks the officer where the rest of her co-workers are. Hunt had been knocked
unconscious, and when she came to, she and several of her colleagues got
out of the building as quickly as they could, but there were 124 Hunt employees working on the
seventh and eighth floors. Looking around now, Hunt can only see a handful. The policeman avoids
making eye contact, but tells Hunt her co-workers are probably still inside. Hearing this, Hunt
begins to tremble. She imagines her friend, Tony Reyes,
with his bowl of candy lying somewhere in pain. She pictures Kim Clark trapped under concrete,
never making it to her wedding day. The images are haunting, but Hunt knows she can still do
something. It's her job to take care of these people. So Hunt goes charging back into the
ruined building, ignoring the
protest from the police officer. She climbs over piles of debris, her hands scrape against broken
concrete, and her feet crunch on broken glass. Hunt is sweating and gasping for breath, but she
keeps going because there's a chance she could save some of the people she loves.
she could save some of the people she loves.
Minutes later, Helena Garrett sprints around the side of the Murrah building,
desperately looking for a way in.
Her voice has grown hoarse from screaming.
She'd been at work only a block away when she heard the blast.
Immediately, Garrett raced over and began fighting to get inside the building so she could find her 16-month-old
son, Tevin. The police tried to keep her out, but Garrett wouldn't be turned away. She even tried
climbing a pile of debris that towered over her head. But her search still hasn't turned up her
son, and Garrett doesn't have any answers. So as she reaches another police barricade and finds
two men standing guard,
Garrett begins screaming again for help.
She yells at the men that there's a daycare on the second floor.
Her son is inside. Other children are inside.
The men have to help her find them.
The two men exchange a look of horror and then rush into the building.
As she stands waiting, Garrett feels a trickle of hope.
Finally, someone is helping her. Tevin could still be alive. Several minutes later, one of the men emerges from the
building, carrying a small body. It's limp and still. Garrett freezes, panicking. But as the man
gets closer, Garrett sees the child has straight blonde hair. Tevin has dark, wispy curls. It's not her son.
But even though she should feel some measure of relief, Garrett grows even more panicked.
She knows this boy, too. His name is Colton. He's only two years old. She saw him this morning,
playing on the rug in the daycare. When Garrett looks over at the other end of the plaza, she sees another
group of men carrying out more small bodies. They're laying them down one next to another,
half swaddled in sheets. A nurse begins attaching tags to the feet of each of the bodies.
For a moment, Garrett stands watching the silent procession in a daze of incomprehension,
and then it hits her. They're dead.
All of the babies are dead.
Something primal suddenly takes hold of Garrett.
A piercing wail erupts from her chest.
They're all gone.
All of them, including her beautiful son Tevin.
She never even got to hug him goodbye.
Later that morning, Merrick Garland strides down a hallway inside FBI headquarters in Washington.
Garland pushes open a heavy door and enters a room buzzing with frenzied activity.
Phones are ringing off the hook, and groups of federal agents are huddled together in tense conversation.
This is the FBI's war room, and as a top official at the Department of Justice, Garland knows the smell of adrenaline, the propulsive energy of a quickly developing case.
Federal agents now believe the explosion in Oklahoma City was an attack.
Someone detonated a truck bomb.
And everyone in this room has the task to catch whoever is responsible.
to catch whoever is responsible.
Garland weaves through a row of desks and makes his way to the other end of the office
where FBI Director Louis Freeh
and other senior advisors are hunched over a table
studying a map of the United States.
As Garland approaches, the FBI director looks up.
Merrick, appreciate you coming so quickly.
We need all hands on deck.
Well, of course.
What do we know?
What's the latest?
We've got bomb threats being reported at federal buildings in Delaware, Alabama, Nebraska,
and that's just the start of it.
So far, it appears none of these are credible, but we're on high alert.
But no one's claiming responsibility for Oklahoma City.
Now, we're still dealing with issues of credibility.
The news channels are reporting the Nation of Islam is taking credit, but that's unconfirmed. Still, it tracks with our best theory. This looks a lot like the truck bomb at the World
Trade Center back in 93. You know, that was Al-Qaeda's doing. Well, there is an unmistakable
resemblance in the two attacks. But sir, why would foreign terrorists go after a nondescript federal
building in the middle of the country? You'd think they'd want to attack something with symbolic
value, a place like the World Trade Center. We don't know why the Murrah building
was targeted, but it's still early. Well, of course, it's only been a few hours, but do we
have anything else? We did get multiple reports of a man leaving the scene in a black tracksuit
or searching passenger manifests for young men traveling alone to the Middle East.
Anyone who fits the profile will question them and search their luggage.
Garland nods. It's a good plan.
But he also wonders if there are any angles the FBI hasn't yet considered.
Well, sir, I admit that I'm not an expert in foreign terrorism.
But are we sure this wasn't something domestic?
An American citizen? It's a real possibility.
Merrick, I appreciate the idea, and we're not ruling out anything.
But the bomb techs say this explosive was too sophisticated for an amateur.
All the domestic groups just don't have the skills.
So until we get more updates, we're operating on the theory of a foreign attack.
Garland is about to continue pressing his case
when another agent arrives with an update.
The team in the field just found a vehicle axle
near the explosion site. They believe it's from the truck that housed the bomb, and it still has
a legible serial number. The FBI director pounds the desk, saying this could be a major break.
A serial number could lead them to whoever carried out the bombing, but they have to move fast.
Whoever did this is already on the run. The FBI has a
small window of opportunity. But if they do this right and follow the evidence wherever it takes
them, they should soon have their suspects in custody. On January 5th, 2024, an Alaska Airlines
door plug tore away mid-flight, leaving a gaping hole in the side of a plane that carried 171 passengers.
This heart-stopping incident was just the latest in a string of crises surrounding the aviation manufacturing giant, Boeing.
In the past decade, Boeing has been involved in a series of damning scandals and deadly crashes that have chipped away at its once sterling reputation. At the center of it all, the 737 MAX.
The latest season of Business Wars explores how Boeing,
once the gold standard of aviation engineering,
descended into a nightmare of safety concerns and public mistrust.
The decisions, denials, and devastating consequences bringing the Titan to its knees
and what, if anything, can save the company's reputation.
Now, follow Business Wars on the Wondery app or wherever you get your podcasts.
You can binge Business Wars, The Unraveling of Boeing, early and ad-free right now on Wondery Plus.
It's before dawn on April 20th, 1995, at the Will Rogers Airport in Oklahoma City.
It's still dark outside as FBI Special Agent Weldon Kennedy steps out of the airport terminal
and begins making his way to a black sedan waiting at the curb.
Kennedy throws open the door and greets one of his fellow agents sitting in the driver's seat.
Kennedy eases himself into the front passenger seat, and after he buckles up, the other agent
asks Kennedy where he'd like to go first. There's a lot to do, a lot of intelligence to gather and
people to interview. Kennedy was tapped by the FBI director to take over the investigation in
Oklahoma City, and now that Kennedy has arrived, the enormity of the
mission is sinking in. It's been less than 24 hours since the federal building in downtown
came under attack. Scores were killed in the blast, including children at a daycare center.
It's turning out to be the most deadly act of terrorism on U.S. soil in the nation's history,
but so far, the FBI hasn't made any arrests. So the clock is ticking.
And with responsibility to spearhead the investigation on the ground,
Kennedy is feeling the pressure.
He and his fellow agents are going to have to move quickly
and dig up whatever intelligence they can
so they can find the people responsible for the attack.
But Kennedy also knows he first has to get his bearings.
Before he does anything else,
he needs to head to the Murrah Federal Building and get to know the damage firsthand. As the sedan speeds down the highway,
Kennedy turns to his fellow agent. All right, so what's the latest? I was out of pocket while
traveling. Well, I'm guessing you heard about the man in the black tracksuit leaving the site? Yeah,
I've heard that much. Well, our guy also detained a Palestinian-American from Oklahoma City.
He was traveling alone to Jordan.
When the agents searched him, they found a bunch of wires and electronics in his suitcase.
He also had black sweatpants.
Oh, and what came of the questioning?
Well, not much.
Guy didn't confess to anything, and so far we haven't found any real evidence linking him to the bombing.
Well, it's a lead. What else we got? We ran tracing on that axle we found. It's from a
rider truck, a rental. Rider, huh? What came up? Well, this axle came from a truck rented in
Junction City, Kansas. Two men rented the vehicle. One of them signed the rental contract with the
name Robert Kling. We got descriptions and drawings from a sketch artist.
You'll want to take a look.
They're over there in the briefcase behind my seat.
Kennedy grabs the briefcase and pulls out two composite sketches.
The one labeled Robert Kling
shows a young man with thin lips
and a short military-style haircut.
The other drawing is of a man who's more squat,
with thick, dark hair and a wide jaw.
It's labeled John Doe number two.
Kennedy studies the drawings, his brow furrowed. Neither of these guys look Middle Eastern. Well,
well, you know eyewitnesses. They get things wrong, but the Middle East theory is the best
we've got so far. But Robert Kling? That's not Middle Eastern. Well, we ran the name,
and it seems to be an alias. So it doesn't matter. It's just made up.
And the witnesses, did they say any of these guys had accents? No, sir. But no, no, no. That's too
many buts. Look, we don't go searching for evidence just to prove a theory. And from everything I've
heard, these men don't sound like foreign nationals. Come on, sir. You really think an
American would do this? I don't want it to be true any more than you do, but we have to go where the evidence takes us. All right, copy that. Well, Agent Kennedy, the car comes to a
stop. Here we are. Kennedy steps out of the sedan and gazes at the ruins of the Alfred P. Murrow
Federal Building. It's been almost a full day, but smoke is still rising from the broken concrete.
It's been almost a full day, but smoke is still rising from the broken concrete.
There are cranes pushing aside the debris as rescue workers continue searching for survivors.
Kennedy has been briefed on the details.
He knew the attack had been bad, but seeing the devastation in person is something else entirely.
A tragedy beyond imagination.
Kennedy turns to the younger agent and gives him his first set of orders. The FBI needs to hold a press conference and get the sketches onto the news. The public needs to see
the drawings of the men who might be responsible for the attack. And then Kennedy says he wants
federal agents to swarm Junction City, Kansas, where the men rented the truck. Law enforcement
need to canvass every motel, every gas station, restaurant,
and apartment complex. Someone saw the men who rented that truck, and if they get enough boots
on the ground, sooner or later, they'll find the men who carried out this horrifying attack.
Later that afternoon, FBI agent Mark Booten steps into the Dreamland Hotel in Junction City, Kansas.
It's a long, one-story building with a smattering of cheap cars parked out front.
The lobby is full of shabby old furniture, and at the front desk,
an older couple stands waiting for the woman behind the counter
who looks like she'd rather be anywhere but here.
Booten knows the feeling.
He doesn't want to spend any more time than he has to in this dingy motel either. But the FBI agent was called in from the field office in Topeka and instructed
to help find the suspects behind the Oklahoma City bombing. The two men rented a moving truck
here in Junction City, and the FBI believes they may have stayed somewhere nearby. So Boutin has
spent the entire day driving up and down the highway, questioning owners of local motels.
He's hit one dead end after another, and he's beginning to lose hope.
But Boutin has to make sure he doesn't leave any stone unturned.
So he pushes past the old couple at the front desk and whips out his FBI badge,
announcing he needs to talk to the motel owner.
The woman behind the counter gives him a slow and wary look.
She says she's the owner,
but Boutin is going to have to wait his turn.
She's helping customers.
Boutin scoffs at this.
There are terrorists on the loose,
men who could strike again.
There's no time for courtesy.
So Boutin pulls out the sketches of the two suspects
and tells the motel owner he needs her
to set aside what she's doing and cooperate. Can she identify either of the men in these sketches? The woman pauses, giving Boutin
another wary look. Then she sets down a pair of room keys and spends a moment looking at the
drawings. The motel owner looks up and says one of the guys, the one with the military haircut,
looks a little like a guest who stayed this last weekend.
Boutin nods. This is a good start.
He then asks the motel owner if she saw this guest driving a moving truck.
And the motel owner says she did.
The guest picked up a large yellow truck during his stay.
He said he was moving to the area.
Boutin's heart starts beating a little faster. Then he asks if she remembers anything else.
The woman scratches her chin, thinking, and says now that he mentions it, there were a couple things she found
odd. The guest really didn't want to show her his driver's license, and although the car he was
first driving had an Arizona license plate, he gave her a Michigan address when he registered
for the room. It was all a bit fishy. Boutin asks immediately if he can see the guest registration card.
The owner reaches into a file drawer,
pulls out the small card, and places it on the counter.
As Boutin studies it, his palms begin to sweat.
He's not an expert in this kind of analysis,
but the handwriting on the card seems to match the writing
on the rental agreement for the Ryder truck.
On both that agreement and the guest card,
the handwriting slants to the left.
The name on the card says Timothy McVeigh.
So far, the FBI only has aliases to work with,
so Boutin has no concrete proof that this is their man.
Boutin has a feeling in his gut,
telling him he's found their guy,
the man who killed at least 100 people,
a terrorist unlike anyone in American history.
So Boonton races out of the motel to go find a private phone.
He has to call FBI headquarters.
They now have a name and address for their prime suspect.
And all that's left is to track down and capture Timothy McVeigh
before he can carry out any more attacks.
and capture Timothy McVeigh before he can carry out any more attacks.
From Wondering, this is Episode 1 of the Oklahoma City Bombing from American Scandal.
In our next episode... Before the bombing, Timothy McVeigh was a dedicated member of the military,
but he transformed into a disillusioned veteran.
Convinced that the federal government is waging a war on American gun owners, McVeigh decides he needs to take action. To listen to the rest of this season
of American Scandal, start your free trial of Wondery Plus in the Wondery app, Apple Podcasts,
or Spotify. With Wondery Plus, you can listen to other incredible history podcasts like American
History Tellers, History Daily, Tides of History, and more.
Download the Wondery app today. If you'd like to learn more about the Oklahoma City bombing,
we recommend the books American Terrorist by Lou Michelle and Dan Herbeck, One of Ours by Richard
A. Serrano, Oklahoma City, What the Investigation Missed and Why It Still Matters by Andrew Gumbel
and Roger G. Charles, and the documentary American Experience, Oklahoma City,
directed by Barrett Goodman, airing on PBS.
This episode contains reenactments and dramatized details.
And while in most cases we can't know exactly what was said,
all our dramatizations are based on historical research.
American Scandal is hosted, edited, and executive produced by me,
Lindsey Graham, for Airship.
Audio editing by Molly Bach.
Sound design by Derek Behrens. Music by Lindsey Graham. This episode is written by me, Lindsey Graham, for Airship. Audio editing by Molly Bach. Sound design by Derek Behrens.
Music by Lindsey Graham.
This episode is written by Austin Rackless,
edited by Christina Malsberger.
Our senior producer is Gabe Riven.
Executive producers are Stephanie Jens,
Jenny Lauer-Beckman,
and Marsha Louis for Wondery.