American Scandal - Ruby Ridge Standoff | Deadly Force | 3

Episode Date: July 22, 2025

In the fallout of the initial gun battle, the government sends dozens of highly-armed agents to Ruby Ridge. But as they work under a fog of bad information, FBI leadership takes the extraordi...nary step of altering their rules of engagement, leading to more bloodshed.Be the first to know about Wondery’s newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to American Scandal on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting wondery.com/links/american-scandal/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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Starting point is 00:00:00 Want to get more from American Scandal? Subscribe to Wondery Plus for early access to new episodes, ad-free listening, and exclusive content you can't find anywhere else. Join Wondery Plus in the Wondery app or on Apple Podcasts. It's the late afternoon of August 21, 1992, at FBI headquarters in Washington, D.C. Larry Potts is in his office, rifling through printouts on his desk. Potts is the Bureau's Assistant Director in charge of criminal investigations, and he's trying to get his head around an ongoing emergency brewing in the mountains of northern Idaho. Only a few hours ago, a group of US Marshals were running a surveillance mission on the property of fugitive
Starting point is 00:00:53 Randy Weaver. But as the Marshals headed back to their base camp, they came face to face with Weaver, his son Samuel, and a family friend, Kevin Harris. A firefight ensued, leaving one Marshal dead, and at least one member of the Weaver clan was hit too, but it hasn't been confirmed who it was or whether they're still alive. Weaver wasn't even on Potts radar until this morning, and he's struggling to put the pieces together. But it's been decided that the Bureau's hostage rescue team will deploy immediately. This is an elite group with special training and some of the best snipers in law enforcement. But before the team heads to Idaho, Potts wants to discuss the mission with a
Starting point is 00:01:34 hostage rescue team leader. So when Richard Rogers, head of HRT, arrives at the office, Potts brings him right in. Rogers, great. I know you've been briefed on the situation in Idaho. Take a seat. What's your read on it? Well, frankly sir, this might've been briefed on the situation in Idaho. Take a seat. What's your read on it? Well, frankly, sir, this might be the most dangerous situation the HRT's ever faced. We've got an ex-military suspect with special forces training and an ax to grind with the government.
Starting point is 00:01:55 He's holed up with two other adults, both reportedly armed, and four kids, one of them just a baby. It's a mess. Potts flips through the report. It says here even the kids might be armed. Yeah, the boy Samuel, he was with his father and this Kevin Harris guy when they chased down the marshals. It was a totally unprovoked attack. The marshals were leaving the property and it's not over yet. Apparently the family is still out there shooting. Two marshals
Starting point is 00:02:20 are pinned down in the woods and they're trying to get a local SWAT team there to walk them down the hill. How does a 14-year-old boy end up shooting at federal agents with a semi-automatic? Well, this seems to have been a long time coming. The marshals have been trying to negotiate with Weaver for over a year and a half, I hear, but he won't budge. Won't even talk to his own lawyer. And who are they? I've heard they're some sort of religious extremists?
Starting point is 00:02:41 Yeah, and maybe more than that. Weaver was close with Aryan nations. Their headquarters is just down the road from Ruby Ridge. That whole part of Idaho is crawling with those militia types. So the longer this drags out, the more likely some of them might show up looking to escalate. Alright, so we've got a hostile compound. Kids with guns. Extremists in the area. Which I guess brings me to the big one. Are you equipped to end this? I know there's been some talk about changing the normal rules of engagement. Well, we're locked and loaded, sir. But yeah, given what's already happened, there's a strong argument that the
Starting point is 00:03:13 current rules of engagement tie our hands a bit. I mean, one of our guys is dead. Shots have been fired from the ridge. That could justify treating any armed adult as an imminent threat whether they're actively pointing a weapon or not. I see. And you'd like the rules of engagement updated to reflect that, I guess? It would make sense to me. I want you to take lead on this. Draft some new language and I'll run it past legal while you're on the flight.
Starting point is 00:03:40 Only a few hours ago, Larry Potts had never even heard of Ruby Ridge. But now he's sending his men out to confront a heavily armed family who've already shown no qualms about killing federal agents. So he hopes the altered rules of engagement will help keep his men safe and bring the standoff to a rapid conclusion. Agent Nate Russo returns in Oracle III, Murder at the Grandview, the latest installment of the gripping Audible original series. When a reunion at an abandoned island hotel turns deadly, Russo must untangle accident
Starting point is 00:04:17 from murder. But beware, something sinister lurks in the Grandview's shadows. Joshua Jackson delivers a bone-chilling performance in the supernatural thriller that will keep you on the edge of your seat. Don't let your fears take hold of you as you dive into this addictive series. Love thrillers with a paranormal twist? The entire Oracle trilogy is available on Audible.
Starting point is 00:04:37 Listen now on Audible. If you're overwhelmed by the news cycle... Let us help you with that. I'm Cormac McSweeney. I'm Gurdip Alawalia. And I'm Melanie Ng. At The Big Story, we slow the news down and examine one big story in depth. Something that matters.
Starting point is 00:04:56 To give you some clarity amidst the chaos. Join us along with our team of award-winning journalists on The Big Story. Available every weekday morning. Listen on the Seeker app or wherever you get your podcasts. From Wondery, I'm Lindsey Graham, and this is American Scandal. By the time the FBI hostage rescue team was in the air in August 1992, there had already been two fatalities at Ruby Ridge. US Marshal Bill Deegan and 14-year-old Samuel Weaver
Starting point is 00:05:54 had been killed in a firefight in the woods. But both sides thought they were the ones who had been attacked, and both sides thought they were still in imminent danger. This confusion was typical of the entire situation. The standoff had been sparked by Randy Weaver's failure to appear at trial on gun charges, but Weaver had refused to give himself up, mainly because of mistakes made by the government. First, he was wrongly told he stood to lose his property if he was convicted. Then he was given the incorrect court date. He quickly became convinced that the federal authorities were setting him up and refused to cooperate any further.
Starting point is 00:06:29 But it wasn't just Weaver who was acting on bad information. Contrary to what the FBI believed, the Weavers had not chased the Marshals through the trees and gunned them down. Instead, they had just been following their dog. And they hadn't continued firing at the Marshals after the initial shootout either. The shots that echoed across the hills had been fired harmlessly into the air by Randy Weaver as he grieved his dead son. But the fog of confusion and mutual fear that hung over the mountain would only deepen in the hours to come. Now more armed men were heading to Ruby Ridge and the situation was about to get much worse. This is episode 3, Deadly Force.
Starting point is 00:07:12 It's 9 AM on August 22, 1992, just under 24 hours since the shootout on Ruby Ridge. Lon Horiuchi strides into a National Guard building in Bonners Ferry, Idaho, a small town about 20 miles from the Weaver's property. Horiuchi is a sniper with the FBI's elite hostage rescue team, and he's here for a briefing on their mission before heading into the field. At just under 40 years old, Horiuchi has been with the HRT for about a decade, but he's never seen this type of manpower assembled for a single mission before. All 50 of his fellow HRT agents are here. Like Horiuchi, they are all fitted out for battle in green fatigues, Kevlar vests, and helmets.
Starting point is 00:07:52 Horiuchi takes a seat as the room falls silent and HRT lead Richard Rogers begins the briefing. He tells them that they're headed into an active firefight. One Marshal has already been killed and a SWAT team has been dispatched to rescue the two surviving marshals. Nearby homes have been evacuated but news of the shooting has spread quickly. Friends of the Weavers have begun to arrive at the scene along with a growing number of radical right-wing anti-government protesters. The crowd is currently being held at a roadblock on a bridge leading to the area, but dozens
Starting point is 00:08:24 of state and federal agents are also standing guard in the woods surrounding the Weaver compound. They are ready to deter any protesters who try to sneak around the roadblock and join the fight. Hearing all this, Horiuchi is starting to understand why all 50 HRT agents have been called in. Rogers tells the room that he has no intention of allowing the situation to escalate. They don't want this turning into a long, drawn-out siege. They're going in, hard and fast, to end it.
Starting point is 00:08:51 As such, the rules of engagement for this mission have been amended. Horiyuchi leans forward, to listen closely. He knows the FBI's standard rules of engagement by heart. A framed printout of those rules hangs in his office. They're the backbone of every mission, and he can't recall any previous operation where they've been changed. The new rules are printed out on a sheet that Rogers holds in his hand. He reads, if any adult in the compound is observed with weapons after the surrender announcement is made, deadly force can and should be used to neutralize this individual. The phrase can and should catches Horiuchi's ear.
Starting point is 00:09:27 That sounds like he's not just allowed to fire on armed adults, but is actually being encouraged to do so. Then Rogers continues. If any adult male is observed with a weapon prior to the announcement, deadly force can and should be employed if a shot can be taken without endangering the children. As for the children, Rogers goes on, any subjects other than Randy or Kevin Harris, presenting threat of death or grievous bodily harm, standard FBI rules of deadly force apply.
Starting point is 00:09:55 Horiuchi understands that this means that even the children can be fired upon, but only if someone's life is in danger. And now that the new rules of engagement have been presented, the briefing wraps up. Horiyuchi gathers his gear, ready to catch his ride to Ruby Ridge. He's headed into what sounds like a war zone, but his orders are clear. If he sees an adult with a gun, it's his job to neutralize him. At around 5 PM, Lon Horiyuchi joins a team of his fellow snipers as they make their way up the hill toward the Weaver's property on Ruby Ridge.
Starting point is 00:10:29 They take up positions in the dense forest a few hundred yards from the cabin. Their primary objective is to observe the Weaver family and report what they see back to base camp, but they all keep in mind that they've been given the green light to shoot any armed male adult they see on the property. Then, just before 6pm, Horiyuchi is lying on his belly in the underbrush when he hears an FBI armored personnel carrier on the move further down the hill. It's going to be bringing more agents to the scene, but one of the Weaver's dogs immediately begins barking in response to the engine noise. Moments later, Horiyuchi sees 16-year-old Sarah Weaver emerge from the cabin to look around. She's unarmed, but is soon joined by Randy Weaver and
Starting point is 00:11:12 Kevin Harris, though Horiyuchi cannot tell which is which. But they're both carrying guns, which means that according to the revised rules of engagement, Horiyuchi believes he's free to open fire. Horiyuchi has a clear shot, but he holds off, waiting to see what they're up to. But then from behind him, Horiyuchi hears a helicopter approaching. Those in the compound hear it too. Randy Weaver sprints toward one of the sheds and grabs onto the low slung roof to swing himself behind it. Horiyuchi thinks he's taking a defensive position and preparing to fire on the helicopter. He considers calling out an order to surrender, but he doesn't think anyone in the compound would
Starting point is 00:11:49 be able to hear him from this distance. So, fearing for the safety of the people in the helicopter, Horiyuchi fires a shot. He aims for Weaver's spine, but at the last moment Weaver moves. The bullet catches his hand before burying itself in the splintering plywood of the shed. The bullet catches his hand before burying itself in the splintering plywood of the shed. Grimacing with pain, Weaver screams to the others to get inside. They all sprint back toward the cabin, but Horiyuchi doesn't want to let the men get inside. He's afraid they'll return fire while using their children as human shields. So he follows them with his scope, waiting for the right moment.
Starting point is 00:12:22 When the trio reaches the cabin's front door, there's a bottleneck as they all try to squeeze through. Sarah and Randy get inside first, but before Kevin Harris can follow, Horiyuchi takes his shot. He sees his target flinch as he dives into the darkness of the cabin out of sight. Horiyuchi has no idea who he's hit or if anyone's been killed, and he's not thought about the possibility that Vicky Weaver might be standing behind the door with her 10-month-old baby in her hands. Inside the cabin, it's chaos. 16-year-old Sarah lies on the cabin floor, a few feet inside the
Starting point is 00:12:56 doorway gasping for breath. Her father, Randy, and Kevin cry out in pain. Kevin is bleeding badly from a gunshot wound to the shoulder. Randy's injured too, cradling his limp and bloodied hand by his stomach. Then Sarah spots her mother. Vicki Weaver is slumped over on her knees in the doorway, still holding baby Alisha in her arms. But she isn't moving. In an instant, Sarah realizes her mother is dead. Her 10-year-old sister Rachel screams, then the baby, trapped in her dead mother's arms, begins to wail in fright. Sarah realizes she has to try and remain calm. Her mother is gone, the men are hurt, and the family is under attack. She tries to think what her mother would do in this situation, and the first thing Vicki would do is tell everyone to
Starting point is 00:13:41 be quiet. The feds can use the family's cries against them, helping the snipers locate them for other shots that are sure to come. So Sarah yells out, telling them not to make a sound. But as the men go quiet, she realizes they have even bigger problems. The door is still open, so she crawls over to her father and tells him they need to drag Vicki inside and get the door closed. Randy pulls Alisha from Vicky's arms. Sarah can see that the little girl is covered in blood. Frantically, she and Randy check all over the baby's body, but they're relieved to see that she has not been hit. So they hand the baby off to Rachel and begin slowly dragging Vicky's lifeless body into the cabin.
Starting point is 00:14:28 When her mother is finally clear of the door, Sarah slams it shut. Sarah then gathers the two younger children to her and pulls them flat on the floor. She shields them with her body and then covers her mouth to muffle the sound of her own crying. Sarah realizes that everything her mother prophesied is coming true. The end times have come for the Weaver family. This is their own personal Armageddon. First Samuel, now Vicki. One by one, the Feds are taking them out, and without her mother to guide and protect them, Sarah decides that she will have to be the one to hold the family together. So she begins to pray, asking for the strength needed in this
Starting point is 00:14:59 moment. Inside the base camp at the bottom of the hill, FBI hostage negotiator Fred Lansley is stunned by what's happened. He's only been on site for a few hours, but a sniper has already fired at the Weavers before he's even had a chance to begin negotiations. No one on the government side seems to know who's been hit or what condition they're in. Lansley is certain of one thing, though.
Starting point is 00:15:24 He needs to get up to the cabin before things spiral further out of control. So at around 6pm, only minutes after the sniper fire began, Lansley piles into a tank-like armored personnel carrier along with hostage rescue team leader Richard Rogers and a handful of other agents. They begin driving up the hill. It's a long, tense journey, with multiple stops to check for booby traps along the way. But after 45 minutes, they finally reach their destination and stop about 20 feet in front of the cabin. Lansley turns to Rogers to discuss their next steps. Okay, here's what we gotta do.
Starting point is 00:16:02 I've got a phone here for Randy to talk to us. I'd like to get that to him as soon as possible establish a line of communication Now first we need to announce ourselves and make this render order that should have been done before the first shot But we're past that now still let's move forward by the book. All right copy that Lansley pulls a radio handset off the wall of the personnel carrier The handset is wired into a bullhorn on top of the vehicle. Mr. Weaver, this is Fred Lansley of the FBI. You should understand that we have warrants for the arrest of yourself and Mr. Harris. This is an order to surrender. Lansley waits a long beat for a response, but he's met only with silence from the cabin,
Starting point is 00:16:39 so he continues on. Randy, we don't want anyone else to get hurt. I just want to talk to you about how we can get you and your family out of the cabin peacefully. Lansley waits and listens, but again there's no sound from the cabin. He turns back to Rogers. Maybe he's responding but we can't hear him through the walls. I think getting that phone inside is our best shot. Okay, but let's do it quick. The sun's going to be down in less than an hour. I'm worried they're just stalling so they can ambush us in the dark.
Starting point is 00:17:07 Lansley nods and pulls the phone out from beneath his seat. Then he carefully opens the hatch of the roof of the vehicle, slides the phone outside and lowers it softly to the ground by its wire. The wire is more than a mile long, long enough to reach all the way back to base camp. Lansley then closes the hatch and gets back on the bullhorn. Randy, I've left a phone just outside. Please come out unarmed and bring it in so we can talk. I give you my word, no one will harm me. Lansley feels rotters tap him on the shoulder.
Starting point is 00:17:38 A psych profile says Vicky is the one calling the shots in there. Maybe try her. Okay, good call. Vicky, we know you're in there too. Please pick up the phone. I'm on the other end. I just want to help you and your children get out of this safely. You or one of the kids can come out and take it. No one will be harmed. I'd really like to talk to you. Vicki, are you there?
Starting point is 00:18:02 After several minutes with no answer, the decision is made to head back down the mountain. The armored vehicle begins slowly backing down the hill, unspooling the phone wire behind it. Lansley hopes they use it. Because as he rides along, he thinks about what Rogers said. Maybe the government has approached this case all wrong from the start. They spent all this time trying to reason with Randy when maybe really it's Vicki calling the shots. Lansley makes a mental note. Inspired by the hit, wonder podcast against podcast Against the Odds, comes the gripping guidebook, How to Survive Against the Odds, Tales and Tips for Animal Attacks and Natural Disasters.
Starting point is 00:18:51 This might just be the most important book you'll ever read. Go inside life or death situations where everyday people survived nature's most extreme scenarios. And, learn how you can too. In these tales, you'll hear about the grit, willpower, and know-how needed to endure shipwrecks, alligator attacks, earthquakes, and more. You'll learn from experts, including top doctors, about what happens to your body and mind in life-threatening situations. Plus, important tips on what to do, and equally important, what not to do when faced with a situation that is truly against the odds.
Starting point is 00:19:30 Go to www.survivalguidebook.com to get your copy of How to Survive Against the Odds Today. Or visit your favorite bookstore. Before the internet ruled our lives, AOL brought America online with email and instant messenger. By 2000, AOL was so powerful, it bought media giant Time Warner. This was a deal that was supposed to bring us into the future, revolutionize media. But instead, it became one of the messiest corporate disasters in history. So what went wrong? The dot com crash? Culture clashes? Or something deeper? Business Wars gives you a front row seat to the biggest moments in business and how they
Starting point is 00:20:12 shape our world because when your flight perks disappear, your favorite restaurant chain goes bankrupt or new tech threatens to reshape everything overnight, you can bet there's a deeper story behind the headlines. Make sure to follow Business Wars on the Wondery app or wherever you get your podcasts. And you can binge all episodes of Business Wars, the AOL Time Warner disaster early and ad free right now on Wondery Plus. By the afternoon of August 23, 1992, almost 24 hours have passed since the FBI hostage negotiator Fred Lansley left a phone outside the Weavers' cabin. The FBI has rung the phone every 15 minutes, but no one has yet come out to retrieve it.
Starting point is 00:21:04 So without any communication from the Weavers, the government agents don't know who has been shot. They're unaware that Vicki Weaver and her teenage son Samuel are dead, and they don't know that Kevin Harris is gravely wounded. Desperate to gather any information, the FBI sends a modified bomb disposal robot rolling up the hill. It's loaded with surveillance and communication devices, including a camera, microphone, and speaker. And when the robot arrives outside the cabin, Lansley uses its loudspeaker to address both Randy and Vicki, but he again gets no response. The FBI still hopes to negotiate an end to the standoff, but with every hour that passes, a peaceful resolution seems less likely. Now the time is approaching when agents must begin preparing to storm the cabin.
Starting point is 00:21:49 Any such operation would be conducted by the elite hostage rescue team. And ahead of a possible assault on the Weaver compound, the HRT leader, Richard Rogers, decides to remove some of the smaller structures on the ridge. He hopes to create better lines of sight for his snipers and ensure that the assault team can move freely in the area surrounding the cabin. So just after sunset, Rogers sends another armored personnel carrier up the hill to begin pushing the structures out of the way. But when the vehicle reaches the largest shed, he instructs them to pause. It occurs to Rogers that the structure might be booby-trapped
Starting point is 00:22:23 or there may be someone hiding inside waiting to ambush them. So he instructs a pair of assault team agents to head in and take a look first. The agents crawl along the dark forest floor dressed head to toe in camouflage with automatic rifles strapped to their backs. When they reach the clearing surrounding the Weaver cabin, the lead agent pauses to look through his night vision goggles. Alright, it looks clear. Let's move. Getting to their feet, they draw their weapons and sprint for the shed. The lead agent flattens himself against the rough wood siding. He scans the cabin but sees no movement. Alright, on my count of three,
Starting point is 00:23:00 we'll converge on the entrance. I'll take the door, you breach. I'm ready. Okay, three, two, one, go! The lead agent reaches the door and swings it open, and as his partner moves inside with his rifle raised, the lead agent puts a hand on his shoulder and follows closely behind. Inside the doorway, he clicks on a flashlight mounted to the top of his gun. He scans the room and there's not much inside. A bed covered in a white sheet. A cheap nightstand with a potted plant and piled clothes tossed in the corner. Okay, looks empty to me. What's that over there? The agent flicks his flashlight across the bed. There's a lump under the sheet.
Starting point is 00:23:37 Alright, I'm going to pull off that sheet. Cover me. Nice and slow, nice and slow. Could be wired. The lead agent trains his gun on the bed while he watches his partner pull away the sheet. Ah, Jesus. The body of Samuel Weaver lies naked on the bed. Is that one of the kids? Yeah, must be the son. We gotta call this in. We can't leave him here. You think it was Horiyuchi that got him?
Starting point is 00:23:58 Unlikely. He was clear he hit an atom. Well, this kid didn't shoot himself in the back. Maybe it was one of the marshals. Didn't they say they shot someone? Yeah, maybe. Or maybe it wasn't one of us at all. What do you mean? I mean, you saw the psych profile. Parents like this, they think surrender means losing their kids? No way. No, no. You're saying they did this? I'm saying I don't know. But in a situation like this, people stop thinking straight. As the agent reports the discovery to Basecamp, he begins to think of the other children still inside the Weaver cabin.
Starting point is 00:24:31 Sarah, Rachel, and the baby haven't been seen or heard from in two days. With Randy and Vicki still refusing to communicate with negotiators, there's no way to know if the kids are alive or dead. And the longer that remains the case, the more worried the FBI will become. Shortly after discovering Samuel Weaver, the FBI agents carry his body out of the shed and bring it down the hill. The government determines that Samuel was killed during the initial gunfight between the Weavers and the Marshals. But without an autopsy or ballistics analysis, they can draw no firm conclusions about who fired the fatal shot. Shortly afterward, FBI negotiator
Starting point is 00:25:10 Fred Lansley speaks to the family through the loudspeaker on the robot. Expressing his condolences, he asks the Weavers for guidance on what to do with the body in accordance with their religious beliefs. But once again he gets no response. By the next morning, it's been three days since Samuel was killed and two days since Vicki was struck down by an FBI sniper. Inside the cabin, it's pure misery. 16-year-old Sarah is struggling to keep the family together and hold on to her own sanity. She sits on the couch, trying to nurse her crying baby sister from a bottle. It's been hard enough to settle Alisha without her mother, but overnight the FBI set up floodlights around the cabin and the phone left out on the lawn has been ringing every 15 minutes
Starting point is 00:25:53 for the past day and a half. No one has been able to get any sleep. Feels like the family is being tortured. As Sarah looks around the room, she takes stock of what's happened. Her little brother has been killed by the feds, and now they've stolen his body. Meanwhile, her dead mother Vicki is underneath the kitchen table covered by a blanket, her dried blood smeared all across the floor. Sarah looks to the other end of the couch.
Starting point is 00:26:17 Her father Randy was hit in the hand by a government sniper, but he's still strong enough to clean the barrel of a pistol. Sarah is more worried about Kevin Harris. He's slumped into a recliner clean the barrel of a pistol. Sarah is more worried about Kevin Harris. He's slumped into a recliner in the corner of the room. His skin is growing gray and he grips his bloodied shoulder. Moaning in pain, in a weak voice, he begs Randy to shoot him and put him out of his misery. But Randy refuses, saying he couldn't do a thing like that. But as Kevin's pain gets worse and worse, Sarah feels like she has to do something. So she hands the baby off to her younger sister Rachel and walks to the kitchen.
Starting point is 00:26:49 Sarah grabs the family's rudimentary first aid kit off the counter and a shaker of cayenne pepper from the cupboard. She brings it over to Kevin's recliner and kneels beside him. Slowly she removes the bloody gauze from his shoulder. He gasps in pain as she peels it away. The bullet hole hasn't closed and more blood begins to trickle down his arm. She quickly dabs a cotton swab with peroxide and applies it to the wound making Kevin shudder with pain once again. Then Sarah dashes a sprinkle of the cayenne pepper on top to help fight
Starting point is 00:27:19 infection. It's an old trick she learned from her mother. But as Sarah tapes a fresh piece of gauze over the wound, she hears a loud distorted voice outside. It's an old trick she learned from her mother. But as Sarah tapes a fresh piece of gauze over the wound, she hears a loud distorted voice outside. It's that robot again. The voice on its loudspeaker has been blaring at them for days, but now it's playing a new trick. It's talking to Vicki, telling her that the feds are having pancakes for breakfast at the bottom of the hill.
Starting point is 00:27:40 The voice asks Vicki to let the kids come down and have some. Hearing this, Randy loses his cool. He yells to Sarah that the feds know perfectly well that Vicky is dead. They are the ones who killed her. So he gets up off the couch and storms to the front of the room. Through the closed front door he starts screaming at the robot, calling the feds cowards and demanding that they stop taunting his family. Sarah is terrified that her father might do something stupid, like open the door and go outside to shoot the robot. So she gently puts her hand on her father's back and tries to reason with him. She explains the feds probably don't know that Vicki is dead.
Starting point is 00:28:15 They can't see inside the cabin or hear what he's screaming through the door. But Randy just keeps yelling and yelling. Sarah begs him to quiet down and move away from the door explaining that they could use his voice to tell where he's standing and shoot him as well. This seems to do the trick because Randy stomps back to the couch mumbling to himself about the feds dirty tricks. Sarah takes back her baby sister from Rachel and rocks her in her arms. But Alisha won't stop crying. She's desperate for her mother and that's the one thing Sarah can't do anything about, so Sarah is at her wit's end. She knows they can't go on like this much longer.
Starting point is 00:28:50 If they stay inside the cabin, Kevin will likely die from his gunshot. It won't be long before they're out of formula for the baby. But Sarah can't see a way out. The last time they opened the front door, the government tried to shoot them all. So Sarah closes her eyes and does exactly what her mother would have done in this situation.
Starting point is 00:29:07 She again prays to God for an answer. Yo, it's your man Nick Cannon and we are back with a brand new season of We Playing Spades. And to the left of me is the best of me, the one and only, my bestie, Courtney B. And you know what the B stands for. Beat yo ass! Hey, I'm Mike Corey, the host of Wondery's podcast Against the Odds. In each episode, we take you to the edge of some of the most incredible adventure and survival stories in history. In our next season, it's 1912, the golden age of Antarctic exploration, with countries racing to claim land and glory.
Starting point is 00:30:03 Australian geologist Douglas Mawson sets off with two fellow explorers and a team of huskies to venture deep into uncharted territory. They face a harsh landscape with hidden crevasses, glaciers and gale force winds. And when the expedition takes a bad turn, a starving and depleted Mawson must find a way home, completely on his own. Follow against the odds on the Wondery app or wherever you get your podcasts. Binge the entire season ad-free right now only on Wondery Plus. Start your free trial in the Wondery app, Apple Podcasts or Spotify today. On August 25, 1992, the standoff at Ruby Ridge enters its fourth day. The crowd gathered at the roadblock on the bridge leading into the area has continued to swell.
Starting point is 00:31:00 Well over a hundred people are there now and it's a volatile mix. There are dozens of reporters and camera crews from around the country, but they've been joined by a growing number of far-right anti-government extremists. And when the protesters learn that the Weaver's young son Samuel has been killed, the temperature is cranked up even more. The protesters scream baby killer at the agents standing guard and taunt them over the death of their fallen colleague, Marshal Billy Deegan. But it's not the offensive chance that concerned federal agents the most.
Starting point is 00:31:30 They're increasingly worried that the most radical protesters will try to smuggle weapons and supplies up to the cabin and urge the weavers to keep fighting. So they have men stationed in the woods and on the roads all around Ruby Ridge keeping watch. Lance Hart, an ATF agent, is among those assigned to patrol the protest area. He's well acquainted with the Weaver case. He was the man who cuffed Randy during his arrest on the side of the highway 18 months ago.
Starting point is 00:31:56 And on the afternoon of the 25th, Hart is seated behind the wheel of his cruiser parked on a shoulder of the road, 100 feet from the roadblock. Through binoculars, he watches for any protesters who may try to break free from the barrier. And as he scans the crowd, the dispatcher's voice crackles over the police radio. An FBI helicopter has spotted a vehicle of interest nearby. It's a Jeep Cherokee belonging to a group of skinheads from Portland. They were seen yesterday buying guns at a local shop and asking about
Starting point is 00:32:25 how to get up to the Weaver's cabin. Now that same Jeep is turning down a back road that leads to a canyon behind the ridge where the Weaver's compound sits. To Hart, this sounds like exactly the scenario they've all been dreading. These skinheads are likely going to ditch the Jeep and head across the canyon on foot, bringing guns up to Randy through a back entrance. So Hart puts his cruiser into gear and screeches into a U-turn heading in the direction of the Jeep. He mashes the accelerator to the floor as he reaches through the dashboard and flicks on the lights and siren. When Hart is a mile down the road, the helicopter comes into view ahead. Following the chopper's path, he pulls a sharp right turn down a dirt road through the forest. And a moment later, he hears half a dozen other law enforcement vehicles racing up behind
Starting point is 00:33:10 him with their lights on and sirens blaring too. The Jeep comes into view ahead, and as Hart starts to catch up, he gets on the loudspeaker, demanding that the Jeep pull over. To Hart's surprise, they comply. When the Jeep comes to a stop, Hart pulls off the road and parks 50 feet behind. He grabs his rifle off the passenger seat, then slides out of the car and plants his knee in the dirt, shielding himself behind the open door. Seconds later, Hart's colleagues pull their vehicles beside his. Now he has backup. Hart yells to the skinheads to come out of the vehicle one at a time with their hands in the air. For a moment, there's no movement from inside the Jeep and Hart wonders what they're up to, stealing himself for a shootout.
Starting point is 00:33:53 But then the driver's door opens and a man slowly exits with his hands in the air. Hart screams for him to get down on the ground. Then one after the other, four other men climb out of the car and lie down in their bellies next to the driver. With guns still drawn, Hart and his fellow agents walk slowly to the Jeep. When they reach the skinheads, Hart keeps his gun pointed at them while his colleagues begin to cuff them. As they make arrests, Hart pops open the Jeep's trunk.
Starting point is 00:34:21 And inside, he finds two dozen rifles, along with several boxes of ammunition. Underneath the pile of guns, there's a large, rolled up black banner. Hart unravels it and finds it reads, Whites Must Arm. Hart shakes his head. This was a close call. But the situation is becoming more dangerous by the hour. Whether it's down at the protest by the bridge or up at the weaver compound, it only seems a matter of time before there's more bloodshed. Later that same day, August 25, 1992, a colorful new character shows up at the roadblock. Bo Grites is a retired Special Forces agent who's said to have served as the inspiration for the Sylvester Stallone character Rambo. He's also a fringe candidate in the upcoming presidential election,
Starting point is 00:35:10 and he's a hero of the American far right. Grites arrives in northern Idaho with a public offer to negotiate and enter the standoff. The FBI just rolled their eyes at this grandstanding stunt. But it's clear that Grites is popular with the crowd at the roadblock. So to keep everyone happy, they allow Grites to record an audio message encouraging Randy to surrender. But Grites isn't the only outsider urging the Weavers to give themselves up. As Ruby Ridge becomes a major national story, legendary radio broadcaster Paul Harvey learns that Randy Weaver is a devoted fan. So Harvey goes live on the air to speak directly to Weaver through the radio inside the cabin. Harvey expresses sympathy for Weaver's
Starting point is 00:35:50 anti-government views, but encourages him to surrender. Weaver hears the broadcast, but is apparently unpersuaded because he makes no attempt to pick up the phone and begin negotiations. And as the clock ticks on, FBI negotiator Fred Lansley knows an assault on the cabin is likely just around the corner. But then, the following day, on the afternoon of August 26, there's a breakthrough. Weaver begins yelling from inside the cabin again. This time, desperate to hear what Weaver is saying, Lansley guides the robot closer to the cabin, stopping it just a few feet away from the door. From this range, Lansley can finally make out a few words. Weaver is asking for his sister, Marnus, to be brought to the site.
Starting point is 00:36:33 It's not clear why, but this is the first direct communication between the FBI and the Weavers. So, hoping to build on this, the FBI scrambles to locate Marnus in Iowa and get her on a plane to Ruby Ridge. The next morning, August 27th, Randy is with his family in the cabin when he hears the FBI's armored personnel carrier roll into the yard outside again. He's not surprised because this has been a daily routine for nearly a week now. Through the walls of the cabin he hears an FBI man called Fred speak up over the loudspeaker. But this time, Fred actually has something interesting to say.
Starting point is 00:37:11 Randy, I heard your request yesterday. As a gesture of goodwill, I found your sister Marnus and I flew her out last night. She's right here beside me and she'd like to speak with you. Randy stiffens and rushes to the door, shouting out, Marnus? That really you? Say something! A moment later, Marnus' muffled voice comes over the loudspeaker.
Starting point is 00:37:31 Weaver kids are so excited they start shouting for her too. Oh, quiet hush, all of you, please. I can't hear her. Marnus! Vicki's dead! You hear me? They shot her! I've been yelling for days but no one's listening!
Starting point is 00:37:43 Trying to pin it on me! Don't believe a word they say! Did you hear me? A few moments later, Fred's voice comes back on the loudspeaker. Well, Marcus is a little hard of hearing, so we're going to bring the NPC in closer so she can hear you better. Don't you dare! I'm not falling for that trick! You stay right where you are! Randy, you asked me to bring your sister here. She came all this way from Iowa. Just let her come a little closer so she can hear your voice. I said back off!
Starting point is 00:38:11 Alright, alright. We'll stay here, but uh, let's try something else. I have some messages, recordings I'd like to play for you. They're from Vicky's parents and her brother and sister. I've also gotten one here from Bo Rice. I don't know if you've heard of him. Randy's eyes grow wide. Of course he's heard of Grites. Randy even has a poster of him in the cabin. Bo... Bo knows who I am?
Starting point is 00:38:35 Is he here? Um, yeah, yeah, he's here. Then I'm done talking to you, you hear me? From now on, I only talk to Bo Grites. This is the best news Randy Weaver has gotten in months. If there's one person he's sure he can trust to tell the truth and be an honest broker, it's Bo Grites. For the first time, Weaver feels a sliver of hope.
Starting point is 00:38:57 Because maybe now there's a chance that he and his kids will make it out of this cabin alive. and his kids will make it out of this cabin alive. From Wondery, this is episode three of The Standoff at Ruby Ridge from American Scandal. In our next episode, Bo Grites attempts to negotiate a peaceful end to the standoff before congressional hearings and criminal trials try to establish exactly what happened at Ruby Ridge and who was to blame. Wondery app, Apple Podcasts, or Spotify. And before you go, tell us about yourself by filling out a survey at Wondery.com slash survey. If you'd like to learn more about the events at Ruby Ridge, we recommend the books Every Knee Shall Bow by Jess Walter, Police State by Jerry Spence, and the PBS American Experience documentary Ruby Ridge. This episode contains reenactments and dramatized details. And while
Starting point is 00:40:04 in most cases we can't know exactly what was said, all our dramatizations are based on historical research. American Scandal is hosted, edited and executive produced by me, Lindsey Graham for Airship. Audio editing by Mohamed Shazib. Sound design by Gabriel Goul. Supervising sound designer, Matthew Filler. Music by Thrum. This episode is written and researched by Corey Metcalf. Fact checkinging by Alyssa Jung Perry, Managing Producer Emily Burke, Development by Stephanie Jens. Senior Producers are Andy Beckerman and Andy Herman.
Starting point is 00:40:33 Executive Producers are William Simpson for Airship, and Jenny Lauer Beckman, Marshall Louie, and Erin O'Flaherty for Wondering. and the future of our lives. Wander. Wander. Wander. Wander. Wander.
Starting point is 00:40:52 Wander. Wander. Wander. Wander. Wander. Wander. Wander. Wander. appointment. Maria Ricard & Associates has been helping people for over 20 years. Let the caring professionals at Maria Ricard & Associates give you a new lease on life. Make a free, no obligation appointment today at Maria Ricard &
Starting point is 00:41:12 Associates 416-534-2777.

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