Analytic Dreamz: Notorious Mass Effect - "YEAT & DON TOLIVER - HEAVY STUNTS"

Episode Date: May 3, 2024

Notorious Mass Effect: Deep Dive into Yeat's Latest TracksThis segment of Notorious Mass Effect by Analytic Dreamz explores the enigmatic Yeat and his most recent releases, "King Tonka" and "Heavy Stunts."Unpacking Acquired Tastes and Accessibility:We delve into the unique sound of Yeat, analyzing its appeal and potential shift towards a more mainstream direction.Tune in for this Notorious Mass Effect segment and expand your understanding of Yeat's ever-evolving soundscape!Privacy & Opt-Out: https://redcircle.com/privacy

So when we're getting it to Yeet is one of those things to where I have to figure out who in the world is Yeats producer. Because at this point, with him putting out these tracks with certain energy behind it, it seems that he is one of those to where he is a one of one as far as producing unique sounds that the world has gravitated towards. So of course with a quick Google search of Jamarius Hill, better known as TRGC, I don't even know who that is, is best known for producing for a lot of other artists, but of course, co-producing for Yeats' biggest hits, notably sorry about that, money so big and money twerk. So of course, with those titles, you could probably already know they did not stay on the track. charts too long and you would be absolutely right as when it comes to charts is a reason why he promised two albums this year is because he no longer has to worry about just wowing people with his sales factor because it's not there but currently he can put out such output that I'm not going to say he'll have the young boy effect but he will always be in the talk in the

headlines because whenever he drops, people are going to cover. Simply what I'm doing right now. So with Yeat and his music not being for everybody, which is what I would say, I will also say, I enjoyed certain parts of his album. The production is probably the most consistent enjoyment I've had for listening to Yeat. As far as what he says, as far as how he wraps, It's a very much an acquired taste. As he explores certain flows, certain voice alterations that could be catchy for some

and very abrasive for others as far as in a negative aspect. So with that being said, I think the Jamarius heel aspect, the producer that he uses, is the biggest compliment that he has to his music currently. It's one of those where the beat is an A plus every single time. But as far as the verse, as far as the performance of the rapper, it's not A plus every time. It's probably like in the C to D tier as far as Y. Do we go for lyrics?

No. But what I'm judging it off of is the ability to match the quality of the beat. And ladies and gentlemen, let me tell you, it is very much. which a seesaw effect with the beat and the level of just performance by the rapper. So this specific segment talking about the track he has with Don Tal of a heavy stunts, which at first, you know, looking at that at face value, I was thinking to myself, what there's no way this can miss because I've really enjoyed the four bats and Drake track because the production being matched with a rapper that can actually keep up with the production.

Now, you have a artist like Don Tolliver, who is one of the more talented artists I've seen in the past two to three years. This is a match made in heaven, right? Of course not. So I listened to the track. I was deeply disappointed. Not by Don Tolliver, not by Yeat, not by the producer, just by the overall merging of all of all of this. and it coming out the way it did. I thought it would be a perfect blend of styles.

And then it seems like it very much contrasted with one another, which, you know, I think when you make music with somebody else, it has to be some type of middle ground. You have to come to a nice negotiation, a nice middle point where it's like your style blends with my style in this way. So let's do it this way. But you doing your own. style him doing his style and then if it comes out the way that it did and it's just very conflicting

with one another and it doesn't seamlessly transition it comes to the point where i come to the realization that these two artists just need to make music separately so i was uh you know i was disappointed by the heavy stunts track i thought it would be better but you know with ye exploring different ways of rap styles and uh different flows and you know you know you know you know, very much an acquired taste type of performer. It just is not a merge with Don Tolliver who seemingly every single time finds the right pocket for every single beat. Don Tolliver is very talented to the point where I thought this would be a match made in heaven,

but unfortunately, it was not. So with that being said, Yeat currently is not on the charts. I wanted to cover it simply to tell my honest. disappointment for how this track with Don Tolliver came about and hey that's basically why I just did so with that being said click my link through my bio let me know one of my social media is what do you think about Yeat and Don Tolliver on the track heavy stunts he also has another track I forgot the name of it but hey go check out Yeat and listen to the Don Tolliver track and let me know if I was tripping or is do you agree with me that

the track was subpar Thank you.