Ancient Aliens - The Alien Frequency

Episode Date: October 8, 2026

The use of mantras and chanting to connect with a higher plane has existed in cultures all over the world.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For 200 years, archaeologists have been looking at a silent movie, but suddenly we've got a soundtrack. We're trying to get the sensory information that was there when these people built these places. And we're picking up the 110 hertz, and it's vibrating around this whole area. You can actually fill it in your body. Yes.

That's quite amazing, actually. Many ancient cultures around the world worshipped sound. Is it possible that, Sound has this incredible power with which you could do certain things. Is there some grand design from extraterrestrials that was harmonically tuning all of these sites on Earth? Exeterrestrials are giving us clues that frequency plays a much greater role in understanding matter, energy, and consciousness than we allow for in our current scientific paradigms. There is a doorway in the universe.

Beyond it is the promise of truth. It demands we question everything we have ever been taught. The evidence is all around us. The future is right before our eyes. We are not alone. We have never been alone. Balbeck, Lebanon. The 9,000-year-old temple of Jupiter

contains three of the largest monolithic stones in the world. weighing approximately 1,000 tons, or 2 million pounds each. Puma Punco, Bolivia, scattered across a high desert plateau, are precisely cut 100-ton blocks, believed to date back at least 2,000 years, and perhaps much earlier. The Giza Plateau, Egypt. The Great Pyramid is built from more than 2.3 million limestone, bricks, each weighing a staggering 5,000 pounds. All around the world stand colossal monuments to mankind's ancient past.

Gigantic structures that have endured for thousands of years, built with stone blocks so massive that modern builders have not even attempted to duplicate them. Stephen Vanderhart is the co-owner of Stone Valley materials. Our 98-CAT loader can probably lift a 22-ton boulder just for perspective, and it can probably roll and drag along the ground, maybe a 40-ton boulder. But when you're talking with a 50-ton boulder, then we need to bring in cranes, hydraulic jacks, steel beams, girders. It's a whole other set of tools even with modern-day technology.

I mean, I can only imagine how they would move boulders that size. It baffles my mind. no idea. It's crazy to think about. Giorgio Suclos is the publisher of Legendary Times Magazine. How is it possible that 10,000 years ago, our ancestors moved around the most massive of stones? But the answer is either another previous super civilization existed here on Earth or extraterrestrials imparting technological knowledge to us. Ancient astronaut theorists suggest such structures provide physical

evidence that extraterrestrial beings visited Earth and assisted our ancestors in the distant past. And each of these three megalithic sites, as well as numerous others, have very specific stories behind them that say they were built not by men, but by gods, using the power of levitation. Some ancient mythologies speak of the fact that some of these stones. stones were put into place with sound, that these things all of a sudden levitated into place. What the local legend of Stonehenge talks about is that those big stones were transported by way of levitation. Similar to the mythical story of Stonehenge, the ancient legends of Bolivia say that the megalithic stones of Puma Punku were floated into place. In the 5th century BC, the Greek historian Herodotus wrote that the Egyptians were given knowledge from the guardians of the sky on how to float the mass of limestone blocks with which they built the Great Pyramid.

David Wilcock is the author of The Ascension Mysteries. What we see is the very real possibility that extraterrestrial civilizations visited Earth all throughout the world and that each time they did, they felt it was very very, important to impart this sacred knowledge about the importance of acoustic frequencies and the keys to unlocking the mysteries of the universe. The University of Bristol, England, January 17th, 2017. Researchers unveil a prototype for what they call a portable tractor beam. A handheld device that can levitate small objects using only sound waves. Jason Mark Martel is the author of Knowledge Apocalypse. Recently, the University of Bristol came up with a handheld device with an array of speakers that allows the holder of this to actually focus sound waves and sound waves alone,

and then levitate small pieces of light material. When we look at this portable tractor beam, can we extrapolate the idea that this is a technology in its infancy, where in ancient times it was actually being used to levitate. large stones. At John Hopkins University, biomedical engineers have manipulated ultrasound frequencies to deliver specialized drugs to specific parts in the brain with surgical precision. And mathematicians at Cardiff University have developed a method to literally stop a tsunami in its tracks using acoustic waves. But while physicists are excited at the prospect of using sound frequencies to levitate and

manipulate matter. They insist it is only the beginning of a wave of cutting-edge acoustic technology. Could these amazing new scientific breakthroughs simply be the first steps in replicating what our ancestors had been taught to harness thousands of years ago? What if these scientific experiments that we're looking at are leading us to a much greater surprise, which is that sound can be followed through to much greater levels of efficiency? in its usefulness for all sorts of things that seem to be impossible, we may be just seeing now the very first steps in our society of a robust technology that extraterrestrial intelligent civilizations

have long since developed and perfected. Vancouver, Canada, February 17, 2012, at a symposium for the American Association for the Advancement of Science, researchers gather to unveil the latest discoveries in the burgeoning field of archaeoacoustics. Linda Enoch's is the author of Listening for Ancient Gods. Archaeoacoustics is a new field of study, multidisciplinary, and we are incorporating three facets. One would be archaeology, anthropology, a second would be sound in acoustics. The third would be space and architecture.

And all three of those areas are put together to try to explore what was going on with sound in ancient places. Recent tests at Stonehenge suggest that the megalithic stones were positioned to cause sound wave interference patterns, similar to noise-canceling headphones, creating spots of total silence at various points around the circle. Statues of divine beings in the 3,000-year-old Chauvin-Dawantar ceremony, Center in Peru, project a feline-like roar when ancient shell trumpets are played nearby. And at the Pyramid of the Feathered Serpent in Chechen Itza, Mexico, sound echoes mimic the cry of the Ketsal. A bird the Mayans believed was a messenger for their creator god, Koko Kekl Khan.

People are coming forward now with these ideas that maybe were considered pseudoscience for a long time. These days, it's beginning to be taken seriously, that sound belongs in the study of the ancient world. Many ancient cultures around the world worshipped sound because sound was deemed to be divine in origin. Is it possible that the reason why our ancestors talked about divine sound is not necessarily because they were referring to music, But that sound has this incredible power with which you could do certain things.

But it's just that we've lost this knowledge over the millennia. According to ancient astronaut theorists, there is evidence that our ancestors utilize the power of sound waves to accomplish amazing feats that defied gravity. But might they have learned of acoustic applications far more profound, than those involved in moving giant boulders. Perhaps further clues can be found by examining some of ancient man's most important structures, structures that weren't built with sound, but built to make sound.

Paola Malta Deep beneath this small town in the middle of the Mediterranean Sea rests one of the oldest subterranean structures in the world. On the islands of Malta, there are prehistoric remains that are comprised of megalithic underground sites, which were considered to be communal burial sites. The most famous of these is the Halseflaeny hypogeum. Halseflani dates back to about 6,000 years ago. Robert Schock, PhD, is a geologist and author of Forgotten Civilization.

It's multi-layered three major levels. And it's really just astounding to have carved it into the limestone. I'm a geologist. I know how difficult it is to engineer something like that and carry it out. To me, it shows incredible sophistication on a technological basis. I can't claim that I know exactly how they did it. When the Hall Sofelyani Hypogeum was first discovered in 1902, archaeologists were astounded to find buried within it more than 7,000 skeletons.

In May 1920, a National Geographic article reported that many of the remains were those of humans that were long-scaled. But during World War II, the site was plundered by vandals, and the skeletons mysteriously disappeared. Luckily, 11 of the elongated skulls were salvaged, and at least one of these, disbursed displays a non-human feature. It is missing the sagittal suture that connects the parietal bones on all human skulls. David Childress is the author of Ancient Technology of Peru and Bolivia. A bizarre report came from a woman named Lois Jessum, who had worked for the British Consulate

in Malta. She had been visiting the Hypogeum and had convinced one of the caretakers to let her go into the lowest chamber. She claimed that she came out to a ledge in a great fissure that was beneath Malta and on a ledge on the other side of the fisher, she claimed she saw very tall men. According to her account, she saw about 20 white-haired giants that looked up at her and motioned her to come down. One has to wonder if the hypogeum has some sort of an extraterrestrial presence.

As incredible as Lois Jessup's story may be, perhaps the most extraordinary discovery at the hypogeum has to do with sound. In February of 2014, archaeoacoustics researcher Linda Enix gathered an assemblage of audio, geology, and archaeology experts to test the acoustic properties of the most mysterious chamber in this site, known as the Oracle Room. After extensive testing, Linda and her team reached an incredible conclusion. The entire hypogeum resonates at the specific frequency of 110 hertz. physically feel the vibration of that sound in your whole body. It was mesmerizing.

The water in the body's tissue responds to that, and your whole body tunes into this vibration that's wrapping around you in the sound. Sound is created by the vibration of an object, which causes the air surrounding it to vibrate and form a wave. Michael Dennon, Ph.D., is a physicist at University. the of California Irvine. Depending on the frequency it oscillates with,

that will determine the note or the tone you hear. Hertz is the unit we use to measure frequency. It's basically the number of oscillations per second. Resonance is basically whenever something is vibrating, that frequency matches the natural frequency or vibration of the object. This is really important with sound applications. If you take an enclosed space,

The way you get a resonance is to make the size of the room or space match the frequencies and wavelength of the sound you're trying to achieve so that when it hits the ends of the walls, it reflects just right. These reflections build up the sound or magnitude of that vibration. What is going on here? And why are they specifically using that frequency? So you have to wonder whether extraterrestrials weren't involved in tuning the hypogeum to create this special frequency?

Could the hypogeum in Malta have been built upon the instructions of extraterrestrials with a very specific acoustic purpose in mind? If so, does the 110 hertz frequency that it is turned to hold some special power? County Meath, Ireland. In January of 2017, researcher and professor, publisher, Giorgio Sucalos, traveled to the New Grange Passage Passenge tomb to meet with archaeoacoustics expert Paul Devereaux. Here, in this 5,000-year-old tomb, and at dozens of other ancient

megalithic sites across the world, Paul has been studying the effects of sound resonance. Today, he will be running a test to discover whether or not the New Grange structure was built with an acoustic purpose, and made to resonate at a specific frequency. We sweep a sine wave through the chamber until we've got the primary natural resonance of the chamber. What it means is you produce a standing wave from the sound source to the wall of the chamber.

So the sound wave goes up and then it reflects back exactly along the same path. OK, that's good, actually. We're getting an antinode there. If you put the microphone, yeah. Yes, into there. Can you bring it this way a little? That's good.

Okay, that's fine. And we're picking up the 110 hertz, and it's vibrating around this whole area. You can actually feel it. Feel it in your body. Yes. A physical thing. And people forget that.

The sound is physical. Right. You know, you feel that? Yes. You know, it's quite amazing, actually. When the frequency is set to 110 hertz, Giorgio and Paul are both able to hear and feel a change. a change throughout the chamber.

Remarkably, this is the same exact resonance that was discovered at the Hypogeum in Malta, at Angkor Wat in Cambodia, and at numerous other ancient structures around the world. No, I think it's amazing, especially that you've come across similar type frequencies in other places. Oh, yes. They knew what they were doing, but they did it in a different way to us.

They didn't have this, all this stuff. They could feel it. And their architecture would have been built to structure that sound, to maximize it, to emphasize it. Yes. Now, we asked a neuroclinician in Cook if there was anything neurological about this vibration of 110 hertz. And he didn't think so.

None of us did, really. But he carried out an experiment a little bit later with a group of volunteers. tears who were exposed to different audio frequencies. That paper has been produced and shows that that sound can affect regional parts of the brain. Wow. Is it possible that certain ancient sites were designed to resonate at a frequency, which manipulates the way people think?

Perhaps the answer can be found by testing the effects of this unique frequency on the human brain. Manhattan Beach, California, March 25th, 2017. Neurophysicist Dr. Michael Mark uses an encephalography or EEG machine to determine the effects of the 110 hertz frequency on a test subject. The device records brainwave activity 256 times per second to provide a real-time look inside the subject's mind. While Brian relaxes in isolation, Dr. Mark exposes him to a range of frequencies between 90 Hz and 120 Hertz in random order for a few minutes each. Okay, Brian, here's our second frequency now. This will allow Dr. Mark to compare the results and analyze whether 110 Hertz has any measurable impact. How was that experience for you?

Very interesting. I felt the most shift in the last frequency. There was a similar drawing in of the second frequency, but there was also this experience of uplifting or moving out and up, sort of like an out-of-body experience. I felt like I was floating. Okay. Dr. Mark compiled the results of the entire EEG test to see if the data indeed reflects a change in Brian's brain at this frequency.

The first picture, as you can see, the left side, the area that was lit up was the executive function role, which is focused concentration and attention. When we did the 110 hertz, we see that the right side of the brain is lit up, especially in the parietal area, which is touch, visual, spatial expression, which can show how Brian felt his out-of-body experience. If the 110-hertz frequency has the power to alter the very functions, of the brain, and even induce an out-of-body experience, could sites like Newgrange and the Hypogeum in Malta have been engineered by extraterrestrials to tap directly into our minds?

Ancient astronaut theorists say yes, and suggest that thousands of years ago our ancestors recognized a connection between certain unique frequencies and otherworldly beings. Humpy India. Here lie the ancient ruins of Vigianagara, believed to have been constructed between the 14th and 16th century AD. At its center stands the Vita La Temple complex, a masterpiece of Indian architecture, and the largest and most revered temple in the city. Deepak Shimkata, Ph.D. is a professor of Hindu studies at Claremont School of Technology. Vittala Temple was built with the mind of creating a celestial palace here on earth. With that in mind, the king assembled the great architects and great engineers and the great craftsmen.

To create this wonderful building, that can also have a wonderful sound that will please God. Lane Little, Ph.D., is a lecture of religious studies at UC Berkeley. Attached directly to the temple is what is called the Ranga Mandapa or the stage pavilion. Here there are many pillars, some reaching to a height of nearly 12 feet. There's a series of what are called compound pillars where you have a central pillar surrounded on all sides with smaller colonnets. These colonnets are famous because when they're struck, they emit beautiful and haunting sounds. According to the local guides at the temple, the 56 pillars are individually turned to one of the seven notes of the Sarigama, an ancient Sanskrit musical scale dating back thousands of years that is still predominant in Hindi music today. Certain groups of these pillars have been crafted to represent the tonal vibrations of the scale for different instruments.

some being crafted to represent woodwinds, some being crafted to represent percussion instruments, et cetera. Jonathan Young, PhD, is the founding curator of the Joseph Campbell Archives. The British, when they were in charge of India, were mystified by this amazing quality and actually cut one of the pillars to see how it was done. But it was just granite.

It was just very careful workmanship. while the stone pillars themselves seem like simple technology. Recent analyses have revealed they may be comprised of an advanced geopolymer blend of granite with silicate particles and metallic alloys. But what continues to puzzle scientists is that the first basic geopolymers were invented in the Soviet Union during the 1950s, hundreds of years after these pillars were crafted. geologists and how this was done is really baffling and amazing. I've heard reports of people trying to mimic it in modern times, to try to just do a little

section of it, even one pillar. And people just haven't been successful. So what were they doing back then? We just don't know. According to Hindu priests, each of these pillars was specifically tuned harmonically in order to communicate with the gods. So you have to wonder, did extraterrestrial beings come down and give instructions on creating these specific frequencies?

If the Vita La Temple was designed to connect humans with an extraterrestrial realm, could the performing of music have had an even more profound significance than is traditionally believed? Perhaps further evidence can be found by examining the work of a mathematical genius from the 6th century BC who envisioned that sound could provide a gateway to mankind's exploration of the stars. The 6th century BC, Pythagoras, the famous Greek mathematician and philosopher, travels throughout Europe over the course of 10 years to study the esoteric arts under various

local priesthoods. Pythagoras is certainly one of the most interesting characters that we see in Greek history. In 535 BC, Pythagoras left his home in Samos, Greece, and traveled to Egypt, where he was initiated by the Egyptian priesthood in all of the different secret societies and organizations that they had available. And from this secret knowledge, Pythagoras obtained information that seems very very very important. that seems very, very far ahead of his time. Pythagoras, one day was walking past a blacksmith shop and heard the sound on the anvles

and got fascinated with sound and thought it could be understood mathematically. Sabina Maglioco, Ph.D., is a professor of anthropology at California State University, Northridge. Pythagoras, in hearing these tones made by the metal striking the metal, intuited that there was a mathematical relationship between the different notes and a scale. There was a proportional relationship of ratios

between these different notes and the scale. When you look at Western music, it all has its root with Pythagoras, and the great discovery he made is that the waves generated, say, by strings or wind instruments, could be converted into clear notes and scales by using fractions and discrete ratios. So we end up with thirds,

fifths, force, octaves, by simply taking the string and holding it in these fractional ratios, you get sound in these ratios, and it's very pleasing and works very well to the human ear. So Pythagoras did this amazing job of taking math and geometry and tying it to music, which then led to the entire Western musical scale. Pythagoras's revelations regarding sound and music led him to speculate that the universe itself and everything in it is in a constant state of vibration. He theorized that there is a harmony throughout the cosmos and that even the planets emit their own unique sounds.

Pythagoras thought of the universe as operating as a harmonious whole, which he compared to a liar, an instrument that is a little bit like the modern harp in that it has different strings. Each string vibrates at a different frequency, producing a different sound. He thought that each planet in the solar system vibrated at its own unique frequency and produced what he called the music of the spheres. When you look at the individual planets in our solar system and around the universe,

radiation that's emitted in each planet will be in its own frequency range. We can convert that to an audible signal and think of each planet having its own signal or tone or music that goes with it. NASA has been able to record sounds coming out of the planets, thereby proving that Pythagoras's notion of the music of the spheres is in fact correct. When we look at these interesting discoveries about planets giving off sound frequencies,

we become even closer to realizing the fullness of Pythagoras' exiterresturally derived idea of the music of the spheres. In the second half of the 20th century, quantum physicists developed a new model for the atomic structure of the universe, known as string theory. This theory suggests that the universe is made up of vibrating strings of energy, a concept similar to the one Pythagoras suggested thousands of years ago. There are even those who believe that string theory will provide unprecedented breakthroughs, in everything from space exploration to time travel,

by allowing for the creation of wormholes through which humans will be able to move from one point in the universe to another. But how could Pythagoras have possibly envisioned the foundation of such an advanced scientific theory? William Henry is an author and investigative mythologist. The mystery schools that Pythagoras attended in Egypt are known as the School of the Magi,

the magicians. But really, they're a lineage of otherworldly beings or humans that are in contact with otherworldly beings that had knowledge of the stars, have knowledge of the progression of humanity, and act as benefactors assisting humanity and its movement forward and its evolution. When we are looking at the Pythagorean knowledge base,

we are seeing something that is vastly more sophisticated than what he could have come up with on his own and is in fact vastly more sophisticated than our current level of scientific knowledge allows for today. If the entire universe is connected through vibration and frequencies, is it possible that we could use this knowledge to connect with other intelligent beings in the cosmos? Ancient astronaut theorists say yes, and suggest that there is one particular sound that may provide an even more direct connection

to our extraterrestrial ancestors. Every year, millions of tourists traveled to Humpy India to see the ruins of Viji Anagara and witness the famous musical pillars. But for Hindus, an equally important link to their past is the god from whom the principal temple complex was constructed. Vidalah. Vitala is an avatar of two of the most important gods in Hinduism, Vishnu and Shiva. is always holding the double-sided drum known as the Damaru,

and he is constantly beating the drum, and that drum is creating the vibration of the universe, and that vibration is the unique sound of Ome. The Avatar of Vishnu is holding a conch shell, which he blows into, and this supposedly makes the exact same sound of Ome that Shiva makes with his. double-sided drum.

Ome is a frequency of all vowels combined into one, A-E-I-O-U, A-O-O-U, A-O-M. And some have suggested that the Ome essentially can be regarded as the frequency of the universe. Hinduism, Buddhism, Jainism, Sikhism, they all use, in a concept of Ome as an integral part of their religion, of their understanding, of their, you know, life. Ome is the sound of the universe.

the basis of everything. Ome is first mentioned in the ancient Sanskrit texts called the Upanishads written over 3,000 years ago, which proposed that vibration, along with ritualistic chanting, singing, and prayer, can provide a direct connection between humans and the gods themselves. Around the world there is acknowledgement that things are created by sound and that sound is a kind of portal.

The connection point between the scene and the unseen, the sacred and the ordinary. The Igbo people of Nigeria in Africa believe that music is actually the voices of their ancestors. Yakut shamans throughout Central Asia use whistling to summon their spirit helpers when they're about to go into trance to help their people.

The Makkah people of South Asia, have a poem that's linked to the idea that music is a way to call upon our ancestors to sing them present with us. This is the vibration that is inherent in the universe, and it's something that humans would be able to use it with their own technology, to reconnect with the gods, with the extraterrestrials. Is it possible that through ancient traditions of chanting, and vocal prayer, mankind is actually connecting to an extraterrestrial realm. And if so, might the same be true for similar practices performed by other major religions today? We have this in the

West. Cathedrals are engineered to affect the visitor. A seeker comes to a cathedral and the acoustics of the room will resonate in the body. It's about sound. If you go to one of the great cathedrals of Europe and hear a Gregorian chant or other musical performance, it will alter your consciousness. Devoted to encouraging mystical experience, connection with the unseen world will invent instruments, spaces so that the human body will resonate with certain sounds, certain music, certain frequencies that will put them in touch with the unseen, whether that is the gods or unseen wisdom.

It's a way for us to get in touch with the consciousness and the intelligence of the extraterrestrial beings that we believe were in the past. They're here in the present, and they will ultimately lead us into our future. While it has often been envisioned that mankind's first contact with extraterrestrials would come in the form of a spaceship touching down somewhere on Earth, could it be that contact is already taking place? and perhaps has been going on uninterrupted for thousands of years. Ancient astronaut theorists say yes and suggest the proof of extraterrestrial contact may lie, not somewhere on land, but deep beneath the surface of the ocean. Mariana Trench, Pacific Ocean, July 13, 2015.

Researchers from the Hatfield Marine Science Center scanned the deepest part of the world's oceans with a hydrophone, listening for whale calls. But suddenly, they pick up something unexpected, eerie sounds booming from the depths. John Brandenburg is the author of Life and Death on Mars. These sounds are quite interesting. They sound kind of like whale sounds,

but they can't be attached to any known species. It's about eight miles down. It seems very technological, but it's very mysterious. If we analyze this signal that's coming out of the depths of the Mariana Trench and realize that it's more technological in nature, could this be coming from some base that could still be induced by some extraterrestrial rays? If the strange sounds detected at the Mariana Trench really are from an extraterrestrial source, Are they meant for us to hear?

As scientists continue to learn more about the possibilities of acoustic technologies and also about the vibrational properties of the universe, are we beginning to rediscover how to detect otherworldly communications and possibly connect with alien beings? When we look at all of the evidence, we have reason to believe that exterrestrials are giving us clues that help us to realize frequency plays a much greater role in understanding matter, energy, and consciousness

than we allow for in our current scientific paradigms. If you have megalithic sites that feature these harmonics, and they happen to be on different continents, then one has to wonder if at some point this knowledge was given to our ancestors. I think the time has come that, has come that we not only use our eyes to look at these things, but to also turn our ears towards these sights because perhaps the frequencies of these places may be the key to unlocking

the secrets of our past. Is it possible that extraterrestrials have used acoustics to secretly guide mankind for millennia? Or could aliens have hidden clues all around the world? so that once discovered, we might one day be able to initiate their return. Perhaps the truth can be found once we use not our eyes, but our ears, to find the extraterrestrial messages that surround us.