Ancient Aliens - The Harmonic Code

Episode Date: June 25, 2026

Archaeologists have discovered that many ancient sites were built with an acoustic purpose, and often resonate at a frequency that has a profound effect on the human brain. Could ancient people have been aware of a harmonic code? One that put them in contact with alien beings?See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In ancient traditions around the world, powerful sacred sounds were used to communicate with the heavens. The whole universe resonates with the sound own. But was sound also used to create megalithic structures? They had a certain sound, a certain vibration, and the blocks moved by themselves. And could seemingly primitive rituals actually have been connected. to otherworldly technology. Within the harmonics and overtones of a complex sound, you could impart all kinds of information.

Ancient astronaut theorist Georgiosucalos and author David Childress have gathered experts in science, religion, and a mythology to explain the mysterious power of sound. Monuments worldwide have acoustic properties, and it's all harmonics. And the possibility that new discoveries in acoustics

could lead to the next giant leap in human evolution. This is literally getting the right vibrations to create the next experience of reality. There is a doorway in the universe. Beyond it is the promise of truth. It demands we question everything

we have ever been taught. The evidence is all around us. The future is right before our eyes. We are not alone. We have never been alone. Here is ancient astronaut theorist, Gior Osucalos, and author David Childress, joined by investigative mythologist William Henry and Rabbi Ariel Bar Sadoque, founder of the Kosher Torah School. I'm really delighted to be here with you guys because I think that acoustics is definitely something that needs to be explored even further. As humans, music and acoustics are very important to our lives. Remember, from the Bible, it says, God created the world, how? In the beginning was a word by speaking. He spoke. He spoke. It's spoken, all right? The oral tradition is not just words or intellect. It's an entire

tonal thing. When the universe was created, it says that the whole Earth has a grid of tones that founds everything. That is the same thing in ancient India with Om. They're saying exactly the same thing, that the universe started with one note, a single note, a vibration. And then it's the Onm sound. Ohm is a sacred sound in the Eastern religions of Hinduism, Buddhism, Buddhism, and Jainism. Deepak Shimkata, Ph.D. is a professor at Claremount School, of theology. Hindu concept of cosmic sound is simply Ome. Ome is made of three letters, A, U, and M.

Those three letters combine makes the sound Ome, and the whole universe resonates with the sound Ome. Lane Little, PhD, is a lecturer of religious studies at UC Davis. Ome was not just found in Hinduism and Vedic tradition. It's very much used in Buddhism. It's utilized in Jainism and also in Sikhism as well. And it is the most common and most sacred of all mantras in all of these traditions.

The concept of Ome first appears in the Vedas, the religious texts that form the foundation of Hinduism. According to the texts, specific vibrations created through ritualistic chanting, singing, and prayer can provide a direct connection between humans and gods themselves. That importance of sound in Hinduism and Buddhism is very, very vital. Without sound, you cannot pronounce a mantra. Mantra is combined words made into invocation.

described in the Vedic texts. The gods provided humankind with a visual aid to remember these sacred sounds. Elaborate patterns called mandala's. Praveen Mohan is the founder of Phenomenal place. Mandalay's are mnemonic devices used to aid meditation often in tandem with chanting. What's interesting is that in Hindu temples we have a visual representation of Mandela's. So what they're doing is they're essentially translating sound into visual patterns. In modern technology, these are called cladne patterns.

In 1787, German physicist Ernst Klaadne, known as the father of acoustics, published his seminal work discoveries in the theory of sound. In it, Clodney describes an experiment that shows how vibrations can create exotic geometric shapes. Here is Dr. Jeff Thompson, director at the Center for Neuroacoustic Research. We've got this thing called the Shaladne plate after the scientists who invented it. It's a thin metal plate like a sounding board, and we've got a transducer attached to the bottom of it. and they spread sand over the top of this plate,

and we start playing certain tones, and those sand particles start to bounce around and dance around, and they start to form these mathematical circular patterns. And as we move up through these frequencies, the sand goes into kind of a chaos in-between state, and then it arrives at this next pattern. And the higher the frequency you go, the more of these patterns become more complex,

become more complex. In the 1960s, Swiss scientist Hans Yenny was experimenting with Kalladni patterns when he noticed an extraordinary connection. Jenny tried it with own and it generated an image of a circle with a dot in the middle. That itself is actually very interesting because the most fundamental elements of any mandala will usually be a circle with a dot marking the cosmic center. Today, the patterns made by frequencies are known as cymatics. In modern technology, we are able to create visual representations of sounds.

What is remarkable is that, we see the same patterns in Hindu temples in ancient Indian structures. At the Sri Ranganaathaswami Temple in southern India are 40 ornate statues, carved from monolithic columns. The statues depict leaping animals and above them Vimanas, vehicles that, according to ancient Hindu texts, were flown by the gods. The word Vimana, in ancient Vedic text, means flying machines.

In Hinduism, this clearly established that the gods come down from the sky using Vimanas. In the temple of Sri Rangam, these carvings show many different types of vimanas. And what's really unique is that under these vimanas, we are able to see some very interesting patterns of mandala. Some researchers believe these mandala's represent more than just an artistic flourish. According to legend, each type of vimana can be activated. with a specific type of Mandela.

If we crack this visual code, if we crack this cymatic pattern, we might actually unlock the secret to power these dematas. Here is astrophysicist and aerospace engineer, Dr. Travis Taylor. Think about all this is somehow connected to cymatics and some of these shapes that we see in the ancient hieroglyphic,

at hieroglyphics and some of these structures, megalithic structures, and you can reproduce those with sound waves. And so I wonder if when these patterns occur, when we create these sounds, is this kind of like we're inserting the pen to open up an encrypted PDF file to read the information? And what they're trying to tell us with a mandala

is that this is the cymatic code, the shape, the vibration, the sound that's going to levitate or do whatever. You make this picture with sound and you've done it. There's knowledge of the ancients which was concealed because mankind was not considered ready for it. And this was that technology. What's interesting about this whole harmonics and cymatics is that this is a universal thing.

It's going to be throughout the universe. It's every single planet. That's called the Anthropic principle. It's a... Like mathematics. We have discovered all these extreme amplitudes of acoustic sounds. And right now we're currently working on how we might be using it for future technologies. I love it.

Let me tell you a story about an event that happened very recently. Two scientists have done an experiment. They go into the great detailed math of the quantum interaction with the sound interaction, and they call that a phonon-photon-in interaction. Phonon is the particle for sound, and discovered that sound can trigger this negative mass effect. In March 2019, scientists at Columbia University in New York City made a shocking discovery that redefines the known laws of physics.

In an experiment, physicist Angelo Esposito demonstrated that phonons are affected by gravity, but in a highly unexpected way. Instead of being forced down towards the earth, phonons actually rise upwards. Scientists discovered that the phonon itself has mass, which nobody thought it had before. But the closer to look to realize that it wasn't mass at all, it was negative mass and negative gravity.

Michi Okaku, Ph.D., is the author of The Future of Humanity. It turns out that under certain conditions with sound waves, sound waves can actually start to rise rather than fall. And this was an anomaly, but yes, it seems to be consistent with the laws of physics, that certain vibrations, instead of falling down, can actually fall up. To me, that's experimental evidence that you can, if you understand sound the right way, use it to levitate heavy things. So could this imply that the end of the end. ancient stories of levitation of stones, that some type of technology like that was implemented.

That's right. And that comes back to this whole idea with cymatics, which is where we're taking certain sounds and putting them in, we'll call standing waves, and they produce these amazing geometric figures. And you could envision, if you knew the way to manipulate this the right way, you could make three-dimensional figures with it even, right?

could have the sound not just underneath it, but all around it. And in fact, I've seen one where there are multiple transducers in a way, and they can levitate little styrofoam balls and ping pong balls just by having the sound in the right way, and even do multiple ones in configuration. So imagine if you could amplify the power, if you could amplify the principle, wouldn't that or couldn't that apply? Absolutely. in ancient Egypt, in England, some of the stonehenge blocks,

according to some of the legends, magician Merlin was able to levitate those stones across the plains of England. Is it possible that the same principles utilized to move sand particles and larger objects such as ping pong balls could also be used on a larger scale to lift and move much heavier objects?

objects. Curiously, a great number of stories can be found in the ancient world that involve the use of sound to levitate massive stones. Andrew Collins is the author of Denisovan Origins. All the way around the world, there are myths and legends relating to the movement of stone blocks using sound technology. These are found amongst the Maya of Mexico. the Phoenicians of the Near East and in Tibet. Hugh Newman is the co-author of Megalith Studies in Stone. We have stories in ancient Egypt even where they seem to be able to move the stone effortlessly from one place to another, some weigh in hundreds of tons.

In the 10th century AD, the Arab historian, Abul Hassan Ali al-Masudi, wrote that the Egyptians were visited by beings known as the Guardians of the Sky, who gave them the knowledge that enabled them to levitate the massive limestone blocks, with which they built the Great Pyramid. Eric von Danikin is the author of Chariots of the Gods. In old Egypt, they had a certain sound, a certain vibration, and the blocks moved by themselves. They show a technology, which we do not have.

If acoustic technology was used to levitate massive stones, as ancient astronaut theorists suggest, might knowledge of this technology have been left for humankind to rediscover? This levitation technology is exotic because we have no idea how to do this today for thousands of years now. We've turned this into the realm of legends and myths. myths. The fact that we have stories of these ancient gods, in my opinion, is that we are suggesting that our ancestors misinterpreted these beings as gods because their technology

far surpassed their current frame of reference. Right. So these beings from our ancient past had probably figured this out in order to do whatever it was they did. And that lends us down the road of how do we figure it out? And that's something that I'm really intrigued by. This technology will not only transform our society, it'll change our world. To me, this is fascinating that there seems to be acoustics and sound that reach the realm of the gods. The path of the 10 Sifirot in the Kabbalah speak of the energy vortexes, which vibrate in five different harmonics called vowel. which is called tonal technology.

This knowledge was considered too dangerous to be publicly displayed. And according to the stories and the legends, this technology was unleashed and it destroyed the world. So, well, first they destroyed Jericho, right? Well, Jericho came later, but actually when you're bringing up Jericho, the whole story of the Ark of the Covenant and the marching,

this is only just one simple biblical example. The Hebrew Bible's book of Joshua tells the story of how Israel conquered Canaan, beginning with the Battle of Jericho. According to the story, God commanded the Israelites to march around the seemingly impenetrable walls of Jericho once a day for six straight days, carrying with them the Ark of the Covenant. But on the seventh day, they were to circle Jericho seven times, making treacherousal. tremendous noise. Amir Hussein, PhD, is a professor of theological studies at Loyola Marybount University.

On the seventh day, as they circle it, they blow the trumpets, and it's the sound that brings the walls down. And you can think about that from an engineering perspective. Is it the trumpets and the vibration, the sound of the trumpets that somehow resonates with a particular frequency in the brick of the walls that causes these walls to collapse? Is it possible that the story of Jericho is a historical account of acoustic technology being used thousands of years ago? Ancient astronaut theorists say, yes, and point to other stories that describe the power of the Ark of the Covenant. What I have always found fascinating is that we have stories of these magical incantations. Right. But, you know, operating something with voice commands, if you don't know what that is, that's a magical incantation.

This is the interesting thing, because when you look at the Ark of the Covenant, you look at the High Priest. The High Priest, of course, would speak to God, wearing the breastplate of judgment, had the 12 stones on it. The High Priest would approach the Ark of the Covenant, and he would start to recite certain tones, sounds. These were a very deep tonal throat type chants.

The tones were said to then cause the stones to vibrate, and they would send out lights, and then the ark somehow would react to this. There's some active energy there, which we call the glory or cavode of God. It's not God, but some actual energy feel that if you would be in the presence, remember, you couldn't go into the presence.

That's right. Something was there that if you went too close, you died. I'll tell you exactly what that sounds to me like. This breastplate has optical and or acoustal optical transceivers on it. And they are handshaking, which is what the old school acoustic phone modems would do when you would call up or the fax machine calls up to connect to the other side. What we're seeing here is that they would use sound to link heaven and earth. The idea that sound can facilitate communication between man and divine beings, like the Hindu use of Oom, is a common theme in religious traditions throughout the world.

All religions really use music, and you see that in worship services. The cantor with the Psalms and the Jewish traditions, choir and Christian traditions, even in the Islamic tradition where there's no formal music, there's a melody to the rest of the of the Quran. Every culture has the idea that this music connects us with the divine. For many religious practices, just as important as musical traditions, are the locations in which the rituals are performed. A choir singing in Scherz Cathedral is magical because of architectural space.

And so these architectural spaces in all these various cultures, from these kind of secret monasteries in the Far East and in the Middle East, were famous for having architectural designed spaces that call up the sacred. Interestingly, a growing number of archaeologists believe some of the world's oldest structures were specifically designed to accentuate acoustic properties. Like all of you, I'm always keeping up on the latest archeological developments and research. And I think it's really fascinating that monuments worldwide

have acoustic properties. What they're finding is that these were chambers that were designed where you would have this acoustic experience that you heard, but you also felt it in your bones, in your tissue. Yeah, they call this archaeoacoustics. Archaeoacoustics is an interdisciplinary field of archaeology dedicated to examining how sound and acoustics were utilized in the ancient world.

Felicia Beardsley, Ph.D., is a professor of anthropology at the University of Laverne. It's a relatively new field, and archaeoacoustics is looking at the sound quality of ancient sites, historical sites, archaeological sites, where we see music probably played a role. Stonehenge is one of those, where you stand in the middle of Stonehenge,

You would create the sound blast of music. Whatever implements were used, because we're not really sure, and it would bounce off those stones and create this sort of echo chamber. Stonehenge functioned as a sonic temple. By this, what I mean is that individuals in the center of the monument

would create musical sounds, particularly of a low frequency that would be contained actually inside the stones and build up an energy, if you like, for a purpose which we can only guess at right now. All around the world, archaeologists have identified numerous ancient sites that were designed according to acoustic principles, such as Gobeckley-Tepa in Turkey, the Hypogeum in Malta, and the New Grange Passage Tomb in Ireland. Newgrange has very strong acoustic properties. What they found is that the way the sound waves bounce around the chamber, they create what's called standing waves. and they increasing intensity and sound. According to some researchers, curious carvings found inside New Grange

provide key evidence, documenting that the structure was purposely designed to have elaborate acoustic properties. And it seems that these were standing waves were recorded actually within the chamber itself where you can see these zigzags carved all over the place, suggesting that they not only understood acoustics, but they were recording the experience. experience within the chambers. The other thing of real interest is the fact that when they

investigate the corbeled roof, which is like multiple mega-sized stones, almost going around a spiral, they found that these have been adjusted and they found the reason for that was because they were tuning the chamber acoustically. Is it merely coincidence that ancient structures all over the world appear to have been designed by different civilizations that demonstrate such similar acoustic properties? Or might they share a very common purpose? And if so, why? I mean, it's fascinating the whole idea of these vibrations and acoustics within these ancient sites and that they were purposely created that way. Yeah, they were set up for an extraordinary human experience that potentially then this can enable an experience with an otherworldly being,

even like a godlike being. They were signifying it was a place that they were opening up a spiritual portal by doing a ceremony, chanting, maybe beating drums or something, to their ancestor gods or to their sky gods. What we're seeing here is that these were meeting grounds of humans and the gods.

The interesting thing about these resonance chambers, one thing we have discovered at these low frequencies, you actually can be in a, and sort of a trance-like state from it. Apparently there is a psychological or a spiritual effect. This was used with shamanistic practices. Ancient religious leaders, commonly known as shaman, were seen as links between humans and a higher realm.

For the shaman, sound was not used merely to make a spiritual connection with the divine, but to actually interact with otherworldly beings. The term shaman comes from Siberian religious practices, and it means somebody who can see the underlying fabric of the world around them. These are the negotiators between this world and the other world. They could step into the other world to negotiate with otherworldly forces. Individuals, shamans, when they chanted, when they sung, when they used the instruments, It was to enter into altered states of consciousness

so that they could communicate with spirit entities and perhaps connect with what we might describe as ancient aliens. The point is that the shamanistic practices all built upon one. Chance, sounds, altered states of consciousness, which bring you into the connection with extraterrestrials, aliens, whatever is out there. That's a really interesting point, Rabbi. We have discovered that sound waves can actually control our brain.

In the 1960s, neuroscientists discovered that rhythm and acoustics can produce a physiological change in the human brain through a process known as entrainment. If I can create a pulsing in the external environment that's pulsing at a brainwave speed, my brainwaves will try to match that speed to save energy, and my consciousness will change in the process. So we can do that using just a drum to change consciousness at will.

If I hook you up to an EEG machine, so I can look at your brainwaves, and normally when we're awake, my brainwaves are generating beta function, which is rapid between 13 hertz and 38. And the drum beat is at 5. And my brain waves are going to start slowing down and slowing down, slower, slower. To take my consciousness from a waking state into a dream state without going to sleep first,

which means that's a classic definition of a trance. The earliest examples of brain entrainment would be shamanic drumming. The speed of the drumbeat tends to be around 5 hertz. And that's about like this. You know, that's about it. That's about 5 Hertz. And 5 Hertz is where your brain goes when you're dreaming at night. The whole idea is to transform consciousness.

They were trying to achieve a connection with the divine, with the otherworldly. If modern science has proven that shamanic drumming does, in fact, induce a state of trance, could it also be true that it enables extrasensory abilities, and even allows for communication with other realms. While it may sound like a far-fetched notion, in 1995, the U.S. government revealed that brain entrainment was part of its top-secret spy program called Project Stargate. Operatives in this clandestine unit gathered intelligence about persons, places, and events

from great distances by sensing with their minds. a practice called remote viewing. During the 1970s, President Jimmy Carter's administration used remote viewers to locate a downed Russian spy plane in Africa. John Vavonko has been working in the field of remote viewing as both a teacher and a practitioner for more than 20 years. You talk to any of the old remote viewers, the ones from the Stargate program, they'll tell you how accurate and how important and how relevant their information was.

I worked with corporations, intelligence, counterterror for the FBI after 9-11. At the start of every remote viewing session, John uses specific sounds to entrain his brainwaves and create a trance-like state. What we do with remote viewing before we do a session is a cool down. We will meditate and one of the aids that we'll use are binaural beats. So if you think about frequencies in the ear, we'll listen to these sounds. So if one ear is pulsing a sound of, let's just say, 6 hertz, and in another ear it's pulsing a sound of 4 hertz, your brain waves will synchronize to around 5 hertz.

and we like to stay in that zone in order to get the best information. John claims that by entering this trance state, remote viewers have gathered more than just information. They have also encountered otherworldly beings. We were working a project around the I Receiva Radio Observatory, and I was the first viewer on this particular tasking, and I start to get these beings, these aliens. I just remembered during the session, I kept saying they're coming, they're coming, they're coming.

And they started to take notice of me. And I'm starting to freak out because I've got tons of adrenaline flowing through me. I'm in fight or flight. It telepathically communicated with me. And it said, we are here to help you and we want you to help us. The other viewers started to experience the same thing. And so that's when we started to, okay. Now, you know, I'm not hallucinating.

This is absolutely real. Travis, you can speak to this probably more detail, but we live in a spectrum, right? We see a very tiny sliver of reality. And what if these frequencies, what if they're like dials? You know, you can, like you're tuning the radio dial. I'm not an earth frequency anymore. I'm just going to tune it a little bit in this space

and I'm going to be able to see what's actually there. So what if, and this is a what if, you're in this perfect spot. What if that shifts you? slightly in the spectrum that you can perceive. How about this? If we could actually, through science, find the proper residences, tones that'll actually

put us in contact with, with whom? The ancestors. The only way to find out is to knock on the door, go through, and say, who's there? There is an ancient book called, Perik Shira, where the chapter of song, where in which is revealed that everything in nature has its own vibration, which means it has its own consciousness. We call that mechanical resonance.

Everything is alive. And that comes back to the universe itself, has this mishmash of vibrations, and it's singing a song, so to speak, and if we learn how to interpret and or manipulate the song, then we can interpret and or manipulate the universe. And it's all harmonics. It's all harmonics. So we've got to go back to Pythagoras with his Music of the Spheres concept because he comes up with the idea of the musical scale and the musical ratios.

In the 6th century BC, Pythagoras, the famous Greek mathematician and philosopher, made an acoustic discovery that would reverberate through history. Mitch Horowitz is the author of The Seekers Guide to the Secret Teachings of All Ages. Pythagoras was in a certain sense the father of modern mathematics. He gave us the base 10 formula for our Western system of numbers, and he discovered a divine symmetry, so to speak, in all things that exist. Jonathan Young, Ph.D., is the founding curator of the Joseph Campbell Archives. One day, Pythagoras is walking by the blacksmith, and he's hearing some harmony coming out from the smithy area there.

And so, with the kind of persistence of a scientist, he figures out that if a hammer is twice the weight of another hammer, and they both strike at the same time, the notes they make are harmony. Michael Dennan, PhD, is a physicist at University of California Irvine. The great discovery he made is that the waves generated, say, by strings or wind instruments, could be converted into clear notes and scales by using fractions and discrete ratios. So Pythagoras did this amazing job of taking math and geometry and tying it to music, which then led to the entire Western musical scale. Pythagoras' study of harmonics led him to theorize that everything in the universe, including planets and stars, exists in a constant state of vibration. Incredibly, he was right.

Two thousand years ago, the Greeks asked an elemental question, what paradigm can explain the entire complexity of the universe? Pythagoras said music has the complexity to explain the double. diversity of the universe itself. So in other words, our universe resonates with the notes from music. Pythagoras said that everything is based on music, which in turn is based on certain ratios, thirds, fifths, octaves.

So why not explain the solar system this way? If you look at Mercury, Venus, Earth, Mars, Jupiter, Saturn, they are aligned according to certain ratios. Maybe these ratios are the ratios of strings. of strings. And so he called it music of the spheres. When planets move around the solar system, he thought they must create music.

Music that we cannot hear. This is heavenly music. Music of the angels. But nonetheless, that would explain the regularity of the solar system itself. And so he thought you could explain the universe through music. Pythagoras felt he was unlocking a kind of code of creation. of creation.

He was providing humanity with the language of the gods, so to speak. Pythagoras said it was Apollo, the sun god, who taught him about all of these advanced concepts and laying down the basis for modern music and everything that we know about music. So there's an extraterrestrial connection here that is very important for us to think about.

All this talk about music and frequencies and harmonics all boils down to mathematics, correct? According to the ancient Kabbalistic text, math, complemented with appropriate harmonics, are going to align with the natural, harmonic, or universal pattern of the universe. We are talking about the hidden, sacred knowledge of the ancients, which was their secret technology,

their way of reaching out to the higher dimensions, whether they be to angels or gods or ancient This is a really interesting conversation about all these different acoustic properties. I've always thought that there's a different pattern. I've always called it the God fractal, that I think if you found it, it would be like the mathematical instructions to building the universe or whatever. Have you seen diagrams throughout history or whatever that to you suggest the pattern? The flower of life.

I was just about to say. It has to be the flower of life. the symbol of creation itself. Constructed of overlapping circles, the flower of life holds all geometric forms within its design. One of the oldest known examples of this sacred geometry can be found at the Temple of Osiris in Egypt.

A structure archaeologist's claim is 6,000 years old. The flower of life symbol is considered the seed symbol of all symbols. The ancient Egyptians understood this symbol, came from the heavens. The flower of life is very special. It's really a mandala and may have something to do with the geometric nature of the universe.

We don't know exactly what it did. Perhaps it was really symbolizing some device that's a sound device, a harmonic device, something that's highly technical and was used by these ancient cultures. Is it possible that extraterrestrials have used acoustics to guide humankind for thousands of years? And if so, did they hide clues in ancient traditions, structures that create altered states of consciousness, and sacred shapes in the form of cymatic patterns? Perhaps the next great leap forward will occur once we tune in to the extraterrestrial messages around us.

I think, too, the opportunity we have here for cracking this harmonic code is, we all talk about a golden age and a time when we're going to see extraterrestrial presence on this planet. And this could be the key to it. Harmony is the right key word there. Exactly. For the whole universe to be in harmony. So this is literally getting the right vibrations to match with the right vibrations to create the next experience of reality. I like that. Guys, look, this has been an absolutely incredible conversation. And I think we've established that there is way more to the world that we know of.

There's way more to our reality and also what we can perceive with our senses. And I can't wait to continue this at some other time. To be continued.