Andy Frasco's World Saving Podcast - EP 105: J Mascis (Dinosaur Jr.)
Episode Date: November 17, 2020Andy's triumphant return to Denver is marked by big news, a reality check by manager extraordinaire, Schwartz, and "Baysik" Bassist, Ryan Stasik airing some grievances. And on the Interview Hour, we g...ot the legend himself: J Mascis of Dinosaur Jr. Andy rummages thru the annals of J's brain to uncover some historical tidbits and talk about his relationship with the guitar. Ahri reviews the election. This is EP 105. Follow us on Instagram @worldsavingpodcast For more information on Andy Frasco, the band and/or the blog, go to: AndyFrasco.com Check out Andy's new album, "Keep On Keepin' On" on iTunes Spotify Get to know J Mascis a little better www.dinosaurjr.com Produced by Andy Frasco Joe Angelhow Chris Lorentz Audio mix by Chris Lorentz Featuring: Brian Schwartz Ryan Stasik Ahri Findling Arno Bakker
Transcript
Discussion (0)
Hey, it's Schwartz. Listen, welcome back to Denver. It's 927 in the morning. Why are you not available?
Get your shit together, dude. I can't do season two of this shit show on my own. I need you to focus.
Whatever you're doing, stop. Focus. Call me. Wake up. Drink coffee. Let's go. I can't do this shit on my own. Bye.
focus call me wake up drink coffee let's go i can't do this shit on my own bye frasco it's stay sick dude what the fuck i leave you uh alone with my kids for like less than five
ten minutes and you got them swearing like sailors asking for sips of beer what is wrong with you
dude this is uh this is a little fucked up, man. This might affect our relationship.
I'm not sure if you're suitable
to be around young children.
But regardless, love you, buddy.
Go fuck yourself.
And we're live.
Andy Frasco's World Saving Podcast.
I'm Andy Frasco.
How's everyone doing today?
How's our heads?
We staying out of trouble?
Or are we having enough fun we're in trouble?
It's just a sleep away.
Man, I've been waking up hella early.
I basically have a new job.
I'm a comedy writer for the next month.
My season two of the shit show got picked up.
We got a producer, Cisco Adler, which is fucking tight.
Let's go.
We're moving.
Cisco, thank you.
It's crazy.
And then, you know, when I woke up,
but last year, I mean, November, I was fucking,
we were going on a headline tour and we were getting ready to sign a record deal and then quarantine hit and you kind
of have to adapt to what 2020 is going to fuck you with.
So I was like, you know what?
This is a good time, good opportunity to test the waters and see what else I could be good at
Or see what else I could do
Because I'm not just going to sit around my fucking house
I'm just not that person
So I'm like, fuck it, I'm going to start a talk show
And now I look, that was, what, March we started?
Eight months later, we got picked up.
So I'm not trying to boast or brag or anything.
I'm just trying to tell you, try shit new.
Try some new stuff in your life.
If you're bored of your life or if you're worried
that change is going to fuck everything up, stop worrying about
it. Change is part of life. Let this be a moment in your life where you're experimenting because
we're about to be locked down. I feel it. I just got back to Denver. Everyone is kind of high tense.
Everyone's wondering if I got the, you know, don't you bring in the Rona back to Denver, everyone is kind of high tense. Everyone's wondering if I got the, you know,
don't you bring in the Rona back to Denver. I don't have the Rona. And so I have a feeling
it's going to get locked down again. So let's take this advantage of being isolated one more time
to find something else we like to do in life.
Maybe you dedicated your life to your children or maybe you dedicated your life to a nine to five.
Take this time to dedicate your life to yourself
and see what you like.
See what makes you tick and what makes you worrisome
and find yourself and be part
of the idea of being present because what is being present? I keep, I've been telling myself
this all my, it's like fucking seven in the morning, I woke up because now I have a schedule.
I write jokes from nine to 9am to 2pm. and then I have calls with people who I'm tentative interviews,
and it's crazy. It's crazy. So let me have a cup of coffee. Hold on a sec. Ah, fuck yeah.
But I'm still here for the podcast because this is what I love to do, talk to my fans,
talk to my people, talk to new people,
who don't even know who the fuck I am, hey guys, how you doing, Jay Mask is on the show,
Dinosaur Jr., gonna be fun, I know these are two different genres, the new fan base, but
welcome to the show, welcome to the party, but like I was saying, try some new shit out,
be part of being present, that's what I was talking about, being present.
What is being present?
Knowing your emotions, knowing your feelings at the instant.
Not having anxiety from the past.
Not having anxiousness of the future.
You know, my friend Bree gave me some great advice.
You know, don't worry about being funnier than your last thing or better than your last thing. Just be funny now or just be good now. And that's the most important thing about being
present is understanding your opportunities and your optimism at this second, what you're grateful for this second, so go out there,
find out what you like, and do it now, fuck it, why you have to wait, why you have to wait till you
get, until you're retired to follow your dreams, you know, follow them now,
who knows what's gonna happen, we could have an asteroid hit us. Another, you know, deadly disease.
Fuck, you might just get the herp or something or the clap.
Like a deadly issue of the clap.
Remember when chlamydia killed people?
Was it gonorrhea or 1800s?
One of those dick and vagina diseases just killed a bunch of motherfuckers, I'm like, damn,
think about that, thinking that sex like that could kill you, so don't go raw, dog, wear a condom,
this is my promotional thing to wear a condom, um, sorry, I'm lighting up my 14er weed, thank you,
thank you, I'm finally back in Denver, I get to smoke some more of that beautiful 14er weed from Denver, Boulder area.
If you're in the area, go grab some.
They're out of Boulder.
Super sweet guys.
Evan, the whole crew.
They're badasses.
So go out there and go check out some 14er and tell them Frasco sent you.
Non-psychoactive.
You know how I roll.
You know, as I get older, I'm like, fuck.
You know, THC is tight and all, but have you ever tried weed? Not a panic attack. I like that. But right now, be here, be focused in the now and the idea that we could find happiness in this second, not we're going to wait to find happiness or
we found happiness in the past and it's never going to happen again. Be optimistic that right
now is our fucking moment. Okay. I love you. All right. We got Jay Maskis on the show,
Dinosaur Jr. You know, it's always hard to pull anything out of Jay, I'll be honest with you. You know, the interview, it's hard to rock sometimes, but we opened up.
We talked a lot about his band and how hard it is to keep a band together
and how hard it is to find your dreams, find new dreams,
when in your brain you already fulfilled your dream on record one.
He was talking about that with Dinosaur Jr.
It's fascinating.
I won't get into it because I don't want to ruin it,
but Jay's a good guy.
He's funny.
He's like all of us deal with depression,
deal with our brain taking over the present moment.
So let's learn from each other's stories
and let's try to enjoy the present moment. So let's learn from each other's stories and let's try to enjoy the present
moment. All right, guys, I will catch you on the tail end and let's get this shit. It's fucking
Tuesday, baby. Get out there. Do I have to play the fucking music? I got to play for myself.
Frasco, you're going to write a great season two. Season two of the shit show is going to be so fucking good because you're living
present. You're powerful. You're focused. All right, enough of that shit. All right.
I'm just pumping myself up on this morning before all these professional comedy writers
roll into my house and roll into the Zoom. And so I'm going to splash some water. I'm going to say, I got this.
Because confidence
is half the battle. Alright.
Love you guys. And I'll catch you on the tail end.
Let's enjoy some Jay Maskis.
Alright. Next up.
On the interview hour, we got
Jay Maskis from fucking Dinosaur Junior.
Let's go. Chris, from fucking Dinosaur Jr. Let's go.
Chris, play some Dinosaur Jr. This guy's the godfather of guitar.
In the 90s, he was just playing loud-ass music.
Very thoughtful.
Loved the guitar so much.
Just a sweet guy.
He's almost been in Nirvana's band Nirvana wanted him in his fucking band
Isn't that crazy?
Jay said no to Nirvana
That's how rock and roll and old school
And his philosophy is that
He had a band
And he's like no
I know this band's gonna get big
But this is what I love to do
So shout out to you Jay
And I hope you guys enjoyed this interview.
Took a little revving up, but he got talking, and it's awesome.
So, ladies and gentlemen, please enjoy Jay Maskis and Dinosaur Dream. Baby, why don't we?
Baby, why don't we?
Baby, why don't we?
Baby, why don't we?
Why don't we?
Won't you leave me? What's in the blue?
What's in the blue?
There you are and here I stand Trying to make you feel my hand
What's in the blue?
What's in the blue?
I'm ringed over in your mind
But it's locked from the outside
You don't live there anyway
But I'm not going on a date
There's a place I go but you're not there
And I'm supposed to know
How to get to where you're gonna be
But you don't even know
So I'm flaking while you're shaking it
With every stroke you fight
Without a mind, without a spine
What is it that you want to find? It's a place I'd go but you're not there
And I'm supposed to know
How to get to where you're gonna be
But you don't even know
So I'm playing along
You're saving up
Without a course in mind
Without a mind
Without a dog
But is it that you wanna fly?
There's a place I'd like to go When you get there, then I'll know There's a place I know you've been There's where I can get on in Baby, why don't we?
Baby, why don't we?
Why don't we?
You've been sitting here with me
You've been sitting here with me There you are and here I stand You wanna see me You wanna see me
There you are and here I stand
Trying to make you feel my hand
You wanna see me
You wanna see me
Ring the doorbell in your mind
But it's locked from the outside
You wanna see me
You wanna see me But it's locked from the outside You don't live there anyway
But I'm not going all day Jay motherfucking Maskus, how we doing today, buddy?
Uh, you know, so-so-ish.
Were you always gigging a lot, even when you were a kid?
Um, since I started, I've been doing it quite a bit, yeah.
I've been traveling a lot my whole life.
What do you like about traveling?
Just get out of my own head.
It just kind of resets my life a little bit i just get out of my
if i'm getting bummed out or something it's just kind of clears my mind out a little bit
doing something else yeah i agree it's like is it the idea that there's always something to do
when you're traveling yeah you don't really have to think about dying or something as much because you've
got something to do.
Yeah.
Are you scared to die?
Yeah, I guess so.
It's the unknown of it, man.
Yeah, it's crazy, man.
I've been thinking about this, too, more ever since I've been quarantined because my brain's not distracting me.
It's not distracting myself, so I'm thinking about all this shit.
Do you go to therapy at all?
Yeah, I just started therapy during the COVID thing.
I hadn't done it before.
What do you think of it?
I don't know.
think of it I don't know I guess I like it that it's just something that's on on
the books that I have to do yeah and I
usually just yeah kind of makes me think
about different things but I don't know if I'm bumming out the therapist
too much or can I get that impression
this time
that's their fucking job though to hear you be all bummed out
and stuff
I mean
but I guess he wants to see
some improvement after
I don't know
I've had 20 something
sessions
you don't feel, I've had 20-something sessions.
You don't feel like you're improving?
I didn't think about it, but he just said maybe...
Yeah, he made me think maybe I wasn't improving. I don't know.
Yeah, he made me think maybe I wasn't improving.
I don't know.
Therapy works if you're willing to learn, I guess,
or if you're willing to change.
Are you willing to change?
I'm willing to.
It's just can I is the only thing.
I'd be willing to, but something always pulls me back down you know i don't know
what it is that's yeah it's do you think it's depression yeah definitely depression but
i don't know yeah i guess i've been running from it being able to travel and stuff but just
sitting at home for so long it's really sinking in yeah dude i'm i'd be bored out
of my mind dude so let's talk about the band and we could talk about therapy but i'm not your
therapist so let's talk about the band and stuff so what i heard you guys broke up see i'm new i'm
i'm hiply new to your band so i did a little research. I heard you guys broke up and then got back together.
How hard is it to keep a band together?
It's tough, yeah.
What's tough about it?
You know, it's like you have this relationship, like you're married,
but you don't necessarily even like the people,
and so it's hard to
keep it together
somehow
so why do it?
for financial reasons or do you do it
because you guys make
important music together
what's the point?
yeah I stopped thinking about why
and I just now i just do
and just do so why don't you take that same philosophy and when you're overthinking with
your therapy i don't know yeah good question it's like uh i'm like that too like i give i i
give advice or do things but the things that hurt me the most,
I don't want to take that advice that I give to people.
It must be fucking tough.
What was the hardest time you had to deal with your band?
It was right when we kicked Lou out of the band, like the late 80s.
And he was acting so weird.
He was really driving me crazy.
You know, like he wanted the band not to exist.
But he didn't want to be the one to quit the band.
He just wanted us to break up.
Why?
You know, I think I was just...
He couldn't take it anymore.
I'd been too mean to him or something.
Yeah.
Is he your best friend?
No.
He never was?
He was just someone you worked with?
Right.
Yeah, he never really even talked
for the first few years of the band so we got along
great and that's that when he didn't talk yeah was it addictions or oh sorry keep going no then
he got a girlfriend and suddenly his ego got really pumped up so he was talking all the time and then
um yeah once you he was talking all the time i realized i didn't
like what he was saying a lot of the time so yeah
what about your what about the other guy in the band he's he just like goes with the flow
yeah he's like the uh mediator between us we kind of talked through him at that period too. Like we wouldn't talk to each other.
We just talked through the Murph.
He was like the...
Like the Buddha?
Yeah.
The unsung hero of the band.
Do you think he's the reason why you guys are still playing?
Yeah, he's definitely a big part of it.
Yeah, I mean, i don't know i just don't see working with people and i guess i don't know how long you guys been a band now
i don't know since like 84 or something so what's the difference what's okay so tell me about touring
in 84 and like in in the early 90s.
When you guys were on, you guys were popping.
You guys were writing great songs.
I mean, you still do, but the band was on full cylinders and you guys didn't even like each other.
That shit's wild to me, man.
Yeah, that's how it happens.
It all kind of happens at the same time.
We're going to get popular and then realize you don't like each other
it all kind of comes
together
yeah it's kind of crazy
I haven't had that success like you guys
have but there's got to be
some driving force
that keeps everyone
together
was it the music?
yeah I think it's we realized that we're just
better together than
on our own. We've made some kind
of music together
that it's hard
to replicate. We just need those
people to have that energy
and we have that sound we kind of made
together.
We realize that's valuable
so we kind of stay together what were you doing during
the hiatus were you playing music with other bands or heard you did some school stuff with schools
and yeah i played with schools a little bit i played with mike watt for a little bit i was
playing with the guy the ashton brothers from the Stooges a little bit.
What did you like about playing in those type of bands
versus playing with Dinosaur Jr.?
It's just fun to play with different people.
Like the Ashtons, like Ron Ashton was one of my musical idols,
so it was fun to play with him and learn stuff from him on how to play guitar.
What did he teach you?
Just how to play Stooges songs correctly and stuff.
That's what he was playing.
It was cool just to watch him play and pick up stuff just from watching him.
Because he didn't seem to play for
years and years but then he's plugged in the guitar he sounded amazing right off the bat
you know it's crazy how that happens though like it never leaves you it's like when you guys got
back together yeah you just plug in and there's that sound again it's yeah it's pretty amazing
what about guitar players growing up what'd you listen to besides stooges and stuff plug in and there's that sound again. Yeah, it's pretty amazing.
What about guitar players growing up?
What did you listen to besides Stooges and stuff?
I was really into the Stones, you know,
Mick Taylor and Keith Richards and The Wipers, Greg Sage.
Yeah, with Ron Ashton, those were my main guitar influences.
What did you like about The Stones?
I just love Mick Taylor's kind of really melodic leads.
And I like Keith Richards' riffs and stuff.
Yeah, that period of The Stones really spoke to me, I guess.
Yeah, I mean, who showed you guitar?
Who was like anyone in your family musical or how did you just all of a sudden have this obsession with guitar?
No,
I just kind of played along to records and stuff.
Cause I was playing drums in a band and then we broke up and I decided to
switch to guitar and move Lou was playing guitar and I decided to switch to guitar and move Lou, who was playing guitar, and move him to bass.
Then get Murph, I thought.
I knew from high school, and I thought I could teach him drums
because I had a lot of drum lessons
and felt pretty confident that I could show him what to do.
I didn't know any guitar players around here,
so I figured for the sake of the band,
I'd just play guitar and start writing songs.
Damn, I feel like you just float through life, Jay.
Yeah, I have.
I mean, what was it like growing up?
Did you have good parents?
Were they supportive of you being a musician?
Or you were always just in the the back didn't want to bother anyone
yeah they were pretty supportive i felt like uh you know my brother was older and he became a
lawyer so i feel like that took the pressure off like me like oh oh, my dad's got a lawyer son,
so I don't have to try to be anything.
I just kind of just wanted to play music.
And yeah, my dad came around.
He started getting into it just like he was proud, I guess, at the end.
Yeah.
When did you start getting proud?
When you started making money
yeah and i was in some i was in a movie and uh what movie it was called gas food lodging
and i did part of the soundtrack and it played in our town and he i think he went with his
girlfriend to see the movie.
Yeah, and we were in some newspapers getting reviews.
How old were you?
Like 19, 20.
Damn, so you had success.
I mean, that's pretty big success for 19 or 20.
Yeah, our goal was when we started the band, we liked all these SST bands like Meat Puppets, Minutemen, and Husker Du.
We wanted to be on that label, SST, and tour. that was kind of our goal and we achieved that with our second album
so then we didn't really have any goals which was kind of weird to achieve all your goals so early
and then you're just like now what did we do we're still in the band hold on so you guys second
record did you get a record deal the first record yeah because uh our friend uh gerard cosway i went to college with he left college
to start this label and said he'd put out a record and so we pretty much had a record deal
as soon as we formed so we had to like learn how to play and then we made our first record we had
a record before we had any fans or anything shut the fuck up really so we could
so to get gigs we could come with a record and yeah what was it i mean like i mean it must have
been that was probably the game plan i mean no one was going touring in the dark really i feel like
that was you get on a cool label or you get some money to fund a record and then you start touring or was it was it
different than that yeah you get the record is what you have to shop to give to clubs to try to
set up shows and do so that was a good start to have a record to get gigs what was the worst tour you've ever been on? Oh, yeah. That was our first tour for SST right before our album came out.
In the summer, we went on tour.
They were supposed to put the record out, but then it got delayed.
But we still had the tour, so nobody knew who we were.
And we were driving around in this van that always broke down.
That's when the band really kind of fell apart on that tour.
That's the first tour!
Yeah.
Well, we did a tour before that when we opened for Sonic Youth,
and we just took our parents' station wagon and went in the Midwest,
and that was our best tour, probably,
and then after that was our worst tour.
That's amazing.
So what type of ruins were you playing with Sonic Youth back then?
Big arenas?
No.
No.
Probably like 500 people or something like that.
And then you were the only band that...
How'd they hear about you if you had no record?
You said you did have a record, so you're talking about the second record?
Yeah.
Right.
Yeah, we had our first record, and they came to see us the first time we played in the New York area.
We played at Maxwell's in New Jersey, and Sonic Youth were there.
And they liked us, and we kind of became friends with them and then they brought us on that tour
it's pretty crazy i mean that's the best thing about living on the east coast you could do all
these gigs two hours away make shit for money but at least you're gonna make it you're in a
fucking minivan you know yeah so yeah we can drive out to the midwest or
you know chicago is like 14 hour drive or something yeah what about so that second tour
was horrible yeah really horrible and we broke down in this town mountain home idaho
and that's when it really fell apart. We had these long discussions about...
I was super mean and kind of ripped apart their lives bit by bit.
Like Lou...
We had a week there of just like...
That's where the end began.
You went too far where you couldn't come back from.
Things were said that were just too much for what was said i don't know i can't remember exactly i just remember i was
really mean and kind of kind of you know picked apart his whole life and uh upset him very much
and yeah that was kind of then after, that was kind of...
Then after that, it was kind of the beginning of the end.
Did you ever fight on stage?
Yeah.
Like fist fight?
Can you tell me that story?
What was the first one?
Oh, yeah.
It was near right before we kicked Lou out.
We were in Connecticut playing, and we were playing this song that's really quiet,
and he was making all this noise on the bass.
It wasn't adding anything.
It was just to be, you could tell it was just to be annoying.
And I was playing, and I just go, oh, this is really bad.
I think Murph's going to hit Lou this time.
This is not going to be good.
And the song kept going.
And at some point, I'm going, well, I guess Murph's not going to do it.
I guess it's up to me.
And so I just kind of stopped the song and went and kind of swung my guitar at him
and hit the bass and made a
big noise and then he got excited because i had you know he felt like he had won somehow that i
reacted to him and he stood up on the drum rise and was like yeah and it was really weird and
like he was trying to get oh keep going sorry oh yeah
he's trying to get a reaction and that he'd gotten a reaction somehow as a victory for him and uh
so i went backstage kind of disgusted then he's then he came back he's like
said he was sorry and i really wanted to keep playing the show.
So then we played a few more songs or something.
So you guys got off stage, finished up your business,
and got back on stage and rocked again?
Yeah.
Fucking metal as fuck, dude!
It is halftime at the Enni Fresco interview hour.
I'm your host, Ari Finlay.
Today, I am reviewing the election.
It's fucking over.
Finally.
But is it really over?
Because nothing has happened yet.
Is he going to just rule like a king for the rest of eternity?
I don't know. But even when it does finally finish, there's going to be another election two years after
that, another one two years, another one two years, another one two years, another one
two years, until literally the earth is uninhabitable because the sun has exploded.
What I want to tell you is if you voted, thank you.
If you voted by mail, you were smart.
You went to the polls on election day because you were scared your vote wasn't going to count because the goddamn president was trying to take down the postal service.
Thank you as well.
If you did not vote, 47% of people didn't vote.
If you're one of those 47%, fuck you.
Okay?
You don't deserve to complain.
If you know somebody who didn't vote and in the next two or four years you hear them bitching about the government, tell them to go fuck themselves.
They had their goddamn chance.
They could have said something.
They could have voted.
They could have exercised their goddamn civic duty and participated in their democracy, but they didn't.
So tell them to shut the fuck up.
You got, you can do it next time, okay?
But until you vote, you don't get to bitch.
That's my rule, okay?
You don't see me, you know, getting pissed off at people's landscaping.
I don't know how to landscape.
I've never mowed a lawn in my entire life, okay?
You want to have weird shrubs?
That's your own prerogative.
I can't do it because I don't,
I can't bitch because I've never mowed a lawn, okay?
I know my place and I stay there.
This has been Review.
I'm your host, Ari Thinling.
Goodbye.
It was just, you guys just didn't like each other.
There was no, like, animos.
There was just, you guys just didn't click as people.
Yeah.
Damn.
So early in the band.
That shit's crazy to me.
Like, first couple tours, you already hate this motherfucker.
Like, I'm like, I could not.
I don't know.
You're patient.
Are you patient?
What?
Yeah.
But I was also, you know, not the nicest person back then.
I think I'm a bit nicer now.
Yeah.
Yeah, I think, you know, Schwartz helped bring us back together.
That was one of the things that got us back together.
What was the selling point?
Well, our first three albums were being re-released finally.
And we thought to promote them,
we could get together and play a gig or play something.
He asked the other two guys, and they were on board,
but I wasn't really psyched on it.
Why weren't you psyched on it?
I was all just sick of them, I guess, at that point.
But then I came around around and we played one show
and we played on a TV show and played a show in LA
and it went okay. We just kind of kept going.
That's okay and we do another thing and then it just kept going.
We just kept doing stuff. Then we did an album. Now we've done
five albums or something what did you confront him like say hey man are we gonna try to work
this out or you guys just like met at the show and just started rocking
yeah um yeah he had actually before that, he'd apologized for some stuff.
For what?
He had to basically cool down for like 10 years or something.
Well, one time I went to see his band.
I'd go see his band, but he would never come to see my band or anything.
So I went to see his band, and I had Kevin Shields from My Bloody
Valentine was producing my
album at the time.
And we went to the show and
it was really weird. We went backstage
and he was really hot and cold,
smiling, and he looked
really
pissed off.
And I guess he
had a meth problem at the time i didn't know
about but he's like grinding his teeth and just acting really crazy and and finally he got hooked
on something and was like screaming at me backstage and and um so we just all kind of left and
and so we just all kind of left and walked out of the club and he was on the,
everyone was out of the club,
but you went on the stage and was pacing back and forth screaming.
It's like,
fuck you and your salary.
He was mad for some reason that I'd put Murph on a salary rather than
be a partner anymore in the band.
So he was going, fuck you and your salary.
And then he's like, even Kevin's here, you know,
because Kevin Shields was there.
We're just walking out of this empty room and he's screaming all this stuff
by himself, pacing across the stage.
And Lou's mom came up to me, what happened?
And I'm just like, I don't know, Mrs. Barlow.
We'll see you later.
I don't know what happened.
Oh, my God.
That's crazy.
So that's so toxic to me.
Well, this was a long time later.
This was 10 years after you know he was in the
band so he was still so he had to wait for him to just cool out and then he apologized and i said
and then i think yeah i think it was from there i just think I had to wait until he was not angry anymore or something.
Are you forgiving?
Are you a forgiving person?
I'm not sure.
I try to.
Yeah?
What's the final straws for you not to forgive someone anymore?
It varies with the incident or the person i don't know yeah that's crazy man
how long you have have you had the same wife forever or is this a
have she dealt with you through this stuff yeah she was there at that show and when he was screaming. I got together with her in the mid-90s.
Yeah?
Kind of as the band.
Well, we kicked out, Lou, and then we played for a while,
like seven years, and that's when we had the most success.
When he was out of the band?
Yeah. Okay okay keep going
but
yeah but
everyone thought of course the first three
albums were better
but our most successful
albums were after we kicked him out
does that offend you
no no it's just I understand it it's true I cannot see albums were after we kicked him out. Does that offend you?
No.
No?
I understand it. It's true.
I can see how it's better.
How?
Because I thought we were
just, you know,
we had a good
chemistry the way we played together
and we grew up kind of playing together.
Our albums were better.
I think we kind of peak,
you know,
we pretty much peaked on our second album already.
And then that's just how it is.
Yeah.
I mean,
it's so crazy that like to keep a band,
you know,
keep rising or growing and being inspired.
Yeah, you're right.
You guys fucking peaked second record
in your brain.
Some people might say you're still peaking.
You're still growing
as an artist.
You're doing something completely different now.
Your new stuff,
this solo record,
it's got's like got this
like indie folk feel to it in a sense and i i think that's expanding as well or what does your
fans think about that yeah some people like it better and some people don't like it i don't know
what what made you want to do that um
yeah i just tried it one time for uh cbgbs had asked me to play when they were closing down
and i i did my first acoustic show there.
And then I just kind of tried it as something to do in between tours and stuff.
I don't know.
And then I had a friend who runs Sub Pop Records,
and she always was asking me to do an album, like a solo acoustic album.
So she kind of pushed me to do an album like this.
So you always got to stay busy.
Yeah, it helps.
What else do you do to stay busy?
Hobby-wise.
Yeah, I don't have many
hobbies. I bike ride a lot these days yeah
i don't know ski in the winter
but uh yeah mostly i'm into music you know
um yeah guitars and recording stuff and i don't know do you still love the guitar?
yeah
what do you feel like
you still need to learn about the guitar?
oh shit a lot of stuff
like what?
I'm on a slow
slow
I don't know how to finger pick
which I'd like to
and just a lot of stuff.
I just learned palm muting a few years ago.
That's been good.
I never thought about it because I just had the guitar
and we had a record deal.
So I'm writing songs, learning the guitar.
So to write songs, I just play whatever i can play at the time so i never really get a
i never learned certain things and
so i'm still learning stuff you think looking back that kind of it's kind of detrimental to
what you could have been even though you're so fucking good but like if you
would have like you know trained for 10 years before you got the deal instead of writing songs
for the songs you know like yeah do you think you'd be a different player no i like i think
it's better when you don't know how to play because you're you don't have these ruts in
your brain of playing the same things all the time
and you're just kind of more free on what you can play.
Do you still feel that way when you're writing for Dyna?
Yeah, it's a little late.
I have all the ruts in my brain now for playing.
So you can't get back that innocence kind of.
So sometimes I'd try to play piano or something
and try to write songs because I can't play that.
But I don't do that often.
But it kind of brings me that same kind of feeling.
But I don't feel like I can get anywhere on the piano.
It seems too hard or something.
What record do you
feel like looking back
where you were in the biggest rut
oh
um
can't remember
I can't get them all mixed up now
um
without a sound, I guess.
Really?
Why?
I just guess that was my most jaded period.
I felt the most kind of jaded.
I don't know.
I'm just kind of bummed out.
What were you feeling jaded about?
Just music.
What were you feeling jaded about?
Just music.
And it was just kind of this point where everything just seemed really jaded.
I don't know.
It was kind of post-Nirvana crash when everyone realizes there is no other Nirvana. And you're just kind of still around
and it's everything seemed kind of
I don't know
didn't they want you in their band
yeah a couple times
he asked me to join the band
Nirvana did
yeah but at that time I think we were a lot bigger than them
and i wasn't really thinking about it that much what did do you have any stories with kirk like uh
what he just let he he looked up to you
yeah there's this uh film you can see now on YouTube
of when they played Maxwell's.
That same club where Sonic Youth saw us, our first show.
Is that in Hoboken?
Yeah.
And that's the show where he was like,
oh, you should join my band.
And I was just like, I didn't really say anything.
I was like, I don't know.
I think he didn't like his, he had two guitarists at the time.
He didn't like the other guitar player.
Yeah.
But yeah, I guess maybe I should have,
or maybe I'd be dead if I did.
I don't know.
Yeah, I mean, but did you like them as a band?
Yeah, I was a big fan.
So what made you not want to join that band?
Because your band was popping.
And did you not want to be like a rhythm guitar player?
I guess I just didn't think about it that much.
Damn.
Because they were, I don't know.
That's crazy.
And then you have any
conversation like did you get close with him
or any of the guys in the band
yeah then
you know we toured with them
a bit
they were opening for us
and
right you know
before Nevermind came out
and I remember right before Nevermind came out.
I remember telling this manager at the time,
who was kind of clueless,
he's like, why do you want this band to open for you?
And I'm just like, because next year when they're huge,
maybe we could open for them. And he's just like, what are you talking about?
So you knew they were gonna be big yeah it seemed obvious at the time what what was obvious about it looking back
just the vibe of what was happening and their sound like it his voice sounded like something
that could be on the radio,
kind of something more like Bad Company or Cheap Trick or something.
Yeah.
Which I couldn't see my voice, per se, be on the radio.
No?
Not really.
I mean, God.
Are you insecure about yourself, Jay?
Are you insecure about yourself, Jay?
I just, I never thought much about singing or that I was a good singer or anything.
But I never really, I didn't, it's not like I had these big aspirations either.
You know, we're already, that's the problem when you achieve all your goals already you're just like i don't really know what i'm doing after our second
album we'd achieved our goal so then where do you go from there you're just kind of floating i guess
i'll still play or yeah we're just floating so you never like re-thought about the dream or tried to
you just know i never re-upped the goal.
Re-upped the goal.
I mean, did you feel like you didn't need to?
You saw what you saw.
I don't know.
I just didn't have another goal after that.
That's crazy.
What about when you were...
So you had this goal, this dream when you were a kid?
Or was this a
new goal and you got it quick like fuck yeah it was like yeah we wanted to be an abandoned tour
and i also wanted to not have a job that were that was my goal to make enough money where I wouldn't have to have a job.
Yeah, I guess we achieved it within a few years.
Seems like keeping this band together is a job.
Yeah, sure.
Now.
Yeah.
I mean, man, that's crazy.
Just never thought that far ahead.
Yeah.
Why?
Did you think you were going to die young or something?
Maybe. I don't't know I just didn't
think much about it
yeah it's crazy because like
for being scared of
death or whatever
I'd feel like I'd just have a bunch of dreams
I just would
fill myself with dreams
so I'd distract myself
from the end goal
you know yeah i guess i always
thought well if things get too hard there's always suicide so not nothing was you know and
life never seemed that hard i always thought oh well you know if it gets too tough maybe
have you ever always just had really down years where you thought about that?
Just, I don't know, not years or anything.
Just little episodes?
Yeah, just daily know since I can remember
what were you sad about when you were a kid
I don't know
you just always had a cloud
something
man
it's heavy
I couldn't figure it out
I didn't have a bad childhood or anything
bad parents
were you well sometimes i'd be
sometimes i remember being jealous of friends in college who actually had things to be depressed
about because i'm just depressed and i have no real i can't really point to anything particular
do you think that's why you and your bandmate didn't
really see eye to eye?
Was he a happy, optimistic guy
or was he sad too?
Yeah, I wouldn't say
he's optimistic.
I'm not sure.
You guys have been together
for so long and I didn't know that
y'all hated each other.
I love that.
That's the shit I look forward to in interviews.
That's the shit right there.
All right, what are you working on now, though, Jay?
What are you working on in quarantine that's getting you by?
I'm thinking about doing things more than doing them.
Yeah, just kind of like...
We finished a Dyno album, so I thought I'd be on tour,
so I was in more tour mode than write stuff mode.
Yeah.
You finished a Dyno record?
Yeah.
We finished that as quarantine started up.
I mean, I guess I finished in April or something.
Who produced it?
I produced it and Kurt Weill helped too.
Yeah.
He did some stuff.
What's your relationship with Kurt?
He's such a great songwriter.
Yeah, I don't know.
I've just played with him a bunch
and he played on my solo record before. Yeah, I don't know. I've just played with him a bunch.
He played on my solo record before.
I've played on some stuff of his.
What do you like about Kurt?
I just like his style, his sound.
Do you guys grow up listening to the same type of music, or you just like what he does?
I don't know. Somewhat, but he's a lot younger than me.
What about Schwartz?
When did you meet Schwartz?
I met Schwartz, I don't know, like 2000, somewhere around there.
Did he come to you or did you come to him?
What happened?
He was with this other guy, Bart, who i think was more of a fan of mine
and uh i think schools had something to do with it like
they knew schools and
and then they just started managing me how long you've known schools for
i met him right before then like a few months before that like 2000 around there it's crazy
to me that's um yeah he produced both my records he's becoming a great yeah he's becoming a great producer oh cool yeah he's a good guy
I just did a song
for him
that was something
I did a
Neil Cassell
song
yeah
schools is doing
a tribute album
to Neil Cassell
yeah yeah
did you know Neil well?
not well
but I knew him
yeah
it's a sad story man
it's like
the idea
that
you know people are hurting
and they're not expressing
the hurt
that's why I like
I'm glad you're fucking seeing a therapist
Jay this is good
this is improvement dog
let's hope he doesn't fire me though
yeah no
I hope he doesn't fire you too
I heard Schwartz's therapist
fired him
oh yeah
Schwartz's lying he never had a therapist
he said he had one for like two sessions
and then she kicked him out
yeah he's neurotic too
we're all neurotic that's why we all love each other
you know
one last question Jay I'll let you go
I know you're a busy man.
What do you want to be remembered by when this is all said and done?
Oh, I don't care.
You don't care?
No.
You don't care about legacy at all?
No.
What do you care about then?
Just, you know, the people i know now and
oh yeah trying to not be depressed and have try to have a good time and
do you remember the best time of your life?
No, I can't say.
Really?
Why do you?
I think the best time of my life.
Yeah, I can't either.
Fuck, we are depressed.
Well, that's okay. There's always moments, but I don't know.
What was the best moment of your band that you remember?
I remember the highlight and low light of my career was the same thing.
I was asked to play on Tony Bennett's Unplugged show,
and then I played on it, and that was the highlight,
and then they cut me from the show show which was the low point in my career
oh my god
did you get to meet him?
yeah
I was playing with him on his unplugged
why'd they cut you?
well
I guess MTV thought
you know
they had these unplugged things,
and they thought Tony Bennett was so old
that kids wouldn't want to see him for 90 minutes or whatever,
so they decided to cut his performance down to 60 minutes.
And that was part of the thing.
They cut out me and Evan Dando.
Did you know, or were you having a watch party,
like, oh, we're're so excited we're on this
event and then you do the event you're not even on the motherfucker dude yeah oh and then there
was a picture of me i remember in people magazine with him like tony bennett's unplugged and they
had my picture with tony bennett but then i remember one guy going, oh, I saw you on Tony Bennett.
That was really good.
Of course, he's like lying because it didn't happen.
I was like, oh, yeah.
Sure, dude.
Damn.
Do you get a lot of bullshitters in your life?
Yeah.
Yeah.
Is that part of the job?
I guess so.
You have to have the bullshit detector going you have a good
bullshit detector i hope so jesus i mean you've laughed this long yeah it's crazy man what a
fucking crazy story with your your bandmates y'all well i hope you guys find happiness
it's one way or another if it's through money or music, I just...
Yeah, I think we've found a way to exist now.
We're not hating on each other now.
Do you guys talk at all on the road?
If other people are there, we can talk through other people.
Seldom would we talk just on our own.
It's insane.
What about, do you guys travel together?
Yeah.
So when you guys are in the bus, you guys just don't talk to each other?
Or are you doing bus tours still?
Or is it just like one-off?
We were doing buses.
Yeah, we would more talk
Yeah if someone else was also talking
Then we can talk
Yeah
But on our own it's a bit difficult to talk
What about that time where
You guys were in like London
Or something and
You know
I guess Lou was on another
One of his benders or something
And you had to get him out, right?
Something like that?
What happened?
That was Murph, I think.
Oh, Murph.
Most of our dramas involved Murph in the past.
Really?
It's crazy, man.
It is amazing, though.
This is amazing what music will do.
It'll make people come together even when they
don't like each other yeah because we all liked music and we valued music and realized that
you know good music is more important than having a party band with your friends you'd rather have
a good band you know yeah good music you we weren't really, we were always very serious
about music, you know.
Well, that's fucking, well, that's why you're the GOAT. That's why you are one of the GOATs
in Guitar World. So thanks, Jay, for being on the show. And thanks for just being, being
here, bro. We love you.
All right, thanks.
And stay fucking happy. We got this.
I'm just going to call you sometimes. Like, Jay, you happy today?
If I got to send a dick pic, I'll send a
dick pic, Jay. No problem.
All right. All right, buddy. Have a good one.
That's all I need. Yeah, DeFrasco
dick pic. No problem.
No words. I'm not
going to send you any words. Just dick.
Just me and you. That's our relationship for send you any words. Just dick.
That's our relationship for now.
Cool.
Later, buddy.
There you have it.
Jay Maskis.
Wow.
All right.
There you have it.
Thank you, Jay Maskis.
Yeah.
He got deep talking.
Talking deep on the yard. I felt like I was Oprah in this, talking about his band and stuff.
It's great.
I'm glad you got vulnerable with me, Jay.
You know, it took a minute.
I know you don't know me for dick, you know,
and I appreciate you being vulnerable enough to let me into your world a little bit
so we can, you know, discuss things that are hard to fucking talk about. Depression,
anxiety, being in a fucking band for that long. Jesus, with people that you might not like.
It's a character that's not overseen because I hear you and I see it. And I know a lot of people here too.
So thanks for being vulnerable.
Thanks for being part of the show.
But that's it, guys.
I hope you had a great one.
This week was filled with, I'm still on.
I drank so fucking much in Charleston, South Carolina.
I'm like, I have gout now.
And it's fucked up. I drank like an I have gout now, and it's fucked up.
I drank like an asshole out there and ate shitty food.
I mean, I rolled into Denver, all my homies were like,
damn, Frasco, better get your ass on the mountain.
You're looking fat as fuck.
So I'm going to get some exercise this week.
I'm going to write a great show with my great team.
We have a great team for the shit show.
We got a budget, so you're going to see a lot of things
that I couldn't do with just me on the fucking keyboards and stuff
working this show.
Got the whole band.
I mean, it's going to be a fun experiment,
and we're going to try to record it in December. Just like the sketches and stuff.
And I'm going to try to get you guys some live streams by January and we could go through the
winter one more winter with a shit show. So that's it. What else is going on in my life?
Oh, November 20th. We just got confirmed for another dance party
November 28th
I got some surprise
I got music stuff
I can kind of talk about but
We'll be releasing some music
In the next month or two
Wrote this killer
I like this song it's a little different
You know like I was saying before
In the opening segment it's okay to Get out of your It's a little different Like I was saying before in the opening segment
It's okay to get out of your comfort zone a little bit
And try some new shit out
You know
You could always go back to what you used to do
But the
The hardest part is
Breaking that fucking glass
And trying something new
Because once you realize
You weren't affected
Or you weren't hurt by doing something new,
maybe it'll change your mind state to always
searching for that new thing
or searching for that way to make things fresh
or make things happy.
So go out there and fucking get it, guys.
Oh, Thanksgiving is coming up.
Damn, goddamn. We are in the eighth month of this
motherfucking shit. Isn't that crazy to you? Eight months. Survive in advance. You guys are killing
it. We're making it through. We're making it. We are making it. We're making it, guys. So
survive in advance.
Stay healthy.
Get some vitamin D in you.
It's the flu season,
so that means corona's running rampant in these streets,
so be careful.
You're, you know, like I said,
if, come, stay at home if you're sick.
Come through if you're sick. Wear condoms.
Be protected by,
by your mind. Don't let the devil in there because he'll come in there and try to fuck shit up.
Just know that you're perfect the way you are and you're loving and you're caring when you want to
be. So if you want to be loving and caring, fucking be it. All right, guys, I'm out.
I got work to do, but I'll see you next week.
We got a great show.
I mean, I got some fucking killer interviews throughout the whole season
for the rest of the season three.
And then we'll ramp up,
take a couple weeks off in January
like we always do after Christmas
and get ready for season four
because this podcast ain't going anywhere. I need you guys as much as I think we need each other. You know, it's good to talk about
things. It's good to be vulnerable. It's good to listen to people. And it makes us feel that it's
okay for us to open up and for us to
be the people we want to fucking be in this world.
Because we never know
when it's our turn
to leave this
awesome,
beautiful COVID party.
But COVID will come and go,
but
our happiness
is here to stay.
All right.
I love you.
I'll talk to you soon
and I'll see you next week.
You tuned in to the third season of Blissful Blah here to stay. All right. I love you. I'll talk to you soon and I'll see you next week.
You tuned in to the third season
of Blissful Blah
at Andy Fresco's
World Saving Podcast
produced by Andy Fresco,
Joe Angel,
and Chris Lawrence.
Please subscribe,
rate the show
on iTunes and Spotify
so we can make this
a worldwide phenomenon.
For more info on the show,
please head to our Instagram
at worldsavingpodcast.
For more info on blog or tour dates,
head to andyfresco.com.
Check out the new album Keep On Keepin' On.
Or let Andy entertain you at a Thursday night online shitshow.
Or at this crazy Saturday night wanna-dance-with-somebody dance party.
Oh, right.
Summer season is here.
No festivals, no music.
So instead of trying to keep the lip going
and hoping to find some shitty paid trombone at JubaGigs this summer, I decided to reroute.
Building closets and wardrobes, build a tiny summer house and do some painting.
It will be October in no time.
And yes, I sort of hate it compared to the wonderful life I live.
But I'm also thankful that people trust my skills or my good looks or whatever.
They have my back and I manage to make some money.
The big danger in this line of work actually, it pays a lot better than being a musician.
All right, how are you doing?
Making ends meet?
Worried?
No work?
Putting on a virtual dance party every week?
Let's make sure to carry each other.
Get one another's backs.
Keep each other safe.
Keep each other sane. Keep each other, get one another's backs, keep each other safe, keep each other sane, keep each other healthy.
Let's unite, for it will be a long road ahead.
See you next week.