AREA52 - DEBRIEFED With Chris Ramsay - Strange Encounters With Other Beings - Jason Quitt | Ep. 98
Episode Date: August 7, 2026Tickets to The Live Show: https://itsprobablynothing.com/AREA 52 Shop: https://www.area52.shopJason Quitt joins the show to share his lifelong journey of out-of-body experiences that began with terrif...ying sleep paralysis and a Grim Reaper-like figure standing at the foot of his bed.In this deep conversation we explore:• How sleep paralysis became his gateway to the astral • Practical techniques to induce the out-of-body state • Encounters with shadow beings, praying-mantis entities, and other non-human intelligences • The shocking hybrid-child experience he was shown • Why many of these encounters feel more like an “immune response” than random events • His radical new interpretation of Plato’s Atlantis as a celestial allegory (from his book The Shining Island) • Whether we leave our bodies every night, the nature of the astral as a transitionary realm, and much moreJason is an author, crystal worker, qigong teacher, and long-time experiencer. His books include The Shining Island, Astral Experiences, Gates of the Anunnaki, Astral Genesis, and Egyptian Postures of Power.Find Jason’s books on Amazon and visit his crystal shop: https://thecrystalsun.com/Get 10% Off your entire order & take advantage of Ridge’s Annual Sweepstakes by going to https://www.ridge.com/AREA52 #ridgepod
Transcript
Discussion (0)
I see my body, I'm hovering above my bed.
This is so real.
And this is the Grim Reaper's to take me away.
So I'm like screaming and like trying to wake my body up.
Like I'm thrashing inside my physical body.
Wake up, wake up.
And that is literally how it started.
A couple months will go by and then suddenly at night it'll just happen
because maybe something walked into the bedroom that's not supposed to be there.
There's more to this than just us wanting it.
In the first couple years of these experiences, I would experience mantid beings, which a ton of people experience.
And for me, they were like, I don't know.
I didn't feel any bad intention.
I was taken.
And I was like I was in this nursery hospital type of thing.
This nurse walks out and it's like, I want you to meet your child.
How you doing?
I don't know if this actually counts for what you do, but I'm going to tell you something quick.
I was a Providence Road Police officer from 0-2 to 09.
I was injured by gunfire and lost the use of my right ear, like I'm deaf in one ear.
Some years later, I developed the ability to hear spirits, or I became Clara Orient, as they call it,
and they think it's because of my injury.
but a lot of things I've been hearing now have been picking up since a lot of this UFO stuff has been coming out.
It's been getting more intense.
Not schizophrenic. I'm serious.
You can check that I was a cop.
This is a real thing.
And I would like some help about this because I'm confused about what I'm hearing.
And I don't know anyone can help me.
Thanks.
Ladies and gentlemen, today I am joined by a fellow Canadian.
This is Jason Quit, author, and I would say, investigative.
investigator, experiencer. You're someone who I met at contact in the desert, and I was quite taken with, because your ability to, I suppose, put into words a lot of the out-of-body stuff, a lot of the sort of, even the Western esotericism or the sort of philosophical stuff, the ancient Greek, whether it's, what was the recent book you put out on Atlantis?
Atlanta's called The Shining Island.
The Shining Island.
I thought it was really fascinating.
I haven't gotten a chance to read it yet.
I want to read it, but you talking about it at contact, I was really taken back because
I was like, oh, this is a brand new take.
So thank you so much for joining me today.
It's a real pleasure having you.
And I look forward to speaking about all these things that I'm sure you're really well versed
on with you.
So thank you again for joining me.
Of course.
Thank you for inviting me.
So, Jason, for the audience at home, how would you describe
what it is that you do.
Like, other than being an author, what do you do?
Well, I started, what do I do?
Other than being an author, I work selling crystals.
Yeah.
It's actually like my real job.
I do teachings.
I teach Qigong.
And I just kind of research.
That's what I do day to day is just kind of wait till,
the next mystery and try to figure out exactly what I can do to try to break that open.
Yeah.
And you've been researching this stuff for quite a while, I take it.
Now, we spoke before the cameras turned on, but you got into this through the crystals
and through the Qigong and all of this, but then you went from that to having out-of-body experiences?
No.
and actually reversed.
Oh, the out of body, that's what got you into it.
That's what really got me into it was the body.
It was the crystals and going down this path of the Chi Gong to try to figure out of this reality.
What was I experiencing?
What did I need to do?
Because when I, I'll say it my past life, I was a musician.
I was a graphic designer.
I opened up a recording studio with my best friend.
you know, so that's where I started out in life after college.
And things were going great.
I really enjoyed life.
And life had another plan for me.
I started to have these experiences of sleep paralysis when I was at the studio.
And back in the day where, you know, we're going back to the early 2000s.
I didn't know the Monroe Institute.
I didn't know anybody I could talk to about this.
I couldn't go on YouTube. It didn't exist yet.
I had to go on AOL or Yahoo search or go to the library and try to figure this out.
And it was kind of like that that kind of led me down this path.
And, you know, I love crystals all my life. Don't get me wrong.
But like when I started to learn that maybe they could help me with dealing with this out-of-body experience stuff, that's when I really started to get into crystals.
So take me down the path of your first experience. I'd filled you in before the podcast on sort of what happened to me. And I say what happened to me because I didn't go looking for it. And I'm sure I mean, I'm sure you're probably the same. A lot of people who experience it, they don't go looking for it at first. It kind of just happens to them through circumstance. But what got you out of body the first time?
Well, it was actually anger.
Really?
It was a lot of anger because, like I said, I was having these sleep paralysis episodes.
Yeah.
And they were happening very frequently, you know, maybe even once a week or even more.
And what happened is that I would be locked in my body.
I'd be screaming to wake up.
I can feel things in my room with me.
So it's like I could sense something walking around.
And so I'm just in complete terror, anger, fear.
but, you know, when it happens so often, you kind of get, I don't want to say you get used to it.
You get numb to it.
You get numb to it, but you get really frustrated and angry, like, this is happening again.
So one night, I'm just like really struggling inside my body.
And when you're in this state, for me, it was like, there was another version of me.
There was another body within my physical body.
So it's like I can move this thing around inside my physical body.
and it was like, I always say it's like my tomb.
So I'm like screaming and like trying to wake my body up.
Like I'm thrashing inside my physical body, wake up, wake up.
And one night I was just so pissed.
I was like thrashing so hard to wake up that I popped out of my body.
Wow.
And I found myself on the ceiling just like people describe in your death.
Robert Monroe having his first experience as well.
And I'm looking down at my bed, which is totally terrifying.
Yeah.
and I'm straight as a board on my back.
There's no covers on me.
And my eyes are wide opened.
So I'm like on the ceiling looking down at me, looking back up at me.
And, okay, if that wasn't freaky enough, my attention gets pulled to the foot of my bed.
And there's this tall shadow being.
And it was clear as day.
It was like, it looked dense like it had a physical form, but it looked like the Grub Reaper.
And it's like my heart stopped.
And I instantly, it was like the slap of reality.
It's like, did I just kill myself?
I see my body.
I'm hovering above my bed.
This is so real.
And this is the Grim Reaper's to take me away.
Whoa.
And it's like that moment of my life was so shocking, so terrifying.
Because remember, I wasn't looking for this.
I didn't know that this was going to happen.
to me, but it did happen to me. And from that moment, well, in that exact moment, I got scared
so much, I got sucked back in my body and woke up and my heart was just like pounding out
of my chest and fear, like, what just happened to me? And that is literally how it started.
Whoa. So there's a lot to unpack here. First off, I find it really interesting the part
about sleep paralysis because from what I've gathered, it seems like that is the out-of-body state.
I have a friend of mine who can literally induce a sleep paralysis on command every night if he wishes to,
which he doesn't because it is, I've never had it, but it's very, very scary apparently.
It's terrifying because often you'll have the hag or somebody on your chest.
or like some snake or some being, and you'll feel like, oh, my God, I'm going to die, and you can't leave your body.
And so I asked him one day, I said, his name is Wes, and I said, Wes, have you ever flown in your dreams?
And he goes, no, never.
And I go, maybe that's why you're locked in your body.
Like, I've always flown in my dreams.
I fly my dreams quite regularly.
And so for me, I think when I had that sleep paralysis,
state. I already had the know-how to sort of will myself up as one does in dreams. Is that the same
for you? Have you had dreams? Have you flown in dreams before that? Yes. I have flown in dreams.
So I don't know if that's the same. But what I will say is that for me, it's that sleep paralysis
is kind of like the key. That's like the state when you know your body is shut off. And you know,
people will say it's your brain shutting your body off, you know, and then you hallucinate.
Well, it's true. You don't want to go out in your dreams and act them out when you're sleeping.
But when you're meditating, when you start to learn how to meditate, like deep breaths into the stomach,
especially with meditation or chie gong, you can induce that sleep paralysis state,
where it's like your body starts to feel that heat rise up. You start to feel that tingling.
it may be like those waves coming through and then you can start to feel like okay it's like your
your consciousness is now shifting it's like your body is shutting down it's like you've given the command
the body is now shutting down it's going into its sleep cycle mode but you are now aware you're
now aware of that sleep paralysis and through that you will yourself and i think the word will is the
best word possible because when you try to force you wake right up right yeah and it's the it's the old
mind-awake body-sleep mantra that, you know, one learns at places like the Monroe Institute.
Sorry, I think someone's at the door right now.
How long, okay, so I want to get, I really want to dissect the out-of-body experience stuff with you today
because as someone who's had them, I stopped having them at one point.
I think willingly, because of the last experience that I had was a little frightening.
But I wanted to, I wanted to try and understand if there.
there was a protocol that you had that helped you navigate out of the body.
Now, you said the sleep paralysis was like a gateway for you.
How would you go about inducing that through meditation?
Is that like three o'clock in the morning?
Is it when you're tired?
Is it late in the day?
When do you do it?
It varies.
So sometimes when you have, let's say, like an afternoon nap,
It's sometimes the easiest time to do it.
Really?
Sometimes an afternoon nap will just put you in there because you're kind of like in this in-between state already.
It's like you're daydreaming.
And then suddenly your body shuts off and you can do it.
The trick that I tell people is I found the easiest was if you wake up too early.
As in, let's say you wake up at like four or five in the morning and you're like, oh, I don't have to get up until night.
nine, then you just go right back to sleep. So the whole trick is you wake up at like four or five
in the morning, but don't move. Just be awake. Your body is still basically asleep and then just
go back there, but keep your mind aware. And then you'll feel yourself going and dropping through
those areas of awareness, I would say. Yeah, that's what happened to me. That was like I'd have to
at one point, I knew that if I drank a glass of water before bed, like a half glass, I knew I'd
have to pee at like four in the morning or 3.30. But then I also knew that if I didn't drink too
much water, I could probably just hold it and go back to sleep. And so once I'm in that state where I'm
like, oh, I should go to the bathroom. I think, oh, maybe I won't. And I'll just start meditating.
And that's usually when I put the headphones on and I'll start like a sort of one of the gateway
tapes or whatever. Do you do the gateway tapes? A friend gave it to me. Years after I was
already astral traveling and I wanted to see if it would work. And so I'd listen to it and I don't
know which one it is because I know there's many tapes, but it's the one where you're taking the deep
breaths and you focus, let's say, on your toes and then you kind of like work your way up.
Yeah, like focus 10. I think that's what it is. That one for me is like the easiest best way.
It's just like you breathe because it's already doing this kind of like cosmic chigong breath
where you're bringing the energy to like the stomach,
you're focusing in on the breathing while you're listening to the frequencies,
but then what you're doing is you're dropping your awareness into your body
and breathing in those different places.
And that's actually something that I teach in Chi Gong as well,
where it's like, because Chi follows the circulatory system,
but it also follows where your mind guides it.
So it's like, if I say to you, meditate and focus on,
your big toe, for example, right? And just breathe, but all your attentions on your big toe,
soon it's going to feel like you're pulling in chi. It's like your toe starts to breathe. Like,
you'll feel this energy come in and out of your toe with this focused intention and breathing
technique. So that's why I loved that Monroe tape because it's something that I was already doing.
So you go down into the feet, start breathing until I could feel that in and out flow. And,
I'll say this as well is when you're meditating, and I know you said you meditate,
there's this point in meditation where you're breathing, but it's almost like the environment
as well is breathing. Like you can feel kind of like this push and pull in the environment
around you. And at first you think, is this like my pulse? Is this my breath? And then you're,
you're analyzing it. And it's like none of those. And you're like, okay, wait a second.
there is this kind of like ebb and flow in the atmosphere around you.
And then suddenly you kind of let go and you go, okay, maybe this is like the flow I should be in.
And you let go and you kind of join this in and outflow and suddenly you expand outwards.
So there's there's many different techniques and ways of popping out.
That's a beautiful way of putting it.
I was as you were speaking imagining myself through meditation.
Yeah, you do.
I guess I never quite realized.
it, but yeah, there is that sense of sort of almost being rocked back and forth. Very interesting.
Now, how many times would you say over the years have you left your body? How regularly do you
leave your body? I've been carrying this exact Ridge wallet with me for about six months now,
and it's traveled with me all over the place. At this point, I don't even think about it. It just,
it works. It's slim. It's built incredibly well. And after months of airports and hotels and keys,
scraping around in my pocket.
It looks almost brand new.
And obviously, Ridge isn't just wallets either.
They make premium everyday gear, like power banks,
luggage, and more.
And right now, they're bringing back their legendary sweepstakes for the sixth year,
running from July 24th through September 8th.
Two lucky winners will get to choose between a Lamborghini Huracon Sterado,
a Ford Hennessy Velociraptor, a custom Ford Bronco,
or $100,000 in cash.
And personally, I'd go for, I'd probably go over the cash,
but the Bronco sounds pretty nice.
But the best part is that you can enter completely free at ridge.com.
And if you're already planning on picking up a Ridge wallet or any of their other gear,
every dollar you spend during the sweepstakes earns you additional entries.
Ready to upgrade your wallet and maybe your ride.
So for limited time, head ridge.com and use code area 52 at checkout for 10% off your order.
and a chance to win Ridge's biggest sweepstakes ever,
a Lamborghini Huraconda, a Hennessee Velociraptor,
or a Ford Bronco, or a hundred grand.
No purchase is necessary to enter,
but every dollar you spend gets you more entries.
Ridge.com and use code area 52.
I can't even tell you a number anymore.
I would say in my early 20s was the most frequent.
So this is when it was happening constantly,
and I basically lived kind of a monk style existence where all I did was meditate.
All I did was Chi Gong.
And I was so addicted to the experience.
And I know I shouldn't have been, which we could get into later.
But you were young.
I was young.
I literally shut out my friends and family because it's like, you know, I just needed to know.
I needed to get to these states.
And it was kind of like this, I wrote to say, kind of.
kind of escapism.
Sure.
But also it's like I felt like this drive I needed to know, I needed to understand more.
So there was also a lot of frustration in those early days because sometimes I would leave my body no problem and sometimes I'd go months without nothing happening.
And then you're like, why is nothing working and you try to figure it out?
And I can't figure it out.
And I would just kind of say maybe there's more to this than just us wanting it.
Maybe there is some type of control of it or maybe the stars just have to be aligned or I don't know.
Yeah, maybe there's some type of permission that is required in order to attain it.
Do you believe, because one thing that I've experienced was the moment that,
you let go is the moment it happens. And sometimes you think you've let go. But just by thinking about
letting go, you haven't let go. And so it does seem like when it does happen, all the stars have aligned. And you're in
that perfect state of between sort of awake and sleep. But also in that mindset where you're not
thinking about anything. You're literally not thinking about anything at all. And you're able to
navigate very clearly in that state without, you know, producing a strong sense of emotion in any
direction. It's all about control. And this is the biggest fault with people trying to learn this.
And, you know, it happened to me as well. It happens to everybody. Is that when it happens to you,
you get really excited. Because, wow, I just did it. I just left my body. You get really excited,
you know, after the terror. Yeah. I say after 500 times, you get really excited. Yeah.
And then you're like, okay, I want to like do this or I want to go here.
I want to explore.
And it's like snap, you get pulled right back in your body.
And for me, it's like, okay, I have to stop that.
I have to stop the excitement.
I can't work my emotions up.
My mind can't go wild.
It's like I pop out.
I have to like learn how to be silent.
So it's like it seems to be there is this other intelligence in that world or the astral
body itself has its own intelligence to it, it knows exactly what it has to do at that time,
and you become the observer of it. And that's how I found to stay longer in that state. So I could have
my awareness to observe what's going on. And when I'm doing it that way, then I get taken to places.
And I could prolong the journey and maybe retrieve things, bring things back with me. But the moment I try to
control or say, I want this or let's do this, just shuts me off.
That is interesting. So do you think that the out-of-body state? And again, we say out of body,
I don't know if that's the correct term for what it is we're experiencing. Like, it's the
closest thing that we can think about, right? Because when you turn to look at yourself, you see a
body lying there. But in reality, you know, the room isn't exactly the same. Things
are a little different. It's almost like your brain is creating a reality based on memory to make you comfortable. Does that make sense? It makes total sense. Because when I first started coming out, it was my bedroom, right? So it's my bedroom. There might be things out of place. It's not exactly my bedroom. It can go through my house. This is when I live with my mother and my brother. They weren't there. It was like an empty house. So it was like a separation. It was something else. And then what I found really interesting.
is that when I left the house.
So let's say like I go out through the roof,
just float up through the roof,
I can see my house,
but then it's like jungle and then it's like waterfalls.
And like that's not where I live.
It's almost like it merges with a type of a dreamscape reality type of thing.
Yeah,
like your brain is also perhaps used to certain things.
And so in order to make you comfortable
or to have you just even understand what is happening,
you might need some parameters that you're familiar with.
I think that's exactly what's happening.
You know, after all these years, it's like,
why did this look like this?
Or why did this being come and being looked like this?
I think it's our brains literally trying to interpret
and put it together in a way that could unravel it
or understand it in a way that you'll understand it.
Right.
almost like an archetype.
Right.
Okay, yeah, that does make sense
because it is kind of like
when people ask me about it
and I don't know too much about it.
You know, I've read a few books
and I've had half a dozen experiences.
I haven't had many.
But what I do know is that
the experience feels objectively different
than a lucid dream.
I've had plenty of lucid dreams.
Many vivid dreams, many lucid dreams,
many lucid dreams,
and this seems to fall into its own category, which isn't quite one or the other.
Like, it's not reality.
And it's not, well, reality is we know it physically.
And it's not a dream or a lucid dream.
And so, you know, that was always where I was a little confused because I'm like,
objectively, this is different.
I don't know if it's a new type of dream or something that we don't have a word for.
I don't feel like I am.
because the term out of body is what it feels like when you can see your body and you're outside of it.
But I don't know that my awareness isn't here and in my body at the same time.
Like I don't know that I'm not in my body.
I just assume that.
Have you given that any thought?
I have.
But, you know, I think the body itself is a projection of, again, what we believe.
So it's like maybe we're sending an orb of consciousness outside of us.
Or our thoughts are connected to this greater consciousness field.
And all we're doing is tapping into something else.
There's also the concept of the multidimensional body where we exist in all these dimensions at once,
kind of like panes of glass almost.
Right.
And basically what happens is that.
that you can shift from one to the next. So it's like you have the physical body in this reality,
and then when you enter that reality, you have this kind of form that fits that spiritual
awareness of that space. Right. I see, which would make sense when, you know, some people
report seeing their own hands, like in the out-of-body state. It's like you're creating that as well.
Like you're almost, again, it's hard to say what's happening because it's sort of uncharted.
It's very difficult.
Yeah.
It's very difficult to see your hands.
Yeah.
You're out of body.
And I've tried so many times to like just kind of look down at my hands.
And it doesn't, it just looks like kind of light in the darkness, like just light in the darkness that you can see through.
Um, but it's almost like I had to work so hard to see that.
It's like, am I manifesting that to see it?
Yeah.
Yeah.
Yeah.
I think that could be part of it because that's the first thing that when I, the first time I willingly left my body, which was the third out of body event that I had was, I was very excited, extremely excited.
Like I was like, oh my God, it was coming back for the Monroe Institute.
It was like months later after meditating every single day.
Finally, it's happened again this time, you know, on my own accord.
And I remember not seeing anything, you know, couldn't see.
and I try to like, you know, will my eyes open, but I felt I was out.
And then I went, I tried to go to a place instead of a person.
And this is interesting because it was the following chapter that I read the next day,
which has spoken about it, but I was trying to go to Paris for some reason.
And I was just like hurled through space, but I couldn't see anything, but I felt myself being thrown.
And when I stopped, I felt I was suspended and I felt the whole world kind of shift around me like this.
like I could feel it. And then as I peeled my eyes open forcefully, I'm looking at this giant
churning cube, this black rock, like massive monolith of a stone just like churning in on
itself is very bizarre and terrifying. And I was just like this big like next to it. And I remember
closing my eyes opening. And there it was again. I was like, oh my God. And I wiggled my
fingers and then I got hurled sort of back into my body.
You know, the next day I read in journeys, I think it was chapter 17 or something like that.
And he literally said, like, I mean, I was listening to the audiobook actually and I was in the
shower. And he said, don't go to a place, go to a person. If you go to a place, it's not going to
work. And I was like, oh, yeah, I went somewhere in between because I was trying to go to a place,
I guess. Have you ever found yourself in places that?
you couldn't recognize?
Yes.
Many times I take it.
Yes, but I'll give you the weirdest one.
Okay.
Because it's still fascinating to me.
And I'll just say that this was after a mushroom journey.
Okay.
All right.
After like the night after, like you dreamt?
Yes.
Okay.
Yeah.
So it was the night after.
after and I left my body and I found myself in this other world. It was like this other dimension
and I was in the sky and I looked like a giant amoeba, like just a giant amoeba with all these
like vibrant colors pulsing in my like translucent body and I'm in the sky and there's this like
grand forest underneath me as far as you can see. The sky was like purple orange. It was a very
very weird sky. And there was other amoebas like me in the sky. And there was like these,
uh, like almost like these snakes that were, uh, they just had like colors through them.
Like they were in visible. It was so weird. And we were like dancing and singing in the sky.
And these snakes were like going around us and all through the sky. I was there the entire night.
I was just there. And it was like, is this me like in a night? Like in a night.
form in another dimension, just having a party in the sky.
Whoa.
And then it's just like what consciousness came back.
And I was like, that was the most bizarre experience because I was not Jason.
I was this amoeba thing with other abiba things in the sky.
Whoa.
And it wasn't Earth.
So crazy.
And it wasn't Earth.
That sky, I've never seen a sky like that.
Whoa.
Yeah.
I wonder if there is a part of that where we're just like tapping.
into like other beings existence and kind of like changing the channels on a TV,
you know, testing different.
Do you think that like, because there are people who teach this stuff and you talk about
this stuff who often say that we journey out of the body every single night, whether we know it
or not, is that something you believe in?
I think so too.
But I would say that the astral body itself is unconscious.
I think it's like it remains.
remains in this unconscious state until you awaken it.
And then once you awaken it, it's almost like this body double that will come when it's needed.
So, you know, you asked me before, you know, how many times have I left my body?
Like now, I don't never even try.
I don't sit and meditate to like leave my body.
I don't go to sleep at night and say I want to leave.
I leave naturally when it's needed.
So I don't have to do anything.
It's just like, so maybe a couple months will go by and then suddenly at night, it'll just happen because maybe something walked into the bedroom that's not supposed to be there.
And it's almost like an immune response.
Well, that's an interesting way of looking at it.
So let's talk about that.
Let's talk with the things walking in.
You've met many sort of entities on these journeys.
Yes.
What is, what would you say, okay, we're going to, we're going to dissect all of this because this is, this is really where it intersects with the UFO world and with perhaps ghost stories.
I mean, everything.
What percentage of what you encountered do you feel is at best, at sort of benevolent or neutral?
Like what percentage is that versus something perhaps maybe a little more menacing?
I would say from my experience in the beginning, it was more menacing.
It was more menacing.
Yeah.
So at first, I think it was all menacing.
It was kind of like beings or shadows that it felt like they were trying to pull me out of my body.
or push themselves into my body,
or like you said, like the old hag thing,
where you wake up and there's like this being on top of you
or this heavy shadow,
it gets very scary, especially when you don't know.
And I think this is why a lot of people,
when they first start to go out,
they turn to religion very quickly,
call on God very quickly,
because when you first enter,
a lot of people call it the lower astral
is that suddenly there are things there that are not friendly
and you have to learn how to deal with them.
So for me, it was just kind of like fight like hell.
So it was like, if this thing is on me, I'm trying to fight it off.
If this thing is trying to pull me, I'm trying to fight it off.
If it's trying to get in me, I'm trying to fight it off.
That was like the first couple of years because I didn't have any teachers.
I didn't know what to do.
Sure.
So it starts like that.
and then after a while it's it again just like with the sleep paralysis it becomes an annoyance
and you have this this anger towards you so it's like there's something will come into the room
and you'll get awoken and you're not getting awoken in the physical state you're in this
altered state where you kind of sit yourself up in bed or you don't even have to sit up you
just kind of like turn your astral head and you can like kind of see out into the room
and you're like, okay, what's here?
And then there's this thing, let's say it's a shadow, for example.
And, you know, it gets to a point where you just lose the fear and you're just like,
okay, if you want to go, let's go, let's do this.
And then after a while, you gain more control over it.
And then there are beings that were very, that I can't tell you if it was positive or negative.
Like, for example, in the first couple years of these experiences, I would experience
mantid beings, which a ton of people experience.
And for me, they were like, they were kind of, I would say that from my perception,
it was like they were shocked that I can see them.
Wow.
You know, and-
How tall were they in here?
They're very tall.
Yeah.
It's like if they were standing by the door, it's like they'd have to like tuck their
head in to come into the room.
Were they dressed?
No, no.
The head is like this big.
Wow.
Because I know because it would come very close, like this close to you.
And that's not a fun way to wake up.
It's like you know something is in the room and you pop out and you just kind of look and there's a thing like this in front of your face.
It looks exactly like a praying mantis just very big.
And sometimes there's one, sometimes there was two in the room.
And it's like I could hear them speaking to each other.
and it's like it's almost like bird sounds or like clicking and and then I'm like I'll never
forget this because I'm like I'm sorry this is what I said to them I wake up they're in the room
and I'm like I can hear them talking to each other and I'm like I'm sorry I can't understand you
can you please speak English so I could understand what you're saying and they were looking at
each other and they just went like this and they looked at me like is this did can he see me
And it's just like then I got knocked back out.
I don't know what these things are.
Well, you think it was then that knocked you back out?
Absolutely.
That's a terrifying thought.
So.
But like I said, I don't know.
I didn't feel any bad intentions or it's almost like catching something that you're not supposed to see.
And something scary doesn't necessarily mean it's bad.
Right.
I mean, we're afraid of spiders.
and spiders are really good, objectively good.
That's great.
You know, they help us.
Bees, same thing, you know.
They just have a bad rap because of their physical appearance in our, you know, history and understanding of what monsters should look like.
But so, okay, so you met the mantis.
Have you ever interacted with them?
Just it like that.
That's it.
Just like that.
Just those small transient moments where they're surprised that you.
you're observing them and then they kind of knock you back out. Yeah, it's just like they're surprised. It's
like I keep waking up and they're there and it's kind of like they, I've had one just do like a weird
like head pull back. Like it's like I felt like I caught him. Yeah. Yeah. That's all I can say.
There was no communication whatsoever. No, they didn't speak English at any point, nothing like that.
No. They weren't wearing robes or anything. A lot of them we hear about. Um, no, I didn't see any robes.
What do you make of the mantis archetype?
I don't.
I have no clue what's going on.
Because like what do you think if you were to take like a Jungian sort of approach to this?
How would you rationalize the mantis as an archetype in terms of like the psyche?
What would you say that that represents?
I would go back to maybe a top.
I'm on earth when there was intelligent.
I know insects are intelligent, but there were bigger insects back then with the oxygen level.
So maybe some of these insects were bigger.
Maybe they're still here wrapped in whatever this consciousness is outside the physical.
And maybe that's where they inhabit now.
There's this concept in shamanism, and it's called the spirits of nature.
or in Japanese or in Shinto, it's called Akami.
And it's basically like a collective spirit, that everything has a spirit.
So, for example, like an insect, for example, on the other side, there will be a spirit that represents the collective of that being or of that life.
Kind of an avatar or something.
Kind of like that.
And, you know, I've heard a lot of stories, especially living in Canada, where it's like,
like you have the spirit of nature. I love this concept, by the way, because it helps me kind of
put together Bigfoot, which is like, people are like, it's multi-dimensional, or it can tap in and
out of, you know, this world. But think about the spirit of nature concept where, let's say that all
the trees and plants are sentient beings. Like, they're a life form. They have an energy. They have an
awareness to whatever that awareness is. But they, they can't, like, move. They can't pick things up.
They can't do anything. But maybe their consciousness, the spirit of nature, could manifest some
type of form in the physical for a limited amount of time to do a certain tasks for them.
That is a funny concept. I mean like an egregor. Yeah. But created by plants. But created by nature.
other animals, yeah.
It's funny, the Canadian Space Agency.
Did you see their patch?
Oh, the parking lot.
What parking lot?
The Canadian Space Agency?
Oh, the parking lot.
Yeah, the giant platform.
Yeah.
No, that's where they're going to test, you know, whatever.
I don't even know.
But they have a patch that they put on Jeremy, I forget his last name,
but he was, you know, the pilot and astronaut that went on Artemis 2.
for the moon thing.
And the Canadian patch features a big foot on it.
It was really quite nice.
And they explained the, and it was not unlike what you're saying,
but they had like all these different animals because it was taken from First Nations
and sort of, you know, the orca and the this and then that represents different things.
And on there was like the, you know, the walk in Sasquatch.
And I forget what the significance of it was, but I think it was.
but I think it was something or other about sort of the mystery of, I don't know, like the Canadian wilderness.
I could be mistaken.
I really want to look it up.
You know, you hear these stories all the time.
And for example, like someone's in the woods and they're looking at this tree or this bush.
And suddenly this big foot just materializes out of it and just scares them, runs away.
there's a story I heard up in Manitoulan Island area, which is in Ontario, where, you know, someone was on an ATV in the woods.
It flipped over.
They went to go search for them.
They couldn't find them for a week or two.
Finally, the guy comes out of the cave.
He comes out of a cave in the forest, and he's got like broken leg and all these things.
He's found.
And they said, you know, what happened to you?
He said, well, I woke up and something told.
me into the cave and these little people, these little things, they fed me, they healed my leg,
like they fixed it up for me and they got me better to leave the forest. You know, it's like you hear
stories in Canada like this all the time and you can go search for them, you'll never find
them. Again, this whole concept of this spirit of nature that maybe there's this intelligence
that can manifest and literally manifest and walk into our world to do a task and then go back into the ethers.
Yeah, like not unlike Jacques Valet sort of control system idea where we're dealing with some intelligent,
omnipresent force that can, for whatever reason, it deems necessary, interfere at certain key moments in time.
and sometimes to just even, you know, I know Grant, what's his name?
Cameron.
Yeah, Grant Cameron.
Grant Cameron has, you know, the theory of wow and sort of that it manifests in order to inspire us
or in order to, yeah, sort of create that wonder, instill wonder in us.
I think it's the same thing for having these.
out-of-body experiences.
And, you know, when you were telling me your story.
But like the backwards version.
Yeah.
It's almost like, because remember, I never asked for this.
I wasn't looking for it.
And it happened.
And when the phenomenon happens to a person that, um,
wasn't expecting it.
Yeah.
It's like you have just shattered their reality.
You shattered their life.
Like my old life ended that day.
because it was like I saw something grander
that I couldn't explain.
And because of that event,
that one event in my life,
it now put me on this completely different path,
you know, meeting new people,
researching new things,
going and exploring these worlds.
That would never have happened
if something didn't put me into sleep paralysis.
So, you know, when you were saying,
at first I thought that shadow
was a very negative thing because it was putting me in sleep paralysis. I was fearful. I felt terror.
What if that was just all coming from me? And that, whatever that thing was, I call it,
now I call it the initiator because it's like whatever that thing was, it put me on a new path.
It's like once I left my body, it was like its task was done and then I didn't see it again like that.
Oh, interesting. Or like a gatekeeper. Yeah. Perhaps just someone guarding the body.
the shadow people do come up quite frequently as well.
Have you ever ran into them since then?
Oh yeah, yeah.
I see them quite often.
But again, I don't know exactly what they are.
And I think that they're actually living people, a lot of them.
Not dead people, living people.
Oh, other people exploring?
Yes.
Whoa.
I think that there's other, I think it's part of us.
And I think it's also wounded parts of us because I've had experiences.
Again, I'll go back to like,
this kind of shamanic philosophy where it's like let's say you go through a trauma they say that
the soul itself is shattered when you go through certain traumas and that hurt piece of you
it now creates its own egragor basically so that that energy of yours is now separated from you and
it starts to grow so it grows from let's say emotions or thought forms or reliving those memories of
that hurt and that pain, but it lives outside of you, but it's connected to you. So you might be
attacked by these shadows and you're pushing them away and pushing them away. And it might actually
be a broken part of yourself that used to be you. And it wants reintegration. It wants healing.
But you're scared. You have no idea what this is. And you're trying to fight this thing off of you,
you know? Would that make, would that make the phenomenon?
then to a certain extent psychological?
Like what we're dealing with is perhaps just a projection of our own psychology?
Or others.
Do you think there's an objective reality there?
I really do think there is.
What makes you believe that?
Just from learning about different native shamanic cultures and even going back to ancient paganism as well, these are very old.
belief systems. And it included this kind of spiritual understanding of nature and spiritual
understanding of ourselves and knowing that we are more than the physical body. And, you know, this is
where ritual magic came from, was understanding energy, understanding the self, understanding
how to build that energy, like you were talking about the Agrigore, for example, you know,
a bunch of people putting their energies towards it, giving offerings of energy to keep feeding this thing,
to grow it and then giving it tasks.
You know, this is old, old stuff.
Yeah.
But then we kind of get into the place of the last couple thousand years where it's like,
it's demonized and for good reason for a lot of it.
But it's also kind of been erased from us.
Why do you say there's a good reason for it to be demonized?
I am.
Well, I can say that a person that knows.
these things, knows how to use these things, has an advantage over people that don't know these.
I see. Okay. I see what you're saying. So like the manipulation of reality. Yeah. Yeah. Okay. And that's, that's demonized.
Well, we're not, we're not supposed to know about certain things. And if we don't understand it, how can we protect ourselves against it? How do we build our own energies to understand the difference between something, you know, that's attacking us.
You know, a lot of people go through things, and, you know, this is not medical advice, but, you know, there's some people that, let's say, if they have a certain thoughts that come into their mind or certain triggers that keep getting pushed. And, you know, what if this was like a spiritual kind of parasite that continues to push these buttons on you to extract energy?
You know, so this is their goal.
So they want to keep you.
Yeah, it's almost like trying to keep the human in a perpetual state.
Whatever that state is, obsession, addiction, sickness, keep them in a perpetual state
so that they have access to you and your energy.
And if we think that this is invisible and it doesn't exist, then we have nothing to fight against it.
You know, and it's just knowledge that will separate someone that knows how to deal with this and someone that doesn't.
Your summer travels deserve an upgrade.
With select Chevrolet, Buick, GMC, and Cadillac vehicles connected by OnStar, you can stream, game, and more on the go.
Whether you're headed to a music festival or a cottage getaway, you can access hundreds of apps on Google Play right from your center display.
Explore OnStar Tech today at OnStar.CA and discover how to take your site.
Summer to the next level. On Star, Better never stops. Interesting. Do you think that the ritual matters?
Like when it comes to these things, we're speaking about magic with a K here. Do you think that the individual sequences or steps to be able to do some of these things? Do you think that they actually matter or is it the energy behind them that matters more?
The ritual is extremely important to start.
Okay, you have to build the structure of intention.
All right.
And the ritual is the continuation.
It's almost like the muscle memory of the building of the action.
I see.
And then after all that, you need the form.
You need steps one through 10 to do it so many times that now you become formless.
Okay.
Now you don't even need to do the ritual.
It's almost like ingrained as like a spiritual muscle.
Hmm.
Interesting.
because I've given a lot of thought to that as well as someone who, you know, for 20 years being a professional magician, very skeptical about these things and yet completely intertwined with them at the same time.
Like everything from a magician's branding, you know, if you're a magician out there and you got a business card, it's like you got the name, you know, oh, deception artist or like it's ingrained in there.
And then there's like pentagrams.
There's all these like, you know, sigils and and sort of signets and whatever that have these ties to magic with a K.
Like, I mean, the initial books on magic were written, you know, they're 600 years old and they were about ritualistic magic.
But how to sort of invoke these things through trickery.
And that's where eventually parlor magic came from was using the techniques that were used to fool people into believing the ritualistic stuff and using it for entertainment purposes and sort of creating that dichotomy and that separation between the two.
We're now the most ironically, the most disillusioned people are magicians.
Like they completely don't believe in any of that stuff.
They're incredibly skeptical about all the magic with the K stuff.
and they've completely separated the ritual for entertainment only,
where as now I'm starting to believe,
or at least I'm starting to, I don't know,
my conviction level is a little higher than it was before
on the idea that if you can trick the mind into believing something's real,
that that is a key ingredient into these rituals,
and that's a key ingredient into creating these aggregator,
creating these manifestations or apportations or whatever it is, like, that's the ingredient for me.
Would you agree with that or would you?
I would say that suggestion is very powerful.
Yeah.
Because you're getting the person then to go along with your energy.
So they've now given you access to their energy, okay, to their life force, where then they can now build this reality with you because they've already submitted to that suggestion.
And again, this is, I don't know much about like the type of magic that you're talking about,
but I do know that it's like we have, if you go back to the Egyptian system, we have something called Ka,
which is like the energy body.
And that ka is something that you take from life.
So you could take it from food, you could take it from the air, you could take it from the
sun, you know, every time you're consuming something, you're taking that energy and you're
satisfying the car within you. You're building this energy light body. And it's almost like,
so there's, it's kind of like the matrix where it's like you're the battery and you can build,
so how strong is your battery? And the stronger your battery is, you could push and pull energy
better. And this is also a concept in Chi Gong. Right. You know, so you have to,
to build your energy body up. You have to strengthen your electromagnetic fields. You've got to get
the flow going, your connection to the earth and the sky. And then once you have this kind of energy,
your suggestion level and what you can do with that energy is greater and greater and greater.
What's something that you would deem as an objective example that sort of proves any of this?
And I mean, proof in a loose term, but like, what would you point to?
Would you point to a specific practice that brings you something?
Would you point to something you've personally manifested in your life?
Or how would you to someone who's dubious about these things say,
no, here's an example of this working?
I would say my favorite would be instant healing.
So kind of like a miraculous thing happens to you.
And this has happened to me on a number of occasions.
and I'll tell you like just a very simple story.
Because there was a time where I was doing personal sessions with people,
like doing like energy work in Qigong.
And I was helping this man out to his car.
This is an older man in a wheelchair, so I'm putting him in his car.
And I could slam the door on my middle finger.
You know those times where it's like you slam the door and you pull your finger out.
And my nail was already black.
Like it was that instant.
and it was just throbbing with pain.
And I'm like, okay, I know I'm going to lose this nail, right?
So I'm like, something clicks.
It's like, okay, I need to like use my energy.
I need, you know, I'm taught all these things.
I need to like do it.
And you're teaching them.
Right.
So I go into my room and I have all these different essential oils and I have all
these different crystals.
And I'm like, okay.
And just I knew I had to pick up this crystal.
And I took, I just, I knew I had to take that oil.
and I put it on my finger and I put it on the crystal and I'm just breathing.
And one of my teachers used to teach me, and I don't recommend this for everybody,
I'll just tell you what they taught me, is that the pain is the healing.
Okay, that was the key in this teaching there,
saying the pain is the healing and never go away from the pain, go into the pain,
try to experience the pain as much as you can.
All right, so that was one of the teachings that was given to me.
And I'm like, okay, I'm going to do it now because my finger is just throbbing in pain.
And I'm just breathing, doing the Qigong breath.
I'm focusing on the pain in my finger and throbbing.
And it's almost like it felt like a hose open.
It's just like this energy opened in my finger.
And it felt like hot air, like extremely hot air was like blowing out of my finger.
Like that's exactly what it felt like.
Like a valve.
Just a valve opening up and like hot air just shooting out of my finger.
And I was like.
feel the pressure subside? Yeah, and I never felt this before. This was like an energetic thing. I've
never felt this experience before my life. And I just like, okay, this is new. I'm like, I'm doing
something. Yeah. And so then I go to sleep. In the morning, I wake up and I look at my finger and it was
it had no sign of anything. Like, it was black when I started in the morning. It was completely fine and
there was no pain. And for me, that was like, I just witnessed a miracle. Whoa. It was still
black though. No. No. No, completely gone. No way. Like overnight. Whoa. Overnight. Now, here's the,
here's a stupid thing. And this is stupid just because it's me is that I should never play football, right?
Yeah. Literally a week after this instance, my friend says, let's throw the football around. So we're in the
backyard, throwing the football around. And, you know, it's a real football. And it, you know,
spiraled and again it hit the same freaking finger right on the tip.
And I think I I brought I don't know if I didn't get a check.
I don't know if it was broken or not.
All I know is the finger blew up to about three fingers.
Yeah.
Like it was that bad and that swollen and I couldn't move it.
And so I did it again.
Grab that crystal, grab that oil.
I'm like it worked last week.
I did it again and the exact same thing happened.
Whoa.
This thing opened up.
The pressure released.
But the next day it was still there.
It was much better.
But it took like three days.
Yeah.
Instead of overnight.
Whoa.
And then I'm like, okay, who's ever like guiding me or teaching me?
I've learned my lesson.
I don't need to be heard anymore.
So what did you feel when you were like going towards the crystal and the oil?
Like did you just unconsciously this one and this one?
Or was there like a pull?
Did you feel something?
Well, it's like an unconscious pull.
Okay.
It's like, I don't know why I chose.
those crystals. I just knew that that was the one. And if you knew me back then where I lived,
my room had, I think, a crystal on every shelf. So there was probably hundreds of crystals to choose
from, but I went right in on one of them. And I had a, sorry about that. And I had a display of about
50 different essential oils. And I just was like, I need this one. So yeah, I don't know why I
those two, but for me, it just made sense. And you think that mattered versus the other ones? You think that was
the specific ingredient? Or was it, again, more the intention? I don't know. Right. I don't know. It could have
been both. Could have been suggestive. I don't know. Yeah. But remember, I'm in a panic mode. Sure.
I'm just like running right. Like I didn't, I kept a straight face to the guy who drove away. I was just like,
all right, goodbye. And I ran in and just did what I had to do. Because I think that, you know,
we often talk about this term scientifically as like a placebo effect and then explain it away with that like that's some sort of satisfactory answer to the problem.
Placebo is magic.
Like it doesn't make sense.
It shouldn't work.
Right.
Right.
Like we agree when you, you know, have clinical trials and people have are given a placebo and all of a sudden are feeling or actually doing physically better, which, you know,
I think there's proof of this. I mean, to just chalk it up to, oh, that's just placebo. That's how the mind works. Like, for me, that isn't satisfactory. Like, there is something happening where suggestion is powerful, like extremely powerful. And so this is why I would ask the question, does the ritual matter? Does the specific ingredient matter? Does that crystal matter? And I think it matters if you believe it matters, if that makes sense. Like, if you,
have a strong enough
belief or even faith
or knowing, without knowing,
that this will work,
then that's the ingredient that you need.
Do you know, do you kind of understand what I'm saying?
I would say that the mind is the most important ingredient.
It's like you have to focus your mind on the outcome and the goal.
Yeah.
And I think this is part of magic as well.
So, you know, just a simple thing.
Like when I was in the hospital, I actually broke my back before.
So 2017, I broke my back.
And so I'm in the hospital.
That's not too long ago.
No.
Whoa.
What happened?
Fell down some stairs.
Oh my gosh.
Okay.
But not this way.
I fell sideways down the stairs.
Yeah, it was dark.
That's not how you go downstairs, Jason.
I would not recommend it.
And it's funny because, like, I've hurt myself in the past a lot.
And when I was at the bottom of the stairs, I just thought I would.
I was winded. I was like, oh, it's okay. I just need to get my breath back and I'll get back up. And, you know, my wife is like, don't move and we're calling the ambulance and all this. Thank God she did because me, I would have just tried to get up. Yeah. But in the hospital room, I didn't ask her to do this. But my wife, you know, there was this whiteboard that you can write on and she wrote, I get stronger every day. Just simple, like a simple message.
And a lot of people, you know, when they go through like a traumatic thing in their life, a life-changing thing, it's very easy for the mind to go dark.
It's very easy to say, like, I'm going to give up.
I'm never going to do this again.
This is my life is going to change.
You can't have your mind go there.
You have to like set your mind into goals.
Like, and I know it's hard to say, maybe there's people watching.
They'll say, well, in my situation, is very, very.
hard to think that way because of these things that I carry. But even if you carry some really
bad things, you've been dealt a really bad hand, you still need to keep that mindset going.
Like I was telling you earlier, I go to Japan quite frequently. And it was like a week before
I was going to go to Japan. So I had to cancel my trip. And, you know, I was speaking to my friends in
Japan, I said, listen, the doctors said that, you know, three months, I'll start feeling a little
better, you know, after the surgery, I have two rods and 10 screws in my back. And so I said to my friends,
like this was like right after the accident. I said to my friends, don't worry, just set the date I'll be in
Japan in three months. You know, so I was already in my mind. Convincing myself that I'm going to be in
Japan at three months. You know, and I was. And that's what helped. That made the difference.
Yeah. Yeah, that makes sense to me. That that type of strong conviction about things,
you know, you don't have to look further than someone saying, I'm going to fail this test,
I'm going to fail this test, I'm going to fail this test. And the other person being like,
I'm going to pass this test. And watch them both fulfill their own prophecies. They are self-fulfilling
prophecies. And we do that regularly every day. Everyone listening now can point to someone in their
life who has one of those two things, either this person who's like, I'm just unlucky,
or this other person who goes through life feeling like they're the luckiest person alive. And both
of their lives sort of unfolding accordingly.
And so, yeah, it is a, and that's really nice your wife to put that up in writing,
because I think that's probably something that you needed to read at that moment.
Very cool.
I want to go back to some of the beings that you encountered.
We veered a little into the dark arts of magic here, but I do want to talk about them
a little bit more because I think there's an interesting intersection between uphology
and the study of consciousness.
in regards to out of body in astral states, the entities are often mirrored.
They're often talked about in both cases.
But one thing also is with abductions, many, many, many, many of the abductions.
I would say possibly a vast majority.
I don't know the exact number, but it feels like a majority of the abductions, of the takings are happening in the non-physical,
where the soul body is sort of pulled out of the body and through the wall,
that these beings themselves run through the walls and they are also non-physical.
What's your take on that?
I feel like I'm talking to myself now.
Yeah.
Because this is what I've been saying forever, ever since I learned about this.
And there was this writer, his name was Bob Mitchell.
and this is the conversations that me and Bob would have because, you know, he was documenting
experiences of abduction. That was his thing. He really liked taking down, he was a journalist,
so he took down everybody's story that had abductions. And when he heard my story, and I was saying,
okay, this is like your consciousness is being taken out of your body. And because you've never
had this experience before, it's so real that, of course, you think,
you're taking physically. 100% you're taken physically because you don't know the difference
if you've never done this before. And I said, okay, Bob, listen, tell me in all your cases in
journalism, of all these cases, let's do like a one to 10. What happens in their experiencing of
abduction? And they go, you know, well, at first they get woken up, let's say, in the middle of the
night, they feel like their body is frozen, they can't move in their bed. I'm like, okay, let's keep
going. They may start to feel like a buzzing or a warm sensation. They may hear like metallic sounds,
and then there's like a separation. It's like that now they're floating above their bed. I'm like,
okay. And now they go, either like a white light comes in or they get taken through the windows or the
walls, and now they find themselves in a ship and there's beings. I'm like, okay. Now let me write down
exactly my out-of-body experiences.
Yeah, I can see where this is going.
You know, and it's like exactly from 1 to 10, almost exactly the same as someone that's
documenting their own abduction scenario.
And so for me, I came into this from the shamanic background, the spiritual background.
So when I was having these experiences of altered states, I knew they were altered states.
I knew what I was entering into.
I knew that my body is sleeping in bed, my consciousness is separated, and now I'm having these
experiences. Whereas someone that is having these experiences where they're not aware, it's very
terrifying, it's very real. What I found incredible is that in my own personal out-of-body states
is that I've come in contact with, again, beings that are described in abduction scenarios.
So I'd come and cross those mantids. I'd come across those grays. I'd come across those.
I'd come across those reptilians.
I'd come across them and in my journeys, I'm like,
wow, this is an out-of-body experience.
So it was like a mystery being solved for me.
And I'm not discounting any physical things whatsoever.
I'm not discounting anybody else's physical experiences.
Yeah, no, of course.
But I'm saying from my perspective,
I came from it from the altered perception.
Yeah.
And funny enough,
people that go on shamanic journeys that do plant medicines, like ayahuasca or peyote or mushroom ceremonies or, you know, they know what they're doing.
They're going on a journey.
They're taking these plant medicines.
And they find themselves where being taken to UFOs?
Yeah.
You know, it's the shaman, their friends will be right with them on the ground, you know, singing their songs or putting.
putting sage around them and saying you're doing great and here's a bucket to throw up in.
But in their experience, they're not there.
They're on a ship.
Sometimes they're being operated on.
They're being healed.
So we have to kind of, we can't ignore that.
At IKEA, we make things just for college life, like the Rosenmando blackout curtains in gray.
They say you can't put a price on sleep, but we did.
For the low, low price of $49.99.
Why are you in my room?
Shh, go back to sleep.
You have a big exam tomorrow.
Shop back to school at IKEA.
No, there's a correlation to be made.
I definitely think, and that's one of the reasons I want to bring it up,
because I think that there is so much crossover.
Now, like you said, that doesn't discount the physical.
stuff. More importantly, I think once people, especially people who are a little more, let's say,
materialist or, you know, less inclined to look into the esoteric stuff, they would be quick to say,
oh, sleep paralysis, got it, done, we're out of here. We solved it. It's sleep paralysis. That's what
you did. Oh, you saw alien? Sleep paralysis. And they just brush it the entire thing off. And that's what
I'm always trying to like explain to people who might be a little more skeptical is that, well, perhaps there's more to that sleep paralysis stuff than you might think. You know, brushing off something as sleep paralysis is easy, especially if you haven't had it. Just like one of these encounters or an out-of-body experience or even some type of kundalini experience or breaking through.
on DMT, like all of these things are easy to brush off if you haven't had a first-hand experience
with them. And so explaining that to someone who hasn't had it is, as I looked at the time,
by the way, it was one, one, one, one, one, one. Very, very fitting. It's like the first time I
looked at it, too. Yeah, I think there is definitely a correlation, but that shouldn't stop us
from studying, you know, what is going on. Like, why are we seeing the same beings? You know,
some people will say, it's all in your mind.
It's just a hallucination.
And I go to them, I know, it is all in my mind.
It's all in your mind too.
Yeah, everything's all in the mind.
We're all taking it and putting it together through our own filters.
Yeah.
And we're trying to make sense of our reality.
And our reality is a trip.
Yeah.
Just when you actually look at who we are as a species, where we are on our
earth, where we are in space, if we keep going and going and going, you realize, like,
this is nuts.
Like, how do we even exist?
This is magic that we're sitting here and talking.
Yeah.
It is.
And it is magic.
And at the same time, there's a part of me that feels like this is incredibly primitive.
Do you know what I mean?
Like, there is something miraculous that we're sitting here making vibrations with vocal cords
and that you're picking up what I'm saying and instantly translating it in your.
mind and it makes sense to you. But it's so slow. It's not the, it's not the, I don't know,
when you have these dreams or when you have these experiences, there is a knowing that happens,
noisus, or like, there is an understanding that careful, if you do this, this will happen.
And it's instant. You don't have to put words to it. You don't have to be told anything.
It's just a knowing. And it's just, this almost seems.
to be like the slower modality in terms of communication that we found.
Well, you know, they keep saying we're spiritual beings living in a physical body.
Right.
And if that's the case, then we are already telepathic.
We're already, we already know the future.
This has already happened.
We've lived thousands or infinite lives.
We've been through time and space.
So maybe this is just like what we're experiencing now is just like,
the tiniest little seed of that spiritual consciousness is being placed in this body to have this experience and being here for this amount of time, you grow that kind of spiritual being from this little drop in the sea to maybe like a glass of water and then it gets poured back into the ocean.
Right.
You know, it's just we just are experiencing this right now.
And this is another thing you learn in the out-of-body experiences.
It's also what you learn on ayahuasca and all these other things.
their plant medicines, and it's the dissolving of boundaries.
All right.
And the best way that I could explain, dissolving a boundary is what is a boundary?
I could say our body is a boundary.
So we exist within our body.
We exist within our mind, right?
So we identify as this thing here.
I'm Jason, you're Chris.
Like we identify as these two individuals, and we're having this life.
Now, what if we dissolve that boundary?
Who are you?
So now you've lost your body, now you've lost your mind.
Where does that consciousness kind of escape to?
What's that next boundary?
What is catching you next?
And in these experiences, if you do want to go deeper and deeper and deeper,
it's almost like you kind of dissolve the boundary, dissolve the boundary until it's like, oh my God, it's like...
To oneness.
It's just this consciousness.
It's just this field.
And, you know, as we're coming down, it's like coming down.
and it's like coming down through the dimensions is a good way of describing it.
It's almost like it's just like a doorway.
You come through a density.
It's a doorway.
You get this understanding or knowledge or body.
And then you come down through this and you get this understanding it.
And when you pass or when you're going into these very deep states,
it's almost like you're going the opposite direction.
You're saying, okay, I'm going to leave this dimension.
I'm going to leave this body.
And now I'm over here.
Well, you know, I'm bored here now.
I'm going to leave this and go out here until,
and then how do you explain that to somebody?
Yeah.
You know, you come back and you're like, man, I was everything.
Yeah.
Good job, buddy.
You wouldn't believe what I saw.
No, absolutely.
Have you ever heard of the Flatlands Bob analogy?
Yes.
Yeah, so that kind of idea there where you take a, you know, if you appeared in the two
dimension, like if I stuck my finger in a two dimension, they would just perhaps see a line appear or something and not the entire hand, right?
Yeah. And then if I picked them up and said, hey, this is up, explain to your friends what up is.
And this two-dimensional figure would be like, it's kind of like forward and backwards, except it's up and down.
I don't know. I don't know how I was to explain it. You know, there's no words that can describe that.
It's like your experience when you said you tried to open your eyes and you saw the cube.
Yeah.
And the energy is going around it. It's like, okay.
Yeah. Some Tesseract. Some fourth dimensional object is all.
I can sort of say it is interesting when you think about those dimensions though because like I can I can draw a
representation of a three-dimensional object in two dimensions just like we can create a representation of a fourth dimensional object in the third dimension which is like a tesseract I and it's just hard for me to comprehend that I'll never be able to see a fourth dimensional object or sorry
to perceive a fourth dimensional object in the fourth dimension,
I can only ever stare at it just like this little two-dimensional cube
and just have an idea of what a fourth dimension could be like.
But I could never.
But I can reach into lower dimensions in my existence
and understand what the third, the second, and the first dimension are.
I have a very faint grasp on what the fourth dimension could be.
But above that, you have no access.
Right.
And I think that's also when we leave and do these experiences.
is the brain has to process that information. So it needs to kind of create those archetypes,
create those scenes or those beings for you to integrate whatever you just went through,
which could be very traumatizing or very hard for a lot of people, like especially in the
shamanic journeying, you know, a lot of these journeys is like animals will come and rip you to pieces
and eat you. And then you get reassembled and you wake up like a new person. Well, is that
actually happening to you? I don't.
don't think so. But that's the way that it's interpretive. It's like a shamanic language of
dissolution and then coming back together. So, yeah, ego death or whatever. Yeah, like,
so we can't understand it. But again, I think if, again, with the whole concept of
boundaries, of dissolving boundaries, it's like every time you hit the next one, think of it as a
container or your next body or her next thing. And it's only in that body that then you can
experience that fourth dimension. Right. Experience it. Because I know like with astral travel,
you know, people will explain astral travel as there's no space or there's no time. So there's
different laws of physics. There's something different about that space that allows you to, let's
say, jump to other timelines or alternative timelines or jump from one location to the next, either through a
portal like you've experienced, in virtually no time, you could have crossed time-space dimensions
instantly. You know, so the laws change, the rules change as you enter into these different states.
Do you think there is a substrate in this reality that is fundamental across all dimensions?
Can you explain that a little more? So like we might consider it like zero point feet.
or the quantum field or the vacuum as this sort of omnipresent fundamental thing that exists across all dimensions.
Like this might be the primary fundamental thing, dimension, if you will.
And then like built upon that is like this secondary reality, which is like our physical reality.
Right.
Right.
But we have to use this to build this.
Do you think across all dimensions there is a fundamental substrate?
Yes.
Yeah.
And the only word I can call it is the void.
Hmm.
From my understanding of it, it's like, the only way I could describe it is kind of like an old Egyptian creation myth, you know, where the void is kind of like the dark cosmic waters.
so the God, none.
And it's just darkness, chaos, there's nothing to it, but this is like the turning of creation.
And then once that spiritual form has awareness, it separates from it.
And it becomes the light.
And because of that light now exists, it shines in this mound of Earth comes up.
So it's building this creation, this reality.
And from those two aspects rising out of this darkness, suddenly now,
creation can be born and materialized in different ways.
So it's almost like you're drawing.
It's just kind of like this stepping stone of from this underlying something.
And it's funny because when I say this underlying something, that's who me and you are.
Sure.
We come from that.
We return to that.
We're in it right now.
Yeah, it is everything.
It is everything.
But it's how do we experience it?
Like I know, I'm, you know, I'm not delusional.
I know I can't stick my hand through this table right now.
You know, there are laws that govern this world.
But then again, it's like the laws that govern this also govern other things.
And that's why I said that I think that as we transfer through different dimensions or different altered states, these laws do get changed.
And that's why in the out-of-body experience, you know,
know, you could pass through the walls no problem because maybe you and it are just a projection.
Yeah. Yeah, it's a, it's a mind-boggling thing to think about. And I often think about it in the face of sort of trying to explain away, you know, our reality and what it is. Like if you look at, if you take the materialist take of it would be, you know, the brain exists and the brain makes consciousness and the brain projects things. And that's, you're perceiving things because of the brain. And where.
you know, where I think that is just completely false is that we seem to agree that like
there is a quantum vacuum, the void or whatever it is. Even science agrees that there is something,
right, that everything is made of, that everything is attached to some web, some cosmic web or
whatever. But the thing is, we're trying to take this secondary reality, this,
physical reality that we live in. And we're trying to box this so it fits here. You know what I mean?
We're like making a physical box and being like, this is what everything's made of. And then we're
assuming things. And based on those assumptions, we make formulas that that turn out to be
correct in our mathematics so that it proves, you know, quote unquote, that that is what reality is,
is that, oh, that's all it is.
It fits in this three-dimensional, and now we understand it.
I feel like it's impossible to do that.
You can't take something that's fundamental,
have the offshoot of that fundamental thing,
whatever this offspring is here that we live in,
and fit that into what we call reality.
There's no way.
How can you blow out a candle through a mirror?
Yeah.
You know, it's like we're the reflection of something
and we're trying to hold on to the thing that's making the reflection.
Right.
But you can't because you're behind this pane of glass.
You know, so it's very difficult to kind of wrap your mind around.
Yeah, that's like somebody without ears telling me based on numbers what music is.
And it's like, you know what I mean?
And you're like, you can't fully appreciate music, I think, if you don't hear it.
You sure you can have an understanding of it.
And there is a math to it.
Absolutely.
So you can make your formulas and you can prove that, you know, the octaves are there and like everything has to follow a certain rhythm and flow.
And yes.
But without hearing it, how can you possibly understand it?
And how can you fit it into this box of mathematics?
There is a whole other dimension to music that has nothing to do with math.
And that is the interpretation of the sounds and how they make you feel and everything else.
And I'm sure there's a math to that.
But there is this dissonance between the two that we seem to.
to ignore or, you know, just for the sake of our own sanity, you know.
Yes.
Yeah.
And, you know, you're talking about music and I'm a music guy.
And the secret to music is space.
As in, you know, the silence between the sounds.
You know, you need both.
And I think this is what we're talking about.
Do you have to kind of experience both this in and out.
type of breath to understand these things. So again, it's like, it's the same thing as like philosophers
in ancient times. We're trying to explain the inexplainable. Right. You know, and we can package it and
package it and say, I figured it out. Here it is. Here's the formula. I can go to sleep now. Here's the
Hig boson. It's done. Like pop your champagne. We've figured out reality. No, it's like,
it's almost like when you look out into space, for example,
now with the telescopes that we have,
we know that it's like, I would say it's like infinite.
Like our mind can't even accept the scale of what the universe is.
And is this the only universe?
And then you have dimensions within the universal structure.
So there's such a grandness in scale.
And the thing is when we turn it around and go to a microscopic level, and you keep going and going and going, you're like, wow, this is like never ending as well.
So we're like kind of like in this middle place between scales, just like the music scales, and we're just experiencing this tiny little vibration of creation.
And as we go this way or this way, it doesn't matter.
it's infinite type of experience.
Yeah, beautifully said.
Yeah, there is a, as above so below, it is infinite in both ways.
And if you zoom in or zoom out far enough, it starts to look awfully, you know, similar.
And that's why I've thrown out the towel.
Yeah.
It's like, you know, how much more can you try to figure out?
I'll just tell this one thing, is that.
Because I spent years and years of, like, meditating, try to find these or fine-tune these ideas.
And I got this message, and it was, you need, you can't live your life between four walls.
It's like, because that's what I was doing.
I was sitting in my room and meditating between four walls and I'm thinking, I'm going to figure out life.
No, you need to get out.
You need to talk to people.
You need to experience things.
Get out.
Stop what you're doing.
It was a pretty strong message.
And I'm like, but I'm meditating.
I'm going to find the secrets of creation.
They're like, not in your bedroom.
Go outside.
Get some fresh air.
Yeah.
Yeah.
I completely agree with.
It's an epiphany that I had myself after my last out of body experience was, you know,
I'm on this journey trying to use my body as a microscope, you know,
to look at it.
words and to be like, okay, what can I discover about the universe and the answers and the answer to
life, the universe and everything, so to speak. And when I got this sort of semi-confirmation
while I was meditating in broad daylight and seemingly left my body or felt that way,
without falling asleep, completely lucid, walking around my room, you know, afterwards,
I was very excited about that. And the thought,
popped into my head of, okay, there is more than my physical body. There is more to life, to reality,
to this existence than my physicalness. And that was a sort of proof. And that might not be death.
That might not be what comes after. It might be an extension of this. I don't know. But it
it was more than my physical reality. Whatever that is, it was non-physical and it wasn't this.
And I thought, you know, so many people, when they go, when they go out of body, a lot of them,
it happens during like a near-death experience. And they're floating, they see themselves, same
symptoms. And so I said, okay, there's a correlation between these two. Like there is some,
something here between the astral and out of body states and near death and dying. Like there is a
correlation here. So I just asked myself like, well, what's the hurry then? What am I so in,
in a rush to die for? Why do I want to know what death is like? I'm going to get there. I promise you.
I will get there. That is, you know, the only certainty in this physical existence that I can,
that I can promise myself is that I'll get there.
But now I get asked myself, like, why am I trying to get there all the time?
Like, you know, if this body is some type of container vessel, meat suit for the soul that we incarnate into, if that is the case, then giving up instant manifestation, eternal reality, the most beautiful existence of all knowing.
and you can travel anywhere and have everything,
giving all that up to be here in this transient little moment,
that has to mean something, right?
That's the message I got is, you know, everybody, from my perspective,
it was like, you know, the whole point is this kind of ascension idea
where it's like I'm going to expand,
I'm going to get into this oneness state,
I'm going to be with God and everything.
And the more I started to go down,
down that road, the more it was turned the other way. It was more like, you're here. That's the point.
It's like, this is you normally. Yeah, right. But now you're here and this, you need to get healthy. You got to figure
stuff out. You got to change your tires. You got to pay your taxes. You know, you got to have
relationships. You got to talk to people. Yeah. Yeah, you have to do these things. And this is where the, the
spiritual fulfillment will that you're looking for will actually manifest and come from. And so,
it was, it was an interesting turnaround. But, you know, you go, it's the same thing with life.
You go one direction. You think you're going to find something in this direction. And you realize it was
already over there. Yeah. You walked away from it. Yeah, but you had to walk away to realize it.
Yeah. Yeah. Well, but, okay. So you've obviously had, you know, a ton of out of body.
experiences. Now, you've met entities, you've interacted with them in different ways,
interacted with different realities, essentially, in different ways. Have you ever come across,
because there's a lot of out-of-body experiencers that say that they had a job to do in the astral,
which is like helping people move on. I had Preston Dennett here who's, you know, saying,
yeah, it's like you're just recruited once you go out of body and to have these jobs.
and to like help people.
Has that ever happened to you?
At first.
Really?
At first.
Like this is stuff that happened like right near the beginning of things where it was like
you'd be taken out of body and you'd be with like a group of people and it's like you're
going to witness somebody die.
No way.
Yeah.
And it's like I don't know this person.
But maybe they know me.
Like I don't understand it.
But it's almost like you call to help through transitions.
I've been to some pretty weird ones.
Like, I've been called by aliens.
I know it's a weird thing to say.
That's the title of the video now.
It's a weird thing to say because that's the only way you can describe it.
It's like I had this one experience where I left my body and it was like this alien was like on the run.
That's all I could.
It was like it was being hunted by something and it was like hiding in like a cave.
It looked like a desert.
And it looked like a tall gray alien.
but it wasn't gray.
It was like salmon pink color.
Like that's what it looked like.
And it's like,
why am I being called here?
And it's like this being,
whatever it was,
it was like so scared.
Like something was going to happen to it.
It was going to get caught by somebody and it's being hunted.
And it's like,
okay,
I'm here.
I'm with you.
Like explain these things.
I don't understand these things.
But this is what started to happen at these first like stages of,
of leaving the body.
Whoa.
It's like you don't ask for it.
It's just like you're just taken there.
It's like you don't say, I'm going to go.
No, it's like a job that you have to do.
It's so strange.
I wonder what that could be.
Any ideas?
Any hypotheses?
I think that I think we play many roles,
just like valets, the phenomenon has many faces.
I think that we play many roles as well at different,
levels of understanding. So I don't understand it. Like I, from my perspective as a human being,
I don't understand it yet. Maybe I'll never understand it. But maybe it's like maybe when I came to
for somebody's transition, maybe they didn't see me as Jason. Maybe they saw me as an older relative of
them from, let's say, another life or something. And that's who they recognize to allow them to
make that transition. And transition is a very important word because that's what I feel the astral
state is. It's kind of like this transitionary world between the spiritual and physical.
It's like the waiting area, you know, and it's like beings from different places to connect with
you here in the physical. You know, let's just hypothetically say that there's someone you know
on some planet in another universe. Well, how are they going to reach you?
they're going to leave their body, they're going to go into this astral form,
and this is kind of like the transitionary meeting place between these worlds,
whether there is no time and space, and you can have this interaction.
And maybe when you do die, that's kind of the process.
You go to this kind of transitionary place where you're met with beings that you're familiar with.
And they kind of get you familiar with this transition state.
and then from that transition state you travel to other places.
That's an interesting way to put it as well.
I know that Robert Monroe had something similar.
I think he called it like the,
it was like the intergalactic cafe or something like that
where it was like Focus 19 or something
and he would go to this place and he would meditate,
essentially sit down at this diner somewhere,
maybe not unlike the diner we got here,
and wait for someone to come sit down in front of him and have a conversation.
This is another being from another dimension or whatever, but they were coming and going
through these different tubes or whatever, like some type of sci-fi, you know, Jetsons movie.
But that is an interesting idea that this is just like a transitionary space that we can interact with.
Or something that we can create because it's almost like a matrix or created reality that is like a dreamscape.
So think of it like this way.
Let's say that there's a spiritual being or just, you know, let's say an alien for simplicity terms on another planet.
And they want to have a meeting with you.
They want to talk to you.
But instead of just sending you telepathic messages or channeling through you, you're dreaming and you get pulled from your dream state into this kind of like you say, like a boardroom.
And you're sitting.
So you're sitting at the table and a crossroom you is this.
alien. It's like, okay, I'm in the matrix now. You've created this matrix. And they say, well,
no, this is just the, the room that we've created in this space so that we can communicate
with you. Right. And when we're done, this doesn't exist anymore. Wild.
Okay. And it's all in the mind. It's all in the mind. Everything is mental. It's all mental.
Yeah. As it was it, the first law of hermeticism. Right. Um, okay.
Okay, let's transition.
Okay.
A nice way to segue here into your latest book.
I do want to talk about this a little bit because I think that this is rather fascinating.
We've all heard about Atlantis and, you know, it's purported locations, whether that's the eye of the Sahara or whether that's, you know, somewhere in the ocean or, you know, you name it.
But you've had done some research and found that.
that maybe this isn't exactly what Plato was talking about.
And can you go into it?
I'm sure it's very complex,
but if you could at least topically sort of cover it.
Well, I'll make it very simply.
Let's go to the source, which is Plato.
And Plato wrote two works.
He was supposed to write three.
One is called the Taimaeus.
One is called Critias.
And Critias is halfway complete.
So out of three books,
you have one and a half.
And you get the Atlantis story from the Timeas,
which is like introduced in the Timeas.
And that's the only full book that Plato wrote.
And then you have, let's say, like a half a book of the Critias,
which details Atlantis.
Now, when you read the Atlantis story,
there's a lot of, I would say, hermetic and ancient creation myth in there.
And unless you know those creation myths, you won't be able to see them.
And the way that Plato writes the story from Critias or Solon is, in a way, a reflection of the universe.
It's a reflection of the creation.
And when I say this, and I know it is kind of complicated, but if you go to the actual story of Atlantis, it starts with Poseidon.
He's gifted an allotment of land, of earth.
He's the god of the sea.
On a central hill, there's an earth family, has a daughter,
he falls in love with her.
He comes down, he puts land and water like a lathe,
like circles of land and water around her to protect her.
And he has children with her.
just starting from that standpoint, this is the beginning of the Atlanta's story, where have we heard
this story before of the gods seeing the daughter of man falling in love with them, having
demi-god kings? So then she has five twins, sets of twins, and the firstborn, they named Atlas.
Now, who is Atlas? Why would Plato name this character Atlas? Well, in Greek mythology,
is the Axis Monday. He is the
Titan who upholds the heaven.
And that's why you see the statues with them
holding the world. And they place the temple of
Poseidon right at the center of the island.
In the middle, there is an
or a calcum, which is a sacred metal.
It's a mythological metal, which is
kind of reddish gold, a pillar
directly in the center of the island.
And then
Atlas rules. Now, over time, they live in harmony, perfection. They navigate their, they're a naval power. And then they go to war. They get too much mixing with mortals. They become warlike. And then they're going to go outside their boundaries into the Straits of Gibraltar, which is the pillars of Hercules.
Now, here's the thing.
They give a date very specifically in the time aas and the Critias about 9,000 years,
or it comes to 9,600 BC.
If you look up in the sky at the northern sky at that time,
the North Pole is directly in between the legs of Hercules in the sky.
So the myth or the story of Atlanta,
It's mirrors the actual date and timing of the stars in the heavens.
So it's kind of this as above so below story.
And if you just turn back the clock slightly to when Atlantis would have been at its highest power,
the pole star is Vega in the north sky.
And so Vega is the brightest star in the north sky.
If you go back 12,000 BCE, that star would have been.
been so important for travelers because you need a North Star, a stable North Star, to travel
the world. You could only be a naval power if you have this star. And all the stars turn around
it like as turned as a lathe. So it's kind of like this as above, so below allegory of the procession
of the North Star over the 25,000, 26,000 year cycle. So that when Atlantis was the
the power of power, they had this star, a perfect reflection of Atlantis in the sky.
As the time passed, they moved outside their boundaries into the pillars, which esoterically
means legs of Hercules. So now the pole star is in between Hercules, and you have this
cataclysm, because there is no North Star anymore. Right. You lose visibility, and then you go about
6,000 years of darkness. There's no North Star for about 6,000 years until you hit Thuban.
So you have this loss of the world, loss of cosmic navigational understanding.
The Great Flood.
The Great Flood. It's like the deluge, because it's the dark waters of space. It's all,
and yes, of course, there's a reflection between the Younger Dryas and the date.
But there is this kind of cosmic story, and what makes us so intriguing is that if you go to the
Timaeus, which is the actual work of Plato, you have the Atlanta story that pops in just before
Timaeus speaks, because the Timaeus is basically Timaeus's time. And he talks about the creation
of the world by the Bevolent Demiurge. And so right after Atlantis, he starts describing
the creation of the universe. And he's saying, you know, he's talking about the circles of the same
in the circles of the different, which is the fixed stars and the wandering stars, and the seven,
the six circles that are divided into seven, and then the eighth circle.
And so he's talking about the creation of the universe describing it.
And then Critias comes in and talks about the creation of Atlantis.
And if you take the image of Timeas talking about the creation of the universe, and you take
the Atlantis story.
actually just merge them together, it's like they're describing that same circular pattern
that Atlantis is shaped of. So I, there's so much here, and that's why I had to write a book
about it, but basically that these creation myths, the whole story of Atlantis can be found in
other myths going back just by, it's almost like Plato took ancient creation myths,
and then he wrapped it and gave it a new name.
You know, so when you actually read those quotes, it's very interesting because you have to know about Egypt.
You have to know about the Egyptian creation myths.
You have to know about the Odyssey.
You have to know about 12 labors of Hercules.
You have to know about all these different myths to understand the story of Atlantis because all of that existed at the time he wrote that.
That is, so it's a lot for someone like me to fathom because you think to yourself like, well, why wouldn't you just say so, right?
Why would you go through the trouble of concocting such a insane confabulated story, you know, to just explain the procession of the stars?
And I asked you this at contact, and you had a really good answer for this.
Well, the answer would say you have to look at Socrates, which was Plato's teacher.
And Socrates was basically murdered by the state for basically infecting the youth with his ideas.
You're teaching about the wrong gods.
So you couldn't really discuss these things openly.
And Plato observed his own teacher being murdered by Hemlock.
And he knew that, okay, he's going to open the school.
He's going to be an initiatory teacher.
He's going to create these stories which are called likely stories.
and by giving this kind of fable, this myth,
he's actually following a very long line
of other authors in the past
that create myths of the gods,
but it's actually telling another story
when initiated into this.
So this is where we get into secret societies,
this is where we get into the initiations in Egypt,
where the general public,
if you could understand the story
and the story is a good story,
and he is great at making stories,
this story will pass on for generation and generation,
and it has exactly the way he wanted it.
But you'd have to be initiated into these other orders
in order to have the keys to unlock them and understand it.
Yeah, to decipher them.
Right.
Yeah, that's fascinating because it really does, for me,
provide a brand new context into how brilliant these philosophers were.
you know we use the term philosophers the Greek philosophers we say it so flippantly I don't think we can
comprehend how smart these people really were it's really difficult for us to comprehend that I don't
know how he did this it's it boggles my mind and the more I reread and reread it's like I keep
finding more things and I'm like it just becomes obvious it's like once you have that key it starts to
become so obvious. And, you know, I'm not the person, like, people are historical. They want to find
the island. And then people are, okay, this is a political allegory of moral, you know, and I say that's
fantastic, beautiful. I'm not discounting either side. I'm saying, let's go deeper. Why did he, why did
the priest tell Solon that, that Faton stole his chair?
his father's chariot and burnt the earth causing a catastrophe by fire, and that the world
goes through these periodic cataclysms by water and fire. Why did he tell this to Solon before he told
the Atlanta story? But then before he says the Atlanta story, the priest also says, you know,
this story has a form of a myth, but what it really means is the declination of the stars of the
heavens over long periods of time. So he's, he's been.
basically telling you right before he tells you the story of Atlantis that this is a myth.
And what it really tells you is that it's a story of the moving heavens.
He says it right before he tells the story of Atlantis.
And the story of Faton is the destruction of the world by fire.
The exact same theme is in the Atlantis story, but it's with water.
And that's exactly what he said.
There's periods of destruction with fire and water.
And then now he tells the story of Atlantis.
Hmm.
You know, so people, they hear the story of Atlantis.
They want, they.
We want the national treasure.
We want to find it.
But I'll just say like as well, they, the, he says it's right outside the pillars of Hercules, which we know exactly that location on Earth.
Okay.
So he's given us the exact direction where it is.
He's given us the size of it.
He says it's larger than Libya and Asia combined.
Now, if you put those two places together, you're talking about a continent, roughly the size of North America.
We're talking about a big place.
So, and if that went into the ocean 11,000 years ago, give or take, there's going to be evidence of that.
You're going to see it, but we don't.
It's completely not in that location, unless, you know, NASA and everybody's lying to us, which, you know, again, that's a possibility.
Yeah.
But so everybody will look at this or look at the story of Atlantis and say they said exactly that there is an island.
This is true.
It's right here.
This is the size.
But look at the entire story.
You know, because if this is true.
And the why?
I think that's important too.
Like, why would, why would Plato, like, shroud this story as a sort of map to lead you to, like, a lost civilization?
that doesn't seem like something Plato would do or these philosophers would do.
They wouldn't send you on a treasure hunt.
You know, it seems like something Hollywood would do or like, you know, like a national treasure movie.
I would love to see it.
But in terms of philosophers, those guys were imparting knowledge, like math and science and astronomy and that type of thing.
The thing is it's the same thing with the Republic where they're trying to find the ideal society.
And it's almost like it doesn't matter what they choose, it falls apart.
Right.
It's the same thing with life.
It's the same thing with philosophy.
It's the same thing with these cycles.
And this is why the priest told Solon, it's about these cycles of the stars, the cycles of the heaven over long periods of time.
Because there is this destruction that will periodically happen.
Every civilization will come to its fall.
But then there's this time of, you know,
recalibration and then there's this time where the society rises again and it's like a new world
and it matches these cycles so this whole thing about hubris and arrogance and in my personal opinion
this hubris and arrogance is not about the ideal state it's the ideal state of consciousness
as in you know don't run around like a chicken with your head cut off because the world is ending
understand that these are natural cycles that will happen again and again and again.
And if you understand this, you're going to be strong and you could lead.
It's a lot to contemplate, you know, and we're finding out now thousands of years later that,
oh, there are cycles and, oh, we're kind of at the end of one right now.
And like it feels like it might happen again.
And so it is timely that, you know, you sort of rediscovered this through a new lens.
Has that, has the work that you've put into this?
Has that ever been done before?
Has anyone ever taken that approach to it?
Yes.
Proclus, which is 5th, 5th century AD.
He is a neoplatanist, and he looked at the Atlanta story, and he wrote a huge book.
I think it's about two to three hundred pages, if not more, saying that the story of Atlantis is actually a celestial allegory of the cycles and the demiurge and the creation.
You know, and it's amazing, but this type of view maps it to the stars as well.
So it builds off of that so that everything that we're told could actually be seen in the sky.
And it goes into this kind of area that a lot of people don't look into.
It's called astro theology.
And astro theology is kind of like taking a myth and putting celestial observations of cycles and seasons into the myths and the gods.
And so you carry that through, but it's valuable information into it.
So it's like you'll see, let's say, the god Shamesh, for example, from the Akkadian myths, the god Shemesh, is the sun god.
And when you see the sun god depicted in some of these tablets, he'll be holding, let's say, a knife and he'll have like heat rays coming off his shoulder because he's the sun.
And then he might be standing next to Ishtar.
And Ishtar, like the virgin, she's holding the barley in her hand.
And he's grabbing her by the foot with the knife and he has the heat.
So what is like, you're looking at gods here, but really it's kind of like the cycle saying it's like the sun is now it's the hot time of the year.
And he's cutting down.
He's harvesting the wheat.
You know, and these are the stars that are in the heavens when this, you have to do this.
Right.
So there's a celestial knowledge wrapped into the stories, even though we're not aware of those keys.
Yeah, it's not just fairy tales.
Yeah.
That is their way of talking about science.
That's how they did it.
They did it through story, through fable, and through tales.
Exactly.
Very interesting.
Jason, I'm going to go start the camera back here.
We got some questions from the audience.
Let's do it.
All right.
We got a few questions here.
Our audience always ask the best questions.
And if you want a chance to ask them as well, you can become a member.
First question here from Guy says, does government disclosure even matter if the real
contact happens in the astral.
It will matter to some people.
Okay.
Because there are people that are waiting for this disclosure to happen and to appease whatever they need.
Yeah.
But again, I think that the government does need to come clean.
They do need to release something.
They need to give something to the public because the public knows that there's something off.
And, you know, being in this case,
community for so long, you meet so many people, people that claim to be whistleblowers or insiders
or contactees or abductees, and there's definitely something going on. I don't think we'll ever
get the answer that we actually want. We will just get a story of something to appease the minds
of a lot of people, but a lot of people will never be happy with those answers. But will it
matter if it's in the astral, not really because you're dealing with a whole other beast.
Yeah. Yeah, I tend to agree. I think a lot of, and this is something I get a lot of pushback on when I talk
about, but I do think that to some extent answers aren't consequential. I think they provide,
the only thing answers provide is the ability to ask a new question. And I think the new question is
more valuable. And so to be able to ask new questions, that's what we're really after. And to do that,
we have to get an old answer out of the way. But I don't know. I also think that, you know,
let's say if the question is, are we alone, right? If that is the question, if that is the answer to that
is that we're given is yes, we're alone, I'm not happy with that answer. I'm going to keep asking the
question until that answer becomes no, right? That answer is scarier than anything they can give us.
Yeah, exactly. That's the worst answer. Yes, yeah. But if that is the answer, it's not going to satisfy
anyone. And we will keep looking until the answer is no, correct? So why don't we just assume it's no and
move on? Yeah. Okay. Well, they want the bodies. They want the craft and yeah. But only I do believe
this. And again, I'll probably get pushed back for that. But I do think it is,
only to satisfy a selfish need that we think will fill a void, which it will not.
You get an answer, you're not going to retire and be like, well, there we go.
I can, I can die now.
Of course not.
You're going to have another question.
And guess what?
That question will feel more important than the other one.
Yeah, it reminds me of like, kind of like the old Mufon type of nuts and bolt stuff where
it's like they're just interested in the craft.
They need to know that technology.
They want to know what powers it because if they can get their hands on that power system,
we can change the world for the better.
And I think it was actually Grant Cameron that said this.
I don't know where he got it from,
but he was basically saying that what happens if we give the world free energy today?
You think we're going to be better off?
No, we're just going to take more from the earth faster because now we don't have to pay energy costs.
and energy costs, there's the only thing that's stopping us from taking more.
Yeah, it's well put. Wow, I never thought of that.
All right.
Which ancient technology best supports interaction with consciousness or the body's EM field and why?
Oh, wow.
You know, at first I was just going to say churches.
Like the building, the architecture from the masons, they knew how to build in harmony with very specific numbers.
and creating spaces that put you into contact in alter states of consciousness,
just being in the building itself.
The resonance too.
Just the resonance.
So there is like an art of architecture that you can build the structures of creation
or the vibrations and the sacred numbers and sacred geometry of creation directly into the structure
that will resonate with you on a level that you're not aware of.
So I would say that churches.
Wow, that's a good answer.
They're pretty powerful.
How they enhanced prayer as well in song.
Because remember, again, going back to music, reverberation.
You create the space, and as the sound reverberates around the walls,
you're creating sacred geometry structures of sound within it.
Yeah, and that is an exact science.
as well. And, you know, I know a lot of people refer to the king's tomb in the pyramids as well as
like if you, the king's chamber rather, and if you lay in that box and you start humming,
it'll just like, it'll almost induce an out of body state, you know.
Yeah, yeah. I would think that's very, very powerful. And the pyramid itself, if you look at
the geometry and the cubits and how it's built with the chambers, you get these low-frequency.
oscillations going through those chambers, with the granite and the limestone, you are creating
an electrical resonance field, and the shape of the pyramid itself is a reflection of sacred
geometry. Basically, it's the symbol of creation itself. So, you know, that's an extremely
powerful thing, but I thought that would be the number one answer everybody would expect.
I think so, yeah, because, yeah, I mean, pyramids, triangles and all
that stuff. The church is a good one. And something I found out when I traveled to England recently
was in order to be a city, you would have to have a cathedral. I didn't know that. So that's why all
these townships and they all have like the cities all have a cathedral. Like you wouldn't be
considered a city if you didn't have one. And you know, I think this is a John Mitchell book
where he talks about the sacred center and these building structures of cities and towns is that
you would find the center where it's like the most powerful place energetically, like through laylines.
Oh, like a layline thing.
And what you do is that you would find that space, which is like the life-giving space, then you would put your build your cathedral and then you'd build the city around it.
But that would be before our modern interpretation of what laylines are.
So it would have to, how do they measure that in that case?
They would just feel it out?
I, you know, well, there's like dowsers, people that are sensitive.
Yeah, witching rods and whatnot.
Yeah.
And there's also physical signs.
Yeah.
You know, like when you're looking at areas, it's almost like a sweetness in the air, there's water flowing, there's plants, abundance of life.
Right.
It's like when you see an area that is just teeming with life, and then you're like, this is, this is a good spot.
Hmm.
Interesting.
And then kill it, wipe it out, put it in life.
Yeah.
Yeah, let's build something.
All right, we got one last one here from Slug is his real name.
Great question, Slug of everything in Forbidden Knowledge.
What did you hesitate most to include and why did it make the cut?
Oh, my God.
First of all, Forbidden Knowledge, that's the first book that I wrote with Bob Mitchell.
And I didn't know at the time that people would even read
that book. Okay. I thought, and the problem with it being the first book and, you know,
someone's interviewing you is there's no filters whatsoever. So in that book, it's like there's
names of like my teachers, names of my friends, names of my family. Like it's just, the whole book
is an overshare. And the, so after people started reading it, I was like, oh my God. No.
So I had to, and then also within the first couple of months of that book being out, Bob Mitchell also passed away.
So we also had to deal with, okay, now what do we do with his partnership and all these things?
And what ended up happening was we worked with the family and we took the book away.
And then I wrote Astral Experiences, which is a little more focused and not oversharing.
But you have to remember also Bob Mitchell was the guy who was the journalist who loved taking down experiencers' stories and alien abduction.
So he was heavily involved in UFO mythology.
So in forbidden knowledge, it's a mix between my personal experiences, which I didn't hold back at all in that book.
That was just nuts experiences.
And then he would parallel it to other experiencers in the UFO scene.
So it has a very heavy UFO weight to that book, whereas the new book, it's more just about the experiences.
Was there ever an experience that you had that was just too crazy to share?
Yes.
What's one example other than being a giant amoeba?
Hybrid children.
Really?
Yeah, that hybrid children.
That you were shown?
Yes.
Hybrid children?
Hold on.
Yeah.
Really?
Yeah.
Yeah, that stuff I'm cautious about sharing.
Because that is, you know, ever since I think Debbie Jordan, Deborah Jordan was like one of the first ones that, you know, the encounters book that Bud Hopkins covered, Bud Hopkins covered, was one of the first times I think it was talked about this idea that they were presented with their hybrid children.
And I've spoken, you know, I've sat across from many a experiencer who's told me.
about these same things.
What was that,
it would that happen in the astral?
Is this on like,
this is,
is this on YouTube this part?
Yeah.
Oh,
cute.
I mean,
we can caveat it.
We can put a big disclaimer here and say,
you know,
this,
we don't know what this is,
but.
Well,
it's like,
because you don't hear
these things happening to men.
I have.
Yes.
Peter Curry.
He broke down in tears
with what he was shown.
I also have spoken to three other male experiencers off camera about this exact thing, and they are known experiencers.
Okay.
Okay.
So, you know, I think we've talked about enough crazy things.
Sure.
Like, I'll share this.
But just know this is an exclusive.
Understood.
Okay.
So basically, I was taken and I was like I was in this nursery hospital type of thing.
and this, this, like, this nurse walks out, and it's like, I want you to meet your child.
And this was like in my early 20s, like, I don't have any children.
I'm not with anybody.
A human nurse?
It's like a human nurse.
And they, they have this child, they want to show it be my child, and they show it to me.
And it's like, it's like, it's like a half human, a half.
human, a half like, like, it really looked like a half alien baby.
And did it have a little bit of hair?
It did have a little hair.
And I was so angry.
Like, I have this streak of anger in me, like with all these other experiences.
But I was, I felt so taken advantage of.
I felt so angry that this happened that I felt, I, I felt this like instant hate.
Like, and I just like in my mind, I just like.
went to the child, I'm like, I want you to die.
Like, that's the first thought that came to me.
It's like, I hate you.
I want you to die.
Like, this is awful.
And it's like the child just kind of went limp in the hands.
And then it's like, I'm back.
Right?
And I'm like, and I wake up and I have all this regret.
And I'm like, why did I do that?
Because it's more like, when you're in these out of body states, there's no like filter.
It's like, it's so impulse.
And that's what I really felt at that moment.
Like, how can you do this?
And so I had a lot of guilt, but then like a couple years later, I was taken back.
And I'm back in the same place.
And they go, I want you to see your son again.
It was a son.
And they told me his name.
And I saw him like walking.
It was just a little guy.
Didn't look like an alien at all now.
He looked like a human.
And came up and I gave him a big hug.
And it was like this kind of reunion.
It was like very beautiful.
I said I was sorry for what I did the first.
first time. And that was it. Wow. It's very emotional because like I have no idea what this
really is. What was his name? If you don't mind me asking. Michael. Wow. Yeah. That's yeah,
that's so wild. Thank you for sharing that, by the way. I know it's not easy because it sounds
completely insane. Yeah, absolutely. But at the same time, I think it's important. And I've, I've,
I told this to Peter Curry when he was here as well, and he had some wild experiences,
one of which was that, and he was actually told prior to the meeting, he goes,
we're hesitant to show you this child because how you might react to what it looks like
physically. And because this child is excelling and doing really well at school and what they're
doing, he's also very highly telepathic. And so he'll pick up on anything that you think.
and so we're going to help you
sort of navigate that interaction
and like screen your mind type deal.
But he, you know, that was the same sort of reaction he had at first.
Like, whoa, what the hell is this?
And then that, how dare you do this to me?
Yeah.
So it's like the same thing I just said.
That's what I'm saying.
And like I said, I would share the other stories,
but these are, you know, off.
Off the record, well, not even off the record.
There's like off camera conversations I've had that say the exact same story,
that they were shown from other, this was from other grays.
And it was like football head, sort of half child, half, or it was all child,
but half human, half gray, a little tuft of hair, brown hair.
and then the eyes were big eyes,
but they weren't completely black,
like there had big pupils and big irises,
and then a small nose,
little tiny ears,
like there was a sort of in between...
Yeah, that's what it was like.
Clearly hybrid.
Yeah.
Yeah.
But when he was older, he couldn't tell.
Wow.
Yeah, David Jacobs, you know,
obviously would look into this a lot,
And he had a whole sort of evolution going from, he had five stages, stage one hybrid, two, three, four, five. And the five, he would call a hubrid, which was indistinguishable. But like as it would go on, you would see, you know, the change get more and more human. Yeah.
I've been, I've heard one thing from this that could be interesting for the people watching is what I heard.
was that this hybrid program,
you know, a lot of people look at it very, very negatively.
But they,
some of it is what I've been told,
is that these hybrids,
they're made for other planets.
So it's like a different environment that you can't survive in,
so they need to kind of mix so that you could live here.
So it's almost like seeding other worlds.
Yeah.
Yeah.
There's, I mean,
there's no shortage of theories.
That's a theory that I want to believe.
I want to believe that too.
There is one theory that is essentially that I thought was really cool that I read
doing one of these read-throughs, which was there is a defense system around the earth.
The spheres, you know, Patrick Jackson talks about it.
But like there's like these white blood cell sort of defense.
system that operates, you know, using maybe advanced AI or something like that, that prevents
other beings from coming here, that escorts them off planet, that zaps them if they get too
close type deal. And so to be able to live here, you would have to change your DNA over time.
And so you go undetected on this system, which I thought was pretty cool for as far as a sci-fi book
goes. I mean, it would be a great story. So, all right.
I think we'll wrap it up there.
Jason, thank you so much for sharing all that.
Thank you for, you know, I mean, your insights into the out-of-body experience,
into Plato and Neoplatonism, and, you know, let people know where they can find your books and where they can follow you.
The easiest place to get my books is Amazon and just look it up.
My new book about Atlantis is called The Shining Island.
I have a book called Astral Experiences, Gates of the Inanaki, and Astral Genesis.
That's kind of like my evolution.
Also, Chi Gong, I have Egyptian Postures a Power Book as well.
So I have a number of books on Amazon.
You could find me on my website, Thecrystalsun.com.
And that has lots of crystals.
Like I said, I work with Orlye 23 up in Thunder Bay, Ontario here.
So I love sharing that type of stuff with people.
Wonderful. I'll leave all those links below. Thank you so much, Jason, for joining me today. Thank you.
