Aunty Donna Podcast - Podcast Ep 301 - Donna on Donna feat. Michelle Brasier

Episode Date: April 12, 2022

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Starting point is 00:00:00 Get a legends and welcome to another rip episode of the Aranty Donna podcast. This week we have special guest and fan favorite Michelle Brasier on the pod. If you love Michelle as much as we do, you should go see her new show reform in Melbourne, Perth, Sydney, Brisbane or Newcastle and probably lots of other places in the future. Go to MichelleGrasier.com slash tour fatigue. You listen to the only Donna podcast. The greatest fucking book I've seen the world. Burn my Kentucky sometimes and guess.
Starting point is 00:00:33 We hope you enjoy the motherfucking podcast. Hello and welcome to the anti-donna podcast. We're doing something a little bit different this week, aren't we, Zach? Yes. That's right. Zach doesn't know. Yeah.
Starting point is 00:00:52 But Zach, we discussed this before. Yes. That we wanted to do a little interview series, kind of on each other. It's kind of like Donor on Donor. These ones are called Donor on Donor. Tom, these ones are called Donor on Donor. OK. This is Donor on Donor. Tom, these ones are called Donor on Donor. Okay.
Starting point is 00:01:06 This is Donor on Donor. You see him upset. I don't get it. Is it funny? Er, might be. I don't know. I mean, isn't the podcast ever funny? Sometimes.
Starting point is 00:01:15 Man, you let me fucking do my thing. All right, go. Er, er, er, er. Er, er, er, er. Get out of there, boys. It's me Johnny how it Yeah, gee we know all the farmers are after me because I'm trying to take their guns All right, case in point just let's act there is thing
Starting point is 00:01:37 Bug guys is on fire. That's what I've been saying for ten fucking years. I know I know But we thought what we'd do this week and every week after this for the rest of the life of this podcast, there's a little series called Donna on Donna where two of us interview the other Donna. And Zach and I today wanted to interview you. Is that gonna be a problem
Starting point is 00:02:01 because Brodon's not here? Well, it's gonna be an issue because we've Brodon's not here. We've got Michelle Brazier. All right. Now we're going to interview Brodon. By talking, by Michelle's going to pretend to be Brodon. Oh, did I ruin it just there?
Starting point is 00:02:16 Yeah. Yeah, I ruined the joke. Yeah. Can we go back? No. I'm so sorry. No, that's OK. All right, let's just pretend I never said that. Alright, okay You can go you winch for just now. Oh, well, I have no idea what we're doing. We're doing Donner on Donner with Broden
Starting point is 00:02:34 Okay, we're doing Donner on Donner today. We're trying something a little bit different We do the jokes the gags, but we want to go a little more in depth to the various members of Antidona. And we thought, what an exciting opportunity to do a little mini series on the Antidona podcast called Donner on Donner. Today, Zach and Mark, it'll alternate each week, but today, Zach and Mark will be interviewing our dear friend, Broden Kelly. Broden, how are you today? I'm bloody good, thank you. It's good to be here, boys. And there is the classic Broden Kelly voice thatden, how are you today? I'm bloody good, thank you. Good to be here boys. And there is the classic Broden Kelly voice that we all know and love.
Starting point is 00:03:09 Oh, okay. What is that? Yes, so Zach, I'm doing sort of, you know how Broden Winnie plays like sort of an authoritarian, like a dad or, yeah, yeah, yeah. It's kind of his money maker, I would say. Yeah, it's his money maker. And when he shakes it.
Starting point is 00:03:23 And he shakes it. And he shakes it. He gets the money maker out, he will shake it. Yeah, that's his one make it. And when he shakes it. And he shakes it. He shakes it. He gets the money maker out. He will shake it. Yeah, money maker. So what I'm sort of doing is attempting to shake Brodon's money maker, which is a way of, you know, women stepping up, taking up space.
Starting point is 00:03:34 Do you know what I mean? Okay. Yeah. Which is, do you feel passionate about that? Yeah, I feel horny. I feel horny about it. You feel horny about that? Yeah, yeah, yeah.
Starting point is 00:03:43 Yeah, thank you. We're feminists by giving you a male role. Yeah. We're feminists. I just want to touch on that hornyness. Yeah. How horny are we talking? Is it like an art horny?
Starting point is 00:03:56 Is it like, I want to create horny? Or is it like, I need to fuck now, kind of horny? It's like all of them. And like, but it feels like it's centered in the zoo Like in the zoo in the zoo. Yeah, where the animals are yeah, but I don't like I'm not like fucking any animals I've done this Why would I I've done this you've done this can we start again? Yeah, yeah, absolutely I welcome to oh no, no, you know, it's broken Kelly and today we're doing something a little bit different boys
Starting point is 00:04:24 We are I'm doing something different boys. We're doing something different boys. We're going to be interviewing her. It's a series called Donner on Donner and we'll be interviewing one of the donors getting to know where were you? Where did you come from? This is Broden Does 3A Double. Can you say Donner on Donner again? Donner on Donner.
Starting point is 00:04:43 I'm trying to place it. You sound like a particular person, I can't place it. Not Broden, I'm watching. It's a bit Judith Lucy. Donna on Donna. Donna on Donna. I used to do on the radio. I never said Donna on Donna, but I... Judith Lucy.
Starting point is 00:05:02 Anyway, Broden, we're interviewing you today. Yes. You don't have to if you don't want. If you would probably be leaving something else, you can go and get a drink or a coffee or something. We could talk about the zoo. No, I think... Probably talked about the zoo and nothing in this podcast. We don't want to talk about the zoo. No, Broden, you grew up where? I grew up where? I grew up where?
Starting point is 00:05:24 I grew up where? you grew up where? I grew up on Bloody Hell. I'm Melbourne. Melbourne in the east of Melbourne, I think is true. And Adley, you had a spell in Adley. A short spell in Adley. I know a Broden better than Michelle does, just because of virtue of doing this comedy group
Starting point is 00:05:45 I think it would make more sense if it's okay If you want to do Brodon if I play Brodon and you play me. Yeah, yeah, yeah, okay Yeah, do you want to intro us as Zach Intro the podcast is that and and and we don't need an impression, you know, we get bone russell on for the impressions I want you to think less And we don't need an impression. We get by and rustle on for the impressions. I want you to think less impression, more cursed and stupid in Spencer. Oh, OK.
Starting point is 00:06:12 To find your own version of Zach. Of Zach. OK. Embodied Zach. OK, because I'm an actress. So this is really lovely. And I often find that because we've found ourselves in comedy, but we actually did train as actors all of us.
Starting point is 00:06:24 And I find that a lot of the time people don't expect us to be able to handle those meaty rolls, really like get into that stuff. So this is actually a wonderful opportunity for me to tackle such a complex character. It's why I can't get a job as a butcher, because people won't give me those meaty rolls. No, they won't. Yeah, it's a meaty roll. It's why I can't get a job at a sort of one of those, you know, those roast dinner places in food court. Yes. Like a recovery. A carvery, because again, you can't
Starting point is 00:06:58 get those meaty rolls. And I can't even be a customer. I say I'll have a pork with crackly and gravy in the bread roll. They say. I don't think he can handle that. It's why I got fired from a bakery that I was working on because they would let me do the pies. I was doing the pies. But then when it came to the pie, very comedy. That's very comedy, right? But when it came to me making the sausage rolls, they were like, we can't give you these meaty rolls. Did you say, well, this is a quarter breadcrumb. You're like, this is a quarter breadcrumb. There's various herbs and spices.
Starting point is 00:07:30 There's egg in here. It's not that meaty when you actually look at the numbers. Well, this bakery was pretty good. Oh, wow. It has a little bit different. Anyway, Zach, we want you, Michelle. We want you to capture the essence of Zach. The Eshay. And just to be clear, this isn't the first scene. to Michelle, we want you to capture the essence of that.
Starting point is 00:07:45 For the essay. For the essay. And just to be clear, this isn't the first scene. You know, in those movies, it's always like the first scene. And they're like, there's a lot of pressure. Like, in the first scene, it's very like, they've really got to be like, I can do Diana. There's the first bit in Spencer, if you haven't seen it, she's very like, I can do Diana.
Starting point is 00:08:01 And then she starts doing it. And then she chills it out. Well, she gets more intense, but I think that's the thing. Yeah, in the first one, she's like, I get it much like to, or whatever, I I can do Diana. And then she starts and then she chills out. Well, she gets more intense, but I think that's the thing. Yeah, in the first one, she's like, I'd get it much like, or whatever, I can't do Diana. OK. This isn't the first thing. OK. This is around the middle once we've started
Starting point is 00:08:12 to establish that this is your version of Zay. OK. Don't feel the pressure of opening scene. OK. OK. And you want me to introduce the podcast. If you would like, if you're comfortable. I'm going to do the same, by the way.
Starting point is 00:08:24 I'm going to find a death to Broden that you've never seen before. Okay, all right, great. Okay, Zack. The airshay of Zack. Okay. Oh, hi, it's Auntie Donna podcast. Welcome back. Boys, we're doing Donna and Donna today. Thank you thank you so much Zach and today we are on our series Dona on Dona. Where's Zach? Dona on Dona! Yes. If you will. If you will.
Starting point is 00:08:53 If you will. If you will. If you will. If you will. If you will. If you will. If you will. If you will.
Starting point is 00:09:01 If you will. If you will. If you will. If you will. If you will. If you will. If you will. If you will. You see what? No, mostly Irish from Broden Kelly. And we're gonna find out. We're gonna be a daddy. We can be a daddy. But as an ever dad bod, got a ripper bod.
Starting point is 00:09:14 Yeah, because I'm a daddy. We're going to absolutely rip her bod off with a ripper and a huge dick. And a huge fuck you on my daddy. I've heard too big. That's what I'm talking about. It's too big. Take me to the zoo daddy. It's too big.
Starting point is 00:09:31 Everybody says. Zach loves the zoo. So we... So we're doing a series called Donna on Donna. Where Zach and I are going to interview Brodin' and... Yeah, Brodin' with Kelly. Oh wait, I'll take you out for dinner, pay for it and then fuck you,
Starting point is 00:09:45 because I'm a daddy. Now this is Zach, remember, capturing the essence of Broden. Not doing a one-dimensional surface layer impersonation of him. There's Broden to a daddy character or a dad character, because I think I fucked up. It's more of a dad character.
Starting point is 00:10:00 I think it's a more of a dad list, daddy. Yeah, because I was the good daddy and I was going for a daddy character. Yeah, daddy. Yeah, because I always think it daddy and I was going for a daddy character. Yeah, yeah, yeah. Because I was going to start to evolve it and just be like, hi, can I borrow your drink? I'm a daddy. Yeah, yeah, yeah, yeah.
Starting point is 00:10:12 Which I think is good. And Michelle, do you mind getting a bit of a note on your Zach? Sure. Yeah, it's way off. OK. OK, well, OK. OK, OK. OK.
Starting point is 00:10:23 For me. Well, I wondered if I could try, maybe if I could have a go at Mark. Yeah, do you wanna have a go at Mark? So should I do Michelle? Well, why don't you do Michelle? You do Michelle. I'll do Mark.
Starting point is 00:10:32 Tell me about I do Michelle and you show us what you would have done for Zach. Oh yeah, I'd like to see. You do that to give no notes. Right. You really like quite high up on that little horse of yours. Yeah, yeah. No, no, no, it's not a high horse,
Starting point is 00:10:43 it's just that observation, I know Zach really well. It's not a high horse mark It's a little horse. You're a little high on it though. I'm a little high on it. It's a pony You're sitting a bit high on the horse. Yeah, but it's not you're right on the neck of that horse Yeah, right. You need to slide back down You need to slide down that horse The horse is uncomfortable and it feels like it has to keep its its neck up otherwise less you fall So if it sees something on the ground, it can't look you know, you want your horse to be able to have a little look around. All right, so.
Starting point is 00:11:08 That's just a bit of Zach. I just slipped back in his act. That's what I mean. Yeah, yeah, yeah. Characters and they just come over here. It's a beautiful story. They do, and that's why you're an actor. And that's why you're worthy of the meaty roles. Thank you.
Starting point is 00:11:19 If I may say so. But you choose not to eat them, and that's okay. I do. I do. I do choose how to eat them. I would cast you as an abattoir worker like that. Would you really? Yes I would. Thank you so much. If you've seen sore three.
Starting point is 00:11:29 Yes. No, I lied. I wanted to lie, I don't know why. I appreciate your honesty. Like is it because you're shy? Yeah, I'm really shy. Oh. Do you know what?
Starting point is 00:11:40 When was the moment? You know how people talk about the moment where you realize your parents are human? That's a big moment in people growing up. You go, oh wow, my parents are human. Yeah, I know, because before that, I thought they were like cats. Yes, no, I'm aware of that. Yeah, yeah, yeah, yeah.
Starting point is 00:11:54 No, I was talking more about like this, sort of. Yeah, yours is a very specific thing where you thought your parents raised by people. You were raised by cats and then when they discovered you and in the wilds of South America then I realized I know I'm all for the human right it is different yeah I know it is different I'm talking more about the fact that you realize that your parents are flawed individuals like you that have lived life they're not the sort of almost godlike creep figures that that you know happens you know and it's a big formative moment in people's lives. For me, my formative moment is something I've forgotten
Starting point is 00:12:27 because of this cat riff. Oh, okay. No, no, I just remember that. My formative moment in life is when you are, is when, because I don't read many books, I don't finish books. I struggle to finish a book. I'll read the start of a lot of books,
Starting point is 00:12:45 but I haven't finished a book in about two years. And then before that, I finish one book and then before that was another three years. I don't finish books, right? My big moment was realizing that a lot of other people don't finish books. Some just claim to have read it at a hundred pages. Do you know when you go, like, someone will say,
Starting point is 00:13:07 oh, have you read fucking LaDida McGraw from the Victorian era? And I've actually read that. Yeah, yeah, yeah. Well, we've all read that. We had to read it for you, too. We've read it for, yeah. And you go, well, I've only read 100 pages of that.
Starting point is 00:13:23 You know, and that was good, but it was just a lot. And they're like, oh, I've only read 100 pages as that. You know, and that was good, but it was just a lot. And they're like, oh, I've only read 100 pages as well. But I just love to claim that I've read it because I'm a fucking cunt. Sometimes I tell people I've seen Emily, but I've never seen Emily. Why? Well, I don't want people to try and make me watch Emily.
Starting point is 00:13:40 Emily's great, you'd love Emily. You should watch it. Fucking hell, Jesus Christ. The reason, it's because men are always like you should watch Emily and I'm like shut up It just happened That's really fucking annoying But you should watch it. I know I should watch it, but I won't be watching Emily I need you should watch
Starting point is 00:14:00 What was the film he did before Emily city of of Lost Children instead. Okay. Or Alien 3. You should be like, no, I haven't. But I've seen Alien 3. Was it a Alien Fincher? No, no, sorry. No, I haven't. But I have seen Alien 4. What was Alien 4 called?
Starting point is 00:14:14 Resurrection. That was a fuck. That was nothing to do with fun. No, it was 3 Resurrection. Alien. Alien 3. Alien 3. Alien 3.
Starting point is 00:14:22 Alien 3. Resurrection. And then I think it's Alien Resurrection. No, okay. So it's Alien 3 three Tokyo Drift and then Ali and four is We're talking chronological are you talking? Yeah, like in order of release When does the rock come the rock? They're you love the fast and the furious movies. I do yeah, yeah
Starting point is 00:14:44 Right now yeah, um daddy. I do. What do you play for me? I'm playing one. Oh, right now? Yeah. Daniel Walker. Yeah, great. Oh. Welcome to Donner on Daniel, where we interview different comedians with the name Daniel played by not them. We're talking today to Daniel Walker.
Starting point is 00:15:02 Daniel, you love fast and furious. I love the fast and the furious. Almost as much as our friend Michelle Brasia. Yeah, she loves it. Michelle Brasia. She loves it fast and furious. Sorry, Michelle Brasia. I don't want to play Danielle anymore,
Starting point is 00:15:19 because I don't know if she likes the fast and furious and I don't want to miss her representative. No, okay. Well, why don't you play Michelle Brasia? She's got a great show coming up with the comedy festival. I think, okay. Well, why don't you play Michelle? Michelle, Michelle, Michelle, Michelle, Michelle, it's me and my family never left Spain. Yeah, yeah, yeah, yeah, yeah, yeah me if my family never left Spain, okay, and you work do you work in a Victoria secret or something? Yeah, we're selling Brazil. Yeah, right, great Welcome to Donna on Brazil's We today are interviewing friends and family
Starting point is 00:15:47 whose surname is Brazzier and also happen to work in a lingerie shop. Today we're talking to Michelle Brazzier. How you doing? Love, do you need a balcony or what's your shape? Let me just have a look because you're probably actually, I feel looks to me like you're wearing a 10 but you might actually be an eight round the back there and you might not know that because you might think girls always think that fat than they are but you actually just need to be tight if you can get a finger in there that's too big love that's not going to support your girl. Is this, are you playing a Spanish woman right now?
Starting point is 00:16:12 Yeah. Sort of like Penelope Cruz. I call back to my, but call back to my heritage back in Spain. Did you ask if I needed a balcony? Is that what you said? A balcony. Brrrr. But you sit, you sit in my balcony it's like a little seat for your tart tartar so you put your barbers on the seat and they're out there on the balcony
Starting point is 00:16:29 He's selling themselves you lived and separating about connect. Can I play a character? Buying Brzea for his mistress. Yes. Yes, he did Hello, I'd like to buy a brazeer, please all right lovers it for you someone else Hello, I'd like to buy a brazier, please. Oh, I love it for you, someone else. Um, oh, yeah, for someone else. For someone else. For someone else.
Starting point is 00:16:50 For someone else. Derby nervous, Derby. Oh, I don't know. I don't know what size she is. Oh, right. I'm glancing around. I'm glancing around. I'm worried that my wife might come in.
Starting point is 00:17:00 Mm-hmm. I'm doing Alan Rickman in love, actually. What I thought maybe what was happening here was that you were getting the subtext. I was picking up on it. I was sure, sure, sure. Is that you were actually getting the lingerie for yourself. Oh. But that was just that was just a bit of an old school stressor sort of situation.
Starting point is 00:17:17 I would love to see. You trying to buy lingerie for yourself, but you're just not secure enough yet to admit that it is for yourself. Okay. Yeah.. Maybe about some of that really people doing it, maybe yeah you're an older guy or maybe it's like sort of a 1990s when that wasn't but like as accepted. And don't worry about the lines, I just have fun with it because we'll get to the scripted lines. I had a visceral reaction to that. I just had a terrible visceral reaction to that. Piece of direction. All right, great.
Starting point is 00:17:47 And if you could just stop before we start, if you could just introduce yourself and just say, you're age, you're high, and who you're with. Sure. I'm Zachary Ruaian, I'm with Aaron Michael Management. I am 30. Cool. I don't know.
Starting point is 00:17:59 I know how old I was before the pandemic, and then the years started to blur. What's the year? 2003. No, I'm 32. You're 32, oh that's right. Yeah, I'm 32, I know God. Not me, but if I'm 21, isn't it?
Starting point is 00:18:14 I'm 21. Right, okay. In character. No, no, no. So what we've done here is we've cast a great actor with someone with no acting experience. That Michelle Brzea is actually a Brzea sales person. Sort of a Tangerine Florida project kind of situation. Yeah, yeah, yeah, yeah. I'm the Willem Defoe to your Michelle Brzea. Michelle Brzea. Yeah, yeah, yeah, I believe it was Animal Kingdom. They
Starting point is 00:18:43 did this in as well. They cast was animal kingdom They just take asked a real they someone without acting animal kingdom is a theme park It's an animal themed theme park of Walt Disney I've mistaken it for the avatar robot. I'm so sorry. I'm mistaken. Right this idea that they cast someone with no acting experience In a role for the avatar robot on the avatar Now Michelle Brazier could you just introduce yourself to the camera? But yeah, um, hello, I'm Michelle Brazier. I'm 21 and I'm currently underrepresented So if you do you know if you know anyone that be fantastic. I can talk to Aaron if you'd like
Starting point is 00:19:24 Does he represent Margot Robbie? Yeah. I'd love to be... I've made him about $15 in the last three years. That's great. Look at this. Connections. This is how the industry works. You meet people in the... It's, you know, to, you know, it's not what, you know.
Starting point is 00:19:39 Yes. It's what. And if you're good at acting or beautiful. All right, so... On both. On both. Thank God, on both. So, I, three things. Thank God, I'm both. So I said three things. Ooh, a mystery.
Starting point is 00:19:49 Ha ha. So, the third one's on time. So we're just gonna go through the scene. All right, you're selling, you're selling Zach's character, some lingerie and your character, Zach. Lundra is for yourself, but you don't want. You don't want me starting to know it? I was my character from again.
Starting point is 00:20:07 I know that there was a specific thing. I just can't remember. I'm doing a bit of a whose line sort of throw me your curveball. What was the accent again? They're from the La Trobe Valley. Oh, OK. Yeah, do you know that area? Yes, yeah, I'm from there.
Starting point is 00:20:23 Really? Yeah. Oh, well, this is, that's great. Yeah. All right, so just do what I've just do to. I'm playing someone from the Lucho Valley with a complex relationship to his gender and sexuality. All right, let's see how this goes. Well, this is going to be a stretch.
Starting point is 00:20:37 No. All right. We're all fine. And action. Good day lady! Hello mate, how you doing there? I would like to buy a brazier for my wife. Alright, what size do you need for your wife then?
Starting point is 00:20:54 She has exactly the same dimensions as me with some fake breasts. A fantastic, well may I miss you up then? Yes. You look a bit like to me, you'd probably be about 14 C. I work down in the coal mines. Do you? Yes, the open-cut coal mines, but my station will be closing in the next four years. Oh, that's very troubling and complex because coal is not going to be mine. Coal needs to go, absolutely. It needs to go, but how they're going to
Starting point is 00:21:22 retrain you. I don't think there's many action plans in place. I feel very much like a forgotten part of this land. I can see. I can see how that can happen. I can see how that can feel very isolated. That can lead you to voting certain ways. Maybe you don't even necessarily agree with, but you're just looking for a bit of freedom.
Starting point is 00:21:40 Looking for someone to listen. Is it a bit like that? Absolutely. Do you like pink or silk water? Well, it's not for me, looking for someone to listen. Is it a bit like that? Absolutely. Do you like pink or silk whitey-wum? Well, it's not for me, it's for my wife. What, she want silk-y thing? In pink? Burgundy.
Starting point is 00:21:54 Cut. That was great. I love that. Thank you. Can we do less? Less? Yeah, just try and do a little less. I got it.
Starting point is 00:22:01 That was really good. Just give me a little less. Less. Just pull it back. I can't. And do you want it like five times as quick? Or no? Five times? Yeah, you know when you're working as an actress in Australia and they want everything really quick. That's always the note. Can you do it quick? You do it faster and more intense. That is great. Faster. Yeah. Alright, yeah. Faster. Try it faster.
Starting point is 00:22:20 And try and give me a little less. Just a little less. Okay. And action. Hi. Hi there. Um... Yeah, after a bra, is it? Oh, fuck, you know, sorry. Pardon? Just keep rolling. Oh, hi. Hi.
Starting point is 00:22:37 What do you want for boozees? Uh, not for me. Not for your boozees. For I am a man. I'd like a bra, please. I'll get you a bra. You want this one? It's pink. Yeah, sure. All right, you take that one. Thank you. Don't vote for liberals. They're okay, I hope you're. And cut. That was great. Thank you.
Starting point is 00:22:53 Zat, could you look at me less? I was looking around. My eyes were darting. I was using you as a reference point. Okay, it won't show on the camera. I'm sad. Can I just, I just want to just say, just because when the director is telling you something, it doesn't mean that you would actually do it. That's how it was reading. So it's your job to go, what's their intention?
Starting point is 00:23:12 They're saying, for me, it's reading, it's looking at me. I'm not gonna do it that way. It's a window, okay. Well, I do, I would want, I just want one more take if that's possible. You go where you need. Well, you're very close to getting the part.
Starting point is 00:23:24 It's my very close to getting the part. If I have to stretch it that far, to get the part, I don't want it. I was just asking for a little less direct eye contact. That was a part of the character. I made the choice. You've got the tape. You can send that in. Okay. That's, that's, that's, I don't want to change too much for casting that guy. That's, that's fun. That's fun. You will not get that's fine that's okay yeah I'm up I'm up for a role on on Mad Max coming to Australia oh is that a meaty role not a meaty role no I play I play I play someone that goes furious what she doing here and that's all I that's all I say no I think I've got I don't know a lot about the code but they've got me in for like prosthetics a week before so very exciting stuff
Starting point is 00:24:08 But it's just one line. I just go furyosa. What's she doing here? That's really great. That's great Yeah, that's great. Here we go sir. What shit do it? Wait a sec. Can I? Can you do that again? Fioriosa, what shit do it? Can we get that? Can we just get that on tape? Can we just get you doing that a couple times? Fioriosa? What is she doing? Is that? Just keep rolling. Just keep rolling.
Starting point is 00:24:34 Just keep rolling. Little less. Little less and a little faster. Fioriosa, what is she doing? What is she doing? Ooh, I liked that open vibe. I liked adding what she's doing here at the end the second time and singing that.
Starting point is 00:24:48 That was really good. Right. Because I thought it's not a musical, but whatever it was. Yeah, yeah. It's really cool. Yeah, should I tell her now, or just that this is not the casting director that I worked with for Mad Max.
Starting point is 00:25:00 Right. That they have nothing to do with Mad Max. And I don't know what that was. Right. I just wanted to get that on camera. I just thought it was really good. I thought that was important. No, but that was okay.
Starting point is 00:25:11 That was all right. You know, you never got a shoot shot. But you never know. You never know. You never know where that tape's gonna end up. That could go in movie world. Mmm. Mmm.
Starting point is 00:25:19 So if you're just joining us, this is Donna on Donna. Mark and Zach are talking to Broden Kelly about what it is to be Auntie Donna, remember. And I'm Mark! What are you doing for a shirt? I'm Mark. No, I'm Mark. And I'm Mark! So Broden!
Starting point is 00:25:42 Oh no, where's Broden? Broden's not here. Oh no, it's my trick for Mark, I just do Blinky Bill. Oh no. Oh, J. U.S. Hey, I've got another character, it's a telly man. That's my mark, my mark is that. My mark is. Yeah, that's Mark. Broden's blowing up her. My mark my mark is that yeah my mark is
Starting point is 00:26:08 Wow Zach is That's the way I describe three of my best friend my bro. Don't is this Brodon Kelly my Zach is this hi, I'm Zach Yeah, I go a little higher than my mark is this. Oh, G was we're going on an adventure to Italy. That's your John Howard. Well, G pretty close to John Howard. John Howard's like this. It's a little more forwarded the bullies. It's John Howard. Where is Mark's up here? That's pretty good. Oh, me and my friend, the Kangaroo, are going to Italy. We're going to try some authentic tomato sauce.
Starting point is 00:26:47 Should Mark and Mark interview Mark maybe? I think so. Let's try that. Welcome to Donna on Donna. Where? Where three? We're two of the same members of Antidonna, interview the third same member of Antidonna. Today we have Mark.
Starting point is 00:27:04 Mark. And Mark., hello, interviewing Mark. Now Mark, how are you today? Yeah, I'm really good, I've got a cool new shirt, I'm very up with it on the fashion. Oh cool, Mark, have you been doing any Twitch streaming? Yeah, I love to Twitch stream, I play video games live. Mark, where do you get your favorite clothes from? Oh yeah, that's a great question. I like to get clothes from all different places. I don't know, probably maybe sort of, you know,
Starting point is 00:27:38 the Japanese type places. I've been to store them here. I've been to store them here. I've been to store them here. Oh yeah, I don't mind some suit workwear. Oh, that's cool. Well, I get my clothes from the bush. I'm right, because I'm half Italian, half-clarola.
Starting point is 00:27:56 And is the bush in trouble? Oh, gee, there's a man who's Cavagiri wants to mine. He wants to do mining in the bush in trouble? Oh, gee, who is? There's a man who's Cavagiri wants to mine. He wants to drink mining in the bush. Oh, guys, me, Zach from the Latrobe Valley. I'm so worried about the mining. I'm really worried about it. I don't know what to do with all the miners, because nobody's going to retrain them.
Starting point is 00:28:20 And they're middle-aged men. Somebody needs to look after them, but nobody's giving them the time of day. Yeah, jizz! Ah! Yeah! That's Mark, I'm just doing this. I'm doing Michelle Brazier's Mark. Exactly. I'm like, what a broken killing here.
Starting point is 00:28:34 I come from the birth-talky ham. It's like I'm only doing bread and doing this. And I am Michelle Brazier. Oh! Oh! Oh! Oh! Oh! Oh! Oh! Oh!
Starting point is 00:28:47 Oh! Oh! Oh! Oh! Oh! Michelle, you have such a beautiful voice. Who knew you could act? You could sing.
Starting point is 00:28:58 You could call me. Oh! You have three threats. I'm going to walk like a man. Yeah. So like a man. You know, we're thinking of recasting Natalie. Michelle's a big, big, great singer.
Starting point is 00:29:14 She's a great singer. Why don't Michelle, you give us a little taste of what it is that those cords can do. OK. Whoa! Walk like a man. What? man like man I don't normally give that away for free
Starting point is 00:29:30 You know any a lot of smart said because we're thinking of recasting Natalie Thinking about it. It's jagged little pill stage music. Why don't you give us a little a lot Smoreset? From Jagged Little Pill, the stage musical. Oh, but Alana Smoreset, but she has to reach the back of that theater. Yeah, she's gonna get this. Yeah. Which is I imagine what that show is. To imagine a world of Alana Smoreset, where the lyrics are more literal, and the singer has to reach the back of the room. Two things that Alana Smoreset really needs.
Starting point is 00:30:03 I'm torn between the need to like show off. Yeah. Yeah. I don't know if it needs to be funny. Oh goodness. It's entirely up to you. It's entirely up to you. When Joe was on, he sang a beautiful rendition of a song from Shrek. From Shrek. And he did a really ripper job of it. I thought it was great.
Starting point is 00:30:22 It was gorgeous. It was a beautiful way to close out the podcast. That's beautiful. And I think we're wrapping up now. So why don't you do something good? I don't really, I don't know any of Lannister and Racer's songs. I do, yeah. Which one?
Starting point is 00:30:38 Did you want a backing track at all? Yeah. No, we can't do it. We can't. We're not backing track. Did you have do it. We can't do it. Yeah, oh wow. Can I get it up? Yeah, you'll get your backing track. Get your backing track.
Starting point is 00:30:54 So if you're just joining us, Michelle Brazier is going to be auditioning for the part of the main character in the Alana Samara set musical. Do you know the name of the song, Michelle, because I just want to like, here, just let me. I just want to, whatever the lyrics are, I just want to like make them literal quickly. I think that's important for a musical version, yeah. Well, yeah, show.
Starting point is 00:31:14 Okay, well, I was going to do, I was going to be funny. I'll be funny, don't do an Alana Samarro. Or I'll do, no, I'll do something and you'd find out the lyrics. Yeah. We'll just do a little opening scene. Whatever the song is that you choose, it doesn't have to be Alanis Morrison. No, no, no, no.
Starting point is 00:31:29 All we need to see is your ability to take the lyrics of a pop song and make them strangely literal. You know what I mean? Okay. So let's do a little opening scene. Yeah. Wait, give me context. Give me context as an actress
Starting point is 00:31:46 Because I was just kind of seeing Desperado if you want to do that. Do you want to do this? No ruined it No, I want no, this is what I want. I want to show my acting chops. So what you give me but it doesn't this is the thing It doesn't matter what the song is so long as we ruined the the metaphors by making them literal Yeah, well you pick a song and a scene what was that queen one? We're suddenly like there was a character called Mama and he just killed him in. So he kills him in and then he's like Mama we will rock you. Just kill the man. The band out and musical. We will rock. So like he puts his name in the character puts a gun against the hit and then he tells his mama. Yeah. Yeah. That's what I love about it. That's what I love about a musical.
Starting point is 00:32:25 I can't box musicals. It's like in Viva forever, the Spice Girls musical, which is a musical about a fictitious girl group. And the songs aren't the songs that the girl group make. They're just about. And when two become one is between two of the old parents who want to fuck. Oh, that's cool. I love that.
Starting point is 00:32:46 And it's about two becoming one. That's right. But it's a different girl group. It's not about the spy skills. Of course it's not about that. But it's to the spy skills music. Not yet, of course. Well, Mama Mia's a great one for that.
Starting point is 00:32:57 Oh, yeah, that would take it all. That's a great one. There is literally a winner and they're going to take it all. I think it's set at the pokies, that's all. It's at the pokies. There's a musical version of that musical. That out of hell and that set in a dystopian New York in the future where there's like different gangs and at one point the two villains the villain and his wife go oh it's so different now in the future. Remember the 50s when we made love
Starting point is 00:33:25 by the, of the made love, wasn't that paradise by the, and here's a 50s Cadillac, and that was paradise by the dashboard light. And it's like, how are they remembering the 50s? They would say it like this, they'll say, yeah, I remember that, that was, that I was paradise by the dashboard light. So we don't need you to sing an Alana Smara set song.
Starting point is 00:33:47 We just need you to pick any song that you like, any song that you want to sing. And then we'll just do a little scene, all three of us leading into that song. And then we'll take out the podcast with you singing that song. So any song you want to do. All right, what do you want to do?
Starting point is 00:34:01 What's that like? It can even be from a musical. Maybe you want to know by a Lana Smire set. Yeah, or it wasn't me, my shaggy. It wasn't me, my shaggy. Oh, that's great, because that's very easy to give context to. I think it's a really beautiful.
Starting point is 00:34:16 So I reckon you did something. And it was me. We're like, hey, you did this. No, and then, I think you left it wasn't me. You have to use me of doing something and then I have to go to Michelle for advice. Right. But you're playing all the time.
Starting point is 00:34:34 Because it's like, hey man, what's up man? But you're playing all of the parts, so how does that work? Well maybe I, maybe it's like a... Like a Golem type situation. Yeah, like a Jekyll and Hyde. So it is. I think Shaggy. Yeah like a jekyll and hide. I think I think Shaggy's Shaggy wrote the music for jekyll and hide the musical. So this is like a jekyll and hide a modern-day jekyll and hide. Yeah. Yeah. Yeah. We've accused Dr. Jekyll of and we do that little
Starting point is 00:35:00 scene where we accused Dr. Jekyll of cheating on. of cheating on Dr. Hyde. And then one of us. And then when the stakes are so high that you can't speak anymore and you have to sing or dance. Yes. And then you're doing the song as Dr. Jekyll and Miss Dr Hyde. So that way you have to add. Yeah, I can do that. If that's okay.
Starting point is 00:35:20 Yeah, yeah, yeah, yeah, yeah, yeah, yeah. All right, ready? Do you know who you're playing in this scene? Ah, yes. So we've got to do the scene first and then we sing. And then you. Yep. Because I think we know it all. Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah And three, two, one. Action. Doctor Jekyll, I believe that you cheated on me. Why would you think that? I caught you red-handed. That girl next door, you've been sleeping with her.
Starting point is 00:35:55 But maybe you saw something different. Oh, I've got a big list of evidence that I'm going to show you, Doctor Jekyll. You just wait. Let me go get that list right now. Yeah. All right, see you. All right.
Starting point is 00:36:13 My girl just catch me. You want to go back? No. Hey, man. I don't know what to do. Oh, okay. So I'm going to, I'm going to get, oh, are you playing it? I was in it.
Starting point is 00:36:23 I was in this thing. I was just being like, yeah, I've got a big list of all the things you've done. And I'm going to go are you playing it? I was in it, I was in this thing. I was just being like, yeah. I've got a big list of all the things you've done. And I'm gonna go get it right now. I'm gonna go get that big list. I'll be back in a few minutes. Remember, I want you to show off here. Yo man, yo.
Starting point is 00:36:39 Open up, man. Yo, what do you want, man? My girl just caught me. You let her catch you. I don't know how I let this happen Oh Message say it wasn't you all right, okay Honey came in and she caught me red handed creeping the girl next door Picture this we were both fuck, fucking on the bathroom floor.
Starting point is 00:37:05 How could I forget that I had given her an extra key? All the time she was standing there, she never took her eyes off me. How could you give your woman access to your villa? Trust pass under witness, all the hackling of your villa. You better watch your back before she turn into a killer. Let's review the situation, do you go and come up in a video to be a true play? You've got to know how to play. If she say a night, convince her it's a day.
Starting point is 00:37:30 Never admit to her. Where did she say it? Where did she go? No, I guess I would. You tell her baby no way. But she caught me on the counter. So it wasn't you. But she told me to get us over.
Starting point is 00:37:40 It wasn't me. It was coming in the shower. It wasn't me. She even caught me on camera. It wasn't me. Just marks on my shoulder. It wasn't me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me! It was a me She's absolutely gaslighting the song. Yeah, but you're this, we were both fucking making things. That is not the best. He's on camera. How did she die? She's caught him on camera. Oh, that's so cool. That I had given her an extra key.
Starting point is 00:38:17 Light sound. Light sound. That's sound. Go get your glass of wine. Go get your box of juice. Into someone comes out. OK, guys, that's interval. That's interval.
Starting point is 00:38:28 That's interval. See in the sack. And then the next song is just a different thing. It's a different key and she's like, what, we're now? He said it wasn't the key. No, we're in the S club. We're coming from it, and we're in the S club.
Starting point is 00:38:44 Flop, flop, flop. We're coming, we're coming for a series of three where two of the donors interviewed the third. Join us next week when we'll be doing the same thing. Michelle Brazier, thank you so much for being a guest on our podcast. Thank you. Your performances were unparalleled. Unparalleled.
Starting point is 00:39:19 Thank you. Well, I believe we'll do a little promo in the intro. Tom will do a little promo in the intro for your live performances and whatnot. People want to follow you, though. Where can they follow you? You can follow me on Atmachelle Brazier. Across all social media. And you can follow me at the Antidona Gallery. Good night, Australia.
Starting point is 00:39:42 You've been listening to the Antidona podcast. Thanks for joining us for another rip episode brought to you by AntidonaClub.com. See you next week!

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