Aunty Donna Podcast - Writing A Hit Song 4 The Hottest 100

Episode Date: February 12, 2019

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Starting point is 00:00:00 A list-nuff production. You listen to the only ton of podcasts The greatest fucking book I've seen a while Buried my Kentucky sometimes and guessed We hope you enjoy the part of a fucking podcast Oh, no, no, no, no, it's out of the cow We're waiting for the day Listening to the what came in at Triple J's number one position in the hottest 100, uh, what's it called?
Starting point is 00:00:33 Competence by Oceanelli. Oceanelli. Uh, Oceanelli. What's the album called Tom? Chiaroscuro. Hate it. Sorry, I hate it. Hate it. Sorry, I didn't hate it
Starting point is 00:00:45 Sorry, I don't I don't hit my tears as often as I should I just want to check is this like an ocean version of Nellie No, so I'm not up to it. I'm not today What would you say makes Melbourne one of the most special livable cities in the world. Lainways. Lainways. Coffee, Lainways. Ali said Ali. Yes, I said Ali ways, that sort of thing. Yes. Have you seen the film Aquaman? Mm-hmm. It's set in an ocean.
Starting point is 00:01:11 Yep. Yeah. Need I explain more? I don't see what that's got to do with Ocean, Nally. Anyway, the reason we're playing this song is because it's not left here. It's not left here. It's not a...
Starting point is 00:01:26 Chuffed dad song. Chuffed dad song. It's none of our hits of our album. We were expecting... We were expecting top 10. And we're disappointed. It's been a little bit... It's been a little bit...
Starting point is 00:01:37 Minimum top 200. Didn't get that. Didn't even get in the top two. Didn't even get onto the voting form So what we did yeah, which anyway we've decided Should we explain what I just found 100 is to our international listeners? It's a big National thing waste of time where young people vote For their favorite song for their favorite songs of the year marks being a little bit
Starting point is 00:02:12 He's being a little I just that you can call me you can call me the lemon You can call Broden the lime because mark is the bitters today Very very sharp So what we've decided is we're not going to miss out on the hottest 100 or 200 again. Do I explain what is everyone votes for their favorite songs in the highest I'm national poll and you'll listen to it on a day in early January And so we've decided we're not gonna miss out on being in the hottest 100 again No way Because turn this fucking song off.
Starting point is 00:02:42 But bitter we're angry. We're we're mad and we're mad at you the listener for not voting for us. Yes, we're angry. We're mad. And we're mad at you, the listener, for not voting for us. Yes, we didn't do a campaign. Yes, we said it's not our place, and we're not gonna do a campaign. Yes, when people asked us specifically if we should vote for us, we said, we don't really do that. But we're mad at you for not taking the initiative and sending us to number one.
Starting point is 00:03:06 It's bullshit. If all of you had voted once by our listenership, we would have come number one for the next five years. Yeah, that works. We're up there with Mark Marin in listeners. Howie! Yeah, I've been keeping track. So it's Mark Marin, Aunty Donna, Joe Rogan.
Starting point is 00:03:25 That's really cool. Are they, and they're quite big podcasters? They're the biggest. Yeah, right. And what do they, do they do sort of comedy bits and their decision in Prove? They'll do a Frogman. Oh, do they?
Starting point is 00:03:36 Yeah, everyone, every top podcast in the world right now has a Frogman. Really? Yes. I love, so Joe Rang and... Yeah. Oh, this sounds fun. and we're number two. Oh, boys, that's really nice, because this has been a bit of a slog.
Starting point is 00:03:50 I'm going to be honest with you, I've really hated doing these podcasts. You didn't know this, yeah. So the fact that we're number two makes it almost worth it. So what we've done is we've brought in a professional music maker. And producer, he's a producer as well he can not like not like a Harvey Weinstein type producer no no no no no like a Diplo like no no no no no no more like no, no. I feel like we've, I don't think Diplo's problem. Yeah, no, we've really.
Starting point is 00:04:28 This Diplo problem. I wasn't sure, I was gonna say okay, and then you said no, and then I was like, maybe there's someone about Diplo, I was like, in, in, in. This is not about Diplo, you don't know? Is that something about Diplo?
Starting point is 00:04:38 No, no, no, no. I don't know about Diplo. If there's something we don't know about Diplo, don't tell me, I love Diplo so much. What do you like more Diplo or Double Dips? Excuse me. You know, Double Dips, you know, you get that hard candy. Poppa, crump.
Starting point is 00:04:58 Pivot in the, pivot in the whiz, pivot in the fizz. I have no idea what you're talking about. Double Dip, classic Double D dip, get from the mukba. Do you know what he's saying? Anyway, so we got it. Hey, hey, I'm sorry, we'll. There's no one in this room, Tom. You know what a double dip is?
Starting point is 00:05:14 Yeah, I know what a double dip is. Get it, pop it in the Wiz. I also have a very important question. Yeah. Should I do a character? No, you should do Tom. No, just be time. You're a big enough. And English producer. No, it would be good if he was here. All right, all No, you just do Tom. No, just be tight English. You're a big enough.
Starting point is 00:05:25 And English producer. No, it would be good if he was here. Alright, alright. You can cock me. I imagine you're gonna do cock me. Hello, there you go. Just watch. Switch, switch.
Starting point is 00:05:33 Sorry. So we got professional music like a... Like Diplow or Grimes. Yeah. She produces. Yes, she produces all her own music. Does she?
Starting point is 00:05:42 That's sexist. You're sexist. No. Are you a human man's sexist, you're sexist. No. Are you a human man? Come on, Zola. He does this. The cigarette. I just didn't know that.
Starting point is 00:05:50 I just didn't know that. I just didn't know that. I just didn't know that. I'd be as surprised if you told me Justin Timberlake produced his own music. Well, he does. No, he doesn't. No, he doesn't.
Starting point is 00:06:00 Timberlake does. Right, cuck right now. So now who's being sexist? No, no, no, no, this? Yeah, I think that's where. We brought in Christ Park. Hello there, lads. Oh, you're British?
Starting point is 00:06:14 Yes, I'm a famous British producer. They could come down. Thank you, anytime, boys. Give us your garbage. I take it as a garbage. Yes, or Ian McFat. That's me. Ian McKellen. Ian McFat or Ian McFat. That's me. Ian McKellen.
Starting point is 00:06:26 Ian McKellen, that's me. So Patrick Stewart. That's me. Patrick Holm, that's me. Professor Xavier. Charles Xavier. Look at me, I can control your mind. What?
Starting point is 00:06:40 Yes, you're right. So we need to write a hit. But not too much of a hit. We don't want to bypass triple J. We don't want to go to like, no, no, that's the thing. No, no, no, but not even that. Yeah. I would even say that the number one in the top and the hottest one, 100 isn't even usually a certified banger.
Starting point is 00:06:59 It's one that's just pleasant enough that everyone enjoys. So let's be clear. We want a hit, a hit in alternative scenes, so that young cool dudes like it. But then if we go to, if it goes to Fox Afterwards and we make an extra couple of Mill, I'm fine with that. If they're doing it during the reveal episode
Starting point is 00:07:15 of the block, if they're playing that from time to time. So we want it to be a sexy song. Just do a mind-mat for you, okay? A sexy song, but it's also funny, fun. Fun. We wanted to evoke some, there's a double dip type treat. It's very important to Mark's childhood. I think we wanted to evoke this double dip. I would love it to evoke that will dip. But not say it ever. And it just evokes it. It also needs to be so inoffensive that when people vote, I think this is what you were getting at, people vote for 10 songs.
Starting point is 00:07:51 It needs to be in everyone's 10. Yeah. That's what I mean. That's what I mean. We wanted to be a hit, but not so much of a hit that people like it a lot. Well, people just like it. Yeah, but if it becomes a massive hit, so that's why.
Starting point is 00:08:09 So what we want is just the normal song that won't be a hit, but it's also a massive hit. But it's gonna like it. It's gonna really knock it out of the park. Within the alternative community initially, and then it will have a mainstream. So if it gets onto an iPod ad for me, for me, I think that's good.
Starting point is 00:08:30 So I want like Nick Cave, like weird stuff, but also Gangnam style. Okay, Gangnam is very important for me, no hooks. Well none of us can sing, so. But sorry, on that, I don't think this is contradicting what you're saying. I think this is a separate note. Uh-huh. Every sort of 12 seconds, we want something that hooks people in.
Starting point is 00:08:52 Yes. Yes. Like a like a like a like a melody like a vocal melody or uh yeah. Yeah. Yeah. Just and we really want that shifting constantly. If we could get Ariana Grande to guest, that would be cool. But not in it. But we don't want her in it.
Starting point is 00:09:10 That's really gonna get in the way of the triple-dialing. We wanted to say featuring Ariana Grande and then in brackets, not in it. But what would be great is you look at it, you see her name, you look away, look back, you don't see it. And it's gone. So blue dress, gold dress, yeah, yeah, yeah, yeah. Is this something you can do when you upload it to Spotify?
Starting point is 00:09:26 Is this your department as a producer? Well, we could send it to everybody. If we wanted to. So you're not, as a producer, you're not really doing the direct upload onto Spotify. Potentially, no. There's been a lot of fucking around in shitschats so far.
Starting point is 00:09:41 In this spot right now, right now. I already, I came here to work to write a hit and I'm getting fucking shitty. Can I just say right now, I think we should get to it and I'll tell you why because I feel like right now, chicken tonight. I feel like Justin Timberlake and I feel like Tom is my Timberlake and I feel like the two of you
Starting point is 00:10:04 are El Madonna. And we are making that 20 seconds to fun song they do. We've got five minutes to save the world. Five minutes to save the world. This is the power team right now. You are the Madonna's on the Timberlake. What do you mean? Why do you get to be Timberlake?
Starting point is 00:10:18 What do you mean? Just I'm going to be in Madonna with you. You want to share Madonna? Yeah, I'm going to be. You can be mad. I'll be on her. You're going to be mad on her. I'm going to be in Madonna with you. You want to share Madonna? Yeah, I'll be. You can be mad. I'll be on her. You're going to be mad on her. I'm on her.
Starting point is 00:10:29 It's mad on her. There has been so many Madonna. Please welcome. Madonna. We could all be our own mad on her. We could all take our own era. I would take the... I'm sorry, I've derailed the podcast.
Starting point is 00:10:44 Let's hear what do you got so far? I was just, I got nothing, but you know, maybe you guys just chat, and I'll start having a little bit of it. Well, give us a beat. I think every good song starts with a beat. Yeah, give us a beat. Am I wrong? I'm thinking like a fat idol. Turn up, turn up.
Starting point is 00:10:56 Give us something fat. Ooh, that's pretty fat. That's an ominous tone. Yeah, that's where they start. Oh, really a beat. Don't worry. Don't worry, Mark, you got a trust. Don't worry, Mark. Hey, don't worry, don't worry, don't worry. I'm married too much. You marry too much. You do. It's all part of my dental health problems.
Starting point is 00:11:16 That's a glass breaking. I like it. I like it. A lot of great songs, I just start. I heard Daniel Johns of Silver-Chef fame Talk about with his group dreams Him and I think it's Daniel Johns and some fuckhead that got Paul Mac. No, it's not Paul Mac He's quite sweet. They got together. They made dreams and They were like one day we just went out just smashed a glass bottle recorded that We wrote a song from that. That's cool.
Starting point is 00:11:46 That's awesome. I like cool. Is that a good song? I don't think so. That's really cool. Okay, now let's hear this. This is where we're going, guys. This is where we're at.
Starting point is 00:12:01 Yeah. Yeah. Okay, okay. You see what this is, it's crash blast. Yeah, yeah, yeah. You've lost your accent, I've noticed. Oh yeah, we built crash blast because we're out in Cockney. Because we're out in Cockney. We're out in Cockney, which is the place to be in... I think it needs saxophone because Baker Street.
Starting point is 00:12:20 Baker Street. Baker Street is a hit song that people love. First we got the other. High hats guys. Okay, that a hit song. First we got some high hats guys. Okay, it's very cool. Now saxophone. Ah, yes saxophone's better come in there. Very cool. And then just random glass breaking. I like that. Don't worry, it's gonna lay over the snare. Can I just say right now quickly as we're building this song? I just want to say really quickly. Right now I feel like Vasea and I feel like Tom, you were the diplo. Mark, you were labyrinth in the collaborative project LSD. Thank you.
Starting point is 00:12:51 Thank you. And Broden, you really are the Maddie Ziegler of... Maddie Ziegler. Maddie Ziegler. I don't know any of the fucking references you're making. I know seah. But I am just happy to have my own identity in this. That's what I thought we could do. So I'm Cia and Broden is the little girl that dances
Starting point is 00:13:08 in all my videos. Oh, right. Yeah, cool. But, Zach, if you keep derailing this record, it'll sound like that. I like it. If you keep derailing the podcast, you can be Cia. See you later.
Starting point is 00:13:19 Yeah, wow. You'll kick you right out. He's done it to me before. I get the sense of derailed this podcast yet again. I want to apologize. All right, let me hear the saxophone. All right, it's a little bit like this so far. I got one, but I've got to, I've got to vision it.
Starting point is 00:13:37 Can we listen please? I'm sorry. Okay, I'm digging it. Tom. Are you liking the glass now, ready? Glass. Yeah, it's good. That's a bit subtle, isn't it?
Starting point is 00:13:49 Tom, just need to say something. I'm not sacks off the kick. Yeah, hit me. Tom, I think this song is one word. Dope. Correct. It's a dope song. So, Zach is sort of the energy that he's a hype guy, so he just sort of sits here and
Starting point is 00:14:02 you're, yeah, this is sick. Not a big idea contributor I'm not contributing any of the ideas what I'm contributing is the positive energy and I think that idea is Hit me dope on the third bar. Can you make there be a thousand glasses breaking? Oh, that sounds difficult Do you know what? If you can't do a thousand Two just like I wanted to go I want wanted to feel like we're in a place and then all the wine bottles,
Starting point is 00:14:27 we're in a cellar, fucking in a party, there's Cia, there's Puff Daddy, there's Warren Baite, and Warren Buffett. Warren Buffett, Warren Logan, everyone's there. And the glasses all bright because everyone wants to fuck. All right, so third bar, and then on the second bar. I'll say everyone wants to fuck and then And then the third bar all year his glass is breaking above all the saxophone stuff. How do you feel better? Right, so I've put it in an offer. I don't know if it's third bar
Starting point is 00:14:57 But we'll just have a look at what you think I also need some opinions on the saxophone being side-chained So now it's I love the side chain right. Yeah side-chained. Right. Yeah, I love the side-chained. Really? Side-chained for that. Yeah. Is this the regular crash? Yeah. I think I've got a million. All right, ready? Yeah. That sounds too good. Oh yeah, good. Yeah, I'm digging it. Sorry, is that a million? Didn't quite have the impact I think any of us were expecting.
Starting point is 00:15:33 Can you, I think it needs a fart noise. A fart noise? I was also saying that silly. You don't get number one by silly. Oh, it's pretty fun. It's a pretty fun for the white guy. Pretty fun for the white guy. The white guy has a lot of brown jokes. Five for the white guy. Five for the white guy. A lot of brown jokes.
Starting point is 00:15:45 Sorry for all our international listeners out there. We've got a fun to. We've got a fun to. We've got a fun to. We've got a fun to. We've got a fun to. We've got a fun to. We've got a fun to.
Starting point is 00:15:54 We've got a fun to. We've got a fun to. We've got a fun to. We've got a fun to. We've got a fun to. We've got a fun to. We've got a fun to. We've got a fun to.
Starting point is 00:16:02 We've got a fun to. We've got a fun to. We've got a fun to. We've got a fun to. We've got a fun to. We've got a fun to. We've got a fun to. 10 I'm the hype guy on the historian. I'm also just catching you up if you're overseas So just aware of the fact you know what hottest 100 here we go guys, but number one Shit you Sorry, sorry, we need to hear them one at a time top Tom go back. We don't we're creatives, right? Yes, yes Keep your accent so you want to start the start then boys. Yeah, so Top Tom go back. We're creatives right? Yes So you want to start the invoice. Yeah, so we want to hear them one by one. We're your mum. Bob one all right
Starting point is 00:16:39 And but I've already made my choice. I heard the one that I like the most already. That's very close mind I'm here's number one That's not a far no that sounds more like me end sorry. Sorry. We need to discuss it each sound That to me sounds more like the ending of a Lauren order episode Which we should I should be afraid that just to have well I could though it could be in there somewhere guys. I'm saying could you just play that? I just want to do oh guys I've had too many beans Next time, not as much like... And even like Luther, because that's like the British version.
Starting point is 00:17:12 That's not a fart either. Not although that is like a... Yeah, like a robot. Oh, that's a robot. Robot fart. That could be good. Halfway through the song. Robot fart. Which is why I think I like the next one more. Robot 5. That could be good. Halfway through the song. Robot 5. Robot 5.
Starting point is 00:17:26 Alright, we can say. Which is why I think I like the next one more. That's a robot who's eating two conflicting things. That's a robot. That's a secret robot. Yeah, that's a secret robot. That is a secret robot. That's a secret robot.
Starting point is 00:17:38 Robot who's really, like, yeah, just got enough a long flight, who's had a lot of like bad food. He just had a lot of nuts and bolts, but they're covered in grease. Yeah, we're better than the ones in motor oil. That's so nice. That's a nice, that's a nice, that sounds like the, that's like not,
Starting point is 00:17:55 when you fart, that's the external sound, that sounds like the internal sound of a fart being produced. So no, next one. Yeah, that's standard, typical run of the next one. Yeah, that's standard. That's very good. Typical run of the mill fart. Yeah, that's what we're hearing again for. Ah, yeah, I was actually, I was gonna just go
Starting point is 00:18:11 and start. Sorry, Tom, Tom, keep that accent, keep that accent. I was just gonna go straight into the buddy track, boys. You played again for me. In the track? No, just, just, just, ask again. In the track? Yeah, better.
Starting point is 00:18:23 Yeah. But I like the, I like the robot fart for the start of the song. Yes, I think the robot fart has that nice digital tone There you go. I think I didn't know the star Sorry, sorry, I interrupted you can you contribute in creatively and it's it's throwing me I'm gonna, I interrupted. You're contributing creatively and it's throwing me. I'm gonna take a step back. I'm gonna say you guys are doing a fantastic job and I'm going to, go get us some drugs, find us some inspiration, get us some drugs.
Starting point is 00:18:56 I'll get you some drugs. As Bill Hicks said, he can't be creative without doing drugs. Did he say that? Yeah. I'll go get you some drugs. Thank you. Now, I want the farts to be a musical.
Starting point is 00:19:10 So I want them to be out of time. Out of time. That's my specialty. That's my specialty. Now let's hear all our liars and see how it goes. Huh. What do you reckon? I like it. I really like it.
Starting point is 00:19:33 With the ominous tone underneath. Which is an idolite. It's an A.O.I. I know it's an A.O.I. I'm not a fucking idiot. Hey, press park. Don't talk to Mark like that. Don't talk to me like I'm a fucking idiot like I don't know what I
Starting point is 00:19:51 I want it to be like so it's going A whole time right one note boring. Yeah, can we have it go like So it really drowns that everything else and it's really uncomfortable. So give me some give me some give me some tonal shit. A common A08 thing is is an octave up at the end of the song. I know. Just so that it would go like. You know what I mean?
Starting point is 00:20:25 But that makes that uncomfortably loud. Yeah. And now we're not at very good headphones here, so I'll put it up to my own Sendee B's and that would probably be uncomfortable. Yeah. I didn't know this was different. I can't tell the difference.
Starting point is 00:20:40 But I'm happy to go with this. Well, we've got hearing contexts, eh? Um. Yeah, we've got a hearing context, eh? Um. Yeah, it's nice. It's really awful now. And now we've got to put in broken... Zach, you got our drugs? Hey, guys, sorry. Just the million glasses shattering now.
Starting point is 00:21:03 They didn't have any drugs at the shops. So I just got this 12 pack of prawns. Okay. So there's like a 12 pack of prawns and some seafood sauce. Did I have a cooked prawns? Like a cocktail. That's great. That's really good.
Starting point is 00:21:21 I just wanted to text. I did text for marketing respond. Is that okay? You know, ask what made you go from, they don't have drugs too, they do have prawns. I didn't know what you would want. You didn't really specify the drugs you wanted. So I just, I had to make a executive decision.
Starting point is 00:21:43 I'm happy with the prawns. Yeah, I'm happy with the prawns. Yeah. I can't have the sauce. Yo, price park. Yo, you can't have the sauce, but you can have the prawn. Oh, I will take, you know how you take the, sorry, sorry. Have I, have I derailed the podcast? You have derailed the podcast again. Again, sorry, I'm sorry. about prawns. I'm sorry. Yes. I think the intro is good now Yeah, now we need broadened saying well, I'm thinking is after four bars of the sex phone. We just go back straight beat I think guitar solo okay, all right really fucked guitar solo. Straight that's under the
Starting point is 00:22:22 Of course is it over the straight beat? Yeah, everything drops out just the beat and then a guitar solo. Straight under the hook. Over the straight beat. Yeah, everything drops out just the beat and then a guitar solo. Alright, let me try and find a guitar solo. This is going to be number one. Let's talk lyrics. Now, you see it having lyrics. What's it? You see it having lyrics. I think you need a top line. Yeah, I do see a top line. Perfect. Nice. I don't even need to listen to it boys. We'll get back to it. Tom's going to just slip that right in. He works so fast.
Starting point is 00:22:55 I'm trying to fill the gaps. There are no gaps with the way he's doing. He's too fast. All right, that's a very... All right. So I feel like a Vichy. So we get four bars. So we want four bars of the sax, which is like the hook and then it all drops out and then
Starting point is 00:23:08 it's just solo and vocals and hard beats, alright? Alright, well let's see how that sounds. Alright, fun to start. Alright, here we go Yeah All right, I'm just gonna freestyle a little bit. Let's hear it. Let's hear a little bit. Here we go Come on up I'm gonna style a little bit of that out here. Let's hear it a little bit. Here we go. Oh yeah, come on. Get out of here. Come on up.
Starting point is 00:23:47 Let's hear it. Let's hear it. Let's hear it. Let's hear it. Here we go. Oh yeah, come on up. Get out of here. Come on up.
Starting point is 00:23:55 Let's hear it. Let's hear it. Let's hear it. Let's hear it. Let's hear it. Let's hear it. Here we go. Oh yeah, come on up.
Starting point is 00:24:03 Let's hear it. Let's hear it. Let's hear it. Let's hear it. Let's hear it. Let's hear it. these days in songs puts an edge to it so I would do something just more along a lot of fucking motherfuck, sucka motherfuck, fucka shucka fuck, shucka motherfuck, fucka motherfuck, fucka motherfuck, fucka motherfuck, fucka motherfuck, shit, fuck, you know what I'm saying? It's a little bit full on, could we do it like a love song? Okay. Okay I love a motherfucker. I love a shucker fuck. I love a sucker love a buck. I love a mother fuck Sucker mom fuck fuck away. No suck. Yeah, I could give a sucker when you fucking mother fuck Like that. All right pull it out pull it out. That's that's good. That's good. I think we're really close here guys That that to me. Yeah, I think, that feels like the chorus to me. Yeah, and you know how Travis Scott,
Starting point is 00:24:47 how there's three movements in the Travis Scott. Oh, no. The hemi and Rhapsody of our age. Yeah, what's it called? Sikomo. Sikomo. I want for everything to stop now and then it to become a jaunty German, like a perps thing.
Starting point is 00:25:00 So you remember to do the Sucker Motherfuck? Yeah. I like your verse too, so that where you very, you start sort of saying stuff and then gradually just start to say Sam. Sam, yeah. Sam, who does all of our offers, Edmund, and rights, co-rights with us.
Starting point is 00:25:13 Yeah, and plays Judas. And plays Judas. I would even like to hear a version, Tom, where there's nothing but the guitar solo. A whole version. No, just a version of that verse, where it's just the guitar solo. I would also like to know...
Starting point is 00:25:28 Sorry, I'm just working on the sense. No, you're right. I would also like to know more of Tom British price park Tom's story. Oh, I don't know if we can work that in at some point. I just want to know more about this man. What if he's a featured artist and he has a bridge where he reveals sort of his past? Or in the song? Yes. In the song. Yeah, I just meant just chats, but I am getting a call from Max. So Zach is left.
Starting point is 00:26:05 Hey Max. Hey, mate. You're on the podcast. What's up brother? I'm on the podcast. Great timing. Yeah. Wow.
Starting point is 00:26:14 I don't know if you want to have this conversation about what I'm sorry. Do it. No. Maybe just. I'll just chat to you quietly. These guys can keep going with the podcast. No. Maybe just like. I'll just chat to you quietly. These guys can keep going with a podcast.
Starting point is 00:26:30 Sorry Max. Okay he's. So now actually left. Thought it'd be funny to have a funny conversation on the podcast, but then realize it was very serious. Max shot it down pretty quickly didn't he? But what we can do now is test out all these things on five fresh ears. On a fucking fucking. You say fucking. I say fresh ears. Test these
Starting point is 00:26:52 out on fuckhead ears. Fuckhead ears needs to hear this once it's fresh. So I want my jauntie German. Yes so what I'm thinking is we just go to the YouTube library of free sounds. Uh huh. To find some. This is what you do to the YouTube library of free sounds to find some genres. This is what you do to make a hit. Yeah, this is what you do. Just go to most hits at youtube.com slash audio library music. Yeah, yeah, which is where most artists get there.
Starting point is 00:27:15 Have you heard that new? Perfect. Perfect. Perfect. So I want the song to just do that about a third in for a moment and then the guitar solo. Yeah, but no you got to keep it We got to keep the guitar call guitar going yeah for sucka mother fuck yeah for sucka mother fuck. Oh, okay I'm a bit lost, but you guys are up. So just focus man. We're trying to make a hit what I want to hear is I want to hear the guitar solo a bit that we have yeah, but with just the guitar solo I and vocal
Starting point is 00:27:45 a little bit that we have, but with just the guitar solo and vocal. Yeah, and then there's a pause after when nothing happens and then the John T. German music. Yes. And then everything comes back and then it comes back to your refrain. Okay. I already find the BPM of John T. Guampton by Kevin McLeod. Everything is by Kevin McLeod. I know Kevin McLeod is a fucking God. He's a God of fame music.
Starting point is 00:28:04 He's a fucking God. He's a God of free music. He's a fucking Jesus. So it's 146. What's half of 146? 2684. That's 73. So we'll walk it to 73 boys. Don't make it natural. No, no, I want to fuck with people's expectations man. Do you think when people think this is nice you next they were like I've never heard Yeah, that's what I want Come on that's pretty sick. I love that Yes, you make it go to half time like you are
Starting point is 00:28:39 Okay, yeah, yeah, now does it all the way through that does the joint to go half time You stop those bottles smashing. Were you told you'd make a thousand bottles smash? I lost forever. So, but I wanna hear that, I wanna hear that half time. I wanna hear that, right? But what's going half time? Then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, then, yeah, and let's keep those fart noises in the hurricane. Yeah. Yeah. Is that a bit much? No, not at the moment. We'll see. Is it just draft one? Yeah, we can go back and change things nothing's nothing's locked in
Starting point is 00:29:14 You know we can change things if we want it's our art Art, it's art art All right, I'm working. I want to hear a draft It's coming up. She's gonna be a fucking hit by the way. It already sounds familiar has It's got element of Baker Street in it. It's got fart stuff which people What we'll do is we'll bring now wait back for the for the half time section all right Great now play from the top and you do your suck and mother fuck. I'll fill in physics Sam What's your name is act doing? Yeah, and we do that at the same time time right? Yeah, yeah, well you come in as I'm sort of doing it. Yeah, right. Yeah
Starting point is 00:29:50 I'm almost feel feel feel feel feel feel feel feel actually That's it doesn't wait it doesn't wait. It doesn't wait. It doesn't wait. What does it take? It's very seriously, but this is this is me as an artist taking my craft very seriously. So could you not pull it back? Could you not do it half time? No, but I can. I'm one thing is the drawing she goes half time too. Yeah.
Starting point is 00:30:15 Thank you, maybe it's. I'll fix that later, boys. Oh, let's hear it through. But I'll like that. boys. Let's hear it through. But I like that. Alright, action. No, oh yeah. Have you got just the guitar solo? And, oh no, I'll put that in.
Starting point is 00:30:36 Fuck. I just, this is just riding itself. This is X-verse. This is X-Vers. This is X-Vers. When should it go just guitar solo? Go Mark! I love the guitar. And a sack, mother fuck a sack.
Starting point is 00:31:03 Fuck a mother sack. Suck a mother. Fuck aer mother fucker sucker fuck Fucking fuck suck mother fucker suck Sucker mother fucker fucker mother suck Yeah Free back And then after hey buzzer this will go to gym Yeah, so then yo, yeah, I'll do something here something good like yeah, yo check it yo yo yo yo
Starting point is 00:31:24 This is just filler I'll fill it. I'll do something here something good like yeah, oh check it. Yo, yo, yo, yo, this is just filler I'll fill it. I'll do my first later Yeah, yeah, Rodin Kelly. How do you do? No filler? Rodin Kelly. How do you do? All right, Zach we're halfway through a listen We're out play through a listen. Yeah, half time It's hard This is a hard banger. This is where we're allowed to
Starting point is 00:31:58 Yeah, okay, I'm sorry guys. There's some really serious shit going on with the upload I don't think it's gonna happen Tom upload I don't think it's gonna happen Tom I don't think it's gonna happen tonight. So I've just got to go work some stuff out with Sam but keep being funny Okay, wow that's in serious He couldn't send the US being Channel could be ruined No Wow
Starting point is 00:32:19 There's under no circumstance could that up and they that's true. He's stressed out He looked genuinely stressed out. He look genuinely stressed out Well, look it's stressing me out in turn guys. I think we're 80% towards a hit now It's past the 30 minute mark. Let's call it. It is pasta 30 minute mark We Italian man would know it's better every time I hear someone say pasta, I just hear pasta. But look, maybe that's just the way I was brought up. Okay, here we go. Let's hear it.
Starting point is 00:32:53 We have one last time. Before it comes, it's very busy at the moment. Can the first one, can you give a little bar before it gets real heavy? Like just of just the, you know, like a... And I think... Little two bar feel at the start. Yeah. Drums, just of just the, you know, like a... And I think... Little too barfill at the start. Drums, just drums.
Starting point is 00:33:07 No 808s. No farts, just drums. Yeah, and the bass line or whatever it is. And just the drums... That would be nice actually. They'll actually showcase some of my work before we get into this bullshit. What do you mean bullshit?
Starting point is 00:33:22 Nothing. All right. How about that? room sent, hey? It's good. Oh, lucky. I was about to fall asleep, so that came in right at the wrong time. Yeah, it's just good. All right, so next week we come back,
Starting point is 00:33:36 we finished this fucking gem off. Yeah. Let's finish it off. Because I have some ideas with opera that I want to do as well. Cool. Should I stop it or the way No, let's play it through This is the Sucker Mala Fuck
Starting point is 00:33:53 The Sucker Mala Fuck Fuck I ate my fuck Suck my mother fuck Every time you do it's better I do a fuck I have to do a suck I love it when you suck Oh my mother fuckin' fuck
Starting point is 00:34:02 Fuck Mother fuck a suck Suck Fuck fuck, motherfucker suck Where the fuck? Fuck a motherfucker when you suck it, that's a fuck Or the motherfucker suck my motherfucker Bring it back Oh, okay, yeah, alright
Starting point is 00:34:16 And then this will be, Broden will do something here That's killing her, so long Broden, Broden, Kelly And this is gonna be, this will bring it home This is when people go, okay, it's a number one. Yeah. This is a triple J. It's a bit striking for me.
Starting point is 00:34:31 Well, this is because there's no lyrics, Mark. Oh, that's true. And there it is. This is self explanatory. Half time. Sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry.
Starting point is 00:34:49 I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry.
Starting point is 00:34:57 I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. I'm sorry. We're up to this week and next week we'll come back and see if this is just fuck us. Yeah, we're gonna add some proper vocal bits.
Starting point is 00:35:06 Maybe tweak some of the bits that we have already worked on. I told you there's an opera bit I want to do. Yep. And Zach's back, he looks very upset. Hey guys, how are you? So is this the end of the podcast? So I've just missed everything. Easily 40% of the podcast.
Starting point is 00:35:24 It's the fucking worst. It's alright, man. I've just missed everything. Easily 40% of the podcast. It's the fucking worst. It's all right, man. No, it's just fucking. Oi, oi, oi, oi. I was just off dealing with some bullshit, Max, is calling me. I know, I know that would have been a funny prank thing, but I had to deal with some stuff. It's okay, man. What do you need?
Starting point is 00:35:39 What do you need, right? No, it's fine. It's fine. I'll work it out. I can be funny now. Well, the podcast is over. The podcast is over and also your tense. I'm not tense, I'm funny, I can be funny.
Starting point is 00:35:53 I think this is actually pretty funny. Yeah? Yeah. Yeah, it's making me laugh. It's actually not that big of a problem. I just thought it'd be a good joke, but. Raise that doors, I'll call you, because you're problem. I just thought it'd be a good joke. So raise that doors I'll call you, because your tents. I like that.
Starting point is 00:36:09 Anyway, do you want to just catch me up on what happens? Get ready to buy a manch. How many manch? Probably two, three manch. Three manch. Yeah, two, three manch. Boys. Beachfront property.
Starting point is 00:36:23 That is also a manch. A manch on the beach. That's what that's just rumors I. That is also a manch. A manch on the beach. That's what that's just rumors I've been hearing. Beach manch. And before the bubble pops. Before the bubble pop. That's when you want to buy manch. I'm saying that's how Rishu gonna be.
Starting point is 00:36:37 You don't even need a bubble pop. It's a bubble pop? I got it, okay. This song is a manch maker. Is it finished? Is it all done? No, we got another one. Oh, no. Oh, no.
Starting point is 00:36:47 A lot of words of cliffhanger. This is a Netflix cliffhanger. So what you can do is next where you can catch me up and that's how you catch up and you listen as I just joined in that way. That's right. Yeah, but you know now, so we weren't have to do that. I know it's a manch song.
Starting point is 00:37:00 I don't know how the song works. We should call it manch. This thing's take time. Have you seen Bohemian rap city? I have no interest in that film. They didn't write that it took them so that was singing through PVC pipes. What are they? It takes time this shit. All right guys We'll see you next week when we finish the Number one track of 2019
Starting point is 00:37:23 Yeah, but I want to get experimental. That's my big thing for the next thing is like Queen does in Behemium Wrap City. I want to get experimental. And when I say experiment, I'll focus on the mental. I want to get experimental. You know what I'm saying? I want to go crazy. Yes, it's pretty clear.
Starting point is 00:37:46 All right, I can only do my best. Yeah. It was just, I knew what you meant. Yeah. Skills clear. Experra, mental. Got it. There was a lot of unnecessary extra lines there.
Starting point is 00:38:02 Was there? Got it with the emphasis. Trust yourself, Mark. Trust yourself Mark. Trust yourself as a person. I trust the process of writing a song. Which will do next week. Yes. Next week.
Starting point is 00:38:14 Oh, sorry. Never apologize for your art. First part is taking this very seriously. I just worked on some new high hats for the Half-Time section. Well, he'll do that next week. So we'll get that next week. So we'll go in that next week. Oh, we're gonna play it again. All right.
Starting point is 00:38:27 I wouldn't have just the halftime section in there. Okay, great, great. Just without the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, the, just put a fart in at the start. The farts of I feel like become a binding agent for all the different sections of this song. It's the thread, all the egg. That is the what? The egg. Yeah, if it's binding agent, it's binding a lot of food is egg.
Starting point is 00:38:57 Right, so the egg, so like the egg to the flower of the dough, of the cake that is manch cake Okay, egg We Need to stop. Yeah, I feel like we got caught up in his egg thread Disciple on my my head's in business. It's not in delivering the loll So let's come back next week. All right fresh. Okay
Starting point is 00:39:24 Good night Australia. Good night, Australia. Good night. You've been listening to the Aunty Donna Podcast. Thanks for joining us for another rip-amp episode brought to you by AuntyDonnaClub.com. See you next week. you

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