Bankless - NFT Marketplace Wars | Panel
Episode Date: January 26, 2022With OpenSea hinting at a potential IPO in the future and LooksRare swooping in with a vampire sneak attack, it's clear that the war for top NFT Marketplace is starting to heat up. Who will come out o...n top? Here to discuss this 4D chess match are some of the space's most influential thought leaders and returning guests: Eric Conner, Co-founder @ethhub_io, DC Investor, advisor and investor, Zeneca_33, investor and content creator, & Carly Reilly, host of Overpriced JPEGs. ------ 📣 ALTO IRA | THE CRYPTO RETIREMENT ACCOUNT https://bankless.cc/AltoIRA ------ 🚀 SUBSCRIBE TO NEWSLETTER: https://newsletter.banklesshq.com/ 🎙️ SUBSCRIBE TO PODCAST: http://podcast.banklesshq.com/ ------ BANKLESS SPONSOR TOOLS: 👀 POLYGON | LAYER 2 DEFI https://bankless.cc/Polygon ❎ ACROSS | BRIDGE TO LAYER 2 https://bankless.cc/Across 🦊 METAMASK | THE CRYPTO WALLET https://bankless.cc/metamask 💳 LEDGER | THE CRYPTO LIFE CARD https://bankless.cc/Ledger 🧙♂️ ALCHEMIX | SELF REPAYING LOANS https://bankless.cc/Alchemix 🦄 UNISWAP | DECENTRALIZED FUNDING https://bankless.cc/UniGrants ------ Topics: 0:00 - Intro 8:51 - Why humans trade JPEGs 13:31 - Non-OpenSea marketplace standouts 19:15 - What’s working/needs to be improved 26:26 - Social integration & plug-ins 31:26 - Fraud/spam prevention 38:06 - Socialization/financialization of everything 42:55 - NFTs on L2s & L1’s future 49:49 - Bullish NFT alpha 55:07 - The NFT x ETH correlation? 59:08 - Short-term vs. Long-term pumps…crash? ------ Resources: Eric Conner's Twitter: https://twitter.com/econoar DC Investor's Twitter: https://twitter.com/iamDCinvestor Zeneca_33's Twitter: https://twitter.com/Zeneca_33 Carly Reilly's Twitter: https://twitter.com/carlypreilly ----- Not financial or tax advice. This channel is strictly educational and is not investment advice or a solicitation to buy or sell any assets or to make any financial decisions. This video is not tax advice. Talk to your accountant. Do your own research. Disclosure. From time-to-time I may add links in this newsletter to products I use. I may receive commission if you make a purchase through one of these links. Additionally, the Bankless writers hold crypto assets. See our investment disclosures here: https://newsletter.banklesshq.com/p/bankless-disclosures
Transcript
Discussion (0)
Welcome Bankless Nation to this week's panel. This is a special panel because we have our friend, friend of the podcast, Carly Riley, joining us to replace Ryan Sean Adams. Ryan is past Ryan's bedtime. So we're bringing Carly from the Overpriced JPEX podcast to help co-host this NFT marketplace panel. And that's what we're talking about today. NFT marketplaces. What's good about them? What's lacking in them? What do we want to see in innovation with NFT marketplaces?
Welcome back to the bankless RSS feed and to the bankless YouTube.
How's it going?
Thank you. It is going well.
This is part of my long con to replace Ryan permanently as co-founder and co-CEO co-CEO of bankless.
I'm pumped to be here.
Overprice JPEG is having a lot fun over on RSS feed, but it's always nice to collab with you and hang out with the broader crew.
I have thoroughly been enjoying overprice JPEGs and all the content that you guys have been putting out over.
there. And we also have one of your
reoccurring co-host, co-moderators,
guests.
The host of the
moment of Zeneca segment
on overprice show, JPEGs, to give a hint
as to who we're talking about. Absolutely. We're going to
get into who we have on for
this show a little bit later. But first,
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minimum amount, which is what we like to do. Carly, let's talk about who is on our panel and also
what we are going to talk about. Clocking in to this panel, we have returning
guests, Eric Connor and DC Investor. I think people will be familiar with these two. We've had
Eric Connor on the Bull Case for Ethereum podcast as well as DC Investor. We've had DC Investor on,
I think this will be his sixth time on the show. So friends of the podcast. And also we're
bringing somebody over from the overpriced JPEG's ecosystem. You want to tease who. That is,
Carly. I would love to. Roy Bacene, we've talked about this, how we pronounce his last name.
Roy Bacin, also better known as Zeneca 33.
I talk about Zeneca all the time.
He's a fountain of wisdom in the NFT space, amazing collector, thinker.
He has a substack.
He has a podcast called Two Board Apes.
And most importantly, he is a recurring guest on overpriced JPEGs to give us all sorts
of NFT updates, macro market updates.
Really excited to have him here because I love talking to him.
And he's also a tremendous person.
And Carly, of course, we are talking about NFT marketplaces and overall the NFT industry in this
present moment, which seems to be going through a little bit of.
of a conversation phase shift, I would say, especially with the introduction of the looks rare
NFT marketplaces. People are starting to open up their horizons as to what an NFT marketplace
could do and look like. Carly, what are you excited about to hear on the show today?
Yeah, well, I think we are in a little bit of a transition phase. And Zeneca and I have actually
talked about this before. It's great to see other platforms like a looks rare, putting more pressure
on open sea, more competition just means better results for us, hopefully, as users. But I,
I could hear these three panelists talk about pretty much anything.
And I'm really excited to get their thoughts on sort of the current landscape and where we're going from here.
Right.
Like how will social be incorporated in all this?
We're seeing Twitter start to incorporate Web3 and NFTs, but how will these Web3 marketplaces incorporate social elements or all these things that I think carry a lot of promise?
Excited to get folks take on where we're going with all that.
Absolutely.
So let's go ahead and get right into that conversation because I want to talk about that just as much as you do.
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All right, and we are back to kickstart our NFT marketplace panel,
which I'm really excited for.
I know that the guys from OpenC, from Foundation, from Zora,
from Super Rare, from Looks Rare.
Shout out to all you guys.
I hope you guys are listening to this,
because this one is for you.
We want to unpack what does,
what do the NFT Connoisseurs of the world want to see
in their ideal NFT marketplace?
And what are they overall looking at?
in the world of NFTs.
Once again, clocking in in the bottom left corner,
we got DC Investor.
He's been on the show for his sixth time this time,
an NFT connoisseur with one of the my favorite NFT portfolios.
You can check it out on his Twitter.
It's linked there.
He's a long-term thinker,
which is why we love him as a guest on bank list.
DC, welcome back to the show.
You're also muted, by the way.
Sorry, guys.
Hey, thanks for having me on, David.
Really excited to be here with you and Carly
and the rest of the crew here today.
Next up, another recurring guest, we got Eric Connor, who is an Ethereum OG.
He's participated in just about every single type of market that Ethereum has ever produced.
And NFTs is no exception.
Eric, welcome back to the show.
Yeah, thanks, David.
It's true.
I do like to trade illiqued JPEG, so pumped to talk about NFTs.
And then, Carly, do you want to introduce guest number three?
Absolutely.
I said it earlier.
I will say it again, one of my favorite thinkers in the NFT space.
He has an awesome podcast, an awesome substack.
also launched its own collection recently, Zen Academy, going to plug that for you, Zeneca,
also a proud Zen Academy holder here, and a recurring co-host, segment host on overpriced JPEGs,
our other bankless podcast that I host, and just a great thinker in the space overall.
Well, guys, let's go.
I'm here. Thanks for having me.
Sorry, trigger happy. Let's go ahead and get right into it with our very first question,
which is going to be the million dollar question just to get us oriented.
I want to throw this one at Eric first.
Eric, why do humans trade JPEGs in the first place, and what should NFT platforms be optimized for in order to really just facilitate that behavior?
Yeah, I mean, I first would say, I know David, you and I have had this conversation offline many times, but humans, given the ability to speculate on anything, we'll do it.
And like, the one thing we've realized over time with Ethereum is it allows anybody to speculate on anything.
and anybody can spin up a market for absolutely anything.
And, you know, there was a tweet today from, like, Elon Musk and McDonald's,
and they mentioned McDonald's tweeted some random token and someone instantly launched a token,
and it went up like 10,000 percent.
So that's just like what Ethereum enables, right?
So you bring in like the history of art, and obviously art has forever been an investment
for people, a collection for people.
You bring that on chain, you make it accessible.
And most importantly, you give like instant price discovery and liquidity to art,
which in the traditional art world is very hard to come by.
People are going to be interested in that, right?
Now, like, what should ultimately these marketplaces strive for?
I think we're in that discovery phase.
I mean, I'm sure it's going to be a big topic here going forward in this conversation,
but clearly, I think, giving some type of revenue back to people that help build your platform,
whether it's token holders or whatnot and not just taking all the fees and royalty to yourself
and building a true community, right?
Like we've seen that with looks rare over the last few weeks.
People have kind of poked at OpenC in the past for that.
So I think that's going to be the battle going forward.
But yeah, I mean, humans just love to speculate.
I mean, we speculate on literally on rocks, right?
So why not speculate on JPEGs on the blockchain?
D.C., I want to throw that same question to you.
Why do humans trade JPEGs?
And what about our platforms that we trade our JPEGs on really need to build around in order to facilitate this?
Well, I think that, you know, just echo the points that Eric made, but I would also add that I think people are, you know, the idea of digital scarcity is still relatively new for a lot of people. And so for a lot of people entering the crypto space, NFTs are actually becoming some of their first exposure. And they're excited about the ability to kind of own these unique digital assets because it's so foreign to everything, their entire experience with computers prior to this point. So I think there is some of that novelty.
but I think a lot of it is very primal,
and it's just kind of within our DNA and our nature, as Eric mentioned,
as far as what marketplaces should be optimizing for,
I really think that there's an opportunity for marketplaces,
which really serve the collections that they're offering up to the buyers of them.
And I think right now we have very much kind of like a one-size-fits-all
to how we're approaching marketplaces.
But the way that you're selling an in-game item is perhaps not the same way
that you should be selling like a fine art JPEG or NFT.
And I think there's a lot of opportunity there for a new entrance to come in and play that
kind of role.
So Zeneca, I'll call you out here and say, I know you helped to advise Looks Rare before
their launch.
I didn't advise them.
I got into the strategic round to invest.
Okay, got it.
And you were excited about the idea of a new platform.
So as you were thinking about a new platform and a big competitor to OpenC, like,
what were you hoping that this platform optimized for and did?
I mean, same question, but you're kind of deep in this.
Yeah.
So largely what Eric said as well, rewarding the users of the platform, I think, is huge.
And it's sort of a gripe that people have had with OpenC for a while, again, them taking all the fees.
And on top of that, you know, there were all sorts of issues that probably still are with OpenC
that people aren't loving, like the usability and like the lack of customer support.
But obviously whether there should be excellent customer support or not is, you know, when
you get fully decentralized, maybe that's not a thing, but we'll have that shoe with OpenC.
And so looks where it comes along and says, hey, we're going to build from the ground up and
have a token that we edge up to everyone who used to see and who uses the platform going forward
so they can, you know, partake in the revenue.
And yeah, it seems like that they've got the customer service so far.
but, you know, clearly it's very difficult to build a marketplace.
Otherwise, we would have seen 100 competitors to OpenC before now.
And even Looks Rare, it's like, you know, I've invested in it.
It's not the best platform.
It has things that they need to improve upon.
But, you know, if they continue to do that, I can see them continuing to claw market share away from OpenC.
Well, I think like everyone here from just personal experience, I've used the looks rare platform because I've also used OpenC.
I think everyone has used OpenC, all the viewers that's kind of even, you know, the external world,
OpenC is at this point synonymous with the NFT industry.
So in addition to OpenC, and perhaps in addition to Looks Rare too,
what non-opency NFT platforms that you, marketplaces, have you guys used?
And what really stands out about them?
Eric, do you have a non-opency platform that you enjoy and why do you enjoy it?
Yeah, I would say first that comes to mind.
is probably foundation, but you could also put like super rare and Zora in there, right? And like to me,
where those differ is they're kind of more focusing on like the one of ones, which I still personally
think is going to be a next big wave in NFTs, right? Everyone's focused on the 10K profile
pictures and these collections, even art blocks, right, like a thousand generated per collection.
There's definitely going to be a wave of one of ones where, you know, that is for people that
know an artist creates literally just one piece, like a traditional artist, like say like,
like a Van Gogh, right? And then you just collect that and that artist becomes popular and then
those pieces go up. We're really seeing that with Xcopy. Xcopy does some collections, but he has a lot
of one-on-ones that are now selling for millions of dollars. And I think we're going to see that
wave and those other platforms. I'll take a foundation. I just really appreciate foundations UI,
but or the user experience, those apps are kind of going for more of that, right? So it's not like
these, you know, there's a lot of competitors now, but they're really not necessarily,
even going after the same space.
I think we're seeing a little bit of a divide between,
you know, the one of ones in the collections.
And I'm sure like looks rare and open C.
Of course you can like trade them on there,
but it's kind of weird.
They show up as like foundation tokens,
like not really the artists and stuff.
So I think we're gonna see this wave coming through as well.
And you know, those platforms are gonna be big in their own right
as people kind of start discovering this more unique art.
Now what's interesting, right,
is like a lot of the power around some of these
is the communities they build. Some of these, you know, communities, you know, like if you go on like
the doodles discord, right, I think there's like 30,000 people in there. If you go into like
your one of one artist, there's probably only like 100, 200 people in some of them because not
many people have them because they didn't make a lot. So that's where it gets interesting, right?
Because community kind of is everything in crypto.
DC, I want to ask that same question to you. What non-opency platforms do you enjoy the most?
Why do you enjoy them? But if you could also build on what Eric said, if you want,
about how different marketplaces are finding specialization in different types of sectors of the
NFT world? Anything you want to add to all of these things?
Sure, yeah. I mean, I think a lot of the marketplaces that I've used outside of OpenC have
that kind of specialization. So I think like super rare, for example, offers a really nice curated
experience. A lot of it is one of ones, but they also have that curation of the artists that
are exhibited there and they offer that secondary market for their own pieces. And I think that's
a really interesting utility that I expect to see more from projects moving forward. I think also
just the Cryptopunks marketplace is actually a really good example of one of the original
NFT marketplaces, no fees. I think that the Cryptopunks kind of pioneered a lot of really
interesting mechanics, even predating C721 standard, that I think that's going to come back around.
And I think like Genie X, XYZ is also a really interesting one because they offer these
aggregator service. And for those of your listeners who might not be familiar with, Jeannie,
Jeannie is one of a few aggregator apps that are cut to the floor. And the way that they work is they
basically index listings across all these different marketplaces and they serve them up to you.
And you can then buy the ones that you want. You can look for the lowest price. You can also
list through them. I think there's a lot of opportunity for that. And I think actually aggregator,
I know we'll probably talk about this a little bit later, but are going to help.
kind of flip the script a little bit because I think a lot of times we're thinking in like this
web two mindset of we all need to go to one marketplace and everything needs to be there.
But the properties of Web3 actually allow us to be decentralized in the marketplaces that we
choose to list and buy things from. And I think aggregators are going to help us achieve that
vision. I want to ask Zanika in a minute. I want to ask you more about where you see this all going,
what features you think you'd like to see more of in these NFT marketplaces and, you know,
maybe what features you'd like to see fixed. But I want to give you an opportunity to talk about
other marketplaces that you're potentially interested as well, interested in as well.
And also on this question of sort of specialization, do you think we see it a little bit in
the art market? Do you think that'll be the case for gaming and for, you know, all these different
industries that this is disrupting ticketing, these will all be sort of separate places
that you'll go to.
Yeah, no, I definitely think that's where we're heading.
I mean, my answer to the other marketplaces I've used and like are pretty much the same
foundation, super rare.
I think that as time goes on, we are going to see more niche marketplaces pop up.
Sort of like what DC was saying before, you'll have a marketplace for gaming assets.
Because if you're buying a gaming asset, it would be nice to see what it looks like in a 3D
world, you know, around.
Maybe you can try it out, try it on a skin, try it on your avatar.
and art you obviously want, you know, looking at art and opency isn't just the best viewer experience.
We're going to see more and more niche marketplaces pop up and then aggregators will be where a lot of
people do their shopping. Yeah. So to you, I guess so, like what do you feel like is working right now
in our system and what are the big areas that we want to see improved, the big features that you
want to see starting to incorporate into these marketplaces? Um, I think,
looks rare, introduced a good thing with like the bid on collection and bid on on traits
aspect. I like that. I think what I personally use a lot is just like the stats page of say
OpenC where you can see like where the recent activity has been over the last 24 hours,
off the last seven days. You get a good feel for like what's trending, what the market is liking.
Something that I don't think exists yet and I think should and will and maybe controversial,
but is like targeted ads.
Like they know what's in our wallet.
They can find out what's in our wallets.
You know,
why isn't everyone's homepage when they go to OpenC
a bit more targeted towards,
you know,
this person only ever buys photography,
NFTs.
Why are we showing them 10KJ?
A curated feed.
It could be ads or,
you know,
it's also just a curated feed.
Exactly.
Yeah.
It would make for a better user experience,
I think,
and allow the users to discover things
that they're more interested in
that they may not have otherwise.
At least give us that option, I think.
Eric,
I know you're a big fan of just, you know, analytics and metrics and insights.
What's, what would you like to see as a feature for built into some of these NFT platforms
with regards to like analytics?
Is that, is that a big, untapped part of this NFT industry is the combination of an
NFT marketplace with NFT analytics?
Yeah, it absolutely is.
I mean, like, for example, I woke up this morning.
There had been like 40 Cryptopunk sales.
And like, you have to let go to Cryptopon's website and just kind of like do it your
like, oh, there's like 40 punk sold from like 65 to 80, like who's buying them?
Like, I don't really know of any.
Like, there's some like dune dashboards out there and stuff, but like analytics is not
tapped into it all, especially like, like immediately notifying you analytics, right?
Meaning like, oh, this guy just swept five board apes and this is a heavy hitter, right?
Like, should I go over here?
Everyone's got their like Twitter bots that they're subscribed to for notifications.
But NFT analytics are definitely lacking, especially around like who's buying, you know,
always see this with Eath, right? Like, oh, a whale just bought a bunch of Eath or, you know, today we saw
change inflows, like, we don't really have that. I mean, there's some stuff out there,
but it could definitely get better, right? And just in general, the viewing on these sites and kind of
like the market inefficiencies of like bidding and counter offering and like who's bidding on
your stuff, or they do like low-balling everybody or are they in an actual serious bidder, like,
what do they own? Like, it's very tedious if you want to go have an NFT day, meaning, like,
you want to go like pick some stuff out or list some of your stuff and try it, you know,
get some liquidity to buy other stuff. Like it takes hours and hours. And like to me,
that's still the benefit of being in a token versus NFTs is like the efficiencies, right?
On a token, you've got all these analytics. You can get out quick. You can get in quick.
And this is going to be solved through things like, say, NFTX. And I know there's a bunch of stuff
launching around like, you know, collateralizing NFTs and all this. So we're going to get more efficient
markets. But yeah, it doesn't, the analytics goes along with this because it doesn't quite,
feel like an efficient market yet, but especially with the fragmentation of liquidity among
sites and all that stuff. But we'll get there. D.C., I want to turn the same question to you.
What about the NFT marketplace is working or perhaps what is really broken and really frustrating
you when you go and do your NFT stuff? So I think, I mean, you know, and a lot of us will point
to OpenC and be critical of it, but I do think that they have done a tremendous job in terms of
providing a marketplace which is allowed this economy to scale to the point that it has.
And I think that's been incredible. However, I think, you know, riffing off of the point that I made
earlier, the idea that we'll all just use one marketplace forever and not really anything else probably
is not tenable. It isn't really compatible with a Web3 decentralization point of view.
So I actually think, you know, if I'm going to articulate what I think the future of NFT
marketplaces looks like, I think we're going to eventually see every project basically have
their own marketplace that is designed and tailored around maybe like a custom UI or some standard
UI elements that can be recycled across projects, but is designed to promote discoverability
and quality display of their projects assets. And you're going to have aggregators, which are
basically aggregating the activity. And I think even OpenC will basically become an aggregator as well,
because then it becomes who can provide the best experience to the customer in terms of the discovery
process. And I think that discovery process is actually something that's really important and
is lacking in a lot of ways. Because if you want to go like discover all of the work that X copy or
Dimitri Sharniak has done, right now it is like extremely extremely difficult to do that.
You've got to kind of look at their link tree in their Twitter profile and you got to like piece
it together. And then you're not even finding all of the pieces. And there were actually a lot of
really easy opportunities for people to come in and buy up some of these pieces cheaper.
from big name artists because there was such an inefficiency in just finding these.
Right now, you know, and the stuff that does get listed on OpenC, going back to that,
like I said, it kind of is a one-size-fits-all model.
It's more like going to like a Walmart or to eBay rather than to an art gallery or an auction house.
You know, I mean, and look at the success of like the big auction houses, like Sotheby's and Christies.
They have been creating these pretty, I mean, they haven't been tremendous.
There have been a lot of criticism, but they have done a good job at creating these experiences
around when they sell things.
And that brings in more high-end buyers and people are excited to buy.
Another thing that I think is not working or is going to be an issue is fees to do these
kinds of trades are still too high.
And a lot of that does come down to Ethereum gas fees.
So I think actually within probably a year or two, a lot of trading is going to be on Ethereum
layer twos from assets that are initialized on layer twos or assets that get brought over there
from layer ones.
So those are a few of the things that I think are not working today, but there are solutions in the pipeline.
Do you think we'll get to the point where there are, you know, regular sort of IRL minting experiences?
I think about crypto citizens. If anybody's tracked that project, they bring you to their site, to their gallery in whatever city and have you mint in person.
When I hear you talking about sort of what Christie's and Sotheby's are able to do, do you think we'll see more of that down the line where there actually is this sort of physical component to minting NFTs more so.
than we have today. Totally. I think that we're kind of in the early stages of bridging actually
this digital world into the physical one. But the groups that have done that have been very
successful. I mean, like with the board apes, they've now created real world utility for their
NFTs and for the people who hold them as kind of membership cards and passes into their
parties and things like that. I think also like art blocks establishing their house and Marfa
as like a location and a place where people who are passionate about generative art go and make a
programage to go visit there. But I think that there are a ton of opportunities for mixing these
digital and real world experiences that we barely tapped into. I'm curious broadly on y'all's
thoughts to how social media, and I don't mean that isn't necessarily our existing social media
platforms, right? But how social sort of signaling, et cetera, plays into all this. Zeneca, I'm curious,
you talked about these curated feeds. Do you see these platforms ultimately becoming their own
sort of social media platforms or some of them,
how do you think the kind of social part of this gets integrated in the long term?
You're muted, Zeneca.
You're muted.
Sorry.
I think, yeah, we're such social creatures, obviously,
and so much of what like the buying and selling in the NFT market and the
crypto market happens is because we see people on Twitter say,
hey, I bought this, and then everyone starts promoing in and it's because of other people
buying it.
it makes sense that marketplaces or aggregators will integrate that into their
into their platforms whether it's like literally you know a Twitter feed of people like
posting about it or if it's just like analytics like Eric was talking about you know this wallet
this whale this person just swept five board apes pops up on your feed you're like okay
let me go click on that and check that out and then you can maybe click on their profile
they'll have analytics of you know what what they own it's all it's all public it's all out there
once that's more easily able to be visualized and deciphered, I think people will be, yeah,
I think marketplaces will have that integrated for sure.
Eric, I want to allow you to answer a similar question about social media elements built
into NFT platforms, but I also know you're just also interested in the financialization side
of just all things Ethereum.
So there's also things like, you know, fractional and you already mentioned NFTX.
What other just like add-ons or plugins could NFT marketplaces add to their features in addition to just like social media stuff?
Yeah, to me, this is the next wave we're going to see here in 2022 on NFTs and it's basically merging defy and NFTs, right?
So you've got a lot of people across the world that want to get involved in board apes or punks or whatever it is, right?
But not many people can afford them, but you'd still like to get exposure to it, right?
And this is like one of the cool things Ethereum enables that isn't enabled in the traditional world is, hey, let's fractionalize a crypto punk and thousands of people can own a part of it.
And if crypto punks go up, you make money. If they go down, you don't. And you're a part of the community now, right? So fractionalization to nettees is going to be huge just from people wanting exposure, of course. And then there's a ton of untapped potential and using NFTs for collateral and borrowing against them and speculating on them, right? Like that's kind of.
going to be a big wave. Now, this gets really tricky, of course, because the NFT space is generally
illiquid and hard to price. So I think early on, it's only going to be stuff like grails, right?
Like, art blocks, grails, crypto punks, board apes. Like, that's pretty much all you're going to
be able to use probably as collateral because they stay relatively stable. But yeah, all of these
things that just allow you to add defy to art, right? Like my favorite thing about Ethereum is
analyzing what what things does Ethereum enable that in the traditional world outside of Ethereum,
you couldn't do, right? We've seen some stuff in defy around that. I think my bull case in general
on NFTs, and I've said multiple times for over a year now, I think NFTs are going to be
a hundred times bigger than we all think now. And that's because of things that you can do with them.
I mean, the most obvious is what I mentioned in kind of in the opener is just bringing instant
liquidity and price finding to NFTs through just marketplaces that it's.
theorem enables. But bringing like fractionalization and defy aspects to art, I mean,
that's just next level, right? It's going to push us. It's going to push them even further.
And, you know, it's going to make people more interested for sure. Do you think adding in these
financialization components is actually the responsibility of the marketplaces? Or do you think that
that's kind of should be left up to the rest of the ecosystem? Like, should it really be a button on
open sea to fractionalize your board ape? Like, or where do you think this feature should
lie. Yeah, I mean, if OpenC had the bandwidth, so they would probably be doing it, but I'm assuming
they don't have it at the moment because then they would really corner the marketplace. I think we're
going to see it come from smaller teams. And definitely what I've seen coming through like, you know,
teams launching, looking for funding. Like there's going to be a huge wave in the next six to nine
months of these applications. And most of the things I've seen, they're all going to be independent
teams. I, you know, eventually will like an OpenC integrate like a smaller team or like a
acquire them, like they just acquired Dharma, for example. Well, they try to acquire teams to bring
fractionalization onto platform, maybe. But from what I've seen, that's not these marketplace
focus at the moment. We're going to have these smaller teams build these, let's call them NFT
Legos. And then maybe the platforms will, you know, try to swallow these teams or integrated or
whatever it might be. I'm curious about like fraud and spam prevention, which I feel like is personal to a lot
of people who have been screwed, you know, whether by the fault of some of these marketplaces or not.
DC, I'm curious where you think this goes, how you think we can get better on this, if we can,
you know, how much of this is sort of out of the control of the marketplaces and it's sort of user be wary
or beware or how much can we really do to prevent people from being, you know, spammed or
otherwise hurt. Yeah, I mean, at least from a spam perspective, look, I think I get a bunch of
NFTs in my wallet that are not really things that I want to have on my wallet, but I just accept
that they're there. And by the way, if you receive NFTs like that, for anyone who's listening,
I just advise you not to really bother to move them because it's not worth your, it's not worth
interacting with the contract. It's not worth paying the gas. There's really no point in doing it.
I think the fraud piece is something that is kind of interesting. So one, what we have seen many of
these marketplaces do is they have started to take on this role of verifying collections. And OpenC has
been doing this for a while. That also means that they decide what assets can get listed on their
platform. And a lot of people will say, well, that's not permissionless. That's not censorship
resistant. But I think there is a tradeoff there that, you know, they do provide some utility by
actually doing that filtering. And that's like the first level of filtering that you get.
However, we've also seen some kind of troubling situations where NFTs have been stolen from a user's
wall, but typically because the user has made some kind of mistake in whether they gave,
their private key to someone or whatever. We've all seen this happen a bunch with NFT communities.
I mean, there have been a lot of bored apes that have been stolen in this way. And there's some
really unfortunate stuff that can happen there. So what happens is the thief acquires that
NFT. They then list it on OpenC at a price below the floor price. It sells basically immediately.
And then whoever has bought that NFT now owns what is effectively stolen property through no
knowledge of their own. Then later, the person from whom that NFT was stolen.
and reports that to OpenC and says, hey, this NFT was stolen.
And really what happens is that person got stolen from and also to some extent, the person
who bought it got stolen from because now that NFT cannot be sold on OpenC again.
And that's apparently a legal requirement for operating a marketplace.
And I talked to someone at OpenC and they kind of said, look, even if it was like, if you go to,
if you go and buy a stolen bike, the police can actually like take that bike from you and say,
hey, this was part of a crime and was stolen, we need to seize this. And so it's just kind of one of
those terrible situations, which I think reduces confidence for the buyer that's buying these very
expensive NFTs in some cases. And then they're told, hey, you can't list it here and you'll
never be able to sell it on OpenC again. Now, luckily, there are other platforms now that are more
decentralized like looks rare where you might be able to list it there. You may be able to list it on
rarable. But I think that some of these issues, I don't really know how we get out of them legally,
I think they're going to continue to be things that we need to think about.
D.C., you bring up a really good point about the points on the decentralization spectrum
that many of these NFT platforms optimize differently for,
and while it is really nice that we have alternatives to OpenC
where you can take your board ape to a different platform,
if for some reason it gets frozen on OpenC at the end of the day,
OpenC is also the main place of liquidity.
So it's permissionless, but still also kind of permissioned,
if OpenC just does have that monopoly on top of liquidity.
And these are some of the questions that we want to get to.
In addition to what I think are also some really other fun questions,
such as why do NFTs on layer two kind of rub people the wrong way?
And do we think the Ethereum L1 will maintain dominance in the NFT marketplace,
as well as well?
So we're going to get into all of those conversations right after we talk about
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optimism, arbitrum, or boba networks. We are back. We have a bunch of good topics to talk about
in the second half of this show. But I want to circle back first, quickly here, on this question
of social and social media and platforms and how this plays out. D.C., I'm curious on your thoughts.
I mean, I'm personally surprised that we haven't seen more like, I like, you know, I like something.
And then I see more of it, that curated feed thing we were talking about with Zeneca.
How do you see this playing out?
Is this going to happen on the marketplaces?
Are we going to see it evolve in some different way?
Where does this activity ultimately take place in your view?
Sure.
Well, I think, you know, it's really difficult to put all of this responsibility on marketplaces.
And I think actually moving forward, marketplaces, they are going to be for discovery,
but it's really going to be where people buy and sell and not experience their NFTs,
because they're not really tool to do that appropriately.
And two, there's just so many kinds of NFTs, you might be better off experiencing them somewhere else.
So I think we're going to see a proliferation of gallery apps.
And we already see a few, like gallery.com is one that I'm very fond of because they have a pretty clean format.
You've also seen platforms like hype launch with more social features.
So I think that you're going to have a lot of different ways to curate and present your collection to the world.
I'll never send anyone to my OpenC page because it's a hot mess.
but I would rather be like, hey, come look at my gallery.sop page, which is linked on my Twitter,
by the way, if you want to check it out. But that's where I arrange all my NFTs exactly how I want.
That's part of my collector's journey. And I think people need to connect with their NFTs in that way.
I think also this rise of like the Twitter hexagons is like pretty interesting. And for those who have
been under a rock over the past week, we've had Twitter now allow users to verify their NFTs on the platform.
in their profile pictures. And basically, if you do this, it turns your little profile picture
into hexagon, which signals that you own the NFT behind that profile picture. I think like sharing and
using NFTs like that is going to become really common. And I think the next logical step for Twitter
is to like add a little side profile page that you could visit to see, hey, what NFTs might I be
selling and do you want to buy them? You know, I mean, I don't think, I don't think that's a far leap from
where we are. But I think the final point that I'll leave you with here, Carly, is we're really going
to see deeper integration of these kinds of concepts with these Metaverse apps. And I think it was
Zeneca who mentioned this idea of being able to look at your 3D NFTs in 3D, some kind of 3D
metaverse, right? And there's a bunch of them that are emerging right now. But being able to
interact with them and even have like a shopping experience within that, that doesn't feel like you're
on eBay. And I think that's like the future who we're headed with some of those.
What I think is so interesting about that is something I'm fascinated with.
There's some of these like mega apps that are much more common in China and throughout Asia like Pinduoduo.
I don't know if folks know about this, but it's really this merging of social and commerce.
And that's sort of what you're describing here is sort of shopping and hanging out with friends and sharing all in one place, which it has surprised me that some of our web two social media apps haven't leaned into that more.
Is what you're picturing as you talk about some of the gallery piece of this, like you and all your friends.
will have your gallery account, your art will be up there. I'll scroll through a feed. I'll see all my
friends. I'll like your picture. I'll follow somebody new. There's a collector I love. It'll feel much like
these sort of web two apps to a certain extent, but it's really about highlighting and focusing on your
NFTs and the way that you want to present them. Is that what you're picturing there?
Absolutely. Like if I have a gallery app, I could imagine like even having a special section of that
saying these are the pieces that I have for sale and being able to articulate the story behind them and so on.
But I think like this idea of like when you're in one of these Metaverse apps, like Nifty Island is one that I'm involved with. Like if you're in Nifty Island and you have and I've got my museum there, I can even have like a for sale sign next to the gallery placard and say, hey, you can buy this piece if you want to. So I think that that's that's kind of the future that I think when we talk about metaverse plus marketplaces, that's where I see it headed.
It's sort of that financialization of everything piece that Eric's talking about too in its own right way, right? Like you're just walking through everywhere now.
is a marketplace.
Everything can be speculated on.
Everything can be bought.
It's either a utopia or a dystopia.
Yeah, and I mean, to that point,
the concept of a marketplace historically has been to allow the buyer and seller
to have some degree of mutual trust.
And the reality of like a platform like Ethereum and Web 3 is you don't need
an intermediary for that.
You just need the smart contract.
So yeah, you can trust anybody halfway around the world without any intermediary
and you can do a direct transaction with them.
And I think we'll see a lot of that.
David, I think you're muted.
Thank you.
One thing that we definitely need to see happen in order to see broader
NFT adoption is cheaper access to NFTs.
The Ethereum L1 has already priced out most of the globe.
And something about NFTs on layer twos just rubs people the wrong way.
At least that's my interpretation of things.
Eric, do you have an opinion about why that is or if that's true or true or not?
So I agreed with you until I would say a few weeks ago,
I started going down the treasure dial route and I'm fascinated by this project now.
It's like blowing my mind.
Just yesterday they launched this thing called Bridgeworld and it's just, if you haven't
poked around with it, just go poke around.
They've got basically like staking and economics involved with a game.
They've got an NFT marketplace.
It's like play to earn.
It's pretty wild, right?
So I think we're seeing this migration to layer two.
And I don't see layer one to layer two migration of NFTs being a very big thing necessarily.
I think native layer two NFTs.
apps is where things are going to really take off.
Like Treasuredow, for example, launched on layer two.
Well, I take that back.
Their original staking was on layer one.
They did a migration, but like a lot of the new stuff has just been on layer two, right?
So I think now you can start experimenting with stuff like this, more gamification because
you have to do more transaction fees.
No one wants to do that on layer one, right?
So I agree that like early on like the collections launched on layer two just didn't look
as good.
The marketplaces weren't there, especially on like, alt layer ones.
I don't know what they're doing on alt layer ones with art, but.
You can basically pick them out of this, like out of a line, which one was launched on
Ethereum, what wasn't?
But I think we're about to see a prolification of native layer two NFT projects.
I think we're seeing it on the defy side where a lot of just native layer two defy
apps are really taking off.
It's for NFTs next, but it's not going to just be launching a collection and a marketplace.
It's going to be taking it further because you can do more transactions.
And that's going to be around gamification of this stuff.
Zeneca, do you have any experiences on L2 NFT shenanigans?
Any insights or actions that you've taken and experienced while doing NFT stuff on layer two?
Yeah, I mean, I recently jumped down the Bridgeworld Treasure Magic ecosystem.
It's fascinating.
You're really going to check it out if you haven't.
Yeah, honestly, it's just a really pleasant experience to transact with no gas fees or basically no gas fees.
And I think we're going to see more of that.
I also definitely have the like the stigma against most NFTs on L2s just being spam basically
because sometimes they are spam.
And up until recently, I'd never really considered them as sort of a place for high value
NFTs.
I think L1 Ethereum is just has been where the premium NFTs are, by and large,
where most of the market is.
So the marketplaces on L2s haven't been great and the bridging experience hasn't been great.
They're just users aren't there.
I think going forward, yeah, we will see more and more.
We just have to see more and more adoption on L2s,
and that's where a lot of activity will happen.
And L1 will be for like these legacy, these, you know,
OG collections that they'll probably stay on L1.
Maybe some of them will bridge over.
We've seen, you know, a few projects launch on L1
and then bridge over, especially like the gaming ones,
like Etheralks and there's a few others.
Because for gaming, obviously, need the more transactions.
But yeah, I think we're getting there.
It'll probably take most of this year.
And maybe next year is when it'll really be normalized that that's where a lot of activity for
NFTs is going to take place because it's just going to have to, you know.
D.C., what do you think about the long-term dominance of the Ethereum L1 when it comes to NFTs?
Do you think it's going to retain like the vast majority of market share or just how do you think
the world of NFTs in L1 versus L2 is going to play out?
So I think the reality is we have a lot of very important kind of culturally relevant NFTs
that started on L1.
And basically all of the prominent NFTs we know of today are on L1.
And because of that, it creates this accretive network effect onto Ethereum L1,
but more broadly to the Ethereum ecosystem.
So I don't think NFTs on L1 are going to go away anytime soon.
That being said, I think the path of sending an NFT from L1 to L2 is going to be,
is fairly, it's much more straightforward in general.
So if you wanted to take like, you know, 100 cryptopunks and move them,
onto arbitram. I don't know if you can do that yet with their bridge, but you will be able
to at some point. And that will be, and then you'll have those hundred crypto punks potentially
being tradable, you know, at much lower fees. But then you have to pull them back to L1 if you want
to use them on L1 again. So that, but anyway, the point is that path is more straightforward.
The issue comes in when you've initialized an NFT on L2, and then if you want to somehow pull it back
to L1. And for some NFTs, that is doable, but it has to kind of be thought about in advance
as that NFT is created. So I think that for some NFTs like artwork, they're going to put in the
investment to do that. I think for a lot of in-game items, though, well, first of all, if it's an
in-game item and they're using one of these common contracts, like I think Immutable X has sent up
some contracts that allow people to pull to L1 as well, then you're kind of already set. But I think a lot of
game NFTs are just going to be initialized on layer two and they're just going to stay there for the
most part. And they're never going to come to layer one. And I think that's kind of the future vision.
Like I think within three years, it'll be very exceptional that your average user is using Ethereum
layer one to be perfectly honest. So a lot of this activity is going to be on layer twos. And gaming
NFTs are going to be absolutely huge on layer twos. And we're already seeing that with some of the
success of Mutable X and other platforms. I think we're looking at like fine art, you know,
these NFTs that really represent these unique artworks that are worth a lot of money,
that's going to take longer for those artists to get comfortable with creating work on L2.
And that's where I think the assurances of being able to pull back to L1 become more important.
I will say, as we're talking about Immutable X here,
and I think this is a story I partly shared with Zeneca on overpriced JPEGs a couple weeks back,
but I've had my first experience with some NFTs that natively arose on immutable X.
And I say it is dangerous.
That no gas thing.
I've never been a day trader.
And I like blacked out and woke up three hours later.
I just like traded for like, I was like what is happening?
So, you know, because where for, you know, on main net at this point, if I'm going to make a quarter of an eth, there's no, I'm like that's, that's going to be wiped out by gas.
It doesn't matter.
It's not even worth it.
But like, no gas fees.
It's like, suddenly new worlds.
You know, warning.
it gets really gambly there real fast.
But it made me quite bullish on it, to be honest.
I think Immutable X, and obviously they're making a big bet on gaming.
I think it'll be interesting to see what they do.
Okay, I think maybe we close out here with some broader NFT markets talk.
That's my favorite thing.
That's overpriced JPEGs.
We're getting into our world here, hardcore.
I guess I'd love to hear from y'all if there was ever three people that this would be a good question to,
like, what NFTs are y'all bullish on these days?
What are you excited about, you know, what's, what are you tracking?
I guess I can take it.
I'll throw it to Zeneca.
Oh, Eric, you got it.
Zeneca, go ahead.
No, Zeneca go.
Okay.
I'm obsessed with Crypto Calvins.
It's this amazing PFP project.
The art is unique and different.
It was founded by five women who, you know, it was the first real foray into the NFT space
and they just got together and like, hey, you know, let's create a collection.
The community is just different.
It's just different to every other project that.
I've ever come across.
Yeah, I really love it.
I think I'm obsessed.
And every time someone asked me recently,
like what NFT project do you like,
that's the one I go to.
Eric, go for it.
Yeah, I guess recently
what I've been most fascinated with,
I'd probably say doodles.
I don't know.
I saw them a few weeks ago and like just something
captured me about the art.
And then they kind of took off.
So it's, of course, easy to get biased
when the price is going up.
So not financial advice,
but I don't know,
something about them.
Like just you could hang them on a wall, walk by them and never really get tired of them.
Are they differentiated enough?
Because they all kind of look the same to me.
So it's funny, right?
Like I have this talk a lot with people.
Like, so I'm a punk guy, right?
And like, bored apes.
And I can't see the difference on board apes.
And I talk to people that are into board apes.
And they're like, oh, I can't see the difference in punk.
So like, I think it's just like, unless you live in that community day to day and you're like
obsessed with the traits, like you don't really see it.
But yeah, I don't know.
I just like the art.
It stands out to me as something different.
And yeah, I guess I already mentioned my,
my latest like just hours of research has been around treasure Dow
and the stuff they launched there around like legions and,
you know,
their treasures and their small brains and like all this stuff.
So I've been,
I'm becoming more fascinated with like applications that are trying new things
as opposed to kind of just launching PFPs, right?
And, you know, I will say,
and I know for a fact DCO backed me up.
on this one, I'm sure. But I think generative art will make a comeback. And I think one of ones
will be a new wave. People are sleeping on generative art right now. But like it's truly unique, right?
Like people are just copying the 10,000 unique trait thing. Genitive art is going to have a comeback.
So I've been not going to lie, I've been scooping up the floor for a few weeks now and some of that
stuff. But you're, I know we're going to fill this to D.C. because I'm very eager to hear D.C.'s
I will. Another shameless plug for overpriced JPEGs. Our guest next Wednesday is poopy.
co-founder of Doodles. I've said, I'm not a Doodles owner. I'm not a holder. You know, I was really
impressed talking to pooping. I think it's fair to say that I really think he goes deeper on the project
than he ever really has in an interview. And that's an impressive team. So as a, as a bet on the team person,
oh my God, dang, I wish I'd grab myself a doodle. Also very much with you on the generative art piece.
I think there's, you know, digital art still just makes up such a fraction of the total art market.
and there's so much room for that to grow.
And generative art is really your most digitally native art in some ways.
So I'm really excited to see where that goes.
Okay, DC, what are you excited about?
Well, I am excited about some of the newer stuff.
Like I'm really interested in the Meadow Hero project,
which in Punk's comic, which GFunk and the team have done a lot of really interesting work.
I'm really interested to see how that universe builds out.
But I actually think now is a great time to be thinking about some of these older NFTs,
which have been comparatively derrised.
And I wrote a tweet a few weeks ago,
which I'll just share with you guys here,
and I said the NFT kind of market evolution.
And if you think, I'm just going to go through these stages very quickly,
but when we started, none of them were valuable.
Then you have early kind of counterculture, like Xcopy,
even Larval Labs and other individual artists creating that early work.
New early adopters arrive.
That's like a lot of the types of folks that you have on today's discussion, right?
We got involved with some of this.
the early stuff becomes valuable.
Then you have the corporate and mainstream arrival.
And I think that's the stage that we're at now, right?
You have Adidas, you have Nike making moves by acquiring artifact,
and you have a lot of these big brands now coming into the NFT space.
And so we're at a point now where mainstream taste is also almost starting to overrun,
and we're becoming oversaturated, oversaturated with it.
I mean, even like Jimmy Fallon and Paris Hilton are talking about board apes with each other on this tonight show.
It's kind of like mind blowing when you see something.
I mean, that happened, I think it was yesterday.
And I watched the clip.
I was like, wow, it's kind of crazy.
But after that mainstream taste phase, you're going to see some of this quality counterculture
stuff and early adopter work kind of come back and that value is going to soar with these
collectors who come in and they want to get something that's authentic, that's kind of
foundational to this movement.
So I think actually now is a great time to be looking at some of that stuff.
If you can afford it, I know the price tag is already high, but.
But if I'm right in like five to 10 years, this is going to look like absolutely nothing on some of these.
Well, guys, that was all the alpha that our NFT panelists could give you.
And I actually want to ask this question because I think it's very, very timely.
If ETH goes down in price and God forbid goes into a bear market, how relevant is that to the NFT industry?
How relevant is the US dollar price when it comes to NFTs?
Eric, I want to start with you on that one.
I guess first I would ask, have you been watching the charts the last three weeks or have you not?
Wait, are we in a bear market?
Sometimes I just can't tell if we're in a bear market.
Yeah, no.
And FTs have decoupled from crypto.
Yeah, exactly.
That's what's weird, right?
So we're, I think, Heath hit at the max, like 56% off the top or something like that.
And I mean, bored apes just keep going to the moon.
Punks had a pump last night.
doodles are up from like five to 12 like all this stuff you go on open sea there's random collections
pumping every day right so i i do think we have not really seen a correlation between the two and
honestly having watched punks pretty much since the beginning um they've never been correlated to
heath price they've pretty much just always independently traded on eth only right and this is like
the eth is money thesis which we won't get into this in this podcast we've had plenty of those in the past
but the future of art is priced in ETH,
and people are okay with just making a few ETH
even if ETH went down 30% overnight, right?
So I don't really see in any of the collections
I have people repricing as ETH itself changes in price.
What's interesting is like maybe it looks cheaper to people
that have been looking to enter with USD, right?
Like ETH fell 50%, the punk floor stayed at 70.
People are like, oh, look, punks are 50% off.
but I think as far as like an overall market repricing, I think they're pretty decoupled.
And I mean, it kind of seems like they're almost moving independently, like ETH dumps, NFTs pump, NFTs dump, ETH Pumps.
So we'll have to see how this plays out over time, I guess.
I would love to hear Zeneca's answer to this because you and I talked literally a couple weeks ago, I think, or a month ago, whatever it was.
And you were saying usually NFTs do best when the price of ETH is stable, right?
and that when it pumps, that's no good.
And if it, you know, dips, that's no good.
And we're not seeing that.
What are you making of this?
And are we in a new paradigm or is the crash coming?
Yeah.
I mean, I agree with Eric that there's, it's relatively decoupled.
Like, if we just look over the last year, we've seen ETH pump and NFTs pump at the same time.
We've been ETH crash, NFTs pump.
And every scenario has happened.
So we can't really look at history and say, make any sort of reasonable.
prediction. I do think that when
ETH is like crashing or
rocketing in a short time period
NFTs, they may not crash or do any, but
people are just a little spook to trade, partially
because gas is just crazy when
when ETH is pumping or crashing,
the defy activity on
main net is just crazy and gas is consistently
high. That kind of cuts off
NFT activity at its knees, at least
for 90% of collections.
So yeah, I think that
when ETH is stable is
probably when NFTs pumped the most. But I mean, aside from that, I think it doesn't really
correlate too much. But I do think for people who have been sitting on the sidelines, again,
like Eric said, and have been thinking about entering the market and have said, even at the low end,
like $1,000 for an NFT that's too expensive. Oh, but now it's $550. All right, I can justify.
And a lot of people have said, hey, I really want to get in. Oh, I love that collection. I want one of
those, and most people who aren't in the ecosystem, they think in USD or whatever the native
fiat currency is. So I think in that respect, lower ether price is good for the market overall,
but I don't necessarily think that a huge eat price is going to be bad for the market.
Carly, you want to ask your next question? When you unmute yourself?
Yep. See, this is probably live streams. You can't cut that out. Can't edit that moment out.
I actually wanted to push on something you were saying DC.
It felt like you were talking about, you know,
the maybe investing in some of these older projects
that as new entrants come into the space,
we'll respect history and we'll buy into that.
I had heard the opposite argue it made,
specifically around Coinbase
and the argument that maybe Coinbase
on boards a whole bunch of new people to NFTs,
and they're not necessarily people that out the gate are going on to spend,
six figures or
an NFT,
gravitate towards some of these newer projects that until recently were not quite so highly priced.
Again, I think this is something that Zanak and I talked about it, and he maybe didn't agree,
but would love to get your reaction to that thesis that in the short term, we're going to see
pumps on some of these lower-priced projects as new entrants come in and are a little wary to spend
$50, $100,000 at the gate.
Oh, for sure.
Yeah.
Yeah.
I mean, I think that's absolutely right.
You're definitely going to see a lot of interest in some of these lower value NFTs,
which still are like culturally interesting.
And I think a lot of it, the way, I mean, my vision is a lot of it kind of trickles up, right?
And so the people who buy some of those give liquidity to someone else who might go back
and buy the art blocks piece or the crypto punk or the ape or the autoglyph or whatever,
whatever that NFT they've been eyeing for a while.
So at the end of the day, it just brings more money into the ecosystem and it is beneficial
across the board.
However, I think personally from my point of view, some of the older stuff just has
a very attractive risk profile that I think I think a lot of people in the space get in and even
if they made a lot of money they focus on these newer kind of more trendy projects but trends kind
of change quickly and I think a lot of people will even say well the trend has changed on crypto punks
and no one cares anymore I'm like okay let's see let's come back to that point in five years or
three years and let's see if that's really the case I mean what we've seen actually as
board apes have moved up the punk floor also is rising along with it and you're seeing that
kind of across the board for some of these older collections.
So I think it's very much like a mutually beneficial situation.
Rising tide lifts all boats.
Pretty not all, but a lot of them.
Guys, I saw a collection yesterday.
It was like the cool, moory doodle friends or something,
a derivative of four projects mentioned to one.
That's the point of the market we're at right now.
Why not?
That one maybe is not going to make it.
That's a top signal.
Guys, I want to thank you for spending all of your time with us on this overpriced JPEG's bankless cross panel.
This was fantastic.
And I just want to give you guys, if you guys want it, you guys don't have to take it.
But if you guys want it, just the floor one last time just to share open-ended question.
Actually, there is no question.
Just open-ended thoughts about NFTs at large.
Anything that we haven't discovered or covered that you guys still have thoughts on rolling around in your head.
I can just leave that for the taking, whoever wants to run with that.
I would say aggregators, DC, I think mentioned it, but aggregators are going to be huge, right?
I've been messing with one like genie XYZ.
You can go in and if you want to sweep a floor, you can pick 10 NFTs and one transaction.
You do it.
I think that's the start of it.
I think we're going to see a decoupling of, you know, like we were talking, the social layer is on the top.
Like the galleries in the middle is the aggregators and the bottom is hopefully truly decentralized marketplaces.
because props to OpenC, but we need to get to where Ethereum's values are, right?
And that's a uniswap-like exchange of liquidity.
So I think aggregators are going to be the story, you know,
and that's social layer around galleries over the next year or so.
Yeah, and I'll offer my parting shot and just say on the question that you guys answered a second ago
about where are we in like the NFT market cycle.
I spent the past 24 hours basically stream of conscious, like analyzing and tweeting about this topic, because I think it's super interesting.
But I think one of the point, I would leave you with think about how NFTs are different from the rest of crypto, because I think in a reflexive, bear situation, you do see a lot of people panic sell their fungible cryptocurrencies because they can and they're just like, I'll re-buy it later.
NFTs have a psychology that is much more complex than that.
it's really difficult to brick people get attached to their NFTs and even if you want to sell them
you're not going to get instant liquidity at the price you necessarily want and so there's a lot of
barriers to selling so I think that as a lot of crypto participants have come into NFTs we're still
trying to analyze that but a lot of the new participants are not that a lot of them were not really
involved in crypto before and I think that's going to change the character of the market going forward
And I will say, I mean, I think something we're going to see this year, which again, Eric alluded to, is that the ability to
collateralize your NFTs instantly. And it'll start off with the blue chips and then it'll probably expand to more collections.
I would say just be weary when that happens. Like people are going to take on a lot of risk.
Markets might pump. But I predict the first real enormous crash and bear market will happen as a result of, of, of,
that liquidity unlock and then eventual crash.
So keep that in mind.
DGEN is going to DGEN.
And that just perfectly leads into what I'm about to say next.
Guys, thank you so much for coming on.
Of course, crypto is risky.
ETH is risky.
NFTs are risky.
NFTs are risky.
Collaboralizing NFTs is going to be really risky.
You can lose what you put in.
We are headed west.
We're on the frontiers.
Not for everyone.
But we are glad you are with us on the bankless.
journey. Thanks a lot for stopping by this Bankless Overprice JPEG's live stream panel. Thanks guys.
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