Bear Grease - Ep. 500: Conman - The Education of Little Tree (Part 1, Revisited)
Episode Date: September 9, 2026Some stories are just too good to only hear once, so we are going back to listen again to Clay Newcomb as he ask talks with New York Times best selling author Steve Rinella and Dr. Dan T. Carter, prof...essor emeritus at the University of South Carolina about black-listed book “The Education of Little Tree.” The book, an alleged semi-autobiographical story about a Cherokee boy growing up in southern Appalachia, was written by Forest Carter, which was the false identity of famed white supremacist, Ku Klux Klan chapter founder and speech writer for Governor George Wallace, Dan Carter. In part 1, Clay reflects on the honest, insightful, and empathetic context of the book and explores the nuance and dissonance of what to do with with art in light of an artist’s beliefs. Thank you to our sponsor, Tecovas. If you have comments on the show, send us a note to beargrease@themeateater.com Connect with Clay and MeatEater Clay on Instagram MeatEater on Instagram, Facebook, Twitter, Youtube, and Youtube Clips MeatEater Podcast Network on YouTube Shop Bear Grease MerchSee omnystudio.com/listener for privacy information.
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Hey, everybody. This is Clay Newcomb. We're going to be doing things just a little bit different the next couple of episodes of Bear Grease. Sometimes we move so fast that some of our best stuff gets kind of forgotten, kind of left in the past. And I want to go back to April 19th, 2023, to one of my favorite series of that time period.
And it's our series called Conman.
And it's about a man named Asa Carter, who in 1976 published a book called The Education of Little Tree.
He wrote the book under the name Forrest Carter.
The book is absolutely wonderful.
A's life was absolutely wild.
This is some hard-hitting, bear-gris stuff.
And I really hope that you enjoy it.
I hope you're having a great start to the fall.
I hope you're getting out in the elk woods.
I hope you're getting in the bear woods.
I hope you're getting into the deer woods.
Without further ado,
here is Conman, the Education of Little Tree, part one.
And I sat down and read it,
and I realized I could see why it was so popular,
but I could also see the traces of the real author.
On this episode, we're going to learn
about one of the greatest American literary con,
of all time, or was it a con at all?
The good news is that at the navigation helm will have author and southern historian Dr. Dan T. Carter,
Professor Emeritus at the University of South Carolina, and New York Times bestselling author
and Crow Call extraordinaire Steve Runella of Meat Eater.
These guys are going to talk to us about a book called The Education of Little Tree and the wildlife of its author.
There aren't any better guests on planet Earth to tell us the story of a double life, lies, and racism that produced a brilliant piece of literature so rooted in American wilderness and values.
It'll make you want to barred Al Hoot and kiss your mama after the trill.
I really doubt you're going to want to miss this one.
And hey, I want to let you know that my friend Brent Reeves has a new podcast coming out on this.
this feed starting on April 21st called This Country Life. It's incredibly fun and we're thrilled to
bring it to you on this Bear Grease feed. My name is Clay Newcomb and this is the Bear Grease
podcast where we'll explore things forgotten but relevant, search for insight and unlikely places,
and where we'll tell the story of Americans who live their lives close to the land.
Brought to you by Tukovas Boots.
a cowboy boot man and I've been wearing Tocovas for years. They're the most comfortable
boot I've ever put on. Good boots for good times. Grand Paul stopped and pointed by the side of
the trail. There she is. Turkey run. See? I dropped to my hands and knees and saw the tracks.
Little stick-like impressions coming out of a center hub. Now, Grandpa said, we'll fix the trap.
And he moved off the trail until he found a stump hole. We cleaned it out. First, the
leaves and then Grandpa pulled out his long knife and cut into the spongy ground and we scooped up
the dirt scattering it among the leaves. When the hole was deep so that I couldn't see over the
rim, Grandpa pulled me out and we dragged branches to cover it and over these spread armfuls of leaves.
Then with his long knife, Grandpa dug a trail sloping downward into the hole and back toward
the turkey run. He took the grains of red Indian corn from his pocket and scattered them
down the trail and threw a handful into the hole. Now we will go, he said, and we set off again
up the high trail. Ice spewed from the earth like frosting, crackling under our feet. The mountain
opposite us moved closer as the hollow far below became a narrow slit, showing the spring
branch like the edge of a steel knife sunk in the bottom of its cleavage. We sat down in the leaves
off the trail, just as the first sun touched the top of the mountain across the hollow.
From his pocket, Grandpa pulled out a sour biscuit and deer meat for me, and we watched the
mountain while we ate. The sun hit the top like an explosion, sending showers of glitter
and sparkle into the air. The sparkling of the icy trees hurt my eyes to look at it,
and it moved down the mountain like a wave as the sun backed the night shadows down and down.
A crow sent three hard calls through the air, warning we were there.
And now the mountain popped and gave breathing sighs that sent little puffs of steam into the air.
She pinched and murmured as the sun released the trees from their death armor of ice.
Grandpa watched, same as me, and listened as the sounds grew with the morning wind that set up a low whistle in the trees.
She's coming alive, he said, soft and low.
without taking his eyes from the mountain.
Yes, sir, I said.
She's coming alive.
And I knew right there that me and grandpa had an understanding
that most folks didn't.
Your ears and the engine of your imagination
have just partook of the writings of Forrest Carter
in the opening chapter of his book called
The Education of Little Tree, published in 1976.
Carter identified himself to the world as a Cherokee Indian,
raised in a cabin with his grandparents in East Tennessee.
This is the story he told to Barbara Walters in 1975 on The Today Show.
It would be my guess that you've probably never heard of this book, even though it became
a New York Times bestseller in 1991, selling over one million copies.
And in the heyday of Oprah Winfrey's Book Club in the late 1990s, it made her list, staying there until
2007 when she removed it. And it isn't surprising because it's incredibly good with descriptive prose,
intriguing plot themes, and brilliant displays of the beautiful and functional connection the
protagonists have to the natural world. That's why I was originally interested in it. It's got some
turkey trapping, fox hunting with hounds, corn and watermelon planting, mules, moonshining, and some
insight on deer management.
It even takes some big swings
at the establishment.
It has a where the red fern
grows feel with a young
orphaned boy learning moral
and practical lessons from his Cherokee
grandfather in the Great Depression era
of the 1930s.
A big delivery of the book,
however, is a deep empathy
for Native Americans and
a display of their wisdom
and how they got a raw
deal. Remember that.
If something hadn't happened to this book, it would have been an American classic, like the Adventures of Huckleberry Finn or Charlotte's Webb.
But something did happen.
And I've got to fess up.
You've already been misled.
Forrest Carter wasn't a Cherokee Indian at all, and his name wasn't even Forrest Carter.
Here's my friend Steve Ronella.
He knows this book.
Steve, when is the first time that you read the education of Little Tree?
when you and I first started talking about this book a while back,
it forced me to try to recollect how I became familiar with it.
I know now, absolutely.
I became familiar with it when I was in college.
I was in a class called The Literature of Political Rhetoric
by taught by a guy named Dr. Gillis,
and he gave us that book to read.
In addition to things like some of the works of Martin Luther King,
Jr.
writings of the Unabomber,
writings of Camille Poglia,
just wild stuff all over to place.
We read works from people
who had like an axe to grind,
okay?
And you threw that in the mix.
People with an ax to grind.
I really wish we could have done this different,
and you could have read this book
before you know what you're about to know.
But I wasn't afforded this privilege either.
I read the book after I learned
that Forrest Carter wasn't Forrest Carter at all, but rather his name was Asa Earl Carter.
I'd be really impressed if you knew that name from American Southern History, and you will.
Dr. Dan T. Carter, who is no relation to Asa Carter, is a University of South Carolina professor emeritus and renowned Southern historian and acclaimed author.
He wrote a biography of the Alabama governor, George,
Wallace, who became famous for opposing desegregation. Most recently, Dr. Carter wrote a book called
Unmasking the Klansman just published in April of 2023. More on that in a minute, though.
I wanted to ask Dr. Carter about the education of Little Tree's unusual rise to national fame
after being published in 1976, but not becoming a New York Times bestseller until 1991. This is an extremely
rare thing. Here's Dr. Carter.
That book was reissued in 1988, and then it just by word of mouth, it had no advertising.
It was published by a university of New Mexico press. It just kept picking up, picking
up more and more people reading it. And by the summer of 1991, it had climbed on to the New York
Times bestseller list.
then I did become interested in it.
And as it continued, I realized I'd never read the book, but I knew about it.
And I sat down and read it.
And I saw on one level why people loved it so much.
I think we love books about coming of age.
And as one agent said who represented Carter at one time, Indians were hot by
the 1980s and 1990s. People were interested in Native Americans, and particularly at a time when
you're trying to develop broader ranges of books for adolescents and young people. And the
education stories seem to fit right within this. You've got a story about a young Native American
growing up in the mountains of East Tennessee, and it's an appealing story, and it seems to have a kind
a moral core to it.
Because obviously, he's learning moral lessons from his Cherokee grandfather.
And it's the kind of moral lessons that you like to believe you'd teach your children or
grandchildren, but it's also embedded in what Americans were coming to, if not revere,
at least respect a lot more.
And that was the Native American frame of cosmic reference and morality.
And so it was just a winner all the way around.
And I realized, as I read it carefully, I could see why it was so popular.
But I could also see the traces of the real author.
Traces of the real author.
In storytelling, the listener, you have to be handled with great care,
like a little baby duckling trying to jump out of your hands
while you're carrying it to the pond,
the listener will try to jump out of your hands
if you don't tell them the hook at just the right moment.
They've got to be intrigued enough by the unknown
to keep listening, but not get bored.
So get ready for the hook, the down low, the dirty scoop,
and here it is.
The author said his name was Forrest Carter,
that he was a Cherokee Indian,
and that his story was semi-autobiographical
of his upbringing in Tennessee.
but his real name was Asa Carter.
We know that.
He wasn't a Cherokee.
We know that.
He wasn't raised by his Cherokee grandfather.
We know that.
But he was actually from Anniston, Alabama.
And he was a leader in his own strict sect of the Cluclux Klan.
He was a vehement segregationist and an ardent prophet of the white supremacy movement.
And his message was carried by his successful print publication.
He founded and his radio.
broadcast. Dr. Carter's book Unmasking the Klansman is the one and only biography on Asa Carter.
Asa Carter was the Klansman. And Dr. Carter, of no relation to Asa Carter, is undoubtedly the nation's
expert on Asa Carter. The book is fascinating. I wish I could have thrown all this information on
you at the end after we've learned about the education of Little Tree, because it's an amazing book.
And it won't make a lick of sense when you understand who this man was and as we understand what the book's about.
We're trying to understand how this dude wrote this book.
It just doesn't add up.
And I haven't even told you the wildest part.
It involves a man by the name of George Wallace, who on January 14, 1963, gave his inaugural speech on the steps of the state capital of Alabama after being elected governor.
Wallace would become the face of opposition to the civil rights movement when he delivered his infamous segregation forever speech.
In the name of the greatest people that have ever trod this earth, I draw the line in the dust and toss the gauntlet before the feet of tyranny.
And I say segregation now, segregation tomorrow, and segregation forever.
Wallace's words, segregation now, segregation tomorrow, and segregation forever would be an unforgettable moment in American history branding him as the face of racism.
However, these weren't his words.
He had secretly hired Asa Carter to write this speech.
Those are Ace's words.
How could this man have written a book so brilliantly empathetic and authentic that he fooled the word?
And I can tell you, we're going to have to guess because Asa Carter died unexpectedly and tragically
in 1979 at the age of 54 years old. There is just drama stacked on top of drama with this story
and with this guy. And I want to say up front that I am uninterested in villainizing Asa Carter.
He didn't need any help with that. And I'd like to say that 43 years after this man's death
we should not be affected or damaged by the things he said or believed.
However, we can learn something about the extremes of human nature from his life.
We're in pursuit of uncovering the true identity of Asa Carter
and decide if he was a changed man when he died or a con man.
Here's more from Dr. Carter on how he learned about the double life of Asa Carter.
your original interest in Asa Carter was you were doing a biography on George Wallace.
Right.
And then you went to meet Seymour Trammell, who was George Wallace's right-hand man.
Right-hand man.
Yeah.
Tell me about meeting him, but then him telling you about the book.
Yeah.
Well, of all the people, and I interviewed about 40 people for the biography, this, I started this in the lead.
80s, so there were still a lot of these people around, many of them are gone now.
Of all the people I interviewed by far, the most interesting and insightful was Seymour Trammell.
He was a country boy from South Alabama who became Wallace's finance commissioner and his right-hand
man.
Smart as he was really smart.
Got in trouble, ended up in prison, and by the time I knew him, he was a different person.
He just, prison had changed him.
He had trouble drinking.
He stopped all that.
And he was introspective in a way that he never was as a young man.
You know, looking back on his life, he could see all the mistakes he had made and all the things.
He said, I've done wrong, you know.
But he was the one that gave me insight.
When I started talking to him one day, we had several long conversations.
And I was talking to him, and I said something about this.
this guy, Asa Carter, I said, I keep running into him. I said, was he really George Wallace's
speech writer for that famous segregation today's segregation? And he began laughing. He said,
of course he was. He said, George was good. But he said, the best stuff was always from Asa.
He said, you know, he was a real writer. And I knew that Asa had Carter, who was a white supremacist
and a radio announcer had written a bunch of radio programs in the 50s.
Published a very slick magazine called a southerner.
And he said, you know, he wrote novels.
He, one of them was made into a movie.
And I just thought, I think Seymour, he's not that old,
but clearly his mind is slipping away here.
And because I didn't know about the double life, you know.
All I knew was Asa Carter had written this,
and he was a writer.
So that was in 1990, I think it was.
And it wasn't more than about six months later that my son and I were watching a film called The Outlaw Josie Wales by Clint Eastwood, sort of his breakthrough film.
And I don't know why.
As I came to the end of it, it said, based on the book by Forrest Carter.
I thought, Forrest Carter didn't think about it.
And the next morning I woke up.
And I said, Forrest Carter, Asa Carter worship Nathan Bedford Forest, General Nathan, the Confederate General Nathan.
So I started, it didn't turn out to be hard at all. It was like something that was in plain sight there.
All you had to do was go back to the original publication of the book, which was called Gone to Texas, but became the Outlaw, Josie West.
And it had the copyright. I went to the copyright thing in Washington.
And there was his address, Asa Carter's address.
in Alabama.
The exact same address.
You'll be ten bears?
I am ten bears.
I'm Josie Wales.
I have heard.
You're the gray rider.
You would not make peace with the blue coats.
You may go in peace.
I reckon not.
Got nowhere to go.
And you will die.
I came here to die with you.
I'll live with you.
Dying so hard for men like you and me.
It's living.
It's hard.
And all you've ever cared about has been butchered or raped.
Aisa Carter didn't just write the education of Little Tree.
He wrote a book originally called Gone to Texas,
and Clint Eastwood turned it into his breakout movie,
The Outlawed Josie Wales.
In this scene, the Comanche Ten Bears respects Josie Wales
because he didn't give in to the Union Army and the Civil War.
This is an incredibly good movie,
and it's hard not to love the protagonist,
Josie Wales, the Confederate soldier, played by Clint Eastwood.
Aza was a prolific novelist.
Here's more from Dr. Carter.
And then I began looking in this forest corridor, operating out of Abilene, Texas,
had written four books, the outlawed Josie Wales, a vengeance, Shrail of Josie
Wells, and a book called Watch Farmer Me on the Mountain, which is a fictional biography.
of Geronimo, it's a really good book. I mean, I think it's the best book he ever wrote. And it's
pretty accurate. But it's also, it's just powerfully written. In fact, one of the major writers
and reviewed it in New York Times said, this is the best book ever written by a Native American.
And then... They believed Forrest Carter was a Cherokee Indian from East Tennessee.
From East Tennessee who had spent years as a cowboy out in the way he moved out west
and was a cowboy out there, a Cherokee cowboy.
So if Seymour Trammell knew this, who would have known this?
Lots of people.
So all the people in Alabama.
Not all, but his close friends knew.
He knew that Asa Carter was Forrest Carter.
And I guess there wasn't they just kind of, why wouldn't they have brought that up?
or was it just they thought it was his pen name?
They just didn't see any relevance to it.
A whole range of things.
Some of them said, well, you know, he'd never have gotten anything published as Asa Carter
because of all the trouble he got into in the 50s, as the white supremacists.
A lot of it, though, Clay was, I'm going to show those Yankee liberals.
A lot of his close friends, I mean, for example, as Faris Carter,
when the Outlaw Josie Wales came out, he was introduced and interviewed on the Today Show with Barbara Walters,
which is one of the most watched television shows in America at the time.
And he told several people back in Alabama that he was going to be on the Today Show.
And his friends thought it was hilarious that he was tricking this Yankee newspaper reporter.
And it was kind of a big joke.
I mean, one of his closest friends, Ray Andrews, said,
I literally lay down the floor laughing.
And another one of his friends kept saying,
oh, my God, I hope she doesn't ask him about the Ku Klux Klan,
which he had a Ku Kluxlan group.
Yeah.
So that was part of it.
But here's the other thing that's so fascinating to me, Clay,
is when that show ran,
the switchboard at the Today Show lit up with people from Alabama
who were not his friends,
say, you people are stupid.
This isn't Forrest Carter, it's Asa Carter.
And they totally ignored it.
His editor said, that's nonsense.
You know, I know him.
I've known him for years.
Of course, he's an Indian.
Absolutely, he's an Indian.
His movie agent, she wrote a wire.
She said, I couldn't believe that.
I'd had him in my house.
I knew he was an Indian.
He looked like an Indian.
He talked like an Indian.
He acted like an Indian.
an Indian and it was just kind of to me it's an example of of how you get your
mindset in a certain way and you just don't change it the other thing that was
critical I think you think about this now this is the 1970s there's no internet no
internet and there's no way for social media to catch up amplify any of this
this could never have happened in after 2005 or 2010 you know
But at that time, it simply disappeared.
The story simply disappeared during the claims.
Wayne Greenhall, a friend of mine, I discovered, and I didn't even know this at the time.
He wrote a story in 1975 saying that there are a lot of similarities, he said, between Asa Carter and Forest Carter.
This is when he was big time with the movie with Clinties Wood and everything.
And he pitched it to the New York Times.
and they were so scared of being sued
that they changed that story
and it appeared the New York Times
but it was so ambivalent
that you couldn't figure out
whether he really was or wasn't
really so in 1975
in New York Times
they basically said
there are a lot of similarities
between the two
talk about pulling the wool
over the eyes of America
and before he died
he would outright deny
that he was Asa Carter
Behind every night spent making the kids' lunches, there's a lot of suspense.
Will they finally eat the veggies?
Will the pasto survive the first bite?
Will the lunchbox come home empty, half full, or come home at all?
And will you finish episode 8 before you're done slicing the cucumbers?
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Hey everyone, big huge announcement.
Meat Eater Live, the Christmas Tour is kicking off again this year for the Christmas season of 2026.
This time we're hitting the Midwest.
Meat Eater Live, the Christmas Tour kicks off in December across six Midwestern cities.
We've got Grand Rapids, Milwaukee, Madison, Des Moines, Minneapolis, and Fargo.
Join myself, Janus, Putellus, Clay Nook, and Brent Reeves, and Randall Williams.
for a night of laughs, trivia, free prizes, news, and opinions from across the worlds of hunting, fishing, wildlife conservation, and wild foods.
Also, we're already stacking up some great special guests.
I got my buddy Bubbly Doug making the appearance in Madison.
Meat Eater Live is the best Christmas gift for any outdoorsman or woman in your life.
Tickets go on sale September 25th, but sign up at themeetor.com slash tour and you'll get pre-sendors.
access to buy tickets on September 14th days before they go on sale to the public.
We can't wait to see you there.
And I'm telling you, go ask anyone who has ever come to one of the Me Eater Live events.
And they will tell you, we laugh our asses off, we give away great prizes.
We put on a solid show that I'm proud to be part of.
In part two of this series, we're going to learn a lot more about Ace's life and why he did what he did.
But before we go any further, we've got to.
understand this book. The first thing we have to do is understand the education of Little
Tree because it will show us a window into the mind of Asa Carter. Here's Steve Ronella and I.
The education of Little Tree was written in 1976 by a man who went by the name of Forrest Carter.
It was initially understood to be a autobiographical. It was taken to be autobiographical.
autobiographical of a young Cherokee Indian boy and his parents die and he goes to live with his grandparents in the mountains.
It's very light on backstory.
I mean, it opens with a collection of people trying to figure out what to do with an orphaned child.
Yeah.
He latches onto his grandpa's leg and stays there without saying anything, without crying, holding his leg so long that eventually it's just determined that the grandpa will bring him home.
He's five.
No one's got a better idea.
The boy's five years old.
Yeah.
And so the story is this boy being leaving his mother and father who have died.
No, I think we're just like out of, let's agree to use the terminology used by the author.
Okay.
The boy is, it's clear up front.
The boy is regarded as a bastard child.
Okay.
He's, he's, but he's not.
His parents were married in the Cherokee way.
But there's a treatment of him as such.
and he goes to live with his full Cherokee grandmother and his half Cherokee, half white grandfather, who is very much presented to be very much of the Cherokee.
And so the book is basically just a few years of the boy's life. It's just a small sliver of time when his grandfather teaches him essentially how to how to be a man and how to be a Cherokee and how to survive in the modern.
modern world and time.
The opening chapter of the book,
they go and trap turkeys.
They fox hunt with hounds.
The grandfather in later chapters
teaches the boy how to make moonshine.
That's his trade.
He's in the whiskey trade.
Right.
And so the book is about the education
of Little Tree because the boy,
quickly, when he comes home with his grandfather,
is named Little Tree.
He's learning very practical skills.
When to plant, how to fertilize soil,
how to make whiskey, how to catch catfish,
all these very practical skills.
But what he's really getting,
the education is how to be.
What is your obligation to your family?
What is your obligation to the natural world around you?
He gets a moral, a very pure moral education
by doing very practical things.
The book, like from a literary perspective to me,
the book just reeks of,
you feel like you're in western North Carolina.
You feel like,
you're in the mountains. Oh, it feels it feels completely authentic. Yeah. Well, let me say this. You know when
you're watching some kind of poorly done show or movie and there's a scene that involves a
contractor. Okay. And the contractor's doing something, like someone's doing a construction thing or
preparing something and you're watching it and you know that that actor has never repaired anything.
Yeah. And you know that no one on that set has ever watched someone.
repair something.
And it's all just a stab in the dark about how someone repairing something might approach
that.
And there's zero authenticity.
I'm sensitive to that.
I don't like to see that.
That'll make me turn something off when I see that.
In reading this, and I have a lot of exposure, not as much in the South, but I have a lot
of exposure to rural culture all across America.
In reading this, I would say.
that person knows what they're talking about.
That person, when it comes to the physical stuff, right,
that person has fished.
They've been there.
That person has been to a still.
That person has worked in corn patches.
That person has raised melons, right?
That person has dealt with dogs.
Let me read you another section, Steve,
about when he was out at night.
And as a coon hunter myself, when I read this,
I was like, this guy has been in the mountains at night.
Because he described it better than I could.
They were going fox hunting.
And he said, dark fell in close and the mountains moved in on either side as we walked.
Before long, we came to a while on the trail.
Grandpa had taken the left.
And there was no more room in the trail except for right on the edge of the spring branch.
Grandpa called this the narrows.
Seemed like you could stretch out your arms on either side and touch the mountains.
Straight up they went.
and feathered with tree tops, which left a thin slice of stars above us.
I love that when I read that, like a thin slice of stars above us.
This author had been there.
He went on to say, way off, a morning dove called Long and Thrody, and the mountains picked
it up and echoed the sound over and over, carrying it further and further away until you
wondered how many mountains and hollows that call would travel.
And it died away so far.
It was more like a memory than a sound.
He said that the call of a morning dove was more like a memory than a sound.
I mean, that's some good writing.
It's poetic without being pretentious.
It's, there's just great.
All the metaphor is great.
They hide their still so well.
He says that a bird couldn't find it.
I mean, it just, it's, it just is good writing.
Like, it's good writing.
Steve said he recognized authenticity in this author.
I want to read an excerpt where grandpa is telling a childhood story about a Civil War vet named Coon Jack who gets offended in church.
Coon Jack stood up and said,
I hear tell they some in here been talking about me behind my back,
and I want you to know that I'm aware's.
I know what's the matter with you.
You're jealous because the deacon board put me in charge of the key to the songbox.
Well, let me tell you, and if you don't like it, I got the difference.
right here in my pocket.
Grandpa said, sure enough,
Coon Jack lifted his deer shirt
and showed a pistol handle.
He was stomping mad.
Grandpa said that church house was
full of some hard men, including
his Paul, who would soon
as not shoot you if the weather changed,
and nobody raised an eyebrow.
He said, as Paul stood up and said,
Coon Jack, every man here
admires the way you've handled the key to the songbook box.
best handling ever been done.
If words have been mistook to cause you discomfort,
I hear and now state the sorrow of every man present.
Coon Jack set down, total mollified and contented, as was everybody else.
On the way home, Grandpa asked his Paul why Coon Jack could get away with such talk.
And Grandpa said that he got to laughing about Coon Jack acting so important
over the key to the songbook box.
And he said, as Paul told him, son, don't laugh at Coon Jack.
You see, when the Cherokee was forced to give up his home and go to the nations,
Coonjack was young, and he hid out in the mountains, and he fought to hold on.
When the war between the states come, he saw maybe he could fight that same government
and get back the lands and home.
He fought hard, both times he lost.
When the war ended, the politicians set in, trying to get what was left of what
had. Coon Jack fought him and run and hid and fought some more. You see, Coon Jack came up in a time of fighting.
All he's got now is the key to the songbook box. And if Coon Jack seems cantankerous, well,
there ain't nothing left for Coon Jack to fight. He never knowed nothing else.
Grandpa said he'd come might near crying for old Coon Jack. He said that after that, it didn't matter what
Coon Jack said or did, he loved him because he understood him. He loved him because he understood.
That's powerful empathy and deep insight into human nature. When we heard Forrest Carter write about
the natural world, it's clear he had experienced it. But also, when I hear him talk about empathy
and understanding people's issues, it feels just as authentic. I want to read you one more excerpt,
And it's a window into the home of little trees, grandma and grandpa.
We'll learn that grandpa's name is whales.
Grandma's name was Bonnie B.
I knew that when I heard him late at night say,
I can you, Bonnie B.
He was saying, I love you.
When they would be talking, Grandma would say,
Do you ken me whales?
And he would answer, I can you.
It meant I understand you.
To them, love and understanding was the same thing.
Grandma said you couldn't love something you didn't understand.
Nor could you love people nor God if you didn't understand the people and God.
Grandpa and Grandma had an understanding and so they had a love.
Grandma said the understanding run deeper as the years went by,
and she reckoned it would get beyond anything mortal folks could think upon or explain.
And so they called it Ken.
Grandpa said back before his time,
Ken folks meant any folks that you understood and had an understanding with.
So it meant loved folks.
But people got selfish and brought it down to mean just blood relatives.
But that actually it was never meant to mean that.
You can't love something you don't understand.
These uneducated hill folks mapped out and
functionalized love in a way they suspected mortal people couldn't understand or explain.
They recognize that genuine love and understanding should be spread much wider than the
rudimentary understanding of blood relatives.
Kenfolks are all the people that you truly understand and that understand you and thus you love
them.
This is deeply philosophical and it sprung from the creative loins of a racial
supremacist. This would be the last thing that we think he'd understand. Incredible writers usually
have a uniquely comprehensive grasp on their topic of expertise. And in this situation,
Asa Carter's expertise was on the inner gold and purest character of these marginalized people.
This man seemed to truly understand love, which begs the question of where did he get access to
this. We're roiling towards a deeper and more difficult question, though. Does the outside life
of an author matter? Or should the content simply be taken for what it is? Can we draw meaningful
ideas from a flawed source? I want you to be thinking about that. And Dr. Carter has some ideas.
And he's going to show us a place where Asa didn't get it quite right.
writers are not perfect people and their backgrounds are often things that make us cringe and yet we can
still look at their books and their works their writing works is great worthwhile we don't know
Shakespeare may have been a jerk you know for all we know but the other thing I think it was
mixed in with this clay was having having interviewed Native Americans who did
did know something about Cherokee culture.
And they found the book, some of it interesting.
They didn't dislike the book at all,
but they found it false in some respects.
And they talked about how he got some of it right,
but he got some of it fundamentally wrong.
And they talked, I think the thing they found most bewildering
and they disliked the most was that they felt reading it that it was more kind of new age philosophy
in which you're embracing Native American ideas but not really authentically capturing.
I'll give you just one example.
I mean, there's some examples.
One of them is a language which was made up.
It's not Cherokee.
But that didn't bother them, you know.
What bothered them, both of them, was that the ideas he expressed about the cosmos,
about the world religious view of Cherokees tended to be vague, earth mother,
you know, this kind of thing.
And what both of them said is that Cherokee's ideas about God, the Great Spirit,
whatever you want to call it, is very deeply rooted in specific.
And one of them was very eloquent talking about how he talks about how beautiful the mountain is.
And he said, it's a good writer, you know, he can really describe just.
But he said, a Cherokee would describe precisely the mountain, the name of it, the exact river.
Everything has to be specific because it's very specific to their worldview.
And he said this doesn't.
Site-specific religion.
Yes, site-specific religion, everything.
And one of them said very, he grew up in an area where there were lots of whites as well.
And he said, it struck me reading it that it's this mixture of both Indian life and white rife.
He said, for example, I'll virtually know Indians made corn whiskey.
It was a white man's thing.
And it was, they didn't drink it.
They did.
but he said
Scotch Iris were pretty tight about that
and you get into trouble if you started
they were the ones that controlled
the whiskey making business
so it was those things that they
didn't think nullified the book
but and they said
wasn't quite consistent but it's not really
and so their whole thing was
read it as a or a kind of novel
but don't give it out to students
and say this is Cherokee life
Shakespeare may have been a jerk.
That's funny, Dr. Dan T. Carter.
And the truth is, we don't really know much about Shakespeare's private life.
And if you remember, we've heard about site-specific religions and our Tecumseus series.
Dr. Dave Edmund said that that was part of why relocating Native Americans was so devastating to their culture.
We're going to now get back into the fabric of this book with Mr. Steve,
Renella. Did y'all hear that CBS called him the Julia Childs of the campfire? That's funny. Here's Steve.
Part of the education of Little Tree beyond the things that we spoke about being how to utilize the landscape through hunting, fishing, agriculture, how to treat the landscape with respect, how to treat the people around you and the people you love with respect and empathy, and how to,
not be boastful or prideful in how to behave in a discreet fashion.
There is also another thing that Little Tree is educated on are the evils of pretty much
everything that is organized.
He has taught to understand that politicians are by definition corrupt, that the
education system is corrupt in and of itself, government is corrupt, organized
religion is corrupt. You have your word, you have the promises of the people around you,
but anything that comes from you that has been institutionalized, you should be very suspicious
of. And that is like a key part of the education. And it comes about in such natural ways
inside the book. Sure. Like for instance, the grandfather is making whiskey and there's a whiskey
tax, so they have to hide their steel so they don't pay the tax.
So in the book, the grandfather loves George Washington until he finds out that Washington is the one that instituted the whiskey tax.
And then he really tries to justify like how could Washington have done that?
It must have been a mistake.
Yeah, he seeds.
He can't get it out of his head.
He normally refuses.
He likes to walk, refuses to be picked up by a car, allows himself to get picked up by a car just so he can ask the driver of the car what he's.
he thinks about what Washington did.
He can't get it out of his head.
Yeah.
In his mind, if I grow corn on my land and I have a contraption I made on my land and I can
take my corn and make a beverage with it, how in the world is this anything?
How does this have anything to do with the government?
Yeah.
Explain, like what has gone bad when I've done this all with my hands on my property?
Beautifully laid out because the grandfather, you trust him so much.
He's so straightforward.
He's so certain. He's so naive, but he's so honest. Like, you just, you, you, the writer wants you to think this man sees the world in its most simplistic terms, but the right way.
Behind every night spent making the kids' lunches, there's a lot of suspense. Will they finally eat the veggies? Will the pesto survive the first bite? Will the lunchbox come home empty, half full, or come home at all? And will you finish episode eight before you're done slicing the cucumbers?
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Hey everyone, big huge announcement.
Meat Eater Live, the Christmas Tour is kicking off again this year for the Christmas season of 2026.
This time we're hitting the Midwest.
Meat Eater Live, the Christmas Tour kicks off in December across six.
Midwestern cities. We've got Grand Rapids, Milwaukee, Madison, Des Moines, Minneapolis, and Fargo.
Join myself, Janus, Putellus, Clayneuke, and Brent Reeves, and Randall Williams for a night of laughs, trivia, free prizes, news, and opinions from across the worlds of hunting, fishing, wildlife conservation, and wild foods.
Also, we're already stacking up some great special guests. I got my buddy Bubbly Doug making the appearance in
Madison. Meat Eater Live is the best Christmas gift for any outdoorsman or woman in your life.
Tickets go on sale September 25th, but sign up at the Meatater.com slash tour and you'll get
pre-sale access to buy tickets on September 14th days before they go on sale to the public.
We can't wait to see you there.
And I'm telling you, go ask anyone who has ever come to one of the Me Eater Live events and they
will tell you, we laugh our asses off.
We give away great prize.
We put on a solid show that I'm proud to be part of.
It's hard not to love Grandpa.
He and Little Tree once had to bury a fox dog named Ringer that had died on the hunt, and Little Tree was very sad.
This is what Grandpa said.
And it's important to know that this book is written in dialect, so sometimes it sounds kind of funny when you take it out of context.
Grandpa said everything you lost, which you had loved, give you that feeling.
He said the only way around it was to not love anything, which was worse because you would feel empty all the time.
Grandpa said, suppose an old ringer had not been faithful, then we wouldn't be proud of him.
That would be a worse feeling, which is right.
Grandpa said when I got old, I would remember old ringer and I would like it.
He said it was a funny thing, but when you got old and remember them you loved, you only remembered the good, never the bad,
which proved the bad didn't count no-how.
The bad didn't count no-how.
That's deeply philosophical too.
It makes me wonder if Asa hoped his life would be judged by the same rules as Ringer.
Here's more from Steve Ronella, and we're going to get into something a bit more serious.
There's a thing we haven't looked into, which is the philosophy and viewpoint
on poverty, almost everybody in this book is exceptionally poor, very, very poor, like cash
economies of sub-a-thousand dollars annually.
When Little Tree and his grandpa go to sell their bootleg whiskey at a store, the storekeeper
always have Little Tree do an errand for him.
The storekeeper wants to reward Little Tree with a piece of candy, but he knows that he cannot
give Little Tree a piece of candy for free.
So he needs to put it to Little Tree that he has expired candy.
He can't sell it.
Feels very wasteful throwing it out.
And that Little Tree would be doing him a favor to take a piece of the candy.
Under those conditions, Little Tree will eat that candy.
Little Tree meets the daughter of a sharecropper at the store.
She has no shoes.
Little Tree's grandma makes her a pair of moccasins.
He gives the girl a pair of moccasins the next time they go to the store.
When the girl's sharecropper father sees her in the moccasins and sees how glad,
she is he gets a stick and whips her until she bleeds makes her give the moccasins back to
little tree you think the grandpa's going to condemn the man the grandpa says i understand they can't get used
to nice stuff they'll never have nice stuff there's no reason for her to want things she won't get them
so i understand why he had to do what he had to do like a great reluctance to condemn and then sometimes
some like, it's like a vicious scene.
Yeah. But he's like, I understand.
He was not for me to judge.
The grandfather was very empathetic
towards people and that's a word that
we'll go back to because
when you see that whoever
wrote this book was trying to
I mean it feels like they were trying to
promote a message of empathy.
On the issue of empathy and it is,
there is a very strong environmental message
like a rigid
very strong environmental message.
There's a lot about empathy.
Now, where is there an environmental message in this?
The environmental message of that trees are sentient life forms.
Okay.
That you don't cut one down for no reason.
Yeah.
They would mostly try to only use trees that had been felled by lightning strikes or that fell over.
You could communicate through trees, not to take more than your share of anything.
That if you didn't love birds, birds won't show themselves to you.
If you didn't love game animals, game animals won't come near you.
They know that you love them.
They want to be near you.
It's a really strong environmental message.
And it's got teeth, right?
Bad things can befall people that disrespect nature.
It's not just appealing to emotion and beauty.
It's like these are like real things with real implications.
Like you can cut yourself off from life by disrespecting nature.
Yeah.
But within all that, all the messages of empathy, there's another message.
there too, and it can be read
in a way that reflects on what I said to you
when I talked about institutions.
It teaches empathy, but it teaches
something else, too. I mean,
it teaches distrust.
Distrust for the organized
systems of man, primarily the
government, are strong themes
of the book. However, they're presented
in such conjunction with the lovable
protagonist, I feel like it would be
hard for anyone to disagree
with its sentiment as it's presented.
And the fact that a Cherokee
Indian is the one making the judgment. It feels very just like he's got the right to believe that.
And in general, I'd say I feel the same way. Here's Steve bringing closure to this book.
There's something that happens really interesting in the book from a structural standpoint.
The main plot point, the main conflict isn't even introduced until the end of the book.
there's a definition of story that goes that a story is someone or something wants something
but there are obstacles to them getting it a story is someone or something overcoming
obstacles to get what they want okay that's true of the tortoise and the hair it's true
of shakespeare's works right it's like that's what story is the conflict in this book only comes
up in the end the conflict the real conflict in the book comes up that eventually the institutions
that Little Tree has been trained to be suspicious of,
the institutions come for him.
It emerges.
You don't even know who.
It emerges that people have complained
that this boy is being raised,
that this bastard child is being raised by heathens
and isn't going to get a formal education
and that they don't have formal custodial rights over him.
They're just sort of,
they fell into being his caretakers.
And all you've seen is the extremes,
the grandmother and grandfather have gone through
to give him,
him like the best of everything, the best moral education, the best work education.
He has a study from the dictionary.
They have the librarian recommend books to bring home that neither of them can read so that
the grandma can read them the books.
He's getting a formal education.
And then the suits show up and say he's not being educated.
And they take him away.
No sooner does he go away, though.
That conflict is resolved and he's back home.
it's like the thing you expect to be coming the whole time comes in the end and it gets resolved very quickly but then you quickly launch into this this other thing and then the heartbreak because then everyone he cares about dies his friend that we haven't talked about willow john dies the grandpa dies the grandma dies then you go through all of the dogs dying one by one until he's alone then the book without any the book just ends
he buries the last dog
and it's done.
There's not even a sentence.
The mule dies,
so it's southern literature.
There's a dead mule,
all the dogs die,
it's done.
And you have no idea,
like,
yeah,
you're left,
we don't know
what happened.
We don't even know,
we don't know
what kind of person he became.
Because even when you get into the end,
when he leaves home,
he just walks away.
When he leaves,
he walks out, shuts the door behind him and walks out.
And we don't see him come up against anything moral.
We don't see him come up against any conflict.
We don't see him interact with any other human.
We just see him go through the act of burying everything he loves in an area is alone.
You assume that he carries with him this strong moral compass, but we don't see it.
Spoiler alert, everything dies.
If you choose to read this book, which I would recommend, you'll have to say,
take the big boy approach knowing all the while what's coming while still allowing it to take
you on a journey. It's a double whammy because you'll also know Asa Carter's story too.
In this closing section, Steve asked me a very difficult question and then delves into a very
serious topic in today's America. It's good insight from Steve.
When you were working on this, I spoke to you and you mentioned talking to an academic.
who said to you, you know, that book's been blacklisted.
Blacklisted.
I understand that.
And I understand why.
I was given the book, not as a kid, but as a student, as a college student.
And I was very quickly after giving the book, I was invited to wrestle with the identity of the author.
Here's a question for you.
Do you read this to your kid?
I can't decide.
Man.
8, 10, and 12.
My kids are 8.10 and 12.
Do I read them that book?
and then say, let me tell you something about that person.
That's a tough question.
I haven't.
But that is the biggest question here, is that I read this book and was fascinated by it,
not even looking at what we know about the author, but just the connection to nature,
the way the grandfather presented the world to Little Tree was just so interesting.
And it would be hard to find fault with much of it.
Even the stuff about the government, I mean, a lot of people, I think, would read it and be like, yeah.
After the fact, after the revelations came out, people came forward and they're like, well, you know, it is very stereotypical and the character's very stereotypical.
But go find me people that were saying that in the 70s.
They weren't.
It's a real.
It's a real tough one.
Once people were armed with the truth, then they found all kinds of things.
Once they knew it, you know what?
Once they knew what they were looking for, they found it.
But they didn't find it ahead of time.
Right.
Steve, you tell me what you think happened here.
I could not find an academic person.
Someone that worked for a university literary professor
that would talk to me about this book.
And it wasn't necessarily...
At first I thought this book...
Well, the first person that did respond said,
hey, you realize this book has been blacklisted.
That was essentially his response.
And I said, yeah, that's why I want to talk about it.
And then I began to get the feeling
that people didn't want to talk about it.
Yeah.
Because it's just like, hey,
don't even don't even go there but I also think that I was sending emails out to a bunch of people
and contacting a big wide web of people which we did to which we had very little response which is
unusual I've rarely been found a book that I couldn't find somebody willing to talk to me about
I think that might also be a response to the thing being blacklisted 30 years ago so just nobody's
read it nobody's read it in 30 years and they're going to be afraid to talk about it now I know
I know you don't like to get overtly political.
I'm not going to get political, but I'm going to make a point about something.
Sure.
At a time, Republicans, at a time the Republican Party was free trade and nation building, okay?
You just go back to the neocons, free trade nation building.
It's now not, right?
So there's protectionism, not free trade, emerging as a predominant thing in the Republican Party,
protectionism, and isolationism, not meddling in not meddling in foreign affairs.
okay protecting our own trade not meddling in foreign affairs had you said 10 years ago what a
republican is you'd have brought up nation building and free trade so things change universities
used to be heralded as a place where there was a free exchange of ideas where you could talk
about dangerous stuff right they're not now by and large universities have become places
where you need to tread very lightly you do not talk about dangerous stuff because
you will get reprimanded and you'll get blacklisted and you'll lose your job.
Universities have somehow become somewhat anti-intellectual and they have become places where people
are afraid of the exchange of ideas. So that you're now not going to be able to get someone to
talk to you about this book is because they probably want to. They're scared. Yeah. Because someone's
going to come for them for talking about dangerous stuff. Yeah. I guess now if you want to talk about
dangerous stuff and free ideas, you've got to listen to the Barry Greece podcast. That's right.
Steve Rinella, the only guy in the country that would talk to me about the educational little tree.
We ended on a light note, but the content was very serious.
Often it seems the people who demand tolerance in their pursuit of enforcing it are incredibly intolerant.
We live in a messed up world in the most powerful contribution we have.
Bigger than voting, bigger than shouting down the crazies, bigger than fighting foreign armies,
bigger than our political doctrine, is to build our individual lives and families intentionally,
introspectively, empathetically, and with an unembittered, humble boldness towards truth.
And it helps to have a macro perspective of history that shows us that life is short.
And our lives are like the flowers of the field.
We pop up, then fade away.
And I believe with great certainty that we'll give account for our lives after our death.
And that knowledge is a powerful driver in my life and actions here.
I want to have integrity.
That's why fearlessly looking back into our history at some bad stuff and sorting through it will help us navigate the future.
I think this is powerful stuff.
And man, as crazy as Asa Carter was, I can't.
I cannot lie. My life was enriched by reading the education of Little Tree. I don't fully understand it.
You have to make that decision for yourself if you'd read this book to your kids.
On the next episode, we'll again have Steve Ronella and Dr. Dan Carter, and we'll look even deeper into the double life of Asa Carter and try to make sense of his life to decide if he was a changed man, a con man, or a crazy man.
it's going to be really good.
Thank you so much for listening to Bear Grease.
And don't forget our big news about my bro Brent Reeves
and its new podcast, This Country Life,
that'll be on this Bear Grease podcast feed.
I hope you have a great week,
and I look forward to discussing this with the crew
next week on the Bear Grease Render.
This is an I-Heart podcast, guaranteed human.
