Behind the Bastards - Part One: How Lawrence of Arabia Invented Modern War
Episode Date: November 12, 2024Robert tells Margaret Killjoy the whole story of Lawrence of Arabia, a British imperialist, hopeless romantic and asexual icon who invented the concept of modern insurgent war. Through it all we ask: ...was he a bastard? (4 Part Series) https://www.cliohistory.org/thomas-lawrence/lawrence/youth https://www.investigativeproject.org/4256/guest-column-the-final-death-of-lawrence-of-arabia https://www.theguardian.com/books/2014/nov/02/young-lawrence-a-portrait-of-the-legend-as-a-young-man-review https://www.salon.com/2015/03/01/i%C2%A0realize_now_that_he_was_sexless/ https://www.thehistoryreader.com/military-history/t-e-lawrence-art-war-twenty-first-century/ https://www.aljazeera.com/amp/opinions/2016/2/16/what-would-t-e-lawrence-do https://www.smithsonianmag.com/history/true-story-lawrence-arabia-180951857/ https://www.tracesofevil.com/p/blog-page_24.html https://www.firstworldwar.com/features/telawrence.htm https://baklol.com/baks/Misc/Great-people-who-were-also-per-_1492/T--E--Lawrence-_18491 https://interactive.aljazeera.com/aje/2016/sykes-picot-100-years-middle-east-map/index.html https://stljewishlight.org/top-story/lawrence-of-arabia-or-lawrence-of-zion/ https://theintercept.com/2023/03/23/peter-thiel-jeff-thomas/ https://israelforever.org/programs/balfourinitiative/Implementing_Balfour_Declaration/ https://www.jpost.com/Magazine/Opinion/Implementing-the-Balfour-Declaration https://www.independent.co.uk/arts-entertainment/books/news/manuscript-reveals-dark-side-of-lawrence-of-arabia-s-sex-life-76363.html https://www.amazon.com/Setting-Desert-Fire-T-Lawrence-ebook/dp/B006072QSGÂ https://www.nytimes.com/1970/03/22/archives/the-naked-truth-nothing-withheld-revealed-at-last-the-secret-lives.html https://www.pbs.org/lawrenceofarabia/players/dahoum.html Schneider, James. Guerrilla Leader: T. E. Lawrence and the Arab Revolt (p. 52). Random House Publishing Group. Kindle Edition. Sattin, Anthony. The Young T. E. Lawrence (pp. 34-35). W. W. Norton & Company. Kindle Edition.See omnystudio.com/listener for privacy information.
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Cool Zone Media.
Ah, what's?
The Dodgers won the World Series,
the Dodgers won the World Series,
the Dodgers won the World Series.
That's not the opening.
Anderson's dressed up as a Dodger.
I was going to go for it.
She's dressed up as Kendall Roy.
This is Behind the Bastards,
a podcast where Robert is very disappointed
because I had a whole bit planned to do with my guest,
Margaret Killjoy.
It's a good thing this is a four-parter,
do it next time.
Margaret, have you, how do you feel about
bringing back thylacine foxes, which are extinct?
That's the Tasmanian tiger, but this company says
they've got it figured out,
they're gonna be able to clone them.
You know, I wish I was more against that kind of stuff
than I am, but I'm a little bit on like bring on the dinosaurs chaos
Yep, that's I've got I've got a plan for how we can how we can make this work for the Democratic Party
Well, Trump probably wants to bring back the Orocs
Yeah, I mean, I honestly I don't mind bringing back the Orocs, but I would focus on the dinosaurs and I think what we do here
you know obviously America has a massive problem with guncs, but I would focus on the dinosaurs. And I think what we do here, you know, obviously America has a massive problem
with gun violence, but we've already seen
from the last like 20 years,
it's basically impossible to do much about it.
You know, the Supreme Court particularly has come down
against any kind of like functional laws on that regard.
So let's work around the problem, right?
People can't die of gun violence
if every American is dying early in a dinosaur park accident.
And I honestly think if we rejigger our entire economy
around cloning dinosaurs, putting them in parks,
and then having those parks kill everyone at the park,
we can solve basically all
of our current domestic issues, right?
You know, nobody's going to be, you know, all of this shit the GOP is going on about
migrants, you know, about trans people.
If everyone's just dying to dinosaurs, you know, there's no more problems.
We solved every issue in American society.
I think it would be good for humanity to not always be the top of the food chain.
Yeah. I think it would be good for humanity to not always be the top of the food chain. I think that if, as you were getting ready to go to work,
you opened the door and like a rabbit exiting her burrow,
you had to look both ways for predators.
Because the velociraptors escaped from Disney World again,
like they do every day.
Yeah. Yeah.
No, okay.
I think this is good.
I think this solves all of our problems.
Like I said, Anderson's dressed as Kendall Roy from succession and
I'm very proud of this costume
Yeah, who is a baseball if you're watching this you don't know what that is
Kendall Roy's a baseball player with the Dodgers since L to the OG
He's the best. He's the best linebacker in the New York Yankees
The New York Lakers. Yeah. Oh my god. It's gotta say the New York Yankees. The New York Lakers?
Yeah. Oh my God.
I just gotta say the New York Yankees,
but yes, that's even better.
Killing me.
Killing me.
Sometimes where a crime took place
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Margaret, speaking of the Yankees, you know,
that's a team for all of the rich assholes in America.
But before we had the New York Yankees,
we had their political equivalent, the British Empire.
How do you feel about the British Empire, Magpie?
Primarily negative.
Primarily negative.
Well, I guess that's pretty obvious
because they're terrible.
Yeah.
What do you know about probably like the most famous hero
of the British Empire of the 20th century?
Lawrence of Arabia. I knowth century. Lawrence of Arabia.
I know almost nothing about Lawrence of Arabia,
but I'm very excited about it.
Excellent, excellent.
I've been recently really interested
in learning more about the Ottoman Empire.
Oh, we'll be talking Ottomans.
Oh yeah, oh yeah.
Cool.
Lotta Ottoman shit is gonna be going down in this story.
So this is, you know, maybe a slightly different
kind of behind the bastards episode,
because I think like the title of this could be,
was Lawrence of Arabia a bastard?
And that's a complicated question.
He is a guy who the appraisals of him
have gone kind of back and forth since his death in 1935
from like, oh, you know, he was this hero of the empire
and a hero of the Arab people
who like backed their liberation from Ottoman tyranny
to he was an agent of imperialism who like betrayed
and you know, manipulated these Arabs
that he claimed to care about
and has a lot to do with the modern fucked up state
of much of the Middle East and the Muslim world,
like a lot of our current,
a lot of what's going on in Gaza right now,
in fact does have a lot of direct ties to Lawrence of Arabia.
And then, you know, to today,
where I think there's another reappraisal going on,
and you've even got some like left-wing scholars
who were saying, well, actually,
like the really critical views of this guy
are not entirely fair.
So it's one of those things.
We'll kind of, we'll repeatedly revisit,
like where do we think this guy's landing?
Is this guy a bastard?
Is he maybe a cool person?
Or is he kind of somewhere in the middle?
Are you saying that historical people
can be morally complex and so black and white?
Yes, yes, yes. Oh, wow.
Absolutely.
That would destroy both of our show's concepts
if that were true.
And it's also, he's particularly hard to judge
because he was a spook, right?
He's a spy.
You know, he is an intelligent.
And so he lies to everyone constantly,
his entire life, often for good reasons.
A lot of his lies are like, well, I would have tried to do the same thing in his situation.
Right. And then a lot of his lies are like, oh, well, I can see why that like the guilt
from doing this destroyed your entire life, Lawrence.
That was pretty fucked up.
So he's a guy I have always been interested in him because it was my dad's favorite movie.
And I'll tell you right now, the I rewatched late last year,
the Lawrence of Arabia movie from the 60s, whenever it was holds up. If you haven't seen
it, I really do recommend watching it because it's fucking gorgeous. You know, it was made
in an era when if you were going to make a movie about T.E. Lawrence, you sent a bunch
of dudes out to the desert and you blew up trains with dynamite. There was no other way to get those shots. And that's pretty cool. I think he's also really relevant because
one thing we all share as Americans, you know, whether you're left or right or centrist,
is this very strange and somewhat incoherent love for insurgents, even though we also find ourselves constantly
fighting and losing wars to insurgents.
And this all, you know, it has its roots in the kind of mythic origin of our nation, the
Revolutionary War, but it also has its roots in, you know, I think at this stage we have
to acknowledge that George Lucas is as much a founding father of this nation as George
Washington, right?
And so like, you know, it's kind of impossible
to separate our love of the founding fathers
and their insurgent struggle from like fucking rebel
Alliance, which we all learned about at age like four,
you know?
So we're going to talk about T.E. Lawrence this week.
And when I brought Lawrence up in conversations,
particularly with
friends who are on the left, I
noticed that I think the general
the general trend is for people to
write him off as like an
Orientalist and imperialist.
And the British Empire's
equivalent of the CIA agents who
spent most of the 20th century
overthrowing democratically elected
governments around the world.
And it's fair to view him as all of
those things. There's an extent to which all of those
are accurate descriptions of the man.
But he's also not someone you can ignore
if you're on the left, especially if you're one
of these people who has ever sat around talking about
like, you know, revolution and like, could, you know,
some sort of like insurgent left wing movement,
you know, take power, you know, defeat the United.
If any of that is shit that you care about,
if you just care about, you know,
what's happening over in Gaza,
if you're interested at all in how asymmetric warfare
can topple powerful states, right?
You have to study Lawrence of Arabia,
because in some very important ways,
he invented like
how warfare works in the 21st century.
Like he is the guy who created and codified our modern concept of how an insurgent struggle
works.
Right.
Okay.
You know, and that's people are going to go like, well, that's ridiculous.
If you think of an insurgent struggle is just like some dudes who aren't regular soldiers,
like ambushing Imperial troops in the desert or whatever.
Like that's been going on for fucking ever.
That shit was happening when the Romans were around,
it happened to the Greeks,
happened to the fucking Alexander the Great's troops
when they marched through Afghanistan.
But that's not what modern insurgent warfare means. Modern
insurgent warfare is a much more complicated thing that involves the use of insurgent troops
alongside regular national troops in a struggle between empires that takes place over a wide
geographical area. Right? Yeah. Like, you know, when you look at how how the how Vietnam won their war,
it wasn't that the Viet Cong just out fought the Americans in the jungles.
It was that the Viet Cong participated in a very complex struggle
that also involved regular state forces that had the backing of other empires.
And, you know, that that conflict took place not just as a conflict in Vietnam,
but as part of a broader conflict
between the Soviet Union and the United States.
And the way that worked was heavily informed
by a lot of the theories that T.E. Lawrence wrote out
as a result of what he's doing in the Arab peninsula
during World War I.
And to make that case,
because I'm sure there's some people being like,
what the fuck are you talking about, Robert? That's nonsense. I want to talk, go a little bit ahead of the story,
right? Before we actually talk about Lawrence's life to something that happened about a decade
after he died in 1946. Now, this is a story that relates to what would become the Vietnam War,
but in 1946, you know, that
the Vietnam War, the Indochina conflict, it's not really an armed struggle quite yet. It's
still at this point a disagreement over the region of Asia, then known as French Indochina.
During the rule of Napoleon III, powerful interests in the French Navy had succeeded
in pushing for military control in the region that had expanded across much of modern Vietnam
until their control,
France's control was interrupted by Japan
during World War II.
Now, if you know anything about Vietnamese history,
the Vietnamese people had a long history
of identifying as like,
we are Vietnamese and we are not the people
who are in charge of our land right now, right?
You know, Vietnam's history has a lot of occupation
by foreign powers. And the end result of that is that when, right? You know, Vietnam's history has a lot of occupation by foreign powers.
And the end result of that is that when Japanese occupiers
took over, they met with spirited resistance.
Now, one of the leaders of that resistance
was a man named Vau Nguyen Jap,
who by any stretch of the imagination,
deserves to go down as one of the great military leaders
of all time.
And you could argue is probably the greatest
war leader of the 20th century. During his long and storied life, which ended in 2013,
I hadn't realized he made it so long. Jap led Vietnamese forces to victories against the
Empire of Japan, France, the United States, and what you could either call a victory or at least
a solid draw against China. And like, who else has that record?
Who else can claim that shit?
That's amazing.
Yeah.
From 1941 to 1972,
he was the military commander of the Viet Minh.
And he orchestrated the Battle of Dien Bien Phu,
which forced an end to French occupation of his land.
Now, before Dien Bien Phu in 1946, it was not necessarily
a foregone conclusion that Japan and France were going to fight, right? The Vietnamese
had helped to oust the Japanese occupier and there were kind of, there were negotiations
taking place between Vau and the Viet Minh and, you know, the French political and military
establishment and there was at least some hope
that maybe a conflict could be avoided.
So Vaux sits down in Hanoi in 1946
for a meeting with General Raoul Salon
to see if there was a way to work things out peacefully
in a manner, you know, Salon at least is like
in a manner that still leaves France basically in charge.
But obviously this was a doomed measure
but they don't necessarily know that at the time.
One of my sources for these episodes
is the excellent book,
The Guerrilla Leader by James Schneider,
a professor of military theory
at the School for Advanced Military Studies
at Fort Leavenworth.
Schneider opens his book with the story of
Jiap and Salon's meeting and describes it this way.
Toward the end of the meeting,
discussion turned towards Jiap's success
in resisting the Japanese occupation of Indochina since 1940.
Salon wanted to know the source
and inspiration of Jiap's success.
Without hesitation, Jiap reached behind his seat
and withdrew from a shelf, a heavy book,
and laid it before Salon,
who recognized the author immediately.
Jiap gestured towards the book saying,
my fighting gospel is T.E. Lawrence's
seven pillars of wisdom.
I am never without it.
That's cool.
Yeah, yeah, yeah.
That is, I mean, that's high praise for your book.
Yeah.
I hope that one day my book, A Brief History of Ice
is the Bible of an insurgent leader
destroying French tyranny over their land.
Maybe in France.
You'd be destroying something.
What the fuck?
Yeah, this has taught me to have all of my troops
mix tobacco and their own urine together
and then make themselves vomit.
A key part of modern insurgent struggle.
One of the things that I kind of,
when you were saying earlier about how, you know,
you think of guerrilla warfare as like,
wow, no, you just like jump some people in the woods.
Yeah, you just beat them up in the forest, yeah.
Yeah, and like,
cause that's the way that most movies
are sort of representing guerrilla warfare,
because you know, that's the sexy part
of a guerrilla struggle or whatever, right?
Yeah.
And realizing that there's this like lineage
of development of how, like just like how technology
develops,
so do tactics and organizational strategies.
Oh yeah.
And yeah, so realizing that like,
cause you'll read about the social Democrat nihilist
from Russia, Stepniak wrote a book on guerrilla warfare
from his time fighting,
I actually think fighting the Ottoman empire,
but I can't remember.
Yeah. You know, but that was-
They helped a lot of people figure that one out, yeah.
Yeah, and you know, but it's like,
but then that's not the one that people are using.
And then you, you know, you fast forward to
after World War II, I know a lot of people were writing like,
"'Gee, how do partisans work?''
You know? Yeah.
And so it just, it really interests me
that there's development also of just like literally how
do you organize this stuff?
Yeah, yeah, yeah.
I mean, and because there had to be, right?
Especially because the conflicts of the 20th century are so much wider in scope and more
complex and able to be because of the level of development that exists, right? So you need new theories of how to actually wield
the modern, the story of modern insurgent struggle
and the kind of stuff Jiap was doing
because Jiap is not just a line level guy, right?
He is thinking about grander strategy
is how do you wield insurgents as a weapon
in concert with the other weapons of a modern state.
Totally.
That's the question.
And that's what Lawrence is kind of a formative scholar on.
Now at the point in 1946 that Jiap is showing off his copy of Seven Pillars of Wisdom in
this meeting, T.E.
Lawrence is still very famous.
He becomes a celebrity as a result of what he does in the Middle East.
That's why there's a fucking movie about him, right? And he was famous
primarily as this guy who had helped the allies win crucial victories over the Ottomans by
we welding these Arab bandits into an effective force. This is as well like partially inaccurate
description of his accomplishments, but Jop understood better than Salon what Lawrence
had really done.
And as a result, Lawrence is kind of puzzled when he hears that Jiap has this copy of Lawrence's
book because Salon is like, well, this is just a guy who like taught some desert Arabs
how to ambush trains, right?
That has nothing to do with fighting the Japanese in Vietnam.
Why would you consider this relevant?
And I'm going to continue with another passage from Schneider's book. Ah, Jop replied, is that your assessment of Lawrence? Salon nodded
a casual affirmation. Of course, then you have missed the whole point of Lawrence, said
Jop. He is less about fighting a guerrilla war than leading one. And leadership, Jop
emphasized, is applicable in any context, desert or jungle, military or civil.
And so if you're someone who might be inclined to ignore or dismiss Lawrence as just another
like imperialist proto CIA guy appropriating a local culture, I would encourage you to
consider there's something worth finding in what Jiap saw in the man.
And it's worth studying anyone whose work was a critical part of the strategy
that led Vietnam to victory over the United States,
because in a lot of ways,
that gave us the 21st century.
You kind of have to study a guy who can do that.
And I will say one of the through lines of the story,
we'll be reading some quotes
from separate pillars of wisdom.
One of the things that makes Lawrence
a powerful insurgent leader,
which is part of why I like the story
is that he's an excellent writer.
He's just an actually incredibly talented, beautiful prose.
And that's a big part of why he is
an influential military theorist.
And I kind of like that.
That's cool. I wanna read Seven Pillars now.
It's great. Yeah. It is. It's actually very, very good. And as now historians have gone
back and forth on this, but like modern historiography will agree, generally accurate, as we'll talk
about, there's a couple of areas where Lawrence probably lied or at least may have lied, but
generally accurate to what happened.
So Schneider's book makes a pretty good case for Lawrence
as like the father of modern insurgent warfare.
My main issue with his book is that he focuses on like
the how and a lot of just kind of the military nuts
and bolts and as a result, his story leaves out something
that the 1962 movie leaves out, which is why would a guy born into like
the comfortable upper middle class of life
in the British empire choose to become, you know,
a leader, not the leader of an Arab revolt
against Ottoman power, right?
How do we get there?
And that's the story we're gonna tell today.
Thomas Edward Lawrence was born on August 16th 1888 before this section
Sure, you know who else was born on August 16th 1888 in the United Kingdom
Probably not our sponsors because they're probably Donald Trump again
There's a good chance I
Missed the gambling ads.
I missed them too.
Oh, Chumba.
Maybe not by the time this comes out.
Yeah, we'll see.
No, instead it'll be an ad for guerrilla warfare.
Yeah, guerrilla warfare.
Disappointed about the election results?
One way or the other,
a lot of people are gonna be thinking about guerrilla warfare
in the wake of this election coming up in a couple of days.
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Each week, we'll explore some of this country's
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Alicia Keys opens up about conquering doubt, learning to trust herself, and leaning into
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Listen to On Purpose with Jay Shetty on the iHeartRadio app, Apple podcasts or wherever
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It's been 30 years since the horror began. 911 what's your emergency? or wherever you get your podcasts. We're not done after all. In the 1990s, the tourist town of Domino Beach
became the hunting ground of a monster.
No one was safe.
No one could stop it.
Police spun their wheels.
Politicians spun the truth,
while fear gripped us tighter with every body that was found.
We thought it was over.
We thought the murders had ended.
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Come back to Domino Beach, Courtney.
Come home.
I'll be waiting for you.
Listen to the Murder Years, Season 2,
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Welcome to Rumble, the story of a world in transformation.
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Listen to Rumble, Ali, Foreman, and the Soul of 74 on the iHeart Radio app,
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And we're back. So Lawrence was born in maybe the most ridiculously
named region of Great Britain,
Trinidad, Trimidog, Carnivanshire, Wales,
which I know I've pronounced wrong.
I don't like, fuck you people.
Look at that.
Trimidog, What does that even mean?
That sounds like medicine for fleas.
Or like if your dog's too fat,
you give it trim a dog, right?
Like my dog needs to lose some weight.
Yeah, I'm sure it is.
Excuse me, do not body shame dogs.
Excuse me.
I'm not, I'm just saying,
if you were selling that medicine,
like if you're selling dog ozimbic,
you call it trimadog.
Dog ozimbic has to be a thing, right?
There's no way that's not coming.
I really hope not, but you're probably right.
Oh no, there's no way that's not gonna,
there's no way there aren't people
who are already shooting ozimbic into their cloned dogs.
I love that it's-
That's definitely happening.
Drugs just go both directions real quick now.
Like horse drugs for humans.
Yeah.
Oh, I mean, you came over the other day
and we're talking about how like Rintra's on Trazadon
and hey, so am I.
We're Trazza buddies.
Oh no, it made it great when I was,
I was in a place that was,
nevermind,
I don't wanna tell you anything about how I acquired some,
I've always gone through the proper channels
to get Traza down for my dog.
I love the proper channels, Margaret.
Speaking of the proper channels,
Lawrence comes from a line of people
who did things through the proper channels.
His father was not born a Lawrence,
he was instead born a member of the landed nobility,
Sir Thomas Chapman.
Now Lawrence's, his family, like Lawrence's ancestors
are the literal Irish landlords responsible for like
so much of that island's misery.
Like when you read about like those like absentee,
like that's Lawrence's people, right?
That's the line he comes from.
So Lawrence's dad's family, the Chapmans,
they send Sir Thomas Lawrence to Eaton,
where he is abused and molested
into being a proper young inheritor of the empire.
And he was by all accounts, a normal boy
of the landed nobility until he marries someone
who was like a bad match for him,
which is not unusual in his social class,
but he is not capable of being happy
in like a loveless marriage.
And also, you know-
He's a romantic.
He's a romantic and his bride only gives him daughters,
right?
So he's like also not thrilled about that.
So like many men of his social standing,
he picks up a mistress and he brings her to Dublin
where she gets pregnant with his child.
This child comes out a boy, which is what he had wanted,
and he makes the incredibly questionable decision
to give his bastard child his name, right?
Hell yeah.
Now it's hard, that's not,
if you're trying to keep this on the down low,
which you're supposed to do, that's a bad way to do it.
This does not lead to a sustainable situation
with his other legal family
and everything falls apart for Sir Thomas.
And one of the things like,
there's this fucked up old timey stuff.
Like, oh.
This is dad or is this?
This is dad.
Sir Thomas is Lawrence of Arabia's dad.
Lawrence is the bastard. Sorry,'s dad. Lawrence is the bastard.
Sorry, go ahead.
Lawrence is a bastard, right?
So Sir Thomas, what's interesting about him to me,
because up until this, like, oh, he's not happy
that his legal wife only gave him daughters,
so he has a mistress and a secret family.
That's not weird.
What's weird is that when this gets exposed
and his life falls apart, he's just like, fuck it,
I don't wanna be a nobleman anymore.
I have no attraction to this social circle.
So he makes a deal with his wife.
You get all the land, you get nearly all of the income.
I'm gonna keep a small portion of the income
so I don't have to ever work a job,
but you get like 90% of everything, right?
And I'm just not going to be a Chapman anymore.
I'm going to disappear and live under a new name
and raise my bastard son and live with my mistress
who I actually love.
Is that cool with you?
And his wife is like, sure.
That's a good deal.
Yeah.
Now you don't have to have a husband.
That seems like a pretty good deal
given that this is the 1880s.
Yeah.
So yeah, given that this is the 1880s. Yeah. So, yeah, they do this.
And Sir John moves out of Ireland to Wales
and he takes up a new name with his still a mistress,
never legally a wife,
and they become known as Mr. and Mrs. Thomas Lawrence,
even though, again, they're never legally married.
So that's where Lawrence's name comes from.
It's not his real name.
It's the name his dad picks after abandoning his life
as a member of the landed nobility
to go live with his mistress in Wales,
as we all hope to do one day.
So T.E. Lawrence was their second son.
He was born in Trimidoc,
not long after Thomas's old life fell apart.
Now his dad is wracked with guilt over what happened, right?
He does seem to feel bad about a lot of aspects of this.
Yeah, but his daughters aren't super excited about it.
I bet his daughters aren't thrilled, but yeah.
Lawrence's mother, Sarah Lawrence,
which is very funny that that's her name,
was herself the child of an unwed illegitimate union.
So she actually doesn't feel bad about this at all.
And she is by far the domineering force in the relationship.
You get the feeling Lawrence's dad is kind of a sad sack
and his mom was like, shut the fuck up.
You don't have to work.
Chill the fuck out.
There's nothing wrong with the fact
that we're not married and having kids.
Like go fuck yourself.
Is she Irish or is she English?
I think she's English.
Her name is Sarah Lawrence,
which does sound like an English name.
Lawrence would later write that his mom saw their father
as quote, her trophy of power.
Lawrence has some mom issues,
but also I don't see any reason why
this is necessarily wrong. He describes her as a very controlling woman and his father
as like kind of a mild person. Now, one of the things that's really unique about Lawrence's
dad, he is in a very, I mean, not just a rarity for the age, but he's almost a singular figure in that he is an attentive full-time father, right?
He never has to work
and he has no social obligations to keep up.
So he pours all of his interest into being there
all of the time to raise his kids,
which like doesn't happen.
No, but it's like certain people's dream.
Yeah, like stay at home dad,
like money is taken care of by inheritance or whatever.
Yeah. Yeah.
I mean, he is living a lot of people's dreams
and it's just so interesting to me that like,
Lawrence is like the one guy in 19, in Victorian England,
who's raised by like a responsible dad,
at least responsible to his sons.
In the wonderful book,
the young T.E. Lawrence,
biographer Anthony Satin writes
that Lawrence and his four brothers never quote,
had an unhappy or even an unsettled life.
They moved more often in their first few years
than most families moved in a lifetime,
but they were close knit and well loved.
Now from an early age,
their parents don't inform them of their actual lineage
of like all everything that went down with dad
before they became Lawrence's.
But from an early age,
T.E. and his brother Ned,
they're very smart kids
and they have inklings that they might be bastards,
although they think for a very different reason, right?
They think that like basically there was cheating going on
between their parents as opposed to the real story.
They think their dad isn't their dad.
Yeah, they think their dad isn't their dad.
Now, this is something that is a trauma
to a degree for young Thomas
because he and his family, they're very religious.
They're raised incredibly strictly in the church and sex out of wedlock is a big deal
The guilt his father felt which eventually compelled him to reveal the truth to his sons in a deathbed letter
May have bled over to them in some way
Whatever the truth Lawrence wrote himself about being dogged by a peculiar sense of worthlessness his whole life, right?
This is the way this manifests is he always kinds of things.
I'm just a piece of shit.
Like I don't belong anywhere.
I'm a bad person.
I come from nothing.
I don't deserve anything.
This is like, he's got imposter syndrome his whole life,
despite the fact that he is not just a smart kid,
he is clearly a genius. And when I say a genius, I mean that just a smart kid, he is clearly a genius.
And when I say a genius, I mean that as a small boy,
he develops a scholarly fascination
and like a professional scholarly level of knowledge
of medieval art history.
In order to indulge this knowledge,
he would travel around on foot and through bicycle
to different historic sites,
either on his own or with a small group of friends.
His hobby is to make rubbings of brass reliefs
of crusaders and kings from various tombs and churches.
Oh yeah, like a normal kid.
Like a normal kid, yeah, just a normal kid.
Now this is even for the day, a nerdy hobby, right?
Kids are reading fucking, at least kids of this level of wealth
are reading like fucking the Iliad in grade school,
but this is nerdy for that day, right?
He's trying to do original research on the Iliad.
Yeah, he's doing like original historiography.
And Lawrence takes the nerdiness up a notch
by developing an obsession with fidelity and completion
that modern day like nerd collectors
will recognize.
This is a kid who in the modern era
probably would have gotten way too into like Warhammer
or something, right?
And I'm gonna quote again from Anthony Satin's biography.
It was typical of Lawrence that his interest
should become obsessive.
His principal collaborator,
his childhood friend Cyril Beeson,
known by his school
nickname of Scroggs, remembered that it was no collector's hobby.
There were experiments in the technique of rubbing with different grades of heel ball,
a mix of lamp black and wax and paper, assisted by friendly advice from shoemakers and paper
hangers whose shop supplied our raw materials.
Another school friend described the outings as a ransacking.
Nothing stood in Lawrence's way, so if brasses were hidden behind some pews,
Lawrence already ruthless, made short work of the obstruction.
And I still hear the splintering woodwork and his short laugh almost sinister to
my timorous ears. So he's, he's both like, he will destroy any,
like he didn't give a fuck about those pews.
He will break it and damage church property
to get to these goddamn reliefs
that he's going to do rubbing's on.
This is such a perfect British orientalist style thing
to get into.
Like I'm gonna find the history,
even if I have to destroy everything between me and it.
Yeah, yeah, I will kill him.
Yeah, exactly.
He's, he has fucking child tomb raider.
Yeah.
Now Lawrence is, despite his brilliance,
an uneven student.
When he was interested in a type,
I think today, I don't know what kind of neurodivergent
he would be diagnosed as,
but maybe probably all of them, right?
One thing that is written about him is that
if he was interested in a topic,
he would be so far beyond every other student in the class
in that topic.
He'd be like at the teacher's level, right?
And if he wasn't interested in something,
he couldn't do the work at all.
He was completely non-functional, right?
Now he is-
I can identify with this pretty hard.
You're going to identify very hard
with the next thing we talk about here,
because he is the way to look at him.
He is an early iconoclastic example of a nerd, right?
He is a proto geek, right?
And he is, I even wrote this in the script,
not dissimilar in some ways to our guest for these episodes,
Margaret Killjoy.
And let me make that case now.
At age 15, Lawrence leads his friends on raids
through Oxford's libraries to learn the secrets
of how to make chain mail
and other medieval arms and armor for themselves.
And they like-
That is literally what I was doing when I was 15.
Uh-huh.
Yeah, so they're like-
Our school had to ban us for making chain mail.
Yeah, this is what Lawrence is doing as a kid.
He's like the very first generation
of Western kid doing this, right?
They're making their own chainmail, their own weapon.
They're teaching themselves how to fight
by reading medieval manuals.
They learn how to speak appropriate old English
and draw heraldry from memory.
Like this kid's soul is a ren fair, right?
And Lawrence is one of those kids, his interest in medieval history
is always married with this deep care for the fine details, for fidelity. One of his
hobbies, he starts a hobby of like buying shards of pottery from excavations in the
city, right? People will be doing construction and they will turn up some old pottery shards.
And his hobby is to like buy them and meticulously glue them back together.
And he is so good at this as a teenage boy
that local Oxford Museums still keep and display pieces
that he rebuilt from the Roman era.
He's that level of skill that even today,
his work as a child is recognized as pretty good.
He was pretty good at that.
So they made the case, very bright kid,
probably, probably fair to call him a genius.
Yeah.
The kind of person who's gonna do something really good
or really terrible, as you've pointed out, somehow both.
Somehow both, certainly significant.
Yeah.
Now for his own part,
Lawrence described his education at Oxford High School
with the words very little, very reluctantly, and very badly, right?
That's how he talks about his like,
the end of his primary school education.
We can intuit from some details that we do have
that he was the recipient of a fair amount of bullying,
as you would guess from a child
who is gluing together pottery shards.
Like the most infamous bully academies in history.
Yes, at the school for making psychopaths, yes.
He develops as a child a hatred for bullies
that is going to be with him his entire life.
And that at age 16 spurs him into some disastrous action.
In this particularly notable incident,
one of his friends is being picked on by an older kid
and Lawrence intervenes, but he is not a large boy, right?
This other kid is much bigger.
Lawrence intervenes because it's the right thing to do.
And the fight goes so badly that his leg is broken enough
that he misses a semester in school, right?
Like he is like rendered an invalid for months
because of how badly this kid beats the shit out of him.
His mother is convinced that the injury stops him
from growing into what should have been his full height.
Although that's probably just not biologically true.
Yeah.
I'm gonna quote again from Satin's book here.
The injury exacerbated Lawrence's reluctance to join in.
His eldest brother, Bob, remembered that he was
good at gymnastics and took part in games in the playground.
But Ned admitted that, I've never, since I was able to think, played any game through
to the end.
At school they used to stick me in football or cricket teams, and I would always trickle
away from the field before the match ended.
The obvious reason might have been physical, but Lawrence later thought there were other,
more complex issues behind his avoidance of team sports. Because they were organized, because they had rules, because they had results.
I find that so interesting.
I identify with this.
Yeah.
So I identify with this so hard that I'm worried.
Yeah.
It's hard not to.
Yeah.
So Schneider, who's not as detailed as Satin when it comes to dissecting Lawrence's personality in life,
posits that Lawrence's detest for organized sports
has something to do with the fact
that he preferred to lead rather than follow.
Now I think that's probably him working backwards
and maybe an error.
The quote from Lawrence that Satin presents
is a more interesting explanation.
They're organized, they have rules,
and those rules aren't my rules, right?
I don't understand why things are doing this this way.
And I don't like just saying, well, this is the way things are done.
Yeah.
In the summer of 1905, Lawrence cycled to France with his father.
This was not his first taste of freedom.
Again, he traveled extensively across the UK on foot and by bike, motivated partly by
a desire to get away from his mom.
But the trip to France awakens something in him.
And for the next several years,
he feels this obsession with like,
I need to get out there, I need to travel.
But unfortunately he's got to go to college.
He attends Jesus College at Oxford.
Oxford is what people talk about it as Oxford,
but it's actually like five colleges
and Jesus is one of them, right?
I didn't know there was a college called Jesus.
Jesus College, yeah.
Is it seminary or is it just called Jesus?
It's just called Jesus.
I mean, maybe they have a seminary degree
but that's not what he's doing.
He's getting an undergraduate degree, he's a history dude
and he hates college.
He hates it even more than high school.
He hates his undergraduate college.
So he has to find outside ways to stimulate himself.
And so in 1906 at age 18,
he takes himself alone on a 2,400 mile cycling trip
through France and to the Greek coast.
Now, this is-
France doesn't touch Greece.
That's a long-
That's a long bicycle trip.
And this is, I think this is his equivalent
of if we're going back to the Margaret comparisons,
like being a train kid, right?
Because he takes this, this is not just about seeing,
you know, France, it's not just about cycling.
It is an exercise in aestheticism.
Lawrence wants to see how tough he is.
Part of the goal is he eats as little as possible
because he wants to explore how little food can take me,
can I live on while like going this distance, right?
And there's also this intellectual dimension to it.
He spends the entire visit,
he goes through every medieval church and castle
on this route through France to Greece.
And he analyzes the architecture in exhausting detail.
And Schneider makes a supposition here
that I think is well-founded,
which is that he thinks this journey is integral
to Lawrence's growth into an insurgent leader
because it demanded and it cultured him
in physical toughness.
And he's also, it's training him how to pay close
surgical attention to his environment.
And I have trouble like arguing with that contention here.
I mean, it's like, it's a little bit reading backwards,
but it's also not wrong.
Yeah, it's not necessarily wrong.
Now, when you string too many details together like that
in a podcast, it can make the man, Lawrence,
seem kind of like an automaton of history
rather than a teenage boy.
So one thing I value Satin for is he includes details
from this trip like that.
Lawrence, while he's you know
Starving himself and biking thousands of miles and taking meticulous historical notes about all these castles and churches and stuff
He's writing his mom letters constantly telling her that he's not going to tell her any details about his journey All I'm going to tell you mom is descriptions of the buildings that I've seen and he does this so many times that you have
To conclude this is him kind of sticking back at his mom
because she's so controlling.
Like, fuck you mom, you don't own me.
I'm not gonna tell you anything about my trip.
I'm just gonna describe these buildings to you.
Like he's being a little shit.
Yeah.
He also probably like fell in love
like three separate times on that trip.
Yes, yes, yes.
Well, maybe not, Margaret.
We're gonna talk about that.
This, Lawrence of Arabia may low key be our first Behind the Bastards ace icon. not, Margaret. We're gonna talk about that. Lawrence of Arabia may low key be our first
behind the bastards ace icon.
Oh, okay.
Yeah, but we're building to that.
Or he's a pedophile.
One of the two, Margaret.
All right, well let's hope for ace.
Yeah, so Lawrence's journey ends on the Greek coast
with a miserable case of malaria.
He is also just sick constantly,
which I think is just unavoidable
if you travel in this period of time.
Like if you are a world traveler in the late Victorian era,
you are dying of fucking typhus or malaria or something,
80% of your waking hours.
But while he's kind of trying to survive malaria,
he gets a view across the Aegean of distant Turkey,
and this ignites something in him.
Later he would write,
"'I felt that at last I had reached the way to the South
and all the glorious East, Greece, Carthage, Egypt,
Tiers, Syria, Italy, Spain, Sicily, Crete.
They were all there and all within reach of me.
I fancy I now know better than Keats what Cortez felt like,
silent upon a peak in Darien.
Oh, I must get down here, farther out again.
Really, this getting to the sea
has almost overturned my mental balance.
I would accept a passage for Greece tomorrow."
So he's just, the fact that he has to go back to school,
go back to England, so close to this world
that he's just been reading about,
all of his classical education
and like the Crusades and whatnot.
It's like a wound in his soul
that he can't just keep traveling.
I think for a lot of the Victorian, especially English,
it's kind of like reaching the world of fairy.
Like the Orientalist mind, you're like,
oh, I've discovered the place where none of the rules
make sense and I don't belong in this world.
So here's this other world.
You know, like Byron and all those people were like
obsessed with the Near East for that reason, you know?
And if you were a nerd in this period,
there's not Tolkien to fall into.
There's certainly not like Star Wars,
but you have classic history and medieval history, right?
And so this is for him, like if someone today,
if you were to just stumble into Middle Earth, right?
Like that's how he feels about it.
And like that is Orientalism, right?
Like that's a factor in Orientalism.
But it's also, when you think about it from the perspective,
not of someone of power, but of this like boy
who's just been, has this obsessive interest
in the history of this era, area,
there's a degree that you have to be kind of sympathetic
to at this stage, where it's like,
well, yeah, of course he felt this way.
Because Orientalism is really complex
because you have both of the like Orientalists like,
oh, we're gonna go over there and steal all your mummies
and smoke them. And that's like coming from like power and we're gonna go over there and steal all your mummies and smoke them.
And that's like coming from like power
and we're gonna steal all your stuff.
I would smoke a mummy.
I would smoke a mummy, Martin.
Yeah, no fair.
But there's also just this like,
well, that's, there's this also kind of putting on a pedestal,
which is also not always great,
but there's like, there's a weebness to it.
No, no, it's problematic too.
But yeah, it's, and he's from the weebs side of things, right?
Now, once he becomes a graduate student,
his enjoyment of school improves markedly
because the pedagogical style in that part of Oxford,
once you hit your graduate era,
instead of just being like,
you have to learn and memorize these things we say,
which is just torture for Lawrence.
It's like, hey, what are you interested in?
Our job as your advisors is to find the areas of interest
you're in and figure out, by working with you,
ways that you can contribute to academia, that you can move.
And that Lawrence excels in.
Once that's what school is, he does very well.
So Lawrence and his advisor talked themselves
into an idea for how he might combine his desire
to travel further east, which had been sparked by his first vision of the Greek shoreline and his obsessive interest in medieval architecture.
A major debate at the time centered around the presence of castles built by European
crusaders in the Middle East that had structures in common with some of the structures seen
in classical medieval European castles.
And the question was, does this mean that Europeans
introduced certain architectural methods to the Arab world,
or was it the reverse?
Crusaders learned local techniques from, you know,
local people in, you know, the Arab world
during the Crusades, and then took them home with them,
right?
And so medieval castles are actually in large part
an example of knowledge transfer
from the Muslim world to the West, right?
Which is, I think, largely true.
It's agreed, obviously, like this is the kind of thing
that's more complicated than we're going to exhaustively,
like, tease out an episode of Behind the Bastards,
a podcast by two people who don't know much
about medieval architecture.
But Lawrence, I think the agreement is that
he was onto something here, right?
And obviously he's not the one who started this idea,
other people had proposed it,
but he's going to actually contribute significantly
to like his story of historical debate in this measure,
right?
So Satin writes, quote,
Lawrence decided to take a broader view of the topic and to question
whether the skill to build a castle, not just a pointy arch, had come from the East.
The accepted view, championed at that time by Charles Oman, professor of history at Oxford,
was that the Europeans marched East with hardly any understanding of fortifications and learned
from the Byzantines how to build the magnificent castles they have left in the Levant.
According to Oman, much of what Lawrence had admired in France had its origins elsewhere. But neither
Orman, nor any of the other scholars who had written about this period, had traveled to
Syria and Palestine to see the buildings, relying instead on historical documents for
evidence to support their theories.
Now, this is something that's going to be a thing for Lawrence's whole working life,
which is that he's willing to go places
other people of his status aren't,
and he always prefers to do the most difficult,
dangerous version of any task set before him, right?
He is not someone who is like comfortable
making inferences or assumptions
without actually getting his hands dirty.
So he decides, I'm going to go to the Middle East
to take part, specifically, I'm going to go to the Middle East to take part, specifically, I'm going to go to Turkey
to take part in a dig in some of these classical ruins.
And I'm gonna start that before I go over to Turkey,
I'm gonna do a walking tour of Syria.
Now he is warned ahead of time, no European does this, right?
It's too hot, it's too dangerous.
You'd need a guide and servants
to carry your luggage and whatnot.
And Lawrence is like,
no, I'm just going to walk on my own, right?
I'm gonna carry my own shit and like,
I'm going to invent backpacking as a hobby.
Yeah.
So what years are we talking about here?
We are talking 1906.
Okay. Okay.
Yeah.
So he says he's going to do this and his, yeah, his, his advisor's like, Europeans don't
walk in Syria.
And Lawrence's response is, well, I do, which hard not to like this guy.
I know.
So he takes his first steps into the Arab world during a fascinating time in relations
between his country and the, and again, when I say the Arab world, Syria is the Arab world, obviously.
Turkey is not, Turks are not Arabs.
I want to be clear that I'm not like conflating the two.
I'm going to be using a lot of terms that like, cause he, he, he travels extensively
in the middle East.
He travels extensively in the Near East, which is more accurate to call Turkey.
Um, yeah.
And he travels, he spends a lot of time both on the Arab Peninsula and in modern day
Syria and Iraq, right?
That's all of his like stomping grounds.
But at this stage, he's kind of walking through Syria, going through the Holy Land and getting
to like kind of the Ottoman heartland, right?
Like that's the gist of this trip.
And he takes this during a fascinating time
in relations between his country and the Ottoman Empire,
which was well in decline by the mid 1800s,
riven by unrest and constantly picked at
by expansionist czars and quarrelsome Serbs.
By 1854, Great Britain had actually come
into the Crimean war on the side of the Ottomans,
not because like, oh, they're being picked on,
but because like, if the Ottomans fall
and Russia, you know, extends the Russian empire
across like fucking Constantinople,
then we don't have a bulwark against this country
that we see as a geopolitical rival, right?
You're saying that the Western powers
need to have an ally in the-
Yes.
In the struggle against Russia, yes.
And in this case, it's the Ottomans.
The British had another reason for wanting good relations
with the Ottomans that's even more selfish,
which is that the Sultan of the Empire,
and again, this is a Turk, is the Caliph of Islam, right?
Now, this does not in fact make him,
the way a lot of Europeans take this is is that like he's the pope of
Islam right which is
kind of the case but also really not the case in the hearts of most Muslims because like a
Shitload of the Muslim population or Arab, right?
And so they write they both are co-religionists with the caliph and also are oppressed and ruled by the Turks and not happy with it necessarily.
Right?
You're starting to get kind of more of the rise
of Turkish nationalism during this period.
Turkish nationalism and Arab nationalism
is starting to rise in this period.
Oh, I meant to say Arab nationalism.
Well, I mean, Turkish nationalism
is also a major factor in what's happening, right?
But in like opposite directions, right?
Because the Arab nationalism is fighting
for independence against the Ottoman Empire.
And as we're talking about, we're in a very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very,
very, very, very, very, very, very, very, very, very,
very, very, very, very, very, very, very, very, very,
very, very, very, very, very, very, very, very, very,
very, very, very, very, very, very, very, very, very,
very, very, very, very, very, very, very, very, very,
very, very, very, very, very, very, very, very, very,
very, very, very, very, very, very, very, very, very,
very, very, very, very, very, very, very, very, very,
very, very, very, very, very, very, very, very, very, very, very,java. So anyway, a lot of Europeans assume,
oh, this Caliph is like the King of Islam.
And so, we have India,
the gem in the crown of the British empire
with this massive Muslim population,
and we have constant issues with uprisings.
And if the Caliph gets pissed at us,
he might call for a jihad from these Indian Muslims,
and who knows what will happen then, right?
Which is not like a complete non-factor as a threat,
but they're also vastly overstating the degree of influence
the caliph has, right?
In fucking India.
So this is the status quo for a while.
Like we're gonna keep propping up the Ottoman Empire
because of these reasons that are useful for our own empire.
But then things start to change in 1869,
which is when the Suez Canal opens in Egypt.
One reason that the British Empire had needed the Ottomans
to remain semi-stable was that we need them
in order to provide us with a way to quickly
and easily take goods from the East
and the Europe and vice versa, right?
Would you say goods and services?
Goods and services, right.
Speaking of goods and services,
you know who else takes every product
that's sponsored on this show,
travels through the Ottoman Empire, you know?
Including the podcasts.
It's extremely expensive.
Yeah, yeah, it's ruining the time stream.
We have time cop problems every fucking week.
Always trying to bring various weight loss pills
and gambling apps
through the Ottoman Empire.
And how do Ottomans from the 1890s feel about Chumba Casino?
They don't love it, Margaret.
They don't love Chumba Casino.
They're broadly positive about the Trump sneakers though.
Right.
Aw.
Anyway, here's some ads.
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It's been 30 years since the horror began.
9-1-1, what's your emergency?
Someone, he said he was gonna kill me!
Three decades since our small beach community was terrorized by a serial killer.
Maybe, my dear Courtney, we're not done after all.
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Listen to the murder years, season two, on the iHeartRadio app,
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Muhammad Ali, George Foreman, James Brown,
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James Brown said, said love.
And the kid said, I'm black and I'm proud.
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My grandfather laid on the ropes and let George Foreman
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We all came from the continent of Africa.
Listen to Rumble, Ali, Foreman, and the Soul of 74
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So we're back.
So yeah, the British get the Suez Canal going
and suddenly they don't really need the Ottoman Empire
to be as stable in order to move goods and services.
And they make a shitload of money off the canal.
And once they're kind of fatted on canal profits,
they stop really caring about the Sultan
and propping his bullshit up.
And as a result, the British kind of snooze
through another Russian invasion of Ottoman territory. Now, this isn't the Ottoman heartland, it's the Balkans, right?
Which you have to remember much of the Balkans, you know, the territory that becomes like
Yugoslavia during the 20, the later 20th century is, is Ottoman territory in this period of
time. And so the Russians invade the Balkans and, you know, uh, 1882, uh, or the Russians invade the Balkans and the Brits don't do
anything.
Then in 1882, the British occupy Egypt.
Near the end of the century, Greece and the Ottomans go to war.
War spreads quickly in this connected world.
British colonial figures in India are shocked and horrified when Indian Muslims start demonstrating
in support of
the Ottoman side of the war.
And they take this as, oh, you know, the caliph, their leader has called them to action.
I think what this actually is, is that like Muslims in India sympathize with their co-religionists
in a very natural way in a war against the Wests, right?
I think that's more accurate than like, ah, the caliph ordered them and they have to follow
him.
I want to quote now from a book called
Setting the Desert on Fire by James Barr.
And this is talking about like European coverage
of the war against Greece.
At the times, Valentin Chiroul believed
that the Sultan's power as caliph gave him a disturbing
and disruptive political influence worldwide.
He and others feared that the Sultan would use his position
to upset the stability of Britain's Eastern Empire.
Now, this is not how things work out.
Like, and this is probably, we know now,
probably fair to call this a silly and racist assumption,
but you know who else is silly and racist, Margaret?
Not our sponsors, the Germans.
And while the British are like, oh my God,
what if the Caliph incites a rebellion in India?
The Germans are also looking and seeing England
as a geopolitical enemy and going, oh my God,
what if we could get the Sultan
to incite a rebellion in India?
Or that could really help us
with our British people problem.
So the Germans start increasingly sinking resources
into making the Ottomans their friends.
They send engineers and metal workers
to help the Sultan build railways,
and they send military officers to modernize his army.
And this is-
Which means you know that tanky,
if tankies existed then,
they'd be supporting the Germans
because they'd be like,
well, at least they're against the British.
Anti-imperialist icons, the Kaiser's Germany.
Yeah.
Yeah.
There's no genocide in Namibia.
What are you talking about?
No Armenians were ever killed by the Turks.
No, no.
Anti-Western, anti-imperialist icons, the Turkish Empire.
Oh, I know a bit about how the Germans
are gonna be involved in the Armenian genocide
in a little bit of this story.
Z Germans.
Yeah, we're not gonna get,
we'll be talking a little bit about that.
Not enough, but this isn't a story primarily about that,
but that is happening, right?
This is the situation in the Muslim world
when T.E. Lawrence embarks on his first journey there
in June of 1909.
A steamer ship takes him to the port of Jeddah
in modern day Saudi Arabia.
Now, later during the second landing in Jeddah in 1916,
Lawrence writes about the experience
of taking the steamer ship to
Jeddah. And this is such a beautiful passage that I just have to read it. When we at last anchored in
the outer harbor off the white town hung between the blazing sky and its reflection in the mirage
with swept and rolled over the wide lagoon, then the heat of Arabia came out like a drawn sword and struck us speechless.
He clearly cares about living an aesthetic life.
Yes, that's everything to him.
But also like you were talking about earlier, how he still wants, I'm sure he's going to
fail a whole bunch of times, but he wants to do what's right in any given situation
while at the same time, yeah, trying to live a beautiful life,
regardless of the cost to his health.
And that's fascinating.
Yeah, it is.
And I can tell you just from extensively traveling
in this similar region,
that description of like the heat,
like a drawn sword striking you in the face,
I identify with quite a lot.
Like that is how it,
especially that first getting off the plane in Iraq
and stepping outside for,
it does feel like you've been assaulted suddenly.
It's like a violent experience.
Is it a dry or is it a hot, a wet heat?
It is a dry heat.
Yeah. Yes.
From Jeddah, he covered more than 1,100 miles,
mostly on foot.
In a write-up for The Guardian,
Laura Feigl describes his journey.
Lawrence wandered around Syria,
clad fastidiously in a bespoke suit and hobnail boots.
He bemused the natives with his insistence on walking,
even when accompanied by guides on horseback.
He was especially English
in his understated response to hardship.
I've had the delay of four attacks of malaria
when I had only reckoned on two,
he complained to his mother,
informing her nonchalantly that he had been robbed
and rather smashed up by a group of armed robbers.
Just casually like, nearly died of malaria,
got beaten by bandits.
Anyway, how are you doing, mom?
That is the one, the British characteristic that like, it's pretty good.
It's pretty good.
Not everyone should have it, but the keep calm and carry on while you're being, while
you're literally the only nation power of fighting the Nazis.
Yeah.
Sometimes you just need the like obnoxious stoicism.
Stiff upper lip.
I mean, it's part of why I spent most most of my career reporting alongside British journalists when like you're really
In the shit. It's very helpful to have a Brit next to you. They're very good
Yeah, they call them a word that sounds like a slur but it's not
Yeah, so his experience entered the his experience of this time where he's like nearly dying
while walking 1,100 miles is completely positive.
He falls madly in love with the local culture,
with particularly like these Arabs
that he's starting to meet as he begins his journey
through that portion of the Ottoman Empire.
And he is particularly taken by their treatment of him
as a guest.
He writes home to his father, this is a glorious country for wandering in, for hospitality
is something more than a name.
Setting aside the American and English missionaries who take care of me in the most fatherly or
motherly way, they have all so far been as good as they can be.
There are the common people, each one ready to receive one for a night and allow me to
share in their meals and without a thought of payment from a traveler on foot.
It is so pleasant for they have a very attractive kind of native dignity."
And there's orientalism going on in that passage, but this is also something if you travel in
this region of the world today, you will experience, which is the treatment of guests.
It's deeper than just Islam.
It's something that goes back very far
in that region of the world.
And it is a profound experience.
I don't know how else to describe it,
but like the welcome you are in people's homes,
people like fighting over hosting you
and putting you up through the night,
like it's a very unique experience.
And I'm not surprised he's taken by it.
I know exactly how he feels here.
And there is this feeling of belonging
that's totally different from like Southern hospitality,
right, where people will offer you things,
but it's kind of rude generally to take them.
It's more a matter of like,
it's almost sometimes a problem for you,
the degree to which people are offering you meals
and hospitality because like you have a schedule to keep.
You've got to get places, right?
And then-
What you're saying is it goes beyond Islam.
I know that's a-
Oh yes, deeper.
Fundamental concept in Islam is taking-
Yes.
But it's a fundamental concept in Islam
because that was present in the cultures of the region
before Islam existed, right? I'm not saying like Islam stole it. I'm saying that like it is the cultures of the region before Islam existed, right?
I'm not saying like Islam stole it.
I'm saying that like it is a part of Islam
because it's been a part of the culture for much longer.
The people who made Islam already had that going on.
Right, right. That's interesting.
That's cool.
Now, Lawrence seems to have been drawn in part
to the feeling of belonging that he felt here
because he'd never felt like he belonged at home
in part because he's haunted by his status as an illegitimate child.
So part of the appeal here-
Yeah, he's bullied everywhere he goes
because he glues poverty together like a nerd.
Right, he doesn't feel like he belongs.
He feels like a fraud and an imposter.
He's bullied.
And then he goes to this place where everyone's extremely
happy to see him and nice to him.
And he feels like he has a place to be, right?
Now there's also imperialist impulses, right?
That are influenced by his obsession with the crusades.
Schneider writes, quote,
Lawrence began to see the Arab world in a new way
and would soon come to believe that he could move
and bend it to his will.
That his crusader musings were more
than an adolescent fantasy.
We're starting to see some of like the darker side
growing as he begins to understand.
He also starts to think about how I can manipulate
and change things here.
So Lawrence has this first trip and he has a wonderful time.
He returns home with his documentation
of these different like structures he's seen
from the crusades and he graduates from Oxford, right?
He makes several more trips to France
to work for the Ashmolean museum,
but he remains obsessed with the East, right? And in late 1910, he succeeds in setting up an apprenticeship at
an archeological dig in Turkey. To prepare, he traveled to Beirut that Christmas and spent
two months in Lebanon being tutored in Arabic. Schneider writes that 60 years later, his
Arabic teacher recalled him as someone who, quote, lived rather in the spirit than in the body. Right? That's her description of Lawrence from
meeting him. Okay. Now, many descriptions of Lawrence paint this picture of him as almost a
monk, the severe aesthetic philosopher type. I think some of that is conscious because he
admires these monks who are like a major part of the transmission of the medieval history
that is such an obsession to him, right?
That said, he is not one of these guys who's like,
that almost gives you this picture of him
as someone who's like unknown and unknowable.
That's not him at all.
In fact, he is incredibly popular
with the local Arab diggers that he meets in,
you know, some are Arabs, some are Turks,
but this is like in a rural region of Anatolia, right?
And a lot of these guys, these very like dirt poor diggers
really identify with Lawrence
because he's not like the other Europeans
and that he doesn't just like sit around
and wait for other people to do work for him.
He digs as hard as anyone else on the team, right?
He's actually useful and he's committed to not just like sitting around while other people
do shit.
Snyder writes, quote, a typical example of this aspect of Lawrence's leadership occurred
in June.
Today, I cured a man of compound scorpion bite by a few drops of ammonia.
For that, I have a fame Thomson's as Hakim,
doctor, and as a magician who can conjure devils into water. His role as camp physician would be
put to good use, for in June of 1912 a severe outbreak of cholera struck the Aleppo area,
and saw Lawrence helping the local population deal with the problem through the remainder of
the summer. Lawrence also adopted local garb dressing in a
Kurdish belt and attiring himself like the diggers he'd gotten to know. He found their clothing much
more practical than what he bought from Oxford and he wrote of his Western colleagues, the foreigners
came out here always to teach, whereas they had much better to learn. You can see why this guy's well-liked, you know?
Yeah.
Now in his book, Setting the Desert on Fire,
Barr also gives a much, again,
if you want a little bit less of the like,
agent of history moving nobly through time picture,
here's a much more fun account
of Lawrence's behavior at this time.
He injected these excavations with an excitement
not usually associated with the world of archeology
by firing his pistol in the air
whenever an interesting find was unearthed.
This is also what makes him popular.
He loves shooting his gun in the air
whenever he's in a good mood.
Honorary American.
Honorary American.
Yeah, you have, I am declaring you
a citizen of the state of Texas, Lawrence.
Your 10 gallon hat is in the mail. You have, we are, I am declaring you a citizen of the state of Texas, Lawrence.
Your 10 gallon hat is in the mail.
Now the digging season is not a year round thing.
Yet Lawrence could always be counted to hang around
long after all the other foreigners had left.
He just doesn't wanna leave when the digging is done.
One of his English colleagues later wrote,
I never quite fathomed why Lawrence was still at Karkemesh
when the digs were closed down, but I gather that it was partly from choice and partly from economy. He used
to spend his time wandering around in Arab dress, sometimes for days at a time, storing
his phenomenal memory with scraps of local knowledge which came in very useful later
on. When he was not doing this, he was trying to puzzle out the Hittite inscriptions or
target shooting with a long Mauser pistol. I amused myself by competing with him
at both of these games."
So he's just a fun dude.
He likes shooting.
He likes puzzling out Hittite inscriptions, you know?
Yeah.
And he wants to dress like the locals.
And he wants to dress like the locals.
See where he's, cause when he's walking around
in his like suit and hobnail shoes in the desert,
you're like, oh man, he's like one of those young Republican kids.
You know?
Yeah.
No, he just didn't know a better way.
And a big part of it is,
it's just much more reasonable to be dressed that way
in this part of the world.
He is, KarkemiÅŸ, he's right on the border of
modern day Turkey, like the far southern Turkey
and Syria, right?
So this is, it's not far from like some of the area,
it's not far, it's like not far from,
well actually, no, sorry, it is a little bit,
but like, yeah, it's far from Hasika, but like, yeah,
so he's right in, you know, this is like,
the Turks would say part of the Turkish heartland,
but this is like the Arab world, the Kurdish world.
It's kind of like right in the middle of all of that.
And it's just not a reasonable place
to wear a three-piece suit all summer.
The garb that the locals wear is much more comfortable,
especially if you're digging all day.
It's compared to the thing that was developed
on a terrible island where the sun never rises.
That's why they want an empire where the sun never sets
is because they live on an island where it doesn't rise.
Yeah, exactly.
So Lawrence was to spend the next three years of his life
in Turkey as much as possible.
This was by every credible account,
the happiest period of his life.
And it is also where we get the first claims
that he was a bastard, right?
Specifically the claim that he was a pedophile
or some sort of groomer, right?
Now, I'm gonna tell you right now,
I don't agree with this interpretation,
but I'm gonna make the case for it.
I'm going to explain to you why people talk about this.
So the gist of it is that while Lawrence was participating
in this dig, a 14 yearyear-old boy named Salim Ahmed
was hired on as a donkey boy.
In the parlance of the times,
this means he helped lead donkey trains of supplies
to the diggers.
Salim, nicknamed Dahoum, or the little dark one
by his fellows, became fast friends with Lawrence.
We don't know precisely why,
but their bond deepened when Lawrence caught dysentery
later that year, and Dahoum cared for him until he got better.
The two traveled to Aleppo together and Lawrence began promoting his young friend to higher
positions and ultimately made Daoum his assistant.
While on the dig, the two lived in the same house and seemed to take particular pleasure
in wearing each other's clothes.
This is something that everyone will say about them is like they would exchange outfits
and dress like each other.
They have pictures taken where they're dressed
in identical outfits, like dressed as each other.
And by all accounts, they are inseparable, right?
And again, this is like, I think he's 14 to 16
during like the period where they're spending
most of their time together and Lawrence is in his 20s.
So this is potentially very problematic, right?
Yeah.
Lawrence biographer, Jeremy Wilson,
described Lawrence as having a quote,
almost fatherly concern for the boy.
One of his colleagues at the dig,
Leonard Woolley, went much further.
After Lawrence became famous,
he made public allegations that Lawrence had convinced quote,
dome to live with him and got him to pose as a model
"'for a queer crouching figure,
"'which he carved in the soft local limestone.
"'To make an image was bad enough in this way,
"'but to portray a naked figure was proof to them,
"'the local Arabs, of evil of another sort.'
"'The scandal about Lawrence was widely spread
"'and firmly believed.'"
So Woolley's allegation is that these two
were homosexual lovers and the locals found
out about it because he was carving an image of Dome naked in local limestone.
Now, again, Dome would have been 15 or 16.
And at the time, that is not the same as 15 or 16 today.
Again, in Germany, you're an adult at 14.
But I don't say that to mitigate potential pedophilia, just to say like, that is why his countrymen
who criticize him for who like he was homosexual,
they're not calling the pedophile
because that's not how they would have seen this, right?
They would have seen this as a gay relationship.
That's not how we see it.
I don't think we're wrong in seeing it differently,
but he has not written about
by people who criticize him as his time as a pedophile,
he's written about as a homosexual,
which is a severe criminal offense in the UK at the time.
If he had been convicted of this,
he would have gone to prison.
Yeah.
What was interesting is because for centuries,
gay men in Britain would go to the Ottoman Empire
because it was like more accepted to be gay there and
just a
friendlier place. But obviously, I think that that started to fade around this time. Actually, I've heard because of Western influence,
but I'm not, I've been more certain about things.
It's a bit more, it's too complicated for us to get into in detail,
but one aspect of this that I think was an aspect of why it was friendlier
in the Ottoman Empire, and it's an aspect
of how everyone looks at it and how,
like Lawrence is famous, he's not homophobic, right?
He has friends who are gay, that he knows are gay,
and he does not seem to have any issue with this.
But also, I don't know that he would have,
I don't think he had any kind of sexual relationship
with Doom to like skip ahead here, but I don't know that he would have, I don't think he had any kind of sexual relationship with Doom to like skip ahead here.
But I don't know that he would have felt that was wrong
because he would have looked at it in the way that like,
he saw, in the way like ancient Greeks
had these relationships between older men
and their younger wards, right?
That is probably how he would have seen it, right?
That makes sense to me.
That's not what I think is going on here.
Now there are allegations later in his career
from adult colleagues in the army
who claimed that Lawrence asked them to whip him, right?
And so these have kind of been merged in the public mind
with some of these rumors that he and Doom
had a sexual relationship.
And a good example of how this like comes down
in casual history is a quote from a very bad listicle I found
called Great People Who Were Also Perverts,
which I found on this terrible shitty
clickbait website called Backlull.
The article reads-
I think we're gonna make a crack.com joke, but no, okay.
No, no, no, no, no.
I don't know, maybe they stole this from us, I don't know.
No, I don't know.
Lawrence was very famous for playing Lawrence of Arabia,
pictured here. A great actor, not many know. Lawrence was very famous for playing Lawrence of Arabia. Pictured here, a great actor.
Not many know that he was also a great archeologist.
I think they're confusing him with Peter O'Toole here.
So I think we would have caught that it cracked.
Yeah.
It was said that Lawrence didn't go much
for relationships at all.
Then suddenly he fell in love with a young boy
who was underage.
He also loved to be whipped hard on his backside.
So definitely had strong leanings towards masochism.
A pedophile and a masochist is a far cry
from the over glamorized image people have of him
as a great actor.
Do you not know, Lawrence was a real,
he's not Peter O'Toole.
I don't think Peter O'Toole was a pedophile.
Okay, anyway.
I like the name actor, that this is a separate person.
You have some serious misconceptions about the history here.
Now a different article I found on a better website,
cleohistory.org, made the equally confusing decision
to ignore the particulars of Dahome's age
and depict his relationship with Lawrence
as more of a thwarted gay love affair.
Quote, while at Karkemi,
she formed a particularly close bond
with a handsome young Arab water
boy whom Lawrence once took on a long visit to Oxford.
However, given the reticences of the time, it seems impossible to finally get a clear
picture of Lawrence's romantic life.
Now I'm going to skip to the end here and say there's no evidence that Lawrence had
sex with Daum or that he even wanted to.
There is in fact no evidence whatsoever that Lawrence ever
chose to engage in sexual activity with any person over the course of his entire life.
Anthony Satin writes, Lawrence said he never had a sexual relationship and most people who knew him
found that credible. Yeah, because if he's friends with gay folks, he would have said it if he was
like, no, he's just a stupid boy. And he does, he describes himself in a letter
to a friend of his who was gay and who he knew was gay
as this is Lawrence describing himself,
funnily made up sexually.
And from the context, we can see two things.
He was aware of homosexuality and not judgmental of it.
And he did not consider himself gay or straight.
And I think probably the best term that fits for him
is asexual, right?
Now, this is not an orientation
that is well understood even today.
And we shouldn't assume that he would have talked
about his sexuality the way modern day ace people
talk about it, right?
This is 1911.
And asexuality is pretty much non-existent
in the public consciousness, right?
He probably would have thought of his own sexuality
more like he thinks of like a monk,
someone who has taken a vow of celibacy.
Totally. Right?
Although he doesn't write about having
any particular sexual desires.
And in fact, Iain Forster, the gay friend that he wrote to
about his own sexuality,
seems to have interpreted Lawrence's feelings towards Daum
as an unconsummated love affair.
But I think that's Forster kind of pushing some of his own sexuality onto Lawrence, right?
Lawrence describes himself as kind of celibate.
He writes repeatedly about his love for Dahum, but in a matter more complicated than just
like fatherly affection, but also not in a way that sounds like lust to me.
And here's Satin again.
Ten years later, when Lawrence referred to his friendship with Dahum, he talked of it
as one in which there was such intimacy and mutual understanding that they had said all
two people could say to each other.
This freed them to work or rest together for hours without speaking.
Lawrence experienced that sense of calm and trust with very few people in his life.
It was not obvious that one of them would be a donkey boy from Jeroblos.
In the summer of 1913, the two of them spent most days and evenings together, working at
the digs, swimming in the Euphrates, cleaning and drawing, photographing and cataloging
the finds in the courtyard or a large sitting room of the expedition house, even while Lawrence
was busy writing of his adventures in Seven Pillars of Islam.
And you know, by this characterization, yeah, they had, they were, they were two people
who had a profound bond, but not a sexual one.
And like, why did he carve that sculpture?
Well, cause he liked sculptures, right?
And he, he was, he, he was raised on sculptures of the naked human form that he didn't see as sexual,
because this is not a guy who particularly
had any sexual feeling, probably, right?
It's interesting, because I was talking to my sister
about this one time, and we were talking about
the whole historically close friends thing
and how we kind of, we go back in time and say,
oh, all of these women were lesbians,
like all the ones who just had historically close friends
that they lived with as roommates.
And it's hard because we just actually don't know in most circumstances.
Like sometimes we do, we have like professions of sexual love between the two.
But like sometimes historically close friends were just historically close friends in a
way that also doesn't map to any current understanding of sexuality that we operate with today.
And all I can say is, for one thing, that colleague who initially made the allegations
that Lawrence was gay later in life came to me to be like, actually, I think it's probably
likely that he never had any kind of sexual feelings towards Dahum.
And Lawrence, in his own letters to his friends with whom he could have been open if they
would have seen
as a homosexual affair.
Was like, I've never had sex and I've never really wanted to.
And that's how Lawrence talks about it.
Now, Lawrence is not a perfectly reliable narrator,
but I just don't see any reason he would have lied
about this.
I think he was probably, if we're characterizing him today,
he's probably asexual, right?
And I want to close with a quote by Satin about Lawrence and Daoum.
It is impossible to know what Daoum thought of these changes to his life.
He was obviously flattered that Lawrence was taking an interest in him, while the extra
money and new status helped set him apart in the village.
A range of possibilities was opening through his growing ability to read and write Arabic,
but only occasionally can we hear Daoum's voice with any clarity.
One moment was at Ibn Wardani, but the most persuasive was his answer to Miss Farida's
question in the summer of 1912 of why he loved Lawrence.
He did so, he replied, because Lawrence was brother, friend, and leader, because he could
do things better than them, because he was courageous, playful, humorous, and perhaps more important to them
because they knew he cared for them.
And I think that that, if you're looking for like,
is he a benefit, well, that's not what Doom says.
Doom says he was like a brother.
And I think that's probably a better,
that's probably the right way to look at this relationship.
Wow, okay.
Anyway.
So far the only way in which he's a bastard
is in a literal sense.
Yeah, he's a bastard literally.
A little bit, he does some more analyzing, right?
In a way that- Oh yeah, absolutely.
Yeah.
You know, but like not in a way that would
earn him an episode here.
He's probably not a pedophile.
Kind of, maybe an ace icon, Lawrence of Arabia.
Yeah.
I had always, my dad had always told me
when we would watch the movie together
that he had been gay.
And I've come to find that like,
there's not really any evidence for that.
Like he was cool with gay people,
but like there's not really any evidence that he was gay.
Do you think that was your dad like trying to be chill
about a gay person?
Cause it sounds like your dad liked Lawrence of Arabia.
Yeah, it may have been, it was also just like that has,
that was the understanding, the common understanding.
And I think that still is, I think most people would still
say, oh, he was gay, right?
Like, I think that is still how most people think of this.
I mean, in a weird way also,
cause I've been reading a whole bunch recently
about some of the early Protestant ideas around sexuality
and not making kids and not getting married
is all sort of equally gay to a certain degree.
So like monks and priests were sort of gay to the Protestants because they like weren't
getting married and having kids.
And so I could see-
I'm always saying this.
There's a version of, you know, queerness, whatever.
There's a reason that Ace is in the queer umbrella now.
Yeah, absolutely.
All right, well.
So, that's it, that's the episode.
We did it.
We did it, Joe.
Magpie, do you have anything you want to plug?
Well if you like history about complicated people who mostly aren't bad, then I have
a podcast called Cool People Did Cool Stuff, which is on this little known network called
Cool Zone Media and you can listen to it.
And it's probably too late to catch me on tour when you're listening to this,
but maybe, maybe it's not.
Maybe I'll be on a different tour by the time you hear this.
And in which case you can find me there,
but just go listen to cool people that cool stuff.
Listen to cool people who did cool stuff.
And you know, launch an insurgent war.
I don't care against you.
Do it, do it somewhere, you know?
This is gonna sound really weird
depending on what happens next week.
Yeah, that's my advice to you.
No matter where you are in the world,
go start some shit, you know?
Or don't.
Or don't, legally don't.
Behind the Bastards is a production of Cool Zone Media.
For more from Cool Zone Media, visit our website, coolzonemedia.com, or check us out on the
iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
Behind the Bastards is now available on YouTube.
New episodes every Wednesday and Friday.
Subscribe to our channel, youtube.com slash at Behind the Bastards.
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