Behind the Bastards - Part One: Julius Streicher: The Other Hitler
Episode Date: July 25, 2023Robert sits down with Jake Hanrahan to talk about trailblazing Nazi propagandist Julius Streicher, the man who might have been Fuhrer if a few things had broken differently. (2 Part Series)See omnystu...dio.com/listener for privacy information.
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This is I.C.
Over the years, I've compiled thousands of inspiring and thought-provoking quotes. your podcasts. Oh boy! Welcome to Behind the Bastards, a podcast where I just played a trick on Sophie.
Um, I'm Robert Evans, this is a show about the worst people in all of history and
To help us talk about one of the worst people in all of history Fucking you my favorite people in all of history. Did it happen Sophie? Did it happen did you catch my my cunning roots?
Yeah, I asked the script and it says ha ha Sophie. This was a trick
Since you fake documents it's not the real script. I know. I know.
It was such a shitty thing to do. Uh, and that laugh on the line was Jake Hanrahan. Jake,
you are a, I'm doing good. I'm doing everybody. Um, how are you doing this week? Yeah, my
good. I'm good. I'm good. I'm moving forward with looking into dead Russians.
So yeah, you have things to go.
You've taken on the fun job for yourself this year
of looking into the mysterious accidental deaths
and suicides of a bunch of Russian oligarchs
for your hit podcast, Sad oligarch.
Yeah, man, and it's been really eye-opening actually,
like it's a lot of work, but it's
very, I mean, the coincidence is being stretched to its absolute limit on what's happening here,
put it that way. Yeah, it's a super impressive podcast, really happy to have it on the network.
You also, Jake, run an outfit called Popular Front, which does both a regular podcast on
conflict all around the world, and also has a, you put out a print journal.
I think I'll call it a journal, because that sounds, that sounds pretty good.
I mean, yeah, magazine.
Yeah, yeah.
I'm moving forward with documentaries as well.
Yeah.
So in other words, Jake, you are kind of a good version of the bad guy that we're going
to talk about today because the guy we're talking about today is like the evilest example
of like a dude who you could technically call a journalist.
He ran a newspaper or a journal or whatever, which was the podcast of the of the 1930s
and 40s.
What do you know about a fella named Julius Striker?
Nothing, actually.
Okay, okay, very good.
So Striker was, I mean, the kind of, the surface level thing that he was, and sort of the most
prominent thing that he was, was the dude who ran a newspaper in Vimer, Germany called
Der Sturmer.
So he was like the guy who published the primary anti-Semitic newspaper of like the pre-Nazi
and the Nazi era.
He was the only dude we executed at Nuremberg who hadn't actually had a government position
in the Nazi party.
In other words, when they killed Stryker after the war, they acknowledged like, well, this
guy wasn't, you know, he wasn't a military leader.
He wasn't in the government.
He didn't like help start a war.
He didn't like command troops.
He didn't run a death camp.
But we're going to hang him because the propaganda he made was an integral part of the Holocaust.
He should have studied science and could have been sent to America.
Yeah, if he'd known how to build a bomb.
He mispiped Clinton with the wrong profession, you know?
I mean, one of the things about Striker is that he kind of did.
He was kind of like that level of evil genius in that he figured out a way to utilize the news media as a weapon
in a way that a lot of people today still do. People are hurting folks right now using a lot
of the tactics that strike or pioneered. But he's also- If he was so smart, why did he
die though? Yeah. I mean, the accumulated head injuries that he got in street fights in the 1930s
might have blunted him by the end, you know, some of that CTE, which I think is an under-discussed
part of a lot of the old Nazis, right?
You can only have like so many beer bottles broken over your head before you start to
that's what you mean, huh?
Yeah, yeah, he was, I mean, he was, he was like just kind of involved in it, because
he was a big speaker during the Vimer era, right? And so he were a big Nazi speaker.
You get into a shitload of barfights. Um, one of the things that's interesting about
Striker is that like, so this is, this is getting a little bit outside of topic. But if you
like, spend the time engaging with the actual historiography of the quote unquote holy land, the lifetime of
the person who is come down to us as Jesus Christ, you'll find out that there were sort
of a bunch of messianic figures in that part of the world, in that period of time, people
claiming to be like Messiah's people claiming to be you know holy man and
basically the guy that like you know the the you get a lot of stories about in the bible is like one of a
number of dudes who theoretically if you're not a believer in Christianity right if you believe that
is the son of God theoretically there were probably other dudes that like maybe could have been the focus
of a big religion of shit had broken a little bit differently, right? John the Baptist is worshiped by, I figured the name now, but there's a
like specific religion in the Middle East. Most of them actually don't live in the Middle East
now because they were persecuted, but yeah, for them, John the Baptist was their Jesus if you know what I
mean. Yeah, yeah, exactly. And so Striker is, in addition to being
this very influential propagandist,
he's kind of that guy for Hitler.
As in, if a couple of things had broke differently,
he could have been the like,
furor of the fascist party that rose to power.
Like, he had a lot of similarities,
and there was a period of time
where they were kind of seen as rivals
for like the guy who's gonna become the center
of the far right movement in
Vimar, Germany. So he's a really interesting dude for a number of reasons there. So yeah, that's who we're talking about this week
Julius Striker, aka Jules.
So Julius was born February 12,
1885 in a little bit of country town named Flying House in about 15 miles west of the town of Augsburg in Bavaria.
Now Bavaria is kind of like, sometimes I hear people say it's like the Texas of Germany, right?
It's traditionally the conservative chunk of Germany. It's quite large. It's also like heavily Catholic as opposed as opposed to the more Protestant parts of the country.
His family's Catholic.
His dad is the town school master in this little bitty town.
And his dad is like a lot of folks in Bavaria at the time, a big believer in having as many
babies with his wife as she is capable of surviving.
So Julius is his ninth kid, which is,
that's a lot of kids to have.
That's a hell of a lot of kids.
Back then, I was like, just keep going, right?
Yeah, you gotta make them out.
Three of them are gonna make it to 15, you know?
And then you can die at the right old age of 38.
Yeah.
So the strikers were a conservative traditional family and a pretty conservative and traditional
part of Germany.
Julius had been born and you could call it.
He was basically born during Germany's Kinssenjera, right?
Like Germany is like 15 years old when he turns fifth or when he's born.
And his family is pretty excited to be a part of this new country.
So everybody's like, yeah, Germany, great idea.
This is only going gonna end well.
His mom is kind of a homemaker at the time
while his dad is again the school teacher.
And he's a very young kid, again, a lot like Hitler.
He's a mama's boy.
He actually calls his mother the fortress of my childhood.
So very much tied to his mom very much like. That's fucking weird, okay, I'm sorry. I love my childhood. So, you know, very much, very much tied to his mom, very much like, okay,
I'm sorry. I love my mom. That's a weird way to describe your mom.
That is a fortress. Yeah. My sweet mother like. Yeah, she's a fortress.
Yeah, it's interesting.
I mean, Hitler's kind of the same way where like the, if you listen to like folks who
knew the family at the time or like the doctor who took care of her when she had cancer,
he was like, I've never seen anybody who is like so into his mom as this guy.
You know, not that it's bad to be a mama's boy, but an interesting detail for me.
But it's not good to fuck your mom like you know.
Yeah.
There's a little bit of like that emotionally going on right?
Yeah.
Yeah.
Yeah.
A little odd.
So, in short, his early life is characterized by this kind of both this comforting sort of
feeling of a very stable like family, but also this very comforting
feeling of like the weight of all of this tradition, you know, that exists in the area he lives
in.
But despite this, while his family's Catholic, while the various Catholic, he's never super
into Catholicism as a religion, but he is very culturally Catholic.
And one of the things that he gets out of his cultural Catholicism is a pretty rough
attitude towards Jewish people, not great relations between the Catholic church and Judaism
in this period of time.
Not that he would have known any Jewish people growing up, right?
Julius would have only occasionally even met other like Christians who had
spent time interacting with Jewish citizens of the Reich. There were a significant amount
of German Jews in like cities, you know, you would, if you grew up in a city, you certainly
were going to like meet and interact with with Jewish Germans. But he's out in the country
side and basically everybody's, you know, Catholic where he is, you know, you got a couple
of Protestants like that's kind of a deal, running into Protestants for his folks, let alone like.
Why did he hate Jews if he didn't even own you?
Well, because he's raised on stories about them
and largely like really negative propaganda.
So the church in his hometown,
and this is the case with hundreds of churches across Europe,
had stained glass reliefs of what's called the Juden's Sal.
J-U-D-E-N-S-A-U, you can look up pictures of this, if you'd like.
And the Juden's Sal is a pig nursing Jewish babies, right?
Like that's, it's like this, it's a racist kind of like cartoon or whatever, but this
is like literally like carved into churches.
There were also, would have been a regular talk about what was called the blood Passover,
which is this medieval era conspiracy theory that existed up until and still exists in some areas
that claims that like rabbis have to murder Christian children to get their blood to make MOTSA. And that's like fucked up in wild and stuff, but these were really common.
Again, this stuff is literally like in their stained glass reliefs of some of these stories.
This is a thing that goes back a very long time.
And some of these myths about Jewish people, these like conspiracy theories about rabbis
and the like, would have been taught to him both kind of as a part of his Catholic upbringing, but also by adults who
kind of, these were not just literal beliefs.
They were also things that adults would kind of embellish for kids as like a form of entertainment.
So it's kind of this mix of the two things, but it all contributes to this kind of general measma
of bigotry that is culturally the norm. And this is not just in Germany, right? If you're in
France around the same time, you're kid in Belgium, kid in Scandinavia, kid in most parts of the
UK during this period of time, you're getting pieces of this. There's differences, culturally,
kind of depending on where you are and what
your dominant religion is, but this is a big part of why when the Nazis take over in France,
like one of the logistic problems they have is like so many people handing in Jewish
neighbors and relatives because this kind of bigotry is just, it's very, I mean, this
is like, yeah, it's already there.
And this is, you know, it's one of those things where, as much as we're talking about how much big a tree this kid
and everyone else in this part of rural Bavaria is ingesting,
this is also simultaneously a period
in which Jewish people are making great strides
towards equality in Germany.
Prussia had made Jewish people's citizens for the first time, albeit kind of second-class
citizens in 1812 as a part of the Napoleonic Wars, which is only, you know, like 60 or so
years before Strecker's born 70 years.
Full civic equality had been granted in 1848 in Prussia, although most states in what became
Germany a little after that
still had some restrictions on Jewish people
doing things like joining the military until 1869.
And you know, 1870 is when we have the Franco-Prussian war,
which is what gives us the birth of like Germany
as a traditional state.
So like right before the Franco-Prussian war,
Jews get the right to serve in the German
military.
And then when that war ends and Germany is established as an independent nation for the
first time, one of the things that happens when Germany is born is that Jewish people are
given full rights as subjects of the Kaiser.
So you've got, again, in this period, you're both, you both have this very medieval, like, bigotry is still super common. But also, you've got this
very, like, progressive movement towards recognizing Jewish people as the same as anyone else
in the country. So both of this stuff's happening at the same time. His first, Julius's first
direct memory of Jewish Germans came when he was about five
years old.
His mom ordered fabric from a shop owned by a Jewish shopkeep in a town nearby.
The fabric did not meet her expectations for whatever region.
And because she'd spent so much money on it, she got angry, she started crying.
And Julius, you know, who's again about five during this period, recalls probably from the adults
around him hearing that this betrayal of getting bad fabric was just like a Jew.
And in Randall bite works biography of Striker, he notes, the village priest in his regular
periods of religious instruction in the school explained how the Jews had fought Christ bitterly,
finally crucifying him.
This was my first inkling that the nature of Jews was
peculiar." Striker later wrote. So this is kind of, you know, it's this, again, you've got like this,
your preacher talking about how Jewish people are responsible for the death of Christ and your mom
complaining that like they screwed you out of, you know, the proper cloth. It's just kind of this
all-encompassing thing. So in this period of age 14 is kind of the
start of your adulthood. That's when a young man is going to start working and a
princessing to learn a trade. Julius actually finished his primary school at 13 and started
attending a teacher training program where he's like learning how to become a school teacher
as a 13- old. What? It's wild. Yeah.
That's crazy.
Imagine going to school when your teacher started.
Yeah, yeah, you're like eight.
He's 13.
He's like, I can't even imagine the things he's seen that kids are hard.
I'm not telling me shit.
I'm not learning anything from you.
Yeah, it's funny.
So he's one of like, wanna like, and it says something
probably about his dad that of the nine kids
in the family, five of them follow in their dad's
footsteps as teachers, which is not uncommon, right?
Like at that point in time, you're a coal miner, right?
You're living somewhere in the south of England
and your dad's a coal miner, you're probably gonna grow up
to be a coal miner.
It's kind of the same thing with strikers, family,
and being a teacher. He does okay, it's kind of the same thing with strikers family and being a teacher.
He's a, he does okay. He like passes everything, but he's, he's got kind of mediocre grades,
and he starts working as a substitute teacher in 1904, having been an indifferent teaching student.
Now, the Bavarian school system at this point is partly run by the Catholic church. So,
system at this point is partly run by the Catholic Church. So, in villages, the local priest was like the the administrator of the school. Like, he would check in to see like what the
teachers doing, what they're teaching kids, whether it's acceptable. And Julius, while he's kind
of very culturally Catholic, doesn't particularly believe and is kind of oppositional defiant,
right? Like, he's just reflexively angry at anyone who's telling him ahead of do things.
So he starts getting into a bunch of fights with the local priest as he's starting his like
career as a teacher.
Kind of a lot of this starts when he decides he wants to change the starting time for
Sunday school classes, which is, you know, a part of the school teacher's job and the local
priest gets really angry and it gets
him in trouble with his bosses, all that stuff.
So in 1907, his kind of reflexive need to sort of, I don't know, resist authority causes
problems for him again because he has to do his year of compulsory military service, which
all German men have to do in this period of time.
Kind of when you're a young adult, you have to, at some point, you have some flexibility
as to when, but you have to go spend a year working as a soldier so that when it's time
to do a World War I, they can call everybody up and have them go, you know, do a World
War I.
And he's terrible at this.
Like his leaders, his officers notice that he like can't be controlled basically.
He winds up going to jail for several days because like a guy in the lunch tent makes fun
of him and he just beats the absolute piss out of this dude.
So his superiors are like, this is not a guy.
Because he's a school teacher, they were considering sending him to officer school, but
they're like, wow, this guy, we can't have this guy do anything, right?
He's just not like a reliable soldier.
So 1908, yeah, loose cannon, kind of an asshole, right?
Like he's just kind of a giant dick.
So 1908, he goes back to teaching,
and then the next year, he gets in trouble
when a priest visits his class
and says something that Julius disagrees with.
So Striker kind of like they have this big confrontation, maybe it's kind of gets close
to blows and he forces the the priest to leave, which gets him in trouble with the church
again.
And he's like pushed out of that town and eventually like comes to find a teaching position
in the biggest city near him, which is Nuremberg.
This is a good thing for him because like,
he doesn't really like the Catholic church,
he's pissed at how much of a role they have in teaching people.
And in Nuremberg, there's a lot of Protestants
and also, you know, a growing number of people
who aren't particularly religious at all
who are like, why are schools run by the Catholic church?
This maybe shouldn't be the way that we do things
and are in our new modern
Germany that's supposed to have some degree of pluralism in it, like why are they in charge of this?
So he gets along really well with his boss in Nuremberg. He starts to find some success
teaching. In Nuremberg, it's this it's this kind of interesting place in the early 1900s.
It had been like majority Protestant up until the turn of the century and that a bunch of Catholics
had moved in, along with 8,000 or so Jewish Germans. And it's one of those things I just talked
about how racist his upbringing was. But at this period of time in his life, there's no evidence
from any of his writings at the time that he had any particular negative interactions with any of his fellow citizens who were Jewish
that he had any particular issue.
In fact, he seems to have kind of been a progressive leftist early on when he moves in for the
time, what you'd call that when he moves to Nuremberg.
He sort of was interested in the social democratic party, but at that
time, the government forbade state employees from being social democrats. So he joined the
democratic party, which was kind of like the center slightly liberal option at the time,
and the democratic party's primary goal was to end clerical supervision in the schools, right? Their big campaign issue was like, maybe we don't have priests running all of our schools.
So Striker was into this, he joins, and at some of these early meetings he's doing, he
starts speaking up and eventually giving speeches.
And it's kind of one of those things he doesn't have as a teacher.
He's got some experience being up in front of an audience. But the first time he gets up in
front of an audience at a party meeting and starts like, you know, teaching kind of going on a
little bit of a rant about why he doesn't like pre-speed and in charge in the schools, he's
kind of electrifying. Like people, all of the people running this party are like, this guy's actually
really good at this.
And so they're like, hey, Julius, what if we hired you in basically as like a regular
speaker?
So, you know, when we have party meetings, when we're doing like vote drives and stuff
to bring in more folks to raise money, we can just have you get up on stage and start,
you know, doing your thing.
And so that's how he starts.
That's like kind of the birth of this guy's
political experience is he's just kind of like
has this natural gift.
And in this period, you gotta remember
people don't have radios really, I think they exist,
but not a lot of folks really are listening to the radio.
There's certainly no television.
One of the primary methods of entertainment is just like,
at night, you hear like,
oh, this party's doing a thing
and they've got some guys giving speeches
and it's kind of like,
someone's like going to a comedy show
or something or going to a concert, right?
You just like me,
you just leave your house and listen to them
or like people talk about stuff.
That sounds pretty interesting.
Yeah, there's usually beer, you know,
I think what I've heard like the cost of attending,
because these are fun razors for parties too, is usually about the cost of a pint of beer.
So it's not that pricey, working class, people can afford it. Sometimes there's free food,
there's, you know, you know, it's just like, it's kind of how you go and spend your nights.
It's a big cultural thing, right? And he just kind of feels as he starts giving these speeches, and this is sort of where
you get the problematic elements.
The way he interprets, you know, it is like you do something you've never done before
and you have kind of a knack for it and you feel like, oh, wow, maybe this is a thing
I should like work more on.
That's kind of speaking for him, but instead of just being like, I've got a knack for
this.
He decides that there's this inner voice guiding him, right? Like there's this, yeah, almost spiritual
presence inside him that he feels as like teaching him how to speak to these crowds.
And, you know, the other problematic aspect of this is that like, he just kind of like
reflexively one of the ways he tries to get the audience on his side is that like he just kind of like reflexively one of the ways he tries
to get the audience on his side is by like going on rants about Jewish people.
And he, you know, he's making just like some side jokes.
It's not really the focus of anything, but he notices that like the Jewish people in the
audience aren't laughing when he's making racist jokes.
Yeah, funny that.
And you know, one of the folks that he's like working with
in this party kind of pulls him aside after one of his speeches and says, and this is how
Striker related it later. Striker, let me give you some advice. I work in a Jewish firm.
I have learned to be silent at times when my German heart gladly would have spoken. And
often I speak when I would rather be silent. The Jews are few in number, but great in the economic and political power they have achieved. And their power is dangerous.
You mightier striker are still young and cocky and don't mince words, but I'll never forget
what I'm telling you. The Jews have great power. And that power is dangerous, very dangerous.
Now you might note that this was again, this is something he relates this speech decades later
when he's a powerful Nazi.
This almost certainly didn't happen.
Part of how we can tell that it's like, at no point does anyone stop him from having a
career as like a speaker and a racist?
There doesn't seem to be any sort of like pushback that he actually encounters here.
So that's more interesting because
that's how he chooses to like kind of frame his upbringing later.
Yeah, I mean, Jeremy would hardly like a place where you couldn't be outspokenly anti-Sameg
back then.
Yeah, the Kaiser was right. Yeah, yeah. It's like, no Yeah, nobody's getting canceled in 1910, Germany
for being a little bit racist.
Yeah, it was a free-for-roll, you know?
Yeah, yeah, you're good.
You're fine doing that.
It's like a stand-up comedy in the 1990s, you know?
Like, yeah, there's no rules.
You can go be Andrew Dice Clay.
Anyway, so the next year,
our boy Jules got married to a woman who had the,
I've never heard this first name before, Koonagund.
Yeah, I haven't heard it before, interesting name.
And her dad, she comes from, he kind of marries up, right?
Like her dad's upper middle class.
He's like a business owner, whereas his dad's kind of marries up, right? Like her dad's upper middle class, he's like a business owner,
whereas his dad's kind of like a teacher,
which teachers don't make a lot of money then or now.
And they are going, wanna get to work, making babies,
creating more Germans, but before they can,
a historic event occurs that would drastically
increase the need for additional German babies,
World War I.
So that kind of gets in the way.
He's kind of on the way up in his life, right?
His career as a teacher is doing good.
He's just gotten married.
And then like a lot of young men as age, this is a pretty universal experience.
The war interrupts things.
And this is actually one of the areas in which he's really different from Hitler, right? Because he's doing really well and then the war hits and he's got to
like disrupt his life to go fight in it. Hitler's a fucking disaster. And then World War
One kind of saves him, right? It gives him something to like focus his life around. Yeah,
he's a shit painter. He's making these terrible little postcards and Munich and then he gets to go do something
that he has an aptitude for.
But that is also like,
Julius, this is more of a disruption for him.
But Julius also is one of these guys who finds out
he's kind of got a knack for this.
He's one of these fellas, you hear about people like this
sometimes, there's this difference between
Garrison soldiers and combat
soldiers, right? A garrison soldier is like a guy who can handle the politics and the sort of like
the the bullshit that you have to eat when you're just like a regular soldier at peacetime on
base and you've got to deal with like, you know, kind of warming your way through the hierarchy
and and sort of like making shit work
within the kind of bureaucratic organization that is an army, right?
But when it comes time to actually like shoot people in a trench, you know, and fight, different
folks are good at that who in a lot of cases wouldn't be very good at just like sitting
at a base at peace time and dealing with the bureaucracy of the army.
And strikers, one of those guys, right? He's terrible in peace time as a soldier. His officers
like can't get him to do anything properly. But as soon as he starts getting into gunfights,
he's really good at it. And he loves combat. He is a frontline trooper. And he's one of these
guys who war seems to like activate something within him.
Um, he not only like after his baptism of fire, he's not one of these guys who is
considers himself traumatized by war. He's not one of these guys who finds
the trenches to be a bad place. And in fact, he starts volunteering for more combat duty.
He's like, as soon as he gets a taste of fighting, he's like, I want more of this shit. Like put me in coach. I'm ready to go. So he does well enough that in 1915,
he gets made an officer candidate, you know, in peacetime, they're like, this guy cannot
be given any kind of responsibility. And then it wore their like, actually, this guy's
exactly the guy to dude we need. Yeah, he has no instinct for self-preservation.
So, in 1916, Romania declares for the Allies.
Everyone's kind of expecting, you know, in World War, there's the stalemate at the trenches
and then Romania, who's kind of like stuck in Germany's flank, if you look on a map,
is like, we're going with the Allies and there's this big hope on behalf
the Allies that it'll cause a breakthrough in this stymied situation. It does not do that,
because the Germans take this really tiny chunk of their army and just absolutely pants the
Roman, Romanian military. Like within a couple of weeks, they've conquered the country.
And Striker is a part of the German army that gets sort of diverted from the Western front
to go take over Romania, which gives him his first taste of like comprehensive victory,
right?
This is a really good moment for the German army.
Part of why this sort of like, we got stabbed in the back, lost cause, myth is going to start
up later is because a lot of these soldiers, they have this victory in Romania and then this victory on the Eastern front against Russia, and
it doesn't feel to them like they could have possibly lost the war later, right? We were
just winning everywhere. What happened? Yeah. So, Jake, in a lot of ways, our conquering Romania was signing the advertisers who support this podcast.
They're our bootcamp.
It's exactly the same.
Yeah, it's exactly the same.
We are the conquering German imperial army marching into Bucharest to try and take its oil
fields, but with, I don't know, a food box company or something.
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Jake
So 1916 he goes in to Romania has a great win and and and in general his army careers going good during the war
He has one issue which is that in 1916, he assaults an army medic.
Based on some stuff he'll do later, I think it might have been because the guy was trying
to vaccinate him.
And he didn't want that to happen.
He's going to publish a bunch of vaccine-related conspiracy theories later when he gets his
newspaper.
We don't know entirely why he fights with this medic,
but I think there's a decent chance it's related to that.
It's just kind of the only recurrent conflict
that he has with medical personnel in his life.
But other than that, his service record is really good.
By 1918, he's back in France.
There's one last attempt by the Germans
to break through the enemy lines.
Doesn't quite work out for him.
Kaiser abdicates the German military's demobilized. attempt by the Germans to break through the enemy lines, doesn't quite work out for them.
Kaiser abdicates the German military's demobilized World War One is over.
This should have been a good time, because it seemed like a bad thing, but as a guy who
loved the war, Stryker does not take this really well.
And again, his perspective is we won every battle we were in.
When they declare the armistice,
I'm still standing on French soil.
How could we lose everything?
Right? How could that be?
And a lot of German soldiers are gonna feel the way.
Yeah, yeah.
It's kind of what led, well, set the groundwork for World War II, right?
Yeah.
And I don't know, Jake, this is something I think about a lot like the,
like my gut just as a person who doesn't like to see people die in war is like.
Well, yeah, you're so soft.
Yeah, exactly. Yeah, get more like striker.
Get more like striker. I feel like, you know, if someone had come to me and were one and been like, you should we do like an armistice with the Germans.
Yeah, I'd be like, yeah, whatever it stops the killing,
this is fucking awful.
But because of that,
and because like Ludendorff and Hindenburg,
who are the generals in charge,
are able to like, they don't want to admit,
yeah, we lost the British and the French and the Americans
and whatnot, they fought us to the point where we were like, we were about to break. And we had this, we had to give up.
Otherwise, the entire army would have shattered, you know, which would have been a calamity
for us. They can't admit that. So they're like, no, the government stabbed us in the back.
We were about to win. And then they, they took it from us. And so does that mean like the
ethical thing would have been like, no, no, no, we're not negotiating this.
We're going to fight you guys until you break and surrender unconditionally.
Like, which is like what that is the, that is like a moral question that the leaders of
the allied countries take with them into World War II, which is why part of why it's such
a fucking ugly fight and so much like like there's this understanding then that like,
well, now maybe we have to just break the fuckers.
I don't know, like, what moral lesson to take out of that?
Yeah, it's just like toe to brutality, right?
Yeah, is that like the justified thing to do?
Like morally, does it save more lives in the long run?
So I'm gonna guess most people are broadly familiar
with what goes down next in Germany.
There's a mediate wave of failed rebellions
and putches on the left and right.
There's a number of points in which some right wing
or some left wing group will try to take over a city
or a whole region of the country.
And when this happens, when this is communist
or other kinds
of leftists, you try to like overthrow and establish their own sort of governments and
parts of Germany, the kind of forming state winds up relying a lot on sort of ad hoc
groups of right wing military veterans who form militia units and go in and just start killing people,
right? That's how some of these things get put down. And so you start to get this sort of
culture of, we've got these right wing veterans groups, you know, with guns who are here to
like fight the left, you know, it really starts as soon as the war ends. And obviously, alongside
this, you've got the economy collapsing prices
for everything skyrocketing.
And this is all put on the new Democratic government of Vimer,
who has to spend several years trying to wrestle Germany
into being a vaguely functional state.
It's a hard gig being a Democratic politician in Vimer
in like 1919.
One of the worst jobs that anybody could ever get, right?
Just trying to make Germany work in this period of time.
It's a real bummer.
Yeah, it's a really interesting period though.
You don't hear enough about the run-up.
Do you know what I mean?
It's really interesting time.
I mean, very, very early doors chaos.
Yeah. And you have to have some respect for the kind of moral courage.
And a lot of them get assassinated of these early YMR politicians who are like trying to make
a, because the czar, or not the czar, the Kaiser, as soon as he loses fleas, he winds up
and fucking Belgium, I think. And these generals basically start pretending like,
oh, we didn't lose the war.
It was like, and you as some elected social democratic leader
because the Sockdems sort of like
are the first big party in power in Vimar.
You're like trying to deal with the consequences
of all of these like shitty Kaiser dudes, like the Kaiser in
his generals, who would just kind of ruin the country and then bounced.
So I don't know, yeah, there's something honorable about trying to do that, but it doesn't
work, you know, that is the broad story.
So Julius, at this point, he had been kind of maybe a little bit on the liberal
side of things, you know, he was certainly not a leftist, but kind of like flirting with
some center left ideas before World War One. But by the time he gets back from the front,
he is very much into right wing politics, you know. A lot of that is there's this feeling of
like the brotherhood of the trenches and the
right is really successful at sort of talking to these veterans and telling them that they
were betrayed and they were betrayed by these social Democrats. He takes up work as
a teacher again, but he also joins a local anti-Semitic political organization. It's kind of like a militia that is blaming a lot of Germany's post-war problems on the
Jews that's called the Protective and Defensive Society.
It sounds better in German.
There were a lot of these, right?
Yeah, tons of them.
Every town's got a bunch of them. Now, Striker is still kind of, you would say probably like naive enough,
that anti-Semitic politics are very new to him. So he's initially kind of just a spectator.
He'll show up at these speeches, or at these political events, he'll listen to speeches by people,
and like the folks who are speaking at events for the protective and defensive society and other kind of anti-Semitic political organizations are often quoting from and recommending very
specific books, right?
And to strike the most influential of these books, the ones that he, like, buys a copy
of and reads and becomes enthralled by, is called Handbook of the Jewish Question, and it's
by a fellow named Theodore Fritch.
Now, Old Theo was a journalist.
A lot of the early German anti-Semites are journalists, right?
Who in the late 1800s, early 1900s, work for newspapers or published books that are
like, quote, unquote, investigations, you know, into various racist conspiracies.
Old Theo, he's kind of active at the end of the 1800s, you know, and
he's basically, he's like one generation or so earlier than Julius and he's Prussian.
He'd been a farmer's kid in the 19th century.
He's one of these guys like he has seven brothers and sisters and four of them die before
they get to adulthood.
He winds up working in a machine shop as kind of Germany transitions to an industrial economy.
And in his late 20s, he's saved up enough money that he like, he founds a publishing
firm.
And they start by making technical manuals.
And then as soon as they make enough money selling like technical manuals to companies,
he starts putting out a newsletter called anti-Semitic correspondence.
Some great titles to set this up.
So on the nose.
Just like racism letters.
Yeah, I guess, dude.
Yeah, yeah.
It's quite a title right there, Fritch.
Yeah, yeah.
Yeah.
They were very much of the show, not tell, you know, sort of aeropampin.
Right, yeah.
You can see, yeah.
Even though there was more subtle than that, that.
Yeah, right, like, yes. They hadn't
figured out how to like put a shine on it yet. Right. Um, but Fritch is, you know, he's
a groundbreaking racist, right? He's with his first generation of like political anti-Semites.
He loves Friedrich Nietzsche. Um, and he actually, once he starts putting out his anti-Semitic
correspondence magazine, he sends Nietzsche copies.
Every time he puts out a new edition and Nietzsche, not a fan of this shit.
And if it's him sitting there going crazy, like, fuck fuck, saying.
For months, he's just like getting these letters.
What the fuck, why am I getting this?
Did I sign up for this when I was drunk or some shit?
Like I'm not paying for this, am I?
Man, Nietzsche has been like,
misunderstood by basically everyone ever, man.
Like every group can just be like,
yeah, it's like Nietzsche.
Not okay.
Like the shortcut to knowing someone
is not talking properly about Nietzsche is them saying,
like I find Nietzsche really inspiring.
Yeah, right, yeah.
They quoted it, they're doing it wrong.
I was like, I hope that.
Yeah, and it's very funny, they're doing it wrong. I hope that. Yeah. And it's, it's very funny,
because Nietzsche eventually get so frustrated
at getting all of these fucking letters
that he responds.
And he, he kind of being Friedrich Nietzsche,
he responds in this kind of caddy way
where he's like, thank you for giving me
a glance at the model of principles
that lie at the heart of this strange movement.
Please never send me another fucking letter.
I will hurt you if you do. Like, like, threaten them basically. Like, it's nice to see how weird
you people are. Stop fucking talking to me.
Basement, yeah. Yeah, it's the right. Like, he's pretty unequivocal. Like, fucking stay
away from me. Yeah, he actually, like, he wrote quite a lot. I think maybe in, I forget
with maybe the early part before.
He wrote quite extensively on really being against anti-Semitism.
I remember reading about it.
A lot of people were like, well, Hitler liked him.
It's like, yeah, Hitler liked dogs.
Dogs are still growing, you know what I'm saying?
Yeah, it's kind of, I don't know.
We could, I think the niche of the modern day is like let's say war hammer right lot of Nazis into it
A lot of the people who were yeah exactly
But it's so cool. Yeah, but it's fine. Yeah
So Fritch wrote handbook of the Jewish question this book that our buddy Julius is going to fall in love with in
1893 which is you know if you're talking about the Holocaust you hear the term the Jewish question
I'll know a lot this that word is in use way before the Nazis come to
power, right? And handbook of the Jewish question is, you would call it like a ground-breaking
work of racism for its era. Fritch is going to say a lot of things in this book that become
the cornerstone of Nazi politics. He demands a return to what he calls traditional peasant values.
He rails against urbanization. He talks a lot about the superiority of the area and race.
And, you know, he also, one of the things that's interesting about the handbook,
there's ways in which it kind of reminds me of like certain things on the internet today.
And that it's a living document.
So he doesn't just put out this book,
and this is the book it's done.
Every year, he'll add more to it,
he'll update it when things happen, right?
Like as shit happens in the world,
that he thinks plays into these conspiracies,
he'll do an update of the book.
I want to quote from a write up by Martin Kitchen
in the Journal of Anti-Semitism Studies,
describing this book.
At the time, sundry financial crises from the Berlin Stock Exchange Collapse in 1873 Martin Kitchen in the Journal of Anti-Semitism Studies, describing this book.
At the time, Sundry Financial crises from the Berlin Stock Exchange Collapse in 1873
to the Great Depression were blamed on Jewish manipulation.
Germany's defeat in the First World War and the subsequent peace agreements were seen
as the result of a Franco-Jewish conspiracy.
Germany is presented as the sole stronghold against a world-Jewish conspiracy, thereby combining
radical anti-Semitism with a virulent nationalism, which for all its threadbare scholarship and
muddled thinking was to provide the foundations of national socialist racial studies.
So that's good.
So it's very interesting to know that all of this shit was not just, I mean obviously,
but it wasn't just this brain
child of Hitler and his goons.
It was like, yeah, very prevalent from very many different groups.
Yeah, I mean, and that's how you get, as far as we can tell, Hitler's radicalization,
like him getting to, because he becomes a keyed into anti-Semitic politics before he gets, like, kind of explicitly into,
like, actually, like, right-wing political stuff.
He's brought into that through racism.
And probably the thing that pills him is these, basically, pieces of books like, like,
handbook on the Jewish question, get, like, memiographed and hand it out on the street
as, like,ines in pre-World
War I, you know, Germany.
It really is a lot like like modern zine culture, right?
Where you just kind of have, you've got some like weirdos who get really into, you know,
racism or whatever.
It's not always racist.
Sometimes it's cool shit, but they like, they'll take clips from books that they like and
they want other people to read. And they'll sort of like copy and paste that sort of stuff into pamphlets and
hand it out on the street and Hitler, who's basically, he's a hobo, right? For a decent
chunk of time before World War I, he's like homeless on the streets of Vienna. He'll just
pick up these pamphlets that people like toss out when they're out like drinking or stuff,
you know, they'll hand him out at meetings. and then he'll like pick them up in the trash and because he's like, doesn't have a whole
lot else to do, he'll like read them. And then when he falls in love with them, he'll like
read them out to folks at the these homeless hospitals that he's staying at a bunch of times.
Well, imagine you, you know, your homeless and you're sat in the shelter there with your pennies
and Hitler comes in like, Hey, guys,
I had enough problems without a Hitler.
Right.
The reason you're here, it's not because of this, it's because of, oh my God.
Yeah, it doesn't sound good.
But I mean, my point was that like sometimes you see people be like, oh, well, it was,
it was just Hitler's charisma that brought people through.
I mean, I think, I think, it's charisma really helped push people to more.
Sure, of course.
But these ideas were very much there, right?
Yeah.
And that's one of the things where, like, obviously, the fact that Hitler is Hitler, that
he has the skills and the talents that he has, plays a role in everything, but like,
Germany, around what was there?
Yeah, exactly.
And Striker is kind of in the same position Hitler is at this point.
We're like, they are both 1919, 1920,
starting to give kind of like speeches,
get into politics, and they're both like showing an aptitude
for riling people up, for building movements kind of around themselves.
But yeah, I'm getting ahead of myself.
So, Julius falls in love with this racist book.
And it's one of this, this seems to have been the book
that kind of, from this point on,
he's not just sort of a casual, normal anti-Semite,
he's like a dedicated one.
Political anti-Semitism becomes sort of the center
of his worldview.
So now that he's been sort of pilled, you might say,
he returns to public speaking.
He starts showing up first. And this is what's interesting to me. He doesn't start this
new stage of his speaking career by like finding a party and then going to like speak at their
rallies, kind of working his way up from inside a political party as a speaker. He starts
showing up at left wing political rallies and heckling the speakers there and getting into
arguments with them in public, right?
And this is what kind of makes him famous in Nuremberg, right?
Yeah, this is not an unfamiliar tactic today, right?
Like he's a troll, you know?
He's very consciously using that as a tactic in order to build a reputation for himself.
Julius is not only a fun speaker, but he's going to like show up wherever, you know, these
different leftist parties are speaking. And he's gonna like hassle their speakers.
He's gonna argue with them.
So maybe you show up just to watch Julius like make fun of this guy just to watch him get
into scraps, you know, a lot of times he'll start.
It'll start as an argument between him and this guy, and then there'll be a big, because
these are at bars.
There'll be a big bar brawl, right?
So it's like kind of a fun night.
Hey, let's, Julius is gonna be heckling this guy down at the whatever bar. Let's all show
up, you know, we'll cheer him on and then we'll get into a scrap with the social Democrats
or the communists or whatever. Um, you know, that's kind of how for every like group that does
that is going to be a couple that go actually, this guy's onto something. Exactly. You've got all this shit. Yeah, too, because again, people, this is not a period in which things have solidified.
There's a lot of folks who go from communists to fascists to fascists to communists during
this sort of period of time because they all kind of feel, well, what we're doing, like
the government isn't working, right?
But I don't know what, you know, I'm on board with.
I can be convinced. And, you know, Julius by being this really
kind of charismatic guy who's just sort of like making fun of speakers who are less apt
than he is at commanding a room. He's building a following for himself and he's building
support for his kind of politics in Nuremberg. So yeah, that's cool.
He becomes basically a local celebrity doing this.
And he's like, he's a triggering the Libs kind of guy.
That's how he starts out.
And he decides at a certain point once he's sort of become this guy that people, people
will show up at other political party events just to see Julius.
When he feels like he's got enough of a following, he announces he puts out like flyers and stuff
that he's going to be giving a dedicated speech himself.
And at this speech that he does thousands, by the way, two to four thousand, something
like that people show up just to see him give this speech, he announces that he's become
a converted political anti-Semite.
This causes a bunch of right-wing political parties
to start vying for his membership
because he's a free agent, right?
This is kind of like, I don't know about baseball
to draw baseball comparison here,
but you can do it at home.
He's this like, he's really good.
And everybody is kind of like, off, we can get Julius,
that might be the thing that makes our party go national, you know, right?
The live one our team. Yeah, he's the live wire. Yeah, he's the straw. He's the straw that stirs the drink.
Yeah, exactly. Yeah, he's the he's the fucking messy of racism.
Of all these parties kind of vying for his membership, the one he picks is the German
socialist party, which despite its name, the German socialist party is a conservative party
and they're into what are called vokish, which is like folk, yeah, values, right?
And most, the DSP is not anti-Semitism is not a core plank of the German socialist party,
but most members are anti-Semitic.
And so while the party doesn't have a platform on the Jewish question,
Striker feels like, well, I can get that added, right?
This is a place where I can grow.
I can kind of remake this party in my image in some ways.
So he helps them run a cast of candidates in that year's election.
They don't do very well.
They get basically zero votes nationally, and only like 1% in Nuremberg.
But Striker kind of crucially doesn't give up.
He sort of analyzes accurately what the weakness of the DSP is.
And he decides that it's that they do not have a dedicated propaganda arm.
And in the Vimar era, the only way to make a propaganda arm is to establish a newspaper.
And I want to talk a little bit about what a newspaper is in this period of time.
Because today, you hear a newspaper you think like,
oh, it's a publication that tells you either locally,
or nationally, or internationally, the news.
Like what's going on?
And you're gonna get some columns on culture and stuff.
When we think about newspapers in Vimer, Germany,
it's probably better to see them as
like social media, right?
Like a newspaper is more like for a political party, especially.
It's more like how today, if you're running a political party or a political advocacy
group, your organization is going to have, they're going to have a YouTube channel, maybe,
where they have some creators put out videos, they're going to have like a Twitter account.
That is kind of how newspapers work in Vimar.
And one of the things that kind of highlights this is that when Julius gets more famous,
multiple left wing groups will start newspapers just then the whole purpose of the newspaper
is updating folks on Julius Striker and attacking him, right?
Sort of in the same way that you'll have a Twitter account that's just like tracking what
this one group of right wingers are doing or this like one political folk that people
don't like, you know, it'll be dedicated to them.
You know, you've got a whole account that's just people covering Trump's legal, you know,
woes on Twitter or whatever.
That's kind of how newspapers work.
Yeah, it's actually a really good way of putting it.
One I've never really thought about before.
I read a while ago a history of newspaper news media.
And yeah, it's ironic now that everyone has a slight political leaning or a strong
political leaning or whatever.
It's ironic that it's kind of not really changed in that respect.
Yeah. Obviously it's different now, but it started like that. And it's almost comfortable
circle now with all this chaos that we're seeing. Yeah, it's fascinating in that, huh?
And there are, I'm actually just going to quote from right up at the US Holocaust Museum
on the state of the news media in Vimer, Germany.
Over 4700 daily and weekly newspapers were published annually in Germany, more newspapers
than in any other industrialized nation with a total circulation of 25 million.
Although Berlin was the press capital, small town presses dominated newspapers circulation,
81% of all German newspapers are locally owned.
And when we talk with these local newspapers,
that's what we're talking about,
is shit like these little papers where it's like,
I'm gonna make a newspaper, I don't like this guy,
I'm gonna make a newspaper dedicated to this guy I hate,
you know, like it's that kind of shit a lot of the time.
So basically, while the most famous papers are newspapers
that are like, you know, traditional newspapers
or magazines or whatever,
the majority of papers by
number are just like some weirdo with a very specific axe to grind.
And in some cases, this again means like, yeah, strikers going to do this, right?
Like this is what he decides his party is missing.
So he establishes his first newspaper.
It's called Deutsche Socialist, you know, German Socialist because that's the name of the
party. And he had been kind of, he used their funding to start this newspaper, and they wanted a traditional
political party paper, but Julius immediately goes in his own direction.
I'm going to quote from his biographer Randall Bightwork here.
His goal was to provide short articles and simple language that explained to a popular audience
the intricacies of politics and economics.
As he reported to the August 1920 DSP National Meeting, gentlemen, let us not forget that
we want to speak primarily to the workers.
Brevity is the seasoning.
The contents must have a popular style.
His lead article in newspapers' first issue is a good example of his early writing.
Addressed to communists and socialists, it began by saluting them as brothers.
Yes, you are brothers. German mothers bore you on German soil. The same German blood flows
in our veins. We and you have nothing to lose, but everything to gain. We have the same
desire to escape our present misery as fast as possible. We want the same solutions. We
too want our part of German soil, a small lot with a small garden, just like so many others of our race.
It is the right of being born a German, and we want to be free of the usurious yoke of big money.
Later in the article, Striker turned to the Jews.
Do you really think the Rothschilds, Mendelssohn's, Black rotors, warburgs, and cones worry about your
poverty? As long as the blood brothers of the Mendelssohn's and the black rotors and the
cones are your leaders, as long as your party officials are Jewish lackeys, you will be no threat
to the big money men. As long as you yourself do not lead the way, and as long as the black shadow
of foreign blood is behind you, you will be betrayed and deceived. The black shadow cares for itself,
not for you. And what he's talking about there is like this idea that the German
army had been betrayed, right? By, you know, Jewish people who are foreigners, they're
not really loyal to the state. That's like what he's sort of say, the black shadow, you
know?
Yeah. The rhetoric really has not changed that much. No. If you think about it, if you're
talking about people that are like pedaling hate. Yeah, I guess maybe it never needs to, right?
Maybe.
Yeah, yeah, it's maybe just like the same thing.
When hate's going to work, it always kind of works the same way.
Yeah, and I mean, that's as on the nose as like an out and out modern day neon arts.
Yeah, I guess it's absolutely.
Yeah, I'm obviously there, you know, following in his footsteps
But you know whose footsteps we're following in today
The sponsors no no no the blue apron and and and shit right Sophie. I said who right?
We're getting money from today. We're sponsored by hello fresh. Yeah close enough
We're sponsored by HelloFresh, but yeah close enough.
Sacred Skando, one of best new podcasts of 2022, is back with a closer look at the darkness surrounding mega-church La Luz del Mundo and its leader, Nasson Joaquin Garcia.
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911, what's your emergency?
You shot her!
Oh my God!
It's a nightmare we could never have imagined.
And a killer who is still on the loose.
My small town rocked by murder.
There are certain murders I'm scared to discuss.
In the 1980s, we're in high school losing friends, teachers, and community members,
one after another, after another for a decade.
We weren't safe anywhere.
We're teenagers terrified to leave our own homes.
Would we be next?
Who is killing all the kids?
And why?
In that moment, I saw rage.
And why do some want the town's secrets to stay dead and buried forever?
I'm not sure why you're digging up all this old stuff again,
but I'd be careful. Don't say I didn't warn you, Nancy.
Listen to the murder years on the iHeart Radio app Apple Podcasts or wherever you get your podcasts.
Hey, what's up y'all? This is Eric Andreik, wherever you get your podcasts. Bomming on stage, bombing in public, bombing in life, like the time I stole a girl's phone during a set and she dumped on stage and threw a big A-maker punch to my nose. I wanted to know what's the worst way they ever bombed or performed way too drunk or
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Subscribe to my podcast Bomming with Eric Andre to hear more crazy stories from me and
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Having a good time talking about Julius Striker.
So Striker's paper starts to do pretty well.
It's helping to build a following for the DSP who's not a big party at this point, but
the leaders of the party are kind of a little worried
by this newspaper, because for one thing,
they're not as motivated by anti-symmetism as Julius is.
So they try to rein them in, right?
And as soon as they try to be like, hey, Julius,
maybe we focus a little bit more on politics
and a little bit less on racism,
they learned the thing that all of these Catholic priests
and military officers had learned a few years earlier,
which is that Julius Striker does not take direction, right?
You try to tell this guy to do things
and it just pisses him off.
And as soon as they try to force him to make changes,
they realize that even though he used their money
to start this paper, it's legally his personal property, right?
So they actually can't, right? Like, he started the YouTube account, right? Like, yeah,
exactly. He's not, he has a certain kind of cunning, right? Yes. So this becomes more of a problem
as his conspiratorial view of the world expands to include the Jesuits, who he sees as a shadowy force running world politics.
Again, Nuremberg is a pretty heavily Catholic town.
And I mean, it's not majority Catholic,
Bavaria is a lot of Catholics,
and Catholics are kind of like a lot of the core membership
of the DSP, and they start leaving, you know,
because Catholics and Jesuits are, you know,
the same thing.
And it pisses them off that he's like accusing these people who they respect as being in league
with this sort of like grand conspiracy. Some like Catholic members of the DSP start sending strike
or letters, basically being like, hey, would you stop like lumping us all in and maybe we don't focus as much as on racism because I might not be as
End of that. And he like he writes, this is a very modern thing. He like starts posting pieces of their letters in a column that he writes for the newspaper.
Oh, this is great. Yeah, just great. Yeah, he's doing it. Yeah, it's very modern. Yeah, that's that's crazy. Yeah, it's wild, right?
What a bastard.
Exactly.
He's even harder to do that than like screen short.
That's bad enough, but to be like, no, I'm going to cut this whole piece in, fucking hell.
It's also like, you have to admit though that that's so far ahead of the time.
He is decades ahead of everyone else.
An innovator of just being horrible.
Yeah.
So, conflicts, he keeps getting into conflict.
He's always in conflict with the organizers of his parties,
because he's as loose canon, but they also need him
because he brings crowds.
He's not just making this newspaper,
but when he shows up, people show up to listen to him speak,
who probably wouldn't show up to a party meeting otherwise.
So, the paper grows to a few thousand subscribers,
and Julius is able to keep his newspaper running
at a fraction of the cost that a normal publisher
would have required, because he has a secret,
which is that he does not pay for his newspaper to be printed.
He will find a new printer, he'll have them print a couple of episodes or issues and just
be like, yeah, the money's coming, the money's coming, the money's just front us this week,
right?
Then we'll pay you back, front us this week.
And then as soon as he hits the point where like they're not going to publish anymore papers,
he bounces without ever having paid his debts and he finds a new publisher.
Wow.
Things like that must have been so easy back in the day.
Yeah, there's no internet, right?
And it's just like, yeah, I'm gone.
Yeah, I'm the wind, baby.
Yeah, we're gonna do like send a horse.
Yeah, you're gone, you know.
So 1921, he's kind of sandwiched between this conservative party that needs him, but
is uncomfortable with how loudly he says the quiet parts.
And you know, that's a tough place to be.
But luckily for him and unfortunately for everyone else in Europe, the leaders of the DSP
are also sort of desperate to find a way to make themselves more electorally viable.
And because even with strikers help, they're not succeeding at becoming like a national movement,
they decide to start working with another political party, and the interests of like kind of
merging together and seeing if that can give them sort of the oomph that they need to go
national.
And the party that the German Socialist Party starts talking with about a merger is a
Munich-based right wing party called the German Workers Party.
Right?
So you've got the socialists and the workers who are looking at merging together to make
a socialist workers, a national socialist workers party, right?
You might call it.
This is where we get that, right?
The German, the Nazi party, the national socialist German workers party comes out of the German
socialist party and the German workersist German Workers Party comes out of the German Socialist Party
and the German Workers Party merging together, right? This is the Reese's pieces that leads
us to the Nazis. So in May 1921, as sort of the leadership of these two groups are talking
about merging, one member of the German Workers Party reaches out to Striker directly and
is like, hey, we got this dude named Hitler.
He's kind of R.U. right?
He's our guy who gives speeches.
He's the guy people really like to follow.
And Hitler's interested in this absorbing thing,
but we have some issues with the folks
who are running our party because Hitler's not,
this is again, Hitler in this period
is kind of a similar situation to Julius,
where the German workers' party is not founded by Hitler, right?
He's actually brought in as a spy by the army.
Like right after the war, he avoids getting demobilized and winding up without an income
by staying in the army.
And the thing the army has him do is like spy on right wing political parties in Munich.
And so he shows up at his first German workers
party meeting basically to like see if they're planning to overthrow the government. And
then he gets angry. He and he starts like getting into arguments and he gives a speech
and people are like, you're actually really good at talking Hitler. And he's he's similar
to striker in that the the dudes who had founded the German workers party start to have
issues with him where they're like,
this guy's trying to make our party all about himself.
And like the things that we got into are kind of getting lost and he's kind of a tyrant,
right?
And so they're part of what the German workers party is hoping is that by merging with
the German socialist party, they can kind of marginalize Hitler, right?
They can take, you know, push him off to the side and just use him for what they think he's
good for without letting him run everything.
And the German socialist party is hoping to do the same thing with striker, right?
They're both like mirrors of each other in this really weird way, right?
And so, yeah, Hitler is not the kind of dude who's going to let this happen,
right? Like he is, he has these kind of like, honed political instincts and he sees,
well, these dudes are trying to edge me out of control of the party, right? That's why they
want to do this. So instead of just going ahead with the merger to the German Socialist party, he resigns
from the German Workers' Party in July of 1921. And this is, he resigns it because the
the the DAP and the DSP leadership have worked out an agreement that would give them sort of power
over the fewer in the the new merged political party. And Hitler's like, look, I'll take my followers
and my skill for speaking and I'll
go somewhere else.
I'll make a new party.
I'll join another party and like, I'll fucking crush you guys.
That's the option.
Do you want to try to do this without me or do you want to let me back in and give me
total control?
That's the ultimate him.
He gives them.
And the leaders of the German workers party kind of fold, you know,
they're like, well, as much as we didn't want him to be in total control, none of us know how to
like get a following without him. Like he's kind of the primary appeal of our party. So they let
him back in and they make him the center of the new German workers party, which then merges with
the German socialist party. And that is how Adolf Hitler becomes for the first time, you know, Hitler, right?
This is where that comes from.
You're like the original influence, so basically.
Yeah, yeah. And yeah. So one of striker's friends, while this is all going down, sends him a warning letter, being like,
hey guys, or hey, hey Julius, Hitler won his power struggle over with the DAP, and they're
about to merge with our party.
And our leaders are doing it because they don't like you.
They want a guy who can do what you do, who can bring in followers and stuff, who can
like give these speeches that attract an audience.
And they feel like backing Hitler will let us force you out of the party.
So Striker, when he hears that, just go ahead and leaves the German Socialist Party.
Part of why he does this is because his friend, a guy named Otto Dickel, has formed a break
away organization called the German working community.
And the idea behind the German working community is it's like supposed to be the you in of
like anti-Semitic parties where we're supposed to be this over organization and all the right
wing parties can organize with us to get their anti-Semitic policies in order.
It's all very messy.
Dickel, the guy who forms this group, is a really fascinating early German fascist.
People don't talk about him a lot anymore, but he's really interesting. In the 1930s,
he's kind of this like proto-liberitarian, like from this point where he's sort of like
similar to a lot of the early Nazis, he's going to become like a Lausier capitalist.
But in 1921, he's very much in line with the kind of shit Hitler and striker are selling.
And he writes this book called, Resurgence of the West, which is interesting in part because it's
sort of predicts the war that Hitler is going to unleash a few years later on Continental Europe.
And I'm going to quote from that book now because it's interesting how much
dickles sort of sees coming. Many a time acquaintances.
I'm sorry.
It's cause what dickles sees coming.
Come on, man.
Oh, man.
I'm 12 in my head.
No, see, I'm so mature that I didn't even notice the cum.
No, that hit me like I'm trying.
Sorry, sorry to cut.
No, no.
Many a time acquaintances have told me
that I see the world differently from them.
That is true.
Who sees it correctly?
Men of science with their mechanistic thinking
will certainly attack me, will carpe and criticize,
will discover some errors and ridicule me, let them.
But if in the immediate future,
perhaps even before this book is published,
events take place in Russia, as I have foretold,
if social ferment begins in France,
which is heading for the most uncompromising imperialism, and, as I fear in England too, if the German
people, overwhelmed by despair, is gripped by the irresistible force of national resurgence,
then I can only wish it be men who see as I so, men who comprehend the meaning of the
world war, and of the contemporary events through their bold action, and can create a
free German people on its own soil.
So, you know, there's a lot of folks who sort of see where the winds of blowing or at least are hoping to help blow the wind in that direction and Dickles one of them. And Dickle, you know,
for this German anti-Semitic sort of you in that he's going to create, he picks as a logo for it,
a little thing you might recognize as the swastika.
Now, this is not a weird thing at the time.
Knowledge of the swastika had come to Germany primarily through the work of a bumbling
archaeologist named Heinrich Schleeman, who is the guy who finds Troy by sort of destroying
most of the artifacts of Troy, because he doesn't realize initially where he's digging
and like what he's churning through
to get to what he thinks is the ruins of Troy.
But some of the stuff that he does found,
find from Troy, is like pottery and shit
that's like covered in swastika, right?
Now, swastika is, we're not gonna get into the history
of the swastika yet, although I think I'll probably
do an episode on that.
But like, maybe the oldest thing that people have ever drawn
that's like not a super basic shape,
it occurs all over the world.
There are swastika's all throughout like ancient,
you know, India, the swastika goes back
and I think the, some of the oldest ones in Europe are like in Ukraine,
they found swastika's that are 15,000 years old.
The Navajo people in the, in the American Southwest
have been using swastika's for again,
God knows how long, all sorts of different things.
Actually, it's interesting.
In 1940, when like we start gearing up for World War II,
the Navajo and a couple of other indigenous American
tribes have a meeting and announce that we're giving up the swastika, this ancient religious
symbol for us, as a result of how the Nazis have polluted it, which is fat, that's such a strange,
because there's nothing wrong with the swastika inherently, right? Like, you know, there's nothing like racist about the fact
that the Navajo were like putting this in stuff,
you know, God knows how many thousands of years back.
Right, they weren't like, one day, Hitler's gonna use it.
What, yeah, one day, this shit head in Germany.
But yeah, it is.
It's like there's a famous photo,
I can't remember where it is,
but it's before Hitler.
And there's like this, a girl's like hockey team, like, you know't remember where it is, but it's before Hitler. And there's like this,
girls, like hockey team, like, you know, like a young girl, they're like, then, and on the front of all that jump, but they've got this huge swastika. And without context, it's like, Jesus,
Christ, what's that? But yeah, it was quite, yeah, like you said, it was, it was a pretty common
symbol. Yeah, I mean, the girls club, which is what you're talking about, it's like this large
organization for young girls in the US, the, the, the, their magazine, the girls club, which is what you're talking about, is like this large organization for young girls in the US, the magazine, one of the most popular women's magazines in the
United States is called the swastika.
That's just everywhere, you know?
There's all these wild stories, too, of like Americans and kind of the 20s and 30s when
there's all the street fighting between Nazis and Communists, like American journalists, specifically like women journalists who will like come to
Germany to report on the unrest and they'll have like a swastika ring or a necklace.
And like some communists that they're like, you know, talking with will be like, you
might not want to wear that.
Like, that means a real different thing to us now.
It's not the same thing.
It's very awkward, but it's not weird, right?
That this dude, Dickel, adopts the swastika.
This is starting to happen all throughout Germany.
It's happened with the Nazi party and stuff.
I think the, it actually goes back a bit further than that too, because I think the first
right wing militants to where the swastikas are in 1919, one of these early anti-communist veterans militias have swastikas, but that is because
it like this is also interesting.
In World War One, there are US military units and German military units with swastikas,
like theoretically who might have fought each other, both under the swastika, just because
it's like a good luck symbol.
Weird stuff.
But yeah, the kind of the first Nazi or fascist, I should say, thought leader to start using
the swastika, was the head of an organization called the Wohton Lodge.
And the Wohton Lodge is this early German nationalist secret society.
It starts before World War I.
And one of the guys who runs it
is our friend Theodore Fritch, right?
Theodore Fritch is a very, you know,
he's the kind of fascist nerd that still existed.
His pseudonym is Thor.
Like that's the name that Fritch writes on under
for his like Wohton Lodge, you know, columns and stuff.
That Wohton shit has just been cringed from day one there.
Oh, yeah, oh, you're from the fucking jump, right?
Um, and, you know, speaking of how cringed they are,
the thing that the Wotonists do is they dress up like knights and Vikings.
They wear like horned helmets.
They carry out these candlelit ceremonies.
Well, they're, they're like march in the shape of a swastika.
And a lot of like Nazi rituals get based on this stuff
because after World War I,
the Wohton Lodge gets renamed to the Toilet Society, right?
These are the bad guys from Hellboy.
You know, if you've seen the Hellboy movie.
Yeah.
And a lot of these guys become some of the first Nazis, right?
So in 1918, control of the Toilet Society passes
from Fritch to a
dude named Baron Rudolf von
Sabotendorf. Now first off, that's
his like fascist name. Baron Rudolf
von Sabotendorf, like where was he
born, like Rhodesia? Yeah, like that's a
guy in the Indiana Jones punches.
That is like a stereotypical Nazi name. Yeah. Well, it's part
of why it's stereotypical is that is not at all his real name. So, yeah, Vaughn, obviously,
he's calling himself a baron. Vaughn is like a signifier in old Germany that you're
a noble, right? The actual guy who calls himself Baron von Sabotendorf is not a noble of any kind.
He was born Adam Glower.
He's the, which is, I probably would go with the Von Neum then myself.
Yeah, that's a much cooler name.
Yeah.
And rather than being a Baron, he is the son of a train engineer.
He's got kind of this weird life as a young adult.
He like moves to Turkey.
He becomes an Ottoman citizen.
And like when he becomes an Ottoman citizen, he like lies and tells them that my name is
Baron Heinrich Sabatendorf.
And the Turks are like, yeah, I guess.
Sure.
If you want to.
So he fights for the Ottomans in the first Balkan war.
And then he returns to Germany to become a wizard and a fascist.
And he is like, he's a wizard.
Like I said, he's a wizard.
He's an occultist.
He's a wizardist.
Yeah, he's like an occult guy.
He's doing magical rituals.
And he's also a Nazi racist.
There's a few of these guys.
That's a big thing for the two-less society.
So yeah, he's like, pretend noble who makes himself into like an occult figure
on the far right. It's funny, like Viking stuff. If you're a Viking and you're actually
doing that, like the Viking shit, like they did. Yeah, sure. And you look like a Viking.
You're cool as fuck, right? Anytime after that that you dress like a Viking, it's like
the cringiest thing. It's weird. It's one or the
other, you know. Yeah. There is no like, there's no like medium speed for those kind of
people. There's no middle of the road Vikings. Yeah. Yeah. They are the coolest dude ever or they
need to be tossed into the ocean. Yeah. Not that like, you know, pillaging murder that Vikings did
was cool, but they look cool, you know? Yeah.
I think can be cool and still bad, right?
It's like pirates.
Pirates are cool.
Didn't always do good stuff, but always cool.
Yeah.
Yeah.
I mean, Vincent from Vycomice.
Oh yeah.
Yeah.
Bad book cool.
Bad book cool. Bad but cool.
Yeah.
So in a book called The Swastika, symbol beyond redemption, author and historian Stephen
Heller writes that Sabatendorf, as the new leader of the Tula Society, quote, pledged
his loyalty to Germany, The Swastika, and destruction of the enemy.
In one of his speeches, he introduced an additional symbolic icon to the language of Vocus'
occultism, the R-Rune, which signifies Aryan, Primal Fire, the Sun, and the Eagle.
And the Eagle, he announced, is the symbol of the Aryans, in order to depict the Eagle's
capacity for self-immolation by fire, it is covered, colored red.
From today on, our symbol is the red eagle, which warns us that we must die in order to live.
So, Sabotendorf also, the other thing that he brings in that you're going to recognize,
is this very particular kind of like straight-armed salute called the Zieghail, which is going to become
the primary Nazi salute. And he is also, Sabotendorf is the guy, the primary idea that is noteworthy
that he comes up with. It's called the Führ, which is the leader principle or leader cult, which is
the idea that if we are going to have a successful right wing party, anti-democratic party in
this country, it needs to be bound to a single leader, almost like a religion, right, like
a Messiah, you know.
And the thing, Sabatno phrases it calls it a Messiah.
He's like, we are waiting for, we on the German right,
are waiting for our Messiah.
So all of these folks, part of why these parties,
they don't like Striker, they don't really like Hitler,
the leadership, but they can't get rid of them, right?
Is because there's this building sense
all throughout the 20s in German right wing politics
that we're waiting, we're looking to see
which of these guys is gonna become the Messiah, right?
And by early 1921, if you're trying to figure out
who is our fewer, right?
The two guys who are primarily gonna be on your radar
are Adolf Hitler and Julius Striker.
And when, you know, the DAP sort of yields to Hitler
and agrees to give him control over the party,
they're saying we think Hitler's the guy who's gonna win.
And when Dickel forms the German working community
and brings in his friend Julius Striker,
he's kind of betting that Striker
might be the guy to fill this role.
Dickel and Striker.
Dickel and Striker.
Dickel and Striker.
Yeah, a little dick, dick, dick, dick, striker.
Yeah.
Dickel, that's great.
I don't know.
That's like a good detective pair.
Dickel and Striker.
Yeah, there you go.
So, yeah, that's where we are as part one closes out.
Jake, how you doing?
How you feeling about this whole tale?
I mean, it's super interesting considering how long ago this was and how many direct kind of
similarities there were to the modern day far back press, you know.
Yeah, I think that's part of why the thing that keeps coming to me is I like read this stuff as
like, oh, I guess the everything that's happened with social media isn't really surprising.
Like, this all happened with like newspapers and shit back in the day.
It's the same as it ever was in a lot of ways.
It's honestly, I've never actually thought of it like that when you said that.
It's so true.
It's like, almost like the original purpose of the newspapers was how social media is mostly
used now.
Let's be honest.
Yeah, yeah, yeah. Yeah, the idea, like, we think of a newspaper kind of as this like edifice that provides information
about the world to people, but the thing that newspapers primarily did early on was both
like a tool for people to get out, you know, disinformation, but also just like a way
for folks to bitch at each other, right?
Like, like it's the same thing that Twitter is you know that
was a big part of it yeah yeah um so Jake you got anything to plug yeah man um hopefully uh people
that list this I think they'll be interested in a new project that we got going sad oligarch it's a investigative podcast series about the fact that a dozen rich Russians have died in the last nine months.
Many of them died in suspicious circumstances. Many of them have direct links to the Kremlin.
Essentially, we're trying to answer the question, who is killing rich Russians and each episode is kind of, it's like, you know, it's true crime,
but the way that I would do it, and it's a lot of research, a lot of actual, you know,
investigative journalism, not drama, you know, not Netflix drama type stuff. So I think people
really like it. I'm doing really well, which I'm glad about. And it's very, it's revealing, I think, to how internal Russia actually operates at this
stage, you know, it says a lot more than just about the murders.
Yeah, it's an excellent podcast.
Check it out.
Listen to sad oligarch.
Check out popular front.
Yeah, exactly.
Yeah, please do also check out my platform.
You go to popularfront.cc.
You'll see all of our links everywhere.
We'll just search popular front anyway.
And you'll find what we do.
Where are through its conflict reporting,
documentaries, podcasts, articles, everything.
Yeah, nobody does it better.
Thanks for having me.
Yeah, thanks for being on.
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