Behind the Bastards - Part Two: How Woody Guthrie Turned Folk Music into a Weapon

Episode Date: December 26, 2024

Robert is joined again by Margaret Killjoy for part two of our holiday non bastard episode about Woody Guthrie.See omnystudio.com/listener for privacy information.

Cool Zone Media. Welcome back to the court of Robert Evans, bastard guy podcast. Yeah, that's right. I got a gavel. See? Take that, our engineers. They're not going to be happy. Who let you get a gavel?

I got sent this by the judge. Again, it works exactly like vampires made me. And it's lovely. It's a beautiful gavel. Look at it. Yeah, I can also buy that from Like Toys R Us or whatever children's store has survived. It would mean nothing at all in your hands, Sophie. You haven't gone through the extensive training

and preparation to become a United States municipal judge like I have. Cool. So cool. Welcome back to Behind the Bastards. I really hate that you have power of any kind. I know, I know, tremendous power. Unaccountable power.

I'm now eligible for the Supreme Court, although I think technically anyone is. Fuck. I actually think you would be a... no. Yeah, I'd be a great Supreme Court judge. You'd be better than once- You'd be a great Supreme Court judge like 90% of the time and then 10% of the time you'd be like, I think that everyone should have a personal nuke. You'd be chaos monster.

But here's the thing, I think you'd be better. There's not going to be any more home invasions, Margaret. You're better than the nine we have, you know? That's very true. Quite accurate. That's probably true. Yeah. Well, speaking of someone who would have been better on the Supreme Court, Woody Guthrie.

That's who we're talking about in part two of these episodes. Margaret, not his dad though. Not his Klansman father. Before we jump into this though, I want to plug something really fast if that's okay. I just want to plug a series that our colleague and my dear friend, Jimmy Loftist has been doing on her podcast, 16th Minute of Fame Ever Heard of It, about the Manosphere. I think the, on the Bastards audience would really enjoy it. Jamie has worked very hard on it.

The writing is incredible. So check that out on 16th Minute of Fame. The Manosphere, if you're not aware, is like the kind of colloquial term for this network of far right, generally like masculinity influencers, all of whom have fed into the Trumpist movement and groups like the Proud Boys.

It's a very important like social phenomenon that explains a lot of why we are where we are right now and Jamie does a great job of breaking it down. So check that out on 16th minute. Robert is interviewed on one of the parts. Ooh. Sure. I've only heard part one. So I am. I am. Well, speaking of part two,

let's do part two of these episodes. Huh? Yes. I also haven't had this one yet. Let's let's kill it. Let's murder it. Let's bury it in the woods in a tree stump under a tree stump so that nobody finds it. And then cash in at Social Security for years.

I don't know what I'm doing here, Margaret. Great. Welcome to the Criminalia Podcast. I'm Maria Tremorchi. And I'm Holly Fry. Together, we invite you into the dark and winding corridors of historical true crime. Each season, we explore a new theme

from poisoners to art thieves. We uncover the secrets of history's most interesting figures from legal injustices to body snatching. And tune in at the end of each episode as we indulge in cocktails and mocktails inspired by each story. Listen to Criminalia on the iHeartRadio app, Apple podcasts, or wherever you get your podcasts. It's hard to read the news these days without asking yourself, how did we get here? Fiasco is a history podcast from the co-creators of Slow Burn.

In our first season, Bush v. Gore, we examine an unmistakable turning point in American politics, the 2000 election, which resulted in a high-stakes stalemate, ended with one of the most controversial rulings in Supreme Court history. So if you're trying to make sense at the present moment, check out Fiasco Bush V Gore. Listen on the iHeartRadio app, Apple podcasts, or wherever you listen to podcasts. Some people won't give you the real talk on drugs, but it's time we know the facts. Fentanyl is often laced into illicit drugs and used to make fake versions of prescription pills.

You can't see it, taste it, or smell it. Suppliers mix fentanyl into their products because it's potent and cheap, and the dealer might not even know. Keep yourself and others safe by knowing the real deal on fentanyl. Get the facts. Go to realdealonfentanyl.com. This message is brought to you by the Ad Council. Hey, everyone.

I'm Madison Packer, a pro hockey veteran going on my 10th season in New York. And I'm Anya Packer, a former pro hockey player and now a full Madison Packer stan. Anya and I met through hockey and now we're married and moms to two awesome toddlers, ages two and four. And we're excited about our new podcast, Moms Who Puck, which talks about everything from pro hockey to professional women's athletes to raising children and all the messiness in between. So listen to Moms Who Puck on the iHeartRadio app, Apple podcasts, or wherever you get your

podcasts. Hi, I'm Dani Shapiro, host of the hit podcast, Family Secrets. How would you feel if when you met your biological father for the first time, he didn't even say hello? And what if your past itself was a secret and the time had suddenly come to share that past with your child? These are just a few of the powerful and profound questions

we'll be asking on our 11th season of Family Secrets. Listen to season 11 of Family Secrets on the iHeartRadio app, Apple podcasts, or wherever you get your podcasts. Part two. So, Woody Guthrie had wed Mary in 1933, and by 1936, when he quit Texas for California, which is what you have to legally call it when you're talking about the 1930s, she'd had one child with him and was pregnant with another. And he kind of abandons her, like not entirely. Like he doesn't like break up with her and like she eventually moves to California with

him. But he does just kind of bounce to go try and find a living, you know, in the West. And this is a thing a lot of guys are doing and a lot of people have to do. It's also not a thing that the family's thrilled with. The specific project that he left for was a dam that was being built outside of Redding, California in a place called Happy Valley. I have lived in and around there. I can assure you it is not a particularly happy valley now, and it wasn't one then either.

In fact, the name was kind of like ironic, like because it was a shanty town that was miserable. So like Greenland. Like Greenland, yes. It's I guess probably a better place now, although I can't really in good conscience recommend anyone go to Reading. So yeah, anyway, that's where Woody heads up to, and he's there for a little while. It's in this shanty town with about 5,000 other work seekers who are all showing up to try and queue in lines and get jobs

every day, right? And there were a lot of spaces like this around the country, you know, there were a lot of these government work camps basically, right? Which is where Woody is and there were also in areas like Sacramento and Seattle these things called Hoovervilles and Hoovervilles were essentially large campites built by homeless workers and their families as they migrated around searching for work during the Great Depression. Well, it's actually in the US, they're called vacuum towns, Vacuumville.

That was good. That was good, Margaret. Thank you. That was good. Thanks, I'll be here all day. Electrolux cities? I don't know. I just think it's funny

because the old catchphrase was nothing sucks like an Electrolux. And I've never heard an advertisement that was more clearly Made before the internet you couldn't get away with that today or you could but it would be a different now Although in England they had the we put the D and bread campaign only a couple years ago pretty funny Yeah, that's not bad I'm never gonna get over that. Oh man. So Hoover Villes were named kind of, it was an attack on President Herbert Hoover, right? That's why they get their name, because he was this, this will not sound familiar to

anything that's about to happen. He was this corrupt Republican president whose policies, which benefited the incredibly wealthy, fed into the Great Depression and allowed for the kind of deregulation that made it much worse and were seen as having largely led the country into economic calamity. And so they named these massive camps for homeless families, basically, Hoovervilles. The largest and longest lasting, I'm not sure if it was absolutely the largest, but it was the longest lasting and among the largest, Hoovervilles, was outside of Seattle. And it stood from 1931 to 1941.

As an interesting side note, it was operated on land next to Elliott Bay South, which I believe is where Frasier's condo was meant to be located in the TV series. That doesn't mean anything. I just thought it was interesting. So Woody missed out on the big West Coast Hoovervilles, but he was in and around. Redding is people who are heading up to Seattle or ahead of coming back down from Seattle He's talking to them. There's a big one in Sacramento He's talking to them and he's in this work camp in Happy Valley

That's kind of similar to Hooverville, right? And he's supposed to be up there working on this big damn project But he does a lot better and it's a lot more stable for him to just busk for music, right? And so that's what he actually spends most of his time doing. Now I say he's better at this than he is at laboring. He's not great at it. And he's only able to send the occasional very small money order back home to his wife and two kids.

So he is not, the idea is I'm coming out here to support my family, but he's not able to support Mary. She and her now two kids are utterly dependent on her parents, which was a very embarrassing situation for her. Mary later said, I know it upset my dad a lot, my mother too. Woody wasn't doing the manly thing. And I think it's both worth saying that that's her impression and the family's impression of this.

This is not an uncommon position for people to be in. And I don't know that Woody was doing very well back in Texas. So it's kind of unclear to me, you know, what the right thing to do here was. Ultimately, Woody, like a lot of people, was put in a very difficult situation of trying to do something he hoped would allow him to support his family. And it didn't work very well for a while. Right? I mean, it was the Great Depression. It was the Great Depression, yeah.

We see a lot of this now where people are like, oh, I'm failing under capitalism. I must personally be a failure. And you're like, no, times are really hard right now. And we also on this show, we've had guys like Steven Seagal who- As a guest. Yes, yes, friend of the pod,

absolutely abandoned his family to start his Hollywood career. That is a story we've told a few times. Woody is, his family feels like he's doing that at the start, that's not actually what he does here, right? Cause he's not actually like cutting ties with them. But they're not happy with him either. I mean, migrant laborers do this all the time today.

Like migrant laborers come to the United States. They're not abandoning their family to try and- But they're usually not going out there to play guitar. That's fair. I think that's kind of part of why- Yeah, okay. Because he's not really doing the work that, you know, a lot of these other guys were.

You know, he's doing some of that, but that's not how he really makes most of his bread. Yeah. So in short order, Woody left Redding for Glendale, which I've also done, and I can tell you, good call. Much better place to be than Redding. He vaguely knew that he had an aunt in the area, and as was often the case, he just sorta,

they're not like sending letters usually back and forth. They certainly don't have phones or whatever. You're usually just like, I was told once by a relative that I have an aunt in Glendale. I'm just gonna show up and figure out where she is and hopefully she'll take me in. And social ties were such that when he shows up on her doorstep, she's like, all right, he is 25 years old when he makes it to the Los Angeles area. After several months of stress and internal recriminations, because what he's not thrilled

with himself either, he had wanted to be doing better. He knows how little he's sending back to his family. He's not happy about this. He gets a lucky break courtesy of his cousin Leon, who everyone else either called Jack or Oakey Guthrie. And Oakey is like a, it's kind of a pejorative term for someone from Oklahoma. Both was used as an insult and also as like a term of pride by people from Oklahoma, right? The Guthrie's are all Okies, right? So calling him Okie Guthrie must've been a little bit confusing to like Woody,

who is also an Okie. Jack and his family had left home back at the start of the depression and moved to Sacramento. Like many Guthrie's, he was musically talented and so was his wife and they built a reputation for themselves as good musicians and performers. He suggested teaming up with Woody to try and start an act

in Los Angeles. This was not the obviously good idea that it would later seem, as Ed Gray explains in the book Ramblin' Man. Jack was a western singer. His songs were heavily influenced by popular music. Woody was a country singer, his music born of an older oral tradition. In practice, they could neither sing nor play guitar together. Indeed, Woody privately despised the trickly sentiment of Jack's sagebrush serenades. Jack the guitarist used the jazz-influenced chords of popular music and played up the neck of the instrument. Woody disdained chords beyond the minimal tonic, subdominant and dominant." So this is not a great pairing. And what he's a little bit alike, he's a little bit of a snob.

Right. Is like, oh, you your music's so popular and jazzy. You're not doing the cool punks, you know, not really punk. But that's it's very similar in attitude to that kind of guy. Right. He's doing folk punk before it's doing folk. Right. Yeah. At least he's about to be starting to do folk punk. It's interesting because country western. I had's about to be starting to do folk punk. It's interesting, cause country Western, I had never occurred to me

that those were separate categories. Yes. Cause I mean, it's this mix of these songs that are like folk songs that are, we would call Western, cause they're like songs about the West and about, you know, being a cowboy or whatever. And songs that are like Western songs

that are made for like the different kinds like floor shows and entertainment, you know, radio and whatnot that's popular at the time. Like those are kind of different beasts. So in better times, these guys probably would never have worked together, but desperation made, you know, some kind of collaboration necessary. And they developed a fairly successful act

and were able to book recurring gigs on the radio through a station called KFVD. Woody found himself increasingly drawn to folk music with a sense of class consciousness, like Goble Reeve's 1934 tune, Hobo's Lullaby. And here's Woody Guthrie singing a portion of Hobo's Lullaby, which is again a song by another guy. And this is a folk song.

It's also kind of punk as you'll catch from this section. Oh, I used to listen to it while riding trains. When I played on guitar. I know the police cause you trouble. They cause trouble everywhere. But when you die and go to heaven, They cause trouble everywhere. But when you die and go to heaven, you'll find no policeman there. So go to sleep, you weary old boy.

Okay, that's good. That's a good little bar. So I would also be remiss because that's pretty cool. If I didn't expound on the fact that racism too was a recurrent part of Woody's act and often on his mind while living in Echo Park and fighting on behalf of poor white people, because he's like an activist, you know, helping like rent strike type stuff, right? Like he is an advocate for like poor downtrodden white people living in Los Angeles. He also is drawing cartoons of people he called jungle blacks and monkeys.

And like that's bad. He wrote poems so racist that I don't even feel like I should describe them on the air to you. They're bad. Oh God. Yeah. Found a good LA weekly article on the subject by an author named Johnny Whiteside. And I'm going to read a quote from it now.

Broadcasting on Pasadena's KFVD, Guthrie often indulged in on-air employ of abonics, and was stunned when a black listener characterized the singer as unintelligent after hearing Guthrie perform songs with titles like Run, N-Word, Run and N-Word Blues. Fortunately for Guthrie, recordings of these tunes do not survive. Later, Guthrie, recordings of these tunes do not survive. Later Guthrie said, a young Negro in Los Angeles wrote me a nice letter one day telling me the meaning of that word, the N-word, and that I shouldn't say it anymore on the air. So I apologized. He next tore all the N-word songs out of his songbook. Huh. So you can take that however you want,

right? The fact that he is singing that kind of stuff on the air and like Just writing poems about it not great, but he's also not unable to change or immune to criticism So he's willing to like listen to this criticism that a black man gives him and be like, oh, you know what? That is kind of fucked up and that ain't nothing for the son of a Klansman, right? When you're yeah, you know again, that's kind of up to your personal take. When we talk about like, how do you judge people, you know, to what extent do you judge them based on their time or based on some sort of concept

of objective morality? One thing that always matters to me is where do they start versus where did they end up, right? Because someone who was raised in a slave holdingholding household and becomes an abolitionist, but is still racist is a lot more impressive to me than a guy who just like isn't outwardly racist because he grew up in the 1990s, but like crosses the street when he sees a black guy. Right? Totally.

Because one of those is a person who like went on a journey, recognized a bad thing about themselves and made changes, you know? There's people that will never get my pronouns right, who I suspect would kill someone who tried to hurt me. And there's other people who would absolutely always get my pronouns right and be super respectful and would be like, oh no, a bad thing is happening

if they watch me get murdered in front of them, you know? Yeah, and I think- I'm not trying to be like, it's therefore OK. Like, I'm not sure the reason I included this, because it's pretty bad. And you should know that about that. Yeah, yeah. No, I'm not trying to. Yeah. But this is not a part of his entire life or his whole creative life. He writes anti-racist songs later in life.

Like, it does seem like he makes a change. And I do think it's worth noting, like, this is a guy who was raised by a Klansman in like the 30s 20s and 30s You know So, you know again you can figure out morally wherever you want to figure that out But I don't think it's worth kind of looking at the whole sweep of the personal journey The man went on there in 1937 Woody's wife Mary and two children moved to Los Angeles to be with him

Jack wound up leaving the act and show business for a while, but Woody paired up with Maxine Christman, whose family was friends with his cousin and had taken Woody in, too. He dubbed Maxine Lefty Lou. The two played songs by other artists that spoke to the poor and downtrodden, like Hobo's Lullaby. But they also started playing Woody's original compositions, like the Talking Dust Bowl blues. This song really embodies what people were starting to love about Woody. His music had a warts-and-all description of life during the Depression, and the struggles of the hundreds of thousands of people who were forced to move west during

the Dust Bowl. He sung about relatable, nuts-and-bolts issues that are still familiar to a lot of people today. If you were a poor punk punk kid who like like lived on a semi-permanent road trip for a while basically and had the experience of trying to coast by turning your car off on downhill runs because you can't afford gasoline here's Woody Guthrie singing about the same thing way up yonder on a mountain curve is the way up yonder in the piney wood, And I give that rolling Ford a shove, and I was gonna coast as fur as I could. Commence coasting, picking up speed, was a happy intern.

I didn't make it. Man alive, I'm telling you, the fiddles and the guitars really flew. That Ford took off like a blind squirrel and it flew halfway around the world, scattered wives and childrens all over the side of that mountain. Oh, man. I don't know why. I love his talking blues. Yeah.

I love his talking. I love the way he says children like it just Tickles the hell out of me reminds me of the good parts of living in fucking middle of nowhere, Oklahoma Like I do like that about him. You know what? I like even more Margaret. Is it the sponsors of the show? Yes, they're all great. They're all great And they've all had the experience of having the coast in their Ford truck to save gas money, too Look, it's hard times for everyone even large brands. They've probably driven stuff off of the road before Yeah, absolutely. We could talk about what truck drivers are forced to do in order to make their times. Anyway, whatever we're done Hey y'all, I'm dr. Joy Harnon Bradford

Host of therapy for black girls and I'm thrilled to invite you to our January Jumpstart series for the third year running. All January, I'll be joined by inspiring guests who will help you kickstart your personal growth with actionable ideas and real conversations. We're talking about topics like building community and creating an inner and outer glow. I always tell people that when you buy a handbag,

it doesn't cover a childhood scar. You know, when you buy a jacket, it doesn't reaffirm what you love about the hair you were told not to love. So when I think about beauty, it's so emotional because it starts to go back into the archives of who we were, how we want to see ourselves, and who we know ourselves to be and who we can be. So a little bit of past, present, and future, all in one idea, soothing something from the past. And it doesn't have to be always an insecurity. It could be something that you love. All to help you start 2025 feeling empowered and ready. Listen to Therapy for Black Girls starting on January 1st on the iHeartRadio app, Apple Podcasts, or wherever you get your

podcast. In the aftermath of a transformative election like the one we just had, it's hard to read the news without asking yourself every five seconds, how did we get here? That's exactly what we're always trying to figure out on Fiasco, a history podcast from the co-creators of Slow Burn. In our first season, Bush v Gore, we examine an unmistakable turning point in American politics, the 2000 election, which came down to a recount in Florida and ended with one of the most controversial rulings

in Supreme Court history. In many ways, it's the beginning of the story we're living through right now. So if you're trying to make sense at the present moment, check out Fiasco, Bush v. Gore, and find out how a statistical tie in the Florida vote count put the nation into an unprecedented holding pattern during which American voters waited with bated breath

to find out whether Al Gore or George W Bush would be the next president of the United States. Listen on the iHeartRadio app, Apple podcasts, or wherever you listen to podcasts. Some people won't give you the real talk on drugs, but it's time we know the facts. Fentanyl is often laced into illicit drugs and used to make fake versions of prescription pills. You can't see it, taste it, or smell it. Suppliers mix fentanyl into their products because it's potent and cheap, and the dealer might not even know. Keep yourself and others safe by knowing the real deal on fentanyl. Get the facts. Go to realdealonfentanyl.com. This

message is brought to you by the Ad Council. Hi, I'm Dani Shapiro, host of the hit podcast, Family Secrets. How would you feel if when you met your biological father for the first time, he didn't even say hello? And how would you feel if your doctor advised you to keep your life-altering medical procedure a secret from everyone? And what if your past itself was a secret and the time had suddenly come to share that past with your child? These are just a few of the powerful and profound questions we'll be asking on our 11th season of Family Secrets. Some of you have been with us since season one and others are just tuning in. Whatever the case and wherever you are, thank you for

being part of our Family Secrets family where every week we explore the secrets that are kept from us, the secrets we keep from others, and the secrets we keep from ourselves. Listen to season 11 of Family Secrets on the iHeartRadio app, Apple podcasts, or wherever you get your podcasts. Margaret. Yes. I do find it fun how much of like his Dust Bowl songs are very

relatable to like punk life today. Yeah, totally. Hate the cops, fucking coasting in my car, you know camping out in the woods and shit like. Did he do Big Rock Candy Mountains or is this someone else? In my head he did Big Rock Candy Mountains but I didn't double-check on that. I mean he might have just sung it. I'm fairly certain I've heard a version of the song by him. Harry McClintock was the guy who first recorded and wrote it. Yeah, okay.

One of the first people I ever rode trains with, I haven't ridden trains nearly as much as it's gonna make it sound like when I do these episodes, but was this folk singer named Ryan Harvey. And so that's why I have a lot of these associations with riding trains in particular, but we used to sit around and sing Big Rock Candy Mountains, but change the words very slightly

to be like modern anarchy. And you didn't have to change much. And my favorite was, and the hens lay vegan eggs was my favorite line. That's good. Oh man, that's funny. You're like, wait a second. Yeah. And the police dogs can't sniff your weed.

Yeah, totally. So Woody had attained a degree of local fame by 38, 39, right? 1938 to 1939, he's doing reasonably well. In fact, he and Lefty Lou were so beloved that the radio station where they played received thousands of fan letters over the course of just a few months. They were doing okay in terms of money,

but not great because again, he has a lot of fans, but they're broke ass dust bowl refugees. So he's not getting rich off these people, right? And he's also not very interested in getting rich. He seemed to feel like he had a responsibility to reach and provide relief for his people, suffering in government work camps and embarrassed by their situation. From a write up by the Library of Congress, quote, he also sang at government camps that gave these people some measure of dignity, health and safety.

Joining him was Will Gere, an actor, an earnest left winger who helped Woody better understand the injustice of an economic system that would allow Americans to live in such poverty. And this is where he starts getting piled on socialism, right? And eventually becomes a communist. He will call himself a cardrying communist as we'll talk about He never actually has a card and he could have gotten one But what he's a little bit of a fabulous right he lies a little bit not in the way that is Massively meaningful because he was a communist and very committed, but you know he also he's a little bit of a tall-tail spinner

So yeah, and you know it's to his credit that he's, again, rather than focusing on making money off of this growing fame, he's giving a lot of free shows to provide relief for his people, right? He is very dedicated to his people in a way that I think is pretty admirable. Woody's popularity, and by now fairly mature class consciousness, started to make him more connections

with the radical political set, including various left-wing writers, journalists, and socialist and communist activists. He began writing songs that spoke not just of left-wing politics, but of the rage of the working class, and increasingly his own hatred of the people that maintained the system that kept his people downtrodden.

In 1939, he wrote one of his most famous songs, The Ballad of Pretty Boy Floyd, about an Oklahoma outlaw active in the early 1930s who regular listeners will know was my cousin. Now, my great grandmother knew him as a girl. I grew up hearing songs about him from her. And my family, they're very, as I talk about often, very conservative people, but my great grandma particularly would always tell us, you know, you got outlaw blood in you, right? Like it was something she was very proud of.

In a way that's a little weird, if you heard the way these people tended to talk about other like urban crime, right? Outlaw crime, it was very different to them. And I'm talking particularly my relatives who were survivors of the Great Depression. Outlaws are very different than modern criminals in their eyes, right? I'm not saying that's actually a fair, but their conception of these people is extremely different. And a big part of why is not just Woody, but songs like this that Woody made who turned these guys who

were bank robbers and gangsters into Robin Hood figures, right? And Floyd was a fairly easy one to turn into a Robin Hood character, because he kind of was at least a little bit that guy. There's a debate as to like how much of that sort of character was real and how much of it is kind of myth-making that Floyd did, but some of it's certainly true. Floyd was born in Georgia, but had moved with his family to Aikens, Oklahoma in 1911. And his career as a criminal had started early when he was arrested at age 18 for stealing $3.50 worth of, I think, stamps from a post office.

A few years later, he robbed a payroll in St. Louis. So he goes from like stamp theft to armed robbery fairly quickly. And he does three years or so in prison for that. After he's released, he becomes a Kansas City area bank robber. One thing you get about Floyd is he doesn't seem to have ever considered not being a criminal. Yeah.

Just immediately like, no. He found this thing that sort of works. Yeah. Well, I guess it didn't really work. That's the other weird thing about it. No, but he never really thinks about doing anything but being an outlaw and he quickly gains He starts robbing banks in Kansas City and he earns the nickname pretty boy Which eventually becomes pretty boy Floyd because people thought he was very good-looking

He hated this nickname, so he's gonna pull up a picture of the man you could decide yourself How good-looking he was it's just a picture of Luigi decide yourself how good-looking he was. It's just a picture of Luigi. Americans do love their sexy criminals. Yeah. Yeah. Huh. Not my type, but you know.

The standards were not as high back then. He's got like a soft gaze that's kind of nice, you know? Yeah. Prominent nose, good jawline. Yeah. He's not bad looking. Certainly not. Yeah.

Nice hair. Yeah. Yeah. He's better looking than Woody Guthrie if we go AB real quick. Yeah. He is a hardened criminal. He killed at least one federal agent. He also killed the sheriff of McIntosh County.

Other members of his gang killed several police officers and other criminals as well. There are multiple police officer murders that he is also a suspect in that we don't fully know did he kill all those cops, but he killed a number of cops. You know, like he shoots a lot of police. In the early depression years, he took to robbing banks in Oklahoma, where in addition to taking money for himself, he would destroy mortgage documents in order to free poor farmers from debt. Hell yeah. Now, we don't fully know if this happened, right?

It's not the kind of thing, how would you prove it for one thing, right? People told stories about it. I will tell you that everyone I knew in the towns in Oklahoma, like where he had been active, and again, including my family members who knew him, would tell you that this is what he did. I don't know, it's not provable. It's one of those things where it would make sense

for him to do it, even if he was not really morally a Robin Hood character, because if you're destroying people's mortgages, they will hide you from the cops. Yeah. Like, I can tie this back to Italy in the 1870s, people's mortgages, they will hide you from the cops. Yeah. Like. I can tie this back to Italy in the 1870s, Malatesta and all these other anarchists in

Italy in Benevento province would go and their idea of how to do propaganda of the deed was to go and they'd march on these small towns and they would destroy the tax and ownership records. And they were like, and then everyone would come out and be like, you have freed us. The priest was like, came out of the church and was like, these people have been sent by God to free us. And then they all got arrested. But then they actually only spent like a year in jail because everyone was going so crazy

in Italy at that point that they were like, you know, we better just let these people out. Yeah, we can't go too hard on these people. Everyone really likes them for some reason. And so that's like, there is a specific point, and if you're gonna be a criminal, if you go hard enough and make everyone like you, there's a certain safety in that.

One of my favorite Floyd stories is that he had a gang, and his gang decided they wanted to rob a bunch of people on like black Wall Street at one point, which was very well armed. And Floyd was like, well, you guys can go do that. I'm not fucking with that And sure enough they got fucking like shot to pieces. Yeah So he was a smart man. Yeah, my other favorite story about him I mentioned in my high school AP English class that he was a cousin of mine and my teacher who was you know in her 50s or something said he shot my grandfather in the leg.

Oh, what grade did you get in that class, buddy? No, no, she was like, it's okay. Again, because she was raised in this same culture. She was like, it's okay. Like pretty boy said no move and my grandpa moved. He didn't kill him. He just shot him in the leg a little. That's so funny.

Again, there's a lot of tolerance for these specific sorts of outlaws in that part of the South. Like it's- Yeah, that you probably wouldn't find today. Just to be clear, anyone listening, that you probably wouldn't find today. You will not find today.

So again, fascinating character. And yeah, I can't say how much of the whole Robin Hood thing is true But I think a lot of the Robin Hood image that he has Comes from Woody, although it's also worth noting He is part of why it takes so long for him to get caught because he's like one of the last Gangsters to get caught and killed by the government his death is generally agreed to have heralded the end of the gangster era Okay. Yeah, cuz he I think 34 is when he's gunned down.

And like, there's a lot of stories of him like, hiding with little old ladies and lying to the cops. And then when he like leaves, there's a hundred dollar bill under the plate where she'd fed him dinner or something like that. So in 1939, you know, about five years after his death, when memories of this guy are still very strong, Woody writes the song

that is very much responsible for crystallizing this image of pretty boy Floyd as this kind of like bandit outlaw king of the American South and we're just gonna listen to that song cuz it's Christmas and it's a song about my cousin. Hell yeah. Hell yeah. It was in the town of Shawnee a Saturday afternoon, His wife beside him in his wagon rather rude Vulgar words of anger and his wife she overheard The purty boy grabbed a log chain and the deputy grabbed his gun In the fight that followed he laid that deputy down Then he took to the trees

And timber to live a life of shame Every crime in Oklahoma was added to his name But a many a starving farmer, the same old story told, How the outlaw paid their mortgage and saved their little holes. Others tell you about a stranger that come to beg a meal Underneath his napkin left a thousand dollar bill It was in Oklahoma City It was on a Christmas day there was a whole carload of groceries come with a note to say well you say that I'm an outlaw you say that I'm a thief here's

a Christmas dinner for the's on relief Yes, it's through this world I've wandered I've seen lots of funny men Some will rob you with a six gun And some with a fountain pen And it's through your life you travel Yes, it's through your life you roam You won't never see an outlaw Drive a family from their home I love the way that song ends. Yeah. Anderson likes it too.

Some will rob you with a six gun and some with a fountain pen. That's the one I hear all over the place. It's a great fucking, I mean this is one of his more famous songs. Yeah. But it's a damn good line. I enjoyed that thoroughly. I also like that, look, I've seen a lot of outlaws. I'm not saying, I'm not defending the things they've done,

but it's not the outlaws I see forcing people to be homeless, you know? That's the banks. Yeah. Yeah. So I disagree with my family about a lot, but our shared pride and our cop killing ancestor is not one of those things. Yeah Anyway, as is often the case for people who come to Los Angeles for the music industry

Woody wound up having to take his family back home to Texas and then leave them again to move to New York City in 1940 chasing what had become for him a dream of folk stardom. By this point, he'd become a little bit of a legend, enough that the Library of Congress had him sit down and record his Dust Bowl songs for posterity. He laid down tracks with Pete Seeger and became an influential part of the urban folk revival of the time. In a letter to Alan Lomax, another influential pillar of the urban folk revival, he described his thoughts on what folk music ought to be. And I'm interested for your thoughts on this, Margaret. A folk song is what's wrong and how to fix it, or it could be who's

hungry and where their mouth is, or who's out of work and where the job is, or who's broke and where the money is, or who's carrying a gun and where the peace is. That's folklore and folks made it up because they seen that the politicians couldn't find nothing to fix or nobody to feed or give a job a work. That's good. That's it. It's so interesting to me because I, if you'd say folk music in different places, you mean something so completely different, right?

American folk music is this like Woody Guthrie kind of vibe thing. Whereas in almost any other country, you're looking at stuff that's a little bit more like, technically interesting, like musically. Yes. I don't know, I have a lot of thoughts about like folk and folk instrumentation and music and all that,

but I think what he's describing is great. And specifically that thing that it's like, this is the stuff that people make up, you know, it's not fancy, yeah. And it's also how poor people without really any other idea of how to have a voice talk about in a lot of ways the kind of issues that today we ascribe to like the job of journalists, right? Who was hungry and where their mouth is?

Who's carrying a gun and where the piece is, right? Yeah, yeah, totally. It's gossip. Yes. Yes, it's gossip and it's Agitation right you look at a lot of folk songs and a lot of folk stories And that's the first safe place to attack the wealthy and the powerful right totally a little bit, you know, totally Oftentimes, you know, there's also plenty of folk stuff that reinforces some of those things But it is where you see a lot of subversive stuff

Yeah, I mean that's the thing a lot of subversive stuff. Yeah. I mean, that's the thing about like populist and popular stuff is it can really go either way. Yeah. But it's like still on some fundamental level interesting. Yeah. Now, it's worth spending some time on just how radically folk music changes.

As you noted, in other countries, it's very different. And part of why it's different in the US is Woody Guthrie. He changes what folk music is in the United States in a fundamental way. In an article for The New Yorker, David Hajdu writes, quote, folk music, including country, blues, and other vernacular styles, was supposed to be anonymous. A collective art passed along warily from singer to singer, generation to generation, sometimes culture to culture. From the vantage point of today,

when kids with their first guitar start writing songs before they learn to play other tunes, it is difficult to process how exceptional it was for a folk artist such as Woody Guthrie to have created a vast repertoire of deeply idiosyncratic works. Many Tin Pan Alley, Broadway, and Hollywood songwriters of the 30s and earlier were as skilled and prolific

as Guthrie, but they were working in a different vein, writing to order for professional singers. Guthrie brought the authorial imperative to vernacular music in America. And I think that's also very interesting. Just to keep going with all the weird family connections, my great grandfather was a Tin Pan Alley songwriter. And yeah, he just wrote music that he didn't own the copyright to. He wrote the B-sides for more popular musicians. Yeah.

Yeah, that makes total sense. I'm not surprised that that's your family connection. Yeah. So by this point in time, Woody was what you would call a left-wing radical, although not again a card-carrying one. He played benefits for and was associated with the American Communist Party, but he never got around to joining,

and you'll find several different theories as to why. The leading one that you'll hear is that he liked his independence a little too much to be a joiner. Now, this sounds good, especially to people like you and me, but it leaves out a crucial fact, which is that Woody was his era's equivalent

of like a tankie, right? Totally. I mean, it also leaves out the fact that like he vocally took claim to have a card, like claimed to be a member of the party, right? And that it was the best thing he'd done, which he hadn't. Again, he wasn't immune to the worst impulses of the American left during this period.

He had been enthusiastic about FDR early on, but once the Molotov-Ribbentrop Pact was signed and the USSR locked into a treaty with the Nazis, he attacked Roosevelt as, quote, Churchill's lapdog for his anti-Nazi stance in support of Great Britain during the early months of the war. He argued that the developing world war was a capitalist fraud. When Nazi Germany and the Soviet Union invaded Poland together, Guthrie supported Stalin to an extent and with such vociferousness that biographer Will Kaufman called it shocking.

In Ramblin' Man, Ed Kray goes into more detail about a left-wing anti-war song he wrote called Why Do You Stand There In The Rain, based on the title of a New York Post article. And I'm going to read from that section from Ramblin' Man here. Just days before, some 6,000 delegates of the American Youth Congress had gathered in Washington to advocate jobs and peace. At the invitation of First Lady Eleanor Roosevelt, the delegates gathered in front of the South Portico of the White House, in a cold drizzle, to listen to a half-hour speech by the president. FDR threw down the gauntlet, aware that the young Communist League had taken firm grip on the once

broadly based Popular Front AYC, the Soviet Union. As everyone who has the courage to face the fact knows, is run by a dictatorship and as absolute as any dictatorship in the world. It has allied itself with another dictatorship and has invaded a neighbor, Finland, so infinitesimally small that it could do no conceivable harm to the Soviet Union, a neighbor which seeks only to live in peace as a democracy, and a liberal, forward-looking democracy at that. Roosevelt heard the boos and hisses through the cold rain. People's World columnist Woody Guthrie knew where he stood.

He chided the president and song. Now the guns in Europe roar as they have so oft before, and the warlords play the same old game again. They butcher and they kill. Uncle Sam foots the bill with his own dear children standing in the rain. Why do you stand there in the rain? Why do you stand there in the rain? These are strange carrying on. The White House Capitol on. Tell me why do you stand there in the rain? Then the president's voice did ring. Why this is the silliest thing I have heard in all my 58 years of life. But it just stands to reason as he passes another season, he'll be smarter by the time

he's 59." So he's being like real, real shitty to Roosevelt there specifically about his support of England in the war that is developing and very defensive of the USSR and invading a much smaller neighbor and invading Poland. And it's one of those things where this is both horrifying, given what we know happens. You have to, to an extent, while still saying he was wrong, look at his level of knowledge and what had actually happened previously. World War I was the touchstone here. And in World War I, the US did enable further butchering, right? Like we were arming and profiting off of a hideous war that we had no business sticking our

noses into. Yeah. And he's pissed about that. It's also, there's a lot less information about what was going on in the Soviet Union. You know, I will also say more than enough that he should have known. Right? Yeah. I mean, the internationalist newspaper stuff was pretty. Yeah. Sometimes they were better at knowing what was going on around the world than like a

modern leftists is today. But he's holding the party line. They got told very specifically. I mean, this is the problem with the common term, the Communist International, is that someone in the American Communist Party during this era is literally taking orders from Russia. Yeah. And that's like one of the parts that we don't want to talk about with the Red Scare,

because the Red Scare is bad, right? But when they're like, oh, these foreign agents acting under a foreign national, they were. There was literally like, they were taking direct like propaganda, direct orders, like from Moscow. Well, not from Moscow, but like from the communist party in the Soviet Union. And they were really wrong on some things as a result of that, because it turns out Hitler's not an ally

of international communism. It turns out no. No, no, that goes very badly, very quickly. Yeah. And Woody had been describing himself as an anti-fascist at this point, but also I think he probably would have said that like, well, the communist party knows its business.

If they think that's what they've got to do to secure themselves, what matters is, you know, the survival of communism, which, you know, at that point had weathered a number of attacks from the international capitalist community, like during the Russian civil war. And I'm not saying that because I think that's a good argument. I'm saying I think that's the argument he would have made. I'm pretty firmly on the stance of Stalin bad. Yeah, yeah. The Molotov-Ribbentrop pact, inexcusable. Yeah.

But also I always emphasize inexcusable on behalf of the Soviet leadership. You know, I've got nothing but respect for the guys who wound up dying by the millions to stop the Nazis. Absolutely. Totally in the right, those guys. Yeah. And ladies.

So it is impossible to look at this situation without seeing commonalities between more modern failures of the left to condemn dictators seen as anti-imperialist for very flawed reasons. I might suggest that we also not forget at the time, one of the complicating factors here is how the US government deals with what it considers communism and what things it considers communism, right? Because that's important too.

Woody had an extensive FBI file and in 1941, after he joined the merchant marine, one of his shipmates was cited as saying, Woody, quote, followed the communist party line and that they were very pro-Russian and advocated racial intermarriage. So again, that is what the guy who informs on him and the FBI considers evidence of his communist sympathies is he thinks that black people and white people should be able to get married. So keep that in mind too. The Communist Party was absolutely right

about racial politics in the United States during this era. Yes, 100%. And they were one of the only non-black organizations, it was actually heavily black, but one of the only not majority black organizations that was right about this. Yes, yes. And so like when we talk about like criticizing him,

don't leave out the fact that he's also very much correct about this. Right, totally. After the war, he would be accused by the California State Senate's far right committee on un-American activities for being Joe Stalin's California mouthpiece, which was at one point true, Committee on Un-American Activities for being Joe Stalin's California mouthpiece, which

was at one point true, but also for being a member of a factionalist sabotage group, which was absurd. Woody never sought or attempted to do anything but sing songs and write articles for socialist papers. He was not sabotaging anything. I have a feeling the reason he didn't get a card is he was like, I don't want to be on that list. Yeah, maybe.

Yeah, I mean, that may have been it. I think he also just might've been too lazy. Yeah, didn't want to pay the fees, whatever. He's an artist. He's not good at signing papers. Yeah. Marjorie Guthrie, who is his second wife. He starts a family with her

after he divorces his first wife, Mary, and moves to Coney Island. Summs things up this way. I don't know what happened prior to my time, but from and moves to Coney Island, sums things up this way. I don't know what happened prior to my time, but from my time in Coney Island, he was not welcomed by the party because he didn't wanna follow a party line. You couldn't tell Woody what to think,

and so we were not members of the party in Coney Island. And I, you know, again, I include that because she was his wife, she knew him, but also that isn't entirely true because he certainly followed the party line on some very fucked up things. But actually, that's still like, even when we talk about the way that people have arcs, right?

One of the things I've read a lot, I've read a lot about the UK communists at this era where a lot of the communists left the communist party once they realized that they were just being mouthpieces for Stalin, you know? Yeah, yeah. once they realized that they were just being mouthpieces for Stalin. You know? Yeah. Yeah. I mean, and again, there was a degree to which the fact that there's so much disinformation being pumped out about the Soviet Union, there's so much bad, like, certainly more reasonable than for someone to doubt a lot of the official narratives coming out and to doubt a lot of

the information that makes Stalin look bad from their position in the United States. Right? Again, I think enough that a man is obviously intelligent as Woody should have been better informed, but he's not the only one who makes this mistake. And it's a more understandable mistake then than it is now, is what I'll say. That's totally true. Without forgiving it, you know?

So yeah, however you wanna mark this down morally for Woody, the US shouldn't want to mark this down morally for Woody, his, the US shouldn't be getting into this capitalist war. They're all cooking this World War II thing up. That attitude ends for Woody on June 22nd, 1941, when Nazi Germany invades the Soviet Union. This is Operation Barbarossa. Woody ran to his friend Pete Seeger after this like breaks

and told him, well, I guess we're not going to be singing any more of them peace songs. Woody was not the only man forced to change his tune rapidly due to world events. Winston Churchill. Change his tune anyway. Yeah. Well done. Well done. Winston Churchill, who was one of the world's loudest anti-communists, was forced by sheer necessity

to make temporary amends and even express support for the cause of Soviet soldiers. When Woody heard this, he told a friend, "'Churchill's flip-flopped. "'We gotta flip-flop too.'" You know who doesn't flip-flop though, Margaret? The consistency with which our sponsors provide high quality goods and services. That's right.

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on the iHeart Radio app, Apple podcasts, or wherever you get your podcasts. Presented by Capital One, founding partner of iHeart Women's Sports. We're back. Our sponsors are all old hair tonics from the 1800s. Anyway, vote Fillmore. Much of the Woody that we know,

the famous Woody Guthrie, you know, you brought up as soon as I said, what do you know of him, that the picture of him with a guitar that has a This Machine Kills Fascists sticker slapped across it. By the way, that sticker was like, put out by the US government.

Huh, that makes sense. Yeah, it was a propaganda. Strange bedfellows. Good piece of propaganda. There were a lot of machines we were using to kill fascists, perfectly reasonable to put some stickers on them. Wait, did they oh that was like a The government was putting that on machines to raise morale and he took one of those and was like I'm putting this on my guitar I think it's something like that I read it in that article and I think LA Weekly by the fellow who was writing about like Woody's history with racism

We was like this, you know, this thing was like a product of the government that he- That makes so much sense. I never quite understood that. I always really liked though, when people carve into their AKs, wooden stock, this machine makes folk music. Yeah, no, there's been some good ones of that coming out of Syria, yeah. So he changes his opinion very rapidly.

And once the Nazis invade the USSR, he starts getting much more patriotic. And again, he had been making anti Nazi music and been anti Nazi prior to this. And if you're saying, well, that's incoherent for him to be against the war and you know, whatnot. Yes, lots of people have incoherent politics, but his politics get a lot more cohesive after Operation Barbarossa. An article for OklahomaHistory.org notes, in New York, he appeared on numerous popular radio shows before joining the Merchant Marines with Cisco Houston during World War II.

Guthrie was on three torpedoed ships and the day Germany surrendered, he was drafted into the US Army. Like he was on ships that were hit by torpedoes three different times. Yes, yes, he is. And the Merchant Marine is effectively a part of the military during a war, right? He is a combat merchant Marine is effectively a part of the military during a war right? He is a combat veteran. Yeah, you know like that's like he's he's on three ships that get hit

Yeah, he's not in the army very long. It basically immediately gets out because the war ends But yeah, he does like his bit, you know He is not when we play songs of his where he's talking about wanting to fight the fascists. He goes and does it You know, he is doing an important, dangerous job where he gets shot at. So you cannot, yeah, he's very willing to put his skin in the game. Yeah, one blown up ship.

If you quit after one blown up ship, no one's mad. You did your part. Nobody will call you a coward. Yeah. I don't know that, yeah. And so from late 1941 to the end of the war, Woody Guthrie wrote several iconic anti-fascist anthems, including Reuben James about a US destroyer that was torpedoed and sunk by the Nazis in

1941. As you might expect from Woody and the kind of songs he wrote, this song focused on the lives and deaths of normal men at war. The refrain went, tell me what was their names, tell me what was their names, did you have a friend on that good Reuben James? It's a good song. But if you want my personal favorite War Years Woody Guthrie song,

nothing beats this particular banger. Sophie's gonna put it up now. Put it there, boy, we'll show these fascists what a couple of hillbillies can do. Well, I'm gonna tell you, fascists, you may be surprised, people in this world are getting organized. You're bound to lose, you fascists are bound to lose. Oh, you fascists are bound to lose Oh, you fascists are bound to lose I said, oh, you fascists are bound to lose

Oh, you fascists are bound to lose You're bound to lose, you fascists are bound to lose There's people of every nation marching side to side, marching across the fields where a million fascists died. You're bound to lose. You fascists are bound to lose. Oh, how you fascists are bound to lose. Oh, how you fascists are bound to lose. Oh, how you fascists are bound to lose. You're bound to lose. You're bound to lose.

You're bound to lose. You're bound to lose. You're bound to lose. You're bound to lose. You're bound to lose. You're bound to lose. You're bound to lose. You're bound to lose.

You're bound to lose. You're bound to lose. You're bound virgin, found blues. You're a found blues. You're a virgin, found blues. Banger. Wonderful music. It's so good. It's a real banger. I enjoyed that immensely. Yeah, one of my favorites.

So near the end of Woody's wartime experiences, he would record the first official version of a song that he'd been working on since 1940. This Land Is Your Land, which would go on to be undoubtedly his most famous work of music. It is definitely the one Woody Guthrie song everyone's fucking heard.

Like you basically can't get through school without hearing This Land Is Your Land. Because it was so easily recuperated. Yes. And in the decades since 1944, it's also been criticized for what many people interpret as an era of imperialism and support for manifest destiny, which is definitely present in the version of the song that is commonly sung.

Given this, I think it's interesting to actually look into why Woody wrote the song and what its original lyrics were. This Land Is Your Land was initially something of a folk music diss track. It was a response to Irving Berlin's God Bless America. This is a song Berlin wrote in 1918 after being drafted and re-released in 1941 as something of a cash grab. The lyrics, if you aren't familiar, go like this. God bless America, land that I love,

stand beside her and guide her through the night with a light from above. Woody fucking hated this song, and it's good he did cause it's a fucking dog shit song. He considered it far too sweet a hymn for a nation that had just sent millions of its citizens into a depression. This Land is Your Land was meant to be a retort

discussing the real America that Irving had tried to conceal. The original title was God Bless America for Me. Joe Riley writes of this first version of the song, quote, it was more of a question than affirmation. In fact, it was a sarcastic retort. Woody later changed the refrain to this land was made for you and me and the song to this land is your land. The verses he ultimately omitted from the final draft of the song include this banger. There was a big high wall there that tried to stop me. The sign was painted, said private property, but on the backside it didn't say nothing.

This land was made for you and me. In the squares of the city and the shadow of the steeple, near the relief office, I see my people. And some are a-grumbling and some are wondering if this land's still made for you and me. And that's a banger. That's very much not an imperialist song. That's more him talking about like this, the people that this country ought to be for are the ones being harmed by the system that governs it.

Right? Like that's the original point of the song. That said, this is not a case of it being recuperated by someone else who changes the lyrics because they think that they can tweak it. They don't like Woody's original version. Woody changes it, right? And he changes it.

He removes that verse about the relief office because late in the war, he decided it was too pessimistic. And he replaces it with lines like, from the Redwood forest to the Gulf Stream waters, this land was made for you and me, which is not all that different from like some of the stuff Irving had been writing. Totally.

Right? The song becomes a massive hit. It is practically a new national anthem. And Woody does not initially bother to copyright it because this is, you know, that's not uncommon for him, right? He generally neglected to do that. Alas for Woody, the post-war optimism faded quickly.

I mean, and it, so the first horrible thing that happens to Woody after the war, cause things go downhill for him quickly. In February of 1947, there is an electrical fire in his home and his little girl, Cathy Ann dies. Oh God, he has bad luck with fire. He, like I said, he a horrible luck with fire. Now he and Marjorie have three other kids,

but yeah, like that's obviously really fucks him up. And like that same year, 47, and then in 48, he gets repeatedly attacked as a communist, both in the State Committee of Un-American Activities in California and in the House of Representatives Committee on Un-American Activities. Now they were attacking him for being a communist, and he was, but he was not un-American.

No one was more American than Woody fucking Guthrie. He suffers as a result of this. He gets blacklisted. He had written an autobiographical novel at this point called Bound for Glory that had been set to be turned into a major Hollywood production, but that deal and others like it fell apart. As unions were forced to take anti-communist stances in this new, more paranoid era, Woody stopped getting hired to play the events that had largely supplemented his income.

Rather than fold, as many did, and denounce the things that he believed, Woody spoke out constantly against J. Edgar Hoover, writing at one point, quote, the roaches crawl across my page tonight and make a noise that makes more sense than all that Hoover writes. Which is a good bar. He became less dogmatic on the Moscow line as well, although he never stops being a communist. He starts writing that his goal was to quote, get this thing called socialism nailed and hammered up just as quickly as he can and praises Eugene V. Debs, former chairman of the socialist party as quote, a pure cross between Jesus Christ and Abe Lincoln, which just as quickly as he can and praises Eugene V. Debs, former chairman of the Socialist

Party as, quote, a pure cross between Jesus Christ and Abe Lincoln, which again is not really something that the Moscow party wants you say. Yeah. Despite the consequences to his career, he continues to seek and sing his mind. Quote, fascism is being afraid. Fascism is fear bossing you. Fascism is worse than all of these things and fascism is more closer to you than I can make you see.

I'm trying to wake you up and tell you that you're sleeping with something ten times more dangerous than a poison fang snake in your bed. If fascism does come and if it does kill me, well, then you add me alone onto the hundreds of millions which fascism has already dusted under and it don't scare me so very much. That rules. Yeah, like good line. All right, it might kill me. It's killed millions of people before.

So it fucking goes. I'll be in good company. Yeah, yeah. Yeah. That's hard. I like that. Yep. That's hard.

And this is unfortunately, Margaret, where the story gets awkward again. No, is he going to heel turn again? He keeps dancing. It's more complicated than a heel turn. He's about to do a bad thing. There's a mitigating factor that's pretty significant. But it's a pretty bad thing. Woody is at this point, and always on the verge of being broke, but also a famous and

influential musician. And we know what comes with that, right? Which is the temptation to be a sex pest. Yeah. Yeah. And Woody does not commit like rape, but he does sexually harass someone very badly. And this is a very ugly story.

The gist of it is that things with his second wife, Marjorie, go downhill as his career does. She is the family moneymaker. She actually makes a very good living teaching dancing. She's an extremely accomplished dancer. And his career is not doing well. This leads to fighting and Woody eventually moves out and rents a room for himself.

He starts writing letters to his old music partner, Lefty Lou's sister. She is 28 years old. He is 36. So they're not like crazy far apart, but the bigger issue is she had never insinuated that she was into him, right? He is just writing her letters about wanting to fuck her

apropos of nothing. Oh, fuck. Now, Woody had just kind of assumed that because she, like they knew each other, right? They were like friendly, but she gets divorced. And he just kind of assumes, well, I'm getting divorced too. That must mean she wants to fuck, right? And his letters to her take on an air of obsession.

He writes at least 12 long letters, suggesting they move out together, hit the road and start having sex. These letters include long rambling descriptions of the kinds of sex Woody wanted to have and more. And I'm gonna quote from Ramblin' Man here. Into the envelopes, Guthrie stuffed pages torn from New York's tabloids with muddy magenta circles slathered around stories of grisly murders.

The packets, sometimes two or three a week, frightened Mary Ruth by their intensity, the sexual proposals, and the suggestion of violence. She drove to Los Angeles to show them to her sister, who knew Guthrie best of all. You have no idea how horrible it was, her older sister Maxine said. She in turn called the police." Now, the police get involved because they think Woody might be a budding serial killer. And given the kind of stuff he's sending,

not an unreasonable thing to be afraid of. And given the fact that the feds are hounding him, I get why Woody is like, this is them going after me for my politics, but it really isn't. He's writing very upsetting things. Now, there's another part to this story, which does not make the things he's writing less fucked up

or upsetting, but he is losing his mind. Okay. He is losing his mind in a degree that is very soon to be clinically diagnosed, right? In episode one, I mentioned that Woody's mother went insane when he was quite young and was institutional diagnosed, right? In episode one, I mentioned that Woody's mother went insane when he was quite young and was institutionalized, right? This traumatized him. And at the time we didn't have an explanation

for what she was going for. They just said madness, right? We now know what she had because Woody has it and it's diagnosable by the time he gets it. And it's called Huntington's disease. Oh. Yeah, his mom and Woody gets it. And he is starting to suffer it's called Huntington's disease. Oh. Yeah. His mom and Woody gets it, and he is starting to suffer the effects of Huntington's by the

late 40s. This is a neurodegenerative disorder that Huntington's disease news describes as characterized by uncontrolled movements, loss of cognitive ability, and psychiatric problems. The middle stages of the illness are associated with psychosis. Some patients experience delusions, which they tend to be convinced are accurate. And it also comes with these like sort of obsessive delusions, right? Which might explain the whole him thinking that this was something that was reciprocated, right? So this isn't a heel turn. This is just a degeneration. This is just a-

This is a very tragic degeneration, right? You know, I don't know how, again, you want to parse it out morally, but like he is diagnosed, like he is losing his mind. He is going to spend most of the rest of his life in an institution. So this is not just a case of like a powerful man in music being a sex pest, right? Totally. This is a man who was not like this before, so far as we know, absolutely declining in becoming like increasingly delusional. And like famous man sex pestin' is fans.

Famous man sex pestin' is like, or everyone in your orbit, you just assume they wanna fuck you. Which I guess he's like doing to this, no yeah, the degeneration thing, that just makes sense, it's just. Yeah, he probably always had a crush on her and then this, like he becomes convinced

that there is something going on there that there's not. Right. But the fact that it was out of the blue to her means that he probably kept his fucking mouth shut about the fact that he had a crush on her. One would assume, right? So it's not great. He is ultimately charged in 1949

with sending obscene material through the mail. He avoids prison time, but is sentenced to therapy. And he and his therapist do not have a good relationship. His therapist does not like him, but he's not diagnosed with anything quite yet. So his therapist is just like, he's kind of an asshole, which I can't blame the therapist for because he's being an asshole.

If you don't know the mitigating factor of the family mental illness that destroyed his mother and is destroying him. Woody eventually refuses court mandated therapy and his lawyer manages to narrowly get him out of a six month sentence. His lawyer who is one of his shipmates, right? He and this guy are torpedoed together

and this lawyer is a very good friend who was like, I'm not gonna let my war buddy go to a fucking jail. Woody was mostly angry when his sentence gets like cut off. He's kind of pissed because he had been planning a Christmas Eve show for the inmates that he doesn't get to do now. So there's still that piece of him in there, right? By the mid 1950s, Woody was disabled

with Huntington's badly enough that his second wife Marjorie, who again he has separated from, had to take charge of his affairs. And it does say something that this person who he was not nice to at the end had enough affection for him still that she makes sure he's taken care of, right?

Which included, she registers a copyright for This Land Is Your Land for the first time, right? And for a number of his other songs. And she's doing that because like, we're gonna need some way of taking care of him, you know? And this makes sense, right? One of the fun side effects of this is that his family is going to wind up in a lawsuit

with Donald Trump about this land is your land because Trump kept trying to play it. It is now in the public domain, but it wasn't for a while. So that same year in 1956, he was involuntarily committed to Greystone Park, a New Jersey mental institution. Over the next five years,

he lost the ability to play music or even to type. But, and again, this really says something about the amount of love there was still for him. He is not cut off or alone. His family visits him regularly. They take him out and he stays with them for weekends and holidays. He's taken out and taken to shows and trips by his friends and by fellow artists. Bob Dylan, who at this point is not particularly famous, starts visiting Woody at the asylum in 1961. And Dylan starts working with other performers over the 60s. They play shows, they take Woody to some of these shows

where they're playing his music to this new generation of newly radicalized Americans. And Woody lives long enough to see his music honored. And it's like sold out shows by some of the, you know, like fucking Bob Dylan, some of the most beloved up and coming musicians of the sixties. So he does go out knowing that his music doesn't just live on, but is like influenced this new generation of people who are going to become incredibly famous and influential musicians in their own right. Which as far as being an artist goes is about as much as you can hope for.

Totally. Yeah. Especially for someone who's at the kind of beginning, not the very beginning of recorded music, but like close. Pretty close to it. Yeah. Yeah. He dies in October of 1967.

At that point, he is unable to communicate by any means besides pointing at cards that said yes or no. But he left behind, again, a pretty incredible legacy. Two novels, hundreds of articles, more than a thousand songs and poems, 500 illustrations, and a central role in the folk music revival that changed American music forever. We've listened to a lot of Woody Guthrie's music in these episodes, and while I do hope you all take the opportunity to listen to more, I want to leave you with a quote of his that I think is quite relevant for our times, which Ed Cray picked out to open his 2008 biography of the man.

About all a human being is, anyway, is just a hoping machine. And I like that. I also like this quote from Bob Dylan, who was asked in 1963 to sum up his feelings on Woody Guthrie in 25 words for a book on the man. As History.com notes, Dylan quote, responded instead with a 194 line poem called Thoughts on Woody Guthrie, which took as its theme the eternal human search for hope. And where do you look for this hope you're seeking, Dylan asks in the poem before proceeding to a kind of answer. You can either go to the church of your choice or you can go to Brooklyn State Hospital. You'll find God in the church of your choice. You'll find Woody Guthrie in Brooklyn State Hospital.

Cool. Yeah. Anyway, that's Woody Guthrie. That's it. that was awesome. I knew so little about him. I know about some of his music and it's been super influential, but that's awesome. Yeah. It was one of those, like again, it's the messy story, but yeah. Honestly, it was better, I would have guessed. Yeah, great pick for the non-bastard holiday episode.

A relevant kind of guy to know about for the kind of times we're heading into. Yeah. And speaking of somebody people should know about, I adopted a second dog. Hello. Yes, you did. This is Anderson's sister, Truman. She's learning how to be a dog, but she's a good girl.

She's already a good podcast dog, which is a hard level for a dog to reach. Yeah, especially a herding dog. Yeah. Yeah. You're a good girl. Yeah. Yeah. I guess just to say happy holidays, everyone. Happy holidays. Happy holidays.

And I don't know Listen to some Woody Guthrie. Yeah We'll be back in the new year or the first week of the year. We'll have a couple Q&A episodes We'll have some cues. We'll answer some A's It'll be a good time any final thoughts magpie anything you want to plug. Oh well if you want Christmas every week I have a podcast called Cool People Did Cool Stuff where I talk about cool people did cool stuff. And then either this week or next week, depending on when everything gets released, I also will

be covering the history of the song Bella Ciao because I got excited by this recording last week of part one and I thought I'm going to do a song too. It will be the week after you'll be releasing that. So next Monday you all can hear me talk about the history of Bella Ciao. Awesome. Alright. Merry Christmas and or whatever you want to have happy happy. That'll do it for year 2024.

2024 yeah more or less, more or less. More or less, all right. Yeah. Be well, bye-bye. Behind the Bastards is a production of Cool Zone Media. For more from Cool Zone Media, visit our website, coolzonemedia.com, or check us out on the iHeartRadio app, Apple Podcasts,

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Hey, everyone. I'm Madison Packer, a pro hockey veteran going on my tenth season in New York. And I'm Anya Packer, a former pro hockey player and now a full Madison Packer stan. Anya and I met through hockey, and now we're married and mom to two awesome toddlers, ages two and four. And we're excited about our new podcast, Moms Who Puck, which talks about everything from pro hockey to professional women's athletes to raising children and all the messiness in between.

So listen to Moms Who Puck on the iHeartRadio app, Apple podcasts, or wherever you get your podcasts. Hi, I'm Dani Shapiro, host of the hit podcast, Family Secrets. How would you feel if when you met your biological father for the first time, he didn't even say hello? And what if your past itself was a secret and the time had suddenly come to share that past with your child? These are just a few of the powerful and the time had suddenly come to share that past with your child.

These are just a few of the powerful and profound questions we'll be asking on our eleventh season of Family Secrets. Listen to Season 11 of Family Secrets on the iHeartRadio app, Apple podcasts, or wherever you get your podcasts.