BibleProject - The Surprise of the City – The City E1
Episode Date: April 24, 2023The theme of the city in the Bible is a surprising one. When cities are introduced in the story, they’re depicted as “bad”—a human response to increasing violence and the need for self-protect...ion—and gardens are depicted as humanity’s ideal setting. However, in the book of Revelation, the new creation Jesus brings is a city. What’s going on here? Join Tim and Jon as they start exploring the biblical theme of the city.View more resources on our website →Timestamps Part one (00:00-20:11)Part two (20:11-32:09)Part three (32:09-50:30)Part four (50:30-1:06:53)Referenced ResourcesNew International Dictionary of Old Testament Theology and Exegesis, Willem A. VanGemerenThe Garden City, John Mark ComerInterested in more? Check out Tim’s library here.You can experience our entire library of resources in the BibleProject app, available for Android and iOS.Show Music “Defender (Instrumental)” by TENTS“Kokon” by Plusma & Guillaume Muschalle“Long Lost Friend” by Sam Stewart“Just a Thought” by Tyler BaileyShow produced by Cooper Peltz with Associate Producer Lindsey Ponder, Lead Editor Dan Gummel, and Editors Tyler Bailey and Frank Garza. Mixed by Tyler Bailey. Podcast annotations for the BibleProject app by Hannah Woo.Powered and distributed by Simplecast.
Transcript
Discussion (0)
Hey, this is Cooper at Bible Project.
I produce the podcast in Classroom.
We've been exploring a theme called the City,
and it's a pretty big theme.
So we decided to do two separate Q and R episodes about it.
We're currently taking questions for the second Q and R
and we'd love to hear from you.
Just record your question by July 21st
and send it to us at infoatbiboproject.com.
Let us know your name and where you're from,
try to keep your question to about 20 seconds
and please transcribe your question when you email it in, try to keep your question to about 20 seconds,
and please transcribe your question when you email it.
That's a huge help to our team.
We're excited to hear from you.
Here's the episode.
We're starting a new theme study today.
It's the theme of the city.
Cities are where most humans in the world work and play.
We raise our families, we build businesses.
The Bible cares a lot about the city.
Because cities are where loads and loads of human images
God are centralized.
If you've been following this project, you know we've done a lot of
themes about a lot of ideas in the Bible.
But it's not often we do a theme study on a setting,
but this setting, the city, is critical.
They become little microcosms in the technical sense
of that word, little mini-universes.
What's on display in the city is usually
a arometer for what's happening in creation at large.
Now, the ideal setting in the Bible on the first page is not a city, it's a garden.
And when cities get introduced, they're entirely negative.
And they remain mostly negative throughout the biblical story.
But the story of the Bible has a surprise in store for us as it relates to the city.
By the time you reach the last page,
the fact that God's heavenly realm, that's going
to merge with Earth to be the new creation, is depicted as a city, I think is surprising.
This is surprising because the city is introduced in the Bible as a tragic result of human violence,
and it's in cities that violence grows and humanity becomes monstrous.
But it isn't done away with in the ideal.
It's incorporated into the restoration and redeemed.
Today, Tim McE and I start exploring the theme of the city.
I'm John Collins and you're listening to Bible Project Podcast.
Thanks for joining us. Here we go.
Hey, Tim. Hey, John. Hello. Hello. It's good day. It's a great day because of what we're doing right now in this moment. I love these moments. I do too. Yeah. I love doing this.
That's one of my favorite parts of the job. It is exhausting for me mentally, mentally. yeah, that's gonna say we just say.
We just say here.
But yeah, I find that after one or two, these, I'm just like,
woo, I'm tired.
Totally.
Well, do you feel that way?
I usually feel really energized and happy.
How many could you do?
You're my friend.
I have this job.
Maybe I could go.
We usually, for those of you who listen to the podcast regularly, we usually record two at
a time.
That might be news for a minute.
And we try to block those together in the groups of days.
So record maybe four to six.
Sometimes we block it together.
And that's why it seems like I'm really good at remembering these many episodes now.
But then other times like like, really not good.
Yeah.
Because it'll be like maybe three weeks before.
Since the last conversation we had.
It'll be very, very, very painful.
Yeah.
Well, no, it happens to me, too.
That's one thing.
We've also tried to do three in a row in one day.
We have.
And that did not work.
OK.
Usually you're really quiet by the third one.
And I feel tired. So I guess so,
I guess I do get tired. Anyhow, part of why I'm energized is because we are starting in a new
series, a new series of conversations about a new theme video and we have yet to even think about
the script. Like we're starting script development by having these conversations.
Which is how we've traditionally have done it.
Yep, that's right.
Until more recently.
That's right.
We're things got ahead of us and we're like,
we got to write a script before we have all these conversations.
That's right.
So yeah, I'm excited.
I'm coming in fresh.
This is a new theme.
I think we'll get us into some new territory.
And tell me about what this theme is.
Yeah, this is going to be a theme, video,
and discussion about the city in the Bible, the city.
The theme is a place.
The theme is about a kind of place.
Yeah, that's right.
Okay.
So let's see, we've made theme videos about
like the tree of life, the water of life,
but those are about things.
Those are about things. Things that happen, but the temple. The temple is a place.
It was a place. Yeah. And actually, there'll be an important relationship as we go on
between temples and cities. And we did a theme on heaven and earth, which are two mega
places. Yeah. Totally. Yeah. So the city in the Bible, what makes it qualified as a theme, you may ask John.
Yeah, what is the highest as qualified as a theme?
So usually what we're shooting for is an idea in this case, the place that appears in
the earliest chapters of Genesis as some really foundational part of the beginning of
this biblical story. And then just appears strategically
and repeatedly throughout the biblical story that somehow reaches a climactic moment in the story
of Jesus and then reappears or comes to like complete fulfillment in the final pages of the Bible. And the city checks all those marks, the city.
The city.
Yeah.
So first of all, let's just notice that probably,
if most people think of the most well-known Bible stories
they know a whole bunch of them take place
in a very small number of cities,
we're in relationship to a small number of cities.
Okay. We got Jerusalem. That's an important city. Totally. Yeah. Both pretty much.
Well, once for Abraham, so it's called Salem, and then once the story of David kicks in,
it's just Jerusalem's almost the central focus in most biblical books through the rest of the
Hebrew Bible. For Jesus, his story comes to its climax in Jerusalem.
But starts in another city.
Yeah, that's what he am.
Yes, exactly right. Yeah, small city.
Is that a city?
Well, as we're going to see, these terms are relative from language to language, but sorry, I'm going to add Bethlehem here to my little list.
Oh, okay.
Yeah, thanks, John.
Just helping you fill out your notes. Ha, ha, ha, of Egypt comes into play in the Exodus scroll,
Israelites are building cities, but it doesn't ever say where. What city the whole drama is
happening in it just says in the land of Egypt, which is interesting. Wait, see that again?
The events of the events of Moses and the Ten Plagues and all the times that Moses goes into the palace. That was G Ocean.
Ah, so the Israelites live in a region or a land called G Ocean.
Okay.
But the actual showdown with Pharaoh and all those narratives are just, they're not specific about Egypt.
Not like Egypt.
A city, it's just in the land of Egypt.
The land of Egypt, because that's an area.
It's big area, and then when Moses goes to Pharaoh, it just says, and Moses went to Pharaoh.
So it doesn't say like whether it was in a city
or what it was.
So it's just interesting that Egypt is a region.
Because Babylon and Nineveh are very specific cities.
Yep, they were empires and regions.
But Egypt is a region.
But each had a city as a capital
and Egypt doesn't have a central city that's in their name.
That's our name, focus.
Yeah, interesting.
Other cities, you know, that featured prominently
in the biblical imagination, Sodom and Gomorrah,
as cities that were particularly corrupt
and were, you know, destroyed in this really catastrophic way.
In the new, oh yeah, well actually the story of Esther is the only story that takes place
in its city, but Esther is pretty popular.
Biblical story, takes place in Susa, the capital to Persian Empire.
In the New Testament you have Jerusalem, but then you also have when the Jesus movement
gets centralized up in Antioch, the big deal in the book of Acts. And then it goes to Rome by the end of the book of Acts.
So from Jerusalem to Antioch to Rome, this is the progression of three cities.
The biblical story concludes by describing the new creation as a city, the new Jerusalem.
A city coming down from the skies.
The holy city coming down from the sky. The holy city coming down from the sky.
But the whole world is not a city at that point.
New creation is an A city. Well, new creation is about God's heavenly realm
descending to become one with earth. That's the scene. But the thing that is descending,
that is God's new creation to come merge, Or God's heavenly realm coming to merge with Earth to result in the new creation.
Thank you for clarification.
And the thing that comes down is the holy city that's also called a bride coming to get married.
Which is important.
That's a super important connection between the city and the bride.
But we'll get there.
So, anyhow, the whole thing is that cities are a main venue for the significant events
of the Bible, not the only.
Actually, there's an important binary because actually the most formative events in the
life of the main characters of the Bible, I'll take place, many of them take place outside
of cities and purposefully so. Yeah, so we're going to, I'm anticipating to explore a bit
of a rivalry between the city folk and the country folk. Yeah, though I think it's a
little bit different. Oh, man, well, I got, we're going to find out. Yeah, we're going
to find out. Yeah, city versus country. And what we by that. Yeah, the opposition will certainly mean different things
to different people depending on your social location.
Right, right.
Yeah.
And that's actually a good place to begin, real quick.
So before we dive into the story,
let's just orient ourselves to the meaning of the word city,
first in the Hebrew Bible, and then kind of paint a picture
for what is it that qualifies as a city in the Hebrew Bible, and then kind of paint a picture for what is it that
qualifies as a city in the Bible, because it is different than for sure you and me growing
up in 21st century West Coast America, and that will kind of help orient us, but maybe
just, you know, this is, I guess, a fairly short introduction. It's only taken us a few
minutes before we get in the Hebrew, but what we're really talking about is cities are where like loads and loads of human images
of God are centralized. And since humans has images of God and how they build a life together
for good or for ill or both, I mean, that's really the center of the
biblical trauma, the kind of world that humans build in cities are where all of that building
effort gets focused and centralized. And so they become little microcosms in the technical
sense of that word, microcosmos. And a little mini-universes. What's on display in the city
is usually a barometer for what's happening in creation at large. Maybe about 15 years ago,
I heard this lecture by Timothy Keller on a defense for raising your kids in the city.
Oh, yes. Yeah. Tim Keller is a pastor in New York City. In New York City, yeah, in Manhattan.
Yeah.
And he wrote a lot about both thinking about the city
from a biblical and a Christian perspective,
but also practical in terms of the mission
of Jesus' followers in the world,
just maybe kind of where you're going.
Well, and specifically, he was trying to convince people
that it's okay to raise your kids in the city.
It's scary for some parents to think about And specifically, he was trying to convince people that it's okay to raise your kids in the city.
It's scary for some parents to think about how corrupting city life can be because there's
so many potential evils around every corner, I suppose.
So he's got this, it was a whole hour long lecture, and he talked about how, well, the
one thing that stuck with me was, he talked about the survey that was taken
at like a youth conference where they asked all the kids
this whole list of questions about
why they have or have not adopted their parents' faith.
And the common denominator was not,
well, it's not any of the things you might expect.
The common denominator was if kids felt like
their parents understood the real world and understood their world. So his whole thing with that
was like, hey, the real world is happening in the city. Like it or not. Like it or not. That's
where culture is being shaped. And that's where things are happening. And when your kids are in their adolescence,
you actually want them to be around that,
and you want them to have a vision of,
especially if they're around that,
plus around Christians who are in that,
a vision of like, I can live a real life
being the craftsman or the whatever,
with my vocation is,
in the city as a follower of Jesus.
Yeah, yeah.
Like seeing that at work,
it's like that's super powerful.
And then to be have all this access to culture,
like is super important.
And so he's like bringing your kids,
especially in what we call the back half,
the back nine of raising your kids,
like bringing them to the city.
Man, so interesting is that I remember hearing
that talk too.
I think, before I even had like a cell phone
or a smartphone, I had an MP3 player.
Okay.
Which means I would find things on the internet
down those amounts of this little tiny thing.
Yeah.
Did you ever burn DVDs?
Oh yeah.
Oh, of course.
Yeah, of course. Just load them with sermons and stuff
So I think even though I was living in Wisconsin at the time going to grad school
We were still in you know contact with each other during those years, but we didn't see each other very often
Uh-huh
And what's funny is that teaching made its way to both of us
Because I remember hearing that too. I remember what I was doing because we had just bought a dumpy little house, a fix-repper, and I was spent months like remodeling it myself with Jessica and my friends.
We'll never do that again. But I was literally, I was had an industrial floor sander. Sanding all these old hardwood floors and then was going to
refinish them myself. And I listened to that. Yeah. Well, I had this huge industrial
sander. Well, anyway, I really had really good headphones. Yeah, so I've
big, yeah, I put big ones on like fat ones. But what is significant is that we
didn't have kids yet this is before we had our first son. And I remember being
really inspired by that.
He painted a picture to say that city life has both strengths and weaknesses. He used the image
from the book of Jonah that I thought was very clever, which was at the end of the book of Jonah,
God says, shouldn't I care about the city that has 120,000 people who don't know the right hand
from their left and a lot of cows.
And the cows don't have a lot of cows.
And he just said, one way, put it,
was just cities have the highest density
of images of God.
So I've heard you use that phrase a hundred times.
They would be, I think I just use it a few minutes ago too.
Because it's true.
And God cares about his images.
And so God's gonna have a special kind of focus
or attention paid to these high-density
image-bearing areas.
But then also about that the complexity of life in a city forces parents who really want
to follow Jesus and help their kids see what it will really look like to follow Jesus,
that it forces you to have conversations earlier that you might be able to put off a few
years if you were living outside the city. And so because they're just going to put off all together.
Or put off altogether, yeah. But you're going to be forced to move towards the hard ethical,
moral issues, economic, political issues, all the religious, all of it, because they're just exposed to it
as you walk around your neighborhood.
So I had tried to remind myself of that
because we live near a pretty dense kind of hub
in Portland and so just walking to the grocery store
with my sons, you know, you see all kinds of crazy stuff.
That sparks great conversations and some of them are hard.
And some of them I'm like, oh, I thought I had a year
before we were gonna have to talk about that.
And so as we're talking right now, I'm being reminded
that this is why we chose to live where we live.
So yeah, cities are complex things in life, in reality,
and they play that same role in the story of the Bible.
It's actually really interesting. So this particular theme has a tweak to it that I don't know if we've ever quite done
a thing like this in a conversation or a theme video.
And essentially, here's the big picture.
The ideal for human existence in pages one and two of the Bible is a garden, the opposite
of a city. Yeah. Well, I mean, there was only a couple people.
Like, eventually, like, if they're gonna
living Eden for a while, like.
Oh, sure, sure, sure.
Okay, so in terms of the people
and from their perspective, Adam and Eve,
but in terms of from the author's perspective,
who's living way later, who knows about cities and countries,
like the fact that the garden
ideal is still revered as the ideal, and not the city, and that that's somehow an image
of God's ideal with his people, at least at the beginning, that's there.
And when cities get introduced, they're entirely negative.
And they remain mostly negative throughout the biblical story. So that by the time
you reach the last page, the fact that God's heavenly realm that's going to merge with earth
to be the new creation is depicted as a city, I think is surprising. It ought to surprise us.
So it has a different kind of arc than most themes, which usually begin with the water of life,
where the tree of life, and it's like there's the beautiful thing right there.
Then we get back to it.
Yeah, and then it gets ruined, or it gets lost in some way.
Right.
And then Jesus somehow flips it or redeems it, heals it, and then that's new creation.
This theme is not like that. It's different.
At least that's clear in my mind. Does that make sense? It does. Yeah. So the ideal is different. It's a garden. Cities are
introduced as something not good. And then somehow they go through some transformation because it's
the ideal in the end. I just think it's fascinating. It is fascinating. But it is also a heavenly city.
Mm-hmm.
The city comes from the skies and it's a very merged with garden imagery, the city.
Yeah. Oh, it's a city that is also the Garden of Eden. So we'll get there.
Okay. But my point is just the theme works a little differently than the themes I normally cover.
Okay. So let's shift. Let's first learn about the Hebrew word for city
and kind of the, we're trying to stock our mental
encyclopedia with all the meaning and associations
that cities would have for the biblical authors.
That's something you gotta do every time you tackle
a new idea in the Bible.
And then when we have that filled out,
I think we'll turn to just what I would call the puzzle of the city in the Bible. And then when we have that filled out, I think we'll turn to just what
I would call the puzzle of the city in the Bible, this is a new Hebrew word, John, we've never talked about
it for.
And you're, you are retaining Hebrew vocabulary as we go on in this project.
It's really fun to see you learning Hebrew words.
Yeah, well, it's been years.
I should, I should know way more.
I, and the amount of times I've gone and like, I'm going to learn the alphabet and then
haven't done it.
I mean, I could be way more ahead than I am.
But thank you.
You're welcome.
I've got my 20 Hebrew words on lock.
The word city in the Bible is the word eater.
It sounds like the English word for, you know, this thing on the side of our heads.
The way, you know, great grandpa Moses would have said it is, you know how it's spelled
with three letters, Ion, Yodresh, eer.
And Ion is one of two letters in Hebrew that begin in kind of modern pronunciation, kind
of, as silent letters.
In other words, that ion isn't, it's a consonant in Hebrew, but here's how you say that
this letter.
You close your throat and you push out the first vowel and that closing of the throat
is the letter.
Is the letter.
Yeah.
So think of how we...
I heard you do it just now.
Think of how we say the word orange in English?
Okay, orange.
Orange, pay attention to your throat muscles.
Oh, I can't close it.
In the first orange, yeah.
Orange.
So you pinch your throat, and then it closes
for you to push out the orange.
So that, that closing of the throat,
and the pushing out is the letter.
It's the letter.
Ion.
So if you hear people who grew up speaking Hebrew, not even modern Hebrew, you can hear a little,
like a little click in the back of your throat.
Ion, Ion.
I heard it when you, in, this is super nerdy like Semitic phenology, right? But remember that Hebrew has a cousin language,
Aramaic, and they're very close,
kind of like French and Spanish.
And often words in Hebrew that begin with Ion
are paralleled in Aramaic with the letter Cof,
which is a Cof.
So it's just like a harder closing of the throat.
It's just a harder closing of the throat, exactly.
So in aeromacates, cof, cof.
So I'm almost like you're doing a G, but in your throat.
Exactly.
So in transliteration,
I'm choking myself.
Yeah.
In technical transliteration font,
the letter Ion is represented by a G with a dot under it.
Oh, the G, okay.
Ion, so ear, ear. Ah, iron. So ear.
Oh, yeah.
Oh, my goodness.
All right.
That's why that apostrophe used right before the iron.
Exactly.
So, yeah, in non-technical transliteration, you signify this letter, iron, with an apostrophe.
Anyway.
Okay.
Cool.
There you go.
Little lessons in Semitic Phenology.
We're going to get there.
We're going to learn Hebrew.
I'm going gonna do it.
One letter at a time.
Okay, so the word ear occurs 1,092 times in the Hebrew Bible.
Okay.
That's a lot.
That's a big word.
Yeah, yeah, it's a lot.
It's definitely one of the ones you, if you learn the top like 100 or 200 words, this
is one of them.
Okay. Okay.
So I'm reading from the entry in the new international dictionary of Old Testament theology
in exe jesus.
It's like, it's not just a dictionary of Old Testament Hebrew words.
It's a long commentary entry on hundreds and hundreds of Hebrew words.
It's everything you would ever want to know and probably more than you want to know.
Anyhow, this word has a parallel and other Semitic languages, Phoenician and Ugueritic.
In Arabic, old South Arabic, the parallel for this word, ear, means castle.
And that's going to be important, you see, whereas in other Semitic languages it just means city or town.
So reading from the entry in the ancient Ereast, the Eir was almost always fortified.
That is, had walls.
Had walls.
Yep.
And had its own ruler.
One person in charge.
Who was often called King, for example, Melchizedek, King of Salem.
Sodom had Hathakeng, and Abraham Meets those kings in Genesis chapter 14. In fact, Abraham meets a couple kings, they're
called kings. But then they're mentioned the king of, and it names the city.
Yeah. So I always imagine the king would have a pretty big kingdom, but when I think of
just a fortified city, the way we're describing it, doesn't sound like a big place.
Exactly, yeah, nothing like the size of
and scope of way we think of cities
because they had walls around them,
it was a walled enclosure.
Yeah. And also...
Like a Jericho kind of.
In the origin, you know, during the time of Abraham,
Isaac and Jacob and city states
were like the most common form of political organization.
So not necessarily tribes, but organized around little urban hubs that were surrounded by a wall,
and each of those was a little kingdom.
And then we have a network of unwalled towns around them.
And would the king of the city also rule the little like towns around them that weren't fortified.
Yeah. In fact, in Hebrew, those little towns are called daughters.
Yeah. The daughters. They're not called cities or
called daughters. They're called the daughters. Well, they can be called...
Well, yeah, they're not called Eir because the Eir is the central thing as a wall around it.
And then the networks are called daughters. Then there's the next step of like, then you have like a Nebuchadnezzar or something,
and he's not like the king of an ear. He's like the king of like an empire.
Yeah, of many Aurem, as I say, in plural. Yeah, many, many cities.
Okay. Yeah, so you, it's basically just what Babylon is in Assyria is one mega-year and all of the other
Audrian merciless cities are like what the little daughter villages were on a smaller scale.
Yeah, okay. Yeah. So the central city would be the hub primarily for
what would be the temple and the shrine is and then primarily where, you know, like
the army is, and where all the money and commerce flows in and out of, but the actual production
of goods is all happening out in the towns.
And so the ear is the center of protection, help, deliverance, all comes out of the city,
out to rescue the daughter towns.
That's how it was all over. All comes out of the city out to rescue the the daughter towns.
That's how it was all over.
Ancient Near East. And Eda refers to that walled and closed fortified city at the center of a network of towns.
How big would they be typically?
Yeah, you know, thousands of people.
Yeah, hundreds to thousands.
And maybe above 10,000, I shouldn't maybe look this up,
but it would really vary.
But you're not talking tens and tens of thousands.
What's the detail with the story of Jericho,
they walk around the city how quickly?
Oh yeah, they can walk around it in a day.
In a day.
Nine of a.
Oh yeah, he walks through it.
Three days.
The narrator says it was a three days walk.
Yeah, three days walk through it.
So that's a pretty, and the point is, that's huge.
That's a big city.
Huge, 120,000 is.
You can walk like 20, 30 miles.
Yeah, though, if you're at cities and it's winding
and up in elevation, then maybe less so,
but the point is, and whether that means going around
the perimeter of the city.
Or like getting through all the neighborhoods of the city.
Yeah, so there's some ambiguity about what it means a three-day walk to go through the city, but in Jonah.
So there, a Syria, which was like the capital city of the biggest world empire at the time, is 120,000.
And that's obviously that's a round number. Even that at the end of Jonah. So most cities, yeah, we're talking about thousands of people.
And then, you know, the network of maybe a few thousand more in the daughter villages around it.
So the point is that what constitutes something as a city in the ancient Near East and in
Biblical Hebrew is not the size of the population. It's about whether there's a wall around it.
of the population. It's about whether there's a wall around it.
Yeah.
And whether it's kind of the source of economic,
cultural, and religious life of the hub
for the towns around it.
So the difference between town and city
is about the wall and about the hub like nature.
Isn't that interesting?
Because that's different.
That's different.
Well, because we don't want wallar cities,
isn't it amazing how many more people around today than back then? It's different. That's different. Well, because we don't wall our cities. Is it an amazing how many more people around today?
Then back then.
It's true.
Like 120,000 that's the big city.
Yeah, yeah, yeah.
It's like that's the suburb I grew up in.
Yeah, not interesting.
There are billions of humans on the planet now, and there were not then.
No.
Like not even close to that.
Not even close.
Yeah, it's pretty wild to imagine.
So what are the biggest cities right now
on the planet?
Oh, man.
Mexico City, Tokyo, let's see.
They're not the ones you would totally expect.
Beijing is 22 million.
Beijing, 22 Shanghai, 25.
Shanghai is 25.
Wow.
Wow, Mexico City is 9.2.
Yeah, it's up there
Tokyo 14
New York City 8 this is not a descending order go to that Wikipedia dude. Sao Paulo. Yeah, yeah, I'm sorry
I knew where's that at I mean Paulo Brazil. It's Brazil. Yeah. Oh, yeah, yeah, one two million human beings
That is remarkable Istanbul. Yeah, that's 16 million
Cairo Cairo's 10 million
Yeah, whoa Chongqing 32 million less than China
Whoa, where in China is that the sprawling municipality at the confluence of the Yangtze in Gailing oh right by those rivers
of the Yangtze in Giling. Oh, right by those rivers.
South-West China.
Southwest China.
Southwest China.
Southwest China.
Oh, wow.
Wow.
It's the largest city by population using the city proper definition, which is the area
under administrative boundaries of the local government.
If that's the criteria.
Meaning it's pretty sprawled.
Yeah, but what it says is current population
in the urban core is 15 million.
Oh, okay.
So I guess it depends on your definition.
Yeah, yeah, yeah.
But that's kind of what we're after here is the definition.
Wow, man, these are, we're all as big cities, man.
There was nothing like this in the time the Bible was written.
No.
In terms of scale.
I mean, not even close.
That's just, that's important to let that sink in.
Not even in the ballpark. Which doesn't mean that this theme has nothing to say to people who do
live in these modern cities. I really think it does, but that we are living in a different
type of moment in the human story. But human nature being what it is, it's likely that the dynamics that a city of
10 or 20 million faces right now is just a really scaled up version of what's always been
happening in human cities. Yeah. Yeah. Okay. So that's city in the Bible. Yeah. What it
means, what it doesn't mean. Let's move now to what you could just call the puzzle of the
city in the Bible Some of the most beautiful expressions of hope and faith in God in the Bible center around
images of a divine city, particularly a divine city of God that provides and just notice
thinking about the definition of what city is in the Bible. The primary emphasis is about security, refuge, and a place of order
and life. In the midst of a world that's like crazy out there. So these are just two kind of at
random, but there are ones that pop to my imagination as some of my favorite expressions of this
in the Bible. Psalm 46, which is actually kind of familiar Psalm. It gets featured in a lot of
contemporary worship songs. God is our refuge and our strength, a very present help in times of
trouble. Therefore, we won't be afraid, even though the land should shift and the mountains
fall into the heart of the sea.
It's like degeneration.
Exactly, right?
Yeah.
Even though the waters roar and foam in the mountains quake at the swelling pride of the
waters.
So, yeah, I mean, you can even see it right here.
This is like Genesis 1 imagery of the dry land and the chaos waters.
Yeah.
But in reverse, what is one?
Exactly.
God takes the waters away.
The land now becomes a stable place for humanity to live, or all of the creatures in life.
Yeah, right.
And here, the land is now slipping, cracking apart and being submerged under the chaos waters.
Even the highest parts on the land, the mountains go down.
In other words, it's cosmic decreation, so flood-like proportions through the whole snow globe,
the three-tiered cosmos, which the biblical authors take for granted, the waters above
in the sky, the land here, and then the waters below the land. But notice how it
began around the land. Yeah, and around the land, correct. Yeah. So notice that the poem
didn't begin with that though, the poem begins saying, God is the refuge and strength.
Not the land. Even if the land itself, the cause, mosses, we know it, collapse is in on itself. There is still a solid refuge
that transcends the land. And that is God, because God's the author of all of it. And so God is
a place of refuge. Okay, that's for his one, down to verse four, continuing, there is a river whose streams make glad the city of Elohim,
God.
The holy dwelling place of the Most High, God is in the middle of her, and she, the city,
which is now woman,, will not be moved. God will help her when the sun rises at the morning.
The nations are making an uproar. The kingdoms taught her and fall. He raises Elohim, Yahweh of armies, the Lord of hosts. Yahweh of armies is with us.
The Elohim of Jacob is our stronghold. There's actually one more stanza to the poem below it,
but this is enough to restimetitate on here. There is this river whose streams make glad the city of Elohim.
There's a river.
Yeah.
And the river has streams, meaning currents like its movement.
Streams, maybe it breaks into streams.
Breaks into streams, okay.
There's a river, branches out.
I mean, this is connected to, I imagine, the river of life, the river that flows from
Eden, that breaks into four rivers that water the whole world.
Totally. For sure, that's what's on the brain here.
So there's the river. Yeah.
There's this is the river.
The heavenly river.
The heavenly river. The Eden River.
Yeah, the Eden River, yeah.
That's bringing life to all of creation.
Yeah.
And it branches out out so it streams.
It streams make glad the city of God.
Yeah, they bring joy.
Okay.
To, and what you expect is the garden.
Joy to the people who experience water.
Oh, that's right.
Yeah, the inhabitants of, said whatever place the water's going to go,
it brings them joy because it sustains their life.
Yeah, totally.
That's right.
So it's making glad the city.
A city of God.
God's city.
You're like, wait, I thought it's God's garden.
That's God's city.
Oh, interesting.
The city.
Because the river of life
flowed out of a garden into all the world,
there's no cities.
Well, or it flows, yeah, it flows out and waters the garden and then, yeah, flows out and waters
other lands and other places. But the point is that on page one and two of the Bible, the river
that God provides grows a garden and the garden is the refuge in the place. So now it's a city
of God. And those what the city is called, the holy dwelling places of the one way up high,
the most high, the heavens of the heavens.
So this is a heavenly city.
Yeah.
Because it's God's dwelling place
in the highest of the highest.
Yeah, you don't picture the, I don't know,
the Jericho type city where it's like,
it's out there, there's a wall around it. This is where the rivers are going, but like up on the
mountain, the garden place, the like temple place. This is what we're supposed to be picturing here.
Yeah, yeah, that's right. But it's described as a city. But the curiosity is, it's all of the imagery that fits the Garden of Eden of centralized
river, a holy dwelling place.
Next line, God is in the middle of her.
You know, I got like the Tree of Life in the middle of the garden.
But it's called very clearly not the garden, but the city.
Yeah.
And also this was how they thought of Jerusalem though, right?
High in a mountain.
God was in the middle of it.
Yeah, totally, but Jerusalem is also on the land.
Yeah?
Jerusalem's on a high mountain
that would slip into the heart of the sea.
So we're not talking about in earthly city.
Okay.
Because that would fall in one of those crevasses
that opened up when the land melts, you know what I'm saying?
Because the whole thing is that here down on the land,
you don't think they're saying like,
all the other cities will slip into the sea,
but our city won't.
No, the mountains slip into the heart of the sea
and everything got with them.
Cosmic decretion, all right?
You put your finger on this about cosmic collapse.
Okay.
Even if there's cosmic collapse,
there is still one place that's safe.
So we're talking about some kind of meta physical at this point.
Yeah, and actually notice how the poem began,
God is our refuge, a very present help and trouble.
What kind of trouble the poem goes on,
like cosmic collapse?
Like the alternate trouble.
Yeah, but so how is it that God can be our refuge if the whole all reality collapses will because there's a
River oh the river. I mean, what does that mean whose streams make bring joy to God's city that is up on the height of the heights of the heights
The heights of the heights where you get it?
It's the dwelling place of the most high one. The word most high isn't just rhetorical flourish.
It means the one who dwells in the heavens of the heavens
of the heavens, the most high.
As high up as you can think.
Okay.
That's where the most high one is.
So this is the city of the sky.
It's the heavenly city.
It's God's city.
And God is in the midst of her.
So the city is her.
Yeah, so the God's in the midst of her, and she, that's it.
She's not gonna slip into the sea.
Can't slip into the sea, yeah.
She will not be moved.
No, God will help, will bring help.
And the word help appears two times here,
and we're gonna not see in this conversation,
but the next one, that's so important, the word help.
Is this the same word from the garden? You'll see.
You'll see.
This is a gold mine right here.
With a zzer or a zzer?
Azer.
Is it a zzer?
Yeah.
Thanks.
And so notice, look here, God will help her when the sun rises, when the light comes, when
the light enters into the dark chaos.
Hmm.
The new creation.
That's God's help.
God will help.
Yeah.
And then look.
Help her, the city.
So the city, why does the city need help?
Oh, let's see.
Well, I guess.
This is the city of, this is the heavenly city.
Yeah.
Probably is doing okay.
Yeah, well, I guess.
Okay, all right.
So here I might go back,
because I said the heavenly you know, the heavenly city
and start talking about a sky city.
But I think maybe the more the emphasis is like Eden,
which is a place where the land and the sky
are the same place.
And isn't that kind of how they thought about Jerusalem?
Well, we're gonna have that debate
as we go on in this conversation.
All right.
Yeah, whether there is real life, it's thought of Jerusalem as that place, whether they
thought of it as potentially being that place or providing symbolic imagery to describe.
So yeah, we'll have that out.
So, but you're right.
This is taking for granted that there is some city, so I'm going to revise what I said
earlier in light of where you're pushing me.
This is why I love going to revise what I said earlier in light of where you're pushing me. That's why I love talking to you.
So the concept of Eden and the way the afterlife of Eden, cosmic mountain imagery and the rest of the Bible is that there
a place where God is firmly in the middle is a place that can be heaven and earth at once. And so, if there is a city that is heaven and earth at the same time,
then that heaven on earth city is not, what do you say,
is not in danger even if the cosmos collapses.
I guess that's the point here.
And that's why the Eden imagery is key,
and also the heavenly high up.
And the reason why I'm asking too is you get to the last line.
Exactly, yes.
And you get this, the Lord of Hosts is with us.
You get the sense of like, okay, we're in our city.
All these nations want to come and take us out.
Yeah, actually, let me pause there.
So in verse three of the poem,
the waters are roaring and foaming,
surrounding the mountains as
they quake and collapse.
And then in verse six, the nations are roaring, and the kingdoms are tottering.
So now the chaos waters have become imperial armies, invading armies, surrounding the
mountain city, trying to invade it, and they totauter and the land melts when Yahweh addresses them
but the city is not harmed. City remains safe. And how can you read that as an
Israelite not think like that's us that's Jerusalem. Yeah I'm with you. Look, I mean the imagery is
going there. The question is does the imagery stay fixated on it? The actual city is not beyond something bigger or ideal.
Yeah, like a heavenly Jerusalem.
A heavenly Jerusalem.
Yeah, to use the language of the last chapter,
chapters of the Christian Bible.
So notice also the, what do you say?
The interchangeability of God and the city.
So it begins, God is our refuge,
but then God's in the middle of the city.
So now the city can be your refuge, right?
Because if you're in the city, you're protected.
So there's the emphasis on both God is the refuge
and then the city where God dwells is there protected.
In the last line of this, stand up, the God of Jacob is the stronghold.
Back to God being.
Back to God.
But God's depicted as a city.
So God is like the city.
The city is God.
Where do you get that the city is God?
So God is our refuge and our strength.
So there is a river whose streams make glad the city of God.
God's in the middle of her. She won't be moved.
God is our stronghold.
So if you're in the middle of the city with God,
the city won't be moved.
And who or what is the city?
Well, it's a city and it's God.
Because God is our stronghold.
There's a lot of connection here between God and the city that he's in the middle of.
Yes.
That's a her.
Mm-hmm.
But I don't know if it's...
It doesn't seem as strong enough to say God is the city.
It's almost like, but there's a relationship there that is very connected.
Yeah, the point is, if you're in this space with God in the middle, you are protected in that space because God is there.
Right. And God's presence is where he lives.
This is a dwelling place.
The city of God.
Yeah. So you can see we're pulling on all this Garden of Eden, early chapters of Genesis, but in the place of the Garden is the city.
So we're back to that puzzle because like we're, okay, so when does the city become a
part of the equation then?
Right.
Well, it's to be practical about it.
They're now living in cities.
I mean, sure.
Sure.
So that's your lived experience.
Yeah, that's right.
Yeah, it's their vision of reality.
But this is a poem found in a collection of scrolls whose ideal beginning for all humanity
is a garden, very much without walls.
You're saying they could have had an ideal of like, look, we need to get rid of the city
and just go back to being garden people, take down the walls, like plant gardens, living huts.
Here you can go to many other places in the Hebrew Bible where the prophets look forward
to a restoration for Israel.
For example, Ezekiel chapter 36, I'm going to bring you back to your land.
Then verse 30, I will multiply the fruit of the tree, the produce of the field,
you won't be disgraced by famine among the nations, you will all cause. Okay, you have cities here,
all cause cities to be inhabited and the waste places to be rebuilt. So I guess there's a city
there. But the desolate land will be cultivated. The emphasis is more on the farming around the city.
Exactly. Fruit tree farming. The desolate land will become like the Garden of Eden, and the waste land
will be fortified, oh fortified and inhabited, okay? Yeah, so we got desolate land and we have desolate
cities. We're meant to get. And both are like, for some reason, desolate and ruined. Yeah, yeah.
And Zikyll's saying they're gonna become
fruitful and inhabited.
Yeah, so once we get here to Psalm 46
into the prophets, when we envision
the new creation and the new garden,
now cities are in the equation.
Right.
But they're not as the story begins.
Now I guess maybe that's just the puzzle.
I'm not saying this is a huge puzzle that you can't solve. I'm just saying it's interesting that once cities are introduced in human history, they are...
Well, but how else could this...
The story couldn't have begun in a city.
Like, what was God created a city?
And then he's like...
Oh, yeah. Okay. Well, that's true.
And that was what you said earlier.
There's only a couple of...
Well, it's because there's only two of them.
I mean like,
it's you.
Yeah.
Well, that's a good point.
I guess maybe my puzzle is not,
it's maybe like a child's puzzle.
I don't know, I mean there's probably,
I'm just trying to understand the puzzle,
because there is something significant about
the progression from Garden to City.
Yeah, that's right.
Okay, so let's take, let me just pause there and just take the story of the Bible
begins with Garden.
By the time you get later in the biblical story, when God's heavenly presence,
touching down on Earth, or the future healing of the land and of the universe,
is all depicted as City and Garden together.
And that is curious to me, because, as I said earlier, cities are almost
entirely negative when they get introduced into the biblical story.
That seems like kind of the heart of the puzzle. That's the puzzle.
Yeah, because you can have this thought experiment of Adam and Eve stayed in the city, or in Eden,
and built their huts and homes around the tree of life.
You can kind of imagine what you would end up getting is what you see coming down from
heaven in Revelation.
Yeah, yeah, sure.
Yeah.
In a way, like, that could have maybe become the thing that they created.
But they don't have any chance.
I mean, they get, they leave.
Yeah, totally.
And then when cities are introduced
They're like a problem. That's right. And because remember the nature of the city is walls
And the only reason you need walls
Is because you live in a world that's dangerous
Which means you're living outside of Eden
Yeah, so maybe that's it
It's the cities by definition in this culture are about walls that protect you from things
that can kill and destroy your people.
Which means you're living very much in a non-ideal setting.
So the fact that a tool developed by humans to protect themselves from each other is
incorporated into the new creation, I think it's really fascinating.
But before we get there, let's just quick paint
the portrait of the negativeiled from
the land.
The second and third cities that are built are a few chapters later in Genesis by Nimrod,
who builds Babylon and his Nineveh, the capital of Assyria.
The fourth city, named and really focused on the Bible, is the Sodom and Gomorrah and her daughters and their daughters.
And really, those cities become the archetypes of the human city,
of violence, oppression, and evil.
So just real quick here, so Ezekiel 16, this was the guilt of Sodom.
They were arrogant, they had abundant food and careless ease, and they didn't help
the poor in the needy. They were arrogant, they committed abominations before me, so I
removed them. That's Ezekiel 16, verse 48 and following. So that's very clearly, like
that's a city. And what happens in cities? Well, it gets concentrated, right?
In the hands of a few who live way,
more extravagantly, they need to,
and there's economic inequity.
And so a bunch of people suffer and nobody seems to care.
That's the life of the city.
You're like, oh, yeah.
See that?
Yep.
In the book of Isaiah, Babylon is singled out.
And look at this.
Isaiah says, Babylon, the beauty
of all kingdoms, the glory of the pride of the Caldians, Caldians, their ancient kind of tribal name
of the people that built Babylon. They will be like when God overthrew Sodom and Gomorrah.
One bed city, now compared to another bad city.
It'll never be inhabited or lived in from generation to generation.
So Babylon is compared to Sodom and Gomorrah.
And it's even worse, not because it's fundamentally different,
but just the scale is even bigger now.
It's an empire.
So just right there is a quick sketch of like, these are the primary
cities in the Bible and the first cities in the Bible. So the fact that God can still envision
a future for the human family and that it doesn't just erase the city, but finds a way
and incorporates it into its vision of new creation. That's for me the puzzle and what I find
astounding. I think that yeah by describing as a puzzle makes me maybe overthink it, but it is a
surprise. Okay, the surprise of the city. It's the surprise of the city. Because yeah, all right,
I'm with you. Thank you. Look at me, it's the second time editing. Yeah, I'm here to help you out,
Wait, that's second time editing that note. Just, yeah, I'm here to help you out, dude.
Okay, but yeah.
I mean, it is a puzzle, but the puzzles, I feel like fairly simple, and we've put our
fingernail already, is like the only cities that we're introduced to are created outside
of Eden, and they're created in human, with human violence and arrogance.
Selfishness at its core.
A response to human nature
and its inclination towards violence outside.
So there's a response to that.
And that's sad that it's even necessary.
But then they become engines of that.
Yeah.
And because the only other thing we have to say,
well, what was better was when there was no city,
then all the imagery we get to describe a state
that we want to go back to is garden imagery.
Yeah, yeah, yeah.
So it makes you feel like, oh, garden good city bad.
That seems obvious.
And the surprise is like, well, actually,
like human civilization had to form
and it could form in a different way.
And it will still be a condensed group of people
living together creating culture doing stuff
but it can be fundamentally different
and it's still a city.
Totally. Yes, that's right.
It's still a city.
So there are different ways that the biblical authors
I'm thinking here of a really cool poem or not a poem.
It's a prophetic vision in Zechariah.
I mean, we've never talked about Zechariah on the podcast.
That book is so, so rad.
In Zechariah chapter 2 and 3, there's these parallel visions describing the future restoration of the Israelites from exile. And in chapter two, verse 10,
the Israelites are called to sing for joy and be glad,
O daughter of Zion.
Inzians another name of Jerusalem.
And daughter of Zion is an important way
of the cities referred to.
We'll talk about that in the next conversation.
Look, I am coming to dwell in your midst,
in the middle of you.
Many nations are going to join themselves to Yahweh in that day, and the nations will
become my people.
It's like fulfillment of the promised Abraham, right?
Then I'll dwell in the middle of you, and you will know that I am Yahweh.
So that's chapter two.
So in chapter two, the prophet speaking,
he's living after the return from exalted Babylon.
And he has all these portraits of hope
for the future of the new Jerusalem,
the restored Jerusalem that they're hoping to build
and be a part of.
And so he has this vision, a heavenly vision,
and he's speaking to these heavenly beings.
And the heavenly beings run and say to Zachariah,
Jerusalem will be inhabited again one day without walls,
because of all the multitude of humans and animals in it,
I, says Yahweh, will be a wall of fire around her,
and the glory in the middle of her.
You know what made me... So I had this thought, I was like, okay, so Eden didn't have walls,
but it did have a flaming sword.
Oh, sure, yeah.
It's a cherubim.
Yeah, well, but they get stationed there to patrol at that.
They weren't there originally.
It doesn't say that.
What it says is he stationed the cherubim there as he exiled Adam and Eve through the gate,
through the door.
But you're right, it does beg the question of where the bouncer is always there.
And so here, Yahweh himself is functioning like those.
But what's interesting is, okay, you're like, oh, well, of course it doesn't need stone
walls.
It's going to have a fire wall.
I guess pun not intended.
But then check this out.
And usually you're like, oh, walls are to keep out
all the bad guys.
But then later down in the vision, Zachariah is told
that the daughter of Zion, which is a way of describing
Jerusalem, and as a woman, as a daughter, rejoice,
be glad for, look, I am coming to dwell in the middle of you.
And many nations will join themselves to Yahweh in that day,
and will become my people.
Then I will dwell.
How are they going to get through the firewall?
Exactly.
Apparently, the wall isn't to keep out the nations.
Because the nations were actually all going to become one
with God's people in the New Jerusalem.
So the function of the walls changes here, and
the walls become an emblem of the fiery glory of Yahweh dwelling in our midst. It's like
they're this signal.
And they still seem protective in some way.
But not in a way that's keeping people out.
That's right, because the whole point is there aren't any more people to harm you, because everybody who used to harm you is now going to join themselves to my people and we're all going to be one really
This is many nations. This is idea of is no one's going to harm you anymore?
Yeah, so this is Zacharias version of what Isaiah
sees in Isaiah chapter two
Which is about the mountain of the house of Yahweh being established as
the chief, the head of all mountains. All the nations will say, come, let us go up. Learn
Torah, no more war. You know, we talked about this revelation, city, this guy coming down.
And you've got the, I think isn't the images that the gates are open?
The nations come in.
Actually, the walls are a big focus of the vision that he has,
of the New Jerusalem coming down,
specifically that the walls are surrounding the city
and that they have gates.
And then he goes and talks about the 12 gates
with pearls and gates made of a single pearl and so on. So it's a city with gates, but then the surprise there is in Revelation 21, 25.
There will be no night there, and the gates will never be shut.
They're perpetually open.
Right.
So it's the point of a wall.
Right.
If you're not ever going to shut the gates.
Yeah, totally.
It's sort of like a sign that we used to need a wall, but now we don't.
Now it's just a big jewel.
Yeah.
And Yahweh is the fiery light that lights up the whole city and makes the city a beacon.
The light, the city on hill, the light.
And they will be what's in X-verse and they will bring the glory and honor of the nations.
Yeah, we'll come into it.
We'll come into it.
Yeah, exactly.
And this is what Isaiah was saying.
They're going to stream up.
Yep.
And they're going to hang out.
Dutora.
So notice, we're still on this assumption of what makes the city
walls and the central hub of religious,
economic and cultural life.
And that's exactly the picture here.
So maybe this is about what really makes the surprise
of the city is that something that's introduced
into biblical story that's both a tragic result
of human violence and then becomes like a hub
of even greater human violence, it isn't done away with
in the ideal restoration.
It's incorporated into the restoration and redeemed. And I guess
that's the surprise. The surprise that's, thank you for that. It's not a puzzle. It's a surprise.
That's something that humans meant for evil. Yeah. That God turns it into good. I guess that's
the simple way of using Joseph's words from the end of Genesis. That's the surprise of the city.
The surprise is that God doesn't say, look, we're going to go back to being garden people
and we're going to simplify, and the problem is the city.
He said, the city is going to become a good thing.
Yes.
And again, just flowing with the last chapter of the Bible here, after the city and all its
walls and gates are described, then you hear, there's a river, the water of life flowing out
from the throne of God and the Lamb. So now you've got that river that's going to make glad.
The city flowing out and the tree of life is there bearing 12 kinds of fruit
and there is no longer any curse. And you've got humans, all the nations who are ruling
and serving in the royal city. It's the garden, the garden city. We have a friend who
wrote a book, John Mark Comer, wrote a book called Garden City that's exploring this
biblical theme
and then practically, what does it mean
to be inspired by this hope and vision
as we live in our actual cities?
It's a really creative exploration of the theme,
but that's the surprise of the city.
So what I would like to do is then take
however many conversations this will ask
to kinda walk through that
progression, which is going to mean meditating on the relationship of the garden and the
first city, Cain City, because there's something super important there that a friend showed
me once and that just like, whoa, it's so illuminating.
And then you can track through the founding of all these terrible cities, cities of blood.
And on into the story of Israel, that's called to be a new garden,
but it becomes a new city of blood.
And what God then does is enters into the city of blood personally and allows the city of man to
kill him. And that becomes the drama that drives into the story of Jesus and the New Testament.
But there you go. That's the map. That's the roadmap. And I think the big questions on my mind and
I imagine other people's minds are, then what does that mean for us now to live in a city?
Because practically there's many different or how to find the heavenly city.
Are we just to wait around until it shows up from the sky?
Are we to actively kind of try to create it?
Yeah, good question.
Kind of take over the cities and make it happen.
Is it something in between?
Like what?
Yeah, I've gotta be something in between, do nothing
or take it over.
But you're painting kind of the, right?
You're painting the extremes of the end of possibilities.
Sure.
Yeah.
That's exactly right.
That's a great question.
What's interesting is, you know, that's gonna be relative from city to city, right?
Like how we process that living where we do will be different than our brothers and sisters living in Mexico City or Shanghai, you know, or Tokyo or Sao Paulo.
But that's the adventure that we're on. And we have this theme to really fuel our imaginations and to this can become a, I think, a vehicle that the spirit can use to provide wisdom to God's people, but that begins with us meditating on the surprise of the city in the story of
the Bible.
Well, hey, this is Dan Gumball with the podcast scene, and I'm back with another Bible
project introduction.
And I'm really excited to introduce you guys because I just met you.
So do you want to introduce yourself?
Hi, I'm Julia, and I'm a localization manager for Apple Project German.
Yes, that is awesome. And Philip. Yes, I'm Philip. I lead the team in Germany.
For people who aren't familiar with the German bio project, like what's it overview?
So we have like 50k subscribers, 60k subscribers at the moment. We have like 2 to 3,000 views per video. We
have released all of the written books over views. Luke, act, character, god, gospel series,
how to read the Bible. What are you guys working on right now?
Localization of spiritual being. Oh, that's probably really hard.
Well, that's okay. Yeah.
Okay, it's okay, yeah.
It's okay.
Yeah, I think it's okay.
Okay.
I'm only at script 3, so...
How did you guys get involved with the level project?
Oh, is that was in...
I was a youth pastor in 2015.
And I started for a tour to...
for young persons to teach them about the Bible.
Okay, so I was searching for a tool and I found the Bible project on YouTube.
I think it's so great. We must have it in Germany.
And so I wrote an email to Tim and John and asked,
can I do it in Germany? And they said, yeah, great idea. Why not?
We cannot help you, but it's okay, do it. And so we start to just 16 in Germany. Wow
We are the first language outside the US. You guys were the first language. Yeah, of course. Oh, I didn't know this
Well, this is so cool guys. We gave the idea for the focus a global focused team
That sounds like a very fun story
So it kind of started up.
Yeah.
Okay, give it a go, Phil.
Today's show came from our podcast team, including producer Kupa Bouts and S.S.E.H. producer Lince Ponda.
Our lead editor is Dan Gummul.
Additional editors are Tyler Bailey and Frank Garza.
Tyler Bailey, aka Tyler the creator, also makes this episode.
And Hannah Wu did our annotations for the Bother Project app. Bayley, aka Tyler, der Creator, also mixt dieses Video. Hannah Woo,
hat unsere Annotations für die Babe-Projekt-App.
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Wir machen alles, wir machen es frei,
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Danke so viel für dieses Parten.
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Ja, das ist gut. Das ist gut. Nusser Verfügung, dank deiner großzügigen Unterstützung. Danke, dass du Teil davon bist.
Ja, das ist gut.
Das ist gut.
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