BibleProject - Why Is There Wilderness Imagery in the Lord’s Prayer?

Episode Date: November 24, 2025

The Wilderness Q+R (E13) — Is Adam being formed outside of Eden a prototype of the wilderness pattern? Are the biblical authors linking David and Nabal to Jacob and Laban? And does Jesus experience ...a wilderness testing moment in the garden of Gethsemane? In this episode, Tim and Jon respond to your questions from our series on the wilderness. Thank you to our audience for your thoughtful contributions to this episode!View all of our resources for The Wilderness →CHAPTERSIntro (0:00-1:40)Is Adam being formed outside of Eden a prototype of the wilderness pattern? (1:40-15:24)Is the cherubim’s fiery sword at the entrance of Eden purification imagery? (15:24-26:03)Is there a hyperlink between Nabal and Laban—and therefore, between David and Jacob’s wilderness stories? (26:03-37:14)Why is there wilderness imagery in the Lord’s Prayer? (37:14-46:07)Does Jesus have a wilderness testing moment in Gethsemane? (46:07-1:02:35)OFFICIAL EPISODE TRANSCRIPTView this episode’s official transcript.REFERENCED RESOURCESThe Art of Narrative Analogy: Identifying and Interpreting Parallel Passages in the Bible by Seth D. PostellThe Testament of Moses, also known as The Assumption of Moses, is a pseudepigraphal Jewish text from the Second Temple Period.Check out Tim’s extensive collection of recommended books here.SHOW MUSICBibleProject theme song by TENTS SHOW CREDITSProduction of today’s episode is by Lindsey Ponder, producer, and Cooper Peltz, managing producer. Tyler Bailey is our supervising engineer, who also edited today’s episode and provided the sound design and mix. JB Witty does our show notes, and Hannah Woo provides the annotations for our app. Our host and creative director is Jon Collins, and our lead scholar is Tim Mackie.Powered and distributed by Simplecast. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Transcript
Discussion (0)
Starting point is 00:00:00 Hi, John. Hey, Tim. Hey, hi there. I was wondering if you would do that. Well, you were just looking at me because normally you start. But you're, you know, but it's a Q&R episode. So things are a little different. Great.
Starting point is 00:00:18 Mix it up. Hello. Lovely. And hello, everybody out there in the listening world to the Bible Project podcast. This is a Q&R episode where we are going to respond to your questions. that you sent in about the wilderness series. Yes. Came in for a landing on that one.
Starting point is 00:00:35 Yeah. And as much as you can. I mean, it's the wilderness, so the point is it's the in-between where you haven't arrived. Yeah. How can you arrive when you're in the wilderness? Because that's not the point. The point is the journey and what it does to you. Mm-hmm.
Starting point is 00:00:52 And it was a great journey going through the theme. And this will be a great opportunity to revisit a few things. and hear how people have been reflecting on the journey through the wilderness. Yeah. So I feel like I say this every time because it's always true. One, you all, the listening audience, are a really smart, perceptive group of people. And when you send in questions, I'm just like, wow, that's fantastic. Great observations, but great questions.
Starting point is 00:01:22 So I'm really excited to dive in. We can't get to them all. We usually don't even get to all the ones I'd select. Yeah. But we try and hit the main repeated themes and the questions and have a good time with it. So should we just get rocking? Let's jump in. Cool.
Starting point is 00:01:39 All right. Let's start with a question from Edwin, who lives in the Philippines. Hi, Tim and John. This is Edwin from the Philippines. In light of the theme of the wilderness as a place of divine preparation, where God forms people before leading them into the promised land. Could Genesis chapter 2, 7 to 8 be read as a prototype of this pattern? Specifically, does the act of God, forming Adam from dust and breathing into him the breath of life suggests not only physical animation, but also moral or spiritual preparation for life in Eden?
Starting point is 00:02:18 Thank you. Oh, interesting. So is he asking Adam being formed of the dust and then put in Eden? You could think of it as just being physically created, but is there something there to meditate on and some sort of process of being prepared at that point to be put in the garden? Yeah, it's a fantastic question.
Starting point is 00:02:42 Just high-five on a rad observation. Because you're pondering, there's all these stories later in the Bible about people going through hardship in the wilderness. It's dusty, it's dry, there's no water, no food, all that. And then if you're going into a garden land, can we already see a pattern that that pattern was itself first laid out in the Eden creation story? So definitely, I haven't come back and listened to the first couple episodes in the wilderness for a while. So I don't remember.
Starting point is 00:03:14 Yeah. But if we didn't hit on these themes explicitly then, this is a great chance to now. So the first thing, Edwin, is absolutely the prototype pattern. is right there in Genesis. So a few things, John, I've got the story open in front of you. But recall that the second creation story that begins in Genesis 2 verse 4 begins with no cultivated plants, like no garden plants, no wild plants, no water, no human. So there's four problems, no plants, no water.
Starting point is 00:03:50 But then water comes up out of the ground. And the first thing God does is form human from the dust of the ground. So what we know about the dust of the ground is that it's lifeless unless there's water and God's breath is involved. And then he blows into the nostrils, the breath of life. The man becomes a nefeshchah living being. Verse 8, God planted a garden in Eden, in the east, and there he put the human whom he formed. I have tried to point out this organization a lot over the years that the humans formed outside of the garden. Exactly.
Starting point is 00:04:27 Yeah. And put inside. Right. Now, the actual testing of the human happens in the garden. Exactly. Yeah. Where in the theme of the wilderness, the testing we've been talking about is testing that happens outside of the garden. Yep, that's right.
Starting point is 00:04:45 And it became kind of a main through line for the whole conversation. Yeah. Yeah. If we failed the test in the garden, why would we pass the test in the wilderness? Right. Yeah. Or is it really kind of the same test, whether you're in the garden or in the wilderness? Right. It's, the test is, can I trust the voice of God? Yeah. Whether you have perhaps more good than is good for you. Yeah.
Starting point is 00:05:06 Or whether you have an extreme lack of anything good. Right. The test remains the same. Yeah. So I think the question was, can we read into this moment of being. created of the dust and then planted in the garden, is that journey from the dust to the garden? Is there any sort of spiritual preparation happening at that moment? Is that the question?
Starting point is 00:05:31 Yeah. Is the breathing of God's breath into the human, not just physical animation, you ask Edwin, but a moral or spiritual preparation? I think why I appreciated your question was it's a question I've had to ask myself many times. when there's a pattern set up that repeats through many stories so that you have, whether it's Hagar in the wilderness or Moses in the wilderness or the Israelites in the wilderness, and these all map onto each other. And there's often hyperlinks that are comparing, right, their experiences to each other and contrasting them.
Starting point is 00:06:06 And then all of those are hyperlinked through different vocabulary on analogy back to the human. So the question is, how much of what happens in later repetition? of the pattern, can I read back into earlier repetitions of the pattern? That is a really important, it's a question about reading and method. Like, how do you read this literature? Well, because oftentimes, for example, with the story of Solomon in his request for wisdom to discern between good and bad, that gives you insight back into, oh, I wish Adam and Eve would have just done that when the snake tried to deceive them. I guess I'm imagining that. I guess I'm imagining then a story being told
Starting point is 00:06:50 of God taking Adam from the wilderness planting them in the garden and this whole journey to me that's just like took them, put them in, now we're going but is there a story there? Is that what we're meditating on?
Starting point is 00:07:06 So maybe I'll add one more parallel, Edwin, that I think addresses what you're talking about. When you get to Ezekiel, and we did talk about these key passages in Ezekiel, briefly because it's a huge book. We did talk about Ezekiel chapter 20, I remember, in episode whatever. Ezekiel calls Babylonian exile of Israel the wilderness of the nations uses that
Starting point is 00:07:30 phrase. Yeah. It's like a long wilderness. But then there's these chapters of hope in 36 and 37 of Ezekiel. In 36, God says, I'm going to take out your stony heart that would never listen to my commands and wisdom, I'm going to give you a new fleshy heart, I'm going to put my spirit in you. It's very similar to the language of what God's doing to the human in Genesis 2. And then you get, and you do mention this, Edwin, the valley of dry bones in the next chapter in Ezekiel 37, where there's a bunch of dead human, not even bodies, but just bones. And so, first of all, the bones come back together and grow flesh, and you get these humans,
Starting point is 00:08:18 but they're all just laying there lifeless on the ground, just like the clay human formed, but lifeless on the ground in Genesis 2. And then God breathes his breath into them, and they stand up in the ready rock, a new human. And it's an image of God recreating Israel to be faithful covenant partners on the other side. So what's cool about that, Edwin, is that Ezekiel sees what you are seeing, namely that retelling the story of Israel to become God's faithful covenant partners who are dying in the wilderness of exile is like a recreation of them in that wilderness place to get put back into the New Eden.
Starting point is 00:09:00 So how much of that moral and spiritual recreation should I be reading back into the Adam story? here's my thought, Edwin. Okay, good, you have a thought? I have a thought. But I wanted to paint all the, like, here's how I'm arriving at that thought, which was all of that prologue. So, moral or spiritual preparation through a test is about God inviting me to grow and mature, right, and to become something that I'm not presently. In that sense, what Israel has failed at in the garden, just like Adam and Eve did, the wilderness exile is kind of like the concept. of that decision. So they are in need of a really different way of valuing good and bad and God and so on. And so the wilderness and God recreating them is that moral and spiritual preparation. It doesn't seem like the human before the test at the tree in the garden needs, like the test in the garden is the preparation. Right. That's where that story focuses. Yeah. But the breathing in of the
Starting point is 00:10:07 the breath is very suggestive. Like, it's obviously about life. Yeah. But it is also about God sharing with a dirt creature a kind of divine capacity. Yeah. For responsibility, for choice, for partnership with God, that is more than just, like, being physically animated. But it seems like what Ezekiel's saying is the breath of God is needed once humans have failed. and when God's creating the human, you know, in Genesis 2, the human hasn't failed yet.
Starting point is 00:10:41 So the test at the tree actually is the preparation, which brings back to what we're saying. You can be tested in the garden, you can be tested in the wilderness. The test is really the same that's like to help us grow. Yeah. Yeah. You know, we've talked a lot about how there's these other Second Temple texts of scribes who are thinking about a biblical passage and poking at it and saying, well, what if, you know? Oh, yeah, yeah, the what if.
Starting point is 00:11:10 The what if passages that don't end up in your Bible, but these were things that people read and meditated on and thought about as a way to kind of continue to think about the wisdom of these stories. Yeah, that's right. And so, you know, example of that would be in the Ascension of Moses. Is that what is called? The ascension of Moses or the Testament of Moses? The Testament of Moses. Yeah. That we talked about recently in the other.
Starting point is 00:11:35 Yeah, it'll actually come out in next year when we talk about it in detail. But there's this moment where Moses dies and then he's buried. And we don't know where he's buried, right? This is talked about at the end of Deuteronomy. That's in Deuteronomy. So that's in the passage. And it says, nobody knows. Nobody knows.
Starting point is 00:11:52 So then some kind of just some literary nerdy, like God-fearing scribes are like, huh, I wonder what that story is. And then they do just kind of an imaginative exploration, and then you get that scroll of the Testament of Moses. And what they're doing is they're further reflecting on these biblical motifs that are all through the Bible. Anyways, I just bring it up because what this question has done has made me think about what is the story between Adam being formed and put in the garden? Because it could have been as simple as God just puts them there. But what if he had to like take a couple day hike into that garden? Yeah, sure. Like to find his way to the garden, he actually had to listen to the voice of God and follow the voice of God into the garden.
Starting point is 00:12:37 There's like this training time where once he gets to the garden, you know, he's had all this practice listening to the voice of God. And you're like, oh, yeah, like how wonderful it is to be that in tune with the voice of God. And then he gets there. And now the tree is such a more important note. Yeah, because let's say it was a five-day hike to get into the garden. Then that would have been five days of the human looking around and saying, like, man, it's lifeless out here. Yeah. Man, I'm thirsty.
Starting point is 00:13:10 Yeah. Man, I'm hungry. Without God helping me, I'm dead. Right. I'm done for. And then we get to the garden, you're like, oh, thank you. And I'll listen to you now since you led me to the good stuff. Right.
Starting point is 00:13:23 So it seems like the dynamic of the Adam and Eve story is exactly that that Adam and Eve are portrayed. Not knowing good or bad is a phrase used that Moses uses in Deuteronomy chapter one to describe children. Yeah. Like moral infants. They haven't had enough practice at knowing what's good or bad to make the right call. They haven't made any call on their own yet. But they just woke up in a garden full of food. I guess that's the question.
Starting point is 00:13:50 Did they just wake up in the garden? Or was there this little journey to the garden? Well, the fact that they fail at least means that they didn't fully appreciate the abundance that God provided them because they thought they had a better idea of what to do with it. I see. But, yeah, you could imagine a what if there. Yeah, it's the what if. That I think it's okay for us to have those what if moments and think about it. Because I think the point here is the way the wilderness is there is a journey from the wilderness into the garden.
Starting point is 00:14:22 and for us and then think, okay, well, what would that have been for Adam, who didn't know good from bad yet, and all he could do was listen to the voice of God? Yeah. What would that have journey been like into the garden? Yeah, yeah. If there was a journey. Yeah, that's right. I don't know.
Starting point is 00:14:36 That's great. I think Edwin just allowed me to imagine that for a second. Yeah, I love that. No, it's good. I think, so what we're getting into is in that imaginative experiment, and this is what Ezekiel is doing with Genesis. And it's what the story of Moses is doing in relationship to Genesis is that the biblical narratives are a way to ponder the real-life questions and circumstances that we all find ourselves in. And they're like, think about it this way.
Starting point is 00:15:07 And the stories are not just telling us about an interesting thing that happened. The interesting things that happen are framed in such a way that we meditate on the bigger questions. And that's a really good example of it. Yeah. Yeah. So thanks. Thanks, Edwood. And actually, your question, Edwood, and the conversation we just had really links well into the question that we got from Natalie in Lewisburg, Pennsylvania.
Starting point is 00:15:36 Hello, my name is Natalie Fox. I'm from Louisburg, Pennsylvania. In episode eight of the wilderness, you mentioned that going through the fire is purification imagery. I have a hunch that the fire. that the fiery sword that was to guard the way to the tree of life is connected to this purification since the humans were in the wilderness landscape. Can you connect these dots? Thank you for all you do. Yeah. Yeah, that's great. And I have heard you kind of, maybe you didn't use the word purification, but you've talked about this idea of the fiery sword going through death. If you want to go back
Starting point is 00:16:15 in the garden, if you're going through a fiery sword, that's going to destroy. Yeah, a human going into a whirling sword or into a fire usually means done for. Yeah, you're done for. Yes, yeah, exactly. So a couple thoughts. One, let's just think about the sword and the fire appear along with the cherubim, the angelic bouncers who were put at the boundary of Eden when Adam had even exiled. So they are outside the garden. They're still in the land of Eden because it's Cain that's exiled east of Eden,
Starting point is 00:16:54 like outside of Eden itself. So they're still in the region of Eden, but they are outside. And it's apparently the realm of thorns and thistles, you know, from what God said in Genesis 3. So they are in a wilderness landscape, as it were. They are separated from the garden of life. So they're in the place of the consequence of having failed the test of trust. Yeah. And then the wilderness is going to provide them in their, right, their descendants, lots of testing moments.
Starting point is 00:17:27 So already they're in the realm associated with test, the wilderness. And then to get back into the garden land, you have to go through either the sword or the fire. And absolutely, fire imagery. It's really cool. If you wanted, you could get some kind of concordance, a digital concordance, and where in the Psalms, but especially the prophets, how fire imagery is used in the prophets. Especially Zephaniah, of all places, has some really cool fire imagery. And the way that it functions is that it seems like it kills and destroys everything.
Starting point is 00:18:03 But then there is a version of the faithful remnant that goes through the first of, fire that appears out the other side in a more faithful state where they do right by God and others. And this is surely what the story of Daniel's friends who go into the furnace of Babylon also. They go in and they go out of it and they come out more loyal and dedicated to the God of Israel. So fire and sword are purification, definitely. So the one way to think about the whole wilderness period is it's like a purifying fire or a cutting away, which is an interesting way to think about it. A couple other connections, one in Isaiah 43, he talks about how Israel's exile to Babylon is like going through the fire. He talks about it, and he talks about going
Starting point is 00:18:58 through the rivers. Yeah. And flood or fire. Flood and fire. Yeah, and both are purification and I'm thinking also of, oh, in the story of Abraham, when Abraham picks up the knife and the fire to take up to Mount Moriah with Isaac. Yeah, the knife is called the eater, the thing that consumes. But, you know, a common phrase that we use for swords that have sharp edges on both sides. We call it a two-ed sword.
Starting point is 00:19:34 but in the Hebrew Bible it's called a two-mouthed sword because it eats mostly well if it's a sword for battle it eats flesh so he has the eater in his hand and then Isaac this is Genesis 22 verse 7 Isaac said
Starting point is 00:19:50 look here's the fire and here's the wood but where's the lamb for the burnt offering so Abraham takes the fire and the knife yes and then later we also learn that there's a wood that there's a wood because yeah he had put the wood on on Isaac's shoulder So it's really interesting that the fire and the sword both play a role and this story.
Starting point is 00:20:12 Fire and a knife. And there's a flaming sword at the garden. Is this a hyperlink? This is, well, because he's ascending a high place. And there's going to be an angel up there that he meets who's going to say, like, don't use that knife on your son. Yeah. So this is Abraham's ultimate purification test. Interesting.
Starting point is 00:20:31 And this is where he passes this test because he's, willing to surrender his son back to God who gave him his son, and God both gives him back the life of his son and provides, as it were, the ram in the bush who was offered in the place of his son. So, Isaac does kind of die in a way, and Abraham, in his son dying, is himself dying. How does he sort of die? Oh, symbolically. Because Abraham was willing to give the life of Isaac back to God. Okay. Or, as the author of Hebrews says, it's as if Abraham received Isaac back from the dead.
Starting point is 00:21:12 Interesting little meditation. Yeah. So my point is that the fire and the sword play a key role where Abraham meets an angelic figure on a high place at his ultimate test. Okay, so in Genesis 3, the angelic figure, the chair beam, are placed there at the gate. So right there on the entrance to... to Eden, not an angel, but a cherubim, spiritual being, flame and sword, on a high place to enter into essentially the place of God's presence. Because of their failure at a tree.
Starting point is 00:21:47 Yeah. Yeah. And so when you get to Abraham's story, and Abraham is bringing fire and sword, essentially, up to that place to make a sacrifice, those two worlds are murder. Yeah, those two stories. It's another example, back to Edwin's question, of like a parallel moment where the story of Genesis 22 has been shaped with all this vocabulary to help us imagine that this is, as it were, Adam and Eve re-approaching Eden and doing the right thing of surrendering the fruit. What is Isaac except the fruit of Abraham and Sarah? And he gives
Starting point is 00:22:31 the fruit back to God. And God says, actually, I'll let you keep your fruit, your son. And they meet together and God and Abraham meet each other on the high place there. So the author shaped it as like his success, his passing of the test. Yeah, so the way that the fire and sword work in Genesis 3, it feels like stay out. This is just a barrier now. Yeah, yeah. This is off limits now.
Starting point is 00:23:03 Where purification isn't stay out, it's go through. Yeah. But it's going to be painful. Yeah, sure. And maybe, yeah, you're right. When you're just at Genesis 3, the meaning of the fire and sword could have multiple layers of meaning as you go on through the story. As you go on through the story, back to this imaginative thinking about these stories. Are you supposed to imagine what if Adam and Eve went back and somehow went through the fire?
Starting point is 00:23:31 Right. What would that have looked like? Yeah, exactly. Yeah, and I think that is what is on the mind, say, of the author of Daniel and why the story of them going through the fire and coming out the other side. Yeah, with some angels. Yeah, or why, you know, the poet in Isaiah 43 talked about the Babylonian exile that's going through a fire.
Starting point is 00:23:53 So fire imagery is that it really does destroy something, but it destroys something that cannot endure the fire. But apparently... Something can endure. God has created human beings in a way that they image something that can endure through the fire. And what else can endure fire, except? Well, either precious metals. They get melted down.
Starting point is 00:24:20 Isaiah uses fire imagery to talk about. I think essentially what it is is light. Like the fire itself. You become the fire. Our God is a consuming fire We become the fire I think this is why resurrection imagery Is almost always
Starting point is 00:24:36 Associated with shining and brightness As you actually become one with the fire Okay Just to throw that out there One with the fire Yeah I mean I'm speaking in just the biblical images here That the righteous in the resurrection will shine like stars in the sky Like the angels
Starting point is 00:24:56 Yeah Anyway I just took that Resurrection bodies, let's just think about that for a second. Yeah, but the point is that whatever is a part of me that's connected to disordered desires that drag me back into the dust, but I think I need them to stay alive. That stuff's got to go. Can you rid yourself of that? Yeah. And how?
Starting point is 00:25:20 Yes, and this was where we got to the stuff about where the starvation, or being hungry and thirsty in the wilderness can be a kind of gift, even though it's very, very. unpleasant because it's teaching you about. Yeah, you can practice not needing that. Yeah. The stuff we think keeps us alive. Food, sex, our children, in terms of keeping our name alive for the future. What really keeps us alive is the word of God and the first word of God is let the divine fire shine into the darkness. Let there be light. Let there be light. Yeah. Well. Well, that got interesting. I think we should stop there.
Starting point is 00:26:01 Okay. We had a short but really fun conversation about David. Yeah. That was a cool episode. The stories of David are so cool. I want to spend a lot more time there in years to come, John. So we covered really just one story in detail, first Samuel 25. So let's hear a question about that story from Ifrek, who lives in Georgia.
Starting point is 00:26:28 Hi, Tim and John. This is Efrake Umana from Lawrenceville, Georgia. And what interested in me about your episode with Naval is that I realize that when spelled backwards, can also spell Levan from the Jacob story. So I'm interested if there is an intentional hyperlink between Jacob and David's story with how they both had to flee from people trying to kill them and work among shepherds and also receive mistreatment from Levan and Naval respectively. Thank you. That's interesting. Mm-hmm. Dude, Efric, double triple gold star, man. I love that. I love that you notice that. I just feel really happy about that.
Starting point is 00:27:09 Yeah. Because you're 100% right. Really? Yeah, yes. So, Naval. Because remind me, Nabal means malicious idiot. Malicious idiot. Yeah.
Starting point is 00:27:18 Yeah. LaVan is both in Hebrew and in English, the name Naval backwards. Yeah. Mm-hmm. Does Levant? have a name? Oh, Levan is the root word for white.
Starting point is 00:27:32 Okay. The shade of white, which also is a wordplay at work in the Jacob and LaVan stories, too. Laban is how a lot of people say his name. So you're 100% right. There's an important set of hyperlinks and parallels between David fleeing from Saul, and then he meets Naval, and then he has to flee from Saul some more on the other side. And that is all set on parallel, too. Jacob fleeing from his brother, Esau, who's trying to kill him.
Starting point is 00:28:02 And then he goes into exile, meets a guy named Lavan, which is Naval backwards. Or Laban. Yeah, Levin. And then when Jacob leaves Laban, then he goes back and he encounters Esau again and thinks that Esau's going to kill him. Right. But he doesn't. So this has to do, how do you say, there's a whole section of Jacob's story, his exile, because into the East, because of his brother's threats to murder him.
Starting point is 00:28:33 His long sojourn, exile, 20 years in the East, where he is end up as a slave, essentially, to his uncle, Laban. And then he goes back to me, Issa. And each part of that sequence is hyperlinked. And there's all these very unique vocabulary and theme parallels to David's journey from Saul. It's like whoever wrote that section of David's flight from Saul
Starting point is 00:29:03 has the Jacob's story on the brain and keeps making hyperlinks to really unique words but in order, in the same order of the Jacob story. It's super cool. So you'd notice the name. So I did a little project on this a number of years ago so I have a handy-dandy chart to look at. So remember that the whole thing about Jacob
Starting point is 00:29:25 And Jacob and Esau is that Jacob is the younger, but he was chosen to actually inherit the blessing over and above his older brother, which has also got Canable stuff written all over it. Right. And also David and Saul kind of. Yeah. Yeah, exactly. Yeah, totally. So in the similar way, Saul is jealous of David and all the fame and favor that he's getting. And so he starts trying to kill him. So, for example, in the story right before David and Naval in 1st Samuel 24, it's where, we actually talked about this because David was hiding in a cave. Saul went in to go to the bathroom and David doesn't kill him. Saul comes out and David has this speech and he's like, Saul. And the whole focus of that is when Saul hears David speaking to him from the cave, he says, in 1st Samuel 24, is this your voice? my son, David. And then Saul realizes that it's David and that David spared his life.
Starting point is 00:30:33 And so Saul lifted up his own voice and he wept. Similarly, when Jacob is deceiving his old blind father, Isaac, with the food so that he can get the blessing and the promise, you know, that's for his older brother. And Isaac is blind. You can't see anymore. And so what he asks is he says, is that you, my son, Issa? And Jacob says like, yeah, it's me, it's Esau. And, you know, he famously puts on like the goat skins or whatever.
Starting point is 00:31:06 Yeah. Yeah. And so what Isaac says is, well, the voice is the voice of Jacob. But what I feel like and the food that I smell sure seems like it's coming from Esau. So it's all about the voice is the thing that gives it away. Okay. So there's little clues like that that run parallel through, but especially in the story of Naval paralleling LaVan. Because both, Naval is a shepherd with lots of flocks.
Starting point is 00:31:36 In fact, there's a sheep shearing festival that's at the center of the story of David and Naval. Similarly, LaVan is a shepherd, and there's a sheep shearing festival that's at the very center of the story of Jacob and LaVan. so actually it would just be a fun homework assignment go read Genesis like 25 through 32 and then go read 1st Samuel 24 to 26 and just start noticing all the parallel vocabulary and it'll just like it's off the charts it's super fun and why oh sure why I do that that's great but it's back to the first question when biblical authors are setting characters or stories in parallel to each other, the point isn't just so that it's fun. The point is that the comparison and the contrast will teach you wisdom by comparing their different life stories. It's the same thing of when we watch a really powerful movie. And we're watching someone's story, but the reason we find it compelling is because we see
Starting point is 00:32:42 ourselves in it. And my life isn't identical to any powerful movie character I've ever seen, but it's similar enough that I can learn wisdom from it. So like a difference between David and Jacob is David hasn't deceived anybody. And so all the wrong coming towards him is because of, you know, Saul's treachery and selfishness and Naval's treachery and selfishness. For Jacob, it's the inverse, is that he's the problem. and his father Isaac and his brother Esau like aren't great people but Jacob is very much the creator of his own wilderness experience right that's a meaningful contrast like oh sometimes I can end up in the wilderness because of my own folly sometimes I can end up in the wilderness because of somebody else's folly and I think both of those right give you perspective on how to think about your own wilderness right something like that yeah I guess my point is is that the narrative parallels are something in the service of the same thing you were doing earlier
Starting point is 00:33:47 with thinking about how the story of Adam and Eve might be paralleled by the story of Moses or something like that. Right. The stories are vehicles to teach us wisdom. Yeah. So it's cool that this came out of a wordplay on the name was the kind of the first clue.
Starting point is 00:34:07 Oh, yeah, it is. It's a little like low-hanging fruit. Yeah. Yeah. Yes. Yeah, that's really fascinating. And then you're saying, and just watch how it's not just the name.
Starting point is 00:34:17 There's a lot of vocabulary. Yeah. Key vocabulary, like the voice, that then will share in each story. Yeah. And you're saying that the vocabulary actually happens in order. In order. It feels very intentional. Yes.
Starting point is 00:34:29 And the fact that they're both shepherds. Yeah. And there's a sheep shearing festival. Yeah. And so all of those details are saying, Dear reader, pay attention to and think about these sets of stories together. And as you do, think about the similarities and differences. And as you do, you're going to find God's wisdom.
Starting point is 00:34:52 Yes, exactly. That is part of how the stories do their work. I never learned that at Sunday school. But hopefully a whole new generation will because I have been waiting for the day that I could share this news. So there's a Hebrew Bible scholar, Seth Postel, who I've learned a little. lot from over the years. He and I both had the same really formative teacher back in the day, John Selhammer, who taught me probably the most important things I ever learned about how to read the Hebrew Bible. So Seth Postel was also a student of Sailhammers back in the day. And Seth has done us the favor of writing the first accessible introductory kind of like handbook on hyperlinking that I am so thrilled to recommend to people now. It just released real time like eight days ago, November 4th, 2025. Yeah, called The Art of Narrative Analogy, Identifying and Interpreting Parallel passages in the Bible.
Starting point is 00:35:53 So Seth walks through in a very fun way. He uses Star Wars and Lord of the Rings as kind of like the main illustrations. So it's written for a very accessible audience. If you've ever wanted to kind of deepen your understanding or sharpen your toolkit of how to identify hyperlinks, and then what to do with them. Like your question. This is a book-length treatment of that. This is not an academic book.
Starting point is 00:36:20 This is a more popular-level book? Oh, I mean, it's about hyperlinking in the Bible. Okay. So it is nerdy in the sense of it's about that. But it's not, you don't have to know Greek or Hebrew. It's written for a wide audience. Cool. It's easy to read.
Starting point is 00:36:36 You'll learn a ton. And it's the book that I wished for many years. Nice. Existed. Great. Mm-hmm. Do you have it? I do, actually, because I wrote a little...
Starting point is 00:36:47 You wrote a blurb? Short little paragraph to endorse it because it's such a fantastic old book. That's awesome. Mm-hmm. Yeah. But it's really great. So if you wanted, for example, to follow through this parallel between David and Naval and Jacob and Laban, you could do it on your own. You could also get SES book and then do it.
Starting point is 00:37:08 Okay. And I bet you would notice a lot more. and get a lot more insight out of it. Awesome. Yeah. Okay, let's move into some questions that arose out of our conversations about Jesus in the wilderness.
Starting point is 00:37:20 We did multiple episodes. The wilderness comes up a lot in the Gospels. So we have a question from, I'm pretty sure this isn't your real name, Darnest Dabbler, which is just a fantastic name, but it's also your email address. So my hunch is your real name's a mystery.
Starting point is 00:37:38 And that's okay. Because Darnedest Dabler, you have a really great question about the wilderness in the teachings of Jesus. Hi, Tim and John Collins, Darnest Dabbler from Connecticut. Although Jesus proclaims that the kingdom of God has arrived, the daily prayer that he prescribes for us has some wilderness in it. What's up with that? Thank you and thank you for all you do. What's up with that?
Starting point is 00:38:05 Is that the daily bread? Yeah, I pulled it up here. Okay. The Lord's Prayer. Yeah. So we should just say it together. Okay. All right.
Starting point is 00:38:13 This is in the Lexham English Bible version. But our father, who is in heaven, may your name be treated as holy. Whoa. That's almost exactly how we translated it in our translation. May your kingdom come. May your will be done on earth as it is in heaven. Give us today our daily bread. Forgive us our debts, as we also have forgiven our debtors.
Starting point is 00:38:40 Don't bring us into, they render temptation. It's the same words test. I'm going to say test. Yep. But deliver us from the evil one. Yeah. So you're hearing, well, first of all, darn this dabbler. Yeah.
Starting point is 00:38:54 You didn't tell us. You didn't tell us. So, John, your hunch is that the wilderness comes up. The daily bread. Yep. That's wilderness. Yeah. The bread of the moment.
Starting point is 00:39:02 That's exactly right. What do I need in this moment? So you're referring to the manna, the story's about God providing mana. Right. In the wilderness. Which is daily every day. Yeah. Yeah, just enough for the day.
Starting point is 00:39:13 Mm-hmm. Yeah. You're not storing it up. Yeah. You're just day by day. What do I need today? It gets wormy if you store it up. Yeah.
Starting point is 00:39:21 Which, you know, worms are kind of just like little tiny snakes. No, why worms? It's mentioned that the Israelites who kept the manna. Because it could have been like, more than one day. Could have been just bacteria, you're saying? It could have been like. Yeah, why mentioned little, little, slithery worms
Starting point is 00:39:40 except to echo the snake they're listening to the snake saying God won't provide enough for you, you better get two days worth anyway. Okay, so daily bread and then the test. Do not bring us into the test. Now, one large point
Starting point is 00:39:59 of the discussion was the test happens in the garden and happens the wilderness. How are you going to pass the test in the garden? Well, maybe by learning to pass it in the wilderness first. Yeah. Because, and then maybe you can handle the garden. So I guess the test could really be in either.
Starting point is 00:40:17 But the point here is there's some wilderness themes in the prayer. And the question is, if the kingdom of God has arrived, does that mean the garden has arrived? That's right. And if the garden has arrived, why would I be asking for daily bread? Wouldn't I just be like, thanks for all the wonderful trees that I can eat from? Yeah. Yeah, because in the manna story that's being echoed by the daily bread, the Israelites are in the wilderness. They're in it.
Starting point is 00:40:46 Yeah. And they would die if they don't have bread. But the bread, you know, it's called the bread of heaven, the bread from the skies. And it has mysteriously shiny qualities about it. It's like resin, right? The glints in the sun or something. Yeah, yeah. Why is it described that way?
Starting point is 00:41:06 Okay. So it is a little Eden gift as a word. But it's in the wilderness setting. So I think, Darnest Dabler, I just like saying your name. I think where you're noticing and naming, like, what's up with the fact that the kingdom of God has arrived? Yeah. But I'm still in the wilderness. I mean, it's a great way of just naming the dynamic of the kingdom of God is here.
Starting point is 00:41:31 Yeah. in moments, in foretastes, in experiences, but it has yet to envelop and recreate the whole cosmos. So an Israelite going out and gathering some mana, picking it up, looking at it, marvelling at it, could go, the kingdom of the skies has arrived. Yeah, the bread of the skies has arrived. This is it. Yeah. Yeah, it arrived.
Starting point is 00:41:59 And I only need to take what I need right now. You know, I was also reflecting on how, you know, in the garden, Adam and Eve aren't collecting fruit, right? They don't have to store fruit. It's just always on the trees. Totally. So what do I want to eat today? Like, I'll just choose my tree and I'll eat it.
Starting point is 00:42:19 So you're not storing up. And so it's the fruit of the moment in the garden. It's the same thing. But you're just surrounded by it versus the manna. It's like you're surrounded by desert. Yeah. And the temptation is, okay, maybe I do need to store this up. Yeah.
Starting point is 00:42:37 But in both, the temptation is, can I trust that God will give me what I need, or do I take what I think I need? Yeah. Yeah, that's exactly right. So the Lord's prayer then is training us to think of myself every day as being in that wilderness generation. the kingdom of God has arrived I mean my goodness he liberated us from slavery in Egypt
Starting point is 00:43:07 God is king those are the final words of the worship song that the people sing in Exodus 15 after they walk through the sea Yahweh reigns as king that's the final line so it's the king
Starting point is 00:43:20 of the cosmic kingdom leading us through the wilderness and he gives us just what we need for each day so Lord's prayer whether my life happens to be surrounded by abundance or surrounded by a lack of abundance. Or maybe I'll go through both in my lifetime. The Lord's prayer is teaching me to see I'm always actually sojourning in the wilderness
Starting point is 00:43:44 with the cosmic king with me. Well, you could also imagine Adam and Eve praying this prayer. Totally. Right? Yeah. Yeah. It still works. You know, give me today. Yeah. The fruit I need today. Yep. Like, yeah. You know? Yeah. Totally. That could be their prayer. Today, my daily fruit. Yeah. I love that. And don't, I know there's that tree. You told me not to, don't, you know, don't lead me into the test.
Starting point is 00:44:08 Don't lead me into the test. Please. Yeah. Deliver me from the evil one. The evil one's here whispering into my ear. Yeah. Like, don't just trust that God has enough for you. There's something he's holding out on you.
Starting point is 00:44:21 Totally. It could have been their prayer. Yeah, that's right. So it's not a wilderness prayer. It's a garden prayer. Oh, it's a test prayer. It's a test prayer. I guess it's a prayer.
Starting point is 00:44:30 of those facing the test. But it's true, because if I'm in the garden, I still want to view all that abundance as daily provision. Yeah, yeah. And I think it's why I think the wisdom of GSS's teachings I think is teaching us that even when we do have material abundance to treat it and do with it, whatever it takes so that it doesn't catch a hold of my,
Starting point is 00:45:00 desires in my heart. Do you have to pray this prayer once you're a new creation? Hmm. That's what a fantastic question. I don't think so. The ultimate garden? I don't think so. Because the idea is that if every creature is so satisfied, all our desires are satisfied
Starting point is 00:45:22 with the presence and power and goodness of God intimately, then why would I desire anything you have and do wrong to you that all of a sudden I need to ask for your forgiveness anymore. Yeah. Maybe another way to say it is you can't help but pray this prayer. Oh, what do you mean? The prayer is so in tune with your spirit that you're not trying to pray the prayer.
Starting point is 00:45:49 Your life is the prayer. Wow. You're saying because you're living out the desire to only depend on and live by the creative word and goodness of God. and escape every false temptation to not do that. Yeah, it's great. Thanks for that, John.
Starting point is 00:46:08 This is a great chance to go to the question that we got from Gareth, who lives in Leeds in the United Kingdom. You ask a great question about Jesus in the garden. Hi, John and Tim. This is Gareth from Leeds in the UK. You've mentioned a few times in the series that the wilderness is often a place in which people are required to learn to trust God and his will, to see whether you're ready to be in the garden.
Starting point is 00:46:33 In reading the passion narrative, I wondered whether there was a wilderness moment for Jesus when he was in the garden of Githemone, because at that moment he felt separation from the father, and he needed to place his trust in the father so that he could submit to the father's will rather than his own. Is the father testing Jesus at this moment, or is Jesus showing us that the way to trust God in our wilderness times is by submitting everything to his will? Thank you for everything that you and the whole Bible project team do. God bless you all. Yeah.
Starting point is 00:47:04 It's fantastic. So there, Jesus is praying the prayer, right? Well, thank you. Yeah, well, you're remembering our conversations about that. Yeah. And it's kind of cool to think about how he probably couldn't help but pray the prayer. You know, like, he's so one with the father. Yeah, so this is the story where Matthew 26 will,
Starting point is 00:47:27 look at his version, this is verse 36. Jesus went with them to a place called Gassimini. It's actually the Gospel of John that calls it like a garden orchard. And Gathemone is a Greek spelling of the Hebrew phrase, Gat Shemann, which is the pressing floor for olive oil. So it was like where you would stomp on the olives and the oil would start to drain out. So it was all of our church.
Starting point is 00:47:58 And he said, sit over here to the disciples. Well, I go over there and pray. But then he took along Peter and James and John. And he quotes from Psalm, because he's got those in his blood. My soul is deeply grieved to the point of death. It comes from Psalm, I think, 42. He went a little ways and said, My father, if it is possible, let this cup pass from me.
Starting point is 00:48:22 That's a whole hyperlink back to his cup and baptism. But then he says, nevertheless, not what I desire, but what you desire. And you're looking at a translation that says, not what I will, but as you will. And that's how I typically have ever heard the story. Not my will, but your will be done. Exactly. Yes. It's the classic rendering of that.
Starting point is 00:48:43 That's right. It's exactly the same Greek phrases from the Lord's Prayer. And that's the point. Yeah. Which in the Lord's Prayer is... In both cases, it's the Greek word and Thelau, which means what you desire. What do you want? Yeah.
Starting point is 00:48:58 Yeah. Which echoes back to the language of desire and the tree and the snake from Jesus. And the Lord's prayer, it's may your kingdom come. May your desire be done. And so Jesus is praying that part of the prayer. Mm-hmm. He's praying the prayer. Yes.
Starting point is 00:49:13 Now, so Gareth, what you're asking is Jesus. Was he being tested or was he just showing us how to be tested? Yeah, exactly. So one thought is this story is a bookend because this is right before the moment that he goes to get arrested and his trial and so on. And so it really is kind of the culminating moment of his whole journey that began with his baptism and his wilderness sojourning. In that test. And I think Matthew's connecting back. It's only Matthew that tells us that Jesus went back and forth three times to pray this prayer. He goes back a second time.
Starting point is 00:49:54 Disciples are sleepy. He goes back a second time. And then, Then it's the same prayer. And then Matthew tells us he went back a third time, which echoes the three wilderness tests. And remember, the three wilderness tests were all about Jesus preserving his life. Provide bread for yourself. Throw yourself down. In that case, it would be risk your life to force your father to save your life. And then in the third case, it's, you know, I'm going to give you power over all the kingdoms.
Starting point is 00:50:23 So it's all about Jesus securing. On his own timeline and by his own strategy, all the stuff the Father wants to give him three times over. And now here's Jesus in the opposite of the wilderness, the garden, facing another three-fold test. Oh, he also says to the disciples when he goes back, watch and pray so that you don't fall into the test or fall into temptation, which is also from the Lord's Prayer. And also the wilderness story of Jesus began with saying, the Spirit led. Jesus into the wilderness in order to be tested. Yeah. So the question is, why would Jesus need to be tested?
Starting point is 00:51:04 Right. And the gospel authors just give us the narration of it. I think what's important is to say, when Jesus says not my desire, but your desire, father, when he's talking about my desire, we've only ever seen Jesus be completely in union in one. with the father and act according to the father's desire. So, I mean, Jesus, he's going to his death and he knows it. But what he also talks about when he goes back to the disciples and they're asleep, he says, watch and pray, you don't fall into the test.
Starting point is 00:51:45 The spirit might be willing, but the flesh is weak. It's kind of a famous saying, Jesus. So this is a moment where Jesus is bending the desires of his flesh into union with the desire of the father and so in that sense
Starting point is 00:52:04 he's unifying his human will with the divine will that he shares with his father right and to the degree that he experienced that
Starting point is 00:52:15 was his test totally yeah you know there's a moment when whoever wrote the letter to the Hebrews yeah I was thinking about that reflects back
Starting point is 00:52:23 it's a cool hyperlink in the New Testament letters back to the Gospels. Yeah, because for that author, there's something for us that he can empathize with us, is that? Right? Yes.
Starting point is 00:52:37 Yeah, in two places. One is in chapter two of the letter to the Hebrews where he says, since the children, the children are human beings, since humans have flesh and blood, he, that is, the son of God, shared in their humanity,
Starting point is 00:52:54 so that by his death he might break the power of the one who holds the power of death, namely the slanderer, the devil. So he could liberate into freedom all of those who all their lives were held in slavery by the fear of death.
Starting point is 00:53:11 So the first thing you want to say is how did God save people who are dying because they keep choosing their own death through their folly? If someone's tangled up in death, Yeah. So God doesn't just, as it were, from the outside, just scoop them out of danger. God actually joins humans in their mortality and dying.
Starting point is 00:53:39 He shares in their humanity. That's a really big theme in the letter to the Hebrews. So when earlier in chapter 2, then he kind of backs up and he puts it this way. He says, in order to bring many human sons and daughters into a state of glory, which is his word for the resurrection, like a glorified human, it was appropriate that God, for whom and through whom everything exists. It was appropriate that God, who's the creator of all things, should make the pioneer of their salvation perfect, but it's the word teleos complete. through what he suffered. So it was actually by the father sending the divine son so that the son, who's one with a father, would suffer the same thing that their suffer,
Starting point is 00:54:36 but go through it and be completely unified with the father. That's called perfecting or completing the human being. I don't understand the phrase Make the pioneer of their salvation Yeah So it's the father and the son Working in partnership The son of God doesn't need to be perfected
Starting point is 00:54:57 Right Like he's cool But humans really do We're in a bad way down here And we're in a bad way Because of our disordered desires Right? That's the diagnosis of Genesis 3 So what if
Starting point is 00:55:11 The complete son of God became one with incomplete mortal dying suffering humans and then actually completed humanity, perfected that humanity. I think what the author of Hebrews, when he looks at Jesus in Gassimini, he sees the son of God having become human actually finally being the first real human being
Starting point is 00:55:40 who's willing to live in union with God. And if we're wondering how this links to the garden, or does the author of Hebrews really have the garden on the brain, in chapter 5, he really links to it most directly. He's talking about the divine sun in chapter 5, verse 7, and he says, in the days of his flesh. When he was cruising around, Galilee. So once God had become one with human flesh in the person of the sun, he, that is the sun, offered up. prayers and requests with loud cries and tears to the one who could save him from death. And he was heard because of his piety or his devotion to God. So this is clearly a reference to his prayer in the garden.
Starting point is 00:56:33 And he sees that in that moment, Gareth, it's interesting, the author of Hebrews doesn't see Jesus being separated from God in the garden. He actually sees this as a moment of Jesus expressing his devotion to God and being heard because he says the father heard him because of his piety. So it's a moment, I think, of intimate union between the father and the son, but it's because the son was going into death, which I don't know what could be more opposite of death than the infinite, eternal, life-giving son of God.
Starting point is 00:57:12 Like the point is that God is embracing the thing that's the most opposite of God, which is death. This is a great mystery here, but the point is Gareth, the Gassimini story, the testing, is echoing the wilderness, it's echoing Adam and even the garden. It's a way for Jesus to really experience what does it mean to be human and to have to bend your flesh. and the desire of your flesh into union with God and it's interesting that the author here says as he was crying
Starting point is 00:57:49 praying to the one who was able to save him from death he was heard because in the garden story it almost feels like Jesus is saying can I not can you take this from me? Oh sure yeah and he had to drink the cup he had to go through death
Starting point is 00:58:05 but it's interesting that here said he was saved from death So the way he was saved from death By going through death That is going through the sword and the fire Going through the sword and fire Yeah 100%.
Starting point is 00:58:18 And it was, according to Hebrews 5-7 It was his flesh It was the divine son But in a way it was like It was his flesh that was saying Yeah I don't want to go through this This I think
Starting point is 00:58:30 We're so hyperlinking now But this is what the Apostle Paul is trying to name In his letter to the Romans In chapter 7 and 8 where he says, like, in my truest self, I want to do what God commands. Right. But my flesh. So when God says, do not covet, do not desire.
Starting point is 00:58:49 And he says, what does my flesh end up doing? Desiring all this stuff that's going to kill me. And that's why he says, wretched human that I am, who will save me from this dying body. Yeah, man, that story in the garden is worth a lifetime of prayer and pondering. because it's the moment when the truest version of what a human is meant to become is what's happening there and it's when God becomes human
Starting point is 00:59:16 to be that for us, so remarkable. So that I can meditate on that story and be like, that's who I can be today. I can do that. Yeah, I am capable of. It's going to be hard because I'm in a version of my self and my body that has all this disordered stuff going on.
Starting point is 00:59:35 but it can be bent into union with God's will. Jesus did it. Yeah. And because he did it, because he can hang in the wilderness. Yeah. If I'm with him. If I'm with him. I can hang too.
Starting point is 00:59:47 If I'm with him, I can bend my will, my desire. Or really, is it me bending it at that point, or is it him bending it for me? That's a great question. Yeah. Paul just said it both ways. To the Philippians, work out your salvation with fear and tremble. Yeah, bend it. Because God is the one at work in you, both in your doing and in your desiring. Oh, yeah? Is that how that says?
Starting point is 01:00:13 That's what he says. Oh, wow. And so you're like, is it me or is it God? Yeah. Paul's answer is absolutely 100%. How could it ever not be both? Yeah, but it can't be you on your own. No. Yeah, you on your own is just an illusion that's called not existing. Okay. So this has been a very rambling meditation on your question, Gareth. But it's a wonderful question.
Starting point is 01:00:39 I'm so glad you asked it and brought that up. Yeah. And we're out of time. Yeah. And there was many more questions, but... Always. That's a great place to end. Thank you, everyone, for your thoughtful questions.
Starting point is 01:00:53 And for engaging with this topic and then reading through the Bible with us in such a meaningful way. So cool. Yeah. We love knowing, especially these Q&R episodes, hearing from y'all. It's really just a fun reminder that as we sit in this room by ourselves talking into microphones, that we actually are participating in a big Bible reading community. We're learning together as we go. Yeah.
Starting point is 01:01:18 Okay. Well, why are we doing this whole thing that we call Bible Project? It's a great question. We are trying to help people. experience the Bible as a unified story that leads to Jesus. That's what Bible project is, a non-profit media studio, making all kinds of stuff to help people have that experience. Yeah. And we are able to make everything not because it is free to make, but it's all been paid for by generous people, which is so wonderful. And we're thankful
Starting point is 01:01:52 for everyone who has participated in making it with us. This podcast is produced by an amazing group of human beings. Check out the show notes to see some of those names of those images of God. Thanks again for listening, and we will see you. In the next episode, we're going to start a new series on all of the key words associated with Advent leading up to Christmas. It's going to be fun. Thank you.

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