Big Bro with Kid Cudi - Kid Cudi & Brittany Snow Get Intimate About Sex Scenes & Perfect Playlists
Episode Date: June 17, 2026My hg Brittany Snow is here and we're giving you the inside scoop about what really happens behind the scenes when you're shooting sex scenes together. We get into how our off-screen friendship transl...ates into on-screen chemistry, her work in Hunting Wives and her AMAZING music taste. I ask her to make me a playlist and she reveals the two big things she nerds out on... glowsticks and aliens. It's officially Disclosure Day y'all, get into it!! 🌝👽🚀 My hg Brittany Snow is here and we're giving you the inside scoop about what really happens behind the scenes when you're shooting sex scenes together. We get into how our off-screen friendship translates into on-screen chemistry, her work in Hunting Wives and her AMAZING music taste. I ask her to make me a playlist and she reveals the two big things she nerds out on... glowsticks and aliens. It's officially Disclosure Day y'all, get into it!! 🌝👽🚀 subscribe for new eps of Big Bro launch every Wednesday 🚀 https://www.youtube.com/@BigBroCudi Big Bro is a Wave Original. for more good vibes, tune in everywhere @bigbrocudi instagram.com/bigbrocudi tiktok.com/@bigbrocudi Learn more about your ad choices. Visit megaphone.fm/adchoices
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I asked them weeks before we filmed
Yeah, I bet
About this
I was like, dude
I'm really nervous about some of these sex scenes
Like, how are we gonna shoot this?
I think there was something like
30 to 40 sex scenes in that movie or something
I mean we didn't know each other at that point
But really we would have known each other real quick
Yeah, yeah, yeah
What's good y'all
Welcome back to Big Bro with Kid Cuddy
A Wave Original
I mean Big Bro, Scott
Coming to you live from the attic of my mind.
This week, I'm hanging with my good friend,
one of my homegirls, Britney Snow.
She's a brilliant actress and now a brilliant director.
She has an amazing, eclectic taste in music,
and we do a table read of the most classic scene from Titanic.
So kickback, bye about, and enjoy.
See you on the other side.
Okay, Brittany, thank you for doing this.
Welcome to Big Bro.
Of course.
I have only a matter of time.
I mean, this is like you're my, you are my,
my big bro. Oh, really? I mean, you're not much older than me, so I'm like, I don't want to feel like
I've just aged you. But yeah, you're definitely like a brother to me. I mean, you're a little
older, so. But we're family, though. Yeah. I like that. You know, we've been cool for a long time.
We were actually, I think this was 2015. We're going to do a movie together. Yeah. And we had
the lunch meeting and we met for the first time. That movie was crazy because we would have been having
sex throughout the whole movie.
Yeah, it was about...
It was intense.
A love addicts.
A little bit about what that movie is.
It was about a sex addict and a man with testicular cancer and we get paired up and go on
this like adventure and you were the first choice for the lead and I met you that day at
lunch and we just really hit it off and then of course schedules didn't align and we would
have been, I think there was something like 30 to 40 sex scenes in that.
movie or something. So we would have just, I mean, we didn't know each other at that point,
but really we would have known each other real quick. Yeah, yeah, yeah. But then we ended up doing
X, so we ended up finally having sex on camera. I feel like going into X if I didn't know
the person, if I didn't know you, it would have made it more nerve-wracking for me. But the fact that
we were almost about to do something like this in another movie and we had met and we hit it off
and I just felt your energy,
I went into this, like, totally comfortable.
Like, I feel like I'm going to be safe.
I felt the same exact way.
I've actually never thought about it until just now.
But, yeah, it reminded me that when we showed up on X,
we already felt comfortable with each other.
And I don't know how exactly,
because we only met that one time at that lunch meeting,
but it was instantaneous, I think,
that we knew we were going to be safe with each other,
especially in that type of role
where we had to be so vulnerable.
A lot of that stuff,
like, we did like maybe a couple scenes where we were both fully nude, but a lot of it was like,
I had pants on, you had sweats on.
Oh, yeah.
Or like, you know what I mean?
Like, it was, we were able to, and that was the cool thing about it is that, like,
Ty wanted to make sure we were all very comfortable with what we were doing.
Definitely.
Because it was some gnarly shit.
Definitely.
I mean, I've had later scenarios where I've been in sex scenes, Hunting Wives, I'm in precarious situations a lot of times.
And Ty really set the standard for me of how sex scenes should go in terms of making sure you know the shot, where the camera is.
Are you comfortable with this angle?
This is exactly what is going to be shown.
So there's no questions and you can be free because you know the parameters.
And that was super important to us.
We were like, there's this one thing going to be seen in this frame and you can have freedom because you know where it begins and ends.
You're right.
Like having a director that can articulate and articulate and.
explain like, hey, this is what we're going to do today.
You know what I mean?
That is super helpful.
Oh, definitely.
Because you could have some directors that are just like, I don't know, we'll figure
it out and blah blah blah.
But like, Tyre really knew, like going in.
I asked them weeks before we filmed.
Yeah, back about this.
I was like, dude, like, I'm really nervous about some of these sex scenes.
Like, how are we going to shoot this?
So this set represents the attic in my mind.
So if this was the attic in your mind,
what will we see that represents young Brittany?
I really, really liked Mel Brooks movies growing up,
Robin Hood Mentites.
That was my favorite movie as a kid,
and it really bonded me with Anna Kendrick
when we did pitch for a big one
because it was one of her favorite movies too,
and we used to quote it to each other all the time.
But the absurdist humor,
that sort of like camp in a way that I didn't know
what camp was when I was a kid.
Obviously, I just thought it was funny.
But I do feel like it informed my sense of humor, which is sort of weird because it's so outlandish.
But that's not what happens, though, right?
The shit that you discover when you're a kid kind of shapes your taste about things?
Oh, definitely.
And I used to watch Meg Ryan movies pretty much on a loop.
And I do feel like it was both, you know, nature versus nurture.
It was definitely nature, but also I think watching that many Meg Ryan movies shaped my personality
a lot because I just wanted to be like that for some reason when I was like a really little kid.
You mentioned Mel Brooks. Did you hear about this baseball sequel?
Yes, I did. And I'm nervous. I'm geeked, but I'm like some things I don't know.
Should they be remade?
You're like, I don't know. This is a big swing, guys.
It's a big swing.
40 years. Yeah. There's some things that maybe need to just live at that time. I'm not saying that it's not going to be
I'm just, I've got high hopes.
The part that lets me know that it's going to be fire is that Rick Moranis came back
after being retired.
Right, right.
I didn't know that, but that is really good.
And he didn't say, he turned it down.
I did know that part.
Yeah.
So for him to come back, like, oh, I'm about to do this is like, what was that script?
Like, you know, like, what did he read?
Well, didn't he like go away because he wanted to just be Rick Moranus?
the dad and just be, which is in my mind, the quintessential dad.
Every dad is Rick Moranis in my mind.
Because of that age that I was.
But so it's so cool that he took that leap where he didn't even do anything for so long.
I mean, maybe it's because his kids are grown and he's in a new phase where he wants to come back and, I don't know.
Yeah, I mean.
Fulfilled a dad dream.
He was on fire when we were kids.
Oh, yeah.
I mean, he was doing movies left the right.
He was the Tom Hanks of child movies.
So many bangers.
Yeah.
Right?
Rick Moranis, he's like, my dad.
I grew up watching him.
I don't know.
I'm just really thoroughly excited about this movie.
Well, all of those types of movies sort of unlock the nostalgia in your brain,
that sort of scratch and itch that you are longing for as an adult because you want to believe in movies again.
Like you want to like go back to that childhood thing where it was all so new and, you know,
you could just lose yourself.
And so I think all those movies that are being remade
that kind of liken back to our childhood
are just really special,
even if they don't do with them perfectly.
But you know what movie,
and I'm not just saying this because I'm in it?
Maybe you are.
But I really, because there's some movies I've done that, you know,
I know I know I got some duds on my filmography.
But this in particular, I felt like you.
was happy Gilmore 2.
Oh, yeah.
I was excited, but I was nervous.
You know what I mean?
Because it was like, all right, we're so high up now.
You know what I'm saying?
It's been so many years since the original.
How are we going to be able to make this work?
Like, how are they going to be able to, like, bring nostalgia,
but make it feel fresh and new?
Mm-hmm.
And they nailed it.
Mm-hmm.
You know?
Even if I wasn't in that movie, I would have enjoyed it.
Yeah.
You know?
And, like, and I'm a huge Adam Saylor fan.
Oh.
Me too.
Like huge Adam Seller fan, right?
We, I'm, you're same as just me, so we go on all these movies, you know?
And, okay, so no, I never got the script.
I only got my scenes.
So I didn't even know what story was.
And so I was even more, like, my scene was really funny.
But it was like, man, like, I don't know how this is going to play.
Like, I hope, I felt that they were going to do a good job because I know Adam Seller,
I feel like he has good taste.
Like he's not going to just fucking ruin a franchise that people, you know what I mean?
He's just one of those people like, like, that's actually like another question I want to have.
Because I was going to say Adam Sandler is one of those people that like no matter what he does, I'm going to show up at the theater, right?
Who's the actor in your life that no matter what movie they do, like you're going to fucking show up?
You know, there's a lot of actors like that, you know?
Like, it's a Tom Cruise or is it Tom Hanks or, you know, Will Smith or Denzel Washington, like, who's that one actor for you?
Hmm.
I would have to say, like, my 90s icons that I just always grew up watching, like the Julia Roberts, Claire Dane's, Gwyneth Paltrow, I mean, Sandra Bullock, like, those ones that I grew up watching and wanting to emulate and just thinking, I feel like I get that sort of, that, that, that's the thing.
thing that they're not that I can do it but just that I understand why I like that and why
I gravitated towards that and so um yeah I think I see pretty much every
Sandra Bullock movie especially like we love Sandra we love Sandra we love Sandra we love
she just of course who doesn't our newly Instagram's um ignoented person she just signed on
to Instagram a couple days ago yeah that's gonna get a follow man Sandy she's another
actress that like I grew up watching you know what I mean I always thought she was amazing she's amazing
I mean all of those I think have this sort of relatability that you just are excited to watch the choices that
they make even if they're not yours they're just so captivating and when I was casting parachute the
movie that we did that you thankfully did with me we kept wanting to cast the lead and I was like
there's something about how to cast a lead
girl, you want her to sparkle.
And I feel like Sandra Bullock, Julie Roberts, Claire Daines, they have like a sparkle to them.
It's not outwardly.
It's like inside.
And so I think that that's why you just sort of gravitate towards whatever choice they make.
Yeah.
It's funny you brought a parachute.
I was something I was going to ask you about, so we might as well get into it.
I just like drop my own movie.
No, but this is great because, you know, I just directed my first feature.
I know.
I was so excited for you.
I'm excited for you to see it.
I think you'll really enjoy it.
It looks so beautiful.
Yeah.
I mean, the shots are so stunning.
Thank you.
Yeah, I sent you some stills.
Yeah.
Some stills.
Yeah.
I mean, and I just really have so much respect for you as an artist, as a director, as an actor.
And, you know, I kind of want to ask, you know, how did Peritude come to life?
Like, you know, and I know that I know that.
the subject matter was a very personal story to you.
You know,
so maybe you can explain a little bit.
Yeah,
I mean,
I think that's why,
not to bring it back to you and I and our friendship,
but I think that's why we connected so quickly
because we both have a mental health awareness background
and we're both so open about our struggles and have been.
And I think we sort of recognize that in each other,
that we were some of the first people to,
make it known that this was something that we were struggling with at a time that that wasn't
necessarily the most topical thing right right and um you kind of find your family in that of like
oh yeah we recognize that that took a lot of guts i guess if i want to say that about myself but i think
parachute was the next step for me in in doing something about it where and i'm sure you have the same
sort of thing we're like we have to do something with this story or else it's just going to bottle up
inside of us and be used for nothing. So we might as well try to have it feel like a story that
people can take and feel less alone by people always said, you know, if you want to write something
and direct something, it should be something that you know the most and that fuels you and wants
you to get up in the morning and you can't stop thinking about. And this movie was always that for me
because I didn't have a movie about addiction or eating disorders or mental health when I was
going through it. Not really. I mean, Requiem for a dream or something like that was so far removed
from my experience. Mine was very much like a niche experience where no one was talking about
eating disorders in this way. It was like after school specials or it was, you know, I think there was
like a documentary called Thin that I had watched. But there was no narrative story about trying to
live your life with an eating disorder and it not just being about the eating disorder itself.
And so I wanted to make sure that I did something that little Brittany would have wanted to watch.
Yeah, yeah.
And you were in it, and you did an amazing job.
And I thank you so much for doing it.
Of course.
I connected with the script.
I connected with the story.
I loved everybody involved.
I trusted you.
To be a part of your directorial debut was, you know, that's kind of a flex.
You know, I mean, I can always.
that I was in Britney's first movie.
I mean, I hope I continue on with it where it matters,
where you're like, it was one of many.
I have to do, I have to do it again for it to, like, make a difference.
Yeah.
I'll definitely do another movie.
I will, definitely, yeah.
I mean, that's, it's, you know, I know you got the itch now,
not that you've done it and you can,
and you prove it to yourself that it can be done.
Yeah.
I mean?
Oh, yeah.
And that's kind of like where I'm at with my movie, it's like,
I was starring in it and directing.
Mm-hmm.
You know?
So it was like,
I was really nervous going in.
I was like, am I going to miss certain things
because I'm a lot of the character.
I cannot be over here and be in the scene at the same time.
But it was honestly the smoothest experience
because I had a great team around me.
I had people around me to let me know, like, yo, this is fine.
like we're good.
Yeah.
Because that's another thing too.
Like when I'm acting, I don't really look at playback.
Oh, God, no.
And that was the thing.
It's like I had to look at playback.
Right.
To like make sure the shot was good.
And then it got to a point where I was like, I can't do this.
Yeah.
I don't want to see it.
And how did you not change your performance according to what you saw?
So it was after the day, right, when I saw the deal.
Yeah.
But like the next day.
It was okay.
because I was able to like,
I knew the character so well
it wasn't like hard for me to go there.
I mean?
Like it was,
because I wrote it as well.
So it was,
I had that on my side,
the fact that I knew this character through and through.
So yeah,
that kind of,
that helped out a lot,
you know?
But I have this itch.
Like I want to make my next movie.
Yeah,
Yeah, well, of course. After you do it once, it's sort of like an addiction in itself.
Yeah, I know you had a high when you saw the first cut of the movie.
Oh, God, I don't know if that was a high. I think I had a nervous breakdown.
Really? Why?
Well, the first cut of a movie, as you probably know, or have you guys seen a first cut?
Yeah, but it's awesome.
Oh. You had a different experience.
I was awesome. So I strategically had an editor, edit the day scenes.
at the end of the day.
Oh, right.
I didn't have money for that.
Yeah.
Well, my shoot was like $350,000 for a movie.
We shot in the nine days.
Oh, shit.
I didn't know that.
Okay, so you had less money than me.
Yeah, yeah, yeah.
But that was an important factor that I think I would do differently
when I do it again for sure.
It was important because I was like,
by the time we ended up finishing the shoot,
I wanted to have a full finish movie you see.
You know what I mean?
And then we can edit and take our time
and do what we have to do.
You know what I mean? Because it's nice to be able to, you know, the next morning you see a finish cut of something that you just shot the day before.
And you can know, oh, man, okay, I think we need to add this. Or in between these two scenes, I think something needs to happen.
And that was a lot of, a lot of that was just like, the movie was, we had things planned.
But then some days we just look on the street and go, oh, man, let's shoot down there.
Yeah. That's so fun. Yeah.
I mean, it did help a lot during parachute. I'm not going to say, who.
it was, but someone gave everybody
COVID.
It wasn't.
It might have been you.
But it was, it might have been.
It was not me.
It was all you guys.
I didn't get it.
I didn't get it.
I didn't go.
No, you weren't there.
Yeah, I was directing.
I didn't do anything fun.
People were doing karaoke.
Yeah.
All in the microphone.
Yeah, yeah, yeah.
And then all in my face.
And like, I remember I got karaoke.
And it was so funny because everybody else
I got COVID, they didn't say nothing.
Well, anyway, you didn't give us COVID.
it. But someone gave...
Someone got us all sick, but I didn't get it. Thank God.
Because I was shooting. But I had like a two week break in between a shooting, which was
not planned because everyone, we had to shut down and everyone had to like, you know,
quarantine stuff. So I got two weeks to just look at the footage and put it together.
And I did find it really helpful. I adjusted things in terms of the movie because
I could see it easier than me just being in it.
I kind of saw it from a macro view.
And so I made some really big adjustments
that were hugely beneficial.
And I think I would do that a lot
if I was watching myself,
which I think maybe it would be a negative thing.
But that's my next goal.
Like it's funny because I did this short film with Shia
back in 2010, right, called Maniac.
And like, after every take, I was like looking.
because it was like my first, I think I did how to make it.
I was doing how to make it at that time.
Maybe it came out that year, but I was still very much new in front of the camera.
Yeah.
So I would look at playback every time, you know?
And like, I didn't realize that Shia noticed this until, like, he did my documentary.
And he talks about, like, you know, Scott likes to, like, look at the performance and try to, like, shape it based on what he's seen.
and shit.
And I was like, fuck, I didn't do that.
I did this to do that, you know?
And I was like, fuck, I kind of stopped doing it.
That's not, that's not always a negative thing.
I know some pretty big actors that do that.
Yeah, really?
Yeah.
But I feel like there's, there's no way I'm not going to be in my head.
Right.
Like, damn, man, I should have fucking said this.
Or damn, my reaction should have been different with her reaction.
Yeah.
She said.
Or like, damn, I should move my body to the left.
Like, it's even, even vain shit.
Like, damn, I should have kept.
my chin down.
Oh,
yeah,
yeah,
you know what I'm saying?
And it's all,
it's all shit like that.
Well,
as you and I both know,
I have a gold medal
in worrying and anxiety.
It's my number one talent.
And so I feel like there's boundaries
that I have to put around myself
when it comes to my acting choices,
directing choices,
things like that because I know that,
I mean,
I'll be up researching,
like a Dyson hair dryer
for like,
30 minutes and I'll be thinking about it just over and over again and all the different
scenarios and will I get here in time and does the image packages like will it be out in the rain?
Is it going to rain?
Like I'm a crazy person when it comes to worrying.
So I think directing for me was sort of an exercise in having to like put boundaries on like what I could worry
about and then things that I shouldn't be worrying about.
And it was actually sort of nice to know where that began and ended.
And one of those things would be like I would have to have to have.
boundaries around what I'm looking at when I'm looking at myself. So that's my next goal is being
in a thing that I, that I'm also directing. Nice, nice. I'll be coming to you for advice.
Oh, yeah. Yeah. I mean, my only real advice is just to make sure you got the dope-ass crew.
Yeah. People you trust. Yeah. People don't come to you like, yo, you might have to do it again.
Definitely. Yeah. Because if you don't have that, you just be shooting fire and nobody feels the balls
that come on to you and say anything. And then you are not having the best performance.
And also the ego check that you need to listen to them because a lot of times you have this sort of vision, especially as a director, that this is the movie you're trying to make.
And when somebody questions you on that to actually take the inside and not be like, no, no, no, this is what I want because you could be very wrong.
And it happened a lot.
You're seeing it from a sort of perspective in there out here.
Yeah.
So it's it will behoove you to listen to people around you.
They're not, we all want to make some questions.
Any excuse to use the word behoove.
Exactly.
You know what I mean?
But like it's important, you know, like if you don't have that trust with somebody on your crew, like it's just not going to work.
Yeah.
You know, like I've heard, like I've heard many people before I did this movie, many people come up to me and be like, you want to act and direct a movie?
It's a bitch.
Don't do it.
I just did it.
It's a nightmare.
Oh, really?
Like, just multiple people would have come up to me and said that.
You know what I mean?
When I voiced it, I want to direct and star in ball of movies, you know.
People always shot it down.
And this, that was not, like, I want to do it again.
Like, I did not have, like, a bad experience.
Well, that's very inspiring.
And maybe I'll be more brave to do it myself.
That's my next goal.
I've got some things brewing.
So I'm going to definitely have something for you in one of my movies.
I still want to play Crazy Bitch.
Yeah, I know.
So I did this movie.
I did this movie.
You guys know, I've talked about it before.
It was on this way to be made and it's kind of in limbo right now.
I did this movie called Teddy.
It's about this much older man who grew up in privilege
and still lives at home with his mom and doesn't do anything with his life.
And he's just kind of like a loser, you know?
He does drugs at parties.
and there's this character in the movie
that I have in the script
her name is crazy bitch
and she's this girl that used to date
one of my friends and he kind of like ghosted her
and she just like lost her mind
and like...
I just wanted to trash the house
that was what I was looking for.
This is one scene when she comes over
to the boy's house
and like she has like a knife
and she like tries to like kill them.
It's crazy.
The movie is a comedy.
The movie is a comedy, but this scene was like really gnarly.
But I wanted Brittany to play this character because...
I don't know if I should be offended that I came to mind right away.
It really was...
I'm honored.
It really was, I know your chops as an actor.
Thank you.
You know what I know?
And I know that you could have executed this character like to the T and made it even iller.
You know what I mean?
Thank you.
And I love that.
After you read this script, you were like, I'm down to play crazy bitch.
Oh, yeah, it's actually to do right away.
I was like, get me in there.
I've been waiting for this my whole life.
Trashing a guy's house.
Never done it.
Can't wait.
Well, this movie has to be made.
Mokhtren actually, this came up to me like two weeks ago.
It was like, what's going on with Teddy?
And I was a little nervous because the character is a little younger.
And of course, I'm not so young anymore.
I'm still young, but I'm not like as young as the character.
The character when I wrote it was like 28, you know?
But I just have to rework it and figure out how we're going to do this movie.
But when it happens, I will be reaching out.
Great.
Can't wait for that to be the signage after my name.
Rudy Snow is crazy bitch.
We got to do character bolsters?
Yeah, yeah.
It's just that.
I don't want a name.
You look in your eyes?
Just like, yeah, no.
That's it.
Oh, man, music is such a big part of your career.
You've done a lot of it.
Who are some of your favorite?
right now, like what's one artist, or a few artists who you could, if you can name them,
that are new, that have really shucking you up, like, you know, that, you know, have the great
albums, but also amazing live performance.
This is a really sad song, or a really sad story, but it's a good story. There's this stand
called Aquillo. They're British, and I found them in, like, 2017, and I, I am a very
introduced my dad who has pretty late stages of Alzheimer's. And I talk about him a lot. And so it feels
like I'm always like saying this sob story. But it's just like a part of my life. It's not something
that I feel bad about. But I introduced him to their music like in 2017 when it was sort of like
early onset. And he just really liked the music. And now he's pretty progressed. And he doesn't
have any. He's like nonverbal now. But he when I play,
this band, Aquillo. They're like young kids. They're like our age. I play these two songs for him,
one called Low Light and one called Waiting. And I've seen them in concert. I've seen Aquillo in
concert, but, and they're like magical and beautiful. But I play these songs for my dad, and he
somehow remembers me first playing the band for him in 2017. And he moves his arms and he gets
like lost in it and he all the only word he says is beautiful and it's just the most
soul touching thing that songs can kind of transcend space and time and and all these things and
I know this is like a really um sappy answer to your question but I think bands like that and I sent
them a DM and I was like I just wanted to let you know that this is you know something that's
life changing for me and they were and I was like if I was an artist and I did this I would want to
know that this was sort of something that my music touched in this person's life.
And my dad's 86 years old.
You know, he doesn't, the reason that he's responding to these, like, 35-year-old guys in
London is something that, you know, I can't understand other than he appreciates great
music.
And I got my music taste from him.
And so to answer your question, I guess it's like bands like that that just have that,
that's something that transcends and moves you and can move people.
when they're going through a hard time.
I mean, that's like why I feel like music exists.
I mean, that's why so many people love you, too,
is because you've transcended a lot of people
from an emotional, mental space
and made them think about their life differently.
And, I mean, that's what I would hope you would want to do as an artist.
Yeah, I think I can go to sleep in night
knowing that, like, I've been on the right path, you know, as an artist.
Granted, I've had my personal struggles, but the art always was what was supposed to be true and honest, no matter what I was doing it.
When I was doing cocaine, guess what? I mean, I'm about cocaine. When I was happy, I'm about being happy.
You know, like it's all, and I do that because I know, to your point, like, I know it's going to help people.
and get them guidance.
And, you know, as people, as celebrities,
like we're often put up on the pedestal
and it's like, it's almost like we can't be human, right?
It's almost like, wait, they're celebrities,
they don't experience human emotions,
like things that know what people deal with.
But that's not the case.
And I think that that's the thing that worked with me
is that people saw a rapper,
this type of genre that's used.
usually like braggado show like you know like confident all this you know and we saw somebody be like vulnerable
you know and I think that that is you know the the special thing that happened with me is I just
opened up my heart and I was like this is Scott Mascady and this is like an SOS to anybody else that feels like this and if you're out there
here I am.
Yeah.
You know?
But that's, I mean, I feel like that's what being an artist.
And I, you know, it sometimes feels weird to call myself an artist because I feel like I get to do like the coolest job in the world.
And I'm not sure I'm like sometimes making art when I'm just standing and saying a line.
But I would imagine and I think that that's the reason that people connect to artists is because of their own vulnerability and the lens in which they see the world.
I mean, we were not going to see.
a character in a movie, we're going to see that person play that character, that person that's
bringing their life experience and why it's like bringing and transcending the like line between
a performance and you're like crying with this person just because they said a line, it's because
you like see the fact that they've been through something like that. That's how I act at least
anyway. So that's why people gravitate. I hope towards me, but definitely towards you,
is the vulnerability.
I think that is exactly why people connect with people like us, you know, and we need more
of that in this industry, people just being open.
I think it's changing.
It's definitely changing.
It's definitely happening.
Yeah.
And not to give ourselves pat on the back, like, over and over again.
But, like, I think that the more people who do it, the more safe it seems that people
understand, like, oh, nothing happens, nothing bad.
There's no judgment.
more. This is normal. Yeah, this is normal and everyone is going through something. And so
I think that the more that we do that, the more safe and held people feel to do it as well.
Is there a certain song that's helped you do hard times that you connect them all, you know?
And who's your kickety? I mean, Oasis, that whole album, weirdly enough, Van Morrison, but he was an artist that I used to listen to with my dad,
lot growing up and it takes me back to like a good, good memory and a good time. There's this girl lately
also British named Eleni Drake and she's young-ish but she's just got some of the most beautiful,
beautiful songs that I've heard in a long time that I really, that I really love. There's this
Australian band called Paper Kites. Do you know them? No. I've seen them in concert a lot of times.
I think I want to have you make me a playlist. That is,
did I want hear this? This is a huge honor.
This goes back to something I said on the podcast
other day about how like girls are like the gateway to cool shit.
Like I need you to make me a playlist because
I feel like your
your knowledge on music is so vast.
I feel like you have a crazy eclectic.
Yeah, it's very eclectic.
Yeah.
Bucing pot and bunch of different shit.
But it's also, I think the,
the through line is that all the things that I like have to, like, move me in a way.
Right.
I either have to be moved to dance or I have to be moved to cry or I'm, like, transported somewhere.
I don't like just, you know.
But I guess that's how I live my life.
I'm just an emotional mess.
Well, that kind of goes to my next question about, like, what the yang did that, like,
what songs put you in a good mood?
Like, what's a band or an album then?
You put it on you, just, like, feeling fucking great.
I have a whole album that's sort of like, like a trap, like trap, rap.
Because I am a 2008 Coachella girl at heart.
I am still in the club when it comes, when I'm in my car.
And I will always be that girl.
And I, you know, like, I really was into, like, glow sticks and raving when I was, like, in high school.
and see you bet i wish i had some glowsticks i wish i knew this information because i would have some
techno music playing oh yeah and i would have some glowsticks and we would just be like
you can do like birds you can do like all certain they yeah i actually one time went on a talk
show and did that and that was it was too soon going on a talk show at that point in my life
doing glow sticks it was too soon nobody was doing that and it did not get received well
i was like 24 25 and i thought it'd be quirky little thing that i did
No, it was weird.
It just was flat out like, what?
Oh, my God.
Oh, bad.
So let's switch gears here.
I want to do this table read.
I've been doing this thing on my show where we read scripts from movies, popular movies.
Okay.
We're going to do Titanic today.
Yes, I'm really excited about my British accent.
Jack and Rose Drift of the Blazing Stars.
The water is glassy, with Oriental Faitis, undulating swell.
Rose can actually see the stars reflecting on the black mirror of the sea.
Jack squeezes the water out of her long coat,
tugging it in tightly around her legs.
It's getting quiet.
Just a few more minutes.
They'll take them a while to get the pulse to realize.
Huh?
No.
Don't say you goodbyes, Rose.
Don't you give up.
Don't do it.
I'm so.
We're going to get out of this.
You're going to go on and you're going to make maibis,
watch some bro.
You're that die in a old lady.
while in your van.
Not here.
Not this light.
Do you understand me?
I can't feel my body.
Listen to me.
Listen.
When in that ticket was the best thing never hurt.
It brought me back to you.
And I'm thankful, Oros.
I'm thankful.
He missed to me his honor.
Harlust be you will survive.
Then you will never give up.
No matter what happens.
Turning into an action, movie.
No matter how hopeless.
promise me now and never let go of that promise.
I will never let go, Jack.
I will never let go.
You're kidding.
Did I make this up?
She has a British accent in the movie, right?
Yeah.
I haven't seen it in a while.
I think so.
I'm flying, Jack.
I'm flying.
Wait, did she have a...
Maybe she didn't.
It's okay.
It's the multiverse.
Well, Kate Winslet has a...
She hasn't...
And I wanted people to know that was her,
so that's why I did that.
All right. So this is the end of the show where we do the wrap up. It's just a bunch of rapid-fire questions. I ask every guest these questions.
Kind of just fun stuff. All right. You ready? Yeah.
What is one thing that you nerd out about that might surprise people?
Aliens. Aliens. Aliens and ghosts. Okay.
I'm a big ghost and alien conspiracy theories. Like the 12 scientists that went missing recently.
Oh, really?
Mm-hmm.
They know some stuff like time, space, travel, quantum physics.
Anyway, they were researching some shit, and they're all dead now.
By mysterious circumstances?
No way.
And I really love, yeah, I love ghost stories.
I'm a big believer in anything metaphysical, which is cool.
Maybe if not that I always believe it, but I do like that high that you get,
when something proves to be right.
Or someone tells you a story
and you get the little goosebumps on your body
because you're like, I know that that's true.
I nerd out on that real hard.
You know, I'm someone who believes in aliens and ghosts.
Yes.
You know, I wish we had some solid answers about aliens.
We do.
We do.
Just going on that rabbit hole.
Yeah, yeah.
I'll see you to go all days.
It gets real dark.
What would you say as a go-to karaoke song?
Gangsters Paradise by Cluelo.
I know every single word, and I don't even have to look at the monitor.
We got to go out and do some karaoke one night.
Okay, yeah.
What's yours?
I don't really do karaoke often, which is I'm down to do it with you.
Yeah.
But I just had to do karaoke, like in the beginning of the movie,
they meet at a karaoke bar
and I like woo her
and sing her or song
That's so funny in Parachute
You are the karaoke person
Where they meet
Whoa
When I sob and I have to do this and this
I was like man I did this before
I'm everyone making the big karaoke
Yeah yeah
But
So it's a really dope thing
So we
The director had us
Meet up all three of us
And just do karaoke
One night
Cute
Just have some drinks
And doesn't carryoff
If you just to like
loosen up
And know each other and shit
I feel like we did
Ying Yang Twins whisper song
That's really funny actually
It's like not a song that you want in karaoke
It was so crazy right
I'm like
I'm like
I'm like
I'm like
I'm like
Why do we pick this?
Why did we pick this?
It's instant bonding
Yeah
What's your favorite
Kid Kuddy song?
I knew you're saying
You know what one is really
special for me and there's like a long
tangent that goes along with this
I was going through a really
hard time a couple years ago
and you became like very
supportive of me
and we texted and called each other
a lot because I was going through a rough patch
and you came out with Porsche
a Portia Toplis
and I sent you
a video of like me and my
girlfriend's just drunk like listening
to it or whatever and it sort
of signifies to me
a time that, like, you helped me get through that time in, like, a lot of different ways, you know?
But that's beautiful.
Yeah.
It's beautiful.
And Fortune Topps is, like, one of them songs that, like, you know, it's a good one, you know.
It's like a, like, bangor.
Yeah.
Yeah.
Oh, shit.
You hear you hear those fours?
It's like, baby, brim, baby.
Y'all I'm serious.
Mario Kart?
What's going on?
Yeah.
It sounds like Mario Kart.
And actually, it's funny because I was going to put,
Mama Mia in the beginning of this song
I was like as a joke
Oh my God
Because it felt like Mario Kart to me
Well I was like no people were going to be like pissed
Why can't he put Mama Mia in the beginning of this song
That's really bad
I almost think about it now
I'm saying it out loud
I should have did it because it was just such a goof
I should have in that
But that's a really good tidbit of information
That now we have in our hearts
What's a favorite place of yours
As you travel to?
That's a really good question
I've never been really to Paris
and I've always wanted to go, and I know you are now so connected to Paris.
Yeah, I mean, we should go out there together.
I would love to, because I do feel like that's the type of place that I would fall in love with.
I went to Monte Carlo and different places, like, in the south of France, I've been to Cannes.
But I don't know, I'm a city girl, so I think that that's going to be my vibe.
Yeah, you were really falling in love, Paris, and the food is amazing.
You know, so we'll start off the trip, me, you, and Lola, we'll go out there, we'll kick it, you know, we'll put you on all the dope spots.
Well, yeah, she just seems like she's in the know of all of that.
Yeah, yeah, yeah, she is.
But, you know what's funny?
Like, I remember I asked her, I was like, babe, I'm going to do something romantic in Paris.
Do you know where all the romantic spots are at?
And she was like, no.
It's Paris.
No, no, she was like, no, she didn't know where the romantic spots are.
Oh, that's good, actually, because she hasn't been, she has never dated anyone before you.
Well, I think that that's the things she says about American culture.
We have this thing where, like, France is, like, at the center of romance and all these things.
And, like, people that live there, they don't have that idea about Paris.
Right, right.
See it that way.
Of course.
You know what I mean?
So, like, I don't think that she's dealt with a lot of, like, it's not like Emily and Paris, like handsome Frenchmen are like, hello.
What is your name?
I don't think Emily and Paris is probably the standard of Paris.
I mean, I don't know, just a guess.
People watch that and think that that's like what it's like, you know, out there.
But it's, it's surprising.
People thinking that, like, that's Texas.
Actually, it might be.
Yeah, who knows, but I think that is a little bit.
When is the last time you were starstruck?
Oh, my God.
I get starstruck all the time.
But I worked every day with Claire Daines for a couple months,
doing the show called Beast and Me
and she was my like
epitome of what I wanted to be
when I was growing up and she was only
you know five or six years older than me
but for some reason the way she did her career
it was sort of just right at the like
right point of being older than me
in a way that I could maybe emulate and so
I just knew all of her movies
I knew my so called life I was such a big fan of hers
and then to get to have conversations with her
where she's asking about me and she's curious
and she's so present.
You know, there's like that split thing in your head
where like, I'm okay.
Like, I'm talking to Claire Danes.
No, it's fine.
No, it is clear.
And then it just becomes Claire
and it sort of separates.
If you can go back in time
and star in one classic movie,
which role would you choose?
Oh, when Harry met Sally.
Nice.
Sally Albright.
It's one of my favorite characters.
Nice.
Yeah, Mike Ryan,
just like the epitome of,
I wanted to be that.
when I was a kid. And I've seen when Harry met Sally thousands of times at this point.
What's a goal or a dream or a big moon shot that might seem impossible?
I actually, it's not that hard to accomplish, I guess. I want to have my own production company
where I direct and write and produce and star and all the things and I kind of create and I have
September letters, my charity in there, and I get to work with my partner and, and, and,
And I just a one-stop shop of creativity, which is what I want to do.
And also I really want to be a mom.
Love it.
Yeah.
You'd be an amazing mom.
Thank you.
Like, you'd be on fire.
And then I'll be able to go and do my little shopping at Ralph Lauren, bring little baby clothes.
You know what I mean?
It's like, hey, Britt, I got some drip.
The collars.
The llama or a little man.
Yeah.
And like, just, you know, keep this for them.
And I'm going to get them Jordans and all sorts of flowers.
Oh, my God.
Wow.
I'm really excited for this.
I'm just going to have you around.
That's like my thing.
All my friends that have babies, I always get them like some bake stuff, some baked kid stuff or like toys.
Like I'm just like Uncle Scott.
I love being that.
That's so great.
I'll take it.
So who's one guest do you think I should have on the show?
Have you ever met the actor Matthew Reese?
No.
You would love him.
He's so funny and gregarious and hilarious and hilarious.
And also, I think you should have Mullen on the show.
Malin Ackerman, who on hunting wives would say a couple or whatever.
And she's now one of my best friends.
And she's just the best.
And the antithesis to me in so many ways in terms of she's like very type B and I'm very type A.
And we compliment each other really well.
And I think you guys would just really, I don't know, chill.
Probably smoke.
Probably.
She's from Sweden.
So.
Yeah.
Sold.
All right.
get her on the show next week.
Yeah.
Brittany, thank you for doing this.
Of course.
It's awesome.
This is so fun.
Did it?
We did it.
Yeah.
Yeah.
Thanks for coming through the attic, y'all.
Make sure you subscribe on YouTube or wherever you get your podcast and follow the show on social media at Big Brocutty.
Until next time, love yourself.
Take care of each other.
Dream on.
Peace.
