Big Technology Podcast - A New AI Investment Fund's Strategy and Opportunity — With Techmeme Ride Home
Episode Date: August 7, 2023Brian McCullough and Chris Messina are starting a new, $15 million fund for pre-seed through Series A investments in AI companies. They've already raised money from Marc Andreessen, Chris Dixon, and D...ennis Crowley and join Big Technology Podcast for a special episode where they share their strategy and the opportunity they're going after. At the core of this question is whether AI companies are worthy of investment or will just be subsumed by larger players. Stay tuned for the second half where we cover AI + Hollywood strikes and AI + warfare.
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Two investors with backing from Mark Andreessen, Chris Dixon, Dennis Crowley, among others,
join us right after this to talk about their new fund.
Welcome to Big Technology Podcast, a show for cool, had a nuanced conversation of the tech world and beyond.
We have a bonus show for you today.
Yes, a bonus show.
Two investors, Brian McCullough, Chris Messina, here with us today.
They're starting a new AI fund, and I thought it would be a perfect opportunity to talk about
why you'd start a fund with AI right now.
Are there really moats?
anything investable, and for anyone thinking about what the next generation of startups are going
to look like, well, you're about to hear them.
Brian and Chris, welcome to the show.
Thanks.
Thanks, Alex.
So the first question for you guys is, are you bananas?
Because I've seen so much discussion on Twitter about people talking about how there are
no moats for AI, very, like, prominent investors, Keith Roboy, Sam Lesson saying that they
think that anybody investing in early stage AI right now is relatively insane because the value
is ultimately going to go to the big tech companies, Amazon, Apple, Facebook, Google, Microsoft,
and the chipmakers like Nvidia.
So where exactly are you aiming to play?
And why do you actually believe?
I mean, you've convinced Mark Andreessen and Chris Dixon and others to join in.
So where are you going to play?
Everyone we talk to, no matter what the nature of the call is, eventually it devolves into what are you seeing?
And like, literally the conversation with Mark Andreessen was the same, where he's like,
okay, guys, I'm in.
Now, what are you seeing?
Like, it is, it is, but everybody, it's, it's wide open.
I mean, like, literally, if you, if I know that, you know, AI as a thing has been going on forever,
but like this moment is, is barely six months old, which actually, Chris and I can speak to that
in terms of why we're doing the fund.
So you're calling us investors.
We've been on your show before.
I'm a podcaster.
Chris invented the hashtag, but essentially.
You're not just investors, but now that you're starting the fund, not the label you get.
So, okay.
Okay, let me explain as fast as I can.
So what we're announcing today is the Right Home AI Fund,
which is a $15 million target fund doing seed, pre-seed Series A
and this new AI technology.
Most relevant to anyone listening, it's a 506C fund,
which is why we can talk about it today,
which means any accredited investors listening can invest.
So if you're having AI FOMO and want to participate in this moment,
but you can't get into an A16Z fund or a Thrive Fund,
you can get into our fund.
So check out ridehomefund.com for more info.
But essentially, this was, it was almost inspired by Chris.
I've been running the ride home fund for two years,
and Chris was always a great source of deal flow.
And my remit to him was always like,
if there's somebody coming off the bench, you know,
that had a previous exit or that you've known for a while
that, like, by definition, you'd invest in whatever they were doing next,
send them my way
and around December of last year
it all became AI stuff and these were folks
for whom this wasn't
their first rodeo who didn't
bite on Web 3 or crypto
or whatever but were activated by this
AI moment and we can give you examples if you're
interested but that also
activated Chris which he can speak to
which is we were both like we want to back
these people the talent
of our you know we've both
been in the Valley for over 20 years the talent
that we're seeing
coming off the bench,
activated by this moment,
we just wanted a fund to back those folks.
Okay, the real question is,
where's the investment opportunity?
I mean, that's,
so, of course,
you're on the phone with Mark Andreessen
and he's like,
yeah,
of course,
there's opportunity there.
But again,
what everybody's saying
about AI investment
is you have the big companies
and they're going to crowd out
any seed company
that you're funding
that doesn't have,
for instance,
like the money to spend
on the GPUs,
or potentially they're
building a thin layer on top of something like a chat GPT, and chat GPT could just subsume it.
For instance, character AI, right, which is like it allows you to chat with all these historical
figures.
Like, it's very easy just to go into chat GPT and be like, all right, chat GPT or Bing or Bard,
you're a blink and let's have a conversation and it will do that.
So then what's the value of character?
So where are you guys seeing specifically outside of the people, the investment opportunity
to actually make a splash here with seed companies and series A companies?
that some of these other luminaries, like a keithra boy or a same lesson, are saying do not exist.
I think the skepticism or the reluctance from a lot of folks is exactly the moment to lean into this.
Because now is when we're going to be learning what types of products actually make sense.
So what Brian and I ultimately are looking to invest in is the productization of these new techniques
that start from an assumption that software and technology and that the way that humans actually use computers
is going to go through a rapid revolution,
but that those existing incumbents
are going to defend their existing models
and how they make money currently,
whereas a bunch of other folks
who don't have to worry about that
can build something entirely new
that are set with new assumptions.
And so part of that is looking at behavior.
That's a big piece of how we learn to build social software
that people actually wanted to use.
And then the second part is coming up
with generational brands
that actually reconstitute existing marketplaces
or product experiences that were in the marketplace,
but that could be remade through technology.
So looking back on things like Airbnb and Uber,
suggests that these were ideas that people understand.
You know, you have property, you want to rent it out.
You have a vehicle.
You want to lease it out or you want to drive people around
and charge people for that.
But bringing technology like GPS and mobile phones to that
allowed for these large companies to be created.
And I think in a similar way,
we're going to see the same thing with AI and generative AI.
So I'm being reminded now, like hearing the way that you guys speak of this stuff,
I'm being reminded of a Benedict Evans tweet where he talked about the answer is not that you're going to start to talk to Microsoft Excel.
It's that the way that you do spreadsheets just changes because into a completely different form factor where you're going to upload, for instance, the data.
Exactly. Why do you need a spreadsheet? You'll just upload the data and talk to it.
I would use the analogy of like if this is a paradigm shift in compute, which we believe it is, what was the thing in the paradigm shift of the PC era that sold PCs was the spreadsheet, something that didn't exist before that.
paradigm shift that allowed accounting to 10, 100x or whatever. We're obviously looking for those
things. But let me back up for a second. Fundamentally, what we believe is, like, you ask the
question, like, well, will the incumbents or the people with the largest models always win?
If that ends up being true, then yes, this is academic. But we don't believe fundamentally
that's true. We believe that fundamentally, this is still software. Like, how did Zoom win over
other sort of, you know, conferencing software.
Why does this one win over that one?
Figma went over that.
Like, in the end, it's the end result of what you do with the software for users in
terms of their productivity and their delight in the product.
For all of the talk about generative stuff and AI stuff, in the end, it's software
and in the end, it's inputs and outputs, right?
So we have this theory that while everyone is still looking for,
what the, you know, investing in this is not on Rails yet in the same way that has been for things
like SaaS or like D to C companies that people understand this is how you build a company that
reaches this many users or customers or something. But in the end, we think that on the input
side, it matters, and Chris will go into this about our theory of AI varietals, but it matters
the models. It matters the data, the input that creates the thing.
and it matters the output.
So you could have three different startups
that are like, we use AI to look at X-rays
and find cancer, right?
But what have you trained that on
and does one model work better than the other?
And already people are talking about things like accuracy
and not having hallucinations and stuff like that.
So people that get more accurate will win.
But also, what have you trained it on?
Do you like the results it gives you?
Does the output, well, this output is more accurate,
but that output, like, in a clinical setting, allows me to interact better with my patients and
things like that. So in the end, we believe that this productization is the way to go
because it will be the inputs and the outputs with the underlying software and AI stuff
sort of abstracted away that will matter. And the analogy that I have to give Chris credit for
for coming up with is our theory of varietals like wine.
Well, we're going to get to your theory, but I also want to ask, isn't this kind of a tough area to invest in because, you know, what is in an AI company?
Like if I'm investing in social media or I'm investing in SES, okay, I know what I'm doing.
If I'm investing in AI companies, all of a sudden, you're the range of companies, like you guys can be consumer, you can be business, you can be anything.
So how do you pick what you invest in?
And then we can get into your varietals theory.
It's back to people.
It's back to application of the productization.
Can I give you an example of a company that we actually have cut a check for?
Wait, you guys have already cut a check and you haven't even finished raising your fund?
It's a 506C.
We're allowed to do that.
We're moving fast.
That's the whole idea.
Yeah, let's hear it.
Yeah, definitely.
FI.i.a.i.i.comfixit yourself.a.i is training models on all of the world's sort of owner's manuals, user manuals.
specifications and things like that.
The idea being, train an AI bot to fix your dishwasher, repair your car, my printer all
a sudden isn't working or is flashing this green light.
What does it mean?
As opposed to going in and finding the PDFs or calling the 1-800 number, they're training
on every product under the sun.
They're refining the model in terms of can this be a white label thing that a Samsung or a
frigid air or whatever would use to sort of be the sort of bot that would interface with the customer so that the customer doesn't have to call the 1-800 number so that it would save on things like you know warranty stuff or whatever or also on the consumer facing side what if there was one bot that anytime something broke you could use your smartphone to like turn on the camera and be like okay the dishwasher isn't working look in the back there oh that hose is disconnected and the bot tells you well what that means and x y
so this is inputs and outputs we love the founding team they have previous experience in the space
relationships with you know oEMs and things like that like that is sort of a definitional example
of like sort of the productization that that we like it's not the only stuff we'll invest in but like
that's that's where we're seeing stuff that we get excited about yeah i like that i mean the idea
that i could like for instance you know converse with my refrigerator to try to figure out like
how it's broken.
That would be great.
The analogy I use is, like, you know how every website has, like, the sort of chatbot
on the bottom right hand corner that if you have a question, like the AI, well, imagine
a chatbot AI that comes into the real world into meet space, not just on a website,
right?
Yeah.
Like, Elon's working on some of those.
We just had Ethan Mollick on the show.
He's a professor at Warren who assigned his students to use chat GPT in class and talked
about how everyone's going to, you know, lots of students are going to be cheating with
this stuff. And I personally cannot wait for the first person to cheat with chat or chat
refrigerator and, you know, like, you know, the paper include the term. As an AI refrigerator,
I cannot complete your paper. However, so let's hear about this AI varietals theory. So what does
that mean? So, so to, I think, generalized from, from the example that Brian just gave,
when we were going through this exact exercise, when we were trying to decide, you know, do we want to do this fund or not?
And why now? And why us? It stood out to me that there's been this reframe, or reframe, rather, in the business that data is the new oil.
And it's been bandied around for quite a while. And the assumption is that if you have just a load of data, you know, you've got some data lake or warehouse someplace on the internet or in someone's cloud that you have an advantage for both training and building.
building AI products. And while there may be some truth to that and having an enormous amount of
data can be useful, there's also a lot of crap out there. There's a lot of stuff that's undifferentiated
that's just kind of nonsense. And having worked at various tech companies, I know for a fact that a lot
of the stuff inside of these spreadsheets or whatever just is not structured in a way that can be
useful for training these data sets. So as I was thinking about a better way to think about the opportunity,
it occurred to me that it's not that data is the new oil.
It's that data can be thought of as a type of terroir.
And, you know, obviously coming from California, being in California now, you know,
we've got Napa Valley right up to the north.
And so there are all these places throughout California where the terroir, the earth,
the place in which grapes grow represent different types of cultivation opportunities.
So essentially by cultivating the land and growing grapes in it and then harvesting those grapes,
which, of course, have grown in different climates with different soil types.
That produces different types of expressions in wine.
And those different expressions in wine, if you bear with me for this metaphor,
are kind of like the types of products that we expect to be able to create from
creators of these products that understand deeply the data that they're working with.
Maybe they've actually set up the data ingestion pipelines and the refinement pipelines.
They understand deeply a customer segment and the needs of those customers.
and perhaps most importantly, they have the vernacular or the language of that customer and
they know how to speak that customer and to deliver products and services that fit into the
environment or the industry that their customers are in.
So it's not enough to just have a whole shit ton of data and just to build a company or
product.
You actually have to have some empathy for the market that you're dealing with.
And we think that that's going to be the opportunity for founders that are thinking about
that and are thinking about the whole lifecycle.
of building AI-powered, AI-enriched products, that there are going to be opportunities.
And these opportunities are going to take many, many years to play out.
Well, many years.
Like in my thinking, it's like, you know, three to five years, maybe eight years.
But nonetheless, now is the time to start.
Now is the time to learn.
Now is the time to experiment.
And for those founders who either have left big tech companies or, more importantly,
were laid off or fired from those companies, they're going to be hungry.
to be building those products and those services.
So that's really where I think Brian and I, you know, both students of history, both internet
history as well as social media history, as well as longer term history, are seeing
opportunities for us to support those founders, coach them through launch, and help them
get distribution and to be discovered.
I also think, Alex, that it is going to be, there's going to be a ton of M&A over the next three
years, right? So I, like you, have seen, like the studies and things like that, and anecdotally,
oh, we didn't expect that all of the incumbents would adopt this AI stuff that quickly, right?
Like, everybody and their mother has added AI features to their existing products, right?
Where it gets tricky is where it gets fundamentally disruptive to, like, again, Microsoft adds
AI to excel, but what if you had something that AI could do that obviates the need for a spreadsheet
entirely, right?
The thing that we're looking at is, like, again, to use the spreadsheet example, like, Chris and I
believe me, there are a hundred different startups out there that are, like, draw on a napkin
a room, and the AI will generate, like, sort of the perfect interior design.
A beautiful interior for you.
Yeah. But like my wife is is an architect and every time those come through, we float them by her and she's like, can it create a BIM file for me that I can send to the structural engineer? No. Why? Because it's two kids 25 years old from Stanford. There's no architects on the, you know, she's like, you know that we have, I'll lose my license if things do not meet certain like building code standards and things like that. So like our, like our dream sort of company to come our way right now, which.
be like a 25-year-old from Stanford that's AI guru, an architect with 20 years experience
that understands, you know, the needs of the profession and the, and someone that's ex-autodesk,
right? Because what my wife is like, is like, the day that you could come to me and you could
train my, you could train an AI on my previous, you know, career-long history of drawings and
Like, this is how I like to design an interior.
This is how I like to.
And you could do the napkin sketch into the AI thing,
but it's based on what I like to do.
So it's like my style of design.
And it's functional like so that in a day I could have BIM files that are actionable.
That's the 10x sort of equivalent to the spreadsheet.
I think maybe Brian, another way to layer this is I do like Microsoft's frame of co-pilots.
And if we think about these as tools for collaboration and for reasoning and for thinking through or going through the creative process, then ultimately you kind of want to mix where, you know, as, as Brian said, like Lisa would submit her designs to train an AI.
She would produce a series of sketches.
She would then submit them to the AI to get some other ideas or other directions, perhaps returning sketches in her style in order for her to work out the thought process.
And then when it's time to actually move forward into the final.
formalization workflow, then she could go into a mode that is all about that type of collaboration.
The problem is that so many of these generative AI tools are designed only on the final product
and the outcome. And those outputs and outcomes are based on a popularity contest on the internet,
which is all good and well, but not necessarily the most appropriate for coming up with novel
ideas or synthesizing new outcomes or coming up with entirely new concepts or practices. So it's
great for maybe returning to things that have been done or are well understood in the marketplace
and are therefore somewhat commoditized. But creating things that are new expressions and creative,
I think still is an area where there's loads of opportunity. Yeah, this is interesting for two
reasons. The first is that it seems to be an application that something like a Google will not want
to go after because it's just small enough to be under the radar for them, but just big enough
that could be a really interesting company. And the second reason is that because
We talk about generative AI, and it seems like the conversation always goes toward chatbots.
But if it can go towards, for instance, blueprints or having a dialogue with other, like, important technical but creative images, then you could really, and plans, then you could really get into an interesting place.
We're here with Brian McCullough and Chris Messina.
We're running this both on the big technology podcast feed and on the TechMeme right home feed.
If you're a big technology podcast listener, I definitely think that their show is worth checking out.
Brian shows we're checking out every day a little update on what's going on tech and if you're
a tech meme right home listener I'd say you know come give big technology podcast a shot
we do weekly twice weekly interviews about oh sorry I was going to say how many times have we seen
on Twitter people say that they use tech meme every day and your show for the the in-depth sort of
stuff twice a week I think it's a great pairing it's been it's really it does if you're going to
think about your tech podcast media diet you know I think putting
those two together. That's the way to go. All right, let's take a quick break. We'll be back
on the other side of this break to talk about how these two were able to get in front of
the Mark Andreessen's and Dennis Carly's of the world, and we're able to convince them to invest.
And then we have a couple of AI-related stories that we want to talk about, AI warfare,
AI, and the Hollywood Strike. We'll make it a quick second half. So stick with us. We'll be back
right after this.
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care about them. So, search for The Hustle Daily Show and your favorite podcast app, like the one
you're using right now. And we're back here with Brian McCullough and Chris Messina, two investors who are
raising a $15 million target fund from investors, including Mark Andreessen and Dennis Crowley, Chris
Dixon.
I have some thoughts about Mark Andreessen that maybe I'll share on a different show.
But in the meantime, I'd like to hear how you were able to get in front of him to raise the
money from him.
And don't you, doesn't he also have like an AI related fund?
So talk a little bit about that process.
Yeah, sure.
the short answer is that it's because Mark and Chris Dixon listened to the show.
Chris is very kind.
He has said multiple times that when the Andreessen Crypto Fund invest in a company or hires new people, they give them my book.
So the bottom line is, is that actually it was Chris and Mark, those were the first two LPs we reached out to.
There are some other luminary names that you would know, but have not agreed to allow us to use
their names to fundraise.
Essentially, we went out and we said sort of what you said at the beginning, which is
no one knows what the space is.
Come in with us and, you know, as an LP, you'll be able to see the people we're seeing
and the companies and ideas that we're seeing.
Great.
So we have a few minutes left together.
I thought that, you know, we're doing this as a special episode, but we still want to
cover some of the news.
I feel like doing a big technology podcast or a tech moon ride home show without going over
some headlines would be a complete waste, so let's not waste this opportunity.
Now, we're in the middle of this big writer and actor strike inside Hollywood, and we put
a document together to talk about, you know, to sort of discuss the type of stories we wanted
to cover. And, you know, usually I like to go through like a more robust setup, talking
about the story and what's happening and then ask a pointed question. But there's a one liner
in this document that just said, AI and the Hollywood strike, Brian's anecdote, without any
detail and I was like I'll be damned if I don't ask about that so Brian let's hear let's hear your
perspective on what's going on here and it seems like you've had an interesting interaction
so I you know I do daily tech news and do headlines like you do headlines on your show so
you might have done a similar piece I think it was in the Washington Post maybe where they were
talking about how in this sort of strike moment where how long is it going on more than two
months now, like this might be the moment where TikTok stars become the writers, the writers,
the writers and the, now the actors, yeah, that's shorter.
Oh, yeah, go ahead.
So, but that studios might gravitate towards TikTok stars since they're not in a union to,
in the same way that in the strike in the, in the, in the, in the, in the arts, that sort
of begat the the takeover of reality TV because it was cheaper and non-union.
And so TikTok stars might be moving.
over to fill the gaps of what Hollywood needs for content. At the same time, the article
posited that this was training folks that were in Hollywood, that were actors, writers,
or whatever to be like, I need my own platform, almost push them into the creator side of the
equation. And so the article was positing that this could kill both sides of the equation in
terms of like the traditional Hollywood model. And so my anecdote is this. You know, I'm in
podcasting. I talk to a lot of podcasters. I also, weirdly enough, have a background in comedy and
stand-up comedy and improv and stuff like that. So a lot of the shows and friends that I listen to
their podcasts are like comedy podcasts, but like let's just say a broader picture, people that work
in Hollywood, right? All of these years they've had podcasts like comedy and various Hollywood folks
were early adopters to podcasting because it was like a supplemental thing.
Like if you can get staffed on a writer's room for a couple years, then you make a decent living,
but then you might not be staffed on a writer's room for a couple years.
Or like actors know, you go from roll to roll or whatever.
And comedians, you know, you go touring, but then, you know, the pandemic cut down on touring.
So here's my anecdote.
The people that I know that run comedy podcasts and have done for, it's not like they just started
it because of the strike, they've been doing it for five or six years.
almost to a person or to a podcast, they have suddenly gotten extremely serious about it,
where people have launched memberfuls or patrons or whatever, where, now, you could argue that
people are doing this because they're not getting income. But what I've been seeing
over the last two months, and this was really hit home to me last week, where I realized that
every comedy podcast I listened to has sort of gotten more professional about it, doubling their
episodes and things like that. I'm seeing the people that I know in comedy, they used to think of doing
these side hustles, a YouTube page, a Twitch page, a podcast or whatever, as like, this is what
pays the rent in between my main gigs. I think they're literally getting sort of evangelism about,
like, well, this is my main gig. And if I get a show, then, like, that's just gravy.
So you're saying that the creator economy
was delayed by like three years
and now thanks to the strike
Or the creator economy
had been to this point
the people that were non-professionals
that were trying to break in
and I'm seeing it from the reverse now
where the professionals are like
screw the Hollywood system
I can probably make more money
and even if it's not more money yet
Do you think it's really screw the Hollywood system though
because it seems like there's this desire
to get paid the way that Hollywood pays
and that the creator economy
is, you know, as you both know, like a slog.
It's a lot of work, you know,
especially if you're doing, you know, your own stunts effectively.
So is there actually a desire to dispense with the Hollywood system,
which, as I understand, you know, relatively pays well,
especially through, like, union fees and...
It might actually, yeah, it might actually be a reverse of the way that we've seen it
play out in journalism, where in journalism, the stars have actually, like,
gone and done their own things.
Substacks and stuff.
Yeah, substack, because they know they can make.
more money it's more stable the business sucks and so they've actually gravitated towards this like
i will insulate myself from the pressures of the business see news like yeah but that's what i'm saying
here yeah it's different hollywood that's what i'm saying it's going to be the reverse in hollywood
you might have a place where the stars this this system is going to really work very well for them
barbie movie oppenheim movie if you're a star in one of those movies you're not you don't care about
having your own podcast however this is something that
the middle class and even the bottom of, you know, actors and comedians, they're extremely
entertaining. They're very talented. They can be engaging on their own. And this strike might be a wake-up
call for them where they say, hey, now I'm going to take advantage of this system so it will be
flipped. Where the middle class will say, I can make money and protect myself and the stars will stay
with the system, whereas in journalism the stars have left and the middle class has remained with the
system. Let me give you a middle class example. And I don't know if this will people, everyone will
agree with me. This is middle class. But you know the Office Ladies podcast, um, which is Jenna Fisher and
Angela Kinsey from from the original show, the US show, The Office, uh, Pam and whatever the other.
So, um, now those are examples of actors for whom I'm sure they've gotten residuals from, for whatever
degree the office did play on cable television. But once it's gone to streaming,
residuals and things like that, stop?
The Office Ladies podcast, I guarantee you
those two ladies are making seven figures a year from that podcast.
And so imagine the equivalent of Jenna Fisher today
from an equivalent show where sure you get paid well
for the two seasons that Netflix gives you
before they cancel the show.
But you have this fame and you have this level of notoriety.
Don't you have to have the fame?
That's not middle class.
I'm sorry.
that's that's like
I could give you other examples of people
that are the middle class of Hollywood
that's different than the middle class of America
I see that's not Tom Cruise right
I try to caveat by saying you wouldn't agree
but so imagine a player actor
on an equivalent television show
today that was a big hit on Netflix
that runs for two years that has no residuals
so you got paid well for two years
but you don't get to do anything else with that
right
you could be the equivalent of Jenna Fisher
and be making millions of dollars a year
by parlaying that sort of fame
into a podcast or a YouTube channel
or whatever, a platform that you own
and you control
and is, you can still get a show
or get a movie, you know?
You know, so to add to this.
That's it.
I'm surprised at how sort of negative you are to this idea.
I feel like that this is, like, training people to grab the means of production in a way that they were only dabbling in before.
I guess what I'm suggesting, though, is that you're still dependent upon these streaming platforms and the algorithms that sort and organize the content.
Now, that is not absolutely true if you do, well, I was going to say a substack, you know, sort of tries to have this, you know, perception of being neutral.
But now that they have notes, they are getting into the business of algorithmic amplification or at least choosing
what rises to the top, as opposed to an email inbox, which currently, at least so far,
is still reverse chronological.
So my point is that especially for media talent, they are dependent upon platforms like YouTube
or Netflix or TikTok or Reels and those types of rich media platforms.
And so that's why suggesting that the workers can seize the means of production and distribution,
I think is not quite accurate because it's just substituting the previous gatekeepers with a new set
of algorithmic gatekeepers. Okay, let's, let's, let's move on to, to, um,
actually, I want to say one more thing. Because I think it is, okay, it is relevant to this.
I was listening to the artificiality podcast this morning. And Jonathan Colton,
who's a musician, um, made a very useful, I think, point, which is to say that the ability
to make and derive an income from entertainment is a relatively novel thing in human history.
And the fact that we've created a regime, intellectual property controls, to protect
ideas is something that has only come around in recent human history. It's not something that is
guaranteed. It's not something that we necessarily have to persist forever. And especially in the
era of generative AI, we may have to rethink the way in which intellectual property and that
type of production actually functions. So I thought that was very useful. I think that person is so
completely wrong. And entertainment is definitely going to be here to stay. But we have to,
let's record. Let's record. We're going to do another one of these. So we'll let's table that.
We'll come back to it. We'll see, we'll see how it goes. There's this wired.
story that's completely wild. It's called the AI power, totally autonomous future of war is
here. I mean, there are some quotes in there that literally come out of a movie. So there's this
Israeli guy, Amir Alone, who's part of this company that's built this autonomous speedboat called
the Siegel. And he says that it can be equipped with a remotely operated machine gun and torpedoes
that launch from the deck. And he says, it can engage autonomously, but we don't recommend it with a
mile. We don't want to start World War III. And the article of the next paragraph goes on to
basically underscore what this means. Autonomous systems with the capacity to kill already exist
around the globe. In any major conflict, even one well short of World War III, each side will soon
face the temptation, not only to arm these systems, but in some situations to remove human
oversight, freeing the machines to fight at machine speed. In this war of AI against AI, only humans
will die. And it's so interesting to me because obviously we do have this advanced,
you know, AI technology that can kill people. But I look at that and I look at like the biggest
war in the world right now, which is the Ukraine war. And you have Russians and Ukrainians like
fighting side by side and sort of World War I style trench warfare. So, you know, my question is like,
you know, it seems clearly that this idea of AI warfare is overhyped. And maybe we have just
reached a state of like we've armed ourselves to the gills you know with technologically advanced
weapons and it does seem like there's just so much reticence to use them that i mean we do i guess
we have ukraine flying drones into buildings in russia as we speak but it just the juxtaposition
of that is so interesting we have trench warfare that's really what's happening and all this
a i technology in the world like it's like the most thing that the thing that's being used most
is starlink where the ukrainians can communicate with each other what do you guys make of that it
seems like a contradiction.
AI investors.
Where is the contradiction?
Your point is that trench warfare is warfare that is being waged in 2023 while we have
the technology to essentially execute autonomous warfare.
So it seems like there are a number of factors to that.
One being that, you know, that type of, I mean, those technologies are being deployed increasingly
for sure.
We know that the drone technology has improved greatly and that Ukrainians are finding new ways to improvise and create new types of explosive devices that drones previously were not meant to be, as far as I know, sort of used or created for out of off-the-shelf components.
So that is happening.
I think the question then is, to the degree that you have, what does it mean to have a number of robots and self-directed machinery?
more or less mowing down humans, if one side doesn't have to actually deploy humans onto
the battlefield at all. And what does that mean morally to essentially annihilate? I mean, it's a type
of, I don't know what to call it. It's like robicide. It's not genocide. But essentially,
if you have the ability to do that, you can just decimate people. That's definitely genocide.
If you're using robots to kill people, like you are, you can't take the human out of that.
It's robot assisted genocide, maybe, but it's genocide. Sure. But I guess I'm asking,
the question like what are you sort of it feels like the way in which the quote unquote rules of war
have been developed is such that there is a sort of desire for two different sides depending on the
type of war it is but in this case it's a territorial war for those who desire to maintain ownership
and possession of land or a specific place to fight for that land and at some point the ability
for one side to you know declare that they're done fighting and they throw up you know the white
flag and they surrender, you know, sort of there's, there's a, perhaps an honor in that in terms of
human society and civilization. To surrender to robots that have, you know, executed warfare
against you feels like there is something completely lost in at least the traditions of war and that
we're not quite ready for societally, like what that would mean. I guess what I'm trying to say is
like, where is this weaponry? I mean, is it actually being used in, in the conflict? The fact that,
like, it's being built up this way. Let me, let me, let me, let me, let me, let me, let me, let me,
it would be there.
Let me build up off of something that Chris said tangentially, which is like, so
in the history of warfare technology, what always happens is somebody, there's a technological
leap that one side has, and they completely run the table on the other side.
So you can talk about the machine gun in the Borough War, but yet in World War I, people
hadn't learned the lessons and they were still rolling out cavalry, right?
In World War II, you know, basically battleships were obsolete because of the aircraft carrier, but you still had, you know, the battle...
Also some rains.
Right now, today, people are questioning to the degree that any surface Navy might be an obsolete technology because of the nature of missile technology, etc.
So Chris is saying we have the ability right now for any combatant to have a drone swarm that is not.
not controlled by human pilots or whatever,
and then goes after troops on the ground
or, God forbid, civilians and cities, et cetera, et cetera.
Okay, that will happen, and that has happened, by the way,
and there's wars going on in the Caucasus right now
where that is going on.
The reason it will happen is because it's sort of Moore's law for weaponry,
which is, you know, like in the stupid latest top gun movie with Tom Cruise,
like they don't need pilots anymore.
Well, you don't need...
It's sort of romantic.
But you don't need, you don't even need to train people to sit behind a laptop and guide the drones anymore.
You can send out a swarm of drones and be like, just decimate everything in this valley, right?
I know this sounds terrible and I agree morally it's terrible.
It will happen from one side to the other because it'll be so cheap for them to do that it's the Moore's Law of like the destructive power of the technology.
So what Chris said was that will happen.
it will be a bloodbath, and then people, the other side will learn, well, then we need our
own drone swarms that can combat the drone swarms. And so I'm not saying that we're
anywhere close to, like, what was that movie where it was like you had giant mech robots that
fought over Alaska or something from the 80s? Like, too. Isn't that like almost all movies? Yeah.
I don't know. This is not going, I guess it just doesn't seem like this is going in a good direction.
This is scary stuff. Are you guys going to invest in military AI technology?
we have no plans to absolutely not we want to we want we want to 10x what people do
productively we want to invest in products not in weapons
Brian and Chris thank you so much for joining just a true pleasure to speak with you guys
let's do this again sometime soon congrats on the announcement the first show I think
that you're talking about it is this one yeah and we always love breaking news here on
big technology podcasts so thanks for helping us do
it. Congratulations and we'll speak to you guys soon. Thanks, Alex. Thanks so much. And thanks to
all of you, the listeners. We'll see you next time on Big Technology Podcast.