Bill Meyer Show Podcast - Sponsored by Clouser Drilling www.ClouserDrilling.com - 07-09-26_THURSDAY_7AM

Episode Date: July 9, 2026

Veteran broadcaster and author RICHARD SYRETT, his latest is TALES FROM THE ROCK AND ROLL TIME MACHINE. Thought-provoking, government intelligence behind the Beatles and pushing culture change? Later, can you sing better than David Lee Roth (a low bar)

This hour of the Bill Myers Show podcast is proudly sponsored by Klauser Drilling. They've been leading the way in Southern Oregon well drilling for more than 50 years. Find out more about them at Klausurdrilling.com. I can't help it. When I get to the bottom, I go back to the top of the slide. We'll stop and it done and go through a rock. Keltar for the Beatles' White Album. Is it the White Lye album?

Maybe one of the questions being posed here. Richard Syrin is. interesting cat. In fact, I used to run his show. We used to run his show here on KMED a number of years ago. Gosh, it was the conspiracy show. You're a fill-in host on Coast to Coast a.m. Still here to your late night. Are you even awake this time of day, Richard? Welcome to the show. It's good to have you on. Yeah, I never sleep. No, I have a, it's true, a very unusual schedule, but I wouldn't have it any other way, Bill. Great to be here. Thank you. It's great. And you have a book out, and it's in connection with your very popular. It's podcast. So you're not on the broadcast world except with coast-to-coast-coast-a-M, but you have Strange Planet, right? That's what you do. And where is that? It's just strangeplanet.com? Tell us more about that.

Strangeplanet.com. We've got a funny URL up here in Canada. Oh, that's right. That's right. And the podcast drops three days a week, Monday, Wednesday, and Friday. It's available. where you get podcasts. It's also available on my YouTube channel at Strange Planet Radio. All right. Very good. And the reason that I wanted to bring you on here is the interest which has been reestablished in, well, this is Conspiracy Theory Thursday on our show here, Richard. So I tend to go off on, I'm willing to talk to people that are a little bit more different than, let's say, just the standard, you know, Republican good, Democrat, bad, et cetera, et cetera, you know, the

political talk here. But there's been a lot of conversation coming out of Congress lately as it revisits the MK Ultra Mind Control Program. And they say that this is all done. And you wrote this book and it's called Tales from the Rock and Roll Twilight Zone. And this has to do with what connecting the Beatles and other big acts of the 1960s, 1970s to possible government intelligence agencies. I just thought they were great songs, but maybe tell me what you found out over the years. Well, one of the things I've learned in this arena, let's say the arena of high strangeness over the last 30 years, is there's always more to the story. We're given the official narrative, we'll kind of spoon-fed an official line, and we're given these parameters of, sometimes we call it the Overton window, of parameters of acceptable inquiry.

But I was always kind of disciplined in school for coloring outside the lines, and I've never been comfortable with that terminology, acceptable, you know, parameter of inquiry. Often truth or part of the truth can be found outside those lines. And so this book is not only an exploration into unsolved deaths, like Kurt Cobain or Brian Jones, Elvis Presley, Jimmy Hendricks, we also cover the possible influence. And again, this book is not a manifesto.

I lay out the evidence. I speak to some, I think, pretty compelling investigators, music journalists, musicians, people who were there at the time, other researchers. And I think there's a line of inquiry that needs to be investigated, and that is the possible influence of intelligence groups, certain institutions like the Tabastock Institute, in using rock and roll, in using the arts and culture to attempt to steer public behavior and change the culture. And it's not limited to rock and roll. I think powerful people learn decades or maybe even centuries ago that if you want to influence society, the best way to do it isn't through

politics. It's through culture. And I think the Beatles, when they washed ashore in North America in 1964 as part of the British invasion and the argument I think can be made and I make it in the first chapter of the book is that British invasion wasn't metaphorical. It was perhaps literal. The timing of the Beatles arrival, the way that we now understand how melody can bypass the analytical mind and influence culture. I mean, look at the way the culture changed after the Beatles arrived in 1964, the way that people dress, the way they wore their hair, the way they looked at institutions, the way they perceived, you know, the family, the church, authority, all of these things. Was it simply organic this British invasion or was it perhaps by design? And the argument

is made that it was, in fact, by design. By design? Yeah, because I listened to the Beatles when I was a kid. I was just a young boy back then. And actually, I was only seven or eight when they broke up. So I wasn't really there for the, well, of course, I was a little kid with I want to hold your hand and all that kind of stuff. But the thought thing. that arts are being directed for culture control of sorts. It's interesting. To what end do you think that, I would assume this is British intelligence you're speaking of here in this book, Richard? Correct. To change the United States culture? To what end? And if it's to change it, change it to what and why?

Maybe that would be a good question to start with. Well, let's go back to 1781, and the British had lost the colony, the American colony, when Cornwallis surrendered not to George Washington, surrendered to a French general, Lafayette. Some suggest, well, was that really an official surrender? And has the British empire been trying to regain the American colony? Some look at history as an attempt to regain the colony. If you look at the War of 1812, perhaps even the Civil War, as an attempt to divide America and regain the colony. And so if you look at the British Empire, instead of using red coats and muskets, imagine they changed strategy.

And now instead of red coats and muskets, they're using Rickenbocker guitars and backbeats and certain melodies. that again, and this is where the Tabastock Institute comes into it, which was created. You know, after the Second World War, the Tabastock Institute was concerned with human behavior and modifying human behavior ostensibly. They were treating shell-shocked soldiers returning from the Second World War. But I think we can even go further and suggest that the Tabastock Institute was also interested in mass behavior and influencing mass behavior. And there is some overlap.

If you look at people that were involved in the Tavistock Institute, also involved in MK Ultra. So I sort of look at the Tavistock Institute as Sigmund Freud meets the Ministry of Defense. So the Beatles in that context were sort of weaponized. Not that they weren't incredibly talented. and individuals. They were. Not that they were even waiting participants in this. So you're not saying that all of a sudden, you know, George and Paul were saying, hey, write a song in this particular key or go this particular thing? Or are you looking at

George Martin or thinking George Martin was part of the conspiracy if you want to go there? I don't know how deeply you go. I have to get a copy of this book to find out. Well, I don't, you know, point fingers at George Martin necessarily. But it is possible. You know, you have executives at EMI. You have the influence of certain cultural critics who were involved at the Tavistock Institute. We even raised the specter of Theodor Adorno, who was a Marxist social critic who came from the Frankfurt School in Germany. They were, they looked at, for example, they looked at the family structure as fascistic.

They hated the traditional family. And so they were all about trying to, you know, tear these things down. Is it possible that Theodore Adorno was involved in not necessarily writing the music, but he was a musician in his own right. If you listen to his music, I mean, it's just, it's all over the place. I can't listen to it. It's very disported. But understanding that, again, that melody and, and,

and sound frequency can influence human behavior. It can produce melancholy. It can produce aggression. Again, melodies can be very powerful. They can bypass the analytical mind. So the Beatles, if we think of them as software, being injected into the youth culture in America. Kind of like a virus, right? Precisely.

And remember, the United States was. still grieving, three months earlier, the assassination of Jonathan Kennedy. That's right. The major trauma had taken place. And this, again, is sort of MK Ultra protocol. You create a trauma in an individual, and the psyche somewhat is fractured. And then into that psyche, it's almost like you now have a clean slate, and you can insert this software and shape human behavior.

And you think, Richard, by the way, Richard, Siritt is with me, veteran broadcaster and author, and his book is Tales from the Rock and Roll Twilight Zone. We're talking about was Charles Manson simply the most extreme, the consequence of the M.K. Alter and the Beatles and everything else. I mean, we can talk about that here in just a minute. But, well, look at how the Beatles evolved, too, from the happy, happy I want to hold your hand to all of a sudden, you know, later, by the time you get to the White album, why don't

we do it in the road kind of thing. And this evolving, or some would say, degenerating, you know, as time went on. And you're thinking there was almost like an unseen hand pushing the culture in that direction? Yeah, the chapter actually begins with a quote from, he was an 18th century Scottish writer and politician. His name was Andrew Fletcher. let me make the songs of a nation and I care not who makes its law. So again, people understood, very powerful people understood centuries ago how culture can influence people. And the subtitle of the chapter is how British intelligence engineered the Beatles to seduce America's youth into drugs and subversion.

And we saw, as you say, in three short years, it was, I want to hold your hand. And then all of a sudden it was songs inspired by ingesting LSD and questioning authority. And the culture in America almost followed in lockstep to the evolution of the Beatles. Not only they're in their fashion, their political views. The Beatles weren't overtly political in their music, but that culture created a sort of a particular worldview. on the part of the America's youth, the youth all around the world, in fact. And, well, I remember John Lennon famously talking about we're more popular than Jesus, right?

Oh, yes, yes. That was... Maybe that was the point. I think so. I think he recognized at a certain point, and he may have been saying it with a tinge of regret. Like, we shouldn't be more popular than Jesus, but here we are, and we are more popular than Jesus. Again, I don't think they were winning participants. I think John Lennon got wise to all of this. He actually came to Toronto, where I am right now, in 1969, and met with the great media guru, communications guru, Marshall McLuhan.

And McLuhan spoke to Lennon at length about all of what we're talking about right now and how the Beatles were being used as pawns in this larger game. Marshall McLuhan believed that the arts were controlled by secret societies. And he wrote about this and he talked about it in his lectures. And I had the pleasure of sitting down with one of his last PhD graduate students, Nelson Ball, who's featured heavily in the first chapter of the book. And he set Lenin straight. At first, Lenin didn't buy it.

He stormed out of the meeting. He was very angry. He came back later and realized that McLuhan may have been right. And this really altered the course of John Lennon's world views. And his music changed dramatically. I think perhaps as a result of that meeting, he realized that he was perhaps a useful fool to the British Empire, that he was being used. And perhaps that realization made him a greater threat. And perhaps that ties into his eventual death in 1980.

Richard, could you pause for just a second, take a quick break, and then I want to ask you a few more questions. And it's fascinating, one of the world's darkest mysteries here. It's tales from the rock and roll twilight zone. Richard Siritt with me this morning on the Bill Myers Show, 725. Hi, this is Lisa from Killies Automata. You're hearing the Bill Myers Show on 1063, KMED. My name is Whitney Allen. Okay, Richard Serrett is with me right now.

I appreciate you coming on here. Strange Planet is his podcast. Drops Monday, Wednesday, Friday, from what I understand. And this fascinating book, Tales from the Rock and Roll Twilight Zone. Before we get to some listener calls before you take off here, Richard. And like I say, this is very thought-provoking. You talk about all sorts of different bands on this one, and Hendricks and all the rest of it.

But the Beatles, of course, kick off this deal and with all this resuming interest in MK. Ultra. and you're asserting that there is evidence that government intelligence agencies in Britain were in charge of, I guess, polluting the culture, for lack of a better term. And that'd be a good way of putting it there, just subverting youth culture, right? Just want to make sure. Yeah, and I think so, Bill, and I think it's always been thus. the idea of brainwashing or propaganda, sometimes, you know, perhaps with noble intention,

maybe in order to bring about some sort of social cohesion or for interests of national security. But in this case, you know, we have a British empire who had lost a colony, desperately wanted to get it back. realized that the military was no longer the way to do it, but influencing culture. And, you know, I think this goes on to this very day. I'll give you an example, Musac, for example. We remember in elevator music. Oh, yeah. Remember it well.

Yeah, and they used to play music. They would pipe that into grocery stores and department stores because they recognize that, again, certain sounds and melodies could evoke certain emotions, perhaps an impulse by. They've psychologists have understood this for a very long time. So we think we're actually just acting on our own agent or agency, but not necessarily in many cases. Excellent. Yeah. Yes.

All right. I wanted to ask you, have you ever looked into on Strange Planet? I don't know if you had this in the book or not. but we had the British intelligence, yet you're claiming we're kind of pushing the British invasion. What about our own intelligence agencies? And I'm thinking about Laurel Canyon, the Laurel Canyon area,

which I read about a number of years ago, in which it was amazing how many of the mid-to-late 1960s rock and rollers were all hanging out in Laurel Canyon. They were all kids, many of them were children of high generals, government intelligence agencies. You know, you're talking about Jim Morrison of the doors, et cetera, et cetera. Do you look into that, too, as part of this, or is that a different book coming?

That may be volume two, Bill, but I'm happy to talk a little bit about Laurel Canyon, and I have addressed this on other shows, you're right. And I'll give people a great book, even though I'm here to promote my own book. The late David McGowan wrote a book called Weird Seen, inside the canyon about this very topic. And the modern Laurel Canyon theory comes largely from him. He did terrific work. And as you say, the military family connections with Jim Morrison's father, of course,

Admiral George Stephen Morrison. He commanded the U.S. naval forces during the Gulf of Tonkin incident. And of course, we now know because of the LBJ tapes, that that Gulf of Tonkin incident, which was used as the, as a, claimed it was the provocation for the U.S. invasion of Vietnam never happened. North Vietnamese never attacked U.S. naval vessels in the Gulf of Tonkin. So Jim Morrison's father involved. Frank Zappa's father worked in chemical warfare research at the Edgewood Arsenal.

David Crosby, Crosby, Stills, and his father was a senior military intelligence officer. Stephen Stills, same band. His family had military connection, and he spent part of his childhood on on military bases. Just all the coincidence, though, right? Sure. Sure. And then, of course, we had LSD exploding throughout Laurel Canyon by 66, 67 LSD had become central to the music scene.

This coincides with the CIA's documented MK Ultra LSD experiments. This is history. This is not speculation. Timothy Leary's promotion of psychedelics, the Ken Kese-Asset-Asset test. Yeah, it's the confluence of these incidents, I don't believe, are a coincidental. And then Charles Manson, of course, who is in Chapter 4, the entire first section of the book dedicated to the Beatles, but Chapter 4 is about Charlie Manson. He moved through the Royal Canyon.

He associated with, you know, Dennis Wilson of the Beach Boys and producer Terry Melcher and numerous other musicians. And he's in Hyde Ashbury, of course, the epicenter of the hippie movement. At the same time as there are a number of MK Ultra experiments going on there with Dr. Jolly West. He was one of America's leading psychiatrists. And he was involved in CIA-funded MKAlter research. He was an expert on LSD. He was an expert on hypnosis. It was an expert on behavior modification.

And West took control of a clinic in Hyde-Ashbury during exactly the period that Manson was there recruiting his followers. Now, there's no direct evidence that West, Dr. West met Charlie Manson. But again, the overlap here is impossible to ignore. Yeah. I'm just wondering, is there a possibility that what this was all about was eliminating, or discrediting perhaps anti-war of fervor back in those days? I think that's definitely part of the, yeah, that was definitely part of the motivation here. Interesting.

Richard Serrett, his book, Tales from the Rock and Roll Twilight Zone. And boy, it's really digging in there deep for sure here. Ron, you had a question here for Richard Serrett. Let's see we get a couple of calls in. I only have a few minutes left with him, so make good use of the time, okay? Okay, well, you covered it with the Laurel Canyon. There's a book called The War Against Rock that speculates this. But a couple quick ones for Richard.

They changed the radio signals on music from 432 to 440, less harmony. And then I'd really like to know we had congressional hearings this week and last week on MK Ultra, which basically spells it out and says everything that you're explaining right now. What does he think of that? Richard, any thoughts? Yes, thank you for the call, Ron. The 440 Hertz conspiracy, that's one of the most persistent mysteries in music. And I should mention that the book was inspired by a podcast that I produced back in 2018 called the Rock and Roll Twilight Zone.

And I covered the 440 Hertz music. Because we used to have A as being 432 Hertz, not 440, which it is now, right? Right, right. Tuning, you know, to the A note. So it was eight cycles lower. So every, anyway, I won't get into the, into the reads too much here. But this idea that it was, it was changed, you know, from 440 to 432 in order to affect, again, human behavior. This happens supposedly sometime, you know, in the mid-20th century. The second part of the question, I'm sorry, Ron, what was it again? Yeah, what was that, Ron? It was the MK Ultra hearings, Senate hearings this weekend, and basically acknowledging that it exists. The program exists and it's still functional. And it's still functional.

I didn't catch that one, did you? Well, that's the claim that it's still functional. And, you know, we had the church Senate hearings back in the mid-70s. I think in 1975, Senator Frank Church was a Democrat from Idaho. And the Church Committee investigated abuses by the CIA and the FBI and the NSA and the IRS, military intelligence. And they did. They uncovered decades of illegal domestic surveillance, covert operations, including MK Ultra. Most of the files were destroyed.

Only some financial records, about 20,000 financial records, were filed by mistake somewhere else. they were able to recover them. And even within those financial files, they found lots of evidence of the CIA and funding programs using LSD, torturing people, utilizing something called psychic driving, where people would be subjected to hearing messages on an endless tape loop over and over and over again, combined with essentially having your memories erased with LSD. This is a fact. This happened up here in Montreal. There was a CIA-funded program at Allen Memorial Hospital and McGill University in Montreal.

Boy, and when you combine that with the Voice of God technology that intelligence services had developed, you know, being able to essentially get voice inside an individual's head. Yes, voice to skull technology, B2K. You can go online and you can find the patent for it. That's been around for 60 years. Imagine what they can do now. All right. Richard, since there's so little time left, Steve, you've been very patient. I want to get you on here because you have a very interesting psychiatric background. A quick question for Richard, and then we'll let him answer that, okay?

Go ahead. Well, you know, I kind of agree with what he's saying, but I think there's a whole other side to it. I grew up during that. I graduated from high school in 1965. I went from the Beach Boys and the Ventures to Beatles. And going through that, the search for something different was a result of the Vietnam War, especially. Because if you remember, there was a term called, Ain'Omi, meaning that people were lost. and so young people were feeling badly abused because of the Vietnam War.

Yeah, can you distill this to a question quickly? I'm almost out of time. We were seeking something else, and it turned out to be the Beatles fit into that. Yeah, let me have Richard respond to that. Yeah, but what you're claiming, though, is that it may not necessarily have been a organic fit, is what you're is what you're claiming, right, Richard? Correct. The culture is always looking for something.

They're always searching. That's just a natural part of being a human being and the formation of, you know, the human mind as it evolves. We're always searching. We're always looking. The question is, what do you insert into that equation? What do you fill that void with? There is the search.

What do you give you? culture to latch on to. And in this story, I believe the messages that were part of the Beatles, you know, the culture that the Beatles were helping to shape. That's what was placed into that void. And it wasn't necessarily about Vietnam. I think it was more about the trauma after losing a president. All right. Richard, a final question I have, and I'll put all your information up. This is a thought-provoking book. I'd like to find out more about this. I'm going to have to read it. But But do you think that this is still going on with the culture today? Absolutely.

I don't think it ever ended. I don't think it will ever end. Certain institutions, individuals, powerful people are always looking to influence the culture because it's more powerful than politics. And, you know, these individuals sometimes they have our best interests at heart, perhaps more often than not, I would argue, they don't. and they use the culture to that end. And, I mean, I look at the music today.

I don't think they need to be too subtle anymore. I think that the messages are so overt in terms of, you know, debasing human culture in many ways. So one could argue, I guess, maybe they're even less sophisticated than they were 60 years ago. Because they didn't have to be. They don't have to be now. All right. Tales from the Rock and Roll Twilight Zone. Very thought-provoking, Richard.

Richard Serrett, of course, a veteran broadcaster and author of this, and I will get all your information up there, and thank you for joining us from Strange Planet, a Strange Planet indeed. Thank you very much. Be well. Bill, thank you. And Richard's website once again is Strangeplanet.com. Strangeplanet.com.C.A. Very interesting.

740. A huge part of health care playing that is overlooked is extended. New cookies. Served warm from the oven. pizza, appetizers, dessert. Summer just got legendary at your neighborhood abbeys. All right. Oh, wait a wait.

It's supposed to be one more thing before I. Hi, I'm Matt Stone from Pressurepoint Roofing, and I'm on 106.3, KMED. Thank you. Thank you, Matt, because it's not a day without us. I'm ons. I'm ons are big things. All right. 744 at KMED.

I think we have, is it Phil from Rogue River? Or who is it from Rogue River? I just want to make sure I didn't write you down. Welcome. It's Phil. Okay. Hey, Phil. What's on your mind this morning? You wanted to respond to the Richard Syrett interview, which was pretty interesting about government mind control essentially through music and the culture.

What are you thinking about that? Well, it brought up, stirred up some old memories childhood back in the heavy metal rock days, you know, Black Sabbath, Metallica, all that genre. And I don't know if this was a myth or truth that if you rolled that album back. backwards that it put out satanic messages. Hmm. Have you ever heard that? Yeah, I'd heard that. I'd never really tested it myself.

I had read some reporting on that, but I'm not really sure. I've never really, I know you had the famous Revolution 9 on the Beatles, you know, Termy on Dead Man, Termine on Dead Man, when you played it backwards. Remember that? You recall that? No, I was never really into the Beatles. I was just wondering if that was something true. truth or if that was some kind of subliminal mind-controlled tactic, you know, I don't know.

Okay. I just wanted his point of view on it. Well, I'm thinking that maybe the biggest put up was that maybe the Metallica drummer was actually a really great drummer. Maybe that was the biggest myth. I love Lars. Yeah, I know you do. I love Lars. I love both Lars's.

Okay. Yeah. All right. Phil, I appreciate the call. I can't really answer that for sure here. But I'll tell you what we are going. Instead of picking on Lars, though, we're going to pick on David Lee Roth. David Lee Roth has, well, let me put it this way.

The Brit Festival has really dodged a bullet when they ended up canceling the David Lee Roth show. And that was going to be next Thursday, right? And essentially, this was be, I don't know why, it doesn't matter. But there have been tapes of David Lee Roth singing lines. and it's pretty brutal. All right, we'll play some of that next, but what I'm going to do is give you a chance at winning Gordon Ramsey's Secret Service Grills. These are like grill friends, and I have three of them.

And all you have to do is sing a David Lee Roth or Van Halen song better than David Lee Roth. And it's pretty low bar, all right? 7705-633-770 KMED. Who wants to have a little fun with this? A little pallet cleanser. That's next on the Bill Meyers show. This is News Talk 1063, KMED. And you're waking up with the Bill Myers Show.

Okay, a little bit of fun time now. Can you sing better than David Lee Roth? Now, just so you know, a Brit Festival wisely in my view, canceled the David Lee Roth Show, which was going to be next Thursday. And by the way, if you have tickets to the David Lee Roth Show, contact the Brit Box Office for a credit towards another show, or a refund to your original payment method, okay, and online at Britfest.org, all right?

So, what do they make sure? And they really dodged a bullet in my view. Michael is here. Hello, Michael. How are you doing this morning, sir? No, good. All right. Now, I have Gordon Ramsey's Secret Service grills,

courtesy of KMVU Fox 26, our sister station. These are fun grills, and they're like grill friends, little mini charcoal grills, a lot of fun. And I'm going to play you, Well, first, I have to make sure that people understand just how strong David Lee Roth is these days. Okay? Can you hang on here?

Just a moment? All right. Here we go. This is David Lee Roth from a racing concert. Not exactly sure or where, but this was what he was singing. As you got me now. Okay. So that was what he was singing with the entire band there.

Then they ended up doing some electronic wizardry, rather, and they got the rest of the instruments away. They cut it all the way, and here is what was left with the vocal. Well, you're right, with Jabberdown. I don't know what I'm doing. I mean, now, love that, sleeping day. All right. So that's what you're competing against, Michael. How are you doing this morning?

All right. I'm doing good. Okay, so pick any David Lee Roth's song, any Van Halen song. Can you sing better than that clip right now? Go ahead. I can. All right. Do I start now?

Sure, go ahead. All right. I live my life like the snow tomorrow. All I do is see, at least I don't need to bed on tomorrow. Yes, I'm living in a place that kill. I'm running with the devil. Okay. You know, I'm going to say, I'm going to go out on a limb and say, yeah.

Yeah, I think you definitely, you could have filled in for David Lee Roth at that show. All right. Hang on. All right, hang on. This is I hope so. Yeah, exactly. All right. We have another grill.

We'll give that away here. Mr. Outdoors, you're calling in, huh? Welcome. Listen, I thought, oh, I got to get a piece of this. Now, I'm not eligible for the grill, but I will definitely... No, you are certainly eligible for the grill if you can sing better than this. Okay, so I'm going to play it again. Here we go.

Okay. You're right. I'll be about this song. I don't know what I'm doing. All right. Now, which song do you want to take, though? Well, the one I'm going to take is the one my band used to do down in California. We were all huge Van Halen fans and Ain't Talking About Love.

Oh, okay. Good one. Yeah, we... The least pyrot. tech, you know, techniques going for a guitar player of an Eddie song. All right. So, take it away. We were like, let's do that one.

All right. Take it away. Mr. Outdores. Front and Senate. Can you sing better than David Lee Roth today? I heard the news about your disease. Yeah, you may have all you won't, baby, but I got something you need. Oh, yeah.

I ain't talking about love. My love is rotten to the core. That's not bad. I'm talking about love, just like I told you before. Yeah, before. I never thought I'd be awarding your grill for singing on the show. All right? What, Scuba? Steve from Malkul 103 wants to. He wants to say something about that, too. What is that, Steve? Well, Bill, I just, I have all the judges next door, and they gave a thumbs up to both of those guys, and they want to know what they're doing on Thursday next week. Yeah, what are you doing on Thursday next week?

You want to fill in, have a little karaoke time out at Britt? How about that? Oh, I can actually make that because the rogues are out of town. By the way, great pitch last night, Steve. All right. That's right. He did do the pitch, didn't he? All right.

Yes, and where were you? Hey, you know me. I'm on the toddler schedule. 7.30. This is true. In bed. At a.m. Buc show schedule. Yeah, in bed.

That's the way it goes. All right. Hang on, Mr. Outdoors. Now, if anybody else wants to take a stab at it, go ahead. But like I said, the bar is really low. Now, just to be fair, I want to make sure that people understand that David, here is an isolated vocal from the first Van Halen album. I found the simple life ain't so simple when I jumped out on that road. Yeah, that road is long past David Lee, unfortunately.

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