Blank Check with Griffin & David - Home Again with Richard Lawson
Episode Date: November 25, 2018In the final special bonus episode of our mini-series on the films of Nancy Meyers, Griffin and David invite Richard Lawson (Vanity Fair) to weigh in on her daughter Hallie Meyers-Shyer’s directoria...l debut: Home Again. But what if boys were nice? Was this movie filmed exclusively inside a bottle of white zinfandel? What is the future of the romantic comedy in the major studio system? Together they discuss alternate realities, finding the next Sam Smith, Nancy Meyers’ involvement in inventing rap rock and Reese Witherspoon for mayor. This episode is sponsored by [Robinhood](http://check.robinhood.com). Music selection: “Parting of the Ways - Part 1” by [Kevin MacLeod](https://incompetech.com/) Licensed under [Creative Commons: By Attribution 3.0 License](https://creativecommons.org/licenses/by/3.0/)
Transcript
Discussion (0)
since when is having three adorable guys hanging around such a bad podcast?
Right.
Starting over is not for beginners.
That's the tagline for the movie, and we need to state this right off the bat because this is an historic moment. I think you need to state this.
You need to get this off your chest.
As is tradition on the show, we open with a botched quote or tagline from the film.
This is the first movie we have ever covered in what, now
three years of the podcast?
Three plus. Right? Yeah.
To not have a quotes page on IMDb.
No one has bothered to put quotes on the IMDb
page. That includes the Loveless
had quotes. Piranha 2 had
quotes. Praying with Anger, I believe,
had quotes. Weight of Water. Weight of Water had
quotes. That water sure is heavy.
The quote was 16 pounds. Just want to get another weight of you. Just want to get another Weight of water. Weight of water had quotes. That water sure is heavy. The quote was 16 pounds.
Just want to get another weight of you.
Just want to get another weight of you.
All you got to do is weigh me.
That's over the fucking line.
That's my new one.
I'm doing that at home a lot.
Starting overism for beginners.
Hello, everybody.
My name's Griffin Newman.
Oh, David Sims.
I had to point to him, he was missing his cue.
I usually do.
This is Blank Check with Griffin and David.
We're hashtag the two friends, competitive advantage.
We're the only friends who host a podcast and move into a divorced woman's house together.
A guest house together.
But it's a...
Let's call it a compound, it's a compound.
Sure.
Yeah.
It's a... what am I?
Fortress?
A collaborative living community.
What are those things called?
Yeah.
Cooperative living community.
I don't know.
Whatever.
What?
Commune.
Sure.
It's a podcast about filmographies.
Directors who have massive success early on in their career and are given a series of
blank checks to make whatever crazy projects they want.
Sometimes those checks clear and sometimes
they have
a baby
and then that baby
gets to cash their parents' checks.
Baby. Baby.
They're like,
hey baby, can you take this check to the bank?
And they're like, sure thing.
And then they sneak off and make a movie instead.
Oh, you think that's what happened?
No, I don't.
Was Nancy was just like, here, I have this $12 million in this wheelbarrow.
Yeah.
You just cart it over to TD Bank.
Right.
She likes TD Bank.
Right.
And she ran it right over to Open Road Pictures.
Sure.
Now called Global Road Pictures.
Isn't it now called...
Non-existent pictures.
Footage not found.
No offense to those people that's right open road was amc and regal theaters saying what if we made the movies and distributed them
only to our theaters in what is kind of a reverse of the monopoly that had to be broken up in the
early 1900s where the movie studios also owned the theaters and they were like no sir right so now
the theaters were like what if we own the movie studios and it didn't work very well except that
they within a couple years won best picture which is insane yeah like who spotlight oh that's you
know where people are like you know it's really hard to win best picture if you don't have the
experience with the uh campaigning and all of the sort of infrastructure.
And then Open Road won Best Picture over The Revenant with Spotlight.
It is kind of crazy that in the last 10 years, Summit, A24, and Open Road all won Best Pictures while being like preemie companies.
And two of those companies don't exist anymore.
Well, Summit kind of exists, right?
I mean, it's just folded into lines.
It's like a shingle.
Well, you're a shingle.
I am a shingle.
I have shingles.
My mom had shingles.
Did she?
Very painful.
It's a joke in our family
that my mother only gets diseases
that haven't existed since the 1800s.
Or sounds like...
Scurvy?
Yeah, just...
It sounds like artisanal
when my mother's under the weather.
Are shingles adult chickenpox?
Yes.
In Mary Queen of Scots, Margot Robbie gets them,
or Queen Elizabeth gets them,
and the makeup job is very funny.
Well, what happened was that Margot Robbie got them,
and so the queen had to get them.
Yes.
Yeah, adult chickenpox.
I think it's adult chickenpox if you had chickenpox.
It's a weird thing where they come back.
Because you can be an adult and get chicken pox.
I think that's really bad.
That's what fucks you up bad.
Whereas shingles I think are just very itchy and annoying
and the worst.
But I don't think it's quite as severe.
The chicken pox thing is
when adults haven't had chicken pox
they don't want to go within a fucking
city mile of a kid with chicken pox
because then that does them in.
Shingles I think is just like, oh, this sucks again.
Shingles is that for reasons that doctors don't understand, your chicken pox returns in like a limited form.
Right.
But limited is the key word.
It's a limited platform release.
It's a limited platform release.
Right.
Exactly.
It's expanding outward from major metropolitan areas.
It's sort of like an open road.
I mean it's like it's going to be in major theaters, but not like all of them.
And it's like a pretty limited P&A budget.
It's disgusting.
Correct.
So this is...
So essentially we're comparing Home Again to Shingles.
Correct.
The Shingles of movies.
We've been doing a miniseries called
Something's Podcast about the films of Nancy Meyers.
And this is a bonus episode.
You know, we've oscillated between the bonus episode being
something that's connected to them but wasn't directed by them.
Okay.
And a non-feature thing that the director did.
Right, right, right.
But this is going back to the first one,
which is a film made by her daughter.
Halle Meyer Sher.
Yeah.
Yeah.
But is very much, it feels not like a film directed by the daughter of the person who directed
something's got to give,
but it feels like the daughter of something's got to give.
Right.
It feels like that movie had a baby and that baby was another movie.
Yeah.
And,
but like it was kind of a weird kid.
Had a baby, but like kind of a, Oh yeah was kind of a weird kid. Had a baby, but like, kind of a weird kid.
Well, I would say it's unnatural for movies to give birth.
Whatever.
I don't want to push my politics here.
I was going to say, people can do what they want.
I don't think movies should fuck each other, and I don't think movies should have babies.
I just don't think that's a good environment to raise a kid in.
Did you see who the second unit director of this movie was?
Steven Soderbergh, right?
Charles Shire.
Really? Yes.
Her father. So all three of them were on set.
I guess so. When I reviewed the movie,
in the opening paragraph, I said, the late Charles Shire. And someone
on Twitter was like, um...
You just assumed he had died? I didn't.
Because she's made 40,000 movies about divorce
and I was like, I think she's a widow.
And this movie is also about her legacy of her dead filmmaker father.
That's true.
I think that's what it was.
You'd watch this movie, and you would think, oh, her dad must have died.
Right.
But instead of her dad being a dead 70s auteur, he is a living 80s programmer.
That's crazy.
He made Baby Boom.
He did?
Yeah.
He made Father of the Bride and Father of the Bride Part 2.
But he hasn't directed a film since Alfie, right?
Yes, except...
Yes, yes.
That's his last feature.
He has a credit on a Reese Witherspoon indie.
It's weird.
Something about how starting over is not for beginners.
By definition, frankly.
Yes.
I'm going to say something right off the bat. This movie is to me what Spanglish definition, frankly. Yes. Yes. I'm going to say something
right off the bat.
This movie is to me
what Spanglish is to Ben.
Oh, yeah.
Okay.
We all like this movie
then, that means.
Yeah, but I just felt that...
You were the wild card
because you hadn't seen it.
I hadn't seen it.
Right.
I hadn't seen it
and I was pretty against it
when it came out.
Oh, you were dead wrong.
I was dead wrong.
I was dead wrong.
I found this movie charming.
Yeah. So, you had
a long time ago when we had
floated the idea. Our guest, of course, today.
Yeah, introduce the guest.
Is someone soaring into the six-timers club
now? Firmly in the six?
I guess so. He seems to know.
I'm going to check the wiki.
No, it's six. It's six. With 100%
confidence, it's six. He's six. Yeah. With 100% confidence, it's six.
He's our great friend.
Our fabulous, what's the term I'm looking for?
Cohort.
Yeah, sure.
And bits.
Colleague.
Right, right, right.
He's a writer for Vanity Fair.
He hosts the Little Gold Men podcast.
Richard Lawson is our guest today.
Hello.
And you had, a long, long time ago when you floated in, where you said
on mic that you wanted to do Taking Woodstock.
Yeah, just because, like, why not? Right.
And then people were confused,
flummoxed when you were not the guest
on the Taking Woodstock episode, but it was
because something had superseded that.
Something had given.
It had to. Right. You wanted
to go home again, Richard. I really wanted to go home again
and I watched the
Twitter poll to decide
on the Nancy Meyer season with so much...
I was genuinely
watching the finals.
And then Pico Alexander
visited you in a dream.
Well, some say it wasn't a dream.
If he asks, it was a dream.
But then you took your token off of taking
Woodstock, you put it back in play.
And you said, I'm going home.
Well, because it wasn't even guaranteed, I guess, that you guys were going to do Home Again.
Well, I was pretty sure.
But I assumed.
We knew you wanted to talk about it.
It seemed interesting enough.
I wanted to talk about it.
Her filmography is short.
David loves it.
So the second she won, we were like, even before she won, when she was clearly starting to gain momentum, we said, if she wins, we're going to do Home Again.
Like if James Cameron's son had painted a creepy portrait of him,
you'd...
You'd talk about that. You'd do an episode
on that, right? Yes.
This movie's crazy!
This is a very strange film. Yes, it is.
Home Again.
The third movie in this miniseries that I
auditioned for. You auditioned for this one?
I auditioned for this one as well. So you auditioned for...
It's complicated, the, and this. Yes.
You were going to be Candice Bergen's part? Correct.
And they gave it to LeBron Bergen.
You were going to be the director father in the beginning.
He was going to play a little munchkin
that lived in Candice Bergen's pocket.
And then they cut that whole part
out. There's like a whole extended subplot where
she talks to a weird little elf in her pocket.
Right. The role I auditioned for
five times for It's Complicated didn't end up making it in the movie.
They shot it and cut it.
Right.
But they couldn't find someone and went through two different casting directors trying to find someone for this part.
Wait, what was it?
It was, I've said this in this Complicated episode, which has come out by this point.
Yeah, sorry.
But Meryl Streep goes on a Tinder date and the guy shows up and he's like 17.
And I believe it was Daryl Sabar.
Daryl Sabar ended up getting the part
and they cut it out. But it was literally, they
postponed the shooting of the movie
because this was one of her big like
set piece comedy scenes. Right.
And then they couldn't do it. And then for the
intern I auditioned for, every male
role. Right. Right. Like every fucking
one. Mostly De Niro, obviously. Yes.
Right. And that was the one I got close to. Right.
And then they realized you weren't 70 years
old. Which, to be fair,
I understand the confusion.
Yeah, I mean, no one asked and they just assumed.
Because Renee Russo requested
you, right? She did. I mean,
Renee and I are just such a match.
Yeah. You know?
And we just, it's one of those
things where it's like, okay, so we're one of those
legendary pairings. Like, you bring us both on set together, you know the chemistry you're going to get,
but do you want to have the movie, like, be bogged down with all that baggage?
You know?
Like, is it going to be like a You've Got Mail, or is it going to be like a Joe vs. the Volcano?
Like, is it going to be like, I'm so happy to see them again, or is it going to be like, this is a little too much too soon?
That's totally fair.
I understand that.
And then this, I auditioned for the Rodnitsky part.
You did?
I did.
Can I start off
with a hot take
about the three boys
in the movie?
So this movie is
I called it on Letterboxd
I might have the same
hot take as you
because I got a real
hot take on the boys.
I don't know how hot it is
but it's a take.
I got a boy on the take.
I called this movie
Goldilocks and the Three Boys
which
Home again, home again
jiggity jig.
My hot take or or whatever, is that
all the boys are playing the wrong roles.
Yes. Okay, so Pico
Alexander should be playing the actor.
Thank you. Because he looks like
he's ridiculous looking. Beyond that,
right, beyond him looking like a sculpture,
he acts with the confidence
of a 23-year-old actor
who just got off the bus in Los Angeles,
hasn't booked a job, and thinks he's hot shit.
I'd seen this movie twice.
It was my second viewing, and I had to pause it and be like,
wait, wait, he's the director?
Rudnitsky should be the director,
and Nat Wolfe should be the writer.
They're all in the wrong role.
It doesn't really matter,
but they all are the type of a different type.
It does kind of matter.
I think they put Pico Alexander in his role because he's the most handsome one and he's the one who should end up with resources.
He has the triumphant moment at the end there.
But, all right, what were you going to say?
I was going to say, I took some note, I can't find it now, of, like, with Pico Alexander, it's like, how do, like, hot guys, like, learn how to talk like that?
Like, it's just a very particular kind of thing
where you're like they're young but they're also sound like
they've been they're like 45 like
it's a really weird it's the thing that Gosling
does best of anyone yeah
where it's like the affected sort of like
James Deeney tough guy
and the certain there's like a certain
vocabulary of face acting
that they do where it's like
very specific sort of like facial
tics to accentuate certain
words or they like curl up the side of one
like corner of their mouth you know
there's like shit like that and like the
half wink and all this sort of like even the way
they walk and that's like
as you said that's the stuff that every young
actor learns to do
he's doing all of that because he's an actor
playing a part where that's his
bag of tricks, but because
you know that's the thing that young actors do,
you keep on going, well, he should be the actor character.
Right. Yeah, exactly. I also think
the costuming is off because
he's wearing an actor's clothing.
Yes, he is.
Yes, he is.
And Wernitzky's the one who's the film-obsessed
guy who goes into the
director's homage room and is into it.
Like he's obviously a director.
And the net wolf is the little Jew.
He's the writer.
I'm Jewish.
I'm allowed to say that.
The Pico Wolf swap is the biggest one for me.
I think the movie would work.
Still.
Ben's vaping.
Ben's vaping in the studio.
That's got to vape.
Producer Ben is vaping.
The Benducer is vaping.
It just looks like a USB. How do you. Poet Laureate is vaping. How do people fucking do. Peter's vaping. It's helping me in the studio. That's got to vape. Producer Ben is vaping. The Benducer is vaping. It just looks like a USB.
How do you-
Poet Laureate is vaping.
How do people fucking do-
Peter's vaping.
It's helping me quit smoking cigarettes.
Park Detective's vaping.
The Meat Lover's vaping.
Dirt Bike Benny's vaping.
Soaking Wet Benny's vaping.
White Hot Benny's vaping.
It's the creme brulee flavor.
Can I ask you a question?
Is Professor Crispy vaping?
No, but I am Ben.
Me, Hosley, vaping.
If someone sees you vaping in the streets,
do they wish you a HelloFennel?
Yeah, fine.
And can you tell me whether or not your vape
has graduated to certain titles
over the course of different miniseries?
Hold on, I'll ask it.
Yeah, Kylo Ben.
Yeah.
Producer Ben Kenobi.
Ben Etchamalon. Ben Sate. Save Anything. Dot, dot, dot. Ailey Benz with a dollar sign. Ben 19, I'll ask it. Yeah, Kylo Ben. Yeah. Producer Ben Kenobi. Ben H. Amalan. Ben Sate. Save Anything.
Dot dot dot. Ailey Benz with the dollar sign.
Ben 19, The Fennel Maker. Purdue Urbane.
Warhaz.
Mr. Ben Credible. Yeah.
Robohaz.
Benglish.
Eat. Eat, drink. Ben Huxley.
Yeah.
Is there an anti-mirus one? I don't know.
Oh, we got a... Some Ben's Gotta Give? I don't know you gotta pitch oh we gotta we gotta
Daddario gave me one
some Ben's gotta give
I don't know
some Ben's gotta give
what was the one
that Daddario gave you
let me find it
Alexandra Daddario
follows me on Twitter
hey
lucky man
lucky man Richard
Daniel Daddario
of course
long time fan
long time friend
variety TV critic
now
Haas do you know?
That's good. It's an old one for
James Earl Brooks. It's Haas-located.
I don't know.
I'm going to be a little sweaty.
I like something Ben's got to give.
Sure.
Why not? I don't know.
I don't fucking know.
You should know. You of all people.
Was there no other?
I don't know. We'll continue that. There'll be an ongoing subplot for the rest of this episode. You should know. You of all people. Was there no other? I don't know.
We'll continue that.
There'll be an ongoing subplot.
The Ben turn.
The Ben turn.
Yeah.
I like that.
Ben kind of likes that.
The Hosla day.
Yeah.
The Hosla.
Oh, that's good.
That's good.
Right?
That is what it is.
That's really good.
Something had to give and that was it.
I think the Pico Alexander one is the one that's really egregious.
I think the movie would still work if it was Pico as the actor,
Wolf as the director, Radnitsky as the writer.
But I think the best version is the assignments that you gave us.
But then in the plot, does Reese Witherspoon sleep with the actor still?
Or rather with Pico still?
Because I think that he kind of needs to be the one.
I kind of think she should be sleeping with the actor.
Right.
Because the actor also doesn't have a character in this movie.
No.
Nat Wolfe?
Right.
What I'm saying is, Pico Alexander has two things to do.
Because A, he's the person trying to get the movie off the ground.
And B, he's the person with the romance.
So you're saying you move the romance over to the actor, you move Pico over there too.
Right.
That's fine.
Because the actor character doesn't have much to do until he punches Michael Sheen.
Yes, he does.
I think what Richard's trying to say is like, sleeping with the actor is tacky.
Sleeping with the director, like, ah, muah, yes, oh, molto bene.
Okay, but this, I agree, but this is what I kind of like about it.
I think this movie is like functioning as like a corrective for two kind of Nancy Meyers things, okay?
This is what I think makes this movie interesting and somewhat separates it from the Nancy filmography.
The other thing it makes interesting is everything that happens in it from the first second of the film until the last second.
Right.
Yeah, all of that.
Right, that this film was shot exclusively inside a bottle of White Ziffendale.
They had to develop a fucking pinhole camera
and shrink all the actors down to size
to fit inside that wine bottle.
I mean, what else do they have going on?
Reninsky's not busy.
He could be shrunk.
What I was going to say is
the two things I think are interesting about this film
to front load my hot takes.
One, I think, as you've said,
Nancy's very obsessed with the kind of older cat.
Right?
Like the gross.
The incorrigible older man.
Right.
Your Nicholson, your Baldwin.
These guys are gross and they're womanizers
and they learn too late,
but there is something attractive about them.
Right.
And then Gibson too, even though he's middle.
But like, what can I do?
And then at the end they're like,
I understand that I'm kind of an asshole. And you're like, ah, get's middle-aged. But I get that feeling of like, what can I do? Right. And then at the end, they're like, I understand that I'm kind of an asshole.
And you're like,
ah, get in here, you.
And the other thing with Nancy is
that she thinks modern men are kind of boring.
Sure.
You know?
Like, even the best of the modern men characters
is the Keanu,
but it's still like,
yeah, but you can't really have a life with him.
Yeah, what are you getting out of this guy?
He's too sweet.
He doesn't have edge.
Spectacular sex and money.
Right.
I do believe that
Hallie Meyers-Shire
has a young man
in 2017,
when the,
16,
when this movie came out.
Okay.
She was with a younger man?
No, no, no.
I believe she has him
saying in this movie
that Pico Alexander
has that classic
Clark Gable thing.
And it's like,
sure, right,
because like 20-something boys
now are always referencing
Clark fucking Gable.
A hundred percent.
Well, I was going to say
there's the scene in the intern
where Anne Hathaway, like,
drunkenly dresses down the intern boys
and is like,
look at you men with your untouched shirts.
The intern is very much
a pain to the old-fashioned man.
And look at these boys
with their shirts tucked in
or at least, you know, well-ironed.
Which is what I think
Halle's kind of doing here,
which is like,
her mom thinks that, like,
soft boys can't be sexy.
You know, they're too soft
and they don't have gentlemanly behaviors.
And she's trying to go like, here's modern men who are more attuned to your emotions,
who aren't pigs, but also got a little edge to them.
A little ring-a-ding.
Know how to tuck it in.
Right.
And the other thing I think she's saying—
That makes the movie feel like it's set in another dimension.
Right, which is weird.
But that's also the thing that's most interesting about the movie when viewed through the prism of this
miniseries we're doing
sure
is that
Halle's going like
oh maybe it is kind of cool
if you date younger men
which Nancy's like
men do that
but that's why they're dumb
you should be with people
your own age
you're right
you're right
she is arguing for
I mean this is
this film has more
like
it has men that you
just would never see
in a Nancy Meyers movie
no
like yeah
these men would just
not talk in a Nancy Meyers movie they would just stand men would just not talk in a Nancy Meyers movie.
They would just stand there.
Which I think why it makes it so surreal because like,
but they are sort of, they are there,
but they're not supposed to be there.
There's something wrong.
There's something deeply wrong.
So this is my biggest take.
They are the sign that it's like an inception.
Yeah, right.
Your subconscious should attack Reninsky and tear him to pieces.
The top is still spinning.
Yeah.
You know?
This is my hottest take on the movie.
This film is set in Marianne Cotillard's dream.
That is actually true. That's why 9-11 never happened
in that movie.
My hottest take on the movie.
I think that's a great joke. 10 comedy points.
My hottest take on the movie is...
That joke was for you.
I know. I loved it.
I was just worried that you were going to get to my take
before. That's why I kept yelling it.
It's kind of a parallel take to your joke.
I think this is a Brigadoon movie.
I think this is a movie about three men wandering who end up in the wrong film.
Do you think?
You know, like it's like...
What about this?
What?
Reese Witherspoon in How Do You Know, she gets on that bus from that fucking dimension.
That's like dimension X.
Which is the same bus
that like
Thora Birch got on
at the end of Ghost World
where you don't know
where the buses go.
And it takes her to some
like third dimension
like which is where
this is set.
Right?
No, because I think
she is of this dimension.
I get what you're saying.
They have wandered in
from a different movie set.
Like I want this movie
to take the Turing test.
You know?
I just think, like,
these three guys are in, like,
a Judd Apatow, like,
acolyte, like, bro movie.
But they're nuts.
And then they get on the wrong bus.
They're nice.
Yeah.
They're nice boys.
I'm not saying a bad one.
What if boys were nice?
Well, that's her biggest...
That is the pitch of this movie.
Yeah.
What if there were some nice boys?
Which only feels novel to her
because she grew up in a Nancy Meyers household.
Which is why it's so creepy.
I mean, I wanted Reese and Pico to get together at the end because I think that that would have been more transgressive and more interesting than like, oh, of course we can't be together.
But there's also something deeply creepy about these nice boys, at least one of them being sexualized.
You know, like it's weird.
Yes, it's weird.
Because she's like mommy and they're learning.
It's about young people learning to love or appreciate, not love, appreciate a Nancy Meyersian woman.
Yes.
In a movie directed by Nancy Meyers' daughter.
So basically she's saying like appreciate how your mom always has flowers in the house, even if she's a little tyrannical about it.
Yeah.
But maybe also sleep with her.
how your mom always has flowers in the house, even if she's a little tyrannical about it. Yeah. But may they also
sleep with her?
Also, it has that knocked up pitch
of like, one wild night leads to
one crazy movie.
Which is why I'm saying the app is how we think.
I know, I'm agreeing with you.
But the wild night is like, they drink
a little wine. He can't hold
his liquor. Right. And like, that's
it. Like, it's not like, nothing crazy happens.
This movie just throws you into a swimming pool. But then it turns out the swimming pool And like, that's it? Like, it's not like, nothing crazy happens. This movie just throws you into
a swimming pool, but then it
turns out the swimming pool is like, made of
champagne or whatever, right? Like, it's like, you're like, wait,
this isn't what I expected. Like,
it just starts, it starts things off right away.
It's very bizarre. And then when they set up the
Renitsky thing, you go like, oh, is this gonna be some weird
like, Love Square movie where
all three guys are fighting for her? Right.
But it's just like I think
I mean
A I think this movie is
Halle Meyershire's
argument in favor of boys
because Nancy Meyers
makes movies about men
right yeah
and has no respect for boys
and she's defending
her generation
right boys are good too
kind of
but she's doing it
with examples
that are not from her generation
and then that's the other thing
or any generation
she's summoned
right
three beings
do you think she just did a dark
ritual by mistake and it produced these three
boys and then she was like, I have to put them in a movie
I guess. You know what it was?
She was building the machines from the fly
and all of a sudden
it's complicated DVD fell in the machine
while Pico Alexander, John Wernitzky
and Matt Wolfe were just chilling in it.
And then all of a sudden there was
Home Again.
The other thing I think this movie is kind of doing is like all the Nancy Meyers movies about the cads, they realize too late in life.
Like, oh, women are people too.
I should have treated them with respect.
And they finally get it together at age like 61.
Like a spring 61, right?
Right. like a spring 61 right? and I think this movie is like what if they don't end up together
but this
situation
made these three men
in their mid-twenties
these three boys
in their mid-twenties
learn how to be better men
down the line
like none of these boys
will turn into
Alec Baldwin
or Mel Gibson
or Jack Nicholson
because they've had this experience
and they like
in a way
now understand
who a woman is as a human being because they've
been like let into her life in this very intimate way in terms of like not just the sexual stuff
but like her kids you know and her like career aspirations and all these sorts of things this
is a movie about like how a better generation of men is going to come out of living with
right but it's also set inside of like a Windows 98
screen saver.
Yes.
Like there's just,
you're just like,
what is this world?
And you feel like
if Vernitsky like
walked six blocks,
there would be like
a barrier.
It would be Truman Show.
Yeah,
he would just like
come around the other side.
Wait,
in a different
tucked in shirt.
There is one moment
in this movie
that made it very clear
that they were living
in a simulation,
which is the scene where Vernitsky tries to steal the look at Reed Scott's iPad.
And in any other movie, it'd be like they're at a restaurant.
He's like, hold on, I have to take this.
And he would step outside of the restaurant to take the call.
And so they'd have a little bit of room to go on.
On a beach, he walks two feet away.
Less.
And they're like at full voice.
Hey, don't do that.
Yes.
And he's like shouting everything on the iPad. And he's also not stationary. Like he's two feet away and he. And they're like at full voice, hey, don't do that. And he's like shouting everything on
the iPad. And he's also not stationary. Like he's
two feet away and he's walking and shifting and
like peripheral vision at any moment.
And then I want to walk. Reniski's at the opposite
end of the table. Reed Scott turns around.
Reniski is holding the iPad and screaming.
He like throws the iPad down.
Runs back to his chair as Reed Scott just looks
at him. Sits in the chair and like sort of
puts his napkin in with a flourish.
Kind of like that.
And Reed Scott's like, hey, what's up?
Are you okay?
Right.
And then two black cats walk by in quick succession.
And they realize that they're still in the Matrix.
Not like this.
Not like this.
Not like this.
Oh, my God.
So this is the unofficial fourth Matrix movie.
It's deranged. This movie is so good. All right. So this movie came out. Richard Matrix movie. It's deranged.
This movie is so good.
All right, so this movie came out.
Richard and I were talking about this.
In September, early September 2017,
right as we were going to the Toronto Film Festival.
Sure were.
It came out at the worst possible time.
Yes.
Why they would release it then, I have no idea.
No.
It was largely ignored.
Yeah.
Made a little money.
It made $27 million. So it doubled its budget, its largely ignored. Yeah. Made a little money. It made $27 million.
So it doubled its budget, its small budget.
Right.
But at the time, Witherspoon was so big that because of Big Little Lies and stuff, you
thought that maybe...
They should have struck when the iron was hot.
Right.
Did this come out before or after Big Little Lies?
Just after.
Just after.
Yeah.
Okay.
Yeah.
Was Big Little Lies aired in like...
That summer?
The summer. No.ies aired in the summer?
No, it aired in February.
Of 17.
It started in February.
So it ended in mid-April.
Release that movie in early April.
That's when book club came out.
Why they released this not in
some of that spring window.
This is a spring movie, 100%.
It's a terrible September film.
And it was first week of September too. This is a spring movie, 100%. It's a terrible September film. And it was first week
of September too,
so it's like
right after the summer
When film critics
are not engaged,
like they are busy
with festival and awards
shit or whatever.
Right.
Like I took time out
while in Toronto
to review this movie,
which I don't feel like
most people didn't.
I was just obsessed with it.
That's like the weekend
that like Axel comes out.
Yeah,
which is an open road movie.
Yeah, right.
The last one.
Is it worse than a Labor Day weekend release?
Yes, 100%.
Yeah, it is.
Because, right, at least a Labor Day weekend, you will get the extra day.
I would argue this is the second worst weekend of the year behind the first week of January.
Where you know the top movies are going to be whatever the big things were for Christmas.
And if they release something the first week of January, it's like they're trying to-
It's just some horror movie or that's it.
Like, wasn't that Julianne Moore witch movie
the first week in January?
Julianne Moore witch movie?
Do you mean Helen Mirren witch movie?
Do you mean Winchester?
No, I mean Julianne Moore is a witch
and it's like medieval days and it's supernatural.
Stop saying that she's a witch.
The Seventh Son.
The Seventh Son.
Yeah.
With Jeff Bridges, which was pushed back three and a half years.
Right, it was like shot in like 2001. Yes, that's when that movie came out. It's just video game cut Son. Yeah. Oh, right. Which was pushed back three and a half years. Right. It was like shot in like 2001.
Yes, that's when that movie came out.
It's just video game cut scenes.
Tamagotchis.
Yeah.
But that's like,
you release those movies like,
if you have a really expensive movie
that's a nightmare
and you know it's going to lose money,
you release it the first week of January
and go like,
well, we got steamrolled by Avatar.
What could we do?
Yeah, right.
No one saw that coming.
Right.
So this movie came out,
you saw it at a press screening,
I'm assuming yeah
I skipped the press screening
for like reasons
I took Bobby Finger
sure
Bobby Finger
we both
we walked down the block
like afterward
like silent
until we got to the stoplight
because we had no idea
what to say to each other
well you had to get immediately
to an emergency defibrillator
right
you are saying on the record
that this movie got
fingered
it sure did
I know he's been on this season
did he tell you the story about meeting Nancy Meyers?
No.
I don't think he did.
Oh, fuck Bobby.
I took him to the premiere for The Intern.
Okay.
And there was a party afterward at Tavern on the Green.
I can't believe he didn't tell us.
And so we were there.
And there was Nancy.
And, you know, once in a while at a party, like, I'll go up and say hi to somebody.
I don't like to do it.
But if it's someone like that.
And I was with Bobby. Yeah. So I went up and I introduced myself. And I don't like to do it, but if it's someone like that, and I was with Bobby. So I went up
and I introduced myself and I was like, and this is my friend
Bobby Finger, he writes for Jezebel.
And Nancy Meyers whips around to her assistant and goes,
Bobby Finger. And she turns back to Bobby and she says,
we know Bobby Finger. And Bobby
literally fell down. He
went to the dimension where
home again. He brought it back.
He went home again. She knew him
because he comments
on her Instagram sometimes
and he has such
a distinctive name.
Of course.
And it was the most
amazing moment ever.
He is one of the best
names in the world.
It's an incredible name.
When you hear that
that's his real name,
not that it wouldn't be,
but you're like,
I can't believe it.
That's his name.
He was just given that name.
Finger is a great last name
and it sounds like a name
that a screenwriter
would make up.
Right.
And then Bobby is somehow
the perfect first name
and even when he gets older like Robert
Finger has like some
majesty Bob Finger
so you saw it with Bob Finger himself
Dickie Lawson and Bob Finger
I missed the press screen
because I was busy or something
they just screened it like the one time or whatever like I couldn't make it
David how could you
well but that meant that I got to see this film
in the perfect environment,
which is at the Cobble Hill Cinema
five weeks after its release
with an exclusively 50 plus audience.
Oh, wonderful.
And a fly that kept sort of lazily flying
in front of the projector.
So like frequently it was sort of just
dangling in front of Candice Bergen.
And when Candice Bergen says,
I mean, they laughed throughout. It was like Showtime at the Apollo. They wereice Bergen. And when Candice Bergen said, it says, I mean, they laughed throughout.
It was like Showtime with the Apollo.
They were losing their minds.
That fly was Jeff Goldblum.
It's a cursed machine.
But the line where Candice Bergen said like,
you know,
and he died.
So I win.
Yeah.
Right.
Yes.
Which is like,
you know,
a cutesy sort of Myers knock knockoff line like they acted like
yeah it was nancy slid that line under hallie store right you can take this one i guess you
know they they just erupted i thought they were gonna burn the theater down like you know they
started like tearing the seats out of their fucking it was like an italian world cup match
or something they all started blowing Vuvuzela.
Sandman took a nap
because he knew there was no chance they were going to make him
tap out the movie.
That is a perfect way
to see that movie.
Wow, that is incredible.
So it was a great place
to see it and I love the movie.
Yeah.
So I was like, when I was putting it I was, so I was like, you know,
when I was putting it back on for this,
I'm like,
you know,
was that just sort of a great like experience?
Like it's just such a silly thing.
I put it on.
It's like taking a Xanax.
You just sort of like slip into the tub and like feel so relaxed.
Yeah.
Yeah.
Even though it's so aggressively bizarre.
Yes.
Well,
that's the thing is that you,
you,
you relax and then all of a sudden you'll
jolt awake and you're like, wait, what the fuck am I
watching?
Richard, what are we doing?
What are we doing?
I love any
movie where there's the moment where they pull away
from the kiss. What are we doing?
It's so annoying.
He missed one dinner.
I know. Come on.
He's also trying to get a movie made. It's like he was, he missed one dinner. I know. Like, come on. I know.
He's also trying to get a movie made,
like cut him some slack.
And it also like wasn't a serious thing.
Like you see the dinner,
it's like,
this is just like,
you're like wine.
It was like a Tuesday night
and they were just having a dinner party
and he had like work drinks
and it's like,
oh, work drinks,
we're in late.
And she clearly states like,
it's not a big deal.
You don't have to dress up fancy or anything.
Right.
Yeah.
So just wear your,
you know,
like a Brooks Brothers shirt,
like nothing,
nothing, nothing. Right. I mean Yeah. Just wear your, you know, like a Brooks Brothers shirt. Like nothing, nothing,
nothing.
Right.
I mean,
the other thing is,
a fresh,
never before worn,
don't wear something
you've ever worn before.
Ben,
you heard this,
but yeah,
I put it on,
I watched the film
for what felt like 10 minutes.
And felt it.
No,
and then turned to Joanna
and was like,
when did I put this on?
She was like,
an hour and 20 minutes ago,
it's almost over.
Because I was like,
it seems like it's almost over,
but I feel like
I just started this movie.
Like,
it just sort of like breezes by.
I mean,
this is playing really well
into my Brigadoon theory
because time works differently
in Brigadoon.
I think it's also just,
I'd watched all these Nancy movies
where you're always like,
fuck,
there's a fifth act.
Like every time,
it like rears its ugly head
where suddenly like,
we cut to six months later.
or something.
and you're just like,
oh,
I forgot,
like there's 20 more minutes.
Well,
you know,
every day is a century
in these mountains.
So this movie is set
in the Brigadoon Mountains
and it's about Alice Kinney
played by Reese Witherspoon
who amazingly
has never been
in a Nancy Meyers movie.
No,
and I think that's
the main reason she did this.
So when I auditioned for this,
it was to star Rose Byrne.
Yes.
And I went,
wow, I can't believe they got Rose Byrne to do this,
because she at the time was not doing rom-coms.
Right.
She was sort of being in boy comedies
and still doing a lot of dramas and stuff.
And then she ended up doing Juliet Naked,
which is sort of like a similar kind of-
And Richard's beloved The Meddler.
Wow.
Not a rom-com, though.
No, well, I guess it is, but it was Fruits and Sarandon.
It's sort of a light comedy, quote-unquote,
even though watching that movie for me is like what I assume World War II veterans feel like
when they watch Saving Private Ryan.
Right.
I love my mother.
Oh, yes, yes.
It's your turn to talk now.
The Meddler and this have a lot of similarities.
I mean, that film isn't
the young daughter
having the romance,
but the sort of
light,
like,
sort of relationship,
world,
like,
larger relationships
comedy set
in the entertainment industry.
Yeah.
You know?
But I was surprised
Rose Byrne was doing it,
and then they announced,
like,
oh,
Rose Byrne drops out,
and I'm like,
yeah,
okay,
that makes sense.
Doesn't seem like
the kind of movie
she's interested in doing.
She's too young to right
before she had done those sorts of things I think
this character was written younger at the time yeah
I feel like when I read it they wrote it up
once it was Reese and then they got
Reese and I think the answer is because Reese is
around 40 well that's the interesting thing is
that like you know it's Halle Meyers
who was 30 when the movie came out and
Nancy Meyers who's in her late 60s
and so this character is in between them.
And so it's not about mom and it's not about daughter.
It's just about some weird kind of version of maybe both of them.
I don't know.
Right.
I mean, clearly the Meyers-Shire family is obsessed with divorce, right?
It's like this thing that they can't get over.
This is true.
On all sides.
Which is especially weird because, you know,
the two of them did a reconcilable differences together.
But it seems to be this, like, you know, this original sin that, like, everything has to revolve around.
But I think I remember reading the script and the character being much closer to Hallie Meyershire's real age.
And then I think if Reese Witherspoon wants to do it, you rewrite it to make it Reese.
And I think it works better when the age difference
is a little more pronounced.
It has to be.
Yeah, it seems almost weird because then it's like,
if she's like 33 or whatever,
then we're talking about someone who had kids
when she was like 20.
I found the script really annoying when that was.
It's like that classic Hollywood thing
where everyone has to have had a kid
at the youngest age possible to justify
the generational gap.
And it also felt at the time,
and I may be misremembering this,
but it felt at the time like,
oh, this character
is really unlikable
because of how much
she's overselling
how much older she is
than these boys
when she's not
that different in age.
Right.
You know, whereas like
40 and 27,
there's a big generational gap.
It's like my therapist
gets mad at me
and I say,
I went on a date
with a younger guy
and he's like,
how old?
I'm like 29.
He's like,
Richard,
that's barely anything.
Right,
but so it's like 27 and 33
like isn't the same thing
as like 27 and 40.
Yeah,
it's a big difference.
Right,
right.
And the life cycles,
you know,
she's gone through
and all of that.
And I think like Reese
at this point,
like this is her first
romantic comedy in a while
because they just weren't fucking getting made anymore.
So it seemed odd like,
oh, Reese Witherspoon's doing like an indie romantic comedy
for open road,
but it's like,
but otherwise she's not going to get her fix.
She started like,
yeah, she's tapping the bench.
She's walking around Hollywood and Vine
tapping her wrist going.
I think her genre kind of died
and she's had a really good
sort of like dramatic
actress reinvention
but I think she still
just loves being
in these types of movies
it seems really pleasant
you're surrounded by
beautiful furniture
food
Pico Alexander
like it's why not
and she's someone
who knows how to do this
with a real light touch
and it's like
okay the last time
she did one of these
was How Do You Know
which lost so much
fucking money
and essentially killed
the genre
kind of
at a studio level.
Right,
because post then,
her career is
Water for Elephants.
Right.
Which was the best movie
about water for elephants.
Watering elephants.
Yeah, exactly.
Well, other than
Weight of Water for Elephants.
Is Christoph Waltz
still running that circus?
Yeah, he is.
And it's just,
if you ever have to interview him,
you have to go to the circus.
Welcome.
I hope you enjoy my trapeze artists.
Greatest Showman 2 is about them squaring off, right?
Yes.
And he's riding an elephant.
Yeah.
Then this means war.
Right, which was like.
Which is.
Which is garbage.
Real abomination.
Right, but that's like, oh, maybe studios will still make romantic comedies if they're disguised as another genre.
If they're like romantic comedies for boys.
If there's a gun in it.
With guns.
And everyone's like, fuck this.
That's also her with two younger guys, which is kind of interesting.
And it's two great actors and the movie's a nightmare.
Yeah, three great actors.
It's three actors I love.
Like three of my favorite working movie stars in that movie is a fever.
Angela Bassett's in it.
Four of my favorites.
Then that Adam McGowan movie, Devil's Knot, which like, I don't even know if that ever came out. stars and that movie is a fever Angela Bassett's in it uh then four of my favorite then that that
Adam McGowan movie Devil's Knot which like I don't even know if that was supposed to be so
that was like during like Colin Firth she was trying to get back on track and so she was doing
like more serious stuff back to roots yeah and and that's a West Memphis three movie yeah right
right that's right it's like why make that movie when you have like two different documentaries
about them that are really good. Right. But that was like
a play that didn't really work.
Then she does Mud.
Yeah.
She's really fucking good in Mud.
Yeah.
And then she has
Because the McConaissance
was happening at the same time
as she was kind of
trying to
And I think Mud
starts to make people
And they both debuted together
in the Texas Chainsaw Massacre.
Right.
Two Texans.
No, that's Renee Zellweger.
Yeah.
Yeah.
Fuck you.
Right.
She's from Tennessee. She's in the Man Yeah Fuck you You're right She's from Tennessee
Reese is in
Man on the Moon
Yeah she's from Tennessee
And I'm far
Far off place
Yes
Right
Ethan Embry
Far off place
And something called
Jack the Bear
But look I'm not doing
Her whole filmography
I'm going back to 2014
Because we have to remember
That she produced Gone Girl
And Fincher fired her from it
Essentially
Yeah Right like She optioned the book Because she wanted to make it As a starring vehicle because we have to remember that she produced Gone Girl and Fincher fired her from it, essentially. Yeah.
Right?
She optioned the book because she wanted to make it as a starring vehicle.
She got Fincher to agree to make it,
and his first move was, you're not playing the Gone Girl.
Amazing Amy.
Yes.
But then that same year, she did Wild, which she's amazing in,
which is another thing where she produced it and optioned it.
And that's when I feel like she's regained her sort of
critical respect
it is interesting though
because she is too old
for both of those roles
which is the reason
one of the reasons
Fincher didn't want her
she's basically 40
at that point
but
and in Wild
sometimes you're like
come on
when's she supposed to be
28 years old
but it doesn't matter
she's so good
so you just kind of
don't care about it
like and
in Gone Girl
I think she probably
could have pulled it off too
like I'd love to see her
I think Rosamund Pike
is amazing in Gone Girl
yeah she's great
and you know
Rosamund Pike
benefited from the opportunity
more in a way
yes
but like
I mean I'm so glad
another like beautiful
blonde white lady
got to be a movie star
but you know
I first knew
Reese Witherspoon,
I mean, from Far Off Place
and from Man on the Moon,
but also from like Freeway
and Election and stuff like that.
Pleasantville.
Pleasantville, she's a meanie in that.
She was like a good dark comedy actress.
Yeah, so...
Cool Intentions is like
what creates her like cutesy image.
And then there's that annoying thing
that I think happens a lot.
No, yeah, she's in American Psycho too.
Don't forget her head's in her fridge.
Right, right.
The other thing that I think happens a lot with Yeah, she's in American Psycho, too. Don't forget her head's in her fridge. Right, right. The other thing that I think happens a lot with romantic comedy actors is, like, look at that.
That's a great track record of her working with really good directors, giving great performances, really interesting parts, right?
And then she becomes a movie star, and everyone goes, like, oh, it's like Reese Witherspoon.
That's, like, the thing she does.
Yeah.
Legally Blonde.
Which she should have gotten a fucking Oscar nomination for.
No, at me. She's unbelievable in that film. Yeah, she's great. But I think people go, like— What do you think of Legally Blonde? Which she should have gotten a fucking Oscar nomination for. Don't yell at me.
She's unbelievable in that film.
Yeah, she's great.
What do you think of Legally Blonde?
I think it's great.
I just wrote something.
Well, it'll be out when this airs for the magazine
defending the Golden Globes musical comedy category.
Sure.
And she got nominated for that,
and the Oscars were never going to do it.
No, and that's like a Private Benjamin-level performance.
She should have gotten that kind of recognition, I think, for that film.
But then I feel like people start writing her off.
When she won the Oscar for Walk the Line, I remember people being like,
well, I didn't know Reese Witherspoon could actually act like that.
It's like, what about all of her work in the 90s?
People also said she only won because it was a weak year or whatever.
She's so good in Walk the Line.
I will say that's probably my seventh favorite performance of hers.
Oh, I love her in that movie.
I would have given her Oscars for several things
over that. I think she's better in Wild, I think she's better
in Legally Bombed, better in Election.
I think she's better in Wild.
She's so good in Election,
but it's also like she's being used so
incredibly well in that movie, so aggressive and strange.
But that's, I think that's
one of those once-in-a-lifetime performances
of just everything.
I think because of what Richard's saying, she's almost under of those like once in a lifetime performances of just everything like I think because of
what Richard's saying
she's almost underrated
in Walk the Line
which you have not seen
I've never seen
well
I have seen Hot Pursuit though
right
in which she was in
Hot Pursuit of
Sofia Vergara
right the movie
we defiantly announced
we were going to see
in the Never Dead
yeah and you know
she's in a bunch of other shit
who fucking cares
anyway all that said
yeah
her in this movie
it's nice to watch because it's very natural.
She's just very much at home.
She just knows what she's doing.
And also, it's like, maybe she wanted a thing where it's like, you know, this is about a wealthy woman in her 40s.
I mean, you know, Reese Witherspoon split up with Ryan Felipe earlier than her 40.
But like, you know, just I think, you know, a couple kids, like, just kind of assessing that situation and sort of reflecting on it, you know?
And look, she's, like, proven herself.
Like, at this point now, okay, post-Walt, she's gotten a second Oscar.
She's made a couple really good, well-respected movies again.
The nomination, sorry.
You know, even having, like, Gone Girl as a producer, her good taste in developing things, Big Little Lies.
Big Little Lies is huge.
Right.
So then you're just like, yes, she should get to sit back
and enjoy the fruits of her labor by doing that movie,
the type of performance that no one gives her credit for,
but that she clearly enjoys,
and is more skilled at than most people of her generation.
Yeah, and nepotistic as it might be,
like get a young female filmmaker's film made.
That movie does not, I mean, it would have a harder time getting eyes on it,
even with Rose Byrne, you know.
A hundred percent. I mean, I just, even would have a harder time getting eyes on it, even with Rose Byrne, you know? 100%. I mean, I just,
even though this was an open road film,
and it was, like, a pretty cheap film,
you know, the film got,
I think, more attention
in terms of seeming like a legitimate
rom-com because Reese Witherspoon's in it.
Like, Reese Witherspoon's this amazing piece
of, like, rom-com art direction,
where if you put her on screen, it, like, adds
production value.
It's sad that since this movie,
she's been in one movie.
In Her and Vice?
No, that was before.
Which I think she's very good in that too.
I know people are mixed on that performance.
I think she's very good in that.
She's been in one film since then.
It's going to blow your minds
when you remember the movie
that she's been in since then.
If you don't guess very soon, I'm going to give you a great
hint. Okay. Okay. Is
she the lead in that? No.
She's like a major supporting role. She's like
a major supporting role. It's not an and Reese
Witherspoon. It's like the third lead. I don't think so.
I forget. The crediting for that movie
was weird. This movie. It's got a weird billing.
She was second billed. She was second
billed in a movie. Alright.
Oh, oh, oh. She turns into a giant head of lettuce.
Oh, God, of course.
Wrinkle in Time.
Yes.
Right.
What were you thinking of?
It wasn't that clearly.
No.
What were you thinking of?
No, I was thinking in the realm of that type of movie, but I couldn't figure out what it
was.
God, yeah.
Wrinkle in Time.
Right.
And she is second billed in that.
Yeah.
Mrs. What's It.
Mrs. What's It.
That is a movie we will 100% cover
someday on the show.
You should.
Oh, that movie is when
I was like,
Ava DuVernay is getting
a blank check.
Assuming she just makes
at least a couple more movies.
Because that movie's crazy.
Right.
That movie's insane.
That movie is crazy.
Right.
That's someone where we're just like,
I can't wait until she has
a slightly larger filmography
and we can talk about her.
Right.
Because we don't want to do
a three film miniseries.
She's got four movies now, I think.
She's got four now,
if you count 13th. Yeah. Especially if she makes a fucking New Gods her. Right, yeah. Because you don't want to do a three film miniseries. She's got like four movies now, She's got four now if you count 13th.
Yeah.
Especially if she makes
a fucking New Gods movie.
Well, right.
Yeah.
But yeah, no,
because you know,
it's like Big Little Lies
is consuming her, I guess.
Like she's just sort of not.
She's got Draper James,
you know,
she's got her business.
She's got her Instagram,
which is a full-time job.
Yeah.
She's got her like
kind of odd veneration
of the antebellum South,
but you know. She just released her. kind of odd veneration of the antebellum south but you know
She just released her
Sweet Home Alabama.
I just saw a target
she released like
a cookbook memoir
called like
Whiskey in a Teacup.
She's doing a whole lifestyle thing.
It's like her lifestyle thing.
And if you look at her website
Draper James
because I follow her
on all social media platforms
that stuff is expensive.
So she
like the Meyers Shires
appreciates the finer things.
I mean, who wouldn't if they had that kind of money?
Right, but she's got that sort of southern, down-home comfort thing
that I think makes her look less elitist than your goops, your Blake Livelys.
In terms of appealing.
Blake Livelys is the word.
What was hers called?
Preserve.
Right.
Yeah.
She was trying to do a weird American West thing, but she lives upstate. It was very odd.
But even if Reese Witherspoon is like,
oh yeah, I can afford these $400
paperclips, at least it's like,
but they're Southern fried. There's that element
rather than the
Gwyneth Paltrow thing where it's like, don't fucking tell me
a Walmart customer what kind of shampoo
I should buy. I could go for a fried
paperclip right about now.
Well, that's the thing. The Reese Witherspoon thing is just that everything is like, ooh, a little touch of a mint j should buy. Right. I could go for a fried paperclip right about now. Well, that's the thing. Right. Like, the Reese Witherspoon thing
is just that everything is like,
ooh, a little touch of a mint julep.
Whereas, like,
the Gwyneth Paltrow one is like,
this will give you psychic power.
I went to the moons of Jupiter
and extracted this dust.
But even the whiskey and a teacup thing,
like, I kind of like that, like,
Reese Witherspoon owns the brand
of being, like, a little bit tipsy.
Like, a little bit in her cuffs.
I was going to say that, you know, because we're recapping the movie.
When she's out drinking with the boys, I was just like, I went and rewatched her getting arrested, her dancing at weddings.
She's one of my favorite Hollywood stars.
Well, let's talk about Reese Witherspoon's greatest performance of the last decade.
I'm an American.
Well, that one's great.
But the one, who is it?
At the Met Ball where she's in the elevator
Oh and she's like
Cara Daly
How do you say your name
Yeah
That's a classic one
Right and then she says
To someone else in the elevator
She's like
You wanna know how you
Get men coming back
You do something so crazy
You'll have them
Whispering your name
Into their pillow
Yeah
It's fucking cool
She's terrific
She's the business
As Paul Thomas Anderson said When he locked the gates Reese Witherspoon Is the fucking cool she's terrific she's the business as Paul Thomas Anderson
said when he locked
the gates
Reese Witherspoon
is the fucking business
that's right
you know how she met
Ryan Felipe
is he was at her
like 21st birthday party
and she walked up to him
and she was like
are you my birthday present
really
yeah she said that
in many interviews
fucking Reese Witherspoon
for mayor
which they hadn't been
in Cruel Intentions yet
they were
they were like gonna be
yeah I guess that must have been yet. They were like gonna be.
Yeah, I guess that must have been the case. They were like circling the young Hollywood parties probably, you know?
Yeah, sure.
Reese Witherspoon is the goddamn person.
I think that's true though because I remember whoever, what's the name of the director of Cruel Intentions?
It's, fuck it, I know.
Cumble?
Roger Cumble?
Right, yeah, because it's the guy who directed Just Friends.
Who's the one who went to jail for the drunk driving thing
that's the guy
who directed Rules of Attraction
oh sure
Roger Avery
yeah yeah
right
Robert
Roger Cumble
yeah
who directed
Just Friends
and the sweetest thing
and College Road Trip
I don't even know
what that one is
Martin Lawrence
and Raven-Symoné
sure
oh yeah
sure
Disney picture
I just remember
on like
him being like
saying how bad he felt
in Cruel Intentions
because he has to like,
have them have a big fight
and then kill Ryan Philippe.
And he was like,
you know, they were in love
and they were so cute together.
I had to make them do all this horrible stuff.
It's just weird that he made Cruel Intentions
and then only made like,
super fucking broad comedies after that.
He's a weird guy.
He's a weird guy.
Yeah.
So, the movie starts with a montage of John Kinney. after that. He's a weird guy. He's a weird guy. Um, yeah. Uh,
so,
the movie starts
with a montage of John Kinney.
Which I think is pretty well done.
I do too.
Like,
they,
they use,
they,
they fake old stuff,
but they also use
actual footage of Candace Morgan.
So,
who is John,
like,
who's playing him?
Who's the guy?
I don't know,
I didn't recognize him.
Okay,
let me see.
Um,
who do we think he's supposed to be
kind of like,
because the legacy she crafts from is different than
Charles Shire's legacy
I was thinking like Paul Mazursky
but a little more awarded
Someone call it David Netter
It's not like Coppola
It's like a Paul Mazursky
if he had had like a James L. Brooks
level hit in his career
maybe
He's more prolific and more of like a strictly filmmaker than James L. Brooks-level hit in his career, maybe, you know? Because it feels like he's more prolific
and more of, like, a strictly filmmaker
than James L. Brooks was.
But it's that kind of, like, he makes relationship dramedies.
He probes the human condition.
They seem light. He's big in the 70s.
Yeah, he's like an Ashby or Mazursky
or some kind of, you know, person
that young filmmakers and actors lionize.
Okay.
Right? All right. Okay. Right?
Alright.
Yeah.
Right.
Good at movies,
bad at women.
Okay.
Right?
He's kind of a cad.
But loves his daughter.
Right.
He's sort of the
who would be the protagonist
of a Nancy Meyers movie.
Yeah.
But he's dead
by the time this film starts.
But he's dead.
Right.
So Hallie has killed
Nancy's darling,
basically.
Yeah.
Yeah.
That's what feels
kind of symbolic.
Uh, yes. Yes. And. That's what feels kind of symbolic. Yes.
Yes.
And she lives in this sort of...
His house.
Lovely house that's sort of like a weird mausoleum to his career, I guess.
Right.
She was living in England with her husband.
New York.
Oh, they're in New York.
Yeah.
Right, because her husband's like a music producer.
He's looking for the next Sam Smith.
Yeah.
Who's doing a concert in Miami, which is, I I don't think where you would find the next Sam Smith.
He takes the longest pause
after saying like, I need to stay here for this concert.
He might be the new Sam Smith.
Like he puts such
a fine point on the enormity of what he's saying.
It's also weird to hear
in a movie that looks like a Nancy Meyers movie
any reference to anyone
who isn't like, you know,
Carly Simon or something.
You're forgetting that Something's Gotta Give
opens with Butterfly?
Well, because she wrote that song.
Yeah, that's true.
Yeah.
Nancy Meyers was the ghostwriter
of Crazy Town's entire debut album.
She invented rock rap as a thing.
It was her idea, and she spent years trying to undo her business. Crazy Town's entire debut album. She invented rock rap as a thing.
It was her idea,
and she spent years trying to undo her business. What if it turned out that Nancy Meyers
was like Jada Pinkett Smith,
where she like secretly has this rap rock band
under an alias?
Right.
You know about Jada Pinkett Smith's rap rock band, right?
I do.
We've talked about it on this very podcast, I think.
I can look it up.
Yeah.
Do you remember?
Because you remember the name.
She wears like a dread wig and like Jankos.
She really.
Like baggy Jankos.
She wears her Matrix costume.
Wicked Wisdom.
There we go.
And is it W-I-Z?
No, it looks like it's just regular Wicked Wisdom.
They did a show at OzFest 2005.
That rules.
Yeah, Sharon Osbourne went to see them perform at a small nightclub and she was blown away. Wow, so she was the one who hooked that up. I guess so. Yeah, Sharon Osbourne went to see them perform at a small nightclub,
and she was blown away.
Wow, so she was the one who hooked that up.
I guess so.
Yeah.
So she is separated from her husband.
She moves into her father's house that she's now inherited. Her mom doesn't live there.
Lives somewhere else, Lillian.
Yeah.
Played by Candice Bergen.
You see some shots of, like, 70s Candice Bergen you see some shots of
like 70s Candice Bergen
yeah
gorgeous
such a hottie
it's insane
yeah
LeBron Bergen
getting buckets from half court
she's trying to start
an interior design business
I guess
kind of
she's
she makes a joke early on
where she's like
am I just one of those people
who like any creative thing
they do
like
well she's supposed to be
sort of a dilettante
because when she's having
birthday dinner with her friends she's like talking about all these other careers and it do like well she's supposed to be sort of a dilettante because when she's having birthday dinner with her friends
she's like talking about all these other careers
and it's like well that must be nice
exactly so she's just kind of
a
what's the word for her
is probably the right word
and she goes out for a drink with her friends
and gets real crunk
I don't know how else to describe it.
Jen Kirkman.
There's a funny thing about Jen Kirkman because
I put on my notes, all caps, where is Jen Kirkman?
Yeah, she doesn't come back.
Not only does she not come back, she
disappears from that scene.
Because it's just her and Dolly Wells hanging out
after a certain point. You're like, I guess Jen Kirkman's character just
had to go home or something.
Or it's just like Kirkman only had one day available. She's a comedian. And a funny one at like, I guess Jen Kirkman's character just had to go home or something. Or it's just like, Kirkman only had one day available.
Yeah.
She's a comedian,
like,
and a funny one at that.
I love Jen Kirkman.
Like,
it is,
yeah.
She's also one of those people
where,
like,
if romantic comedies
were still being made regularly,
she would be running the table
on parts like this.
Oh,
Like,
the two scene over drinks,
like,
giving advice.
and Caitlin Olsen just going at it.
that's the thing.
There are,
like,
so many actors like that,
who,
like,
as we've been doing this miniseries,
realizing, like, fuck, that's what this we've been doing this miniseries, realizing,
fuck, that's what this person would be doing if these movies still got made.
They'd be the best friends in this.
They would be the boss in this.
That's the zone that they're not getting cast in.
I mean, I've said this a fucking thousand times, but if I was Jennifer Lawrence,
I would go to my agents right now and say, I want to make a Nancy Meyers movie.
I want to use whatever remaining movie star capital I have to try to make a Nancy Meyers movie I want to use whatever remaining like movie star capital I have
to try to make a straight down the middle like
my best friend's wedding like career
revival rom-com to remind everyone
that I'm charming and get over like
the press and the baggage and all of that and maybe
seem like I actually enjoy the
work of acting right and let Nancy
like get a whole new batch
of character actors and on the rise
movie stars to fill up the supporting cast.
Steal a bunch of people from TV.
They're out there.
So, Alice hits it
off with Harry, played by
Pico Alexander.
Who is a mannequin that was brought to life.
A beautiful mannequin.
I say that as a compliment.
Yes, a mannequin from Brooks Brothers or The Gap or something.
Wearing a nice sports coat.
They really carved some detail into that mannequin.
It's a specific face.
And do we know, like, is there any real indication of what their connection is?
Apart from that he's super cute.
He's super hot.
She's super hot.
She's just kind of going for it, I guess.
And yeah, because they don't ever say like oh he likes to date
older women
or anything like that
like it's just sort of
you see him
indiscriminately
hitting on
everyone at the bar
right
because he's like
hitting on
he's hitting on
the bartender
until Reese Witherspoon
comes over
and then he
immediately like
shifts gears
like he just
seems like a
you know
he's a big game
hunter
yeah
right
yeah
but like she
just for whatever reason,
maybe he could like smell
like the birthday on her.
Yeah,
she's right.
She's turning 40.
She's a little vulnerable.
Also,
maybe she was buying.
What?
Maybe she and Dolly Wells
were buying
because it was,
they have money
and the kids don't have money.
Although that would be
a great detail for them
to put in the movie.
Right.
That he's like,
oh,
we should get them
to buy us drinks.
Do you know Pico Alexander's
real name?
I do,
but I already forgot it. Alexander Lukasz Jogala. Right. He's like, oh, we should get them to buy us drinks. Do you know Pico Alexander's real name? I do, but I already forgot it.
Alexander Lukasz Jogala.
Right.
He's like Polish.
His father is a DP, I believe.
Oh, okay.
I did a movie with him.
He was in the Steve Coogan movie.
Oh, really?
Is he nice?
Yeah, he's a nice guy.
But the whole camera crew on the tick.
Knew his dad or whatever?
They'd always be like, what's the Lagash kid's name again?
Oh interesting.
You know?
Yeah.
The Pico
what's the name he uses now?
You know?
Pico is a childhood nickname
apparently.
That's cute.
And he's
I mean
I remember Bobby saying
he didn't think that
he was good in this movie
but like I think he's good.
I think he does
what he needs to do.
I think casting just doesn't make sense as we've said. Right. He's good. He does what he needs to do. He's in a lane. He's in a lane. The casting just doesn't make sense,
as we've said.
Right.
He's playing the wrong...
But as a cute boy,
a cute, nice boy,
he's totally fine.
He's totally fine.
He's quite attractive, too.
He's quite attractive.
He's got a good face.
Yeah.
That was...
A lot of your review
was talking about that.
It's a good review.
I remember when you posted that review,
that one and the
Kingsman and the Golden Circle reviews,
a lot of people shared those
two reviews as like, hey, critics,
this is how you talk about someone
being attractive in a movie without being creepy.
Well, except that if a straight guy did
that, it would be creepy. Do you know what I mean?
Wouldn't it? I think... Maybe.
It might be some way to do it.
I know what you mean, obviously.
I think there's a delicacy and a self-awareness
to the language you used around that. Because it was the same time that, I forget what it was, obviously. I think there's a delicacy and a self-awareness to the way you, the language you used around that.
Because it was the same time
that like,
I forget what it was,
but there was one of those
fucking reviews
that was like
a David Edelston
or something
that was like circulating
where people were like,
how are there four graphs
on their legs?
You know?
Wonder Woman was one of them.
Right, right.
And like,
I think it was a little weird
that Richard called him
a prime cut of veal
that was
I mean
I don't know
look I calls him
like I sees him
no I
it was weird
that you
somehow got a wuga
in there
three different times
right
you kept on talking
about slathering him
in garlic butter
and then I made a typo
and I was like
sorry I should type
with two hands
but you remember
when Anthony Lane
had the
what was it
what was the movie
where Anthony Lane
was like
oh Incredibles 2
right where he's like
my popcorn went everywhere
right
oh god that's right
about a fucking cartoon
well and then the other one
was when he had
past and future guests
for end of the show
Lola Kirk on
and wrote his like
horrible review of
Gemini
yeah but he was
obsessed with her clothes
that they weren't hot enough and I in my obsessed with her clothes. That they weren't hot enough.
And I, in my review,
By his definition, weren't hot enough.
Not knowing that that review was coming.
In my review, I had written a whole paragraph
of how great her wardrobe was in Gemini.
And my bosses were like,
look, David did a good job not doing that week.
I remember.
I just feel like you in those reviews
talk about like,
I'm not going to pretend I don't
find these guys attractive, and that that isn't
a factor, like, at the
enjoyment of the movie.
You weren't, like, describing their glutes,
you know? No, God, no. Right, you
were saying, like, we have to admit that this is, like,
an aesthetic aspect of films, and you can
talk about it and not be creepy. I put The Amazing
Spider-Man on my top ten of the year list that year
mostly because I loved Andrew Garfield
and I think he has great chemistry with Emma Stone.
Do you stand by that today?
I haven't rewatched it.
I feel like that was an early Garfield
where the pickings were slim. We didn't have a lot of
sample sizes.
I know. It's funny. I've listened back to episodes
that I'm on or looked at the Reddit
that you guys have and there are a lot
of jokes about, I don't know if I'm stealing Karen looked at the Reddit that you guys have. And there are a lot of jokes about,
I don't know if I'm stealing Karen's bit,
but boys.
I just hope people don't think that I'm like lech.
In fact, there are a couple people on the Reddit
who have talked about their plans to marry you.
I've sent these links to you.
Richard's turning full red now.
Pico.
So Pico
goes home with
Alice and the other kids come
the other kids come everyone's partying
so it's Nat Wolf
that part's not happening anymore
Griffin like wandered through the dimensional tunnel
but he got stuck in the montage
I'm in the library from Interstellar
you're in the old 70s
David and I are going to watch the movie again at some point and Griffin's going to be in the montage. You can't get out. I'm in the library from Interstellar and they're just playing this song.
We're going to look,
Dave and I are going to
watch the movie again
at some point
and Griffin's going to be
in the old photos.
He's in Bergen's eye.
Let him out.
I'm trying to push
the watch off the shelf
and the song is just
playing in an endless loop.
Yeah, so they're going to hook up.
They're going to have
sexual intercourse.
They've gotten kicked out
of the Florida Project motel.
Oh, that's right.
By one of the three people of color in the film.
Yes.
By the most depressing instance of writing in the movie.
The guy who's like, get out.
I want my rent.
Like, you know, no money, no bed.
Like that level of bullshit.
Right.
But even the way they set this up, I mean, she has a pretty good sort of, like,
tracking dolly shot with them as
they're, like, walking through, and Ragnitsky
and Wolf are, like, where are we going?
Pico's like, well, figure something out. Oh, yeah, through the parking lot.
Yeah. Right, but the idea is that in the background
as the shot is, like, following them,
you see, uh,
not Wolf, who's, like, hitting on a girl, and they have to pull him
away to get him back into the action, and at that
moment I was like, wait, and alexander isn't playing that character right
like even before i understood what the three positions were it just felt like no he should
be the guy who's like constantly flirting with him yeah all right um the three boys have made
queen's boulevard right and they're homeless yeah yeah they made a five minute short that as far as
i can tell is about like a huxta.
It's like a black and white silent short
about a pocket watch. Yeah, someone stealing a pocket
watch. And it features the second person of color
in the movie. Oh, that's right.
The third is a pizza man. It's weird
because they keep on saying like the movie has to be in black
and white and then you see the film and it looks
sort of like a 16mm student film
but in a time period where you know that they wouldn't
have done that, that they shot it on an iPhone.
It literally is Queens Boulevard.
It is, which is in black and white.
They say it's set in Brooklyn. It's Brooklyn
Avenue. I just love that
until when you see
the like five seconds of footage,
everyone talks about the movie so much and you get
no sense of what the movie is other than it's
really arty. People love it
and it's in black and white. The agents are always like,
best thing I saw at Sundance.
In the real world,
wasn't like the arty short
that everyone was after
that was in black and white
full of boys,
Don's Plum,
which is a movie
that everyone fucking,
like,
it says it's a horror movie
although they completely buried it.
So it's like,
I feel like it's a weird
choice to be like,
I think it's like
the worst shorthand
of like an arty movie, right? It's like, but it has to be in black and white. Do you like, I think it's like the worst shorthand of like an R&B movie,
right? It's like that it has to be a black and white.
Do you know what I think the analog of what the career
trajectory she's picturing is?
It's the Wilson Brothers and Wes Anderson doing Bottle
Rocket. Where like that's their
black and white 16 millimeter short that was
like eight minutes. That's like charming
and like, you know, they're the actors and the
writers. And it's also about like a small time crook or whatever.
Right. They're like a team that came together
and were like on camera
behind the camera
writing all of that
the movie screen in Texas
right it was stylish
yeah
it's in South by
South by not Sundance
right that's it
right
best thing you saw
at South by
and I immediately went
it's not that hard
but I think that's who
she's sort of like
analoging them to
because it's also
this idea of like
these are three guys
who want to be doing
everything together
like it's a package deal where it's always
going to be like writer, director, star.
And the two of them are brothers, Wolf and
Pico and then Radnitsky is
just their neurotic friend. Yeah.
The Dorsey brothers. Uh-huh.
And then right. But there's no like
fraternal relationship between them. No.
At all. Because Radnitsky is much
more
you know in this
you know
toward the center of things
where Nat Wolfe's character
is just like
off to the side
there to fight Michael Sheen
right
I guess so
he doesn't have any purpose
yeah
he's also arguably
the most famous of the three
yes
kind of inarguably
the most famous
of the three actors
though he suffers
from a problem
of people can't tell him
from his brother
yeah
the other Wolfe
Alex Wolfe
which one's in Hereditary
Alex Wolfe
okay
Alex is the one
who's a little darker because he like he was in Hereditary? Alex Wolf. Alex is the one who's a little darker,
because he was in Hereditary, he was in Patriot's Day,
where it's like, Nat Wolf was in fucking Paper Hearts or whatever, right?
But then what confuses it is that then Alex Wolf was also in Jumanji,
which feels like it should be a Nat Wolf part.
And then Nat Wolf was in Death Note,
which feels like it should be an Alex Wolf part
so lately they've been mixing up
they're driving me crazy
and Rudnitsky had done one season on SNL
but the thing is when he got hired
he was like one of those
people where people went back and looked at old tweets
and old stand up
and he had done like some really
racially charged humor about
USC being in the
ghetto or whatever.
Most of his stand-up is...
If you watch the videos that I've seen, when he got hired,
I was like, who is this guy? He does a lot of stand-up about the size of his penis.
Oh, okay.
Is it large? Small.
Oh, okay.
I'm not talking out of school here. This is 90% of his material.
Wait, he just gets up and he's like,
my dick's so small.
My dick is not the biggest. And then he just like gets up and he's like, my dick's this small. My dick is, you know, it's not
the biggest. And then he'll go on about that for like six
minutes. Everyone laughs. It's at the comedy store and then he got
on SNL. I love
the industry. Yes.
But the other thing is, they found the
offensive tweets, right? He was someone who came
out of nowhere. They almost fired him
like before he even started on SNL.
And then it was also a series of like year
after year, there'd be all these people who were talked about as like really good character comedians and sketch actors who didn't get on.
And then they would just hire one male standup who didn't have sketch experience.
And it was like Davidson,
Brooks Whelan,
him.
Um,
I think there's maybe one other than I'm forgetting,
but,
uh,
then his first sketch on the show after all of this blowback from him going from like unknown 20-year-old to like SNL cast member.
Maybe he's a little older.
He's like young.
Was the opening sketch of first episode, his first season, starts with him as Anderson Cooper moderating a debate.
Oh, God, that's right.
And he does the sort of like most, prissy, Anderson Cooper impression.
His Anderson Cooper
was a landmark low
for us.
And everyone just
immediately was like,
oh, fuck this so hard.
Because it was like
he had never seen
Anderson Cooper before
and all he heard is
it's a gay guy
and he played him
like Sean Hayes.
Yeah,
it was fired.
I bring that up
because it's weird
that,
I mean,
maybe it's a testament
to his acting ability.
He's charming. I think he's the best of the boys's a testament to his acting ability. He's charming in this.
I think he's the best of the boys.
Yeah.
The thing is, he's really good in this movie.
Yeah, and the other thing is—
He gets its wavelength really well.
He does.
He's really good.
It was a smaller role, but he's good in Set It Up 2.
It feels like this is actually what he's good at.
I hope he's going to be good in Set It Up 2, the sequel to Set It Up that Netflix better make.
Right.
Set it back up?
Set it down.
Yeah. I'm tired. Set it down. but set that down do they have kids now the kid keeps picking up some antiques
I I think throughout the entire cast he's behind only Reese in terms of totally getting the
wavelength and the vocabulary of like romantic comedy close-ups well yeah there's a very specific
kind of like acting and physical energy and comic timing and how you sell a close up and all that sort of shit
and he's like really in it
I mean the way that these boys
maybe I'm just speaking for myself because children
terrify me but like the way
that these boys interact with
her children in this very
natural way
is like kind of off putting
not so off putting
like Meryl Streep's adult children
who are like all ghouls that should be sent back to hell
but
there's a little bit something off about it
but Rudnitsky like he's the one who's more natural
you know he has like full scenes
just with her
when that wolf like relays problems with the daughter
you're like okay back the fuck up
why are you getting in their business
and Rudnits, you actually like buy
that he's like
a good mentor to her.
Yeah.
Even just them
in the car together
when he's struggling,
like he really makes
every scene partner
in the movie look better
when he's with them.
Yeah, yeah.
So I guess maybe
he's redeemed himself.
Yeah.
Anyway.
So they don't sleep together
because Pico,
Dick, no work.
He also pukes. Dick no work, drunky, drunky. Yes, right. Pukes. together because Pico dick no work. He also pukes.
Dick no worky, drunky drunky.
Pico pukes.
Yeah, Pico pukey.
And what else?
And then they move in.
They move in.
They wake up the next morning.
Reese has shifted from like, let's do this, to like full on like uber mom.
Like she's basically like.
Because when Pico's about to vomit, she's like, let me get you like a warm towel.
And he's like,
you're so maternal.
You should be a mother.
Wakes up.
She's been up for two hours.
She's already washed and ironed his shirt.
She's like washed and ironed him.
And he's naked.
It's fucking crazy.
And she's just like,
she's sort of.
He's covered in burns.
It's horrifying.
Yeah, right.
Everything must be ironed.
He looks like Daniel Stern in Home Alone
where he's just got the hot iron imprint.
That is an image that's like seared into my brain.
It's the iron.
Seared like a hot iron.
Yeah.
And right.
And the boys are all still there
and she's kind of trying to make it clear like,
hey, like, you know, this is a mom's house.
Like, you know, none of your partying.
Right, because the daughters are like, what the fuck's going on?
Fairly.
Right.
Yes.
They're fair to say that.
And then, of course, LeBron shows up.
Why are you calling her LeBron?
Because she gets buckets.
Candice Bergen?
So she was filming Book Club next door and she goes, just like, oh, hey, I'll pop in.
Yeah.
You saw Book Club?
It's a movie full of three-pointers from LeBron Bergen.
Oh, she's remarkable in that movie.
Yeah.
She's great. I mean,'s remarkable in that movie. Yeah, she's great.
I mean, Candice Bergen rules.
Yeah.
She is perfect casting as a lady who was like a sex symbol in the 70s
and is now just an awesome old lady.
Which also, Candice Bergen shows up a lot on Nancy Meyers' Instagram.
I like the idea that Nancy Meyers seemingly is very close
and regularly hanging out with Candice and Diane.
They're similar age.
They're both around 70.
Yeah, right, right, right.
So she just needs to complete the book club quartet.
Sure.
She needs to make a Fonda movie.
Book club origin.
Book club.
Just a bunch of people going like,
we should have a book club.
Book club origins, Wolverine.
Sherlock book club.
And I mean, this is the thing where it's like there's no other explanation it's just that
candace bergen shows up it's like you should have the boys live here you should give them a chance
because when they first are there and the boys put together that it's the kenny house because
radnitsky wanders into the room right he's he's so into it camera there's this loving close-up of the camera and you see his fucking picnic right and he sees the oscar he
comes out they put it all together why does pico alexander think she looks so familiar oh my god i
guess she's like the jenna rollins now to his cat yeah she didn't act as much but right smaller
part she's in all his movies right which is sort of said in this kind of backhand way. Right. But she wasn't really
an actress outside of that.
Right.
And she's like,
oh, you boys are so cute.
Alice,
they live here now.
Well, no,
because first,
first she's very dismissive.
They're like,
you know,
we're filmmakers too.
And she's like,
kids,
it's LA.
Everyone's a filmmaker.
Right.
That's true.
Like, fuck off.
Right, right, right.
And Reese is like,
I gotta take the kids.
She also has a stogie
in her mouth.
And she's wearing a pair of suspenders.
And she keeps snapping aggressively.
She keeps hitting on Joan Crawford.
She hits her on her comment.
She says, prepare the standard rich and famous contract for Kermit the Frog and Friends.
And then, right, she watches their movie is the idea, right?
The short.
Okay, what happens is Reese takes the kids to school.
She's like, I can't even deal with this.
When she's in the car, she
realizes the daughter has left her
book report at home, drops them off.
It's a reason for her to go straight
back home as fast as she can. And in those
30 minutes, the boys have so
thoroughly charmed Candace Bergen and so
sold in their abilities that she's like, I think these
kids got it. Don't you want to be
the woman who said they were sleeping on my couch?
Which is like like, weird.
Weird.
Like, if fucking
Damien Chazelle
had rolled up to my house
eight years ago,
and even if I thought
he was talented,
I would have been like,
you gotta sleep on this couch
so I got those
bragging rights forever
that you were on
this very couch.
Like, on the criterion
of Bottle Rocket,
there's, like,
a whole long documentary
about, like,
the Wilsons and Andersons when James L. Brooks and Polly Platt discovered them and were trying to get them to write the screenplay.
Like in the position these boys are in.
Right.
And they're talking about like, yeah, they were like sleeping on our couches.
They would like stay out every night.
Like we couldn't get them to sit down and write the thing.
And they talk about it like this is Brooks is talking about this.
His producing partner is talking about this. And like with pride about the fact that it turned out well.
But they're like, it was so fucking annoying that we couldn't get these boys to like behave.
Like no one wants to be like, you know, it's not worth it for the bragging right to be like, I have four more children now.
Yeah.
We're in Dimension X.
We're in Dimension X.
So these boys.
Right.
Are nice.
Yes.
We're in dimension X. So these boys are nice.
Yes.
Well, there is a funny, weird, janky moment when Nat Wolf is like getting a sweater or something and like weed falls out.
Yeah, yeah, yeah.
And she's like, you know, I know, last night aside.
Right, I know you're all grown men with lives in agency.
Yes, and agents.
But she's like, you know, this is not a party house.
It's this kind of house.
But then she says something that I think
is nice
she's like
let's just try not to
cramp each other's styles
so she's not saying
like you can't drink
or smoke weed
or whatever
when you're here
she's just saying
like let's you know
keep it cool
don't ask don't tell
which I think
is a nice little touch
and then she goes
back to her bedroom
and smokes a fat blunt
so the subtext
of this movie
is that she has
a heroin problem
she's definitely tweaking throughout this movie is that she has a heroin problem.
She's definitely tweaking throughout this movie.
Almost immediately after her saying like,
so let's just live our separate lives and not encroach.
By the way,
Ronitsky,
can you take my daughter to her guitar rehearsal?
And also she's got the iron in her hand and she's approaching Pico Alexander with a weird Clinton.
So yeah,
right.
Ronitsky right away is drafted into like,
it's one of those things where she's like,
oh no, she has to go.
And I have no contingency for this.
Like who will drive my daughter?
Where it's like, yeah,
this has never happened before in anyone's life.
You're like worth millions of dollars.
Yes.
Right.
Because she's got to go see Lake Bell, I guess.
Right.
So this is the weirdest part of the movie
is she's now decided that she's an interior decorator.
The job she gets is Lake Bell, who's a socialite so this is the weirdest part of the movie. She's now decided that she's an interior decorator. The job she gets is Lake
Bell, who's a socialite, they say? I guess, so just
a rich person, like an annoying rich airhead.
Yeah, she says socialite, but yeah.
Right, and Reese puts together this whole fucking
lookbook. Yeah, and
Lake Bell, I think, is great in this.
Yeah, sure. She's funny. She's kind of doing it
from a different movie that's sort of
skewering Los Angeles, whereas the rest of the movie
is revering Los Angeles. She's super heightened. She's from like a, and that's sort of you know like skewering Los Angeles whereas the rest of the movie is like revering Los Angeles
she's super heightened
and like
she's from like a
and it's complicated
let's say
I mean
almost like the Lake Bell character
it's complicated
if you're Lake Bell
and you get handed the script
you're like
oh I get this right
this is just a
nasty rich person
sure I can do this
in two seconds
two days
yeah exactly
fine
and then right
and you're thinking like
oh the Lake Bell
is going to play into stuff
no
no well there's a drunken confrontation but even that Exactly. Fine. And then, right, you're thinking like, oh, the Lake Bell's going to play into stuff. No. No.
No.
Well, there's a drunken
confrontation,
but even that is like
pretty whatever.
Oh, and it was when
she's on a date
with the guy from
High Midlands.
Yeah.
What's his name?
Ben Sinclair?
He's so good.
What is his name?
But also,
that's another janky thing
where you're like,
what the fuck is Ben Sinclair
doing in a Nancy Meyers movie?
He's funny.
What's the line he says
at the beginning?
And he goes,
I never found my brother. So yeah, that's why I don't like boats. Yeah. Yeahyers movie. He's funny. What's the line he says at the beginning? And he goes, never found my brother.
So yeah, that's why I don't like boats.
Yeah, yeah, yeah.
They enter in in Meteor Res with a really funny dark line like that to show how badly
the date's going.
I like that he's not like an asshole, that he's just like, who the fuck is this guy?
And it's just, I just, the plot, the Lake Bell plot seems to be like, it shouldn't work.
Pain in the ass.
Can we go over this Lake Bell thing?
So she thinks she's getting hired to be an interior designer.
She gets there.
It turns out she's already hired someone else to do some of the work.
They had a falling out.
So now she wants her to just be the person who receives the packages that the other woman
ordered.
But then very quickly it becomes a personal assistant job where it's like, can you give
my daughter a bath?
Right.
Right.
And then she shows up one day
and the actual interior designer
is there.
Right.
And apparently,
like Belle said,
this new woman creeps me out.
This one I haven't let
do any interior design.
Can you please come back
with a raise?
Right.
Yeah.
And then reswept
Galsiter drunkenly.
Right.
That's it.
That's the whole.
And yeah,
the point is like, work sure is annoying. Yeah, work, don't be an interior designer and re-swept Galsiter drunkenly. Right. That's it. That's the whole... And yeah,
the point is like,
work sure is annoying.
Yeah,
work's... Don't be an interior designer
where you could just do nothing.
Raise some boys.
Later in the movie,
we see her,
she has some sort of
image,
mood board.
She's working on some other new project,
I guess it's implied,
but like,
there's really nothing about...
Like,
the tagline,
starting over isn't for beginners.
What does she start over?
It's just because she,
that she moved from New York
to Los Angeles?
I guess so.
Yeah.
That's literally it.
Right.
Well, yeah.
She wants to be an interior designer.
Right, and her website
was really bad
at the beginning of the movie
because it had a whole paragraph
about how depressed she is.
Right.
But then Alex Wolfe
made her a new web,
or Nat Wolfe.
No, Alex made the website.
Right, you're right.
Nat Wolfe made her website on Wix.
Did you see the prominent Wix stamp thing?
I did.
Yeah.
Anyway, the other aspect of this movie is the Michael Sheen thing.
Yeah, so we're all lazing around.
The boys are being nice.
Yeah.
They're nice, big, and special boys.
And the boys...
They're all dressed very well.
They're dressed nicely.
They wear nice sports jackets.
And they have their own little producer subplot that we'll get to in a second.
Yes.
Where they're hanging out
with Jason Blum,
I guess.
Yeah,
he's supposed to be Jason Blum,
right?
I mean,
I don't know.
Does Jason Blum live in like a,
you know,
Rococo mansion on the,
yeah,
in Malibu?
I live with him.
Oh,
right.
Yeah.
Right.
If you've ever been to my house,
you've been to Jason Blum's house.
Yeah,
Jason Blum played by Reed Scott,
which is, again, it's another one where it's like. Yeah, Jason Blum played by Reed Scott.
It's another one where it's like,
Hollywood phonies.
And you're like,
is this going to be important?
No.
He's taking a jab at him.
He's taking a bite.
Guys, I only make three types of movies.
Female-centric comedies.
This guy makes female-centric comedies?
That seems incongruous with everything else he's developed to be.
Is that supposed to be a jab at him producing the gem in the Holograms movie?
Maybe.
I don't know.
But yeah, Michael Sheen
who's got luscious fucking hair.
He looks so good in his movie.
His hair and Pico's hair
it's just like this is quite a thing.
And his beard is really good too.
He's got some really gorgeous white streaks.
He looks like a lion.
He does.
He's just like...
This was his audition to play Mufasa.
Right.
His successful audition.
He's doing it up in Bristol in the UK.
Well, James Earl Jones is doing the voice for the Favreau movie,
but Michael Sheen is going to be the on-screen...
He's the only non-cg character right
they're just pointing the camera right at him right um yeah i would love it if you went to
see the lion king and just like unannounced michael sheen um he's a music producer he's
looking for the next sam smith he's scouring the fucking globe looking for the next Sam Smith. Particularly Miami.
Yes, Miami.
I guess he's a jerk.
And he keeps calling being like,
I just miss you guys or whatever.
He wants the next Sam Smith
because we need a second openly gay person
to win an Oscar.
Because remember, Sam Smith was a first.
What a milestone for everyone.
No, but the Michael Sheen conversations
are all like this.
I miss you guys.
I wish I could be there.
You can be here.
No, I wish I could.
I can't.
That's like the cycle over and over.
He catches wind, I guess, that like three grown men are living at his daughter's house.
Right.
One who builds a house out of straw.
One who builds a house out of brick.
That's what I'm saying.
Yeah.
And so he comes a running.
Yeah.
Yeah.
He just sort of shows up.
Yeah.
And then tries to like sort of alpha them.
Yeah.
And kind of
kind of fairly it's like why didn't you mention right there are three like sexual beings living
in the guest house but he keeps on sort of daughters he keeps big dogging them with like
the like i wouldn't have understood it at your age either yeah right i do love like this is
michael michael sheen has has like quite a reputation for
running through
the actresses of Hollywood
uh huh
yep
and I feel like
very often
the parts he is cast to play
are very incongruous
with what you hear about
Michael Sheen's
right
because Michael Sheen
is usually cast as like
the elfin MC
of the weird club
that a hero goes through
right yeah
or like the pretentious
like professor
right
or a robot bartender.
Right, and then
you're like,
but he's,
yes.
Oh, speaking of
Jennifer Lawrence.
Creepy pasta.
Right.
And then you
like read about it,
right?
And it's like
everyone on
Masters of Sex
was falling in love
with him and he
was like discarding
them like fucking
sticks of gum.
Michael Sheen's
the Warren Beatty
of our time.
Like truly like. That guy is 5'2 Beatty of our time. Like truly.
That guy is 5'2". I just pulled out my headphones
again. But I will say this
I've heard him on a couple podcasts where
just like Jesus fucking Christ this guy is charming
like I like him a lot as an actor
and I heard him on like Comedy Bang Bang
or something and I was like I would fuck him.
And you think about like how he has a very
amicable relationship with the mother of his
daughter Kate Beckinsale.
Kate Beckinsale's really funny on Instagram.
I feel like there's just
this secret world of famous
actors who are really cool.
He's with Kate Beckinsale. They're not married,
but they're together. They have a child.
I don't think they're even together anymore.
This is the timeline, because I find this
fascinating. Sheen and
Beckinsale are maybe kind of common law, right?
But not officially married.
They both get cast in Underworld.
Kate Beckinsale leaves him for Len Wiseman, director of Underworld.
Michael Sheen continues to do the Underworld franchise.
It shows you.
It's a good role.
No sense of competition in that guy.
Werewolves?
Vampires?
Which one is he?
I think his character's
name is Raze,
leader of the Lycans.
Sarah Silverman has said in interviews
like, oh yeah, we broke up because he
moved back to London after
his daughter went to college, but we still
sleep together when he's in LA. And I'm like, that's so
open and honest and real.
Rachel McAdams.
Yeah.
One of the other
Masters of Sex stars, Caitlin Fitzgerald
I think her name is. Yeah.
Who's great. And who we've covered in this
miniseries is one of the weird alien children
and it's complicated.
Yeah, that's right. That's right. Another person who would
be in every Nancy movie if Nancy was regularly
making movies. I don't know. There was also that thing
remember recently where it was like Michael
Sheen, I'm retiring from acting was like an article
and then when he clicked on the article he was like, I'm not retiring
from acting or anything like that. I'm just not going to make a movie
for a year. Right. He was like
I want to focus on politics. Yeah, right.
He was like freaked out post-Brexit.
Yeah, he's an amazing, amazing actor. I love
Michael Sheen in like serious stage plays
and then in stuff like this it's like
oh, okay. Yeah, sure.
The other thing that's fascinating
about him is
he was one of those guys
who was stuck in that zone
where it's like
he's always the supporting
performance against the person
who gets the Oscar nomination
or the win
yeah sure
Ross Nixon
you know the queen
the queen
which he's so good in
yeah
I love him in that movie
that was the thing
he plays Freddie Mercury
in England
he was this stage actor
do you think anyone's going to be talking about that movie in december when this
airs no one is going to know what you're okay yeah no one will know um you know yeah he was
this like uh uh celebrated stage actor who would do all these like really out there performances
and then he became the guy who was great at playing tony blair yeah he played tony blair
like four times the resemblance is there for sure.
It is and he just nailed
the sort of smarm
and like,
you know,
the like weird like charm
like versus smarm thing.
And then it was,
what's his name,
decided he kept on,
Peter Morgan,
Peter Morgan.
Right,
he wanted to continue
making Blair films.
So it's like he got
a little franchise.
Right,
and then Morgan's like,
I'm going to do
a David Frost movie.
Can you like kind of
do your Blair again?
Right.
Like, you know,
except even smarmier.
Like, you know,
Michael Sheen became his avatar.
He's so good in The Damned United
too, which is another Peter Morgan movie.
2003, he's in Underworld, so that starts to put him
in the rotation for doing those sort of
paycheck-y genre things.
He's in The Twilights.
He's in Blood Diamond, which is another one where
the lead then gets nominated.
He was also supposed to play Blair in Gossip Girl.
That's right. Of course.
He would have been great.
Do you know Leighton Meester was born in prison?
I did know that. Yeah, I love that
fact. He was really good on
30 Rock. Yeah, he's
Wesley Snipes. If you looked Wesley
Snipes up in the dictionary, you would think
that a picture of me would be. Like, that is
so funny. That is such a good joke.
Oh, I love that.
I love that.
He's in admission
pretty much playing
the exact same part as this.
Yeah.
And he's been in a thousand movies.
Yes.
He's a really fucking good actor.
And he did 46 episodes
of Masters of Sex.
He mastered it.
And now no one ever
has to try sex again.
The end is him just going,
yep.
He gets a diploma and he puts it on just going, yep. He gets a diploma.
He puts it on his wall.
Yeah.
I'm a master.
Do you know that he reprised his character as Dr.
William Masters in an episode of The Simpsons last year?
No.
In what universe has The Simpsons gone from like-
The Simpsons is like, we really need a Masters of Sex joke.
Yeah, we do a crossover with The X-Files.
And then 20 years later, you're like, I don't know, crossover with Masters of Sex?
What's left?
David, do you feel, I'm sorry to just interrupt the flow of the episode here.
Sorry.
Very unusual.
Dickie Lawson.
Go ahead.
Do you feel like the temperature in here changed a little bit?
Like the sort of ambiance just changed?
I don't know.
Up or down?
It feels like it just got kind of like dark and gritty in here
like this this isn't my grandfather's podcast recording studio oh my god someone just sent
an arrow through the doorbell they're not even bothering to ring the doorbell
the door's cracked open oh my god it's hot's hot, edgy, millennial, Taron Egerton,
Robin Hood. Oh boy. Every generation gets their Robin Hood and we've gotten ours and it's like
Guy Ritchie, Robin Hood, but not even directed by Guy Ritchie. This isn't your grandpa's ad read.
Hello. Hello boys. Hello. I'm talking to him. Yeah. You speak my language. It's almost like
you grew up in England. Sources say. Yeah, he did. Yeah. The bit's retired. The speak my language. It's almost like you grew up in England. Sources say.
Yeah, he did.
Okay, wait, the bit's retired. The bit's retired. Let's get to the ad rate, please.
All right. What are you here for today, Mr. Hood?
I'm here to put a new twist on an old story.
Oh, so like you're kind of not dissimilar from this investing app called Robinhood that lets you buy and sell stocks and ETFs and options and cryptos commission free. Oh, I was going to say this sounded like my grandfather's
stock service. No, no, no. They're trying to make financial services work for everyone,
not just the wealthy. And they're non-intimidating so that newcomers can invest for the first time
with true confidence. It sounds kind of edgy and gritty. It's simple and intuitive. It's a
very clear design.
The data is presented in a really easy to digest way.
I use the app every day.
It's set up with my face ID, which is very cutting edge.
What if you have face tattoos like my best friend Little John played in a very sexy, edgy performance by Sexy Academy Award winner Jamie Foxx?
Will it still recognize?
I think so i think uh the only difference is that your phone might give you a little wink as it unlocks because
you're so uh good looking would it be my grandfather's wink uh no very much not your
grandfather not like a wink where they hand you like a werther's original no they hand you like
a crack pipe wait a second it's dark and edgy uh no come on the robin hood app has uh no commission fees
other brokerages charge like up to ten dollars for every trade robin hood doesn't charge commission
fees you can trade stocks you can keep all of your profits it's got easy to understand charts
market data you can place a trade in just like four taps he's taking out his ipad and he's going
on a twitter rant about how bernie would have Well, while he's doing that, let me tell you that Robinhood also helps you learn how to
invest as you build your portfolio. It helps you discover new stocks and track favorite
companies with a personalized news feed. And you can customize your notifications so you
can see when's the right moment to invest. Is something dropping? Is something rising?
You know, David, I think I like this Robinhood, this service more than I like edgy, sexy
Taryn Egerton Robinhood because that feels a little performative, but this just feels
like getting the job done.
It's not doing anything just for show.
You know what I'm saying?
You're right.
It's clean and simple.
This is trying a little too hard.
Way too hard.
And Robinhood are giving listeners a free stock like Apple or Ford or Sprint to help
you build your portfolio.
So you can sign up at check.robinhood.com.
That's check.robinhood.com to get a free stock like an Apple.
I want to promote that I also have a special offer going on
for my new picture, Robin Hood.
Oh, boy.
For only $34 a ticket, you can see it in 4DX.
Well, that's not a deal.
That's like highway robbery.
You're robbing from the poor.
Oh, boy.
And giving to the executives at Lionsgate.
I don't know how much he's going to rob, but yeah.
Okay.
Well, I think, you know, you can by all means leave the studio.
Turn the lights back on.
Please up the thermometer again.
And, you know, just maybe try Robinhood.com
because you might take a little bit of a financial bath in your opening weekend.
Yeah, check that Robinhood.com.
Yeah.
So long, fellows.
Sorry about that, Richard.
Oh, that was exciting.
I wish I could say that we're barely into the movie,
but we're mostly done with the movie
because the movie, I don't know.
The movie just sort of is like,
Michael Sheen shows up,
he's like,
we should get back together.
She's like, okay.
And then they just do
like a time pass thing
where like,
well, that one punches him in the face.
Well, yeah,
they get in a fight
for some silly reason.
Pico stands Reese up,
so she's out on their little flirtation
before it even began.
Right.
And so she gives Michael Sheen a shot,
but then she gives up on that right away.
Yeah.
Right.
She sends them both out, then you have a montage of everyone winning. She sends everyone out. But Michael Sheen a shot, but then she gives up on that right away. Yeah. Right. She sends them both out,
then you have a montage of everyone winning. She sends everyone out.
But Michael Sheen decides to move to LA. He actually is
going to do it. Yeah. Nat Wolf books the pilot.
Yeah, we see him walking. Nat Wolf books him.
He's in like a hospital show or something. Yeah. Right.
Rudnitsky starts... He says it's a lead.
Like, he's like very casually like,
actually, it's a lead part. They want me to test, which is like
that is not how casual
you would be about that happening
if you just moved to LA.
But Pico Alexander's like,
how could you?
When we want to make
our black and white
pocket watch movie.
He's furious that Rudnitsky's
rewriting a horror film.
Right, right.
Rudnitsky's doing like,
you know,
bedroom,
like a man with knife comes.
Right, and Pico reads that
and he's like,
but what about the pocket watch?
But it is like,
if you're a struggling actor,
you know, or like an aspiring actor and you get to test for a network show,
that's like your fucking bar mitzvah.
Your first communion. It's like, I'm doing
something right. And he's just like, I don't
know. I kind of think I should do it, right?
Yeah. I don't know.
And
Reneski
has the relationship with the daughter.
We need that to come off. She wants to be a writer.
Right, and she's going to do a talent show.
The younger daughter doesn't have anything.
She's just cute.
She just says profound things.
There's one scene where Reese makes this,
I think Michael Sheen is there by then,
and she's just making breakfast,
and it's literally heaps of croissant,
butter in a clay earthen pot,
huge thing of eggs and hash browns,
and a huge arranged tray of fruit.
I mean, it's really hysterical.
Richard, you speak of that,
this feels like a great moment to transition to a regular segment
for the last time that we do here on our Nancy Meyers mini-series.
Yes, she did, right?
Yes.
I mean, she's going to do one now
because we're cutting live over to our special correspondent, longtime sister, Romley Newman, with Romley's Kitchen Corner.
And here is your host, Miss Romley Newman.
She's in her kitchen.
Today I'm in a kitchen, and I'm going to talk about the kitchen at home again, which is not my favorite kitchen.
And the funny thing is, if this kitchen was in any other movie, I'd say, well, it's a really nice kitchen.
But you can't help but watch it and just think this is a Nancy Meyers kitchen on a really low budget.
They have all the same fixings, all the same stylistic choices, but everything just looks a little bit less nice.
You know, they couldn't
get the Viking, they couldn't
get the wolf stove, you know,
the fridge is not a sub-zero,
and it's still an incredibly
nice kitchen, but it's not an
Anthony Myers kitchen.
Thank you, Romley, for your service.
We appreciate it.
I don't know what circumstances
we'd ever bring back Romley's Kitchen Corner
but maybe
well you're gonna do
that burnt
we are gonna do
a full miniseries
on burnt
burnt cast
we're gonna go back
to the Star Wars format
and just do burnt
every week
good
you can do
no reservations
I don't think
we could do a full episode
on burnt
without falling asleep
like we would
we would try
and we would just be like
and then
it would be like
an ASMR episode because we'd just
trail off. You'd perk up at the
Uma Thurman part.
She should do a Nancy Meyers movie. Every
actress of the 90s should do a Nancy Meyers movie.
Well, she tried to with Prime, which is
not a Nancy Meyers movie, but it was sort of
styled. Yes.
She has the worst role in that, kind of.
Whatever happened to him, October Road?
Ben Younger? Is that his name? Oh, the actor? He was She has the worst role in that, kind of. Yeah, whatever happened to him? October Road.
Is that his name? No, that's...
Oh, the actor?
Yeah.
He was How to Make It in America, wasn't he?
Yeah.
And he was on season one of The Tick.
Oh, he was.
He's one of my favorite characters on the show.
He is very funny in it.
He was only in like two episodes, right?
Maybe three?
Three, Derek.
He plays the villain's ex-husband who still lives with her.
Brian Greenberg.
He's great.
He's excellent.
And he's a nice guy.
This is the episode where I say that handsome men are nice.
Well,
that's the,
I mean,
that's the movie.
Yeah.
That is the movie because that's what happens.
Well,
right.
Okay.
So then the boys have their big meeting with the producer.
Right.
Who's a jerk.
I don't remember though what happens at the meeting.
It's like,
this is the weird thing was like They have the meetings with Blum
and they're like, what a jerk.
And then Blum is just the entree to this
sort of... He's got a note that just says Channing?
Blum 2, right?
Like the older Blum? Like Blum Senior?
Oh, they have the meeting and then they decide to run away
to go to the daughter's thing?
Well, that's the final meeting, right?
Where the guy's like...
And again, it's this thing where Hallie
is just doing this like
insanely broad
Hollywood spoof sketch.
Right.
Because that's what
the Lake Bell scene is.
Yes.
That's what the first
Reed Scott scene is.
That's what this scene is
where he's like,
I love the script,
but like,
what if they're like
doing a heist of like a casino?
Right, like suddenly
it's Bowfinger.
Right, right.
But are like these,
are these meetings
that she's had?
Maybe.
Or is this just like her mom
but like when's the last time nancy myers had a meeting like that ever i mean she doesn't need to
i mean maybe the intern and jason blum have been circling a hellraiser remake we should we should
talk about that's why jason blum was so cagey when people ask him about female directors it's
because he's been trying to get her take on pinhead forever she goes what if we lose the pins just head um yeah that scene the idea that scene right
is just that pico finally is like you know what the pocket watch movie can wait we've got to get
to the talent show because we've established that pico doesn't usually know to do the right thing
right but he's a bit of a fuck up this isn't the right thing for him it's only for rodnitsky the
other two being there kind of doesn't matter that much. Well, but Nightwolf is there because he's going to be the lead of Pocket Watch.
Right.
I'm just calling it that.
Right.
And he's pocket full of watch.
He's also there as security in case Michael Sheen also shows up to the play.
Yeah, right.
He'll pop him in the nose.
He'll pocket watch him in the nose.
And then the producer does that thing where he's like, yeah, I'm thinking some big star.
And Reed Scott's like, ah, no, we were going to put Nightwolf in it.
And he's like, oh, yeah oh yeah no you can be in it
I am Brooklyn Avenue
outrageous
and then yeah
they go to the talent show
and John Renitsky
falls in love with
the daughter's teacher
on the way to the stage
yeah
right
they have a meet cute
that begins at the entrance
to the school
and ends with them
on the stage yeah and that guy. They have a meet cute that begins at the entrance to the school and ends with them on the stage.
And that guy needed a
win.
Yeah.
He was having so much
trouble being handsome
and cast in things.
Yeah.
God what a movie.
I don't know.
Like is there anything
else really pleasant
that they gather.
Right.
Like is there.
Oh and then the Carol
King song plays.
Oh my God.
Which like.
So her mother mother except for Griffin
which he's just hearing
you're gonna be like
one of those people
who like kills himself
after like having hiccups
for three years
cause like
I'm so
you're gonna get like
lost in the woods
and that's all you're here
your version of
tinnitus
I'm so far down
the levels of the
Ascension elevator
that for me
it sounds like Le'Veon Rose.
This movie, as we already stated, is
set in the city that Leo and Marion built
in Inception. They lived a whole lifetime together.
Ken Watanabe's there getting old.
Everyone is waiting for a train.
It just ends with them all gathering and being like,
how crazy here we are.
Nancy Byers was like,
okay,
I will EP this movie and get this movie made for you,
but you have to name it after a Carol King song.
Yeah.
I have to name it after a Carol King song and have it in Congress ending scene where everyone's at dinner.
Yeah.
Which is how most of her movies.
Oh,
and I like that the daughters play.
Yes.
The set is that outdoor dining area of their backyard. And there's the, and I like that the daughter's play, the set, is that outdoor dining area
of their backyard.
And there's the joke at the end
where the daughter's like,
that was kind of based on our lives.
And it's like, so wait,
there was a fourth grade play
that was about a fucking divorce.
My mom tried to bag this hottie.
Didn't try, did.
And his dick didn't work,
and then they figured it out, right.
I mean, it feels like she's setting up a future something's got to give.
You think Pico's going to get with Reese eventually?
No.
Oh, I guess kind of plays that she's Hallie.
Rico.
Yeah.
That that character's Hallie.
Right, yes.
Oh, duh.
Okay, right.
Like, I didn't realize.
Do you think Michael Sheen's going to find the next Sam Smith?
Yes, unquestionably. In real life. It's Nat Wolfe. Yeah. I didn't realize do you think Michael Sheen's gonna find the next Sam Smith yeah yes
in real life
it's Nat Wolfe
yeah
he's like
at a chalkboard
Sam Smith
Nat Wolfe
where do you find
the next
you find the next
Sam Smith
like at like
wearing like a big
frilly bonnet
at the maternity ward
or something
because he's sort of
like a little
Lord Fauntleroy
like
so
singing a song
plaintively
to his sick mother?
Oh, God.
Netflix has said how successful To All the Boys I Loved and Set It Up were for them.
Right.
They're Summer of Love, they call it.
Right.
Two of their most watched films and certainly less expensive than a lot of the big films
they've had to buy like right, you know?
Right.
If I were them, I'd just be like, get Halle Meyers-Shire in here
and let her make one of these every year,
every other year.
Oh, absolutely.
You know, because Nancy needs like $80 million
to make a movie.
Nancy can't do it cheap.
No, she can't.
But like, let Halle make a bunch of these.
Sure.
She had a script.
I want to find the name of it.
Have you heard about this?
No.
That Nancy was going to direct.
Oh, right.
Called The Chelsea.
Yes. Oh, about the Chelsea Hotel? I don't know. direct. Oh, right. Called The Chelsea. Yes. Oh,
about the Chelsea Hotel? I don't know.
And then it fell apart. Right.
That was before Home Again, I think Nancy was going to make.
The thing about it is that we're
joking about the sort of creepy homage
to her mother, but the movie's not badly
made. No.
The pacing is a little fast, but it
looks great. The performances are good.
I also like the idea that her mother and father were on set every day,
that it really feels like it was a family project.
That's fine.
I would happily see another movie of hers.
I think there are certain things that could be improved upon.
For a first film?
This is better than most first romantic comedies.
There's no reason that one of the boys couldn't...
They don't have to all be white, for example.
Sure. Have you seen any Nancy Meyers films before? one of the boys couldn't like they don't have I'll Be White for example sure
have you seen any
Nancy Meyers
well I
yes okay
if you're gonna make us
an homage that
you know
but you know
I don't know
I think that like
the tendency with this movie
is to just
for people to kind of like
just be like
oh it's terrible
no
it's very weird
watchable
yeah
very watchable
as Griffin says
it's my third time seeing it
charming
and then also right
just like
odd in a way
where you're like
you think about it
it's not disposable
I said in my review
it's like you could study
this thing in psych class
for like a year
yeah
like it's just very interesting
which is like my favorite
kind of movies
yeah
these movies that just have
their own weird
sort of internal logic
they do feel like a broadcast
from an alternate dimension
and you're just trying to parse out
what the like,
so if this, then what?
Right.
Rules of the world.
Right.
You know?
I mean, we should play
the box office game.
But yeah, is there anything else
you wanted to say, Richard?
I'm looking at mine.
Where is Jen Kirkman?
Right.
She got unbrigadooned.
I got to give you credit
because since there was
a 9 to be quotes page,
the quote I used was one that you
transcribed verbatim, so I had something to read off.
Well, because we are three
handsome guys,
three adorable guys, excuse me, hanging around.
Four adorable guys. Ben watched this movie too.
I was gonna say Ben is our Reese Witherspoon.
And we're the three cute, big, special boys.
There's a scene
where they take their shirts off and go
swimming. Oh yeah, in the beach.
And Nat Wolf yells Attica,
Attica, because 20-something
year old boys in 2017 are always referencing
Dog Day Afternoon.
Boys who were born after
Independence Day came out.
Right.
Yeah, I think that's all I had.
I mean, I thought the movie was insane.
Yeah.
I didn't hate it.
I felt like, again, yeah, this is like another reality,
another dimension of the world.
I, as someone from New Jersey,
kind of a lower class kind of citizen in the world, let's say.
Sure, you grew up in a trauma film.
Yeah, pretty much.
Yeah.
I went to high school with Toxic Avenger. sin in the world, let's say. Sure. You grew up in a trauma film. Yeah, pretty much. I
went to high school with
Toxic Avenger.
You went home
again, it would be home again to the furnace.
That's true. Right. The reason
Toxic Avenger carried a mop was because he worked
as a janitor at your high school.
Yeah, absolutely.
I just felt like it was
the culture
that I don't participate with at all.
Yep.
And look, I mean, that is, I will say the reason why I think I always had hangups with Nancy is like,
I don't like the idea of watching movies about these people.
Right.
You know, because I also like am frustrated if I'm at a restaurant seated next to people like this.
I love it.
And I have to hear them talking.
This movie is the nice family I saw at the mall
when I was
trying to kidnap their children
or shoplift something.
And I would be like, you know, sort of like
oh my god, gross, but really inside
I'm like, oh, this seems nice.
I wish I had a nice family.
And the way that Nancy Meyers and Halle Meyers
talk about divorce is from
this insanely privileged thing where divorce is this kind of neurotic moment.
It's not like, oh, financially we're destroyed.
Right.
How are we going to get the kids back and forth?
It's more just this kind of social embarrassment or something.
It's really interesting.
But Tuesdays are my yoga group.
Right, right.
That kind of like…
Right.
I love it.
but Tuesdays are my yoga group.
Right, right. Like that kind of like, right.
I love it.
Oh, and did you guys notice that,
I don't know if you've been talking about these
on other episodes,
but the Virgin Mimosas make it into this movie.
You know, like her thing,
she's always like, there's like,
yeah, they're in a scene of this.
Do you have any Nancy thoughts?
Because you didn't actually get to be on a Nancy episode.
I would say that my Nancy thoughts are,
or my Nancy concerns,
kind of to what Ben was saying is like that increasingly I don't think Nancy is like self-aware exactly about the world that she's existing in.
And a world that's changing rapidly. talk to someone like you know when you see like even like you know older celebrities who are quote unquote liberal or whatever now
who just say something totally from like
1985 and you're like what like
I don't I worry that Nancy Meyers is not paying
attention and while it's fun to
watch like the
intern is like a movie about
like an old
straight white guy like
finding himself again.
Is that where we're at?
Right, and how all young men are pussies.
Right, yeah.
So I like Nancy Meyers,
but increasingly the people that she's sort of venerating,
I think, are bad.
Okay, do we want to do our rankings?
Oh, wow.
Of Nancy's?
Yeah.
Sure, do we want to do the box office game first?
Yes.
Okay.
September 8th 2017 never again
um number two at the box office is home again with a million dollars now the number one film
this this weekend opened to slightly higher number of 123 million dollars this was the film it it
right yes the one film to buck the trend of this being the worst weekend right and Pennywise is going to target
the Home Again
universe next
oh fully
yeah he's gonna go down
that drain pipe
until he gets to
fucking Michael Sheen
or whatever
he's the next Sam Smith
I'll tell ya
Pico
you want to stop watch
that just scared me
in my headphones
because I didn't
I wasn't looking at you
and I was like
yeah
I couldn't get through
that movie
we all get development deals down here.
It's fine.
I thought it was badly made.
It's very jumpy.
I wanted Fukunaga's version.
I agree.
I think the script's pretty good.
Yeah.
And I like Mama.
I think Mama's pretty well directed.
Oh,
it's the same director?
Yeah.
Oh,
I see.
Andy.
Machete.
Machete.
Yes.
Andy Machete.
Yes.
Perfect.
I think it is a very watchable car movie with a bunch of kids in it.
And who's it going to be?
It's Chastain, Xavier Dillon.
Xavier Dillon's just got the one scene, but you got McAvoy.
It's Chastain, Hater, McAvoy.
So you have three big people.
And then the other four are Isaiah Mustafa, who's the old Spice guy.
Yeah, yeah, yeah.
Ben Ransom. And then two actors I don like Isaiah Mustafa, who's the Old Spice guy. Yeah, yeah, yeah. Ben Ransom.
And then like two actors I don't know, I feel like.
You've also got Jay Ryan.
An actor I don't know.
James Ransom, yeah.
Andy Bean.
Don't know him.
Yeah.
And then, yeah.
So I've read it.
The second part of It, a book that Stephen King wrote after eating one mountain of cocaine,
is like.
That's how he ordered it, too. One Brigadoon mountain of cocaine is like one brig of dune mountain of cocaine he called his dealer and said can you bring me a brig of
coke like is the second part of
the book is like you know that it is back because
there's this like terrible hate crime in which
like a gay guy is murdered and
Xavier Delan I guess is playing that character
so there's something with Xavier Delan
where I think he's just like
sign me up like you, you know, because...
He's going to win an Oscar
for Bad Times at the El Royale.
Oh my God, that accent.
Playing Phil Spector.
He's also in Boy Erased.
He's in Boy Erased
playing a guy with a black eye.
That's never explained.
That's never explained.
Who salutes at everyone.
Do you know that he played
Fear
in the
Cabo Croix
dub of Inside Out
Pixar's Inside Out
is that true?
that he makes a lot of money
doing
I swear to God
like French Canadian
dubbing
when the big animated movies
go over there
he has done several of those
do you know about
Melanie Laurent's dad?
no
her dad is the voice
of Homer in France
really?
wow
yeah
number three that rules at the box office uh huh Her dad is the voice of Homer in France. Really? Wow.
Number three.
That rules.
At the box office.
Is a comedy.
That's so funny that we were saying like this is the worst weekend to release a movie.
And they were like, oh, well, at least it'll go unnoticed.
And then the biggest opening in the history of that genre. It just like swallowed it whole.
Right.
Exactly.
Yeah.
It was crazy.
I mean, it is crazy that it did that well.
So that's one of the biggest gaps between number one and number two in history.
It has to be. It's insane.
Yeah.
So number three is like a comedy that's now in its fourth week.
Okay.
That like kind of did pretty well despite not existing.
Ned Flanders.
Excuse me, Ned Flanders.
Oh, even funnier.
Okay, it doesn't exist.
It did pretty well.
What was the final total?
75.
It did 75.
What kind of movie is it?
It's like a spoofy comedy. Spoofy 75 it's 75 what kind of movie is it it's like a
it's like a spoofy comedy
spoofy
it's a spoofy movie
well
well spoofy
it's a little spoofy
it had been number one
the previous three weeks
the previous three weeks
yes
fuck I know what this is
and it's
the light between oceans
right that's like a spoof
of someone's earnest attempt
at making a drama, right?
Does it feature a big comedy star?
No, not really.
Like two sort of major names.
I wouldn't call any of them
exclusively the comedy stars.
I guess one of them
is more of a comical.
But they're actors.
They're not like people
who came out of nothing.
Oh, The Light Between Oceans
is the first film
to go direct to Sweater.
Sorry, I just wanted to make that joke.
Just occurred to me.
45 comedy points.
Shall I just tell you?
No.
Wait to say more things about it?
Comedy, like a buddy comedy.
It's got like a title that sounds like it's a parody.
Oh, oh, oh, oh, oh.
It's The Hitman's Bodyguard.
The Hitman's Bodyguard. Oh, God.
Yes, a movie that does exist. Ryan Reynolds and Samuel L. Jackson.
There's someone else in that movie.
Salma Hayek, and they're greenlighting a sequel. There is a sequel.
The Bodyguard's Hitman? It's The Hitman's
Bodyguard's Wife or whatever. Richard E. Grant
is in that, I believe. Oh, I see. Weird.
Gary Oldman. Weird. From the director of Kick-Ass 2.
I think you might be right. Yeah, Gary Oldman,
Salma Hayek, Ryan Reynolds,
Samuel L. Jackson. They are
making a sequel. Number four
is another horror movie.
A prequel?
Okay. A prequel within
a prequel to a spinoff in a larger
horror universe. So it's Annabelle
Creation? Annabelle Creation, which made
$102 million. Yeah. About
the creation of the doll
that was in The Conjuring.
There is only
I'm mystified.
one Conjuring film
that has not made
$100 million.
Oh my god.
No.
Annabelle.
The first one.
Yeah.
But for a horror franchise
that's crazy.
I know.
Because usually
one of them
will overperform
and usually
they hover around
like 70 or 80
if it's a big franchise
until they drop off.
And like None,
The Two Conjurings,
Annabelle Creation,
have all crested.
Give her a proper title.
The None.
Richard wrote and directed the film.
I just think we should refer to it
with his proper title.
Yeah, I mean,
it was part of the Trolls universe,
but it's a whole complicated thing.
You must be really stressed out
getting ready for your world tour.
For Trolls Creation?
Trolls again
How are your trolls doing?
Oh my trolls
My trolls are good
My trolls just moved to LA
Oh no
They're in a guest house
They're probably gonna sweep up
This pilot season right?
Did they make like
A pocket watch movie?
Yeah
They made a pocket watch
One of my trolls
Is sleeping with Gettysburg
You know my trolls is sleeping with Gettysburg.
You know my trolls is sleeping.
Number five at the
box office is an insanely depressing
movie that bummed me
the fuck out when I saw it.
About like, oh god,
I don't know. I'll give it away
if I tell you what it's about uh is it is it new or
has it been out for a couple weeks six weeks at this point it's been out for six weeks at this
point was it a pretty big hit it was like a good hit for the size of movie that it was it like it's
like a drama it's like an oppressing drama it's like a thriller slash like super bleak mystery
thriller kind of thing uh uh what was the final total? 33.
Oh, so it was like a smaller film that did...
Oh, oh, oh.
Is it Wind River?
Wind River.
Yeah, a movie
I don't really get either.
A nasty movie.
Yeah, it's a nasty movie.
Nasty piece of work.
But,
Jon Bernthal's fucking great
in that thing.
That one scene,
he kills.
I hate that scene.
I don't like the scene.
I like Jon Bernthal a lot.
I think he's a very good actor.
Jon Bernthal's great.
It's just crazy how many movies he is in for one scene. I know. Like Baby Driver, he's in one scene. I like Jon Bernthal a lot. I think he's a very good actor. Jon Bernthal's great. It's just crazy how many movies
he is in for one scene. I know. Like Baby Driver,
he's in one scene. Widow's upcoming,
he's in one scene. He's kind of the best at showing up for like one
scene. I know. He's a weird one.
Do you know a movie he's crazy good in, which I would have given a
blankie nomination? CBS is the Class?
Yes. Okay, let's go on.
I know who it was. That's a weird... Lizzie Kaplan.
There's that scene. Jason Ritter.
Jesse Tyler Ferguson. Lucy Punch. Yeah. No, There's that scene. Jason Ritter. Jesse Tyler Ferguson.
Lucy Punch.
Yeah.
No, there's that scene early on in the class
where he goes,
this house is not well built.
Which is like his comedy line
in the pilot.
Oh.
It's very weird.
You know the famous story
where like
there was some big CBS
upfront thing
when the show was about to, or they were doing a press tour or whatever.
They were in Vegas with the whole cast before the show premiered.
The cast of The Class?
Yes.
Class cast.
Right.
And I think it was –
That's your podcast about The Class.
Right.
It was James Burroughs or Les Moonves or someone who was like at the top of their food chain.
Probably Burroughs.
Said to them like, I want you to go out and have a great night tonight together because this is the last night of your life that you're going to be able to be in a space
like this unrecognized.
They were just like, a week from now,
two of you cannot be in public without
having a hard day's night chase
ensuing. They thought they had
friends on their hands.
They gave those six actors
so much training for how to deal with
eight. The amount of fame
they were about to yeah
when did the class premiere
2006
so he got
Modern Family
two years later
right after pretty much
yes
some of them like
you know
Ferguson, Bernthal
and then some of them like
Heather Golden Hirsch
you know
just sort of didn't
figure it out
why would you tell someone that
although she's really good
in Hail Caesar
it's really depressing
it is really weird
that movie's insane
that TV show's insane.
It was set in Philadelphia.
It had no black people in it
and people pointed that out.
It was from the creators
of Friends.
Yeah.
And people were like,
there's supposed to be
a pattern with your shows
and they were like,
what are you talking about?
It was really weird.
What were you going to say?
Sorry.
Bernthal's really good in Snitch.
Oh, I haven't seen Snitch.
The Dwayne the Rock Johnson movie
which is otherwise
pretty profound through
but he gives like a really
fucking great performance.
He's actually the co-lead in that.
I would say he has as much screen time as The Rock, which is weird.
Cool.
You're not supposed to snitch about that movie, so I don't want to talk about it.
Ben is vaping.
Oh.
Yeah, we're done.
So Ben's new thing is when the episode is over, he vapes.
He pulls on his vape.
It literally just looks like a USB.
Yeah.
It looks like Ben's backing up his data.
Thank you for coming.
Oh, rankings.
We got to do our rankings.
So that was the five.
We went through the five.
Rankings.
I think I made a list.
Let me see.
I want you to go first because I'm between two things in a position.
If you have your list at hand, otherwise I'll just go.
No, I can go.
And we're not counting Home Again because it's its own thing.
We're talking through the six Nancys.
Movies that, the Nancy Meyers movies that were made on Earth.
Correct.
The terrestrial Meyers.
Right, so it's actually zero movies.
Weird.
Right.
All right, So number one.
Not movies that were executive produced by Slash, the evil mutant Ninja Turtle and Dimension X.
I'm sorry.
Go on.
Continue.
Crank.
Nancy Crank.
I mean, I could have gone a bunch of ways.
I thought it was better to do a deeper pull.
I don't know.
I'm an idiot.
Go on.
You're not an idiot.
Okay.
So number one for me.
I'm very big and smart and special.
Just like Pico.
Nice way. Something like Pico.
Something's gotta give.
Number two for me is the parent trap.
Number three for me is
the intern.
Ruh-nay-roos-up.
Number four for me
I think is it's complicated. It's complicated. Number five for me, I think it's complicated.
Yeah.
It's complicated.
Number five for me is the holiday.
And number six is what women want.
Okay.
We're going to diverge on this.
You're saying this is a diversion list?
Yes.
Okay.
Divergent and surgeon.
Okay.
Ready?
Yeah.
Number one, the intern. Okay. Numberivergent and surgent. Okay, ready? Yeah. Number one, the intern.
Okay.
Number two, the parent trap.
Okay.
Number three, something's gotta give.
Crazy.
That should be number one.
Number four, it's complicated.
Okay, so we're not too different.
Number five, what women want.
Yeah.
I mean, I figured that's what you were.
Number six, the holiday. Yeah, you were. Number six, The Holiday.
Yeah, no.
What Women Want's dead last.
That one's got to be.
The Holiday's really bad.
I think you.
I mean, I don't like it.
Well, let me ask you.
Wait, but which half?
Right, because it was a legendary episode where.
We thought over which half is good.
So I want to hear.
Fran liked both halves.
And then Griff and I each liked one half.
So for once, you're taking Ben's title. You're going to be the tiebreaker. Tell us which half you think. Fran liked both halves and then Griffin and I each liked one half. So for once
you're taking Ben's title
you're going to be the tiebreaker.
Tell us which half
you think works in that movie
because we both agree
that only one half works.
But we disagree on the half.
I think the Kate Winslet half
is the good half.
Thank you!
Yes!
Griffin has gone fully
he's gone home again mad
oh my god Griffin's just going
he's just having a Jack Black
speaking in tongues freak out
here's to you Mrs.
Rub-a-duh-boop
skin crawling performance
yeah I tweeted something about
the home again ones
or not home again
the holiday,
about how Kate Winslet does,
so she's scatting it, right, doesn't she?
Yeah, he has her scat.
She goes like scribbly boo or something.
Yeah, and he goes,
you're the best scribbly boo I've ever heard.
Richard, I can't remember the last time I was this happy.
The sense of professional accomplishment, I feel.
Let's go have a nice meal in the backyard.
I'd love that.
Let's go screen a movie on my projector
let's finish Ben Sinclair's Glass of White Wine
we didn't talk about the picnic but oh well that's okay
they have a picnic
these boys she met the day before
he knows how to work a projector
and they knew where everything was in the kitchen
also he's screening like a full length
35mm print which means
he's going to have to change reels
are they there platters
a 70s sex comedy
and the girls are there
right
and it's like
a weeknight
and if I'm the neighbors
I'm like
shut up
and Candice Bergen's
probably like
topless in it
or something
probably
I mean
I don't know
yeah
she's like
topless in
Saint Tropez
Dickie you're
the best in the biz
thanks for having me again
friend of the show
Dickie Lawson
how am I doing with regards to Yoshida
I think Yoshida's at 6
I think you're on level footing right
and JD's at 5 is that correct
that JD episode
Billy Lynn
he has actually talked about
maybe wanting to take some time
before he comes back to the show again
because he feels the pressure of how.
I was listening to that.
I was cleaning my bedroom and I was like, Jesus Christ, that's quite a feat.
Yeah.
I mean, the whole thing, not just the envelope.
A, the fact that he did that amount of research and was able to talk so at length
about every aspect of it.
And B, the envelope is the greatest joke that anyone has ever done in the history of mankind.
Right.
It can't be eclipsed.
It cannot be eclipsed.
New moon.
Richard, people should read all your work on Vanity Fair.
You're one of the best
out there.
Well, thanks.
I feel likewise about
you, you boys.
You should.
You good, good boys.
See your trolls.
Good, special, big boys.
See your trolls.
Trolls World Tour
comes out next year,
I believe.
Yeah, yeah, everyone
should go make me
richer than I am.
Now, do you have any
involvement in the
Trolls Netflix series?
Or did you farm that out?
I have some bad news. Trolls World Tour has Or did you farm that out? I have some bad news.
Trolls World Tour
has been delayed till 2020.
Really?
I have to go.
I have to call my agent.
Thank you all for listening.
Please remember to rate,
review, subscribe.
Thanks to Ant Fraguto
for our social media.
Social media.
Jesus Christ.
Social media.
Lay Montgomery
for our theme song.
Thanks to Joe Bowen
and Pat Reynolds
for our artwork. Go to blankiesen and Pat Reynolds for our artwork.
Go to blankies.red.com for some real nerdy shit.
Go to our TeePublic store for some real nerdy merchandise.
And as always, I forgot to make the announcements, so I'm going to do them now.
Next week, we're going home again to Ben's Choice.
Something we haven't done in a year.
That's right.
A long time.
Ben's choice.
He chose.
I'm so excited.
And it's going to be a little bit like our Jack Reacher episode where we're going to
discuss two films on the occasion of the second one coming out.
Right.
Ben, do you want to announce it?
What are we going to do?
Wreck-It Ralph 2.
We're going to wreck it.
We're going to break the internet?
We're going to break the internet.
And this episode on Wreck-It Ralph 2, Break the Internet.
Yeah.
Right, right, right.
You're right.
Yeah.
When Ben hears the two friends, he thinks Ralph and Vanellope,
and now he's finally going to let them take over the podcast.
We can discuss Nick Weiger's hot take that it's not a video game,
it's a movie, it's a candy movie.
We'll talk about that for two hours.
Yeah, there's plenty to talk about.
But then after that first announcement
right some of you may have guessed our next miniseries is going to be
it's a griff's choice did it get chilly in here oh ben why did the lights go out
why are these stripes on the walls it's tim burton
why is there too much cg why is Eva Green being cast in these roles?
Why are your eyes so big?
Why are we going to have a problematic number of conversations about Johnny Depp on Mike?
Oh, God.
So many.
Tim Burton.
Tim Burton, baby.
You've wanted it.
I got two words for you.
It's showtime.
Dumbo.
It's showtime. Dumbo. It's showtime.
So tune in next week for Ben Wrecks the Podcast.
Tune in after that for Pee-wee's Big Adventure.
And as always...