Blank Check with Griffin & David - Mission: Impossible - Dead Reckoning Part One with Marie Bardi
Episode Date: July 23, 2023It’s 2023. An all-powerful AI program named “the Entity” is sewing chaos and threatening the fragile equilibrium of the world as we know it. It is also throwing sick parties. Meanwhile, over at ...Blank Check HQ, the BENTITY has a few tricks up his sleeve to surprise Griffin, David, and Marie with a mission of their own as they break down Tom Cruise and Christopher McQuarrie’s latest big-screen extravaganza. Special thanks to IMF team members Teo Rapp-Olsson and Patrick Willems. Support their work! Patrick Willems: https://www.youtube.com/@patrickhwillems Teo Rapp-Olsson: https://www.imdb.com/name/nm6231691/ Mission: Impoddible theme composed by Alex Barron This episode is sponsored by: Bombas (bombas.com/check CODE: CHECK) Babbel (babbel.com/check) Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram! Buy some real nerdy merch at shopblankcheckpod.myshopify.com or at teepublic.com/stores/blank-check
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We never had to do that.
No.
What's the,
what's the big line from this room?
You have to make a podcast.
Pick up,
pick up,
pick up podcast. I got,
you know,
Ethan,
you're trying to play 40 chess with a podcast.
You have to podcast aside.'s the Shewig on line?
He has his own version of the manifest
He's the living manifestation
of destiny
What was it?
I'll look it up
I asked Bilga to tell me
He's a mind reader capable of shape-shifting
the incarnation of chaos
when he's like briefing his men
I by the way would be like can we get a new boss
you seem to have already lost your mind
this guy's right free in your head
we haven't even started chasing him
I like how
the movies now increasingly
have become like
he just breaks people's brains
his existence I don't even
want to talk about him i uh right because it used to be like when people gave the briefing on what
his deal was they had a sense of control yeah and shea wiggum is just like i'm not even fucking
his boss i'm like a middle manager now sent after him here's the thing i miss is angela bassett now the president in the
universe of this movie yes i think that's her photo is up in the back yeah which doesn't make
because she was the head of the cia correct yes we don't usually elect heads of the central
intelligence agency to be president no that's the job it's just you can't really run you'll be like
well i did a great job at the ca what'd you do well i can't tell you i can't really run it. You'd be like, well, I did a great job at the CA. What'd you do? Well, I can't tell you. I can't tell you. Classified.
Actually, maybe that's a good brick wall thing
during a debate. My opponent won't
even... It's classified. It's out of my hands.
I kept Ethan Hunt under control. Who's Ethan Hunt?
Exactly.
Should have said that name.
You didn't know.
I would elect Angela Bassett.
Obviously.
And I would love to see her in movie eight.
Maybe she'll pop up.
I have heard she is in it.
I don't know.
I think that's public knowledge.
I don't know.
She was very much a COVID thing.
I get it as well.
Put the picture up and you're just sort of like,
don't worry, we haven't forgot about Angie.
She'll show up.
Which I think this franchise is pretty good at doing it,
like not generally writing people off and being like, we don't bring someone back.
It doesn't mean they're gone.
Case in point, Kidrich.
Yes, exactly.
I mean, the big question is, is Renner.
I mean, I hope he's dead.
He's not dead.
The thing McQuarrie has always said was like, he didn't want to come back for Fallout.
And there was sort of the choice of like, do we kill him off?
Right.
In some interesting way.
Right, and he was like,
I would rather keep him alive,
and if he ever wants to come back,
then I'll use him to the degree that he wants to be used.
I don't want to just like kill him off
because he's not available.
Yeah, but I mean, there is the unspoken thing of like,
but he will have to,
except being the fifth fiddle,
like, or whatever,
if he wants to come back,
which clearly he didn't like being.
I thought he was so good in Rogue Nation,
so well used.
He's so good in both of them. Yes. and now there's this retroactive kind of like yeah it's sort of annoying to see
renner i'm like no no we're not gonna pretend renner didn't have juice no you oh yeah you were
defending him on twitter someone's doing like isn't it weird that like everyone offered everything to
this guy when renner was he was coming off of two fucking Oscar nominations the guy was straight fire
well no so the Hurt Locker
won best picture
yes
and that movie is 50%
in his performance
yes he should
he should have won
the Oscar that year
who did he lose to
that was the
that was the fucking
Jeff Bridges year
right
oh right
and we had to give it to Bridges
because we hadn't
you know we fucked up
prior situations
who won supporting actor
the year that he was
nominated for the town
that because I love that 10 which car are we taking You know, we fucked up prior situations. Who won Supporting Actor the year that he was nominated for The Town?
That, because I love that performance.
Which car are we taking?
2010, The Town.
Who wins that year?
Jeffrey Rush is nominated.
But the winner is... The Social Network King's Speech.
I'll tell you in one second.
Black Swan.
Christian Bale in The Fighter.
A pseudo-lead performance. Very transformative
from an actor
who was sort of ready for his Oscar.
But I would take that back.
I would actually give it to any of
the other nominated performances before Bale.
Really?
I think Bale's very good. I think he's good in The Fighter.
But I think it felt like it was a we need to give him
an Oscar. A little bit of that and also just the
oh he lost weight again. He looks like
you know he looks like shit. Yeah.
I would give I mean Jeffrey Rush is probably
the one maybe I'd be like wow.
Forget Jeffrey Rush. He is not. He was like the steepest
competition. He's good in it. I mean he's good in that movie
but Jeremy Renner, John Hawks and
Wintersbone which is an amazing performance. Yeah.
And Ruffalo and the Kids Are Alright which is like
really good. Kind of the engine of that movie.
Like, quietly.
Too quiet.
Too quiet? For the Oscars.
Oh, sure. I thought you were saying for you.
Oh, no. Well, then he fucking yelled
in spotlight and they didn't give him an Oscar either.
They should have. They knew!
And they let it happen! To kids!
Anyway.
Anyway, Renner is not in this movie but a lot and neither is bassett we're
talking about two people who aren't in this film who else is not in this movie who is left in the
mi verse not dead yeah i still want scooped back paula patton to come back yeah what's she doing
not much she's not remarrying robin thick Which is a great choice Another great choice would be rejoining the Mission Impossible franchise
Is Redgrave dead?
Well I guess Vanessa Redgrave the actress is dead
No she's not
She's the one of the family
No but I think she's dead
I think they say she's dead in this movie
Was it this movie
Or was it another movie
Where Max is introduced
And she talks about her mother?
In both of them.
Not Max, sorry.
The White Widow.
Yes.
But like...
Kit Rich talks about, I think he says, your late mother or whatever.
Yes.
No, she's talked about in both of them.
Yeah.
Then Dewey Newton?
Can we bring her in?
Yeah, bring everyone back.
I'm literally trying to think of who...
Like, Jonathan Rhys-Myers maggie q are canonically still alive correct
like they could come back yeah like what if maggie q showed up i like the idea of the next film having
a team of everyone he's worked with in previous movies i mean you know there's a point at which
i guess you're turning into rise of skywalker i am all the jedi but i i'm trying to write who else
anil kapoor could he come back he doesn't die in Ghost Protocol. It'd be weird for him to come back.
I'm still horny.
Yes.
I do think.
Leia said you fell out a window.
Michelle Monaghan's still alive.
She was bid goodbye.
Yes.
That loop was closed.
But we should bring Wes Bentley back.
Yeah.
And Leland's like, how's your wife?
And he's like, why do you know so much about her?
What if they bring back Aaron Paul?
Bring him back?
He's in three.
He plays the brother.
He plays Michelle Monaghan's brother in three.
Right, at the party.
Okay.
Or have him die at the start of eight.
Yeah.
And Ethan's so sad.
And the audience is like, who is he?
Yeah.
Bring Ricky Gervais back.
Tom Hollander?
You weren't in these.
And he was like, I almost was.
Oh, Tom Hollander, yeah.
Right.
Hollander's the prime minister in five.
Wolf Blitzer?
Wolf Blitzer.
I mean, he's...
My favorite IMF member.
He's coming back.
He's like, I was bringing Wolf back.
Yeah.
I'm field agent now.
I got promoted.
I guess that's it. Look, this is Blank Check with Griffin and David. I'm field agent now I got promoted I guess that's it
Look this is Blank Check with Griffin and David
I'm Griffin
You're not even saying and I'm
I'm David
It's a podcast about filmographies
Directors who have massive success early on in their careers
And are given a series of blank checks
To make whatever crazy passion projects they want
And sometimes those checks clear
and sometimes they bounce.
Baby.
Now we're in a miniseries,
in the middle of a miniseries
right now,
on Park Chan-wook,
our March Madness winner.
We're taking a little break
to next week's talk
about Oppenheimer.
True.
Christopher Nolan film.
And this week,
we talk about
Mission Impossible,
Dead Reckoning,
part one.
A film,
I feel like people are still a little unclear on what the punctuation is on this movie.
Mission colon impossible.
Which has always made the subtitles hard on these films.
Because you're like,
the colon's in the middle of the proper title.
Right.
Is it a double colon franchise?
And it's always been Mission colon impossible dash subtitle.
Right.
But then this is adding the part one.
Right.
So is that just a run on sentence?
In your Atlantic review,
dead reckoning part one is all one phrase.
There's no punctuation.
There's no punctuation.
It's mission colon impossible M dash
dead reckoning part one.
You can't, I mean, the only other thing,
a comma would be grammatically,
I suppose, accurate.
Dead reckoning part one.
What about parentheses?
Parentheses part one. That would be grammatically, I suppose, accurate. Dead reckoning, part one. What about parentheses? Parentheses, part one.
That would be very silly.
Someone's knocking on the door.
I can't tell if this is a bit or not.
Ben just went to the bathroom
and now someone's knocking on the door.
I'm going to get the door.
Don't love it.
No.
Go look out the peephole.
Looks like delivery. Pipe.
No bits.
Okay.
Say pro smith.
Pro smiths.
Cars two makes cars three.
Look like cars won?
Blanket.
Thank you.
Oh my god, I just had a heart attack.
That guy was handsome.
That guy was really handsome.
That guy had the juice.
Okay, can I... I want to explain what just happened.
Ben went to the bathroom the door is closed there's a knock at the front door of the office
we sit here we're like what's going on is this by mistake i tentatively rise the door you heard all
of this we're recording on this i rest the door go right just explain it all please this very has run to the bathroom during all this yes he's not on this. I rise to the door. Go right. Just explain it all, please. Ben has run
to the bathroom during all this. He's not
here. This very handsome man wearing a bicycle
helmet and a reflective vest,
like a messenger,
just looks at me very intensely
and says, no bits.
Stone-faced.
And I just look at him trying to figure out where this is going.
And then, David, you say pro smits.
Yep.
Like, oh, this is some fucking.
I understood, I suppose, the game of like, you know, the.
It's a Mission Impossible style.
Right, well.
You have to complete the sentence.
But it opens with a DoorDash guy.
It does.
The new one opens with a DoorDash guy.
So he says, no bits, I say ProSmits.
Yeah.
He says Cars 2 makes Cars 3 look like, and I said Cars 1.
And then he said Blanket, and I said Thank It.
And he handed me a manila envelope.
And now I'm going to open this.
Ben is grinning ear to ear like a treasure cat.
And inside here, I cannot believe this
it says beneath the party
it's just one piece of paper
is that me?
wait a second
beneath the party
is it under the desk?
or is it under the chair?
is it under the chair Marie?
Marie is there something under the chair?
Marie Barty Party Barty is here along with producer Ben
who is orchestrating some kind of
so dark the kind of man.
No, you're almost there.
Just look under the chair.
Under the legs of the chair?
Oh, oh, wait.
Oh boy, okay.
Okay, so now there's another.
There's a tape recorder.
Oh my God, wait.
There must be something on that.
And I don't know anyone in this room
who likes to do bits with tape recorders.
No, and certainly Norm Macdonald died,
so that leaves a big void
in the world of tape recorder comedy.
Should I press play?
I guess.
I mean, we should find out what it is.
Let's see what this is.
I had no idea this was happening.
Good morning, Mr. Newman and Mr. Sims.
In 2016, on a mission known as Pod Reacher Never Go Cast,
you first encountered the writer-director Christopher McQuarrie,
Ilyas McHugh.
In the years since, you have recorded Patreon-exclusive episodes
covering the three other McHugh-directed films,
The Way of the Gun and The Mission's Impossible Rogue Nation and Fallout,
in what some have dubbed the Stealth McQuarrie miniseries. Correct. I agree with this. Is this Patrick Willems? Is that? Eight days ago at the AMC Empire 25 in Times Square, you both attended a screening of their latest film, Mission Impossible Dead Reckoning.
Is this Patrick Willems?
Is that?
Yeah, okay.
Your mission, should you choose to accept it, is to record a two-plus hour discussion about the film and thereafter release that recording to the public.
We have already dispatched a team selected from your usual group.
Marie Barty, codenamed Barty Party, will handle
social media and help produce the show.
Are you cool with that? And Ben Hosley,
also known by various aliases,
will produce, peep, and detect
farts. As always, should
you or any member of the BCP force
be caught or killed, Apple
Podcasts, or wherever you get your podcasts,
will disavow all knowledge of your
actions.
This message will self-destruct in five seconds.
Oh my god! so marie threw the tape recorder on the ground it is now without a battery cover or its battery Yeah Oh my god but that's not all
It's been me the whole time
And a mask that looks exactly like my face
Okay so Ben just ripped off a Ben Hosley
Mask to reveal that he is in fact Ben Hosley
I will also say recording this podcast can be annoying
It can be a bit of a stressor
It's not impossible
I would say it's impossible
And it sounds like we're doing a pretty regular task for us
One would argue I was already...
That has the dumbest grin.
I was already making, like, fairly good progress in setting up the basic idea that then this series of messages assigned me as if it was going to be a challenge.
Well, I think it would have been an impossible task if, you know, if we had to record the episode within a 30 minute.
That's true. I'm glad they gave us the freedom.
Two and a half hours seems very doable.
It feels doable.
Yes, as that message very clearly outlined, Macquarie has been a stealth miniseries.
Earlier in the days of the show, sometimes David and I would just get hyped up
about a new release movie and be like,
fuck it, we're doing an episode on this.
Right.
Which now, there are enough directors
we've covered in the past
who have new films coming out
that we rarely slot in a new release film
outside of the ones we are, like,
obligated to do because
who's got the time?
Ah, so many pods to do.
Right.
So many casts. Even if we like something, like something we're like well maybe we'll cover
later in some other form yes no phrase sends a chill up my spine more than emergency episode
not happening right yeah but we did uh we love look the first jack reacher we do look when we
did that way of the gun episode that was us agreeing in a sort of like silent handshake of like, we will now, McQuarrie is now officially on our list.
If he does a new movie.
Yes.
We're agreed. and back ever again and then signing up for another one uh and this two-parter had been
pitched as like the grand finale and now he's sort of walking that back in the press but it
does feel like he's always talking about his post-mission projects that are very intriguing
to me but he's never gonna do them well maybe one day i don't know well he's gotta do eight now yes
and then i bet you he fucking suckered into doing nine.
I know.
He's already started talking about it.
Well, this is in the end.
Can I throw out a theory?
And this is a Griffin Newman on the record.
No inside sources on this.
This is just something I think.
Okay.
Okay?
They announced that they were doing seven and eight back to back.
That was an announcement, right?
After McQuarrie was like,
good luck to the next guy. I wouldn't know how to top myself. But we knew he was
lying. And then, of course, the surprise announcement,
oh, not only is he back, he's doing two,
right? And everyone was like, two? They're shooting two
back to back? And
the attitude was sort of like,
they probably want to get as much stunt
stuff while the getting's good. Cruz is on the
brink of 60, right?
And then a global pandemic and change later.
Their plans got so stretched out.
And over the time they had originally allotted to make both movies together, they only got the first one done.
Right.
And this whole thing has stretched out much longer than anyone expected.
Yes. But the whole announcement was like they're coming back for two final films to close it up. Aquarian crews are going to just wrap the whole thing up. That had always been the line. Now that he's promoting part one, he's like, who said we never said we never said we never said I this is my Griffin Newman on the record prediction. I feel like he's gotta die in the next one.
And if they were advertising
it as such, in the way that
Avengers Endgame,
everyone was like, Downey Jr.'s contract's
up. They're definitely gonna kill off Iron Man. We know his contract's
up. This thing of the public being
too wise to the machinations
of the planning of these movies
that it ruins plot points.
If he's like, no, we're talking ideas for nine,
that still adds some tension.
You think he's throwing you off the scent?
That's my guess.
Why does he have to die?
I can't see Ethan Hunt dying.
No.
I can see him doing a Dark Knight Rises sort of ending
where he is killed off.
It's finally time for Ethan to be done.
You can see that.
But I kind of think it's like...
I just wouldn't buy it.
I wouldn't buy him being dead or him retiring.
I'm like, nah, he's just always going to be waiting
for the next possible mission.
But that's why I think he needs to die. I'm just like,
this guy isn't going to be freed until he's
in the ground.
I'm very anti-death.
In general? Or just with Ethan Hunt?
No, in general. As a plot
device, as you know, whatever, a sort of stakes raising thing.
Uh-huh.
But then again, this movie does a death that I didn't mind.
Interesting.
So I'm eating my own words.
Yeah.
We're talking Mission Impossible Dead Reckoning Part 1.
That's for all the Miss Phony acts out there.
A film that we all saw a week ago at the time of this recording.
That's right.
And it comes out later this week.
Yes.
No, it comes out next week.
Oh, you're right.
It comes out a week from today.
It comes out next week.
This week, it's all about that red door.
Yes.
Creak.
What's behind it?
Patrick Wilson's debut as a filmmaker?
Five or six.
Five.
Oh, I forgot he was directing this.
That's where I'm just there like making another Insidious movie.
I'm like, guys, come on.
Patrick Wilson's directing it.
I'm like, I'm a little intrigued.
What's his take?
What's his take on the movie?
Yeah.
No, one of those like quietly fucking durable franchises.
Where I just think, oh, Insidious, those dropped off after a while, and you're like four open to 40?
The advantage of Insidious is, unlike, say, Saw or Paranormal, it has no particular canon that it needs to maintain.
It doesn't feel caught up in its lore.
There's a spirit world that has demons in it.
Right.
Sometimes, you know, they start messing with you.
I have never seen any of these movies i've just seen the the like still of patrick wilson and then like a red
man with a little red man behind him smiling like a maniac he's no good he's no good now imagine
patrick wilson behind the camera right looking in the viewfinder the little red man yeah there's a
little red man behind you. Yeah.
No, you'd like them.
They're very campy.
It's that James Wan thing.
Very sincere.
I've never seen any of them.
They're good.
And I love Wan.
I love Wan and Wanel.
Yeah.
Anyway, Mission Impossible.
We saw it a week ago. We have tickets to see it again a week from now in IMAX.
So we're recording this in the middle of.
We took the train home,
Murray, after the film,
and you were just like,
am I going to be able to remember
all of this a week from now?
Because it is a plot-heavy movie.
I think more than the last couple,
David, you and I have been sharing
some takes over the text.
Quiet, quiet.
Trying to burn them.
Exactly.
But there are a lot of interesting things
I think this movie is doing.
We're recording this in the space
before the public at large gets to see it.
Most of the reviews come out.
I think the embargo just lifted
right before we started recording.
It did feel like,
no one's like angry about this movie,
but I am sensing that some people
are a little disappointed.
I think it's just because
Fallout was like ultimate adrenaline rush
don't want to name names it'd be rude
well you know at least a couple people
yeah well Ehrlich kind of came
around to it has he yeah he gave
it a B plus and wrote some glowing things
about it he can go to hell yeah I give him an
A triple plus this movie that's what I give
it um I love you
David I already berated you in text
you and I have the same stance on this
and I unapologetically love
this movie. It got me amped as fuck. It was
exactly what I wanted in a summer
where I have really been struggling with most of the
blockbusters.
But that, we both
felt like this movie is a strategic
zag. Yes, I think so.
The movies have been escalating on a
specific line and it was like going to be
impossible for it to keep on outdoing itself.
And it also feels
to me like this movie is very pointedly starting
to like go back to point one, which is
where I like believe that they are
consciously trying to wrap this thing up.
I think you're right. But did you pay that
guy to say all that stuff? Yeah, what was the
point of making this? Who was that
guy? I was worried it was a fan
of the show i found our address yeah griff was actually nervous he played it so straight
that i almost thought he was a like a psychopath is he like a telegram type of thing no he just
hit his marks you know i mean he's a friend oh he is okay. He is a friend. Okay. He is an actor. Okay. His name is Tao Olson.
Okay.
I mean, he's a great guy.
Great performance.
We have to say.
I think he did a fantastic job.
He did really well.
Knew his lines.
Yeah.
Griff was talking about the series.
I'm like, uh-huh.
Wait, wait.
What was that again?
What happened there?
I didn't realize the noise was coming from the front door.
I thought it was Ben knocking on the door of the bathroom and you were having some sort of bathroom emergency.
Ben shit to go to the bathroom during that.
So we were just left scrambling.
I couldn't help myself.
Okay.
No, it was funny.
It was really good.
10 comedy points.
Nice.
Yeah.
And shout out to Teo. Teo as well as Patrick Willems. Yes. Yeah. And shout out to Tao.
Tao as well as
Patrick Willems.
Yes.
Great performances.
I wish I got a picture
of the guy.
Is he still here?
We were so like
it's hard to convey
how disorienting
this was.
It was good though.
It was well executed.
It was great.
Yeah.
But
the first Mission
Impossible when it came out,
the original Brian De Palma film,
which we've covered on Patreon,
everyone's thing was like,
this movie's impossible to follow, right?
That was the beat on it.
You read all the reviews at the time,
and they're like,
this movie is incomprehensible.
That's wild.
Wild.
Wild.
Because it feels just like,
that movie feels simplistic,
almost by the standards of how
labrinthian most franchise plotting has become it's true it's really just like it was john
void all along and you're like okay right it has a twisty turny plot i can't you know it's
that thing where it's like there's a lot of jargon but the jargon doesn't really matter
yeah which i think people were just kind of not used to of like either this is Tom Clancy and this is like well
researched even if it's pulpy. Sure.
Or it's Star Wars and nothing
matters and they're like this movie is taking place in
the real world and everything they're saying
sounds silly to me.
This movie feels
like it's very tonally kind of back
to that De Palma zone.
I felt like some of the references
were intentional. Yeah,
of course.
I'm bringing in Henry's Ernie is,
you know,
the final,
uh,
the final action sequence on a train,
like very much an homage,
but there's also this early sequence where,
um,
there's the briefing that Kittredge is doing with Carrie Elwes on the entity who we'll talk about a lot.
And I think has some really interesting ideas.
I think he's got
some interesting ideas.
Griffin is Entity Pilled.
I'm kind of into The Entity.
I think he's cool.
I think he's charismatic.
And he's got some good points.
For his good parties.
But Ben was saying,
like, it was weird,
like, the way they were talking,
it was like,
everyone was, like,
completing each other's sentences.
You have this, this like boardroom of
like
Rob Delaney
and Mark Gattis.
Indira Varma. Yes.
And they're all finishing each
other's sandwiches. Yes.
Charles Parnell. Charles Parnell. Warlock
himself. Yes.
Do you think Charles Parnell, and also it wasn't
Greg Tarzan Davis. He's the junior member of Shave Like Guns. Do you think Charles Parnell, and also it wasn't Greg Tarzan Davis
as the maverick guy? He's the junior
member of Shave My Guns. Do you think it was like
he makes Top Gun and is like, I want to bring
my two friends on this movie?
It was like,
I think Tarzan Davis has
talked about on set.
Cruise was like, would you want to do this? We're thinking
maybe we could write something for you.
Very nice of him. We like you. Your mission, should you choose to do this? We're thinking maybe we could write something for you. Very nice of him. We like you.
Your mission, should you choose to accept it.
Yeah.
But like that scene
is sort of like very stilted
on purpose, as you're saying.
It's like very theatrical.
It's people like monologuing about like the
intensity of the situation.
In this way that I do think
is like a vibe adjustment um i but there's something
else about that scene that's very important which is it's like them all being like can we once and
for all get down on paper what is the imf yes what is his position in the u.s intelligence community
what do they call it on for like what is their specific remit right what why do they exist yes
to what extent does the president know they exist now in the way it's described in this movie i
think does kind of go against how it's been presented in other movies like in three they
have an office this does not suggest they have an office right if that makes sense yes you know
in four tom wilkinson is that classic thing from
the tv show the secretary for the imf right which they haven't had secretary in a couple exactly
then baldwin gets that role i guess you know but like right that seems to have gone away i guess
baldwin just dies in the last one there's no secretary in this one right but now it's just
sort of become like no they're like a traveling troop of entertainers yes and if you you know
put a note in an apple and throw it into you know the fucking
ocean then ethan hunt will get word i do think it's funny that this movie starts to make the imf
seem a little bit more like the triple x program where it's like we get the most dangerous people
in the world right the ability off the grid they're adding they added some backstory for
ethan hunt which feels maybe like it was a very much a new thing that is not present
all the way i want to re-watch the diploma which i've seen many times since we did the commentary
like three weeks it's fucking owned yeah but like that movie references his parents
and that movie very much is like he's an agent He's like a good government boy. Like he's, you know, he's shiny 90s Tom Cruise.
That positions him like he's one of the other guys
in the interview room in Men in Black.
That it's like, you're the best of the best of the best.
He was a top something.
What I thought was interesting is, you know,
we all talk about Ethan Hunt
as the living manifestation of destiny,
an agent of chaos.
He is a singular figure.
The way he's introduced in
in one it's just like lots of two shots of him and emilio or like all of the the crew around a table
it does not identify tom well it's like they're trying to also kind of shock you shock you with
oh everyone's gonna die but still it looks like he's like a member of a team he's just one peg
yes he's not
the guy yeah but that's always been i i think the thing that mccurry did that was really smart as
like the first three movies in particular first two it's like who is this guy he's a cipher right
three comes in the moment where cruz is starting to like go off the tracks and they're like we're
gonna super ground him we're gonna show you that he like has a home life and a wife and he's trying to balance
normal he has the most normal sex it's boring right and then the movies since then have basically
framed that as like he tried he could not do it right he is just this and the movie since then
he has just become an insane man. Right. Who just gathers people
like he's, you know,
a Rolling Stone or whatever.
Addicted to saving the world
and his only,
like, his vice,
his greatest weakness
is the idea of a single person dying.
A thing he cannot handle.
He cannot abide it.
One death.
But like in Ghost Protocol, right,
it's like there's another team,
the Josh Holloway,
Paula Patton team, right? There's still the concept, oh, Benji got promoted by, right, it's like there's another team, the Josh Holloway, Paula Patton team, right?
There's still the concept, oh, Benji got promoted by like a boss.
Right.
And then like the more we go on, the more it's like, no, the IMF are like this clown show that the CIA quasi-tolerates.
Can I ask another question?
I don't know if there is an answer to it within the lore.
Okay.
The IMF is not strictly American, correct? It says who? I think it is. I think it is. Okay. The IMF is not strictly American, correct?
It says who?
I think it is.
I think it is.
Yeah.
It is strictly American.
Yeah.
Is it?
It's proud to be American.
We're recording this on the 5th of July.
Right.
But then...
July 4th plus one.
Yeah, because they talk about...
America's second favorite day.
Ilsa as being former British intelligence.
But she's not in the IMF.
She's never been a part of the IMF officially.
Okay.
Benji is always working for the IMF.
Yes.
He is English.
But he's English.
Yes.
And here's what happened there.
They cast Simon Pegg in the role.
Yeah.
And worked backwards from there.
Okay.
Yes.
I just, no, I mean, it is ostensibly an American agency.
Okay.
So the first movie
Emmanuel Bayard is French
Sure, yes
Yeah, no, the first movie, they're very international
Yeah
Kristen Scott Thomas
Right
As we all know, you know, Emilio Estevez is Venezuelan
I don't know, he's American
But, no, these are all fine questions
There's never been answers to any of these questions No, to any of these Now, I'm not a viewer of the TV show He's American. But no, these are all fine questions.
There's never been answers to any of these questions. No, to any of these.
Now, I'm not a viewer of the TV show.
Neither am I.
I don't know if the TV show, which is obviously separate, has more on this.
But they're here to handle America's Impossible Missions.
Yes.
And they do that with a palm.
Yes.
But this movie is very much like yeah we they're sort of like almost
like contractors for the weirdest stuff right and he's the weirdest of all of them the point i was
building up to here is that like it was a franchise for a while that was unique in the fact that it
like wasn't really about its lead character it was about the movie star and it was a vehicle for the
styles of directors and you were like can you define who Ethan Hunt is at all? And you're like, he's a guy that Tom Cruise plays. And then I think it starts in Ghost Protocol when McQuarrie comes in as a writer, and then really gets raised to the next level when he starts directing the films of like, oh, no, the key is that like, Ethan Hunt is Tom Cruise, that you like take everything that is simultaneously captivating and like a
little bit unnerving about this guy and his like single-minded devotion and the movies have now
become basically about tom cruise's like absurd pathological commitment to the idea of like keeping
an idea of movies alive yes and an idea of movie stardom and all this, you know? As, of course, was Top Gun Maverick. As it seems to just all Tom Cruise movies.
That's what all is more.
Yes.
And I think Macquarie had sort of like tapped into is like,
oh, the TV show was always a team.
The first movie, the team dies at the beginning,
and that's sort of the fake out, right?
And then he's like, I don't have a team.
I work alone.
It's just Ving Rhames in two.
In three, he's got a team that doesn't stick. In four, they assign him a team, and he's like, I don't have a team. I work alone. It's just Ving Rhames in two. In three, he's got a team that doesn't stick.
In four, they assign him a team.
And he's like, by the way, just know you are not my team.
Like he keeps on saying you're not my team.
He's got like team guilt at that point.
Totally.
It's like this guy has never gotten over letting that team die.
Right.
In the first movie.
Not letting them die, but not being able to save them.
And so he's just like, well, I can can't i cannot get involved with a team ever again
and then the last couple movies this team has built around him and now you've added this sort
of like original like sin of his life which is he like in his days of being like aladdin yeah he was
aladdin he was like a pickpocket one step ahead yeah I don't know what he was, but he was, sure,
he was in violation of the law in some way.
I mean, I have a note in my notes saying,
Ethan Hawke scumbum?
Ethan Hawke?
Not Ethan Hawke, Ethan Hunt.
Scumbum?
Yeah.
Question mark?
Greasy long hair.
That I don't buy.
Yeah, you had some pushback on the hairstyle.
The hair didn't feel right to me.
Well, what year do we think that would be?
If the first movie's 96.
I don't know, 91?
91, so by the time we, he's only in the IMF for five years.
By the time we get to.
How old is he in Mission Impossible?
Yeah, I guess he's like 34.
Yeah.
He's in his grunge era.
How long do you want the man to be?
Yeah.
Yeah, he would be, yeah, he'd be 30 years old in 1992.
So let's even say the late 80s.
Yeah, right. Born on the 4th of July. He had
long hair and that. He wasn't born on the 4th of July. No,
Tom Cruise was famously born on the 5th of July.
I'm not joking. The second most patriotic
day. Wait, today?
Isn't that right? Are we recording this on Tom Cruise's
birthday? I take it back. The 3rd
of July. Fuck! I knew it was one day off.
I just didn't remember which direction. America's third most
patriotic day. Happy birthday, Tom.
Yeah. Oh, right. He made like a whole thing
about like how happy he was to celebrate his birthday
with Mission Impossible fans around the world.
Nothing he loves more.
Nothing he loves more. This whole movie
though is about like, he's like,
I have finally accepted that
I care about my team and they are
my team. And now it drives me
insane that like all I care about is trying and they are my team right and now it drives me insane that like all i care about
is trying to keep them alive uh right the sense of selflessness that is almost like pathological
uh within him but um uh christian ricard does these great empire magazine hours long podcast
interviews whenever a new mission possible movie comes out break out the whole thing right thing, right? And he talked a lot about when Fallout came out,
where you have the extended sequence where it feels like
they don't stop the explosion from going.
And you're like, oh, God.
The world is being nuked.
Right.
Like, they blew it.
The cold opening of this movie is they fucked up.
Like, how can you start a movie this way?
And Macquarie's like, I want to play with the audience thinking,
are they fucking, like, are they the filmmakers
fucking up? Right. Are they
ruining this movie? Right. Are they
breaking this franchise? And then you have the reversal.
Oh, it was Wolf Blitzer. It was staged. They got the pass
codes. They stopped the thing from happening.
They fake the news footage. All that stuff is great.
This movie starts with
this submarine sequence with no
characters you recognize.
Speaking in Russian, right?
It feels very Hunt for Red October,
not just because of its setting, but even just its style.
I think this whole movie feels very
McTiernan in its style.
A little bit.
Well, I mean, the man made a great submarine movie.
He did.
You have this voiceover
explaining this, like, sort of
this thing they have on board
that looks like a bomb,
but seems hooked up to a computer.
The only way you can unlock it is with two keys
put together.
Yeah.
It's also kind of a throwback to the knock list.
Yep.
In the first movie, where there are two.
Yes.
You gotta find both.
I like it.
I do love a, yeah, a fun, fancy key, though.
But this is, like, very, this love a fun, fancy key, though. But this is very straightforward,
very earnest, very dramatic, right?
And they're looking at their radar screen
and there seems to be a missile coming at them.
Captain, torpedoes coming towards us!
Right, and then it doesn't hit
and they're like, what's going on?
And I'm sitting there waiting for the moment
where it turns out what they thought was a missile
was Ethan Hunt and he rips the door off with his bare hands right or the submarine captain rips his mask
off and it was him and he was faking it or whatever and instead no a missile hits them the
thing blows up they sink to the bottom of the ocean and you're like well this is a deliberate
choice to start out the movie with none of the characters we know something actually going wrong
and it sets like a pallor over the film immediately in a way that I thought was like, well, this
is interesting because he went out of his way to subvert the expectation that maybe
he was doing that in the last movie.
And now he's like, no, I am doing this.
And they also have a weird computer on board that goes like, yes, every time it does something
bad.
Yeah, it looks cool. Does it? Do you think it looks cool? Yeah. Looks like a screensaver. It does look like it's like a does something bad. Yeah, it looks cool.
Does it?
Do you think it looks cool?
Yeah.
Looks like a screensaver.
It does look like a screensaver.
It's like a big thingy.
Yeah.
They hit themselves with their own missile.
Yeah.
Torpedo.
Right.
Yeah, the computer was an act of self-preservation, right?
This thing, the NND, was not even hinted at in any of the trailers i feel
like i did not know going in there's only one hint which is the logo of the film itself is the entity
right circular sort of interface but that is it i did not know this was an ai film no that started
coming out after the premiere people were like so the villain's like ai and i was like well what do
you mean by that and they were like it's like an ai and i was like, well, what do you mean by that? And they were like, it's like an AI. And I was like,
I thought it was like
Isai Morales.
And they were like,
sure,
but it's really an AI.
He's kind of the AI's henchman.
Yeah.
He's the AI's like,
avatar.
Yeah.
You know?
Um,
and so that was surprising.
Um,
but the trailers were obviously
all just like,
you have to make a choice.
Yeah.
You know,
this is the craziest thing
that's ever happened.
Pick a side.
Pick a side.
All that shit. You know, it was a fucking Mad Men promo. But we go from that to another a choice. Yeah. This is the craziest thing that's ever happened. Pick a side. All that shit.
You know, it's a fucking Mad Men promo.
But we go from that to another.
Shut the door.
Open the door.
Shut the door.
Ethan Hunt living in some weird, barren, abandoned space.
Yeah.
And ordering DoorDash.
Yes.
In Amsterdam.
It's right.
But it's not DoorDash.
It's like, eat run or whatever.
Yeah.
You know, like, food now.
Right.
But in fact, it is this guy delivering his message. Yeah. He's an agent in run or whatever. You know, like, food now. Right. But in fact, it is this guy
delivering his message. Yeah, and he's an agent
in training or whatever. And he's
giving him the tips of how to
get started.
And then we have our mission,
which is Elsa,
Elsa Faust,
our friend Rebecca Ferguson,
has now
acquired one half of this key.
You don't know why you have to get it back from her.
There are a bunch of people who want her dead.
You can get it back from her alive or dead.
What you do with her is up to you.
And then we cut to this big
barnstorming desert
thing where Ethan's getting her
and she's being chased by all the
bad guys. She's got a little eye patch
at one point that's so
cute. She does look pretty badass.
No hat. I mean, come on. It's Rose.
It's Rose the Hat.
Oh, but that's only when she's in character
as Rose the Hat, I guess.
She puts a hat on. I like to consider her canon as
Rose anywhere I see her.
So what do you want? Like a Dr. Seuss
hat in this one? You want like a cat in a hat?
Yeah, and I want her to suck some damn steam.
Yeah.
There was a moment where they're like looking for Ethan, I guess.
I don't know.
Everyone's out to get her, right?
And the camera like pans over and you see that Ethan is hiding behind like a sandbank with his horse who is lying flat.
And he's stroking like the side of the horse.
And then when the other men clear.
He's a friend to animals.
In like one fluid motion, the horse just gets up with him on top of it.
Right.
And you gasp, David.
Yes.
I mean, I'm just very impressed by the physics of horses all the time.
Yeah.
Yeah.
Cool.
Yes. Friend to animals. Yeah. Yeah. Cool. Yes.
Friends of animals.
Yeah.
Yeah.
He's, you know, he's sort of like a thoroughbred himself, Ethan Hunt.
He understands.
Yeah.
But you see him.
What?
I mean, I guess you see him get to her.
Then it cuts out of there.
No, no.
It's seen.
They do a fake out.
It looks like she's dead or something.
You're like, oh, my God.
Then he cut back to a bunch.
The whole Henry Zerny.
Right.
Journey.
Journey.
How do you say it?
Journey.
Zerny.
Zerny.
Zerny.
Zerny.
Zerny.
Zerny.
Yeah.
Really good in Ready or Not.
Is that what it was called?
Yeah.
I think fucking unbelievable in this movie.
He is great in this.
He's great.
Just the incredible, just sort of like staring at someone
growling
Yeah.
He's
a great
what do you want to call him? Sort of
you know, stick in the mud.
Crankpot. Right.
He's got so much anger in this in a way
that's interesting. Right.
This movie is very skeptical of the U.S. sort of intelligence apparatus,
which I would say the last few movies have all kind of nodded at.
This is a little more concrete about it.
I think this movie is very skeptical of everything.
Everything?
I do.
Friendship?
I think that's one of the only things it holds dear as an absolute truth in this world.
No, there's a lot of people saying, like, we're trying to make this movie more of like a 70s political thriller, right?
But I feel like often it's kind of a performative thing, and it ends up being like, oh, like one organization is bad, but you can believe in all other organizations or whatever it is, right?
Right.
And this is a movie
that is kind of like,
reality feels like
it's sort of falling apart
at the seams.
This is like a destabilizing time
to be alive.
And everyone is just
kind of confused
and worried
and skeptical.
And I do think
we're seeing a lot of things
try to write about AI right now.
And I think the thing
this movie gets right
that makes it like
one of the more interesting
dramatic explorations
of AI for me
is just the feeling
of unease of like,
it's not even that
we should definitely
be afraid of this thing.
It's that we don't,
we know we don't understand it.
Unpredictable.
And we don't understand
the speed at which it's going.
And the moment where
we figure out what it is,
it's going to be too late
in one way or another.
Like it will settle on itself before we realize what it's settled on.
And I do think that just adds to this air of everything of like, we've created this
thing.
This thing has been created.
It's existing out there.
We have lost control of it.
We just don't know what anything is anymore.
And they view Ethan with that sort of skepticism as well, where they're like, we've trained
this guy in this program.
And now every
single fucking movie he goes rogue
he goes rogue and he does some crazy
thing that we don't understand he pulls it off
but no one really wants to like
be held accountable for what he's doing
um but I also
just think it's sort of that you know
the US government has decided it wants this
uh
AI thing not because they know what they can do with it,
but just because everyone else wants it too.
So we better get it first.
Yes.
Because it'll make us best.
Right.
And everyone,
it's sort of like,
it's like an Indiana Jones artifact, right?
Right.
It's a thingy.
It's a thingy,
but it's also the thing where they're just like,
this thing is so fucking powerful.
Right.
You don't understand. And everyone thinks like, well, everyone has the thing where they're just like, this thing is so fucking powerful. You don't understand.
And everyone thinks like, well, everyone has the Ben attitude of like, well, if I got it, I would know how to work it and I would figure everything out.
Yeah.
And everything would be the best.
Right.
Whereas I think most Mission Impossible movies, they're like, this guy has a bomb and he will set off the bomb unless you give him a lot of money.
And he's a psychopath.
Let me think about this.
There's no reason why he's doing it, really.
In the first one, it's the knock list,
which is basically like a list of all the CIA agents, right?
That's the MacGuffin.
That's really what they're after the whole time, right?
Sure.
The second one, it's a virus.
Right.
You know, deadly virus.
Chimera.
The chimera, bad.
Yes.
The third one, it's total bullshit.
It's the rabbit's foot.
We never even know what it is
doesn't matter that it doesn't matter classic right you know the fourth one back to more
straightforward this guy wants to set up nuclear bombs because he thinks that'd be good yes right
that's you're saying he's like it would be good for that to happen right to the world yes fifth
one well i guess now we're in the you know fucking sean harris character yes what's his name
solomon lane solomon lane you know and it's what do they want they kind of want to disrupt the
world order right wasn't the him and john larkin sixth is that the the one where rogue agents yeah
the rogue the agents we thought were dead are alive and they're forming their own counter a
rogue nation if you correct okay fascinating Correct. Okay. Fascinating.
Right.
So there's like, you know, that's what I'm saying.
It's sort of creeping in.
This sort of like undercurrent of like whatever it is, the current world order.
Yeah.
We're skeptical.
We want to do the opposite.
But it's also, it's like radicals who come in and either want power or want to like disrupt the status quo, you know, the natural order of things or whatever it is.
And this movie,
yes.
The call is coming from inside the house.
Yes.
And it's also like,
we thought S.A. Morales was going to be the main villain.
And instead you're like,
he's no,
he's like the muscle man for this villain that no one understands.
That is this like unknown.
Yeah.
The power is the thing itself.
I was feeling very paranoid
immediately from the submarine scene,
which I think is the intent of the movie,
so that when a mysterious person
enters the CIA briefing,
and the camera keeps cutting to them.
A very severe looking man
with like spiky hair.
He looks awesome.
He looks fucking rad.
In the trailer,
I thought it was Shea Whiggan. With the glasses on, he kind of looks like sure yeah it doesn't matter i said to david i
was like this feels like an x-files thing i literally thought that man was like the the
entity had figured out how to like have a human shell yes so it's it ends up being tom cruise
with a face mask yeah and erlich has not stopped making fun of me ever since we saw the movie.
Marie didn't realize it was Tom Cruise.
We didn't realize it was Tom Cruise.
I'm like, you know what?
He's annoying.
That guy also got like such a key shot in the trailer because his little glasses and his little face mask look cool when he sets off the bombs.
That I was I was with you.
I was like, it has the entity already taken human form.
Yeah.
Which it does not in this movie,
but it's just this feeling of like,
it is everywhere.
And I think this is the other big thing
with this movie is like,
these movies have like not been
super invested in continuity, right?
And McQuarrie talks a lot about like,
I hate fan service.
I hate Easter eggs.
I don't think that like really lasts those
are like kind of cheap pops sure that don't linger you don't want to do it for no reason right yeah
and then this movie is like tying back into one more bringing up max more putting kittredge in it
hitting that tonally invoking the train chase from the end of the first one there is this feeling
that like you're watching a movie that is being written by the entity right like end of the first one there is this feeling that like you're watching a movie that is
being written by the entity right like one of the things that is interesting about this movie is
like they're all operating not totally knowing if what they're trying to do is correct because
the entity is like fucking with the fabric of reality so much sure what does that mean well like how does it do that is it
influencing people in the sense of through social media right and getting people in real time to
change their opinion or their minds about a person or a thing how are they changing reality
in the physical world well there's like shit like what the first main mission they have is what this thing where it's like we need to give a fake key to the guy who's bought the other half the key so we can scan it and figure out this thing where the guy's going to get in a plane and they go to the airport and Dubai.
They want to follow the guy with one half of the key to wherever he's going.
Because they still don't know what the key opens.
They think they're doing a relatively simple mission.
But it's a classic Mission Impossible.
I have glasses that will scan the key
and they'll find it in his pocket
and they'll create a dummy
and then we'll place the key on him
and do this and do that.
Yeah.
A very classic kind of clever,
like, here are the steps.
I'm going to wear a nice suit.
They're not... What? I'm trying to remember if they're making
a dummy or not because like their whole thing is like we can't
actually do that we need to follow the key
right right so they actually have
like they're pretending they're going to do that maybe but
but yes he has glasses and there's
this very cool effect look that whole
sequence is great the airplanes the airport
sequence in Dubai or Abu Dhabi
or wherever it is great Mission Yes. The airport sequence in Dubai or Abu Dhabi or wherever it is.
Great Mission Impossible stuff.
You've got Tom doing this one thing.
Yeah.
People are chasing Tom.
That's element two.
Yes.
And then you've got, you know, Luther and Benji on the computers.
And then Benji has to go off to do mission three, which is there's a bomb in a bag.
I got to defuse the bomb.
And then, of course, there's Hayley Atwell showing up.
Yes, as a pickpocket. Who's this new person?
She's an unstable element. She's also
after the key, but maybe for different reasons. All this stuff
is happening. And I think you're trying to...
It turns out there's no bomb.
Yes. There's no key. There's no
buyer. It's all vapor. Right.
It's all in the cloud or whatever.
Because at the beginning, they're doing the shit, right?
There's this bit where Shaya Wiggum and Tarzan Davis are trying to find Ethan Hunt and cut him off at the pass.
And they're using, like, the security monitors to track where he is and which quarter of the airport.
And they think they found him.
And when they go up to the guy, it's a guy with an entirely different face.
And it's like, oh, Benji and Luther have done some clever thing where they've hacked the security system.
And they've, like, fucking deepfaked his face onto the wrong people and a wrong face onto him
so they can't find him. And then like
the entity starts doing shit like that.
Like it erases Esai Morales
in real time. Esai, I'm sorry.
Esai Morales in real time from the security
footage where they can't find him. It is like
setting targets that are false.
It's funny that the entity is kind of like
a troll. Yes.
He's just like
wreaking havoc for the lols. It's like that the entity is kind of like a troll. Yes. He's just like wreaking havoc for the lols.
It's like identifying this bomb.
Right.
That they go and find that Benji finds that's asking him riddles that are weirdly personal that he has to solve.
It makes him say the thing he cares most about are his friends.
My friends.
Right.
Which these movies have started to weaponize friend as an idea in the same way that Fast and Furious weaponizes family.
But it's also it's just right. If this algorithm doesn't care about any of that, obviously. Right. These movies have started to weaponize friend as an idea in the same way The Fast and Furious weaponizes family.
But it's also, it's just, right, this algorithm doesn't care about any of that, obviously.
Right. It's a soulless algorithm.
Mocking him.
Mocking him, but also identifying that as the weakness.
Yeah.
And that's what the subsequent action is about, right?
He's like, I know this is the thing that will throw you off balance, right?
Right.
Going after your friends.
Because the bomb opens up and there's nothing inside.
There's nothing inside.
And it's like, oh, the trick was, ha ha, I got you to admit that you care about people.
But also it was capturing his voice.
Correct.
And all that.
And all of his personal data.
Which it then uses later to like, right.
Tom Cruise is following the model of how Mission Impossible movie works.
Benji's in his ear and he tells him where to go.
Now Maria.
And suddenly the entity is writing fake dialogue and sending him in the wrong directions.
Maria, I thought
I was sitting next to you
when we saw this film.
I feel like you thought
Simon Pegg was maybe
going to bite it
in this scene, right?
There is that sort of element
where you're kind of like,
we're so many movies in.
Someone's going to die in this one.
Is that going to happen?
Is there going to be
some kind of early tone-setting,
surprising death
to just sort of keep,
you know, things know the stakes high exactly
i thought as soon as he said that he loved his friends right then i was like oh well he's dead
that's when i pulled back that's when i was like it's too obvious i think i think benji will be
okay and also benji is too soft to target yeah that's that's my main thing like that was just
waiting his trick always was going you know the softest target but i think it's too easy to kill the cuddliest least threatening right so like and then very shortly
after tom cruise hugged rebecca ferguson on a balcony i don't know how you guys felt and we
are spoiling the movie but i was like she's dead fuck dead yeah immediately yeah and it wasn't
because just because that moment is sort of lingered on but i was also just like he cannot
fuck in these movies right i'm sorry to be crass yeah no we can't yes their relationship is coming
to a point where it's like what is this yes if not romantic yes right like they have a connection
that's a little bit beyond everyone else's connection right yeah and fallout kind of ended
with that moment of it feeling like michelle monaghan being like okay he's yours now right right and there is just this feeling well ethan's
not actually allowed to like be in love again no one else is the same way like they're both
not actually capable of being in a normal person i don't think it's like a i don't think it's an
emotional thing i think it's like a dr strange love like they need to protect their precious bodily fluids sort of thing it might be part of it it's too much for ethan to exert himself right uh but
like no fap existence but like i'm not someone who thinks very hard about like the casting or
promotion or like where i'm trying to figure out like what will the plot points be but the second i saw that i was like oh i think fergie might be done for also adding and then i
start to think like oh right they've added in hayley atwell oh i'm starting to think about sort
of the balance of this all together yes yes um and then i'm starting to think like well also
maybe is rebecca ferguson maybe the one actor who in the press stores is kind of like, this is a very stressful thing to make.
It's kind of a lot.
It's funny.
They always talk about, like, because she's like the first person to enter into these movies and kind of be Tom Cruise's equal.
And then they talk about and she talks about, like, she is so different than Tom Cruise.
We don't have similar styles.
No, it's like they can both hit the same effect, but she's
a very thoughtful, internal, sensitive.
She does not have endless stamina.
She does not love doing
stunt training. She's pregnant making
Fallout, right? Yes.
Maybe she was kind of like...
I don't know. I'm sure Macquarie will talk about it.
She dislikes these, but she's like, I find acting hard.
It's not like a thing I get a lot of adrenaline from.
She seems to be more stressed out. That's all. I love her. I her i love her too and the more stressed out she talks about being the more i love
her um god bless she's making dune in between these as well it's like not like those are
silo in an apple series called silo don't you don't go no leave you can't leave you can't leave
that's all i know about silos you can't leave the silo you can't leave is You can't leave. That's all I know about silos. You can't leave the silo. You can't leave the silo. Is it like a grain silo?
No, they like live in a silo.
I don't know.
And you're like, what is this?
And you look and it stars like five Pulitzer Prize winners.
I'm looking to show.
That's where they've all been?
Silo.
Jimmy Carter's in the main cast of Silo?
I know he won the Nobel Prize.
In a ruined and toxic future, a community exists in a giant underground silo
that plunges hundreds of stories deep.
There, people live in a society full of regulations
they believe are meant to protect them.
Doesn't it have crazy people in the supporting cast?
It's kind of a pretty stacked cast.
Tim Robbins, Harriet Walter, David Oyelowo, Common.
But Haley Atwell's introduction.
Love him.
He's seeing that there is a pickpocket
who pulled the key
from the target that he's scanning with
his glasses and rather
than like viewers arrival he's like
game recognize game.
Let me go to her. Let me draw her
in. I wrote this down.
I was really happy to see Ethan
Hawk do street or not Ethan Hawke Jesus fucking
Christ Ethan Hunt
do street magic again
he's back to fucking David Blaine shit he's doing
like close up sleight of hand
yes he does
that whole sequence is so good
but he's still in this thing where he's like I'm Ethan Hunt
I can make anything work right
yeah definitely the movie starts to break him down
as it goes on a little
bit but yeah i was re-watching you know all the mission impossibles in preparation of missions
impossible missions impossible uh and i think he does street magic in two does he he's got the big
bit in one is it in one i thought he did it in two he definitely does it in one i just does it with
the mic the the floppy disk or whatever.
Oh, you're right.
That's what I'm thinking of.
I remember the least about two.
I've seen it multiple times.
It's just the one that doesn't stick in my head as much.
Other than Sandgun.
Sandgun, of course.
We respect Sandgun.
I like all the sexy stuff when they're in the bathtub.
I like that, but I want it to be better and more of it.
Yeah.
I like the idea of him being horny.
Yeah.
But it feels like the movie's sort of like,
should we float this?
And then quickly with Ethan Hunt,
they're like, no, don't worry about that.
I think too is like interesting
as the midlife crisis movie
where it's like this guy's whole team died in front of him.
How is he doing?
Great. I'm doing great.
What are you talking about?
I drew my hair out.
I got sunglasses.
I fuck a bunch of women.
I'm doing great.
I'm doing great.
I'm fucking, I've never been happier.
I like being free. Griffin, that's such a good reading of women. I'm doing great. I'm doing great. I'm never been happier. I like being free.
Griffin, that's such a good reading of it.
Right. And he's like, look how cool I am. I run in slow motion.
I'm fine. I'm doing unbelievable. I'm still friends with Ving Rhames. We still talk.
We still talk. I've flown back to Australia. I see him.
I talk to him all the time. I'm doing great. I just think Rhames is the only
person who can be on his... Everyone else is dead.
Yes. It's just that he doesn't
retain anyone from 2.
There's no friends getting carried
over from two i'll say this i thought i thought ving was going to be the one to die in this movie
that just seems too mean that's like killing hagrid that's why i thought they were gonna do
it because i was like this is the move that would be so staggering this is the one guy who's been
continuity throughout all these movies there's a moment moment in Fallout where he's in danger.
And you sort of wonder.
They do a fake out.
Well, maybe instead of killing Ethan in the final movie,
it's they kill Luther.
That's just sad.
Yeah.
No, I want Luther.
Because Luther could live a normal life.
Luther could retire.
Right?
But I think Ving is so fucking locked in in this movie.
He is.
He's really good. Where it feels like he has to be,
and a thing he started to do increasingly over the sequels,
be the emotional translator for Ethan.
Where Ethan will come in and say the super intense shit.
He gets him the best.
And he'll leave the room,
and then he'll be like,
you need to understand.
Benji is still a little bit like,
well, I don't know.
And then Ilsa obviously doesn't,
she's not really an emotional person.
Luther's like, I've been with him for so long.
That's Ethan's way of saying
X. He's also
most crucial in this because this movie is sort
of introducing the idea that IMF agents
are all people who were once on
the run and in their most desperate moment
were identified by our government
and recruited. Which, by the way, was how we were introduced to
Luther. That's what I'm saying. He makes the most
sense. It's like where we were like, well, we've actually seen
that play out with him.
Yes. Now, with Benji, it
more feels like Benji, you know, took a few tests.
Right. You know, it got recruited.
Was he like a hacker? No, no. Immediately while
I'm watching this movie, I start doing that
internal revision of like,
makes sense to me. He hacked into something
he shouldn't have hacked into.
But it doesn't feel like
all of them are necessarily like insane,
like high risk criminals,
but that all of them were just like
on the wrong side of the law
and they go like,
we can either arrest you
or you can use your skills for us.
Right.
And that's,
then I start thinking about like,
okay, so in the office,
you know, the janitors,
is it like someone who is such a good janitor?
Then he got in over his head.
He was janitoring for the wrong guys.
The government was like, we got a great janitor position for you.
I was thinking about that with Luther's hats.
What was their backstory?
Were they bad hats?
Well, if you notice, the hats are never straight.
They're always at an angle.
It doesn't matter what hat you wear.
So they're kind of rebellious.
Did you guys see my pitch on Twitter for Young Luther?
I don't look at Twitter anymore.
Okay, sorry.
I should have put it on blue sky.
It's really good right now.
It's really finally entered its final form.
Yeah, I think it's kind of...
Twitter is now just like this mutant goblin that's like, let me die.
Every account is like a fucking Ripley clone from Resurrection.
What was your pitch for a young Luther?
I think I did see this.
I just think that, you know, if you want to expand the franchise, because clearly we have to end with Tom.
Like he physically is not going to be able to.
But if we want to like mine more IP ip i want to see an 80s urban techno
thriller starring young luther look i'm all for that although i am sort of i'm skeptical of young
things yeah because you got to recast but david what if you did that works really well every time
imagine if they de-aged bing rams but he still moved like 2020s bing rams no offense to 2020
i'm in the prime of his life i'm in the prime of his life. I'm in the prime of my life,
but I kind of feel like sitting down right now.
It's a lot of scenes where he just chooses to sit down.
Right.
Yeah.
That's the other thing.
I'm all for it.
I'm all for 80s freaker vibes, you know.
Yeah.
pH freaker.
Yeah.
Yeah.
No, but just the fact that Ving Rhames
does not move as well anymore,
and he basically just always has to be in a chair behind a computer in every scene.
Well, not just that, but there's the scene in this movie where the final act is revving up where Luther's like, Ethan, I gotta go.
I'm gonna look into some of this stuff.
I won't be in the rest of the film, but there's a reason for it.
Goodbye.
It might as well just be Ving being like, you're gonna be running around.
I just, you know know i'm pretty sleepy like his weariness they have owned and i think have made
it this thing where he's like because you have all these scenes he's running around in fallout
and you're like is can someone just check on this one they're very consciously like luther's gonna
go yeah i love i love the part where he's just like so exasperated by the fact that like he says something crazy like i have to hack into it like offline and i'm like
thinking like what does that mean it's going to like take a like like a circuit breaker
paper clip into the side of a laptop he actually knows clippy yeah so he's gonna actually get to
know him i went to school with Clippy.
I got to talk to a friend of mine. Clippy
bounces out from behind an alley.
My friend is Clippy.
Okay, so wait. So can we talk about
let's talk about Gabriel.
Yes. Okay. So this is what I was going to say.
So he's doing the close-up sleight of hand
with Hallie Atwell trying to like charm her into like
and you can help us and we'll pay you twice as much and whatever. I know you're a good pickpocket but are you a good putt pocket? And he's doing the close-up sleight of hand with Hallie Atwell trying to, like, charm her into, like, and you can help us and we'll pay you twice as much and whatever.
I know you're a good pickpocket, but are you a good putt pocket?
And he's fucking master of the universe, like, king shitting her.
And then he just skis out of the corner of his eye, this guy's fucking face.
And is that, have we already seen the flashback?
I think we have, haven't we?
I think, yes.
They do those very early.
They do it early on.
These little DH flashH. flashbacks,
very brief, very sepia-toned.
Not D.H. It's just sort of like silhouette.
You're not seeing clearly. Well, you see young
East Side Morales. Yeah, but I thought that effect
looked good. I think that was.
But Cruise is notably not D.H., which I think is
the incredible decision to be like, cast him in shadow.
And you see that he was...
We need to discuss this.
We'll talk about it. Not about the hair.
About the woman.
Oh, sure.
Well, who's the woman?
Marie.
Marie.
Barty.
Party.
Barty.
Is the character's name.
The character's name is Marie.
The character's name is Marie.
Ethan lost a woman named Marie.
We don't know anything else about her, right?
But that is what, you know, caused him to enter the IMF.
And at the hands of Gabriel, who is a bad person.
Yes. That's really all we know.
I was just really excited.
Yeah.
I'm sorry, it's Mariela
Garriga plays Marie.
Looks like she's done
some television.
But another of the
Ethan Hunt brunettes, right?
Sure. Which is another part of like
Yes, this is in this movie. Which is another part of, like...
Yes, this is in this movie.
They're kind of like, you know,
you can only orbit him for a couple years
before, you know,
someone's going to displace you or whatever.
Right, but also the, like...
Is the entity kind of writing this movie?
I'm not saying in a meta way, right?
But, like, is the entity orchestrating events
specifically to get to Ethan Hunt? Because the root of this movie is so many people want the entity orchestrating events specifically to get to Ethan Hunt?
Because the root of this movie is so many people want the entity because they think if they use it, they can be kingship.
In charge of everything.
Right.
They'll know how to handle it.
The entity, what its endgame is, is unclear at this point.
But it's self-aware and the idea that anyone can control it is kind of ludicrous.
Except, I guess, if you have this magic key, then maybe you can.
You could at the very least shut it down,
which is its greatest fear, right?
And it basically believes anyone who comes into my orbit
will be so intoxicated by the idea of the power I control
that I can take over them.
Except for one person.
There's one person in the universe I have analyzed.
So ludicrous.
Yes.
Yes.
Who is the one person who is selflessly committed to
this idea of keeping humanity on the straight and narrow but i think it's beyond that it is yes it's
identified ethan's good character yeah it's also identified like reality warps around this man in
ways that are beyond algorithmic understanding yeah right he he will make the impossible possible
right he doesn't he has to
memorize the nuclear codes he just does it but there's a point where like where luther says to
him like what's your end game ethan he says something like making sure that no one ever dies
and luther's like that's impossible right right exactly and later he tries to make this promise
to hailey atwell where he's just like i will make make sure you never die. And they're like, Ethan, you can't
promise that. And he adjusts it to something like, I promise you, I will always prioritize your life
above my own. And it's this sense of in this like the weird figure that Tom Cruise has turned into
where it's like this guy just is just so committed to this idea of movies have to stay intact. You need to do things for real
in front of a camera,
the old-fashioned way. I don't care about
anything else, right? Where the
entity is like, this guy actually doesn't
do anything for himself.
So there's no way to appeal to him on
that level. So what I need to do is hit all of
his pressure points.
Right. You need to put a new
brunette in front of him. You need to put a new brunette in front of him.
That's part of it. You need to put an old brunette at risk.
I've noticed the pattern
and I'm now like playing the story beats
of what the story cycles of this man are.
Yeah.
And like you say,
right,
Ethan can't deny,
people have died.
Yeah.
With Ethan.
And he hates it.
He doesn't like it,
but it has happened.
But he can,
yes,
promise he'll put you above himself.
Yeah.
And there's that moment late in the film when he asks Grace how she is.
And her face, you know, reacts to it.
And it's beautiful.
We both looked at each other and were like, fuck.
Good.
Yeah.
I love Hayley Atwell.
Yeah, I'm very pro. We've always been a pro Hayley Atwell podcast.
And it just feels like she's one of those people
where it's like, no one is quite
figuring out how to use her to the best of her ability
on a regular basis.
She's been stuck mostly in
you know, Marvelville.
But her character being in the past, getting killed off
so early, she's often these
little tiny pop-ins and stuff.
Yeah, I mean, you know, I should had killed off so early. She's often these little tiny pop-ins and stuff. Yeah.
I mean, you know,
I should watch that
Howard's End miniseries
that Kenneth Lonergan did.
Weird that I haven't seen that.
I bet she was good in that.
There's probably great in it.
But, uh,
fun character in this,
and you do start to realize
halfway through the movie,
like, oh, that's what we're seeing.
We're seeing how someone
becomes an IMF agent.
Yes.
Right?
And the thing she plays so well
is what you're talking about where it's like she goes from this cocksure like i'm the fun color
character myself like yeah i'm always gonna nick what's in your pocket and run away what helena
shaw is trying to be helena shaw sorry dial of destiny oh sure i'm just like i think those
characters in conception Well Helena Shaw
The Fleabag
Yes
Granddaughter Fleabag
Have you seen
Goddaughter Fleabag
Indiana Jones
Goddaughter Fleabag
Yeah
Yeah she's definitely like
She keeps saying like
Ah fortune and glory
I'm only in it for myself
And I'm like
I don't buy it
No she doesn't really do it though
And I'm like
But she says it
Of course
She keeps saying it
In this way where you're like
Okay okay
Hilliard was actually
It's like classic show Don't tell stuff Where like her actions, you're like, oh, I can't keep this woman straight.
And then the thing that's so great is once she starts getting like roped into this world and put on the crazy missions, you see what you're talking about, the moments where it's just like, oh, this is like an entire like reality shifter.
I'm existing in a different plane of existence now and this is like
a terrifying world and there's no turning back which is what they say to her like immediately
but also what are your choices and they're like either we turn you in or you do this for the rest
of your life right and you have no friends you have no family right you're like you don't exist
you're dirty circus folk for the rest of your life on these like globetrotting missions but we do have each other yes and that's fun right and yeah and also as luther sort of says he's like what is your current
life your current life is basically this anyway you're always on the run this is the stuff that
ving is like killing he's really good at it and it is true you're right they actually give him
he's good doing nothing but they do give him something they give him a lot of emotional
weight and he's saying like i know i was I was you. We all were you previously.
We get what you're existing in reaction to.
But this is not sustainable.
Do you think Tom Cruise has friends?
I mean, this is the whole thing.
No.
No.
He has his group of people that he trusts that he works with.
He travels around the world with.
Who he collaborates with and they
have like conversations i think his closest friends are literally the people he works on
mission impossible with and the relationship is exactly the same as it is with the characters
i think that's true there was that story going around about how he didn't want to leave simon
pegg like uh during oh wait'm going to look it up.
I think Simon Pegg is, like, his fifth best friend in the world.
And I think they know each other as well as these two characters know each other.
Which is, like, yeah, he is my friend.
Yes.
Right.
Yeah, yeah, yeah.
He gives people the cake, though, every year. He does.
He gives everyone the cake.
He gives everyone the cake.
Yeah.
And I would love that cake, obviously.
How do we get on that damn list?
Well, we can just order it.
It's on Goldbelly.
No, but I want it from fucking Tom.
If anyone is close to Tom Cruise,
who listens to this podcast, let us know.
Yeah.
Put us on the list.
This was, look, a lot of it's just like
the recency of having dug into this so deeply.
And there's obviously the huge kind of homage at the end.
But watching this, I just kept on thinking, like,
Ethan Hunt as a character is so much the way Buster Keaton was described as a person.
Not the Buster Keaton screen persona.
But when you read about him as much as we were and, like, dig into him,
where everyone's like, I don't quite understand what drives this guy.
Right.
Outside of the fact that he was seemingly just built to do this thing.
And there are like some demons that haunt him.
But he's not like this sort of like self-obsessed artiste.
And he's not a tortured artist.
And he's not whatever.
He's just sort of like, well, I just have to do this.
I have to do this.
And you have to just like go bigger and harder.
And they're like, that's dangerous.
And he's like, well, we'll figure it out.
Well, Buster did find peace in his personal life at the end took a long time it took a long time
yeah you had to basically lose everything right everyone's sort of like he's kind of unknowable
i don't know if that is possible for tom cruise well i cannot speculate on tom cruise's personal
life no i can i'm sorry go right ahead um no he's a a strange man And you know the more you delve
There probably the less fun
You're gonna have
That's sort of the rule we all have to have with Tom Cruise
These days right I don't even mean in terms of
Nefarious shit I more just mean like
Just kind of a bummer
But like we were talking about this in the Steamboat Bill
Episode that that's the movie where
Some people have the read that like he was
Suicidal his marriage was collapsing His drinking was at it's worst boat bill episode that that's the movie where some people have the read that like he was suicidal his
marriage was collapsing his drinking was at its worst his independent film run was ending is that
movie the one where he has the death wish and the stunts are so crazy because he was like i don't
fucking care if i die doing this and i was pushing back on that like i think that's a fundamentally
wrong read i think if he was that depressed he would not care about putting that much work into the movie.
I think it's more that he's just like,
this is the one thing that keeps me alive,
and I'm so committed to the idea of trying to get it right,
that the risk of dying is a necessary risk,
which is what drives Ethan Hunt.
Yes.
Right?
He's like, I don't want to die,
but also, if that's the only way to do this,
then I'm going to not worry about it.
And I certainly will, you know,
put myself in the most danger.
Yes.
Even though Ethan is getting older.
He is.
And Cruise reads old in this movie,
not like ancient.
But this movie was...
But there's lines on his face.
He's got kind of his, you know,
he's older.
Especially when Top Gun was his last film.
It's his biggest film ever.
It's also shot four years ago.
Top Gun was in the can for a while because of COVID. and then this movie was shot over several years because of covid stops
and starts sure where you're just like he's looking a lot older than the last time we saw
him on screen and he ages like over the course of the movie as well yeah in a way i find interesting
i do too i mean peg looks pretty haggard in this movie.
He's been very upfront about the stuff he's dealing with.
Again, it kind of works. What is he doing?
Serious alcoholism.
Oh.
Which he's, I think, you know, dealing with.
He's talking about it.
That's good.
What was the story you were trying to pull up?
I couldn't find it.
It was something of basically, basically like he would not abandon Peg
at some press thing. I can't remember
what it was though. And like if you just Google Simon Peg
Tom Cruise, you get, you know, it's too hard
to find it. Yeah.
But, you know, I think
that kind of works too. Like
Benji being like a little fresh-faced boy
in three and kind of
feeling like a grizzled old vet at this point.
Someone tweeted this the other day.
It also looks immaculate. She hasn't changed at all.
Yes.
Marie, do you know who the original choice
was for the Benji role in Mission Impossible 3
who it was explicitly written for?
You already referenced this.
In today's episode?
Yeah, you referenced it.
Oh, Ricky Gervais.
Well, he was hot stuff of course the office that was when people were like if we could be the first one to harness that in a
movie and that was like the excitement could you imagine i can't imagine him running no well i mean
look in the third movie obviously he's just behind the desk is be like funny but they might he they
might not have reused it probably like peg. Like Peg pops better in that movie.
Yes.
And Peg's career also is heading in the right direction
because after MI3,
you get Shaun of the Dead and all that stuff
that there by...
Well, Shaun of the Dead's before.
Right.
But I guess you get Hot Fuzz, right?
Hot Fuzz is after.
That's 2007.
But yeah, he's already demonstrated
he can do action comedy.
Like some sort of physical element.
I think the other part of it too is like,
Gervais might have been very funny in that moment,
at that point in that role, David squinting.
He might have worked comedically.
Peg has always just had a little more soul to him.
Ricky Gervais is not a good actor.
Simon Pegg's a pretty good actor.
And Pegg plays well in that third movie,
the feeling of like,
this is genuinely stressful for this guy
in a way that makes you feel for him
rather than just be a butt of a joke.
That you could see Cruise being like,
we could give this guy more to do,
and he would hold it.
I think so.
And I think if you're Tom Cruise
and a year after MI3,
you watch Hot Fuzz.
Yes.
Because Throne of the Dead, Pegg's good.
Yeah.
But in Hot Fuzz, he's diving and shooting guns
and he's playing an action hero. Edgar Wright was one of the final peg's good yeah but in hot fuzz he's diving and shooting guns and he's playing an action hero edgar wright was one of the finalists to direct ghost protocol along with
brad bird he's clearly a huge edgar wright fan yeah like yeah it makes total sense i think he's
right like yeah we've got to bring peg back but yes i i do think it works for these movies that
you're like benji's like changed a lot and not in a way that feels like the franchise is like making him into a different
character than he was originally but you're just like
you feel the passage of time on these people
you feel the weight of the amount of
missions I do feel like
even if Rebecca Ferguson looks
unchanged you do feel
her getting like colder and harder
and across the three movies
right like in the first movie she's playing more like mysterious femme feel her getting like colder and harder and across the three movies. Right. Right.
Like in the first movie,
she's playing more like mysterious femme fatale.
And by this one,
you're just sort of like,
she is like kind of a brutal weapon.
So they,
okay.
They have the whole thing happen.
Then they all unite.
They do have the whole thing.
The whole thing.
The whole airport.
Before we move on from the airport,
I just want to single out one shot that I thought was great where you see
Tom running on the
roof of the airport
in the background.
Yes.
That was a very
funny shot.
Incredibly funny.
That whole sequence
is just a delight.
It's great.
And it's just great.
Like, it's not like
an action sequence
per se, but it's
great.
It's great Mission
Impossible business.
Tension racketing.
Who's zooming who?
Six different people
looking at different It's throwing all these balls in the air and
then we're gonna have to catch a bunch of them later but it's like right everything's going
wrong she ends up on a plane with the key without him right he eludes shay wiggum but he still they
need to track hayley atwell who's a whole new figure added into the solution and also now
they're just like this entity thing which they're kind of keeping secret from ethan when the bomb shit's going on, they're not looping him in on until the final riddle.
And you have that scene where he's like, why are you not fucking telling me this?
He doesn't say fuck.
If he tried to say fuck, his brain would explode.
Okay, so we go from there to Rome.
Yeah, that's where he also shows up, right?
Yes.
Because you flash back at some point to reveal that he put her on the horse in Santa Claus.
Is she in Rome or is she in Venice?
Because when they go to Rome is where...
She is in Venice.
She's in Venice.
Yes.
Rome is where the car chase sequence, which is so good.
So the car chase sequence, I think, again, you know, this franchise has had a lot of car chases.
And the fallout motorcycle chase in Paris is so good,
where it's like he's weaving through everything like magic.
And to do the opposite of it,
where they keep fucking up,
the car is weird,
they handcuff each other in the wrong direction,
so she has to drive.
They're flipped over.
All this, you know, like,
all this stuff is so clever,
that they're in the tiny car
and Pom Klementieff is in the giant car
it absolutely did
and they're driving in the loop in the third card
yes
the castle of Cagliostro
Luigi from
the Pixar universe
but yes, no, it feels
the construction of these things
and these are the only movies that are still made the way that Keaton used to make movies where it's like, what would be fun to do in a movie?
And what's the logic of that?
And like building things one step at a time and then building story around that.
This sequence is just like good beat after good beat.
And it's not just cool shit happening.
And I just have so many questions about the logistics of how they shot it because it looks like it looks like everything is being done for real.
And it looks like the camera is everything is being done for real and it looks like the camera
is attached to the car.
So like, you know,
that's insane.
Yes.
And Pom Clientiff
is playing a character in Paris.
Okay.
Yeah.
We have not talked about Pom yet.
Who dresses like a Cirque du Soleil member.
She's like a mime matador.
Right.
And she loves destruction.
Yes.
She loves destruction
but also doing a pouty face.
She's so hot. She's so hot.
She's so hot.
She's like fucking incredible in this.
When she's driving that like tank.
Yes.
The like the manic glee on her face when she's like driving over smaller cars and like destroying things.
She's almost exactly my age.
She's a week younger than me.
Oh, wow.
Jesus.
I was born and then a week later A cooler person
A much cooler person
One of the coolest people alive
She's probably a pretty cool baby too
Like when she was born
Yeah
The doctor was like
Sunglasses
Fucking cool baby
Jesus
Yeah she's awesome
She's in league with the entity I guess as well
But maybe not as
Like Isai Morales' character
Seems to be sort of like
devoted to the entity and later we see him sleeping in a computer coffin that's like you know
being love ai into his head right where she's basically just like listening to like 10 episodes
of the joe rogan experience and i'm right like oh layered on top of each other yeah um uh yes no
she's she's like a henchman's henchman basically
yeah she's really good for hire yeah but she seems more for hire but but you do get the sense
important enough that she gets to like be in the meeting yeah with uh carrie ellis later yeah but
i also think this choice of like she fucking loves this right she does this for the high octane right
exactly yeah and she doesn't really talk no um she talks a little later but
largely she's sort of silent assassin vibes and she is kind of like dark very subtle yes very
subtle dark mirror image of the grace character i guess a little bit right you know because there
are two characters here who are potentially like recruitable in a way and she and i do think paris
will end up being a good guy in the next
i hope so yeah well she makes the it's the movie that keeps talking about how it's about choices
right and she makes a choice right which uh but also the entity tells her to make that choice
yeah the entity predict no well the chicken predicts it predicts it predicts it the entity
wants her dead because it thinks she will be won over by the fact that
ethan didn't kill her which is correct about right but i do they show us her hand moving at the end
right she's still alive no no she's definitely still alive i'm just saying like the entity
predicting that maybe it's like forcing her hand well this is how the entity messes with you
griffin i think she genuinely wants to jump over But is that what the entity also wants to have happen for some reason?
That's what I'm saying.
That's how they get in your head.
That's what I like.
Okay.
So Rome is the car chase.
That was really cool.
Which is, this is the same fucking, the staircase.
Oh, isn't it James Bond?
And Fast X?
The Spanish Steps.
It's the Spanish Steps, guys.
I haven't been to Italy.
Okay.
Well, it's really nice there.
And the other Keats house is there.
That's where Keats died,
as I talk about very movingly
in our Bright Star episode.
And this film is obviously
calling back to our Bright Star episode.
Not even calling back to Bright Star,
calling back to our episode.
Yeah, exactly.
Well, because Bright Star
doesn't go there,
but our episode did.
But yeah, it's the Spanish Steps.
And yes, Fast X did have a whole run,
because that's where the big bomb ball
is rolling around. In my opinion, a dog shit sequence. And then, Fast X did have a whole row because that's where the big bomb ball is rolling around.
In my opinion, a dog shit sequence.
And then you're watching this like beautifully constructed.
I think this is much better.
I think it's so much better that I was just like,
God, this is like what I want.
But not enough Scott Eastwood.
I could have done with him.
I want him cutting in.
Hey guys, what's up?
On a walkie talkie.
I'm here too.
I'm still alive.
And then Jason Momoa going like,
lol, I can has cheeseburger
People are like brilliant
Good performance
Smart
That feels like a performance constructed by the entity
I think that's mean to the entity
I feel like the entity
Is like more perceptive.
People like that performance.
It's so mind-boggling to me,
but I want to acknowledge that some people really like it.
I think choices are being made.
And I think in an era in which very often things feel kind of very safe,
there's an appreciation for the fact that he's taking swings.
And I'm like, shouldn't there be any cohesive center to what you're playing?
Well, if I can once again call back to Indiana Jones, he chose poorly.
He chose poorly.
Like Nicolas Cage, when people turn him into like fucking just memes, right?
And go like, oh, it's so weird.
He like does this.
You could interview him at any moment on any film and he would explain to you every single thought and even if it's
insane there's an inner logic to it and momo is just like oh what if i did like nicholas cage shit
i don't like the performance um i do like the spanish step sequence and the general chemistry
the kind of like tom having to put it all together with hayley atwell and she's
like i don't do whatever this is yes where he's like come on drive you know we'll figure it and
she's like i don't drive minis yeah through alleyways like with a plum like you do aspect
of him teaching her pocket that's what i pick pockets is what i do. I am rewatching three, which I have more of an appreciation for than I did before.
Good movie.
Good movie.
I really liked the ending shootout where he is technically dead.
And Michelle Monaghan has to.
He's like, now do this.
Right.
With a gun.
Yeah.
Has to follow his tutelage and shoot people.
But this is also the sequence that starts with him pretending to be her lawyer, correct?
Or does that come later?
I think that's when...
The next scene.
No, no, no.
That's before.
He breaks her out of prison and then this whole chase ensues.
And he, like, directly kind of pegs her whole story, right?
Where he's just like, you grew up very poor.
You lusted for the finer things in life, or at least the illusion of the finer things in life you're always on the run like he just gets her completely reads her
correctly and me too yeah basically reading me correctly yes creates this uneasy balance of just
like to a certain degree she's starting to surrender to him a little bit more right you
also find out that Morales,
what's his character's name?
Gabriel.
Like, told her about Tom Cruise.
Told her about Ethan Hunt.
Told who about him?
That the scene
where you think like,
oh, he's winning her over
with this magic proposal.
She was like,
I got your like face
on a printout in an envelope.
Oh, yeah, sure.
The entity or whoever.
And that everyone
who was hired,
right, she didn't speak
to Gabriel, right,
but everyone who was hired by the entity was just like, oh, I never heard a voice.
It was always text communication.
Yes.
Yes.
Gabriel also, you know, it's a biblical reference, right?
He's like the voice of God, basically.
Yeah.
He's the archangel.
Yeah.
Okay.
So we go from Rome to Venice.
And what happens in Venice is that the entity throws a baller party.
Right, but this is where Ilsa shows up.
Yeah.
Tom hugs her.
They've both, like, never been to Venice before.
Yeah.
That seems hard to believe.
It does seem hard to believe, but whatever.
Never went to the festival?
I know.
Come on.
Okay, so I had a lot of questions about this party.
What was the theme?
The theme was the entity. Okay, because there were a lot of questions about this party. What was the theme? The theme was the entity.
Okay, because there were a lot of puffy shirts.
That's kind of the entities thing.
Yeah, he's got real David Copperfield vibes.
He's throwing it back.
Okay.
I don't know why I'm making him a he, but it's...
So, like, Vegas magician?
They.
Let's say they.
Yeah.
Yeah, that's part of it.
Okay.
And there were some, like, Cirque de soleil-esque dancers yeah big time entity
shit well look entity hired the paris directly or indirectly right it's a part of the mood board
the entity's got interesting taste oh yeah i like i once again i like the entity i think
they have interesting points why do you like the enemy entity is so bad no they're cool
the entity also it's like against everything you stand for Why do you like the entity? The entity is so bad. No, they're cool. The entity, it's against everything you stand for.
What do I like?
Like craftsmanship.
I do love that, yeah.
You're very anti-AI, I feel.
I know, but there's something about the entity
that kind of wins me over.
There's a warm touch.
Okay, I finally found a picture of Pom Clemente
as a kid. Okay. She has like a picture of Pam Clemente as a kid.
She has like a really...
She's cute!
I just scrolled through like five years of her fucking Instagram.
She seems like she has a tragic childhood.
Incredibly tragic.
That's very sad.
I don't even know what it is, but I'm already sad.
We're not going to get into it.
You can read it.
Okay, so party in Venice. First, it's a fake out because you think um but uh yeah okay so party in venice and at first it's
a fake out because you think the party is being thrown by the white widow yes um right uh vanessa
kirby who's back uh and is doing her home a naughty girl on time world's greatest some weapons
right to all you and then world's fan sort of insinuates that she fucked ethan hunt and i'm
like that's come on.
Get out of here. It feels like it's a mutually beneficial
lie for both of them to pretend that it
maybe happened. We had sex, didn't we? And he's like,
uh, sure. Big time. Yeah, there's no way.
Oh yeah. In and out.
That's how it goes, right?
Sometimes side to side.
No? Yes?
That's very...
Sort of bumping against her like this.
Counterclockwise?
Yeah.
Vanessa Kirby,
post-Oscar nom, feeling herself
I feel like, right?
A lot of fun.
Yeah, she's fun.
Excited to see her as Josephine
in the Napoleon movie.
Cannot wait for that movie.
Ethan starts to put it all together.
This is the entity.
The entity has become like fully empowered.
Is reaching out to everyone.
Is the one who's pulling all the strings on all of this.
And the entity is present at the party.
All around them.
Yeah.
Yes.
They're partying inside of the entity, basically.
And I think this is
why this movie maybe hasn't it is a lot of these circular conversations a bunch of people in a room
going kind of like well what you want is this and they're saying well yeah but the entity wants this
and it's a lot of like guesswork and very alliance making it is talking in a way that i am very
nostalgic for where i was just like watching
this several times i was like jamel is gonna love this movie so fucking much because his podcast
clear and unpresent danger is basically about like reliving this era of movies that no one
makes anymore we were like these films that were often categorized as like action movies or
thrillers and were 95% tense conversations
in office rooms
where people have
these circular conversations
where they're like,
do you understand
the implications
of what you're proposing
right now?
Right.
And just like great
character actors
throwing heat
against movie stars.
Right.
And this has that
and also unbelievable action.
Fewer action sequences
than the last couple
of Mission movies.
I guess.
But on a scale
where you're just like, we're really going to complain about this being skimpy yeah this movie shows
you like five of the greatest things you've ever seen it's a longer movie yes and so i guess the
action might feel also more spaced out because of that yeah and i do think it's like the haunted
quality to this film is like because even fallout's like starting to go like, Ethan, is this shit catching up with you?
Right? And feels a little darker, more ominous
than the previous films. This movie
in particular, I think, is arguing
your whole
time might be over.
Everything you've ever fought for
might be just irrelevant in five
minutes. Sure. Right. You know?
It's similar to Top Gun as well. Yeah. We don't need
people anymore. Right. Right. You know? It's similar to Top Gun as well. Yeah. We don't need people anymore.
Right.
Right.
This is all going to get handled by computers now.
But the implications in this movie
aren't like the military is going to change.
It's like the entire face of the earth might change.
Um, you know,
I'd rather that everyone chill out and read a book.
That's what I would like.
Let me clarify.
I don't actually like The Entity, but
I am going to defend to the ends
of the earth The Entity as a villain for
this movie. Oh, sure. Who I find
so thoroughly terrifying.
Oh, for sure. In its nebulous
form without ever feeling
nonspecific to me. For how
many fucking stupid blockbuster films
we've seen where the villain at the end is some giant evil cloud,
right? And you're like, what is this?
That's true. There's bad
versions of this thing, yeah.
The entity, and what I think
this movie does very well, is like, sometimes it is
visualized. Sometimes you are very
clearly aware of like, oh fuck,
it's the entity copying Benji's voice.
Right? But then other times
in other scenes, in banal scenes, I'll just sit there and I'll be like, fuck, it's the entity copying Benji's voice. Right? But then other times in other scenes,
in banal scenes,
I'll just sit there and I'll be like,
fuck, the entity's probably listening to this, right?
Well, yeah.
Like, I think this movie is...
That sequence where,
is it Luther or is it Simon Pegg
who puts the car on auto drive?
Yeah.
And then you got freaked out.
I freaked out.
You can't do that.
I was like, he's going to crash,
the entity's going to crash the car.
It's so successful in the construction of this movie
is it just sells you that fear so thoroughly that you just start to question everything in every scene
yeah and you understand the characters questioning and when they're not questioning you get worried
sometimes you're worrying about something it's not a problem but maybe it is i thought the uh the
scene where tom is running through the corridors of ven Venice's back alleys and getting
lost because it's
fake Benji giving him
directions was very effective. And they're like
tricking him into doing one of the scenes
that he knows how to do and they're like no it's a
fucking dead end. At the party. We're distracting
you. Gabriel is very much
like it is Gabriel
speaking for the entity like one of these girls
is going to have to die yeah that's your choice
that's your choice I know your whole deal you don't like
people dying and
as he's running through the
you know alleys of Venice
Lauren Balfe's excellent score
is swelling
swelling yes which let's also
say this movie uses its score
a lot less than the franchise
has I think the car chase in particular
mostly plays with just
the sound. The sound effects.
Which I love. It's like very
gripping that you're not being pushed along
emotionally. You're just hearing. Can we
confirm or deny
that the theatrical experience
we had, were we in rumble seats?
We were in rumble seats. Yeah, we were in
Dolby Prime and their seats would rumble with the sound
That was insane
It's not full 4EX like choreography
But the seats
I loved it I thought it was so cool
And it was especially loud during the train
Unsurprisingly
Yes
But no he's running around
And first Gabriel is fighting Grace.
Yes.
But then he sort of knocks Grace out.
He's got these cool knives.
He does.
He's got these two flick knives.
Yeah.
Did you like that, Ben?
You're a switchblade boy.
Wait, what knives?
I don't remember this.
He has the two knives.
He's knife fighting them on top of the bridge.
Yeah, that's how Rebecca Ferguson died.
Yes, yes, yeah, yeah.
And then, yes, Ilsa's fighting him
The score's going nuts
Doesn't Palm have a really long sword too
She has a long sword and a cane
And Palm's distracting Ethan for a while
Gets rid of her
Doesn't kill her
He lead pipes next to her
And then she candlesticks
So he gets out the rope
And then she gets out
The revolver
I remember all the weapons from Clue
But
How do you feel Griffin
You especially
The biggest Ilsa fan I think in the room
One of my favorite characters
She is murdered by knife
It was Gabriel on the bridge
With the knife
In Venice Professor Pl plum nowhere to be
seen yeah how do you feel about she's dead dead in the ground i think i look i want as much ilsa
as i can get i'm immediately saddened when she dies and not just like emotionally at the loss
of the character within the reality of
the film the loss of beccaford i'm just like oh she's not in the second half of the movie she's
not gonna be in the next one that's a bummer but i also do think it's like uh i do think it's
impactful and i do think as much as i agree with you david and like very often death can be used
as a cheap narrative crutch and I also think there's
a weird thing especially in like big tentpoli movies where people associate death with stakes
period and if people don't die then there are no stakes and people do die then the thing is
important or serious right and that's not always the case but I do think it's so baked into this
character that like he has to lose someone
for something to matter to him and i like the gambit of right like that that's what the entity
has realized like the only way to provoke this man is to kill his friend which also makes the
entity more terrifying more terrifying than solomon lane this is the thing it's like the
the entity is constructing his hell yes yes yeah solomon lane
obviously i feel like he's almost a swing at this kind of a because like solomon lane has no
personality right basically just exists to be like evil and chaotic like wants to torment ethan hunt
yeah but at the end of the day it's sean harris and you can like put him in a box yeah and the
entity is like that removed right the entity is also kind of like filmmaking by committee literally put sean harris
yes right that's that's what's scary about the entity is you're just like well there's like no
reason no the metaphor is fun right and it's also it's just done the math i have to assume it's
worked out every possible like branching option of how you react in any situation it's anticipated
look i'm looking forward to the mcquarry you know six hour exegesis of you know how i blah blah but like
i imagine they began with this ai concept right like the sort of like trying to hit on like what's
the next threat that's plausible in the sort of espionage right you know like ai
they they did a good job because now everyone won't
shut the fuck up about ai ever and this movie's coming out right as that's all they were ahead
of the curve but like erlich walking out of the movie said like so cruz hates streaming so much
he made a movie where the algorithm is the villain yes right and but it just works it's great it does
but it does feel like that's part of what it's going against is like it's pushing these sort of narrative beats that he doesn't want.
You know? Right. Right.
Yeah. But she does die.
She's dead. She's dead.
Rip. Right.
And then this is the scene where they basically recruit
Haley. Right after.
Yeah. They're all sort of grieving.
They're all grieving and that's what they pivot
to and I think that's so clever. Yes.
That sort of look i mean
some people probably will roll their eyes like oh one lady's gone so now the lady slots open
look if i have an overarching uh criticism of this franchise is that it will not allow more than one
woman to exist on the team at any given point in time it is just constantly like well then you're
if you're gone then you can come in sort of shit
it's not like this is only starting in this film yes yeah so the we already talked about all that
but yeah i just like the idea of like that's what amf agents are i am if agents are and she'll be a
great one yes what is her next mission though are you after this is when they start working on the
train right yeah it's immediately pitching the train and you see what you think is
the start of the mission and then she stops it and she's like
wait this is what are you talking about
right that is really cool and then they start
to pull back on the amount
of tech they use
which they do in ghost protocol
they pull the same
trick that they do in ghost protocol of like ah
fuck the mask machine broke yes
which is always fun.
But in this one, you're also adding the element of like, can they trust
any of the technology?
Sure. They're using a lot of analog.
Right. They start cracking their laptops
over their knees.
They start using a Cold War weather satellite.
Yeah. I like the, you see the
CIA have moved to some bunker where it's all
CRT.
Yeah. Oh my god. Yes. All that VFX. So good. I like the, you see the CIA have moved to some bunker where it's all CRT.
Oh my God, yes.
All that VFX.
So good.
Ariel was, by the way, has the smoothest face I've ever seen in this movie.
He's the CIA director now?
No.
Zerny is now the CIA director in this movie.
Of course, he's the IMF secretary in the first one.
Elvis, I don't really know. He's another high up. Secretary of Defense, maybe they say he is. He's some IMF secretary in the first one. Elvis, I don't really know.
He's another high up. Secretary of Defense, maybe they say he is.
He's some high up person.
And he, on the train,
seems to be sort of in league with the AI.
Or at least he's sort of like,
I'm the only person who knows what that thing opens.
I know about this sub.
It's a fucking Ark of the Covenant.
It's like, I would fucking, if I had this,
I could control it and I would rule the universe.
But the entity kills him.
Yes.
For knowing too much, essentially.
Rather than ally with him.
Yes.
So, it's the Orient Express, correct?
Chugga-chugga-chugga.
Going through the mountains.
It's an actual steam Or coal engine train
It's a steam train
It's a tender engine technically
What does that mean?
You probably heard of
The tank engine
But the tender engine
Is what you think of as the classic steam train
Where it has a gigantic tender
Is what it's called full of coal
It's own fuel They call it a tender? is what it's called full of coal, its own fuel.
They call it a tender?
Yes.
Is that like the pit where the coal goes where you shovel the coal?
No, it's the big container of coal that's like on it.
So like if you ride the Orient Express now.
I think it is a steam train.
Isn't that the idea?
Like dudes, they're shoveling coal into it the whole time.
Yeah.
Like, like here's a train.
It's just like a ton of murder.
Here's a train, right?
This is the tender.
This is the back bit that holds all the coal.
And like a tank engine doesn't have that.
Then they can't go as far.
Okay, it's the car that holds the coal.
Because you can't keep...
Yeah.
I mean, tiring.
It's like an auto feeder.
So their plan on the Orient Express is Haley Atwell is going to transform into Vanessa Kirby.
Right.
Oh, because we forgot to mention, there's that moment in the entity party where Tom Cruise is just like, you don't understand the decision that is being placed before you.
This is not about whether or not you can get rich or who's like zooming who or whatever.
This is like the fate of humanity.
Don't fucking turn the tide this way.
Don't they allude to that also she has these family secrets
that she doesn't want to get out?
Like there's some leverage over her in some way.
Yeah, but she's also one of these people where it's like
she's like the world's fanciest fence, right?
And she's just like, I don't cast judgments.
It's highest bidder, you know?
I'm not doing anything.
I just connect people.
I just like, you know.
So, a question I had.
I'm looking up the Orient Express.
Because Vanessa Kirby,
the way that they distinguish
the two Vanessa Kirbys
is Hayley Atwell has brown eyes.
Right.
And Vanessa Kirby has very
intense blue eyes.
And I was just wondering,
have they done that in any other movie
where the eyes are a tell?
Usually they are putting in contact lenses.
Yeah, I've never noticed it.
I think they're mostly doing it as a cinematic convention
of like, just so you know who's who.
But do we need that?
I don't know that we did, but I kind of like the effect.
I did too.
You have to buy that Henry Zerny doesn't remember
what color her eyes are, but I buy that.
I know what her eyes look like because I watch the movies.
Yes.
He doesn't watch these movies.
No, he's not a Vanessa Kirby fan.
What about her little henchman?
She has like her dudes.
They would know.
Isn't one of them her brother?
Does Sigourney Weaver realize that Dave has a different penis when she sees him in the shower?
Or has she just not fucked him in so long that she doesn't remember?
Honestly, I could talk about this for hours.
It's the scene in Dave that drives me the craziest, but I love it as well.
No, and I think that scene actually leans into the ambiguity in a way that's interesting.
What if their penises just look similar?
Maybe their penises look similar.
But she has a reaction.
She has a reaction.
There's so much variety.
There's a beat.
We're not saying there's a thing that isn't acknowledged by the movie.
There's some variety.
He turns around in the shower and she looks at it.
She looks at it.
And she has a beat and you can't quite tell what she's thinking and then he plays is she
thinking that my penis looks different right but then i take it as her being like this dick looks
better than i remember yeah but am i forgetting that i used to be attracted to this man and this
is sort of stirring something here yeah or is she like well that guy's got a fucking different dick
this is not my husband you know like you know like it could be a? Or is she like, well, that guy's got a fucking different dick. This is not my husband.
You know, like, it could be a million things.
Or is it like, did my husband add foreskin?
Like, was there a fundamental...
That's the truly unspoken thing, if there's a fundamental
change. They don't mention it again.
They don't. But it's a great moment.
In a five-star movie. That's too drastic.
You don't know. There's a lot
of options. Five-star
movie. It's why that movie is good
It's why it's good
And Ving throwing heat
In that movie
Yes that's true
In the Ving canon
Should I have watched Dave for 4th of July
There's nothing wrong with watching Dave
You should watch Dave every day
Exactly
No real downside there.
Yeah.
So...
Why doesn't the henchman realize it? I don't know.
I kind of like that they're all, like, just
inattentive enough. They're not detail-oriented
people, right? But their plan was
supposed to be that
Atwell and Cruise would go undercover
as White Widow and henchman.
But the mask machine breaks down after White Widow, so Cruz
can't get on the train. They all
know what he looks like.
She can go undercover. He's got
to find another way onto the train.
A thing I think Kirby plays unbelievably
well is
Atwell not...
And she's with Piranha Plant,
who's not even like, it's kind of like a weaker gimmick.
No, I'm sorry. on Go on what does Vanessa Curry
Play well
Atwell not being very good at the impression
She's pretty mediocre
Because every other time in one of these movies we have seen someone
Do the mask routine
The implication is well they fucking mastered this
They're a master of disguise
They're a regular pistachio disguise
They can pull off anyone right Haley Atwell's like I don't do
I don't fucking impersonate people I don't wear
masks what are you talking about she's just sort of being
like yes I am
no team yes can
you sign this specific thing saying
that Haley Atwell is innocent forever yes
that's my wonder man yes
so that's going on Atwell sort of
learning how to own
the nitty gritty of being an IMF at Walt's sort of learning how to own the nitty-gritty
of being an IMF agent, all the sort of
weird theatrics of it, while Cruise is
trying to figure out how to get onto the train.
So how the hell is he
going to get onto the train? Well, there's
only one way to do it, which is, what do they call
it? Speed kiting or
something? Yes.
Fuck, what do they call it? Ben, do you remember this?
Ah, fucking hell.
No, I don't.
I thought the kites
were to get him off the train.
Both.
Okay.
Yes.
Right, right, right.
Because there's the kite off the...
What he ends up doing,
a friend of the show,
a participant in this episode,
Patrick Willems,
pointed out, I think,
very wisely,
he ends up basically
having to drive a motorcycle
off the Paramount mountain.
In the same summer where Indiana Jones can no longer do the transition from the Paramount logo to the first image.
It does feel kind of telling that Cruz is sort of like going like,
how do I get off this fucking mountain?
And the only way is right up to the top and off it in a move.
That's sort of him saying like,
Hey,
I just want you to remember,
I'm the king of Paramount for all time.
Remember when Sumner Redstone
tried to end our fucking overall deal?
He's dead and I'm the biggest movie star in the world.
Right.
Yes.
But yes, then he does this kiting thing,
which I watched some video,
one of these behind the stunts videos.
Where they're like,
it's much more dangerous than skydiving,
speed diving.
It's a very particular dangerous sport.
What the fuck are you talking about?
You can't just do a thing and call it a sport.
You're like, it's not skydiving.
It's like being close to the ground with a bigger.
You're looping around, I guess.
Yeah.
Stuff.
You're on this like.
So, sorry to interrupt, but I just remembered a.
Please interrupt.
A thing that Ben told me.
What's that?
When we saw this movie
there is something that ben has in common with ethan hunt interesting go on ben's looking like
he has no idea what i'm talking about you've gone skydiving yeah that's true we've talked about this
i think yes you've gone skydiving you've never done this thing whatever the fuck this is whatever
the fuck this is no definitely not yeah because this is like short range right like um what are they like what's the like the other
more common example of jumping base jumping right right no i would never fuck with that right i feel
like i would not be able to get off the motorcycle cleanly no no look i would not be able to do any
of these i would describe the whole sequence of events
as impressive. I'd be good at the mask wearing stuff.
I would call them impossible.
Impossible missions.
This train sequence is
I think all the action sequences
in this movie are good.
Doing an action sequence of Mission Impossible has become
a fairly high stakes thing in my opinion, right?
Tough to top
the best, the Burj khalifa the opera
house right the ones that people re-watch and remember yes um but i do think this is a crowning
achievement uh this whole train sequence for them i would agree it's just it's it's uh it's really
good stakes setting like beyond the stunts themselves it's just he's always really good stakes setting. Like, beyond the stunts themselves, it's just,
he's always
really good
at the kind of thing
that, like,
Spielberg was always best at
of just, like,
setting up
seven obstacles
and keeping you
super aware
of all of them.
You're constantly just,
like,
you know where everyone is
in relation to everyone else
and what the objectives are
and what needs to be done
and what could go wrong
and what could go right.
And there's, like,
the thing where you're just, like,
I know what's gonna fucking happen. hayley atwell's gonna be in danger and cruz is gonna fly through the window at the absolute perfect moment like of course he's
struggling to get on the train of course he's gonna land perfectly in a way that solves three
problems at once and still when it happens it's the most satisfying shit in the world. The audience applauded.
Because it's what they wanted.
They applauded because something they wanted.
They've been waiting for it. It's been shown to them.
Yes.
Another thing, I think this.
You guys keep talking.
I am not doing a bit.
And no one's going to knock on the door.
I simply have to pee.
Okay.
I promise.
Okay.
Okay.
And I promise if someone knocks on the door when he's in the bathroom, I quit the show.
Forever.
So does this happen on the train that Gabriel comes out of a coffin?
Yeah.
We start.
Yes.
Right.
His computer coffin.
Yeah.
But he's also connected to some sort of like gas mask.
He's like, he's a mainlining entity.
Yeah.
So, I mean, it's interesting i want
to know more about this if i feel like or at my interpretation is he's absorbing the world's
information correct because he's obsessed with truth right and this idea of knowing the ultimate
absolute truth right and so i think he's for what the human mind can can take right taking it all in but he's sucking it in like he's
getting extra oxygen right and like he's just yeah like taking in just all the world's information
here's what i like about the mission impossible movies right like stuff like this or what was
ethan hunt's past and like if the next movie explains them to me further i trust that the way
they would do it
would be interesting to me.
But also, if they never
dig into this further,
the implication of it
is interesting enough for me.
Where I'm like,
I'd be happy to know the answers.
I'd also be happy to be like,
remember he, like,
sleeps in a computer coffin?
Whoa, whoa.
And he gets some power from it?
Rebecca Ferguson just walked in.
Jesus Christ.
Hello.
Do you have thoughts on this, David?
What is Gabriel doing when he's
sucking in the entity in a
coffin? I don't know.
I mean, I think the simplest explanation
is, you know, he's getting his instructions, right?
You know, and that's fine.
I would just love to live in a future where I can
mainline information like that.
I wouldn't. I want to know less. I'm going to be
a no one. I am with you. Yeah, know less. I'm going to be a no one.
I am with you.
I just want to like read a book in like five minutes.
So you're only like the matrix where it's like,
and then you're like, I can fly a helicopter.
You want to know.
Instead of sitting up all night,
just going down a Wikipedia rabbit hole,
I could just be like,
okay,
now I know everything about that random war.
Yeah.
This was,
no,
my first move would be, let's take all websites down.
I don't trust myself to have them.
So you want a new Dark Age.
Correct.
I'm just like...
I'm not opposed.
If they're there, I'm going to go to them.
I'm going to look up dumb things.
I'm just going to waste my fucking time.
We'd all be out of jobs.
Eh, whatever.
What would we do to make money?
Analog.
Analog.
Let's do a podcast analog.
Send out cassette tapes.
Sounds kind of cool. Send out cassette tapes in the mail be fucking underground that'd be cool it does feel like we make of like a should we press a fucking record of us talking yeah it seems like an insult
to the material that is vinyl to scratch our voices into it. It's just cruel.
All of our best of moments.
The vinyl is like, what is this?
You should do a vinyl as just the ad reads.
No.
Yeah.
Oh, sales.
I'm seeing here.
Oh, sales.
Oh.
Do an ad read for it.
Pump up sales.
It just excites me that I feel like the next movie is setting up them having to go even further in a direction where it's like we are completely off the grid.
We are afraid of technology.
We need to figure out alternate ways around everything.
Right.
They were using a wood computer.
That is my dream.
A wood computer?
Yeah.
Fucking courier pigeons.
I just like that just i made this
computer out of a tree yeah what if they start doing like the like a like tele telegram like
yeah good morse code morse code yeah i hope there's a ton of knocking in the next movie
even smoke signals paramount executives hold head in hand the entire movie is Morse code
a very cool like low
tech bit that they do in this
movie is when Tom is in the desert
and he signals to Ilsa by like
doesn't he like flash
like a knife or some like a mirror
at the light or at the sun
and she yeah that was cool more of that
stuff I just want Luther saying like
we're gonna go off the grid I'm sitting on a tree stump now yeah no metal chairs for me ethan
riding bicycles in the next movie
uh yeah cool stuff um oh and then the train so a up. Yeah, which is just the shot from the general.
Feels like an overt homage.
Both of them have talked about how much inspiration they take from Buster.
And then being like, what are the things we haven't gotten to do yet?
Blow up a train.
And this one shot of the bridge collapsing feels like the shot from the general.
And then it turns into the sequence from Lost World Jurassic Park times five.
One by one, the cars are tipping over and they're slowly trying to get their way out of them.
It's a dream.
It's so good.
And yeah, the fun of every time they get out of one car, it falls to the ground calamitously and loudly and your nerves are all jangled.
And then it's like, okay, we got to do it again.
Like, you know, keep getting cars. You feel it. You really feel it. And then it's like, okay, we got to do it again. Right. Yes. Because the physics, you feel it.
You really feel it in every car.
You know, and this sequence uses more CGI than a lot of the movie does because it's impossible to pull off.
But even still, they're just like, they're selling the physics of it really well.
They're building the tension really well.
When they get into the next car and you're like, fuck, it's the kitchen car.
I just thought everyone
was going to get burned by oil.
Yes.
And there's the moment
where he's having to convince her
to jump
and save Pom's life,
but it's like him saying the, like,
I know this seems impossible.
But we can do it together.
Right.
Basically.
You have to trust me
versus the thing that feels
like the safe thing to do.
You need to do the insane thing.
You need to do the insane thing
and you need to believe in me
versus, you know,
believing only in yourself
or whatever. Right. Not trusting anyone.
But this is when they save Pom
as well. They save Pom.
They pull her up.
Shay Wiggum is back and
he's there. So we haven't talked about
him. I have in my notes that
you just, you yelped
when he showed up on screen. You clapped.
I clapped. I love him.
I think I'm not the only person on earth who's a Shea fan, right?
I'll say this.
He puts in the work.
When he started, I feel like early 2000s when I started seeing him pop up and stuff,
he was one of those guys where I was like, this guy is doing too much.
And he is a guy where it's like it almost felt
like when he was younger he was trying to play grizzled and he has aged into it so well so what
didn't you like and what what's uh what are you thinking of you know the one i think of and the
first thing i really noticed him in was boardwalk empire i know he'd been around but yeah um a movie
that i i don't even blame him for that much because I don't think the thing is good.
And I think his part is particularly bad.
But Wrist Cutters, a love story.
Well, that's a bad one.
Wow, I forgot about that movie.
Where he's essentially playing the guy from Gogo Bordello.
That whole thing is a nightmare.
Just words I don't want to hear.
No, absolutely.
But I just remember being that one where I'm like, this guy's doing a lot of shit.
Yeah.
He's really good in all the real girls. That's the early one. He's incredible. Oh, yeah uh he's really good in all the real girls that's the early one he's incredible oh yeah he is really good in that i forgot he's
in that right so i thought he was great in that but like yeah fucking his career goes back to
tiger land yeah then all the real girls he's great in and then it's like this run of right
lords of dogtown is dogtown pride and glory you know he could play a cop he could play kind of a bartender he's in Fast and Furious 4
he is and then they bring him back in 9
6 and 9
as like a FBI guy
Port of Call New Orleans
he just starts to become one of those guys where I'm always
happy to see him he just ages into
the exact guy he wanted to be
Kong Skull Island
which is not a movie I like but I think he's having
fun in that he's excellent in Wolf of Wall Street.
Now he's very natural. He sells this stuff really
kind of honestly. Eben Moss-Bachrach,
I was talking about this with my
brother, is another guy who was just
like, when he was younger, it felt like he couldn't
wait to seem a little more
world-weary. Yes.
Are we talking girls or pre-girls? Pre-girls.
I don't know him from anything
before girls. He's in like the Royal Tenenbaums. He's been around forever. He's about to happen in the Royal Tenenbaums. He's like mid-girls? Pre-girls. I don't know him from anything before girls. He's in like the Royal Tenenbaums.
He's been around forever.
He's about to hop in the Royal Tenenbaums.
He's like mid-40s?
Yeah, 46.
Yeah.
That's the thing.
Girls was the first moment where it was like,
this guy now looks the way he's always wanted to look.
He's finally gotten a little bit of edge on him.
He was like a little too pretty.
He's just one of those guys.
Lola Versus?
Is he in Lola Versola versus am i right about that
remember lola versus i mean i don't want to but i do um he's just one of those guys where i'm like
as much of him as you want to give me yeah yeah um but uh she's mona lisa smile yeah this is the
thing he played mona lisa in it he has a beguiling smile he is in
lola versus he was just kind of like handsome indie boy for a while you could tell how much
he didn't like it yeah he because he's he's he is pretty but right he more wanted to play
stressed out weirdo dirtbags and now he's same with shai wickham where it's just like all this
guy wants to play is stressed out and i do think as opposed to a lot of the guys who like come up
against ethan hunt who have like a little bit of their juice themselves right someone like baldwin really
being able to like cook and simmer a monologue shit wickham's like i just want to get this
fucking over with this guy's so fucking annoying to me and you have greg tarzan davis in this scene
i really like that some people might think is a little too on the nose where they're like in the
bar car of
the train and he's like can you explain to me why we don't like this guy so that's what i love are
we set it seems like we're setting him up to also join the squad i would think so yeah yes um
so the whole thing is alec baldwin in in uh i guess it's in five really Renner in 4 this is the common thing
of the guy who's starting out being like
I'm not in for Ethan Hunt
I play things by the book over here
and by the end of the movie they're like
he's kind of won me over
I think this guy is kind of for real
and Shay is putting me
put in that part
because everyone comes in and thinks like this guy's just fucking showboating
yes
and so he's like but I feel like it's even more part because everyone comes in and thinks like this guy's just fucking showboating yes um i and
so he's like but i feel like it's even more explicit in this one because the intelligence
community is really sick of the imf and ethan hunt that he by the end of the movie is like
i think this guy might be for real and i think you kittredge yeah might be kind of full of shit what
are you doing on this exactly yes and Yes. And because Shea Whigham
just feels like a salt-of-the-earth guy
and kind of feels like
a sort of by-the-book guy in this,
he plays that so perfectly
where he's sort of like,
man, fuck.
You know, like, grudging, you know.
And I just love that moment at the end.
And Tarzan Davis just being a guy
who's just trying to move his way up
in the company.
And he's like,
look, I'm not trying to like rock the
boat, but I genuinely just am asking
questions. He's genuinely
asking questions. Is there a
chance this guy's just for real?
That he actually is just acting
in everyone's best interest and maybe we shouldn't trust
the people who are telling us that he isn't?
Right. Yeah. I'm sure he'll
be an 8-2, right? Yes. Yeah.
Basically everyone in this movie
Is back in it
Other than Becky Ferg
Maybe she'll do a flashback
Twin sister
Bring back her character
Elsa
It might be international
3M lady with the zigzag hair
So
The movie basically
ends there, because, right,
at this point, it's basically just,
alright, we've succeeded.
Gabriel and Ethan
have a fight on top of the train. That's the sequence
that kind of echoes the big end set piece
from the first Mission Impossible.
And also references Under Siege 2
and the Wolverine.
They do go into dark territory.
They are in dark territory. Right.
Yeah, they are in dark territory.
Right.
But, um.
Should also shout out Dead Reckoning, obviously, is, you know, sort of like the manual analog
means of navigation that existed before.
You could calculate longitude and stuff.
I did not know what that meant.
The submarine says in the first scene, like, we're navigating by dead reckoning right now.
That's cool.
And that's, you know, if you want to get away from the AI.
We should mention Gabriel also has a watch that's like a countdown clock that basically when time's up, And, you know, if you want to get away from the AI. We should mention, Gabriel also has a watch
that's like a countdown clock
that basically when time's up,
he's just like,
I should jump.
Yeah, he does that,
but it's also sometimes
like,
and he's like,
time to neg someone, right?
You know, like,
it's telling him everything.
It's giving him his next move.
Right.
Right.
It's like Grand Theft Auto
like assigning him
the next mission.
But, yeah,
they're like fighting
and Cruz basically has has him and there's
been this whole thing where luther gives him this whole speech another moment that fucking ving kills
where he's like you cannot kill this guy you cannot kill this guy i know you want to i understand why
you're going to want to and i think it is going to overtake you in the moment it is betting on you
doing that right i know you think you'll be beating it
and winning something,
but we like really have to think about
what it expects out of you.
It's sort of a Summer of George thing
where he's saying like,
you need to do the opposite
of what Ethan would do in every situation
because it's anticipating you doing the thing.
So he gets to the moment
where he's got his knife up to Gabriel's throat
and like blood is showing.
Yeah, he gets,
he does draw blood.
Right.
You think he actually might do it.
Wiggum and Tarzan Davis
come with guns
and even still are like,
Ethan, just don't,
fucking don't do Ethan shit.
And he's just like,
guys, do not fuck this up.
Please listen to me.
I'm Ethan Hunt.
I'm the star of these movies. Seven, we're already deep in production on eight i'm telling you i know how these work you
just entered into the franchise and then watch goes off he jumps into the back of a truck he
gets away he doesn't get the key thank god ethan has close-up magic to the key away from him which
you only find out at the very end right But he has gotten away to live to make another
Mission Impossible film. Right. But I do
think it's like, I've been
seeing complaints about the part oneness
and I'm kind of like, these movies
always end with there's another mission.
There's not
finality to Mission Impossible movies.
Look, I could not be more
sick of the two-part sequel thing.
And I'm fine with movies leaving things open-ended for the next one or whatever.
I think it's more just in the planning of these things when you have to come up with two movies at once.
And you're dividing across two films versus each film being treated as, let's throw everything we have at this one.
And then we'll come back to the table when this is done.
And in a lot of the cases, that's what ends up happening. Like in spider-verse they're like the story got too big so we broke it
into two and we thought we were gonna do them back to back and instead we really did the first one
and then we had to do the second one a lot later and i'm like what then what's even the point yeah
i mean it's always a fool's errand is there any the closest is lord of the rings yes to like this
working you know what i mean i think people but like even that they had to reshoot it a zillion The closest is Lord of the Rings to this working.
You know what I mean?
I think people... But even that, they had to reshoot it a zillion times and all that.
It's like, this doesn't work.
It works better, perhaps, when you were dividing a book
and you're just like,
well, there is a starter text we were working with.
Rather, if you're starting with a blank page,
it's like, then come up with enough for the one movie you're making right now
and then save some stuff for later.
But much like
Across the Spider-Verse,
which similarly has
a fucking Shea Whigham throwing
heat performance as Captain
Gwen Stacy, and
he has the scene where he sort of closes
the loop on her arc
that at least makes that movie feel... She has an arc.
If not self-contained, you're like, there's
a complete emotional journey that happens with her
that makes it feel like a full meal, at least
through a prism. I think the
same final scene between him
and Hayley Atwell
in this movie serves the same function
where they basically keep on pitching to her
that there's going to be the moment where you have to
say to him, I was told
to make a choice and I'm choosing yes.
And no matter what you've done to that moment,
no matter how much they want to arrest you and throw you in the Hague,
if you say that to them and say,
Ethan told me to say this,
they're like,
fuck,
we have to let you be an agent.
You're on the good side of the law now,
right?
Right,
right,
right,
right.
And this sequence has been so clearly traumatizing for her.
That moment that you said that Haley Atwell kills where it's like,
her face is so good. She goes through like 87 emotions in five seconds of like I can't believe
he's actually asking me that I think he means it yeah how do I feel and she says I'm so stressed
out right you you kind of expect the version of the scene where she like comedically goes like
fine and instead she's like no I'm not okay and And he's like, yeah, I get it. I've been there.
I remember what it was like, right?
So you're almost thinking she's gonna push
back in this moment or she's gonna turn
away and go rogue on her
own or just be too overwhelmed
by the whole situation. And the moment
where she's like, I can let Ethan get
away, which I need to do.
There's only room for one,
right? That's the thing. They only have the one escape parachute.
And I'm going to make the choice.
And when she makes the choice, it doesn't feel like she's saying that out of like a
strategic move.
In that moment, you suddenly see her go like, I think this is actually what I want to do.
And everyone has to accept it.
And I found that to be a pretty thrilling conclusion as an emotional arc for this character
across this movie
understanding how someone could start out the film in one place and actually by the end of it sign up
for this insane fucking life right i loved it it made me so happy i'm so glad you loved it i did
because i've been so bummed out by movies this year yeah you gotta you gotta gotta love the good
yeah well movies need to be better.
Is this your number one of the year so far?
No, my number one of the year is Blackberry.
Okay, I still need to see it.
Movie I think is incredible.
I mean, I love Blackberry.
You know I love Blackberry.
I know you love Blackberry. You know who else loves Blackberry?
Who?
My daughter.
But not the movie.
The fruit.
Well, then pluralize it, my friend.
She's obsessed.
Weird for you to make it singular.
Here's the thing.
What?
Only one?
Well, no no she'll
eat lots of them she said backberry okay backberry backberry are you sure she isn't asking you to
rent the movie because it's available pvod if she's saying it like that maybe she wants you
to take her to ifc center rental it's still playing every day yeah no it rules that's my
number one uh a full-time the french movie i think it's still my number two of the year
wait what's...
Oh, yeah, I really need to see that.
Fucking love.
Well, you know what?
Yeah.
Why didn't you bring me to see it then if you love it so much?
This might be my number three.
I'm sorry.
Okay.
I'm very sorry.
That's a good question.
Where do I put this?
Did I rank it after I saw it?
I mean, look, I'm excited to see it again, but it was just like...
It was such a movie movie for me.
It gave me, like, all the thrills I want out of the thrills.
But also just like this money up on screen.
Right.
Like absolute movie star wattage.
I do think there's this thing where it was like Rebecca Ferguson has felt like such a discovery in this franchise.
Right.
Where you're like she was not on short list for these movies.
They plucked her out of
like a Showtime series.
Yeah, she'd done a thing.
A White Queen or something.
Right, a White Queen.
And then has become
like one of her best, right?
And then like Hayley Atwell
and Pam Clemente
are both people
who have been like
stuck in the Marvel thing.
That's like this incredible platform,
but then it sometimes
ends up being a dead end
for a lot of actors
where it's like,
well, what do you do now?
And much in the way
that I think he, like, used
Cavill better than anyone has used
Cavill, he finds
these people where it's like,
they're not really getting, like, the bespoke
fitted outfit movie star
role for them. Even if it's
part of the ensemble. The thing that's
purely just them selling it through
sheer will and craft. And
wattage. And watto.
And it just throws me, and I think
this movie has like actual...
Does it hold you? Does it kiss you?
It held me, it kissed me. Did it kill you?
It did.
No, I think it's like dealing with...
I think it's got provocative
ideas. I think it is
one of the only things I've seen talk about AI
in a way that feels emotional
rather than this sort of like
speculative hand-wringing,
you know,
or trying to like game out
where do we go from here,
where it really is like,
what does it feel like
to live in a world
where you just don't really know
if anything's real anymore?
And we've already been in like
an aggressive misinformation age
and AI has just made all
of that faster and it's just speeding up at a
rate that's like, I don't know, my cousin
works in AI. I saw him in January
when I was out in San Francisco. He's there
and like the fucking... AI is good, Griffin.
He was not doing
that. And I think he had a really
interesting take on everything where he was
very even-handed about it and he was like, I think the
good applications of AI are this.
I think people trying
to do this are wrong, right?
Sure.
And it's like,
I wonder if that's
going to stick.
If it does,
it'd be to the detriment
of that.
Like, had a very
even-handed view
of all of it.
But I think about
that conversation,
which was seven months ago
and, like, everything
he said to me
has changed 87 times
since then.
And I don't know
if it's for better or worse.
I don't know where
any of this ends up.
But this movie, like,
speaks to that in that way that, like golden age of like 70s paranoid thrillers.
We're really like tapping into a moment of like grave uncertainty and distrust.
And it didn't feel like it was, I don't know, a posture.
Griffin, my question to you.
Sure.
Where do you put it in your mission impossible
ranking so we were just talking about this we're talking about with the doughboys yes uh because
weiger basically like defaults to fallout maybe being his favorite movie yeah i mean i think
fallout at this point i'm i have to tip the cap yeah my I, I love Ghost Protocol and have that number two.
Right.
And those two are
unassailable for me
until further notice.
My question was
whether I put this
above or below
Rogue Nation,
which is my third favorite.
Right.
I think Rogue Nation
is my solid number two.
You always,
you always loved.
For a long time,
I liked it more than Fallout,
even after Fallout's release.
A lot of it is just that it's,
Fallout's just,
at this point,
you're just kind of like,
Fallout runs the world. Right. Right just love uh rogue nation being the elsa
movie um maybe her twin sister's named anna maybe they do elsa and anna uh yes that's what it is
yeah she has ice power i think the mccoy trilogy are my three favorites. And I think I put this at third and Ghost Prode at number four.
But I think those four movies are kind of like fucking undeniable.
I think that's a fine thing to think.
Yeah.
And it's like you could say like, well, so then this is a disappointment if you're coming off of like five was better than four and four was better than three and six was better than five.
And I'm like, no, because I just like that. They're trying different shit.
I like that.
They are not trying to outdo themselves,
that they are like pivoting into interesting directions.
Marie,
uh,
do you have a ranking?
I don't know yet.
That's fine.
I will say,
do you have a favorite mission impossible movie?
I might, I might have
Rogue Nation as my number one
That's fine
I know Fallout's great
I like Cavill in that
Mustache
Pumping the arms
Yeah it was cool
I
am a defender of two
I think it's okay to acknowledge I am a defender of two.
I think it's okay to acknowledge that it is not as good as the other movies in the past. Sure.
Yeah, I think two exactly.
Yeah, fine.
But anyone who's like, oh, God, that movie's unwatchable.
I'm like, what are you talking about?
But two lives at the bottom of the list.
Right, but I think all of the Mission Impossible movies are good'm like, what are you talking about? But two lives at the bottom of the list. Right, but I think
all of the Mission Impossible
movies are good.
Yeah, I agree.
I think I basically,
I think two is
a very flawed movie.
I like watching all of them,
though.
There's things I like
in all of them.
Yeah.
Ben, do you have a favorite?
Do you care?
Do you want to go to sleep?
It's kind of hot in this room.
It's kind of hot in this room.
Kind of hot in this room.
I don't know if I,
you know,
have a favorite.
But what's coming to mind right now is
I have
watched some of
these kind of recently, and I think
Rogue Nation really hit for me.
Hey, it's a grower.
Much like Kevin Kline's penis in Dave,
we'll never know.
He got it up faster than he used to.
I thought this was a grower.
He's got a shower. He's got a shower in the shower oh my god that setup is also very weird that
presidential bathroom it's very weird shower yeah it's designed only for someone to see your penis
like and wonder is that the penis i've always remembered take a bullet for you, Dave. It's a great movie.
It's a great movie.
Right in the second best?
Behind Ghostbusters?
Yeah.
Draft Day.
Behind Draft Day?
I think it's one of those things
where I'm like,
I think that is his
greatest accomplishment
as a filmmaker,
if that makes sense.
Really?
Over Ghostbusters?
I'm like,
that's the movie I give him
the most credit for as a director, whereas like Ghostbusters is I'm like, that's the movie I give him the most credit for as a director
whereas like Ghostbusters
is just kind of like
everyone in the right place
at the right time
and he made great decisions
as like a traffic cop.
I don't say to like
diminish his role.
Sure.
But it's like he's balancing
all these different voices
and Dave is just him
like finding a Gary Ross script
and being like,
I'm going to make
my fucking Frank Capra movie
and every performance
is perfect.
Yeah. Grodin, Kings every performance is perfect. Yeah.
Grodin, Kingsley, Linney.
Right. Just across the board.
Langella.
Yeah.
Kevin Dunn.
I'm ready to announce that our next Patreon series will be Dave.
Just watching Dave. And then meet Dave.
Oh, God.
That's a real come down. Are there any other Dave movies?
Good question.
Probably.
Right?
Do you include Davids or just Dave?
No, it's got to be Dave.
Okay.
We watch all of FX's Dave.
No, I really don't want to do this.
I am Dave.
Mike and Dave need wedding dates?
That sort of falls into alien versus predator category.
It's like we do a Mike series.
Dave Chappelle like block party
yeah it's built specifically as dave it could be part of the daves there's a movie from 2023
called bank of dave bank of dave yeah well now i've heard starring rory kinnear okay
we're done we're done this is the kind of behavior that happens when we're done
What's up Ben?
Final thoughts
The gas masks
The mini gas masks
Very cool
The gas bomb
That he like throws theatrically into the air
And it goes like
And it's like a green gaseous cloud
Like Chip Smith's ex-wife.
That's true.
Chip Smith,
the entity has a lot of
Chip Smith energy, I feel.
The entity, yes, absolutely.
Yes.
I think that's going to be
a takeaway from a lot of people.
Yeah.
Where you're like,
what's the NND's deal?
Pass.
Right.
And I just wanted to say,
I'm glad you accepted the mission.
Thank God, Ben.
Thank God you... How did we do
timeline-wise? Is this two and a half hours?
Two and a half.
With ads, yeah.
Or at least close. Doc's office,
it'll be this.
Sort of tracking around 90, 100.
Sort of the highest ever mission. I heard it
was like 87 for the five day,
which is...
That's Indiana Jones and the Dial of Destiny.
No.
Nothing tracks at 87.
Things track in round numbers.
I don't know.
I was listening to the latest episode of The Town.
Okay.
And he did his little call sheet at the end.
I know David just made a face.
Yeah.
But...
I did not make a face.
I respect everybody out there.
People could hear the eye roll.
They could hear his eyeballs going...
Yeah.
Well, I mean, Hollywood Reporter had it tracking at 90.
Okay.
Which would be the highest.
It's not a franchise that opens high.
No.
It's a franchise that holds quite well.
That was surprising to me when Top Gun Maverick was Cruise's biggest ever.
He never had $100 million open.
He's not an opener in that sense.
I do think this is going to open over.
$100 is my prediction just because the summer has been a little bit underwhelming
and it feels like this movie has more genuine excitement behind it.
Yeah, it's funny, but yes, yes.
The box office is actually not really down at all,
but it's partly because the spring was kind of hot.
Yeah.
And then the summer has been a little cool.
Mostly because most of the movies released were not good. That's the thing. of hot. Yeah. And then the summer has been a little cool. I also just think... Mostly because most of the movies
released were not good.
That's the thing.
Huge issue.
Yeah.
Right.
As much as everyone wants to wring their hands,
like, Hollywood,
you gotta make movies people want to see.
The grosses haven't been terrible.
I just think there's been a little bit
of a lack in enthusiasm.
Right.
All right.
It's okay.
Well, no.
The Tomatometer,
89 reviews,
and 98%. Dead Reckoning?
Yeah.
I'm just like, who?
Who didn't like it?
And that was calculated through Dead Reckoning, the tomato meter.
They were like dead reckoning those tomatoes.
Yes.
And looking here, the entity gave it 10 out of 10.
That's what it wants you to think it gave it.
Yeah.
This is also a good time to announce we're really excited to be joining the Entity Entertainment Network, the EEN.
Streaming everywhere on every screen that exists in society.
Yes.
Next week, Oppenheimer.
Correct.
Are we doing a Barbie episode?
No, because we haven't covered her.
She's an example of someone we'd wait to cover someday.
No, we'll do an emergency episode on Insidious the Red Door, of course.
Patrick Wilson series begins here.
We've made this very clear.
We're not doing emergency episodes anymore,
unless the door is about to be open, in which case,
we must be there to step through it.
I don't know if you guys agree with me.
We kind of already knew about the Narnia news.
Like, this isn't new news, right?
You've gotten floated and you were like,
is this some dumb Netflix rumor?
Like, a Twitter rumor?
And now it seems...
I just don't know why
Greta Gerwig would think
she can make an adaptation
of a beloved young reader's book.
No, I...
I just don't know what she's...
She's never had any success
in that sphere.
Funny, David, but...
I don't think she thought
that was funny.
Narnia...
Her eyebrows are pointing down.
To me, that feels like
a very British text.
What is her take?
I don't know.
I don't know.
I'll say this.
Like, two things in a row
where you were like,
do we need another Little Women?
And she was like,
I got a real take.
And they're like,
do we need a Barbie movie?
And she's like,
I got a real take.
Well, we don't know
if the Barbie movie's good.
No, but she's kind of
at things with real takes.
Right.
So I'm just curious.
I'm like, what is your... I'm assuming Narnia, she has some take and I don't know what it is.'s good. No, but she's kind of at things with real takes. Right. So I'm just curious. I'm like, what is your...
I'm assuming Narnia, she has some take,
and I don't know what it is.
What if she's like chronic what?
What if she does that?
I forgot about that.
How could you forget?
Lazy Monday.
Lazy Monday.
No, I'm saying that would be her.
Late afternoon.
Lazy Sunday was the original,
and she's like, I'm going to take it to Monday.
I'm going to start the whole week off lazy.
Lazy Sunday. Yeah. Remember when that was like the biggest video ever
Basically created YouTube
Next week Oppenheimer
Week after that back to park
Which one will we be up to at that point
Lady Vengeance
We'll have done Lady Vengeance
So we're going to have
I'm a cyborg, but that's okay.
Right after Offenheimer.
A nice episode.
A nice episode. A real fun one.
Yeah. But
I hope you all enjoy
Dead Reckoning. And if you have your
own thoughts, don't share them with us.
Griffin.
Share it with BlankCheckPod at Twitter.com.
Or on Blue Sky.
The internet exists. Share them. I gave you that invite.com. Or on Blue Sky. You can share.
The internet exists.
Share them.
I gave you that invite.
Yeah.
Thank you, David.
You're welcome.
The internet exists.
You can share.
You can put your thoughts out there.
I'm saying don't just come at me and be like, well, I disagree.
All right.
I thought the entity had bad points.
He's made that clear.
Thank you all for listening.
Please remember to rate, review, and subscribe.
Thank you to Marie Barty.
Party.
Party.
And it's an entity party this time.
Thank you to Ben.
I want to go to a bentity party.
That's good. Nickname now.
Yeah.
I should host a party
where you're in.
The bentity party.
That I design.
And I just watch people or something
from a different room.
Ben's birthday party was piercing themed, by the way.
He had magnetic piercing
so everyone could give themselves
their own bad boy 2.0 era.
It was really surprising to see some people
with, you know, like their septum pierced.
I thought Nellie had done it for real.
Oh, yeah.
Yeah.
And I actually, I fucked up a bit,
we should just say.
Yeah.
Marie was trying to set up a bit where she was going to convince David that Griffin got his ear pierced at my party.
Okay.
A bunch of things about this.
If you want to have this on air.
That it was a piercing party and that there was a piercing on this.
Marie sent, now have you guys seen the other two episodes where he's trying to send a selfie and then the live picture reveals his asshole.
Such a good episode.
Okay. And so Marie sent
a picture that was live, you know,
how Apple, and in the live picture
you can essentially see Griffin affixing
an earring.
Which is sort of hurt her case a little
bit. Marie's doing the whole, he pierces
his ear? Nellie did it at the party.
I'm like, sure, sounds like a bad party.
Apple.
A bunch of 30-somethings piercing each other's ears.
And so then I'm just sort of doing the thing with Marie where I'm like,
yeah, okay, yeah, you got his ear pierced?
And you're like, mm-hmm.
And I'm like, great.
My friends are lying to me in text message form.
And then Ben on another thread is like, yeah, we have magnetic piercings.
Blowing the bit anyway.
But let's also acknowledge that you went off into a separate text with Marie and confirmed for me that this is not.
I was like, what is this?
Because I was annoyed.
I was like, why are you lying to me?
I hate lies.
I hate being lied to.
I thought, I mean, it was a little surprising to me, but I thought you looked good with an earring.
Well, I never disputed that.
I got a lot of compliments.
You got a lot of compliments.
We were hanging out with some fancy people.
And this was day two, by the way.
Oh, okay.
This was, um, should we blow up?
I mean, yes, you were here.
This is not at Ben's party.
Not that Ben's party didn't have fancy people.
I'm sure it did, but you were.
I was at Ben's party and very many fancy people responded positively to my fake magnetic earring.
The next day, we were hanging out with very fancy people. We were hanging out withonded positively to my fake magnetic earring the next day. We were hanging out with very
fancy people. We were hanging out with, dare we say it,
several movie stars. Yes.
And there was a sheet of
gem stickers going around.
And people were putting them on their face and I went,
the ear was working for me yesterday.
Let me try it. And people
kept on saying, I thought, I forgot
they were stickers. Yeah. And you're kind
of selling the look. It looked good.
Several movie stars.
You have my blessing. Thank you.
But maybe don't do it at a
party. Maybe have a
professional piercer. Why
would I have a professional piercer? Why do
it? Why not just do it as sweaty
drunken. But I do think of like everyone
we know, I think Nellie would do
a good job. Yes, you would. I'm not trying to say think nelly would do a good job yeah i'm not
trying to say nelly would do a bad job but i think nelly has the kind of you know uh head on her
shoulders that she would be like maybe i shouldn't pierce ears while drunk at a party she was begging
me she had a needle she said get that ear over here get it over here uh You can go to blankcheckpod.com
for links to some real nerdy shit. Thank you
to Joe Bowen, Pat Reynolds for
our artwork, Lane Montgomery and the Grand American
Novel for our theme song, J.J. Birch,
A.J. McKeon for our editing,
and... No, I fucked it up.
Alex Barron and A.J.
McKeon for editing. J.J. Birch didn't do shit this
week. Enjoy your fucking
vacation.
And your free shout-out. Yeah. shout out yeah jerk yeah we'll invoice you for that shout out later uh
uh we gotta thank of course our delivery or our career teo olsen great performance patrick williams we have to, yeah, thanks, Patrick Willems, who and Marie owes you money for a broken tape recorder.
I don't think it's broken.
I know, I'm joking.
But I did get...
It's just funny that you threw it.
It was about to self-destruct.
Did you have to, like, deliver a microcassette to him to record upon?
No, I just had him record with his own equipment.
And then you recorded off the computer
speaker? Yeah. Pretty sneaky.
Yeah. That was good.
That was fun. That was great. I mean, it would have been cooler
if it was a pair of Oakley glasses that you had to put
on. I looked into it
and they exploded the second you took them off
your face. I do
want to share, though, just because it didn't
end up delivering in time. I did, in fact,
I did, in fact another pen
I did in fact
buy invisible ink and a little
blacklight
what was the plan there
the message would have been written
and glow in the dark
what does it say again beneath the
party I have an invisible ink
pen and blacklight to check
my wedding invitations when people don't write in their names when they RSVP.
It's written in invisible ink who each person is and I've had to use it a couple of times.
So I'm just saying.
I mean, I have so many questions.
We could have made this work, Ben.
But I didn't.
I was thrilled to be surprised.
I've also, I should mention, I've already suggested to Murray that she change the theme of her wedding to the entity.
I think it's an easy pivot.
And I think your parents will be on board with it.
Yeah.
Yeah.
Anyway, thank you all for listening.
And as always, I am genuinely worried to see what bits Ben has prepared for the Oppenheimer episode. I'm going to go.