Blank Check with Griffin & David - Sympathy for Mr. Vengeance with David Ehrlich
Episode Date: July 2, 2023Park Chan-Wook kicks off his famous “Vengeance” trilogy and we kick off another episode where we talk about Ted Danson’s late 90s sitcom BECKER! Critic, friend of the pod, and Crystal Skull-apol...ogist David Ehrlich joins us to chat about Park’s “Sympathy for Mister Vengeance” - a film that shows that revenge is not a dish best served cold, but is actually kind of sad and futile. Come for Ehrlich’s story about his teen trip to Seoul (when he had lunch with Director Park!), stay for the throwback memories of ordering imported DVDs from YesAsia-dot-com and the often misleading branding of the Tartan Asian EXTREME label. Guest Links: Read Ehrlich’s writing at IndieWire Listen to Fighting in The War Room Watch Ehrlich’s Best of Videos This episode is sponsored by: Factor (factormeals.com/check50 CODE: CHECK50) Double Fine PsychOdyssey (doublefine.com/check) Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram! Buy some real nerdy merch at shopblankcheckpod.myshopify.com or at teepublic.com/stores/blank-check
Transcript
Discussion (0)
I know you're a good podcast, but you know why I have to kill you.
I mean, I mean, there you go.
Yeah.
Not a lot of options.
No.
I mean, I know you guys are coming off a Buster Keaton series,
but I think that notwithstanding,
this is about as limited as it gets.
There's a saying,
is a boiled podcast afraid of boiling water?
Yeah.
It is a famous saying.
Sure.
I'm trying to see if there's a
Revenge was never this sweet
Was the US tagline
Which I think is not a good tagline
Yeah
Like I don't think that's
That's the vibe of the movie
Slightly mischaracterizes what happens in film
It's not like he's like
Ah this is sweet
When it's happening right
Yeah
Licking his lips
I waited but it's worth the wait
It's definitely, right? Yeah. Licking his lips. I waited, but it's worth the wait.
It's definitely satisfying my emotions.
Revenge is a dish best served with disposable ice cream cake.
Revenge is never this sweet.
That's the tagline for Sympathy for Mr. Vengeance.
And it's a limited American release. It quietly might be one of the best titles we've ever covered.
It's a very cool title.
It's a cool title title. In Korean,
it's just called Vengeance
is Mine. Oh, interesting.
So it's a less exciting
title. There have been other
notable films with that title.
Yes. And
I would have loved to have been in the meeting
that I assume was happening
at the offices of Tartan Asia
Extreme. We're talking a lot of Tartan.
There's been some Tartan talk.
It's a pretty Scottish miniseries.
Someone came in with a full ass kilt
and was like, I can't.
Oh my God, I almost lodged it.
You actually were better than that.
Yeah, my Scottish is better.
You thought you were done
after you and after Boyle.
I thought I'd never have to do it
the scrooge mcduck of tartan came in about to dive into his pile of asian extreme money
and was like i've got it uh and part of he liked the title well enough no but what a weird choice
it's a good ass time but i do think i do think it applies like i'm a cyborg but that's okay i just
think perfect title should have been in parentheses i
would have put parentheses around but that's okay there are a lot of it look they made a lot of
choices that title gives you a lot of options in terms of what are you capitalizing what aren't
you what's the punctuation um but but i watched this movie and i'm like this is kind of describing
the dynamic here i do weirdly have sympathy for mr vengeance i mean i think
what's most appropriate about it is the sort of like cockeyed sense of humor that overlays to
everything i mean that sardonic black humor is appropriate you do feel kind of bad for the people
in this movie even as they're all doing bad things yes i felt bad for them i didn't think they were
having a good time sympathy is the right word the right word. You do have sympathy for Mr. Vengeance. And Mr. Vengeance, yes, it's sort of like a title that gets passed, sort of.
Well, not really.
One guy's mostly wearing the Mr. Vengeance hat, I guess.
But there's a little bit of vengeance from the other guy.
People wear the hat.
There are portions of the movie where I'd say they're Mr.'s vengeance,
and they would have to share the sash.
Anyone can wear the hat.
And then, of course, someone asks, is there a Mrs. Vengeance?
I'm sorry. Is he going to do Enter the Vengeance verse ever? Anyone can wear the hat. And then, of course, someone asks, is there a Mrs. Vengeance? I'm sorry.
Is he going to do Enter the Vengeance verse ever?
Anyone can wear the hat.
All the vengeful characters in art assemble.
His three.
Count of Monte Cristo fucking rides in the end and into the lake.
Right.
It's like his three protagonists, but then also Count of Monte Crisco.
Count of Monte crisco that's i'm adding him to the list along with monte cristo uh a con well what if we just
what about a monte cristo sandwich does that count well that's why i was saying what the count of
monte cristo is it's just a sandwich yeah like if you did a monte cristo verse you could have
guy pierce and jim caviezelzel But you could also have like the sandwich
It would all be public domain
Including the sandwich
Is that one of those public
The sandwich wants vengeance for being eaten
Let's start this episode
We've started it
I don't know what you're talking about
Are you saying good start?
It's a good start
What about in Enigio Montoya?
Yeah, prepare to die.
He could be in the gang.
Ben, did you Google characters who need vengeance?
No, I wrote my name and you killed my father.
Right, because he didn't remember his name.
But you remembered the line.
Yeah.
Yeah, that'd be good.
Vengeance verse could go very deep.
Yeah.
The bride.
Sure. She's out very deep. Yeah. The bride. Sure.
She's out for vengeance.
Yes.
Was there ever a comic book character like called?
Oh, well, you know.
There was the BJ Novak movie Vengeance.
That one's actually out.
I actually checked and that one's not allowed.
BJ Novak is knocking at the door of the Vengeance movie.
Maybe the supervillain.
Maybe the Thanos.
I'm going to record five podcasts.
You know, Pattinson Batman. He's going around calling himself Vengeance for the whole movie.
Should have called himself Mr. Vengeance.
Until that other guy's like, I'm Vengeance, and Batman's like, hmm, maybe Batman instead
rings better?
Wait, there must be a character.
I checked and I couldn't find one.
There has to be.
90s, three-issue character.
I mean, do the Avengers count Avengers There's Ghost Rider is the spirit
of vengeance. Oh sure I think you can put
him in there. What about
Metal Gear Solid Revengeance
or whatever the fuck that game's called. No I don't think so
I think we're actually
hitting dire
hitting some kind of you know
The kids from Big Fat Liar
Yeah they did it So it's what Bynes The kids from Big Fat Liar. Yeah.
Yeah, they did it.
So it's what, Bynes and Muniz?
Yeah, both doing perfect.
Right?
They're both right now good.
Yes.
So the deal with Bynes is she's suffered in public greatly,
and she's dealing with that.
Muniz, I read some interview where he's like,
I have no memory of my life as a child star.
He's a race car driver now mostly. But he's like a a pregnant like it's like post-pregnancy where your brain
kind of just like papers over and he's like it's all gone like i had a series of strokes and i
don't remember anything doesn't he tweet about like dreaming of murder sounds like a perfect
pre-cog tank murder like that that's him he might be the lead of our movie. It might be time for a comeback.
Muniz?
Getting revenge on the Hollywood that's burned him.
I'm going to keep him on the bench.
He's part of the vengeance force.
You're a real gatekeeper to the vengeance society.
It's just anytime there's a sort of a small little white guy,
I assume you don't want to give him the Muniz, Novak.
Hey, wait a second.
What about your podcasting partner?
You're allowed.
Have you ever played
A character in a movie
That sought vengeance?
Great question
No
Horny Rob sought vengeance
On his virginity
He had to get one over
On his virginity
Of course we speak of
Horny Rob Becker
Yes who comes up a lot
Yes
He's come up a lot recently.
I think I have. Well, Gavin in
Search Party? I wouldn't say it was Vendetta.
Arthur's looking for vengeance because his dad died.
He's trying to solve the mystery
of his father's death. He's looking for closure.
Yep, he's also trying to get revenge on
the terror.
Yes. I have to confess that
throwing Becker onto the horny
Rob moniker did not clarify for me what you're talking about.
Maybe he was going to make it part of the Beckerverse.
Oh, we could do a Beckerverse.
Right.
So get dancing back.
Yeah.
Horny Rob.
And all of those guys.
But also all the other Becker guys, you know.
Yeah.
Who else is there?
Alex Dessert.
Dessert.
Is that his name?
You're saying the whole cast of.
Yeah.
Terry Farrell.
Shawnee Smith.
Shawnee Smith. Of course. Yeah. You ever watch Becker? I'm just blown whole cast of... Yeah, Terry Farrell. Yeah. Shawnee Smith. Shawnee Smith.
Of course.
Yeah.
You ever watch Becker?
I'm just blown away by how many cast members of Becker both of you can name.
I think I can keep...
Jorge Garcia did a season.
Sure.
The guy who played...
You remember the Curb Revenge coffee shop?
Oh, Moca Joe.
Which is another example of vengeance.
So Larry David's part of the vengeance.
But Moca Joe...
Moca Joe was on it, he was in Becker.
What's that guy's name?
Mocha Joe.
Mocha Joseph.
Saverio Guerra.
Sure.
That's his name.
Horny Rob Becker.
Oh, and Nancy Travis, obviously.
Yes.
Horny Rob Becker, part of Beware the Gonzo, a motion picture in which I played the horny.
Zero listeners for this episode.
How can you tell
already? I have a
vision to the future. Wow.
You're a precog in this one.
Zero.
It weirdly might have been our star
The worst precog ever.
I can tell you future podcast
listenership. You're in a different pool.
It's at the murder, you're Samantha Morton's in the murder pool.
It's kind of like piss yellow. We're in the charitable pool. It's like the murder. You're Samantha Morton's in the murder pool. It's kind of like Piss Yellow.
It's a really bad pool.
We're in the charitable pool.
She predicts podcast ratings.
We really can't find a better use for her.
I don't know.
I mean, he's a mutant.
He can't live in society.
He has to live here.
We weirdly went on an extended Becker tangent in our Star 80 episode with Julie Klausner.
That was my main takeaway from the story um yes and then
i was like fuck i should watch becker and becker's on something maybe on 2b or something it has to be
there's not a pluto tv becker crackle it's on something it's on one of the less uh uh shiny
streaming services but i started watching becker because i was like, maybe I'm going to fucking...
There we go.
Becker's good.
I know you're about to say something,
but I stick up for Becker.
Is there a Becker channel?
There's not.
No.
Just Becker on demand.
B-O-D.
Ad-supported B-O-D.
But I put on episode one of Becker.
I know the whole thing is that
he's a grump.
It's from 1998,
and of course he's a grump.
But I was like texting Marie
and Ben and David.
9-11 hadn't even happened yet. 9-11 had. Becker's a firmly pre-9-11 showump But I was like texting Marie and Ben and David 9-11 hadn't even happened yet
Becker's a firmly pre-9-11 show
But I was texting Ben, Marie, and David
And I was like, I'm doing it, I'm starting Becker
Hold open a Becker as Becker walks into the diner
And he's like, what's up with these fucking gay people?
Are you serious?
He's grumpy about everyone
He's an equal opportunity grump
But there basically Isn't a joke
He just comes in and he's like
Gay people are uncomfortable
It was very harsh language
I'm starting to understand why Becker
Has not been rebooted on Peacock
I mean look I just think of Becker
As just this interesting little way station
Between dancing's like biggest hits
But I watch Becker
Every week But also lasted like six seasons between Danson's, like, biggest hits. But I watch Becker every week.
But also lasted, like, six seasons.
Six seasons.
This is the other thing I was texting you guys about
was they kept on being like,
the show is a failure,
but we're going to try to give it another year
to retool it a little bit.
And that failure year,
it was getting, like, 20 million viewers.
Oh, totally. Right.
And its final season, they were like,
this thing is just, like, bleeding out.
We have to put it out of its misery.
17 million viewers. So there was a time when you could just, like, this thing is just bleeding out. We have to put it out of its misery. 17 million viewers.
So there was a time when you could just turn to the person next to you on the subway and be like,
Hey, what do you feel about last night's Becker?
And reasonably expect them to have an informed opinion.
Someone in your subway car has watched Becker.
Well, but Becker wasn't one of those shows where you're like, what a great Becker that week.
It was more just sort of like, Becker continued to be a grump.
Correct.
He was a community doctor in the Bronx.
He was always like, I'll tell you what your problem is. Stop eating burgers. And the guy would be like, all right, Becker continued to be a grump. Correct. He was a community doctor in the Bronx. He was always like,
I'll tell you what your problem is.
Stop eating burgers.
Right.
The guy would be like,
all right,
Becker.
Can I share my thoughts on the homosexual community?
Then he would go to the diner.
Yes.
Where there was only Alex Dessert.
Sure.
Is that his name?
Alex Dessert.
Yes.
Who now plays Dr. Hibbert on Simpsons.
Oh,
does he?
Yes.
Did the Hibbert actor die?
No,
the Hibbert actor is Harry Shearer.
I saw that also Carl is now voiced
by a black actor. They've finally...
Maybe he plays both. He might.
I could see that. But yes, no,
they've decided that... Yes, he's also doing Carl.
Yes. White actors are only allowed
to play yellow characters on The Simpsons now.
He's also playing Lou,
the black police officer.
Okay, I think they added one at a time.
They've been,
they've been sort of piecemealing.
I was reading,
um,
Jesse David Fox's piece today about how the Simpsons is good again.
Yes.
And,
uh,
he mentioned that there's this episode where Carl goes to like the black
neighborhood in Springfield,
which we've never seen before.
And it mentioned in a side and Carl's also voiced by a black actor.
Now I was like,
right,
right,
right.
I think a poo is just benched
Is Apu just not in it?
I think Apu's just not in it
He's the one that they just don't even use anymore
And everyone else they've started easing back in
Does Apu need revenge?
Yeah he hasn't appeared since season 29
To the vengeance first
Oh yeah Apu's back
Yeah
Becker
Hattie Winston that's the other actor i didn't mention
do you know what this is she was always telling becker you know what for giving them what for
yeah she was the only one who could talk back to becker yeah actually everyone talks back to becker
yeah he just lights a cigarette and says like god is dead cbs is like up next
fucking more of this shit why can't we get 50 million people to watch this thing
it was a hit this is what i was the number 13 show on television and they were like this is
just let's we're embarrassing becker i just bring back sitcoms where the opening credits are an out
of focus shot of a new york city street and the theme song is just a saxophone going or does
someone go like that means that more people more people watched a down season of Becker than watched the Oscars.
Right, like the NBA Finals now or whatever.
The lowest rated episode of Becker in live viewing did more than every episode of Succession combined.
The episode where Becker stubs his toe and he's just complaining at the office.
Goddamn women with their periods or whatever.
And meanwhile, Les Moonves is like pounding his fist on a desk and goes like, how do I explain this to people?
The colossal failure of Becker.
I go to my country club and people avert my gaze.
Embarrassing.
Anyway, this is a blank back, a podcast about Becker.
Exclusively about Becker.
Don't give Lights, Camera, Jackson any ideas.
I'm going to start shopping.
iHeartRadio, I've got a show for you.
David watches Becker.
Becker is definitely too,
it's too harsh for,
for Lights, Camera, Jackson,
Becker is like old boy.
It's like,
this is the most transgressive.
Right.
Main screen,
four camera,
three camera, six camera.
Well, there was that episode
where Becker unknowingly
had sex with his daughter,
which, you know,
I think is a parallel.
He gouges his eyes out.
Yeah.
Yeah.
Spoilers for next week's episode.
This is Blank Check with Griffin and David. I'm Griffin. I'm David.
So fast. But what's your last name?
Sims. Come back to that
in a second. 129 episodes
of Becker. Yeah.
The whole thing with it was that Nancy Travis
came in at the end of season four.
Because they fired Charlie Speck.
No, they fired Terry Farrell, a.k.a. Dax from Deep Space Nine.
Yes.
And because they were like, your character's too mean.
Becker's already mean.
We're going to bring in Nancy Travis.
And the deal is she's nice. Right.
And that's like the new dynamic.
The minute they did that, the show tanked.
Season five is the ratings in the toilet.
I got to say something to you that I've never said to another human being and hope to never have to.
You know too much about Becker.
Well, you know what? That's actually been said to me
before and also about many
other things that I know about. This feels like a great
moment to announce our first ever official
Blank Check spinoff. What's that?
Every episode of Becker. I just said that.
I'm shopping that. Two and a half years.
You could do it.
Come on.
Is the theme song to Becker just, it's your thing?
Kind of.
He's so mean.
You know this guy's mean.
He hates it all.
I like the idea that once a year we do an extended it's the last dancing without
gray hair correct after becker he's on damages with gray hair and everyone was like who's this
fucking senator like wait like how do i suck this guy's dick this is the coolest guy on the planet
the hair color was also unnatural he's dying his hair because he thinks people can't handle the
gray hair he was always a
partial toop guy i mean obviously his cheers hair is iconic in its own way but partial toop he of
course takes it off in a late season episode no no man could have that hair no absolutely not
somehow absolutely not yes no absolutely not but then uh but then yes on becker he's like dyeing
it orange that thing where people are trying to counteract the gray so much
that they pick a color that doesn't exist in nature.
Yes, right.
Where he's, like, Hershey chocolate brown.
It's also, right, the 90s hair dye was always a little, you know, woof, woof.
It's the two things, basically.
After that, he lets the hair go white.
He puts on a pair of glasses.
Puts on those glasses.
That was his last pre-glasses performance.
I think he has really bad eyesight and was always a contacts guy.
Damage was one of those shows where it was like Glenn Close, Rose Byrne, and then Seven Withes.
Right.
Everyone else was some special guest.
John Goodman, Martin Short, Ted Ditt.
All these people were on this season.
And Zilko Ivonek is the one who wins.
Oh, he was good.
Sure.
Listen, this is a podcast about filmography.
I mean, it's another show that I have never even thought about doing.
You got a babysitter to do this show.
I did. I did. This show is costing me money right now.
It's costing you money.
Every second you talk about Becker, I'm getting poorer.
We'll pay. We'll pay.
Yeah, but we probably pay below babysitter rates.
Yeah, you really do.
Ain't cheap.
Yeah. Look, it's a podcast about filmographies.
Directors who have massive success early on in their careers,
they're given a series of blank checks to make whatever crazy passion projects they want.
And sometimes those checks clear.
Sometimes they bounce.
Baby.
Although you've never profiled a filmmaker who has failed and sunk lower before their check cleared than Park Chan-wook, who, of course, I'm talking about becoming a film critic for the second time.
It's embarrassing.
Yeah.
It's embarrassing.
There is, you know, there's a good little canon of film critic to director.
But we, you're right, this is the first one we've covered.
But he also is one of the few who went from being a film critic to a director back to being a film critic.
That is the embarrassing part.
Because his films bomb so hard.
Yes.
Yes.
I mean, that is low.
That is really, it's really hard to pick yourself off the mat after
that kind of denigration.
It's like human worm
film critic.
And then JSA just sort of dropped into his
lap. I'm sure you guys have talked about by now.
And he was like, I'm back on top. Look, I'm assuming you've talked
about it. That episode's the most touch and go episode
in Blank Check history right now. We've had a hard time
with that one. I've had some good recommendations.
If that episode hasn't come out yet,
something's gone horribly awry.
Yeah, that's true.
If we're starting to release these out of order...
That would be the first time we're just sort of like,
this one will come eventually, guys.
Sorry.
No, it's not going to happen.
We had a really good guest booked.
Yeah.
And he's unavailable for very legitimate reasons
and we're scrambling a little bit.
We're sort of like, yeah.
Yeah.
It'd be easier if it was fucking, you know,
a Becker episode.
Then people would be banging down the door.
They are.
We're getting unsolicited letters being like,
can I please do...
Do Becker.
God, there was like a half second...
208.
Ransom.
Is that why people were protesting out front?
Absolutely.
It's a Do Becker.
Do Becker.
Everyone wearing brown toupees.
I'm just mourning the half-second window
I had to make a great
Kim Jong-un joke
as him being the guest
of your JSA episode.
It closed very quickly.
We're long past it,
but I just wanted to mark the occasion.
But you're not just
jamming the joke.
Oh, yeah.
We had him booked,
and he bailed.
Oh, yeah.
You're trying to bring it back around.
I appreciate that.
I mean, Becker is now
in the intellectual dark web.
That's the only problem.
So he is mixing with a bad crowd.
Yeah.
The Becker would be like,
um,
uh,
fucking,
uh,
uh,
the guy who cries all the time,
Jordan Peterson.
Oh,
that guy.
Right.
No,
he would,
he's not that bad.
Come on.
Could Jordan Peterson have this as a theme song?
Yeah.
The Bronx. He's a doctor
But he's not happy
He's always walking around
But surely he must be nice to his patients, David
No
Is he nice to the one guy who serves him food?
No
Park Chan-wook is going to listen to this episode one day
Because someone's going to be like, show a blank blank check very popular this great honor their fans voted for you just gives
a pop on the sympathy for mr vengeance episode because that's where he really feels his career
began yeah and what the fuck is this this is i love becker this is a problem sometimes as people
dip in to one episode never having heard our show before and it's like why are they being this
disrespectful this filmmaker
talking about bullshit for 20 minutes?
And we're like, we're equal opportunity tangents.
Yeah, we'll do that with everybody.
Right.
Of course.
Much like Becker was an equal opportunity offense.
He was an asshole to everybody.
This is a miniseries on the films of Park Chan-wook.
We haven't even said that.
It's called I'm a Podcast, but That's Okay.
That's what it's called.
And we're rolling with the Western pronunciation
because it would cause an international incident if we tried to say...
I think we would sound stupid and offensive trying to do that.
Park Chan-wook.
Yes.
Park Chan-wook.
I mean, I...
It's a great example of why we're not doing this.
Exactly. That's why we're not doing it.
Yeah.
And we are here to talk about his fourth film.
This is the thing. Our public voted for Sympathy for Mr. Podcast.
They did, but they didn't get it.
And we said, fuck you. But that is the movie we're talking about today.
And our guest today is a different David,
which is why I made you say your last name.
Ah, of course.
It is.
From IndieWire.
From the Village episode.
He's still there.
From the Indiana Jones and the Crystal Skull episode.
You must really be feeling vindicated right about now.
You know, I was going to save this for the end of the show.
Wait, we vindicated about what?
About talking about how Kingdom of the show we've indicated about what about talking about uh how kingdom of crystal skull is a very very interesting movie oh sure yes yes i did the fact that the consensus on dial of destiny has basically been like maybe
they should have stopped at four at the time we're recording this uh i saw the film i haven't
seen it yet by the time this episode comes out there will be a reaction it. I do think we've got a reverse Crystal Skull happening here
because Crystal Skull premiered to relatively warm reviews out of Cannes,
and then when the fans got a hold of it, it was absolutely desecrated.
It may actually play better.
Yes.
Dial of Destiny will play better to people who want the fucking the fucking force awakens treatment given to every
that was your review basically it was just like it is competently made and i i dislike that this
is what we're doing with movies now right before we move off the topic something i was going to
say at the very end of this episode using this opportunity because i did just have this rather
eye-opening experience at can okay so the world premiere, humble brag, of this fucking awful movie
that I then had to stay up
all night writing about.
You were turning the dial.
I was.
I wish I could have
turned that dial,
let me tell you.
And before the movie began,
they showed a very,
some would say,
over long career tribute
to Harrison Ford.
Right.
This eight minute
standing ovation
that everyone's talked about.
And he was moved.
He was crying.
He gave a speech.
A very, very moved.
No, it was entirely just morning glory, right?
Just the scene where he does the eggs.
The first 30 minutes of morning glory.
No, no, no.
It was the omelet.
And he says, fluffy.
Yeah, that's the end.
And yeah, a very moved Harrison Ford comes to the stage and gives, you know, a characteristically
brief and terse speech, but all the more powerful because you could tell how raw the emotion was.
And he said something that I found,
you know, very obvious but affecting,
but he was like,
this, you know,
you have been such a big,
like, part of a part of my life.
Nodding to Callista Flockhart in the audience,
talking about the richness of his existence
beyond just being an actor.
A really enduring relationship.
How long have they been together?
A hot minute.
But he, you know, he know, it was very humanizing.
He was very much like, this is just something I do.
It's something I love, and I love the response that I get.
And I, as someone who, listeners to this podcast may remember,
is famously sort of not, I don't feel a deep personal connection.
You're not a huge Ford guy.
I believe your quote was.
Well, we're going to get there.
Okay.
I'm sorry.
I was very moved by this
And that feeling evaporated
You know over the first half an hour
Of the film that followed
But yeah so I
Something that has haunted me
On and off for like 8 years now
Whenever I was first on this podcast
I think it was your first episode right
We recorded The Village
Because like Star Wars was coming up, I think.
Uh-huh.
Yeah.
Or no, it had just happened.
I think the episode
I did after that
was Indiana Jones.
Well, my question was just,
was it that or was it
on the Crystal Skull episode?
No, I think it was The Village.
Oh, because...
And the reason I know
is because what had happened,
and we don't have to get
too heavy about it,
was that it was about
six weeks after my dad died,
and all these celebrities
were dying.
And it was like,
David Bowie had just died,
and someone else died in the same span.
I think Abbas Karastami died that day.
I think that's what spurred the conversation.
Karastami died in the summer
because I was at the film festival when it happened.
Some filmmaker died that day,
and you were talking about how impactful that was on you
and saying,
and I'm not someone who usually gives a fuck on celebrities.
Sure, and Abbas Karastami died on July 4th.
Yeah.
Land of the free.
And I made a sort of offhanded comment
about how I wouldn't be sad when Harrison Ford died.
It was partially me just fishing for an example.
You were being a stinker.
I will feel nothing when he does.
And I challenged you right away, I believe.
You're being a bit of a becker, to be honest.
I was being a becker.
He's been my dividing rod for a long time.
Ehrlich and Harrison Ford are kind of two competing beckers.
Two people putting up steely friends.
Oh, this is the perfect music for me talking about my dead dad.
Keep going.
Keep going.
Sorry, go on, go on, go on.
This is what Becker would be hearing when he was talking about his grief.
But I was coming from this space where I was kind of defensive,
and all of these public and performative protestations were happening around these dead people.
Are you apologizing for a blank check clip?
I am, goddammit.
Have we gotten big enough that we have to do this now?
No, because what's going to happen
is Harrison Ford will die one day.
And immediately,
one of those fucking weirdos,
God love him,
who listens to this show,
is going to come for me with the knives out.
Sure, sure.
You have to get ahead of this.
You will feel bad.
I will feel bad,
because not only will I feel bad
just because it was an offhanded and irreverent remark to say
when I was really just trying to process the fact that, you know,
the collective mourning felt very divorced from where I was emotionally at the time.
Right.
But I had now developed something of a newfound appreciation for Harrison Ford of all people.
Well, he's also had a whole thing in his 70s.
Like, he's been kind of, you know, he took 10, 15 years off as an A-list guy.
He did.
And then this whole
like revival obviously mostly centered around all his like legacy projects or whatever but like
it's just a lot of harrison ford just more of him yeah and and also like do be hot oh my god he
you guys will all know this by the time this episode comes out but he has a shirtless scene
in the dial of destiny he's 80 years old he looks better than i
ever will he's fixing rick dalton's roof and he like takes his shirt off it is it is it was deeply
hurtful to see how fucking hot he still is he's once heard the call of the wild we can't forget
that i picked up the phone anyway hello the wild regretrettably I think one of the
One of the big flaws
Of sympathy for Mr. Vengeance
No Harrison Ford
No Harrison Ford
Hmm
Where would he fit in
I don't really see
A Harrison Ford part
What's his vengeance movie
He must have made
A vengeance movie
I'm coming to get you
I mean
Air Force One becomes
A vengeance movie
Yeah
Get off my plane
The Fugitive
Well yeah
Yeah
Yeah
Well yeah But Yeah Well Yeah
But that's more him
Trying to clear his name
Than get revenge
Although I guess he wants
To find the one armed man
Yeah fugitive
But he's not
It's not really
He's clearing his name
In the fugitive
I didn't kill my wife
Right
Presumed innocent
You know
He's vengeance
Against the idea
Vengeance
That's not a word
Sure
Against the idea
Of his guilt
Right I guess there's that
thing of him just trying. He's like some
aggrieved guys. Yeah.
Generally seems like a pretty aggrieved guy.
Yeah. But K19
the Widowmaker hated that sub.
You saying that he was crying
during the tribute
and the standing ovation and everything. Right.
I booed from the stands.
I was trying to remember what movie it is.
I think it's Oz the Great and Powerful
where when Mila Kunis cries,
it burns her cheeks.
Yes, that's right.
That's what gives her these scars.
I imagine Harrison Ford cries so infrequently
that when it happens,
it creates new lines in his face.
His skin is like,
what is this moisture?
Are you swimming?
It was just a very clear indication of how much he gives a shit,
which is something that under his sort of gruff demeanor can be lost.
I think I've said this before, but his inside the actor's studio is amazing.
And James Lipton kind of prods him on like,
you care a lot more than people think you do, right?
And he just kind of like grits his teeth and nods.
Catechize God made her.
Sorry, James Lipton.
Anyway, and here's a great new photo
that I assume you guys have all seen.
Nude?
No, new.
Oh, him on the set of...
Marvel dropped a picture today
of him and Anthony Mackie
having an exchange of ideas.
It's not called New World Order anymore.
It's called Brave New World.
Is it really?
Never been the title of anything before.
I bet you they were like, New World Order's a little too QAnon-'s called Brave New World. Is it really? Never been the title of anything before. I bet you they were like,
New World Order's
a little too QAnon-y.
We need to change it.
Yeah.
I bet you.
I bet you that's what happened.
I think so.
David, is he eating
something in the picture?
Is that a fork in his hand?
No.
What?
Why?
What are you saying?
I don't know.
I just was wondering
if he was chomping down
on something.
He and Mackie are just like
shooting the shit.
Mackie's just got a Captain America shield on his back.
Eating the scenery.
That's all they're doing.
And he will do it.
They're fucking chewing up their lines.
Ehrlich, we should start talking about the subject
of Hannah Bopp, about Parcham,
working on Sympathy for Mr. Vengeance,
but I do just, while we're on the subject of Harrison Ford,
before we close this book,
I do want to say, I don't know if you've noticed yet
but since the last time you've been here since the last time i i'd imagine you've seen him
ben now has something in common with uh late stage harrison ford abs yeah right no what have you got
yoked ben i've been thinking about it we've Ben and I talk about it once every six months.
We go like, what if we did that?
A small plane?
The older you get, the harder that is to do.
So maybe shorten that time.
Tell that to Stuart Wellington.
The plan I've devised is the only way that that could happen is someone,
I'd need to be walking down the street, a van pulls up,
throws a sheet over my head pulls me into the van holds me
captive in a basement for three days
Ben is now putting like counting
this on his fingers
and then once I've lost all
hope from escaping they then force
me to exercise for the next two to three
months. They need to break your spirit
before you begin exercising. I can't
start I need to be yeah just like
totally broken down and then I'll get yoked. Yeah I don't do CrossFit to be yeah just like Totally broken down
And then I'll get yoked
Yeah I don't do CrossFit I do Abu Ghraib
Um
Erlich
Ben Hosley moving on from that joke as quickly as I possibly can
There is something Mr. Hosley has in common
With Mr. Ford
He's got an earring
He got the Harrison Ford This room is not well lit it's actually kind of hard There is something Mr. Hosley has in common with Mr. Ford. He's got an earring. Oh, an earring.
He got the Harrison Ford.
This room is not well lit.
It's actually kind of hard to see from into this glance.
It is very hard to see from here.
But the issue is that you would need...
So now, this is another change that's happened in the six months since I've been here.
Now there are illustrations of all the hosts' faces on their desks.
And they're rather large and distracting.
And Ben's needs a earring.
Oh, you're right.
No, we just
got a thumbtack and hammer it in.
Joe Bowen made these for us. The great Joe Bowen
also got into woodworking and made them.
We have them hanging in the hooks so you know whose desk
it is. But yes, Ben's
does need an earring now.
But yeah, weeks before
turning 38 years old, I got
my ears pierced for the first time.
And Ben is calling it?
No, what are you calling this era?
Oh, it's my
bad boy era 2.0.
I'm coming back around to
being a bad boy. Sympathy for Mr. Vengeance.
Yes. 2003
film from, 2002, sorry,
film from Park Chung-wook. It is released
in the United States. His follow-up, 2005, barely released.
After, I'm still just thinking about what
the other incarnations of Ben's bad boy.
No, no, no, we're not doing tangents
anymore.
Griff, it got a minuscule
release in the U.S. in 2005,
and yes, I do think it was
around, yes, it was after Old Boy. It was in the summer,S. in 2005, and yes, I do think it was around, yes, it was after
Oldboy. It was in the summer, Oldboy was in like the
spring. And it was clearly just to kind of like,
you're like that guy.
You think this is fucked up?
Peter Griffin was running Tardine Extreme at the time.
I mean, it makes as much sense as anyone else.
You think that's bad?
Remember the time I kidnapped my old boss's
daughter? I'm losing that accent fast
No, I remember it coming out
Very shortly after
And being like, already?
This guy's fucking churning them out
It's an old one
But of course, Oldboy had been
It took three years to get released in the States
Two years to get released in the States
This took three years
And then Lady Vengeance
Of course the follow up to Old Boy
Which came out in Korea in 2005
Is actually shot
Around this time when these movies are coming out
That premiered at the New York Film Festival
In 2005
So it was a Park Chan-wook year
I always forget that
Old Boy is the middle one
Because the release in the States was so bizarre.
Also because you're Big Dum Dum.
I'm a Big Dum Dum.
That's fact.
That's fact.
That is fact.
I'm a Big Dum Dum.
David, what is your relationship to Mr. Director Park and his films, especially the Vengeance
Trilogy, this one of which you selected as your film?
I sure did.
This could be,
we might have to have a little story time corner
here. Do it.
It's going to be a story. I promise it's a long walk
worth taking because there is no other filmmaker about
which I have this kind of story that I can tell.
But, I mean, the sympathy for Mr. Vengeance, where I
came to it part, it starts with
our nation's finest film critic
pre-Ben Hosley, and of course
I'm talking about Harold Knowles. know he's i i am someone who has sort of a rule i do not like to speak ill
of other film critics in public love to do it privately but in public i you know i just feel
like one i've been on the other end of that way too often to uh we all work in a marginal field
yeah universally beloved uh we were all working a marginal field. Yeah, universally beloved. We're all working in a marginal field.
None of us are fucking... Yeah, yeah, we get it, we get it.
What do you want to say about Harry Knowles?
Anyway, don't like him.
Sure, big old creep.
Not a great critic,
but the one and truly maybe the only one good thing
that he ever sort of meaningfully contributed to my life
was an article he wrote
that I think brought a lot of, you know,
white teenagers in around 2002 to the table, which was his top ten list of the year.
Yes.
The number one pick on that was Sympathy for Mr. Vengeance, a movie that he was very well aware none of his readers had heard of.
And his entire blurb is all about how you haven't heard about this movie because you are not as dedicated a cinephile as he is.
Right.
Men should feel like shit.
And he discovered it.
And it's like this really gross blurb about how he turned
to his father halfway through the movie and was like,
this could be number three on my list of the ten best
films of the year, and then would update
him over the course of the running time. Just truly
absurd behavior. What did Father Geek say
in response to that?
Father Geek's side of the story is not well represented
in the blurb, I have to say. But at the
time... You took it
seriously enough. I took it seriously enough that I was like,
I will go on YesAsia.com and I will import this region.
Wow.
You said yes to Asia.
3D DVD.
And it was illuminating for me.
It was quite a visceral experience.
So you saw this before Oldboy.
I did.
So I was...
You had not, I assume, seen Joint Security Area.
I saw Joint Security Area about six weeks after,
which is how long it took that DVD to come from YesAsia.com.
And you said region-free discs.
Region three.
Did you have a region-free player?
Oh, I sure did.
I got one for about $49 at a local junkyard.
Junkyard?
Was Creech there?
Did Watto sell it to you?
Hey.
Two different jokes.
Same vibe.
It will play Eureka Entertainment
discs.
They are better commentary.
You know, Wado famously worked at Kim's
for a few years.
But he only accepted hyperdrive parts.
Very annoying.
He was on porn.
Too many.
So when Oldboy was
programmed a competition to can,
I was all over that. And when it won an
award, I was very excited.
But my
real
interesting story with Park Jin-wook, and I'll go through
this as close and fast as I can.
Go! Slow it down.
Maybe a story you've heard before.
It all starts in Newton, Massachusetts in 1939,
where my dad was born.
Big dad heavy episode.
I know this story.
Yeah, my dad grew up very poor.
And it always burned.
He was the son of immigrants.
And it burned up his grits,
whatever you want to say,
that he could never afford to travel.
And when he had kids,
he was hell-bent on allowing us to travel in the way that he was never able to and uh when each of his
kids were college age he took all of them on a trip and i decided based purely on the strength
of sympathy for mr vengeance and imagine how fucked up this is that you watch sympathy for
mr vengeance and your takeaway is i I want to go there. Yeah.
I was like, Seoul is where I want to go.
That's the place for me. Duna Bay?
She'll be there.
It was like at the end of Universal movies
where it says, like, come visit the movies,
Universal Studios Hollywood.
It was like, come visit the abandoned, unfinished building
where, you know, his kidney was taken out of his body.
And so I said, I want to go to South Korea.
And my dad said, okay.
And I had a, this was in 2005.
What if you said you wanted to go to North Korea?
He may have drawn the line.
Well, we went to North Korea.
As part of the same trip?
Yeah.
I mean, we'll get to that part of the story.
But there's an asterisk there.
But we...
I hope there's an obelisk as well where that came from.
Asterisk, an obelisk, Mission Korea? came from. Asterix Obelisk Mission Korea?
Uh-oh.
But I had a cousin of mine.
I'm seeing here France has issued an apology.
Sacre bleu.
A cousin of mine who did not in any way, shape, or form work in the film industry,
and is kind of estranged, said to me when I told him about this trip,
I know a guy.
And I was like, okay.
And that was the last I heard of it.
So we go to Korea and we visit the DMZ, you know, the site of the JSA.
We stepped across the foot of the border.
Oh, so you were like Mike Pence when you like went to the border.
You looked all grumpy.
I mean, literally, it's like the Disneyland quadrant of North Korea.
You can have the purposes of saying I've been to North Korea when somebody asked you on a podcast facetiously like 15 years later.
Move along.
A little more relaxed or something. purposes of saying I've been to North Korea when somebody asked you on a podcast facetiously like 15 years later. Move along. And we got home from the DMZ and at our hotel was a note that said Park Chan-wook will meet you at your hotel at 10 a.m. tomorrow morning.
And I was like...
Do you know this story, Sam?
I do.
And I was like, what?
I was very confusing because I was and still am not anyone of any significance and it's
certainly true of my
father and my cousin and it was all very confusing dozens of people hate you online you're very
significant but back then no one even hated me i was yeah no they were just getting ready
they're warming up uh and don't you just think fondly about a time where the only people who
hated you actually knew you right were your friends. Before we had to fucking live online.
I like to think... A world of hatred.
Delusional because of my actual
behavior affecting you on a day-to-day basis.
I like to think delusional or not that the only people
who hate me are those who don't know me, but that may not
be true. But
so at 10 a.m. the next morning,
a limo rolls up to our
hotel and we get in. Park Jae-wook
is not there, but his music producer and
supervisor and frequent musician joe youngwook is there okay uh and a translator and another
producer and we get into limo and it is incredibly confusing for everybody because i am like why is
any of this happening and they are like there's just like this 19 year old white kid here with
his 70 year old father. Like what is happening?
Uh,
and we like made small talk.
They took us up, uh,
about a 40 minute car ride to the highest mountain,
the highest restaurant rather in Seoul,
this unbelievably extravagant,
uh,
place at the top of the mountain glass,
Florida ceiling windows,
seven course me.
I mean,
it was so over the top.
I cannot remember what we talked about.
All I know is that my social anxiety was going absolutely through the roof as my dad was like just being i was very
very strange scenario and i still couldn't totally through a translator oh totally which is also its
own experience who could do right who was completely incapable of explaining to me what any of us were
doing there yeah someone had said some kid here, and there I was in this car
with the kid. So then after this delicious
meal, they took us to
Park Chan-wook's office.
Did you guys pick up the check?
Yeah, we did. It was like,
no, we absolutely did not.
I mean, it would have been
as expensive as the rest of our trip combined.
And they brought us to Park Chan-wook's office
where he was essentially doing a victory lap
right after Lady Vengeance had come out.
Okay, so he's completed the trilogy.
He had, but I was,
it was in the period of time
between when Lady Vengeance came out in Korea
and when I was dying to see it
at the New York Film Festival.
And he brought me into his office
and he sat down and he came in
and I was like, hi. He was like, hi, I'm Park Jae and he came in and I was like, hi.
He was like, hi, I'm Park Chumuk.
And I was like, hi, I'm David.
And like, that was basically all I had.
And we talked for an hour, mostly about Robert Aldrich.
Wow.
Because he was really high.
You just seen a Lee Marvin, Robert Aldrich Western and was like super high on it.
And we were talking about like Quentin Tarantino.
He's really dubious about the idea of his movies being remade, by karen tarantino it would be rumored to be uh and i never
really got a clear answer as to what we were doing there or how we'd gotten through the door i think
the best explanation i have is that uh he the idea that his movies were sort of permeating beyond
korea's borders in a meaningful way of itself that's exciting enough to him that like young
film nerds were that excited about meeting him
I think was enough
to sort of open the door and just
pick my brain about how I was watching
his movies and how they were being received.
But he wasn't interrogative.
He really just wanted to talk about movies.
And he was delightful.
And I spent time with his wife and daughter
who were there.
And then, yeah,
I became friendly with Jo Young-wook.
And then I went on my way.
And I interviewed him as a film critic for Stoker
a few years later and made sure not to mention this
because it would have been horrifying.
And he didn't remember?
Oh, of course not.
No.
But that was my first interview that I had done
with a filmmaker.
And I remember him saying that I was a terrible interviewer,
but I was a good film critic because I just kept telling him
what I thought of his movies rather than asking questions
because I'd never done it.
And that was my Park Jung-wook story.
It was delightful.
Anyway, that was the longest monologue I think anyone
has probably ever given on this podcast.
No, no, it was great.
We've had some monologues.
My RoboCop episode is basically one unbroken monologue.
Should I just keep doing this? I call it my RoboCop episode. It is your Rob unbroken monologue. Should I just keep doing this?
I call it my RoboCop episode. It is your RoboCop
episode. But there are photos of my dad
arm in arm with Park Jin-wook. That's wild.
Very surreal. I am like trying
to fucking like dissolve into a
monologue. Yes. I've never
been so mortified in my life. As someone
who like hates putting people out, and my dad
loves putting people out, I was just there
being like, don't you have better things to do? Like like don't you shouldn't be working on like the subtitles for this
movie i'm dying to your question or like right i mean you're saying like he he maybe was just
kind of so excited that this his movies are crossing over into different countries the idea
he was like finally some white guy isn't harry Knowles has seen my movies. But I also, when I was young,
I mean,
around the same ages,
I feel like I had
experiences like that
of like,
people I realized
who I either found
on Friendster
and sent messages to
or went up to
after like,
readings or screenings
or whatever.
Friendster.
Who would actually,
I'm pulling out
the Friendster,
who would actually
like,
give me the fucking
time of day
and like,
talk to me about
this shit. And I was always like, why the fucking time of day and like talk to me about this
shit. And I was always like, why the fuck are they doing this? Right? Like why? And with distance,
and a little bit of maturity, I truly think it is if you're at that stage in your career,
you are so fucking tired of the industry at large and the amount of conversations you're having by
people who are like trying to get something out of you or are really like gaming themselves around you that i do think there's
some point where it's like i just want to talk to like some 15 year old who just has
a very earnest excitement about this and he fucking loves movies yeah and he like he will
famously race to finish production days so he can go catch repertory screenings of you know
whatever's playing in local
theaters. And that weighs
on him more heavily than getting
the shot right in certain
times. So he really just
loves talking about it. I think he was curious
about how those
Hollywood filmmakers from the 70s and 60s
are faring in contemporary estimation.
He just wanted to talk about that
stuff and it was a little break for him.
It's like when Hideo Kojima has every single person
you've ever heard of come into his office
for a selfie these days.
It's sort of the equivalent of that.
We need to start doing that.
We need to find our own version of the Criterion Closet
that's a reason for people to visit here
and take a picture.
Yeah, come through.
Get a photo booth?
I feel like we can do better than that.
Maybe we get our arcade cabinet and you play X-Men with us or whatever.
Yeah.
Yeah.
And you take a picture.
Like the draft house that just has NBA Jam.
Well, NBA Jam would be fun.
Heating up?
Huh?
Heating up.
Yeah, sure.
Right.
No, I do.
We've had 10 conversations about this.
Well, excuse me.
You're often the instigator. I'm not the inst't. I mean, I do. We've had 10 conversations about this. Well, excuse me. You're often the instigator.
I'm not the instigator.
I'm giving you information.
Who's the Becker?
Who's the Terry Farrell?
That's the question.
I think I'm the Terry Farrell.
In every friendship, there is a Becker and a Terry Farrell, as if I know what that means.
Anyway.
Terry Farrell, you know, she was Dax.
Sure.
Shepard?
Yes.
The original armchair expert.
Yes.
Dax Shepard.
No, she's Dax from Deep Space Nine
Of course
My long winded way of saying
I ride or die for Park Jin Wook
We go way back
This is a very pivotal moment for you
Because I feel like
For most
Western
Viewers
Yeah
All Boy was probably
The entry point
But not for thee
Right
Drive back around to
Mr. Vengeance Is there a Sorry Keep drive back around to Mr. Vengeance mm-hmm
is there a sorry keep making that joke
yeah that's the other joke to my I think
he should do Uncle Vengeance though go
back go back to the well
Vengeance is fun Vengeance is fun oh
I'm seeing here the park 10 looks pitch
for me Vengeance would not be fun
actually at all it's just that scene.
Very disturbing.
That scene from Under the Skin for two hours.
It is wild how different these two movies are.
I mean, I know the whole thing is that these first two, right?
I know the whole thing is that they were not designed to be like companion pieces.
And then at the press conference, people were like, so any reason you're making two Vengeance movies in a row?
You seem very Vengeance-focused, bro.
He's like, it's a trilogy.
Sure.
He pulled a Vin Diesel on the red carpet of Fast X being like, actually, people are telling me it's three.
Universal's begging me for a third.
That was him saying, that was him, that's him trying to cover for the Hobbes thing, in my opinion, now.
I think that's what that is.
He knew about that.
I think that's part of it i he knew about that and he's sort of like it
and i think he's trying to be like even though i won't be in this because it's contractually i'm
not allowed to be on set it's part of my trilogy can we do one minute sidebar on this sure this is
i just for the that's that's about three becker themes if you want me to play it for the listeners
to understand this is a minute sidebar on top of the 30-minute sidebar
we did before we started recording
on this very subject.
I think Universal and Vin Diesel
have a very complicated marriage
in which they kind of can't exist
without each other,
and it is their most valuable franchise ever.
Right.
It's kind of like, you know,
that movie fucking with Ingmar Bergman.
Ingrid Bergman, not Ingmar Bergman.
Carry on.
Sorry.
Go on.
What's that movie called?
Gaslight?
No.
Keep going.
I missed the context.
Yeah.
You know, complicated marriage.
Like, they don't actually want to break up, but they hate being together.
But where would they be without each other?
Making these movies with Vin Diesel is logistically impossible, right?
And he had always been like 10, 10 the goal is 10 when they were sure on five and six and people were like how many of
these you're gonna make he's like it's always been a 10 saga has been the idea yeah then they get
close to 10 and he's like what if 10's a two-parter right right suddenly you can't let it go it's like
Tarantino's retirement it's like you start going like I'm not gonna retire when I'm 50 I'm gonna
retire when I hit 10 movies.
And then 10 becomes a two-parter
and things start not counting.
And now he's suddenly like looking down the barrel
of only one movie left.
And he's like, well, I said I would stop at 10.
So the only thing I could do is spread out
how many films 10 is.
Yes.
And he's doing the DiCaprio, Wolf of Wall Street.
I'm not leaving.
I'm not going anywhere.
We haven't even gotten Cypher's origin story yet.
No. No, there's a lot to do.
But that'll be its own. I don't want
that. I mean,
I could do a whole fucking
thing about Cypher. Joint security area.
Big ass hit.
It was a big hit, and one might call it
in the parlance of our stupid podcast
that you fools are still
listening to. Yes.
A guarantor.
Yes.
Something of a guarantor.
Something of a guarantor.
A breakthrough film.
Yes.
The most successful Korean film of all time at that moment.
Yeah.
That's basically as big of a guarantor
as you can get.
So does he make,
try security area?
Very easy.
Does he rest on his laurels?
No. He decides to make sympathy for
his vengeance which in my opinion it's a bit of an edgy film yeah with some dark themes yes if
you were a tartan executive you might even call it asian extreme uh yeah i mean he had wanted to
make this before joint security area and not from Marriage, although that's another good example.
Ben texting that.
Ben just texted Scenes from Marriage.
That's Ingmar Bergman, which I know.
But did not have the juice to pull this one off before JSA.
Didn't have the juice to get it made.
And also, I don't think he had the filmmaking craft.
Sure.
Yes.
The chops.
I could see that.
the filmmaking craft.
Sure.
Yes.
The chops.
Yeah.
I could see that.
He, you know,
was very happy that JSA had done well,
but he said he was also
quite scared.
It's tough to follow up
a hit like that.
And JSA was,
as we've talked about,
sort of that
M. Night Shyamalan
sixth sense thing of like,
I'm going to design a movie
that cannot fail.
Sure.
That will get finance
and will be a hit.
And now he's in the position
of like,
what do I want?
Now I can do something I want to do.
I cannot succeed.
Right.
He said he wanted,
you know, JSA obviously is about
the literal and political divides
between North and South Korea.
Sympathy, Misrevengeance,
he wanted to deal with the social
and economic divisions in South Korea.
Okay?
So this film does have a lot of social commentary.
It also is an incredibly bleak, strange, funny thing.
Yes.
That subverts audience expectations quite a lot, I would say.
I was trying to...
Whenever you're like,
I now know what this movie is about,
the movie changes or just, you know,
kills someone or does something crazy.
This is what he's trying
to do in trio but trio feels kind of callous and flip about it and doesn't have the same
he doesn't have the tonal control but this has that weird remove that odd feeling of like am
i gonna laugh am i gonna scream am i gonna squirm am i gonna cry i am mad at our viewers for picking
this director a director I like a lot,
and making me watch this movie again.
I forgot how distressing this film is. See, this is what's interesting,
and we'll talk all about this fucking next week,
an episode we've already recorded.
I have such a tough time with Oldboy.
Oldboy is not a picnic.
I mean, I'm not putting out the gingham towel there.
I was watching this, and I was like, what a relief.
Well, it's mostly,
you know,
that a child dies in this film.
You know,
that's mostly
what I'm talking about.
Yes.
But,
Sympathy for Mr. Vengeance.
I was just trying to think
of like a modern analog
for what it would be like
for the director of JSA
to pivot
to something like this.
And it was like
if Denis Villeneuve
had made Prisoners
after Arrival
or if Tom Hooper
more accurately
had followed the King's speech
with Sympathy for Mr. Vengeance.
That's funny, the second thing you did,
but the first thing you did is actually a good call.
Like, right, if Prisoners was your follow-up,
where it's like, I want to go as dark as possible.
Yeah, I mean, it'd be a very agreeable film
that really brought everybody in.
Funny.
I mean, that's, you know, just a hilarious movie.
I think I once called it the least funny movie ever made and i think i was right i may have relayed that uh
that phrase to one of the stars of prisoners at a certain point guess which one yeah and then he
built a prison for you in his shower right he put you in a wood box with a tiny no comment
uh anyway uh journey to italy was the film was the ross oh sure that marriage is
fucked up um okay here's parks talking about himself i don't make genre films okay buddy
but i don't completely escape from them either this film viewed from a broad perspective is a
hard-boiled noir if you keep narrowing it down though there's nowhere to escape so he likes to
play around he likes to go into the cracks of the genre and go somewhere different okay what suits my taste
is a movie that excites curiosity about genre and takes the viewer to an unexpected place he says
yeah i mean i think he and a number of his contemporaries bong joon-ho being the most
famous of them sort of came up at a time where the South Korean film industry was booming. It didn't last for particularly long because with the economic collapse, the big companies became a lot more restrictive.
But whenever great filmmakers arrive en masse, it's usually because there are these periods of flexibility.
But they were able to make movies because they found opportunities to insert their own peculiarities and eccentricities and personalities into the soft parts between
genre and like that is what they do so well as they take these these genre stories and inject
into the marrow you know between the the parts that we expect from a movie like this their own
material and uh one of the great tensions in this movie is that between genre and expectation and
it's like one of the yeah
one we'll talk about it as some of the themes around the movie the tensions between objectivity
between um uh song kang ho and then the guy who kidnapped his daughter there is some of that
detected a little tension i found i picked it and it's pretty subtle but i
noticed a little bit of tension between any two characters in this movie
tension between any two characters in this movie? Well, I mean, I'd say, you know, there is not a lot of tension for a while in this movie in its way. It's what I kind of like about it. But it
gets there. It certainly gets there. I do think it's also like, you know, we talk a lot about how
much David, you and I, Sims, like the Video Archives podcast.
Yes.
And so much of what Tarantino and Avery choose to cover on that podcast
are these like completely forgotten
B revenge-o-matic movies.
Totally.
Often non-American versions, right?
Sometimes.
And just like hearing them describe
these movies that I have never seen,
will probably never see,
maybe is illegal to watch.
Right.
Jim Bob's Shotgun or whatever.
Right. And they're like, Warren Oates is really good in it. I is really good and i mean i'm like i'm sure i bet he is yeah um but it makes you realize like it's such a weirdly durable genre of just you see someone get
wronged in the first act of a movie and then the audience just goes i give them permission to do
anything to balance the scales right and? And sometimes you make the version
of that movie that's a little haunted, that's got
a little bit of blood on its
hands and guilt on its conscience and
whatever, but it still is this thing
of like, if they kill John Wick's dog,
we are now all on board to watch four movies
of him murdering everyone.
You know? And beyond that,
what Tarantino...
Did you read Cinema Speculation? No, I need to read it. It's very good. I thought it was funino did you read cinema speculation no i need to read it it's
very good yeah i thought it was fun did you read speculation um he loves those movies that just
have one moment in you know the rolling thunder it's tommy lee jones being like you know i'll get
the guns right you know like he like just that like where the whole audience is gonna go like
yeah right like and obviously charke john wick has that with michael
nyquist saying oh right or you know like you know like we he tarantino loves those little kind of
like explosive moments there's basically no point in the history of film where that is not a
financeable concept right if you just have a lean clean revenge plot people go like i can get my
hands around that i understand what that is Put the right star at the center,
you have a movie, right?
Right.
And it exists in every country.
Every decade has its own versions of it.
There are their own versions of it
within sub-genres and everything.
Yeah.
And I think Park is so, like,
interested,
the whole thing with the Vengeance trilogy
is like,
no, but what is this, like,
actually removed from the movie of it all?
And this is a movie that, like,
places you at a weird remove from everything, right?
Has this sort of control.
This thing seems weird to me.
This distance.
And throws a lot of very odd character elements into it.
It's a direct reaction to what you were just describing.
Exactly.
Where, like, from the very first scene of the movie, which is this, like, parodically warm and fuzzy.
Like, what could be more over-the-top and cartoonish
than someone calling into a radio show, like,
Dear Delilah, like, my sister needs surgery,
and, like, I need the...
You know, and it's immediately setting you up for a fall
that is more interesting and nuanced
than just the idea of getting you to sympathize
with this one character before transplanting your sympathies,
pun intended, to another one.
And he's not going to give you a single fuck yeah moment.
There is not one.
There is not anything approaching.
No, instead you're going to go,
what is going on?
Like, what the fuck?
Like, when the guy is trying to kill himself,
and you're like,
if you haven't been paying attention,
you truly won't know what's going on.
If you have been paying attention,
you don't really understand what's going on.
No, and even if you, like,
don't have empathy for these characters,
like, sympathy is the word.
Thank you, Tartan Extreme or whatever who threw it on there,
where you're just watching it and you're like,
everyone's just fucking up here, you know?
Like, no one looks cool.
They're making, like, kind of unforced errors.
Junabe looks pretty cool.
I mean, she's pretty fucking cool.
She looks insane.
Hot communist.
She fucking rules in this movie. She looks insane. You are a hot communist. She fucking rules it in this movie.
She is incredible in everything.
I absolutely need listeners of this podcast
who may know her from things like Cloud Atlas
and maybe to a lesser extent the...
She's in The Host.
She's in a lot of stuff.
But like the Hirokazu Kureta film,
Air Doll, which only I think is a masterpiece.
But we have our little end of the Wachowski series, Dune Bay trilogy of Cloud Atlas, Jupiter, Sene, Sense8.
The words that I need to say on this podcast in order to feel like I've done my job are Linda, Linda, Linda.
Yeah.
Look into it.
That's a Japanese movie, right?
It sure is.
And man, is it good.
They're a band, right?
They're a band.
They're a high school band.
She, I believe, is a Korean exchange student
who's come in,
and she becomes part of their friend group,
and they play this song by the Blue Hearts
called Linda Linda.
It's amazing.
I was obsessed with that movie for like 10 years.
Here's what I have to say.
Duna is bae.
She is.
She sure is.
So Park Chan-wook writes this film.
He said he was giggling from start to finish
as he wrote it.
What a little stinker.
If I want to give one keyword for this movie,
it would be irony.
He says, I don't think audiences are going to laugh out loud a lot or anything
as they watch it.
But I do, he does,
yes, the film is grotesque.
It's also comical.
These characters are nice people
or they believe they are nice people.
They don't know what they're doing
is going to turn out badly. And they don't don't think that you know including the kidnapping and all that
well that's you know they're caught up in destiny and social structure sure and all this stuff you
know before they commit the he's basically like they don't they commit evil acts without thinking
you know without committing to an evil act well it's a lot of coen brothers movies stew on this
same sort of thing right the kind of like a neptice you know the people who pull a crime
off without really understanding the way things work and get in deep over their heads and continue
to fucking trip over themselves that all this for a little bit of money kind of thing but but this
one i feel like you have people doing confusing things that are kind of funny, and then immediately the air is released from the balloon when something deeply upsetting happens.
You never get to really laugh at them for too long.
No, because, I mean, you laugh at the idea of someone having a screwdriver jammed into their neck.
Right.
And then you maybe laugh when the blood comes guising out.
Yeah.
But then the scene immediately resets to, oh, there's someone being raped in the corner.
Right.
And this heroin addict mother is watching her son die.
And it's complicated.
But I think, like, the real tension in the movie
is summed up perfectly for me.
The one shot that really epitomizes this movie
is the shot after the scene
where Song Kang-ho's daughter's ghost visits him.
And, like, five or ten minutes later,
there's just a shot of water,
the water that her ghost left behind
trickling along the floor.
And something that Park says on the director's commentary
is like the actual reality
and the reality in a person's mind
are coexisting in this world.
And that's really the big tension in this movie
is between the subjective and objective realities
of what's happening.
And obviously that plays into the account of like how they feel about their own choices,
if they feel righteous about what they're doing, moral or not. But yeah, I mean, the way this movie
is shot, it's all about emphasizing this angular, you know, widescreen objectivity versus, you know,
these very human heightened but resolutely
indivisibly human characters moving through it.
I think that's a thing he's incredibly
good at and does throughout his entire
career is the
I'm not going to
spell out for you when we're in reality
and when we're in someone's
subjective
It would be cool if there was like a
you know But i like that that
you don't you you tiptoe in and out of these things very quietly and softly it lets you have
that sort of unsettled moment where you're like is his daughter back like could this be true like
you know which is such a sad thought there's another thing i love i forget who who said it
but there's that that old saying
of like give an audience one plus one and allow them to add it together and they'll love you
forever wow which is basically like teach amanda fish that's the principle right but it's like
if you're if your movie is just dumping exposition on people and over explaining everything people
start to get passive and they sit back and they're not engaged, right? And it's not like you need to give them
a difficult equation to solve.
But you give them the two pieces
and allow them to put it together,
they suddenly, they lean in.
They're like doing the work on this thing.
It's like I'm teaching my son to spell right now.
And every time you try and like sound out a word,
he goes, don't sound it up.
He screams at you.
But then when you watch him spell like,
you know, he's obsessed with spelling streets. So watch him spell like you know he's obsessed with selling
spelling streets so it's like vanderbilt and you see him putting it together and the light on his
face right transformative you like people feel it's why people love like fucking mystery movies
and shit you know because it's like i'm involved trying to get ahead of this thing but he does you
know it's such a an easy thing to do but I find so effective in this movie of like,
he basically always gets into scenes late and gets out of them early.
So you're always a little displaced when you cut into a new scene
where you have to go, yeah, I need to figure this out.
Because he's not easing me in an obvious way.
He's not going to let me sit in it for too long.
Right.
JJ's assembled a lot of quotes that Park has about vengeance.
Okay.
I'm not going to do them all.
Read some.
Revenge is something that makes you happy and invigorates you only when it is in your imagination.
When it comes to actually realizing it, it's never happy and never gives you pleasure because it's an act of total stupidity.
That's one thought.
Okay.
Certainly very applicable to this film.
Vengeance has never tasted so sweet.
The act of vengeance is a meaningless one.
Yes, he says here,
it's a dish best served cold,
and he's attributing that to Klingons.
A profound quote.
And, you know,
it's very human, right?
It does become a dish in Lady Vengeance.
It is a literal dish in that film in a way.
Vengeance and salvation.
If you guys think these two movies are weird,
Lady Vengeance is also weird. We'll get to it i just gotta put on a record that's the mask like that is the movie so fucking good that's my favorite of these this movie is so i think this
movie is really really good yeah yeah um i prefer it to old boy i do too oh do you interesting i
think i do i think i find this movie sort of um lingers with me
and is more disturbing than old boy even though old boy is more like nakedly uh transgressive
or whatever and i think that's why it's more i think the three leads in this movie are so
like bananas good i'm not saying old boy is try hard but it's putting effort into being
transgressive,
whereas this feels like it's just presenting
a very bizarre reality to me.
I'm calling out Oldboy, and if he wants to, you know,
come at me with his hammer.
If he wants to present you in a room for 15 years,
let's as well.
Oldboy versus Becker?
Just think on that.
Did you hear that Taylor Swift is dating Oldboy online?
She took a copy of the Tartan Extreme disc out.
She's dating Odesu.
She's dating the DVD.
She brings it out on stage.
A lot of vengeance.
There are too many vengeance.
JJ, you say in this document that you know you have too many vengeance quotes.
Too many vengeance quotes.
If you don't read all the quotes, JJ might get revenge on us.
This is the problem.
It feels like a test.
I got so many quotes about vengeance.
Yeah.
I got so many quotes about vengeance But you know
This movie certainly is about
The limited closure
Or the limited you know
Happiness one will get
Achieving vengeance
Even if it's the purest
Most just you know like of course
Song Kang-ho wants
Revenge the worst thing in the world
Happened to him yeah and it
wasn't his fault no like at least not in any direct way perhaps also you know endless spiral
yes exactly and any action you take will hurt someone else in a way that could make them want
to get revenge on you um okay so whether or not you're aware of it. The two main actors in this film are both in JSA.
Okay.
Right?
Yep.
Song Kang-ho.
And I struggle with his name, but Shin Hak-yoon, I think, is the guy.
Why are you looking at me?
That's as close as I would get.
Hey, you.
Yo.
So he's got them coming back.
And then Bae Doona, Doona Bae, had made her debut in The Ring Virus, which is the Korean
remake of Ringu.
Oh, wow.
Okay.
And then she's in Barking Dogs Never Bite,
the not very good first Bungie Mo movie.
Yeah, but it's a pretty good start.
Definitely.
And obviously, she is a blank check favorite
in that she has been in three Wachowski projects.
And yeah, she's also in The Host.
She's amazing in The Host.
She is amazing in Air Doll. She's also in The Host. She's amazing in The Host. She is amazing in
Air Doll. Is that what it's called?
The creative movie.
Is she in anything else?
She's in so many things.
She's had such a diverse career.
She was in Broker.
Another creative film.
Yeah, which I liked.
So she's new.
Park says all three of them are geniuses.
He does not overnote in his opinion.
He doesn't want like, you know, whatever, like particular requests for them.
But he does say he hates needless movement.
Well, he talks about that being his big mistake
on his first two films that he tried to treat his actors like action figures right he said i think
he just doesn't like actors who maybe like do a lot of like hand stuff or like fiddle with a
cigarette or any of that weird he's never cast me i hate business and i'm famously still yeah i guess
this is through translation he's basically saying like i hate business yes um no but it makes sense he his films are uh so controlled and there is such
meaning behind any movement gesture image sound you don't want people throwing out errant signals
you know he's trying to keep the the frequency pure yeah this is why i've always felt a twinge
of regret whenever he makes television uh which he's doing again because i feel like he his
particular skill set his virtuosity as a visual storyteller is not suited to the scheduling demands
of a television show that's the biggest fucking thing when people talk about the difference between
tv and film it's like scheduling's the real
thing that fucks you over in TV. You can't
make all six hours of The Little Drama Girl
look like a Park Chan-wook movie because you do not have
time. No. And I am very
skeptical about it. I mean, I'm sure
The Sympathizer, you know, is Robert Downey Jr.'s
show, among other people, will be interesting.
An actor who's fucking famous for business. I'm now
realizing how weird it is. No, but
it looks like the characters he's playing in that
are very normal and regular.
Yes.
But he, like, I just feel like he operates better
and more naturally in the limited confines,
limited canvas of a feature-length film.
It's easier to exert greater control of a canvas this size
versus, like, making a TV tv show if you're directing the
whole fucking thing is like paying the sistine travel or something i don't know if you got this
it was part of like the swag this and out last year but they sent out this massive book of his
storyboards for decision to leave and does he draw them himself i think he might or must a lot of that
stuff goes on the street i gotta be honest yeah i mean this one and they only it's only in korean
uh all the annotations um which is all the more reason why it's difficult for me to get much value out of
but it's like so immaculate cool it's so i mean he he's not as famous as storyboarder as maybe
like bong joon-ho no no he's a pretty favorite his his shots are very complex like but he looks
and this movie is filled with crazy crazy stuff but he's very i'm not saying bong joon-ho is not
but he's extremely attuned to the surprises you get on the day
from his actors and from the location.
Like, he has a plan,
but he is extremely responsive
to what someone like Song Kang-ho is going to do.
Zim's just sticking me with a tape measure.
He loves playing with the fucking tape measure.
This has become his desk toy.
A little fact for you
He stretched it all the way out
And is tickling a relic with it
And now it's just collapsed
A little fact for you
Son Kang-ho, obviously in JSA
Worked with Park, works with him again after this
Thirst
Incredible movie
Really an incredible movie
Probably the best Ebola related movie ever made
Outbreak Didn't want to be in this movie Declined it three times he says an incredible movie. I mean, probably the best Ebola related movie ever made.
Outbreak?
Didn't want to be in this movie.
Declined it three times, he says. Why?
Script seemed a little fucked up to him.
Thought it might not be the most commercial of projects.
But after doing
this, he must have been like, oh, I love fucked up shit.
Yeah. He said basically that he was
terrified of this movie, and I guess eventually they sort of talked him around uh uh as time
passed i realized the reason i must take the part was because it was so anti-commercial and so
shocking would a film like this even be possible it was scary and anxiety inducing but it became
the reason why i wanted to do it so i mean good for him doing it so fucking good as an actor and
park jamuk was then like,
by the way, I'm writing a vampire movie.
This movie looks like fucking Disney.
So just like, wait.
As a human being, as a father.
I don't know.
But he is just, what a presence.
He's the most incredible actor.
He has so much like emotional control,
like in all his movies.
And he can play such a goofball yes right and such a
dummy such a like lovable dummy in a movie that doesn't need a dummy and he doesn't feel out of
place now that's not what he's doing here i'm just being he has the same virtuosity within his own
like instrument as an actor that bong joon-ho will apply to like his cross genre pollinations
and the whole films like he can do seven genres in one shot,
in a way, in, like, what he's giving an actor.
It is the thing that makes the host so effective
is Peng Shun-ho was like,
what if I have him play all of that in the same movie?
What if I, like, frame him
where the audience is going to constantly change
their relationship to what kind of character he is?
Right, he's introduced, you're like,
oh, this is the dumb, you know, side character,
and then he's going to become the hero of the movie but as you're saying we're like like his range in that
sense allows the movies to change genres right on a scene-to-scene basis because his control
of the dial the dial of destiny run he was on is so precise that dial of destiny he can make
harrison for 20 years old in a secondiri, which is this huge hit in 1999.
Joint Security Area in 2000.
This in 2002.
Memories of Murder in 2003.
Lady Vengeance in 2005.
The Host in...
He's a cameo in that.
The Host in 2006.
And let's not forget, let's not forget that he is the voice of the lion in the Korean
dub of Madagascar as well.
Never would.
Wow.
Huge.
He's the stiller. But he also... something that i appreciated re-watching and then like secret sunshine and
then good bad weird then thirst like he his imdb is like jodhpur africa madagascar future ones
maybe he got fired fuck secret sunshine is one of the greatest movies i've ever seen in my entire
life but that's a very special movie that is fucked up in a way that I don't think Park Chan-wook's
movies even try to approach. Like, I
cannot watch the movie again. No, that's like reading this
really disturbing poem and then having a nightmare
three days later. Yeah. But he, something
that Bong Joon-ho and
Park Chan-wook really keyed into around this
time was that Song Kang-ho has
different sized eyes, which
he wears really well. I, who also
have different sized eyes, do not. It just makes me look like I'm fucking deranged. You're a freak. You're a gh wears really well. I, who also have different sized eyes,
do not.
It just makes me look like I'm fucking deranged.
You're a freak.
You're a ghastly mutant.
I am, but I was like,
looking at the close-ups
that they give him in this movie,
and it just allows
that same sort of protean quality
that, you know,
impossibility to place it down
in the same close-up.
Some of the most famous close-ups
in recent, like,
the end of Memories of Murder,
the shots in here,
and the parasite,
him fucking driving the car, like, has become one of the most iconic like shots of
recent you know him him doing the bad you know he's smelling a fart you know in that scene you
know and the guys and also at the end of the birthday party sort of right before he snaps
just like make that guy look at a camera i'm shivering it's pretty effective um murder yeah
obviously he's not even in the beginning of this movie at all, really.
No, it takes a while to come in.
It takes a while to show up.
Anyway, Park loves him.
With good reason.
Thinks he's good.
Yeah.
He's a good dude.
But, you know,
so we're introduced to Ryu,
a deaf-mute factory worker with green hair,
trying to pay his sister's hospital bills.
Yes, very ant-like.
Park Chun-wook loves his ants.
Yeah.
Loves the feeling of controlling characters
like the fates themselves and God.
But also, like, you know,
Stoker is about a woman who has, like,
acute sensitivity, right?
Like, literally, her senses are heightened
in a way where it's like oh great so the whole movie can be in park chan wook vision because
she sees and hears everything like a park chan wook movie and i think similarly it helps that
like you have a character who is so uh it's so thoroughly struggles to take control of his environment
right you're basically like putting him so often the same position as the audience member
where you're like he's in the middle of a scene where he can't really affect change
he doesn't totally understand what's going on and he can't express himself right he's also you know
hell-bent on saving his sister and yet in that one shot that scarred me uh which is
very you know it's a very heightened bit of business uh with the the masturbation to like
those four those four guys who are all uh up-and-coming directors so fucking funny can we
talk about that for 20 minutes it's so funny i always forget the guy i've seen this probably
three or four times yeah always forget that gag it's've seen this movie three or four times. Yeah. Always forget that gag. It's incredible. Oh, really?
They live in the worst apartment complex in the world.
Yeah.
And she's in agony with her kidney disease,
and he is obliviously eating in the extreme foreground
at the end of that shot.
And so, like, even though he cares about nothing on this earth
so much as saving his sister,
he is in that moment,
you're completely oblivious to it
and sort of heartbreaking in a fable-like way.
Well, and you think you're hearing people having sex.
Yes. It does sound like it.
And then you find out it is four guys who are all
lying on a bed together, hands on each other's
shoulders. Now, have you guys ever done that at
Blank Check Studios? Uh, no. Not yet.
We haven't done a Porky's chain. No.
And then, right, the one guy
has a picture of a naked lady taped to the back
of his head and when he tilts his head over the other guy like readjusts it and then the camera pans like
across the wall and it's her writing it's been difficult because ever since seeing this movie
when i was what 18 i can only masturbate with my hand on the back of a friend yeah and there
needs to be two friends in front of that exactly i have to be in the back david knows from experience
yeah um so okay so what else is going on well been on vacation together. I have to be in the back. David knows from experience. But yeah. Yeah.
So, okay.
So what else is going on?
Well, I mean, you know, the early thing in the movie is he's going to get swindled out of a kidney.
Correct.
But yeah.
Is there anything else in this sort of early?
You haven't been there.
All right.
Stop saying all the things in this very strange movie happened to you.
Because I don't think it's true.
Most of these incidents are quite implausible.
You're going to come back on in five years
and apologize for everything you said in this episode?
But the shots of...
If someone's a kidney dealer, not trustworthy.
No.
It's just not a trustworthy position.
Not all of them, David, and that's not fair.
I know.
You're right.
I'm painting with a broad brush.
Ben knows a couple good ones.
You've got to read the Yelp reviews before you sign up.
Okay, well, what if your kidney dealer office
is in an abandoned room?
Terrible.
Well, maybe they're going for a certain design concept, David.
Windy?
Yeah, open.
The aesthetics up there.
I mean, the acoustics are amazing.
And he's there to see the guy slap the sticker advertising the firm.
What the fuck you call it?
The outfit.
Dunkers does work for this company.
He does. And trust me.ers does work for this company. Yeah.
And trust me,
something's up with this place.
But I love the,
the shots of that series of silhouette shots of them climbing the stairs.
Uh,
I mean,
it's,
you know,
you could,
you could argue that it's a bit fat phobic because the whole focus of it is on the guy
in the back who is a heavyset guy and he's like laboring,
but it does sort of call attention to the physical comedy and just
like the the emphasis on human foibles and just basic humanity that you get throughout this movie
about the fates and about uh you know uncontrollable destiny even in the most elaborate
and cartoonish and heightened scenarios the focus is on the minutiae of the human experience like
the comic minutiae of what
it is to be a person well i just love a good people keep making the exact wrong decision movie
you know sure and that is yes right right the changing lanes right and just sort of like what
you're saying the cosmic cruelty of like he goes to try to sell right he can't give her his liver
because they...
He has the wrong blood type.
He's got old blood type.
There's a lot of, you don't have A, you have B.
Right.
And everyone talks to him like he's an idiot.
Yes.
And there's a lot of, like, point of view shots where you're, like, in his head and you can tell...
Which I think is what's so effective about, like, placing him at the center of the movie and making us, the audience, feel like him.
Where you're like, this is so frustrating that you can't express to this person what's going on but uh sells it tries to sell is it kidney or liver sorry kidney kidney
tries to sell the kidney wakes up they've taken away from him they've you can live without a
kidney you need to liver now some people take some of their liver out and then you put it in
someone and it kind of grows which is crazy sure. Sure. But I think that's more complicated. Sometimes you eat it with a nice Chianti.
Fava beans.
Yeah.
Same aftershave you wore at the trial.
Whatever, go on.
Go on.
Can't do animal lines all day.
But of course, it's like,
he goes to see the doctor first.
The doctor's like, really long waiting list.
I don't know if you're going to get a kidney to match your sister any time soon.
No chance.
And then, of course, right after he gets up,
the kidney doctor's like, I've never seen anything like it. This is the fastest it's chance. And then, of course, right after he gets up, the kidney doctor's like,
I've never seen anything like it.
This is the fastest it's ever happened.
Now, of course,
you have $2 million to get me, right?
Or what's the...
What is the conversion?
Classic John Q situation.
I'm not sure
because I'm not sure
what the wand was worth
like 20 years ago.
I do think there's been
more fluctuation in that currency,
but it's about $1,000 to $1.
Okay.
So, you know, they need like
tens of thousands of dollars at least,
maybe hundreds of thousands, you know, like a lot of money.
So now, yes, now he's fucked. He's down a kidney.
Because he took a kidney,
but then he also had to pay money.
Correct. Right, okay. Yeah, it's a real double whammy.
Right, so he's down a kidney and cash.
He's down all his available kidneys.
It's like that time when I had to pay money
to listen to Becker talk for half an hour.
It's a very similar situation.
I mean, Becker is the doctor.
Yeah.
He's not.
I don't know why I said that.
Becker went to Wondery,
that it was like a paywall podcast.
I regret this already.
I have to apologize for that time on the podcast
when I brought the conversation back to Becker.
You brought it back to Becker.
Back to Beck, baby.
So they now need money. They now need money.
Now you need money.
He's got a girlfriend played by
Duna Bay, who is a hot
anarchist.
She's like, well,
how about we kidnap
the...
How about we get some money
pretty much right away.
Has he already been fired at this point?
Yes.
She's basically like,
let's get vengeance on the executive of the company
that laid you off, right?
Yeah.
And I guess they want to kidnap the older daughter, right?
Correct.
Like, they kind of get diverted to the younger daughter.
Yes.
Right.
Yeah.
But, like, why don't we, you know,
kidnap someone and get money for it?
Now, he works at a factory.
That's a bad idea.
Yes.
Yes, he works at a factory.
You see, there's those scenes where, like,
you can hear the noise of the factory in like
that kind of clanging distant way.
It's nothing for him.
What do they make?
Bullets?
Metal.
Depression?
Yeah.
Yeah.
They turn metal into other metal.
It does just look like, yeah, they're just pouring stuff into different things and pushing
it around.
You want this kind of metal?
Uh-uh.
We make this kind of metal.
It was Bong Joon-ho who advised Park to focus more on the factory and make it more of a character.
I feel like Bong Joon-ho is always so attuned to the social commentary of these movies.
Right.
Yeah.
Yeah.
And the Song Kang-ho character, he grew up as not particularly wealthy.
He was someone who became an engineer and worked his way up the company and then sort of developed into the unfeeling corporate boss.
Right, he is not some landed aristocrat,
but he has become the man.
He has.
And Duna Bay doesn't like the man.
They go to try to kidnap his older daughter,
and when they get there, he is already...
There's a different...
This is the scene that is just the most inexplicable.
I think it's great.
No, I think it's great no i think
it's maybe the best thing a man in an act of protest over the same sort of thing right has
decided to commit harry carry in front of him essentially has not done a good job of it no and
instead just kind of done sort of like a half of a cube you know in his chest he kind of cubed
himself but he couldn't get all the way box cutter takes out, like, a box cutter. He lifts up his shirt. It's in a real, real long-distance wide shot, right?
Right, at first, yes.
And it seems like he, like, misses or is, like, air-cutting himself.
That's what I love about it.
He's, like, crisscrossing, and you're ready for there to be some Tom Savini immediate blood spurt.
Right.
But it's like, no, that's not how it happens.
So at first you think, is this guy such, like, an idiot?
Is the joke here that he fucked up, the knife wasn't like you know was retracted
or whatever it is and then you close up on it and you see the lines like start to form yeah you see
the very beautiful park chen wook right way then he throws his shirt down and the blood starts
seeping through the shirt and then everything's just like fucked and their whole plan is so
fucked up by a different guy having a different method for how he wants to punish to be this guy
for firing him i don't think their plan was good to begin with it's not like without this guy yeah things are going to
go seamlessly for them workout contingencies but sure her group because it turns out you know one
of the sort of running question marks of the movie is how serious is she about this whole like
terrorist anarchy business turns out pretty pretty fucking serious yeah um it's kind of a dark punch
line at the end there but yeah she called
wait he had a name for them sorry she just uh she doesn't seem you know she's just will go to
kidnapping the first opportunity she doesn't really feel obligated to think it through he
calls them the chain smoker squad which i think is funny you know and that was uh what the inspiration
for the chain smokers were they were the terrorists of our age i'm seeing here that's not true um but
the musical terrorists they uh the scene is why I am afraid of ever having employees.
And at this rate, it seems like that may be an unfounded fear in my life.
Ehrlich Inc. isn't hiring?
Yeah, no, because I would just be constantly worried about how I was wronging these people.
Ehrlich Consumer Products.
It is wild for like how fucking mogul culture obsessed our world is.
I'm like, this seems like the most stressful shit in the world. Being a mogul manufacture bad obsessed our world is i'm like this seems like the
most stressful shit in the world being a mogul yes yeah i mean i don't know it's probably pluses
and minuses jj's coming for you guys i'm telling you the second the second make a ton of money
fucking retire sure people were like i want to start more businesses and you're just like
everyone's gonna hate you um yeah but you can just kind of
build enough compounds that uh people hating you doesn't it all comes crumbling down eventually um
no just stay offline that's the that's the elon mistake i'm like bro you got money well no that's
the biggest mistake i still think people people should people should retire. I agree. People should retire, bitch. Retire, bitch. So, okay.
So they kidnap this little girl and they bring her home and Ryu's sister thinks they're just like babysitting her or whatever.
They really fudge that plot point.
She's just like, yeah, we're babysitting her.
And she's like, all right, that makes sense.
We often babysit small children for long periods of time.
Of course, you're a great babysitter.
You do it all the time.
When you're not working at the factory
where I assume you are still employed.
They demand lots of money from Song Kang-ho
and then Ryu comes home to find
that his sister has realized what's going on
and killed herself in despair.
Yes.
And that's sad.
And all this was for nothing and now he's got a kid to take care
of right uh i just i think it's the scene where dunabay pitches the idea of kidnapping the daughter
just to go back for a second when they're in the van or whatever yeah well no the the scene with
the two of them in bed i guess oh sure with the mirror between the two of them which i think is
so clever you start that sequence off where the mirror's dead center
at the middle of the frame
so you're only seeing their legs
basically come out from either side.
And then you come around the other way
and you realize like,
oh, well, he's like,
he's mutant deaf, right?
Right.
He's not going to be able to speak.
Whenever he does speak,
rather than just like subtitles under the film,
it just goes full screen black with white text,
which I like.
It really puts like an emphasis on the few times he is even signing anything.
Right.
Um,
cause a lot of the movie,
he just doesn't even attempt to.
Um,
but you're like,
well,
he wants this kind of perfect composition of both of them lying back in bed,
uh,
looking forward,
not looking at each other.
But of course,
if he's not looking at her,
how could he know what she's saying?
Because he reads lips and it's like,
there's a mirror directly in front of them.
Yeah.
That's how they do pillow talk.
Yeah.
I just think it's clever.
And this leads up to what is, you know,
Park has claimed to be,
and I have no evidence to refute this,
the first sign language sex scene in the movie history.
He has said that.
Yeah.
Hot.
What was the one,
there was the movie a couple of years ago
that was a lot of sign language sex.
Coda.
Yes.
Wonderstruck.
No, I have no idea.
Oh, boy.
It's even worse.
It's not called The Tribe?
Was that what it was called?
Yes.
Oh, that's right.
Yes, that film didn't really take off.
It felt like it was about to for a movie.
It is a very interesting movie.
Yeah, I do like that movie.
Coda does have a weird about it Koda has all the fucking things
Koda has a lot of horniness
Marlee Maitland and then
They are fucking constantly in that movie
They keep talking about how
Right where it's like you have jock hits you can't fuck for 48 hours
And he's like I'm gonna kill myself
I'm running this fishing boat into a cliff
But also she'll bring like
Fucking cute sing street boy over And her parents will just be having sex really loudly And also they're like I'm running this fishing boat into a cliff. But also she'll bring like fucking cute
Sing Street boy over
and her parents will just be having sex really loudly.
And also they're like, ah.
First they're making the noises
and she's like, they don't know that they're allowed.
And then they come out and they're like,
by the way, we were fucking
and they do the finger and hole thing.
One best picture.
One best picture.
But there is, I mean, there is a very like childlike quality to the entire nature of the plot.
Not obviously what happens in it, but the way a lot of this information is communicated.
There is that great scene where they're trying to make the little girl who they take otherwise such good care of to look upset so they can take a ransom photo
yes and it's so hard for ryu to like run around the apartment and make her cry um again beating
the beating the drum about like how sweet and nice these people are at least relative to their
what they're doing yes um yeah it's uh really setting you up for fall which comes soon uh so
you're like well most movies would maybe just stew on this for a while.
Oh, fuck.
No, immediately he's going to bury his sister while doing that, his kidnapping.
It's just like the problems multiply at such an aggressive speed.
Yeah.
And obviously he's burying his sister because that place has emotional significance to them, right?
Like that's where they would go as children gonna have some more emotional six right
that whole scene i uh actually as i will confess with uh train spotting i skipped i've seen it
before you you now can't watch it yeah avoid watching scenes i actually watched this with
my daughter uh was four months old she loved it the weirdest thing is i watched all three
vengeance movies
because i guess i think part criterion put them up a couple years ago they're on movie as well
right now they were like last month on the criterion channel they're still on criterion
this is their last month okay we're recording right now yeah uh i watched them all with my
infant daughter too i was like like you're just so crazy in the first six months like your brain
doesn't work you know you're just kind of yeah i first six months. Like, your brain doesn't work. You know, you're just kind of...
Yeah, I remember just being like,
this is funny.
I'm watching these fucked up movies
with my little, you know, potato daughter.
But you also, like,
you play, like, Last of Us with your son.
Yeah, you're worse than me.
That's true.
We don't need to out my...
I don't want, like, the fucking...
I was going to say the CDC.
That's not right.
Child Protective Customs Services?
Sure, sure.
Yeah, they are already on my case for playing
I mean it's so cute
when my son says
Diablo
when he wants to
play Diablo 4
and he does play
and he like sits
on my lap
and he plays it
what does he say
when he wants to
watch Pablo Pascal
though
Pedro Pascal
oh fuck
god damn it
wow
it's not like
anyone talks about
that guy
Pablo Shriver
yeah he loves him
he likes the live-action
Halo just to clarify when Ace is listening back to this and I've done the several episodes later
down the line apologizing for talking about showing my son yeah these horrible things uh
he is not aware there is a Last of Us television show he's oh sure really really hooked on the
game then we got the Star Wars right we got the Star Wars survivor and I'm really trying hard to
be a good dad and sell him on Zelda.
But he has no fucking interest.
If you say the word Zelda, he will say, no, I don't want Zelda.
Zelda is colorful and filled with cute monsters and stuff.
You build stuff.
The blah, blah.
Maybe if Zelda had more levels that were about what time it is.
Yeah, well.
Your son's favorite activity.
That's like two fixations ago.
You got to keep up. I don't know. I ran into guys on the street the other day and asked them what time it is. Yeah. Well, your son's favorite activity. That's like two fixations ago. You got to keep up.
I don't know.
I ran into guys on the street
the other day
and asked him what time it was
and he was pretty excited
to read off the watch.
He still got his watch.
He still got that watch.
It's true.
He was mostly excited
to see Uncle Griff.
He's all about streets these days.
Yeah.
He's the kid of the streets.
Yeah, so,
you know,
the little girl dies
and then we sort of
that's the point
at which we're sort of
shifting more
to Song Han-ho's character.
That is sort of
the Tom Pass.
How do you guys feel
about the character
with cerebral palsy
who is played by
Ryu Seung-bum
who is the director
of another major film
that came out
right after this
called Crying Fist
which I highly recommend.
It's like the pre-Warrior
version of that story
about two boxers
who are both
the main character
and like who's going to win.
Sounds great.
It's great.
Wasn't there a cute
episode recently?
The Berlin Vial.
We were talking about it.
I love Warrior.
But like that for me is,
it always sort of throws me.
It's a little much.
It's definitely an expression
of like the forces of fate
that are coming in here
and intervening.
Yes.
But it's very over
it is it is a lot i feel like there's a lot of that in these 2000s like yeah like i don't know
they couldn't cast they wanted to cast an actor with cerebral palsy but it was unsafe around the
water for the actor that they hired and so they pivoted away from that whether or not that's worth
keeping the character i don't know uh but it is it's it is
obviously like jarring to just that that's happening at the same time as this like completely
horrifying thing like because initially obviously it's happening in the background you don't even
god it does feel like it's it's a little just sort of like it's a narrative convenience to have
someone who yes but it's going going to pin themselves in your mind
without really having time to
develop them as a character.
Why doesn't he just have a loud pair of sneakers?
Well, it's used as a device, I think,
to return us to
this place so that
you get, you know, you're back and you're looking at
shots of stones an hour later and that guy
ambles into view.
It needs to be, like, shorth but it's like it's just beatboxing i think it's also you know deliberately knocking
this movie out of one plane of reality and into this higher sort of echelon of of we're in a
different poetic abstract kind of space sure uh fine which goes hand in hand with like there's
a tension between that attitude and the grimy reality of this crime story yeah but yeah it's always a it's a big choice it's a bit of a
big choice i do think it is mostly there it's so right so you immediately clock like yes that's the
same guy right um i don't think it's necessary particular but it is kind of you know whatever
nightmarish yeah or adds to the nightmarishness In the Spike Lee remake They cut that character
There was some
Consideration of a remake
Of this movie in Hollywood
I don't
This is the one
Understand
What that would be
Insane to remake
Because they remade
Old Boy
Yeah
And kept the twist
And that legit
I'm like
Yes the movie didn't work
Or didn't succeed
But I could see
A version of that movie
Making 30 million dollars In the US But not this It'd be like James Mangold Sympathy for Mr. Vengeance That's who they'd get or didn't succeed. But I could see a version of that movie making $30 million in the U.S.
But not this.
It'd be like James Mangold
Sympathy for Mr. Vengeance.
That's who they'd get.
Turn back the dial.
Look,
I like Mangy
more than you do.
I'm just saying,
they'd get like a down-the-middle
Hollywood journeyman type
who would deliver a movie
that would be really straightforward
and you'd be like,
wait, what?
I mean, it's, look, yes.
But at that point,
why are you buying the rights to this
as opposed to just writing a new revenge
or live from the ground up?
The title's too good.
The title is good.
Well, that is true.
But like, it is, yes,
this is a tangled,
what a tangled web we weave type thing, sure.
But, you know, it's so,
it's so like disrupt,
you keep talking about the reality of the movie.
I think that's right
and then that happening like this movie has been so over the top the violence that we've seen has
been over the top the sort of um you know twists of fate like him losing a kidney yes horrifying
yes you don't want that to happen to you but it still feels very bad cartoonish the people who
took the kidney are kind of cartoonish.
Giving a kidney can be nice,
but having one taken from you,
I feel like is less. Or eating one with a nice can
of beans.
You know, do you think Hannibal and Becker? No, I can't do that.
Now, since Hannibal and Becker...
When you murdered that guy,
did you ever escape the cycle of violence
that followed, or are you still...
Funky on my back.
Or like you would not believe how much he complains about it.
It's like, enough already.
Still in a cycle of violence.
Checks his email.
He goes, go what?
Send to spam.
Murder shit.
Remember that murder?
No, the kid falling in, you're just sort of like, oh, we're not in like, you know, funny playtime anymore.
I feel at least i know there is a sort of absurdity to what's going on that you know one could find kind of grotesquely
funny or darkly but that's the kind of moment that park seizes on is like now i'm gonna be funny like
just when you're like okay this shit's not funny anymore and it's like now for a laugh god bless
him for being such a lunatic i'm not complaining but it was hard for me to watch
like that's the scene that follows with uh with song kang ho in the police van and he's not in
frame he's framed out by the door and the cop is just like repeatedly getting out of the van to
take a completely unrelated phone call as it just sort of goes on and on and on is because of the
horror we just witnessed especially
funny yeah we were saying before we were start recording like the more times you see this movie
and the distance that you get from the reality of what you're seeing and the horror of the the plot
itself the easier it is to sort of appreciate the dark humor i would agree with that sure um
look what happens in the movie is everyone goes on vengeance runs.
Yeah, kind of multiple vengeance runs
happen simultaneously.
Ryu kills the organ gang with a baseball bat.
Yes.
Gets stabbed.
So that's his journey.
Dong Jin,
Sung Hae Ho's character,
grabs Joon Ah Bae
and hooks her up to the
electricity. Yeah.
And covers her in a bag and
tortures her with it.
Kills her. And eventually kills her
but not before torturing her for a while.
And eating her lunch.
The grievous sin of all.
Lunch theft.
Seven days. Pride. You know, avarice. Lunch theft. Seven days. Pride.
You know, avarice. Lunch theft.
Not only does he
eat her lunch, he kills the delivery guy.
He does. He's really...
I mean, there's the... It's right at the end of the
movie where he gets the phone call being like, is this
this person? Like, come claim your daughter's body.
And he's like, it's not me. Because he's just like
not a person anymore. He's increasingly
not a person. He only identifies as Mr. Vengeance now.
Well, it's his dad.
It's someone else separate when they call to see if he can claim his body.
Isn't it?
Is that what's going on?
I'm pretty sure.
Am I not picking up on that?
Am I wrong?
I'm trying to remember.
Well, at the end of the movie, he gets the phone call on the cell phone.
Yeah.
Telling him to come claim his daughter's body.
No?
I think so. Right. A lot's going on at that point. Yeah. I. Telling him to come claim his daughter's body, no? I think so.
Right.
A lot's going on at that point.
Yeah.
Okay.
I'm sure this would be
easily resolved.
But, yeah, no, I mean,
he, that's, and that scene,
the, I mean, both those scenes,
but the scene where Ryu
beats the smugglers,
the organ traffickers,
with that baseball bat,
is, I think, as clear a preview
of what's to come
in Park Chan-wook's body of work
as anything else here.
Just, like, the kineticism of it.
Right.
And how it's framed
for both, like,
maximum spectacle
and visceral thrill
and also sickening grossness.
Yes.
Yes.
It is fascinating reading,
like, reviews,
especially the American reviews
from when this movie came out
where people are like,
this is just, like,
so perversely grotesque and violent.
And you're just like, he's barely warm.
Right.
He ain't even bubbling yet.
Yeah.
And I mean, yeah, it's, I think, again,
I mean, I'm beating a dead horse here,
but like I feel like that all serves a purpose that in discrete examples in a vacuum, each of these things feel sort of like a hat on a hat and overdone.
But when you contrast the cartoon violence and the operatic savagery of what's happening with the very, very human reactions to each of these moments, you get something. You also have the tension between the capitalist and the laborer,
which we talked about a little bit,
but these two guys sort of circling around each other
in a mutually assured destruction.
This is from the dossier,
but I do think it's interesting.
Park said, like, he wanted the sort of working class house
to be incredibly, you know, colorful
and filled with, you know,
lots of, like, sort of character-y objects
and, like, not wanting to fall into the cliche
of a gloomy, drab environment,
whereas Song Kang-ho's house is fairly boring,
kind of sort of quote-unquote tastefully done,
but without a lot of atmosphere.
Very modern and cold.
Right.
And yeah, I do think... you know, I do think like...
I mean, he's a very florid approach to violence and also to like anything that would seem depressing or negative.
I mean, it is always in his films draped in color. It's always ornate.
I remember, you know, the purple box famously from Oldboy and you could buy at the time.
This was like my most coveted possession that I also ordered from like YesAsia.com, whatever, one of those websites.
Jesus, you get fucking points from that place?
Do they still exist? I mean, they must, but the DVD market is taking a hit.
But it would come, it was a four-disc set of Oldboy.
In the purple box.
It would come in the purple box with a bow on it.
But like, and that is, you know, the most upsetting thing in that movie.
And it comes in this beautiful gift wrap box.
I mean,
that is Park Jam
to a T.
Much like the
Amazing Spider-Man 2
and the Electrohead
that Matt Singer bought.
Exactly.
It's just like that.
Yeah.
I found the review
I was looking for.
It's from San Francisco
Gate by J,
I'm sorry,
G. Allen Johnson.
So this is when it gets
his North American release.
He has already seen
Oldboy
and is very pro-Oldboy.
Sure.
Which I think makes these criticisms feel more...
I will say, I assume what you're about to read
is sort of similar in the tone of what a lot of the reviews of this movie
were like in America, basically.
Yes.
Unless his review is, I don't know,
reminded me too much of my wedding.
Like Oldboy...
Go on, go on. Like Oldboy, it reminded me too much of my, you know, wedding. Like Old Boy.
Go on, go on. Like Old Boy, it features stomach-churning gore, but sympathy degenerates in the second half.
As Park's apparently ugly contempt for humanity kills off the goodwill he has built up from his irresistible plot,
which hints at a Korean cultural divide for real visual flair.
He says,
Sympathy, by contrast, is is so bloody scatologically violent and consistently
shocking it seems to have no larger purpose than itself which is pretty grim what a waste i i feel
like a lot of the reviews yeah were along those lines and i do sympathize with being a critic
and being confronted with the movie i sympathize with mr vengeance i sympathize first and foremost with mr vengeance sympathy sympathy for mr movie but then sympathy for mr critic
who has to watch a movie in which a child dies somewhat callously and like you know then all
this horrible sort of like meaningless what is it all for yeah and like it's tough to walk out
of one of those and be like oh it's good absolutely but i'm also like but i think he's off this is coming like mr g is off
after old boy comes out and he's like where's the joy yeah yeah of old boy the the joygasm of old
boy's last half hour right there's a quote that i have failed to source i think it was from a book
about park jimmy book i can't remember if he said it or someone else said it but it says the film
is too funny to be reality and too cruel to be a joke and i think like in that middle ground uh a lot of people get lost i do think one of the reasons why i prefer the later films of the
trilogy is because they do more novel things with retribution and violence and and vengeance and all
of that i particularly am fascinated by uh the end Vengeance when it becomes more of a collective act.
That's why Lady Vengeance is fucking incredible.
She defuses the idea of this guilt and violence.
And you have tried to lock some of your enemies
in a hotel room for 14 years.
You said that I shouldn't talk about
my own personal experience in regards to this trilogy,
but yeah, if you want to put me on blast like that,
I do that from time to time.
Vengeance trilogies have been done upon you.
You have done vengeance trilogies upon others.
What is having a child,
if not taking a person
and locking them in the space for the
better part of 18 years? That's true. And you
lent us your baby jail, literally,
is what he refers to it as.
You have sentenced both of your children to living
in a walk-up. That's true.
That is, yeah. It's true.
They're going to see Oldboy and be like, it's just
like my life.
They're trying to poke their way out.
They're like, ah, we're so high up.
Every night I just open the door and throw in some dumplings,
which I always thought would be pretty sweet.
No, no, that part's nice.
If you're going to lock me in a hotel room,
and this is obviously dressed more next week,
and feed me the same food every time, dumplings,
I would like that more than a lot.
You can exercise.
You don't have to know about 9-11.
Shadow boxing allowed. I would get swole as exercise. You don't have to know about 9-11. Shadow boxing allowed.
I would get swole
as hell. You don't have to see Transformers.
You get gassed every night to sleep.
Nice. Which I also said on that
episode, I was kind of into the idea
of getting gassed to sleep.
Ambient addiction.
Do you not get to see any of the Transformers
movies? I mean, I think eventually
you come out and maybe start with fucking Dark Side of the Moon,
which, pretty good, all things considered.
If you're going to start somewhere.
Although, obviously, you don't have any of the context required.
Also, correction, it's called Dark of the Moon.
It's called Dark of the Moon.
The side was copyrighted.
I see, I see.
It's really annoying that it's called Dark of the Moon.
Incredibly annoying.
That is the most and only annoying thing
about the Transformers film trilogy.
Yeah, Dark of the Moon rules. It does. Wow, that last hour only annoying thing about the Transformers film trilogy. Yeah, Dark of the Moon rules.
It does.
Wow, that last hour in IMAX 3D, Jesus.
Yes, I remember it well.
I was hooting and hollering.
Yeah.
And, you know, now the beasts have risen.
Everything's changed.
It's true.
Do you know about the end?
I do know about the end,
but I am strategically on paternity leave this month
to avoid both Tribeca and the Beast.
You're a ninja.
Dancing between the raindrops of early shitty
summer scheduling. It's like the first scene of
The Grandmaster, but with movie releases.
Wasn't your daughter born six months ago? Yeah, but the leaves now.
Pretty much.
Yeah, that is pretty much what he did.
So, Park
Jenwick says, shooting this film,
a really fun, harmonious experience.
Cool.
But he admits the film came out quite vicious.
Did we hit the very ending?
Yeah, we got to.
That Duna Bay's anarchist group comes back.
Oh, well, that's fair point.
Well, no, no, no.
We should really hit the ending
because, yes, he kills Duna Bay.
Was not going to be the ending.
The ending was originally going to end
with him on that phone call.
Right, which is, I get that as an ending. Was not going to be the ending The ending was originally going to end with him on that phone call Which is
I get that as an ending
You can imagine what happens next
But you can't
Because no one sees what happens coming
The actual ending yes
But also we should of course
He gets Ryu
Knocks him out brings him to the river bed
Drags him into the water slashes his Achilles tendon
Because he doesn't want to have to see But he doesn't want to have to see him He wants to feel like out, brings him to the riverbed, drags him into the water, slashes his Achilles tendon.
Because he doesn't want to have to see...
He doesn't want to have to see him die. He wants to feel like
I cut his legs, and that's
all. I didn't...
I'm just going to bite the air
and move forward.
If I eat a pie, it's the Homer Simpson thing.
You should have said it.
You should have posted it.
If you had made that reference in the moment
it would have been great
this movie could use
more Simpsons quotes
from characters
to each other
I think it should do more
just literally
they're just being
remember this episode
of the Simpsons
when
in the millennial remake
of Sympathy for Mr. Vengeance
that's how it plays out
slowly back up
into the bushes
love when
the New York Times
pops up with an alert
that's Chris Christie
is running for president
guys come on I don't care
This is the most exciting thing since they announced The Matrix 4
In that episode I was on
That was a good episode
Which episode was that?
I mean, House of Newcastle
Dude, can you believe
This is the most baller shit of all time
The Miyazaki releasing his movie
It has a date, show up if you want
Fuck film festivals.
I did like the joke that I saw on some website
that was like, he's not releasing a trailer
because he's accidentally just made Morbius.
He's really embarrassed.
But it's like he saw...
Shit, he's fucking Morbius!
Word for word!
But he saw the campaign for the whale
and Killers of the Flower Moon.
He's like, they're giving away too much.
He saw that as the trailer for Cast Away. He's like, they're giving away too much. He saw that as like the trailer for Cast Away.
He's like, they're giving away the whole game.
When that still drops in Flower Moon 20 minutes in, you're like, thank God.
Okay, they're not going to make us wait too long for him sitting at the table.
It's like when the drums kick in and in the air tonight.
But it's the last shot in that scene.
And they go every possible setup in that kitchen before they finally land on that one.
every possible setup in that kitchen before they finally land on that one.
Sorry, I was just doing various camera angles.
When there finally was the news story of
he's bypassing all festivals, he's putting it
in theaters, it will be out in Asia
in a couple of months, and
the rest of the world sometime later.
The first person to
rush, when there's some news story,
especially relevant... And the poster of the
film is just like a bird or something yeah we don't even know if the movie's about birds they
just said that it's actually not based on the book that we all thought it was based on he loves
based on this book but not in any way it could be about birds based on the power broker
it's actually just sully it's about the life and times of jay oppenheimer uh no but
whenever there's any news story connected to one of the directors we've covered on the past i feel
like there's this mad rush from blankies to try to be the first to post the thread with the new
news tidbit so they can get all the upvotes right and the comments on their thread when they're
going to be five copycat threads so So the person who rushed to post that,
how do you live?
Yes, how do you live?
Erroneously said,
Miyazaki film will come out this summer,
12 minutes long,
runtime confirmed,
because it was 120 minutes.
And they were so quick to type it out
that they put in 12.
And I was like,
are you fucking kidding me?
These things are short?
We've been waiting five goddamn years and it's
a fucking short?
We drew it with one finger.
Dobbs and paint.
It's done by AI. He actually
revisited that AI tech demo.
That was pretty good.
Yeah, put it out.
It's just an episode of Bluey.
I thought this was funny. He went on the Japanese
version of Blank Check and he was like, you know, that one time
that I said that AI animation was
a sin against humanity. I'm very
sorry about that.
And I will be very sad when Harrison Ford dies.
Yeah, whatever. All the movies are long this year.
Why not go short? Do you know if Eric's friends kill?
They do. After he has committed,
after he has finally achieved his vengeance,
which has not really done much for him,
he is killed by the chain-smoking gang.
There's always someone else.
Doonabay told him, like,
that's going to happen if you kill him.
And the guy who stabs him has that look
where he's, like, sitting there kneeling down and smoking,
and he's clearly never stabbed anyone before,
and he's just sort of being like,
I just stabbed a guy.
Like, that's fucking wild.
No going back from that.
It's the opposite of what you would expect in a movie like this where he's like walking away as the car explodes behind him he's just like fascinated by the decision that he just
you watch um now this film joint security area made about 30 million dollars in korea which was
the most successful korean film uh This film made $2 million.
And Oldboy's back is way up.
There's a sandwich in between two fat-tidied hits, right?
Yeah, I mean, Oldboy, I think, made, yes, more.
Not as much as maybe JSA, but a lot.
It was successful.
Sure.
Park, people felt betrayed.
You know, but the person who really felt betrayed was me, he says, because people don't like the movie.
Took out his vengeance on the audience.
And he doubled down by being like, fuck it, I'm making a trilogy.
I'm not fucking going.
He thinks that the audience maybe did not love the idea of having to identify with the perpetrator of a crime and then the victim of the crime uh he thought that was interesting to the structure of the film but he says perhaps
audiences didn't necessarily like to do that a very funny joke to follow this up with a more
traditional hero's journey where you sympathize with one character the entire way and then at
the end they're like surprise you've been rooting for a guy who's been committing incest in front of your eyes. Yes. Again, spoilers for Oldboy.
But, you know, it is one of those movies, I think,
that, yes, bombed initially, but highly influential,
very respected by other Korean directors.
You know, kind of begins whatever sets in motion,
you know, the fucking informal vengeance trilogy that defines his career.
being so big
immediately puts
more retroactive shine
on this movie
where it's like,
now you're telling me
these are of a piece.
Yeah.
I gotta go back
and watch the first one.
They tried to get this movie
into Cannes
and were rejected.
Old Boy obviously
played in Cannes.
This feels like a classic
director's Fortnite
or in certain regard.
Anyway.
Warner Brothers acquired
the rights to remake it. They brought in Lasse Hallström. That's a joke. or in certain regard. Anyway. Warner Brothers acquired the rights to remake it.
They brought in Lasse Hallström.
That's a joke.
That second thing was a joke.
That's who I was reaching for when I said it on James Mangold.
The writer of Broken City wrote a script.
That's the fucking Wahlberg.
Mark Wahlberg, Russell Crowe.
Something's up at City Hall.
Whichever Hughes brother.
Yeah, one of the Hughes.
Quentin Tarantino.
Thought it was good.
Big Shot Harry Knowles, as you say.
Put it number one.
Film didn't come out for three years.
It was going to be number three
into those last 30 minutes,
and then he leaned into the whole other key.
I'm glad he keyed us into his process.
But it did not get particularly good reviews
from American critics
on release when it was
finally released.
Yes.
You can suck my nuts. But maybe releasing it
that shortly after Oldboy was an
incredibly bad decision. I mean, look,
I don't think there was a pocket where this movie was
going to make a ton of money,
but $45,000 definitely
wasn't what they were aiming for. Very low gross.
This has to be one of the lowest grosses,
North American grosses we've ever covered on this show.
I don't know.
What did fucking Alice in Wonderland make?
Although it says something that Lady Vengeance,
which came along, you know,
just a few short years after Mr. Vengeance came out
in the United States, one year later,
played at the very prestigious
and relatively highbrow New York Film Festival.
So it's like they, as far as like his reputation was concerned,
people hadn't written him off purely as like torture porn.
Well, there's that.
And of course, it is an era of a lot of horror that is extreme for extremity's sake.
Yes.
But I do think it's just the being released here
out of order, you know?
You know, it's being released as an afterthought.
Right.
If it's like, oh, Criterion is putting out
his early, less-seen film,
people are viewing that in the context of,
oh, I'm filling in a gap,
versus if you've just seen Oldboy after all this hype,
and they're like, here's another one.
And dare I say, the tartan asian extreme
branding which even then uh makes you wince a little bit just to say at least those last two
words together uh in that way is uh probably didn't help in terms of positioning this movie
in a way where people right it's putting it in a tiny box you're not getting foreigners
thrills from this movie you know sims you know where i saw old boy in theaters was in the odeon like a
shoebox little odeon theater you mean in london in london town uh it's the odeon it is what i
fucking say it is uh of course is um london britain's biggest theater chain do you know
which one you said it was a shoebox it was the tiny theater in a big building in like
lester square panton street yeah cool so uh that's cool the weirdest thing about lester It was the tiny theater in a big building in, like, Leicester Square. So, Panton Street. Yeah. Cool.
So, that's cool.
The weirdest thing about Leicester Square, there are three Odeons that are, like, basically all looking at each other.
There used to be four, I think.
And the big one is just one screen.
That's where you, like, premiere your movies, the Leicester Square Odeon.
What if I made the bit I now think that Ehrlich grew up in London?
No.
And then there's the West End Odeon, which is sort of like a normal multiplex. What, you went there
after school?
Yeah.
And then the
Panton Street Odeon
where you saw,
that was the weird one.
There should be a plaque
out there.
That's where you see
some weird movies.
That's where I,
and the screen,
they had just installed
digital projection
and the screen had
all those dots on them
and it was really ugly
and I was just seeing it
as a novelty
because I'd seen Old Boy
about 15 times on DVD
and I was like,
I wonder what this looks like on the big screen before it'd come out in the United States and I made it about 30 minutes and I was like, all as a novelty because I'd seen Oldboy about 15 times on DVD and I was like, I wonder what this looks like on the big screen
before it'd come out in the United States. And I made it
about 30 minutes and I was like, alright, I got the vibe.
Wow, walked out.
Guess you don't like Oldboy that much. Never went back to London again.
Do you want to play the box office game? I desperately want to
play the box office game. Jesus, the desperation.
I'm just curious about this one.
August 19th, 2005.
That's a good season for Griff. It's a good season
for Davey too. It's freshman good season for Davey, too.
It's freshman year of college in the bag.
Summer internship in Boston happening.
Where were you interning?
Shears?
Boston Phoenix.
Okay.
And number one at the box office, it's a comedy.
The launch of a career, I would say, a filmmaking career.
It is The 40-Year-Old Virgin.. It is The 40-Year-Old Virgin.
It is Jan 40-Year-Old Virgin.
Yeah.
Which opens to a healthy $21 million,
but then holds exceptionally well.
And goes over 100.
Hits 100.
And just a month earlier, Wedding Crashers comes out.
Yes, that's right.
Makes a metric shit ton of money.
Well, they crashed all those weddings
And they got paid for each wedding
That's right
Audiences paid them back for each wedding
Yeah, the ticket was actually like so much more
And they're like, it's per wedding
It made like 205 crashed weddings domestic
Which is insane
It wasn't a big hit
But I think it was sort of like
Well, that's obviously the comedy hit of the summer
And then 40-Year-Old Virgin comes out later
Does incredibly well.
I mean, Wedding Crashers made more money.
Absolutely.
But it was sort of like,
oh, there's room for two.
And obviously this is the one
that's going to have the longer tail,
both as a movie itself and also,
this is going to spawn the entire...
Everyone was wrong.
Apatow and Duffield complex.
Wedding Crashers is discussed to this day.
Yes.
Constantly.
Constantly.
A sequel is still threatened.
That's like a hurricane.
They were about to film it for HBO
Max and then Owen Wilson bagged
it at the last minute. Good for him.
They were set up. He was told about it
and was like, oh, that's a bad... Can you do
a meter for me?
I was like, wow, this is a terrible
idea. HBO Max?
Wow. Yes, those movies could
not be less... What's the what?
The place for HBO, where do I watch it?
Oh, Max is the one to watch when you want to watch HBO
Okay, so number one is the 40YO version
Obviously
It's that sort of weird thing of like
Carell is the star
But The Office is hitting
After they make it
But before it comes out
They've done six episodes
The six episode mid-season replacement before this Suddenly this guy is going to be hot is hitting after they make it, but before it comes out. They've done six episodes. And so it's like...
The six-episode mid-season replacement
before this.
Suddenly this guy is going to be hot,
all that stuff.
Right.
They kind of, I mean,
renewed the office on the promise
of this is testing well,
not knowing the thing was going to be that big.
Right.
And then that transforms everything.
And then the rest of his career
being a movie star while making the office.
They had no idea that he was going to scream
the words Kelly Clarkson
as someone ripped off
his chest hair.
That scene is funny.
That's also,
I mean,
I guess it's still
kind of the thing,
but it's like,
Rudd is the funniest part
of that movie.
Romney Malka's incredible.
The whole crew is
fucking incredible.
They are all good.
That movie is
astonishingly funny.
And it is brilliant.
But that thing
that I think still
basically exists
of like,
people don't really
release major things
the last two weeks of August.
Totally.
So if you're the big movie,
the last big movie through the door
the first or second week of August,
you probably just run the table
until like mid-September.
But.
But.
Another film's coming out this week.
A film that I assume was kind of thinking
it would be number one.
Red Eye?
R-rated thriller, Red Eye.
Yes.
Now, David's crush on Rachel McAdams,
post-Wedding Crashers,
is already at 1,000.
Have you ever considered kidnapping her
aboard a commercial airliner
and threatening her father's life,
who's played by Brian Cox?
And then there's also a grenade launcher,
a rocket launcher at the end.
If she doesn't move somebody's hotel room
Jemma Mays is in that one too
She sure is
Everyone's having fun
Red Eye's great
Obviously Cillian Murphy playing the crazy guy
I want to put Craven on a bracket
I was overdue for a bracket
It's a long career
It is
And there's some, you know, kind of fallow periods
I was looking through it and I was like
It's more consistent than I remembered it being
It's a very interesting person to talk about
The bit where Rachel McAdams stabs Cillian Murphy in the neck with a pen
is probably the Mr. Vengeance-iest moment of Rachel McAdams' career,
I would venture to say.
What about when that guy gets sucked into a jet engine, though?
I mean, that was pretty good.
Oh, no, he died.
Park hasn't gone that far.
Oh, no, he died.
It's still the funniest line reading.
People post that clip on Twitter once a week i always watch it i always laugh she's the fucking oh no he died um she's she's on this
season of dave the effects original series dave where the whole bit is that she's like his ultimate
celebrity crush and then he actually has to meet her and the whole thing is like oh she's actually
everything he wanted her to be sure because she actually
probably is
right
she's the total package
right
and it's kind of
an astonishing performance
where it's just like
your job is to just be
the most charming
funny person in the world
she didn't even know
she was on that show
exactly
have any of you guys
seen Jury Duty
not the Pauly Shore movie
I've watched Jury Duty
with the show
yes
I've seen the Pauly Shore
both great
I've seen both
I'd say the television show even better. I don't know
why I'm thinking about that. Marsden playing himself.
Marsden's incredibly good.
There's a role that Griffin would have killed
in. Alright, well don't make me feel bad.
Whether the guy with the girlfriend
or the tech guy. Either one. Take your pick.
The tech guy, I think that's the most astonishing comedic
performance I've seen in a little while. That guy I'm
blown away by. And no
disrespect to the girlfriend guy, but I did have that thought of why
I put out for this. David, what's number three at the box
office? It's a film we covered on this podcast.
It is a...
It was out last week. It's the second
week. Coming down for number one. Lady
in the Water? Nope. It is a...
Sort of an action thriller,
drama. 2005.
First week of August
Previous number one
Action thriller
Sure
You're saying sure like it's not real
Action's maybe a little strong
It's a thriller
Sort of a drama thriller
No
That was 2004
What studio?
Paramount Pictures
Paramount Pictures
Picture a bunch of stars dancing across the water
skipping stones and then circle it around the encircle a mountain and you know paramount
you know what i bet is atop that mountain what america's worst streaming service
how dare you peacock's probably worse have i about... Peacock has summer house. Paramount Plus doesn't let you deactivate devices.
Paramount Plus is not very good at being an app.
It's not.
Which I think it should improve at doing that because that is, of course, its job.
Right.
But Paramount Plus does have things I want to watch on it.
Let me be vindictive and not allow my exes to watch my Paramount Plus.
I'm not allowed to kick them off?
Really?
Every other app fucking offers this.
Aren't you looking for any opportunity
to stay connected with them in some way?
Yeah, but it doesn't work.
See them log in, you know,
Star Trek Picard or whatever.
Anyway.
They're all Picard-ing it up.
Third season, good.
Come on, what is this hot film
that we've covered?
We've covered it during the...
We've covered it?
Oh, it's Collateral.
No, it's not.
Fuck, that's 2004. Yes.
It's 2005. This is 2005.
It's a paramount. 2005. We've covered it.
Think about it. George Bush in office.
One of our directors. Mentoring candidate? No.
Fuck. That's 2004 as well.
Damn it. Fuck. 2005 is kind of a fallow
time. I know, but both of those are paramount.
Is it a star vehicle?
Yes, but it is also
an ensemble,
and that is referenced in the title of this film and the premise.
Oh, the ensemble.
What if you had some of these?
A couple guys.
More than a couple.
A hundred guys.
Less than a hundred. Two guys.
Two guys.
It is four brothers.
Four of them.
A Friday night special.
One, two, three, four. Yes. Not a movie. It's a hardiday night special yes not a movie it's a hard movie
to sort of tee up no yes yes you know what if there were four brothers yeah but it's kind of
a revenge dramatic yeah it's not with more really an action movie right i mean it has some gun play
or whatever but it's more like it's got garrett headland taking a shit it's got everyone taking
a shot i enjoyed those three seconds where I thought there was a movie called Two Guys
and it did really well
at the box office.
There was two guns.
Now remind me,
did they jerk off together
in that one?
Yeah, they were
hands on back.
I remember all the things.
Right.
They fuck Sofia Vergara
on top of a washing machine.
They don't all fuck
right through my face.
Jesus Christ.
The four brothers,
of course,
are Mark Wahlberg,
Terry Skibson,
Andre Hedlund,
and Andre Bennett.
Garrett Hedlund.
Number four at the box office,
it's the biggest comedy of the year.
We already mentioned it.
Wedding Crashers.
It's hanging around,
crashing more weddings by the day.
Number five at the box office is
a horror film that is reverse get out.
I once called it underrated on one of my lists
that The Atlantic made me write during the pandemic,
and someone made fun of me for that.
Skeleton Kid.
I think it was Olivia.
Yes, Skeleton King.
Which you and I both like.
A good movie.
Good movie.
Ian Softley directed it?
Correct.
Not to spoil it,
but it's literally just reverse.
Get out.
I mean, as if I have not seen
Skeleton King on cable
on a daily basis
for the last 15 years.
Probably in like Kate Hudson's
top five movies.
Oh, yeah.
No, I know that's, you know,
she's got a top Emmy list.
Well, number one, music.
Yeah.
Good fucking late Jenna Rowland's performance.
Yeah, no, I think it's just a fun, effective programmer with a pretty decent swampy vibe.
I agree.
Those August horror movies used to be credible, even as recently as 2005.
They had a little bit more credibility than they do now.
You've also got March of the Penguins.
Them penguins be marching!
I think it's because horror has become so big now
That if you have a good horror movie you're not dumping it in August
Yeah but Barbarian was an August release
That's a weird exception
To the rule where no one
September 9th I want to say
Do you know that movie still does
I've done so bad in this game
Do you know that movie still does not have a physical release
That's fucked up
Come on Disney Is it on Disney Plus Yeah it's on Disney Plus that recent poll. Do you know that movie still does not have a physical release? That's fucked up. Isn't that fucked up?
I want to watch that movie again.
Is it on Disney Plus? Yeah, it's on Disney Plus
in the kids section. I know.
I think it's on Hulu.
Yeah, those penguins be marching
all the way to 77 domestic.
Oh, baby. Number seven
at the box office. One of the
most instant
fucking relic movies. Like, just just like let's never speak of this
again the dukes of hazard oh it's just like two years later everyone i think was just like why
did we do that i was gonna guess where it was because it opened pretty big it dropped like a
fucking stone yes people a week later 80 million dollars but it like opened to almost 40 30 not bad
Jessica Simpson not a movie star it turns out
Not a movie star driving around in a confederate flag car
Probably not advisable in the 21st century
No
But the Dukes of Hazzard was
There for you
Number 8 at the box office
A new film oh boy
Animated
I just wanted you to guess this one.
2005.
I know we don't usually guess those.
Animated.
What studio?
The studio, of course, is...
What distributor?
Weirdly, it was distributed by Disney,
but it's a British film.
Is it Valiant?
Valiant.
Yeah, right.
That was some output deal.
They didn't make that.
Which was like E-Link or something.
It was like one of those, you know, fucking Tony Blair cuts a ribbon being like,
Britain's going to make animated movies again.
It's Valiant.
RAF Pigeon.
I was going to say, it's about a pigeon, right?
Yeah.
It's like, what was the fucking movie that you guys were obsessed with?
The trailer with the birds, Will Smith's bird.
Spies in Disguise.
Spies in Disguise.
It was that before that.
Or like Chicken Run, but shitty.
You've also got Charlie and the Chocolate Factory
another film we've covered
and your favorite film
of all time
Sky High.
What a fucking masterpiece.
Have you ever seen
Sky High earlier?
I mean I saw Sky High
in theaters the day
that it opened
standing for Nicholas Braun
day one.
Same.
I bet so big on that guy
so early
where I was like
you gotta bet big
he's tall.
He's incredibly
and he was that tall
at 15.
You've seen that movie right? I have. He's tall. He's incredibly... And he was that tall at 15. Ranging. Yeah.
You've seen that movie, right? I have.
It's very fun.
Sky High is adorable
and perfect
live-action
original teenage fare
that we have
deprived the viewers of.
Absolutely.
And you're like,
also still better
than most superhero movies.
Oh, yeah.
How much better?
Like, we were talking about,
like, you were saying,
Sims, like,
post-Spider-Verse,
you were like,
maybe all fucking MCU movies
should have been animated to begin with. Yeah, why not? Where I'm like, you watch Skyse, you're like, maybe all fucking MCU movies should have been animated to begin with.
Yeah, why not?
Where I'm like, you watch Sky High and you're like, all superhero movies should be this silly.
Did you guys see the fucking Spider-Verse?
All right, enough, enough.
Another film I want to shout out in the top ten.
We already talked about Spider-Verse.
Off mic.
That was amazing.
Ben, did you see Do Spigolo European Gigolo?
No.
The power pizza was coming out of his crotch.
Oh my God.
No, I didn't stick with it. To be fair. coming out of his crotch. Oh, my God.
No, I didn't stick with it.
You did.
I assume you saw the first one. I did see the first one.
To be fair, Ben wanted to go see it, but he had forgotten to renew his passport.
Wouldn't let him into the theater?
Yeah, right.
So the poster makes it look like the Leaning Tower of Pisa is his.
I think that's just an accident. I think that was a coincidence. You think that's a coincidence? makes it look like the Leaning Tower of Pisa is his weakness. More like the Leaning Tower of Pisa.
I think that's just an accident.
I think that was a coincidence.
You think that's a coincidence?
They were actually doing a whole other thing, right?
They were just trying to take a nice photo of Rob Schneider.
They saw that in post.
They were like, uh-oh, we can work with this.
Will he ever complete the trilogy?
Will he ever?
Deuce Bigelow, what, goes to Antarctica?
Like, what's next? Deuce Bigelow what, goes to Antarctica? Deuce Bigelow
Vengeance Gigolo. Deuce Bigelow
Legacy.
Oh boy.
They don't make them like that anymore.
Good. It was before
Rob Schneider discovered Twitter.
This was before Twitter invented.
His real art form.
That was the end of the Bigelowverse.
Anyway.
Spiderverse.
Do Spigolo relate
to Catherine Bigelow?
Yes.
Yeah.
And they address that
in the film.
He watches The Loveless.
Yes.
I came into this
recording session
floating 48 hours
after seeing
Across the Spiderverse.
Yeah, I saw it last night.
Still half drunk
off my margarita
at the Alamo.
Fucking rules.
Just so,
it was completely
levitational just so
fucking good well just you watch it and you're just like what you want to yell at every other
movie like what's your fucking excuse just do this try this hard i had never i've never seen
this reaction before to a movie where the moment it cuts you to be continued the entire audience
groan loudly and then immediately as soon as the
groan ended began cheering as loud as they could can i say incredibly smart decision that they
backed off of this being across the spider verse part one and instead went this is across the next
one's beyond the part one part two shit has i hate part one die yeah well it kind of has died
and so i was alarmed that they were bringing it back. And I'm happy they did. And, you know, they did that with Infinity War, too.
Remember, that was going to be Infinity War Parts 1 and 2?
Why do that?
People are like, my only beef is that, you know...
But then Den Reckoning is doing it.
Well, Dead Reckoning is going to be a masterpiece.
But I'm also just like, call it Dead Reckoning and Deader Reckoning or something.
Give them different fucking titles.
Just Dead Reckoning Reloaded.
Paramount's on the phone.
Dead Reckoning Reloaded.
People are like, you know, it was annoying to me that Across the Spider-Verse was only half
a movie, and I was like, that
could not be more of a movie. There are
300 movies in that movie. I agree. I think it's a full
meal. I think it's setting up a lot of stuff for the
next movie, and there are larger unresolved things.
I think it is a full movie.
I mean, whether it is or not, like, yeah,
sure, it leaves you hanging, but I was like, who could
need more movie out of that? It's giving you so
fucking much. My brain is bleeding movie, and I'm loving it.
So, two hours, 20 minutes, longest
American animated film.
Yeah, it's long. It's longer than
Hayao Miyazaki's How Do You Know.
If the next one's two hours,
I wouldn't be, like, mad about that.
No, look, I like things being shorter.
I just think they use their runtime well.
There's certainly a lot of fucking shit there. I agree.
I was never unhappy to be watching Across the Spider-Verse.
The last 90 minutes of that movie could just be Miles Morales kicking rocks,
and I already would have been like,
this was the best time I had at the movies this year.
Here's my gripe.
Didn't even release it in 3D.
No.
Well, I don't need that.
The animated films always get released in 3D.
Spider-Verse, unsurprisingly, for Spider-Verse in 3D is really good.
This movie in 3D would have killed you.
Imagine watching this in your new Apple Vision Pro.
And I would have died happy.
I just moved my 3D TV into my new apartment.
3D TV survives.
And I got my fucking Spider-Verse, original Spider-Verse steelbook with the 3D disc.
And I threw it on.
I went, oh, baby.
Can't wait to watch this new one.
Yeah. He moved. Wait, did you move
to Brooklyn? Downtown Brooklyn.
He's a Brooklyn boy. Yeah, downtown Brooklyn
nooms. I had to keep the brand strong so I
moved to downtown Brooklyn.
Enough! Wrap it up. I'm peeing.
Yes. You're peeing? Not right now.
Erlich, anything you want to plug?
Paternity leave. I like that you
clarified, David,
that you weren't
actively peeing on Mike
just in your pants,
I assume.
He's choosing to do it now.
Yeah.
I would love to plug
Sony Animation's
Spider-Man Across the Spider-Verse.
Is that the full title?
A film that should be rewarded.
Yeah.
I think it hasn't been
getting enough press.
Very, very good.
I don't know.
I'm currently on leave. By the time this comes out, I will be back't been getting enough press. Very, very good. I don't know. I'm currently on leave.
By the time this comes out, I will be back at work ready and braced for Barbenheimer and Mission Impossible, Dead Reckoning, and all the joy that July should hopefully bring.
My podcast cohorts at Fighting in the War Room will kill me.
They will slice my Achilles tendons and leave me to drown.
You often forget.
In a river in South Korea,
if I do not mention that podcast.
I already mentioned its name once.
That's enough.
Do you have a Spider-Verse episode?
I guess we're talking about it tonight.
I don't know.
It's a matter of... Something to plug?
Yeah.
It'll just be me being like,
the movie fucking ruled.
You already got the good stuff here.
Yeah.
I don't know.
That's it.
Great.
Well, thank you all for listening.
Please remember to rate, review, and subscribe.
Thank you to Marie Barty for our social media,
helping to produce the show.
Thank you to Joe Bone, Pat Reynolds for our artwork.
Thank you to Becker.
I was waiting for this.
I hope Harrison Ford lives forever.
Yep, of course.
Long live Harrison Ford.
Thank you, Joe Bowen,
for the aforementioned
wooden carve-outs over our faces.
That's mine.
Don't fucking drink that.
That's mine.
I put that in the fridge for myself.
I just saw you eyeballing it,
and I don't want you to drink it.
It's an Olipop Cola.
Put the Becker theme on again, bro.
Thank you to Lane Montgomery
and the Great American Owl for our theme song.
Thank you to AJ McKeon, Alex Barron for our editing, JJ Birch for our research.
You can go to blankcheckpod.com for links to some real nerdy shit, including our Patreon blank check special features.
Do commentaries on film series.
Crossing some oceans
Yeah I think it's oceans right
This episode is coming out July 2
We'll do the aforementioned little drama girl
We just did oceans 1-1
Check into that episode
For two hours of us asleep
Snoring with no dialogue
And then a special surprise at the end
That we did not predict
There will be an unannounced surprise guest
for the last 30 minutes of the episode
that is fun. It's a good guest.
Someone who's never been on the show before.
Daniel Ocean.
Himself?
Yes. He stole the podcast.
Tune in next week
for Old Boy
with Allison Walmore.
Allison Walmore returns to the show from New York Magazine.
Honk, honk.
Honk, honk.
I don't know.
And as always.
Are you guys doing
an Ocean's 8 commentary?
Yep.
Is that the first time
you've done a commentary
on a movie that Griffin
is ostensibly in?
My arm is in it.
My arm is in it.
I guess the answer is yes,
right?
Yeah.
You guys are going across
the Griffinverse.
Yeah, and I'm warning
people in advance.
We're going to pause for 30 minutes when my arm is on screen
and really dissect like every inch of the frame.
Anyway, and as always,
this podcast is blank Becker now.
It's a Becker podcast.
It's a Becker Rewatch podcast.