café snake - Lignes Ouvertes #16

Episode Date: August 4, 2026

C'est ENFIN le retour des lignes ouvertes de café snake! Vous avez été très nombreux à nous envoyer vos opinions/questions! On vous écoute et on vous répond tout l'été!  Camille Missions de recrutement, publicités : quand Québec promeut l’immigration temporaire, Radio-Canada, Romain Schué ⁠https://ici.radio-canada.ca/rci/fr/nouvelle/2081173/immigration-recrutement-legault-quebec-trudeau-temporaire⁠Les travailleurs temporaires étrangers au Québec. Quels avantages pour les travailleurs qualifiés ? Diversités urbaines, Danièle Bélanger, Myriam Ouellet et Charles Fleury ⁠https://www.erudit.org/fr/revues/du/2019-v19-du04915/1065120ar/⁠RÉVOLUTION TRANQUILLE 2.0 et Rendez-vous du OUI Québec : on parle souveraineté avec Miriam Hatabi, Comité Panaris, ⁠https://www.youtube.com/watch?v=sflZTG4xM-o⁠Frédérique The failed coordination of Canada’s social good sector, The Future of Good, Isaac Peltz⁠https://futureofgood.co/the-failed-coordination-of-canadas-social-good-sector/⁠Samira ⁠News Brief: The Call to Boycott—and Delegitimize—the New York Times⁠, Citations NeededJF The Whale and The Reactor, Winner Langdon, ⁠https://monoskop.org/File:Winner_Langdon_The_Whale_and_the_Reactor_The_Search_for_Limits_in_an_Age_of_a_High_Technology.pdf⁠Claudia The failed coordination of Canada’s social good sector, The Future of Good, Isaac Peltz⁠https://futureofgood.co/the-failed-coordination-of-canadas-social-good-sector/⁠Élo Maire de Laval: YouTube et le déluge médiatique, Mas Media Qc, ⁠https://www.youtube.com/watch?v=DudVl6CQh0g⁠Jacob 2 The Typo Vibe Shift, The Atlantic, Michael Waters, ⁠https://www.theatlantic.com/culture/2026/05/typo-ai-trend-human/687237/⁠Post-Reality & A Hierarchy of Humanness, Whats Anu, ANU et Philip Teale⁠https://whatsanu.substack.com/p/2510-humanwashing⁠Rob Horning, ⁠https://bsky.app/profile/robhorning.bsky.social/post/3mmhpmn4nns2e⁠SophieÀ l’Ouest de Pluton, ⁠https://www.primevideo.com/detail/0MBRT0E2DQ0ZHE1QFL7BXONC3P⁠Alexia The Whale and the Reactor, Langdon Winner ⁠https://www.ratical.org/ratville/AoS/WhaleAndReactor.pdf⁠Dossier Crypto-Épique de Santé, Café Snake ⁠https://www.patreon.com/cafesnake/posts/dossier-crypto-155590202⁠Izara Satanic Panic: Pop-cultural Paranoia in the 1980’s ⁠https://spectacularoptical.com/product/satanic-panic/⁠In the trail, Isaac Peltz, ⁠https://www.instagram.com/p/DXPcV2mFjDa/⁠Kat The feed is fake, The Vulture, Lane Brown ⁠https://www.vulture.com/article/social-media-feeds-chaotic-good-projects-clipping.html⁠The Geese Psyop Is A Psyop, Garbage Day, Ryan Broderick ⁠https://www.garbageday.email/p/the-wild-geese-chase⁠Where Are the Rock Bands?,  Café Hysteria, Madison Huiziga ⁠https://madisonhuizinga.substack.com/p/where-are-the-rock-bands⁠Sandrine Jay du Temple, Faits Divers #49, Maire de Laval ⁠https://www.youtube.com/watch?v=kF_ncSMMmrQ&t=1665s⁠Entrevue avec l’humoriste Jay du Temple, Tout peut arriver ⁠https://ici.radio-canada.ca/ohdio/premiere/emissions/tout-peut-arriver/segments/rattrapage/1562607/entrevue-avec-humoriste-jay-temple⁠Joanie Your Chatbot Is a Fortune Teller, Not a Truth Teller, The New York Times, Jennifer Szalai⁠https://www.nytimes.com/2026/04/29/books/review/prophecy-carissa-veliz.html⁠ Arnaud Le web prend un tournant sonore, La Presse, Daphné B. ⁠https://www.lapresse.ca/societe/chroniques/2025-04-06/culture-web/le-web-prend-un-tournant-sonore.php⁠Time to shadow network, The Trend Report, Kyle Raymond Fitzpatrick ⁠https://1234kyle5678.substack.com/p/time-to-shadow-network⁠Émile Un petit essai sur Angine de Poitrine, Mathieu Arsenault, ⁠https://www.instagram.com/p/DVKFxBiEb6M/⁠L'Xtrmst.Zen, ZiggyZa ZiggyZi ⁠https://www.youtube.com/watch?v=sJK2Q0eMfhY

Good morning Yo, it's my name I'm gonna lookie just I'm gonna say, you know, do you, what's gonna say to Hello, man, it's like, I'm gonna be, I'm gonna'clock,

and I'm gonna'n'r on a horse, and I was gonna not this film that. It's Café Snake. Good morning, hello, morning Yo, yo, yo! Hello, yeah.

Hello, Hello, welcome to Link Open to Line Overte of Café Snake. So, as like the The habitude, during the season estival, we abrove of your tea. We're saying, we're

doing the micro. You have, sometimes, some of the other times, it's some of the question, so it's apart.

And then you profited of this period for the for the one of you who have had listened

Caffe Snake at the year, and we will come in force eventually, so pass

a bell day. Good Elete Mellon Uver. I'm a question to pose

to government. Is he I'm Is he I'm It's It's so

The Lines Open of Cafe Snake Yeah Yeah, and Hello,

Mr. Hello Today, I'd I'd probably I'm This

This year The Lorette Yeah, There's There There's Yeah,

yeah, for Camping Coal Coffield, he has not Marked

40 B, The Society in General I think it's not I feel like I feel like

I'm sure that's I'm playing I'm playing because Hello, Hello, Good afternoon It's not a take

But I'm saying That's a It's quite Estival I'm sure I'm curious To know Who you

You're Who's Who's Who And what And what He's And you

And so Thank Thank you Thank you Sophie Thank you Who I'm At second

Emense Question I think that, like, all the world, you pass at the time in the five years.

I'm going to go to 2010 to 2015, 1415, I don't know in the first time. The first

of the year of football, I'm going to football in six-year five-year, but as I parted to

Maroc the year, between my second-an- year and my sixth-a-a- year, so I've been

the camp of print-torn, I'm made But I had never played a real season of football so my first first season

it's been a second year of so I think that's done a good image of how much not the stereotype of the player

because there all the kind of nerdy that I had already at that fan of comic book fan of

Harry Potter fan of not great thing that that's not cool my internet fan of the

club rubic yeah it's that's that's even that's even that's even that's even had been

fan of Cub Rubik at 13 years. I was a fan of 16 years. Myrnear, he had been poet also. There was even a performance filmed that was

published on YouTube. Yeah, it's on my 5, so it's at the end, it's when I'm becoming like... Conscientisier.

Epstein. No, I've always been conscientized, so it's... Okay. We'll make an extract of

his poem. Of my Islam. We, the young, we have passed this life to surfed

on the bag eternal of the air that even our friends are rendered virtual, but this

montes of the result, the the beginning of the end. I'm going to do when I'm going to vote a new on Twitter. So, that's an slam that you had to read the show 5. The meurs slam of each class

could participate in the concourse of slam. So, I read that before all my cohort. It was still, ashtonjeant on 7th, the event the most stressful of my life, but it's me prepared at a... I don't know. I'm sure. I'm just, I'm just, I'm not sure, a player of foot, but, like, cliche, Jock, a little nerd, who

He talked in class. I'd go to secondaire one, I'm going to have seen

to make a whole of course to make re-invoyed because I discussed too in class. What's he

did so? The babbiage. Babiye. Yeah, because there had some there's a copy in the

time, I don't say, I'm still, I say, I'd say, I'm saying, I'd say,

I'm gonna get a five, you know, something, because it's a few after 15, and then,

Mr. Belil on the Sunnardin, and French, and he me had done 250 times.

I was a representative of class on the first of course I'm going without competition,

and I'm made to make of my functions in February, because I'm too derangeant in class. Oh,

yeah. And on the end of the year, it was continued, I'm that's

accumuled the man, you know, I'm gonna have a plan of intervention,

my two parents in a cell of a conference, with the direction of the direction of

the direction of the course, so my parents are it was like a shock. For real, there was like an sort of lured. It was like organized a moment of issue,

like, like, it was like, you change not of the comportment of the month of February, we're going to

be exulted to the school. It's all over the night, I pleurried all the night because I had really

my school because I'm my school and my team of football, and then I just decided to have my yel in sonar

2. And then, in sooner 3, I realized that if I wanted in class, the trick was to be

to talk about to talk about with the preft. So, to ask some questions, and mobilized the time.

So I was like recognized by the people in my class to make time. Just by 16 year, the vibe of the

professor, and know what he's always to ask you guys, and he's always, I'm gonna talk atopal of each course,

and then I'd leave my mind. And then it's like, to verify the to the course in the time in 30 minutes

to be. I think I'm even being in my second hour it's after my second year, I'm gonna

epstere, it's the epitue that were You had you You had a moustache? No, but it just more

like, uh, I'm just like, uh, I'm like, the shins, I'm not what,

I'm doing the Beatles, and the Pink Floyd, Bob Dylan, the collock. It was really absurd. No,

but in my time, it was that's said to be a bit in our life where you listen, the music

that your parents when you're not used this sort of my parents, it's not made a part

really, oh my God, Mnourneur, I've heard a phase really nationalist. It's the core where is that I retrace the valentate the way of the Quebec

on the country the border I've got to do with the brum, I'd getpotted on the road to vent by car I know

bellowed by car, it was my song prefer I'm gonna be sure, I'm gonna be whatever in Surmnsonair 5

I was implicated in the program of technique of sine at my school school because he had to construct a school in a

concert. And I'm after the showonair 3, my friends had did the improv but I'm all the

technicalicien it was they were in a concert, so I'm at the console of the console of the

disclerage, I always always liked that the technique of sign, I'd would like the

repetitions, all the vibe to be in the school but not to go to go to go to a school

but I'm never on on show five, they were a cell of the spectacle and there

didn't have not enough to to sign to sign. So, now, we'll tell me, if you want to do that's going to be able to

five people who have to go the cafeteria for to get to do with for trying to people who have to find out of people who have done to

the technique of the scene in this moment in the life, I think that's interesting. We've got some of theater, but I'm

not comedier, what, I did the play the clairage and all, these comedies musical that came, I've made, I've made,

cute of song, and an eclareage for cats, and an adaptation of Peter Pan for the people who would

interested. Oh, the people who are interested. Yeah, me, I'm very interested. I'm still a rapport positive to my school. I'd like full of the school at the secondar, and I had kind of the facility, I'd

not time far. Also, you have to know that I'm presented two times for a representative four and five that had these roles that and don't on Sunday five, the title

is the president of the school. And now he's called it Prime Minister, if we've recalque that on our system and the two times I've heard.

It's all the time these memes who've been batted. R-4, it was the female to be a theater that had

no any of the time to be to say to I'm present to get to get to get a

party to and interesting, and I'm like, I'd have we'd have more of micro-hond

and we have more control on the budget of the business but it

has not interested the world but she had full charismatic and in R-5

it's a bit the thing another guy of an other guy of funny that

had any any that had made to understand very young that the politics is not an affair of politics public, and it's an affair of vibes and of charisma. Interesting. Well, I'm just

on secondaire a little bit before me near, so I think it was 2002? It was, you know, 2007? I was going to Polyvalon to La Magdalene, at La Prairie, on the board of Boulevard Tachro, but I was there

was part of the court of these students international. It's the first cohort ever at this epoch so, so we'd constantly say that we'd constantly say we're

constantly saying that we're It's kind of a meme popular. The P.E. Yeah, the P.E. Yeah, the P.E. So, Mime, fruited, there's all the time of the P.O.I. But, it's true to see.

And at a moment of a day, it's all right. Because, in the fact, I was in a campaign with my mother, so, proche, the Lings American. I'm demanager

to Montreal, and there's where I'm like I'm more even more than I'm on the school on the Rueh Street. And then, you know, you know,

you do HIPster, but I'm, but I'm, you know, I'm like, a punk alternative, I know, Meleon. At my first job, I was a cashierer at a park safari, and when I got of the money, I was actually, I made some bade d'armé. I mean, you, I made some

d'Baut d'Armys at the school. I'd animae an issue of radio with my amy, who's called The Furay of Bois Jolie. I was still implicated. I was a member of Adminicitian International. I'm devenu port-parole, d'adminisites'A National, Genese. I'd sign these petitions at the hour of midday. I'd write, at the point, of the poetry, all sorts of of affairs. I was

a grand fervant of CISM, I, at the second-air. So, the emissions that I'd, I don't know that, but the rongear of the risk, or even the missions of MCGIL, how it's it called, go-churched the Fusie. He'd be used

these veer venal, like, of Quebec. I'd I'd listen it also religiously. And I was just a little engaged of style, I'd do you, I'd create an article that had been published in the Devoort, in Secondary

5, who was on the surconsumation. Maybe if I'd find it in the notes, but I was this genre of person. Even that I had met an atolle

with the clun without, so I had a, like, a n'n of clune, and at a moment of a day, I had gained a price, genre, personality of

the day, I'd went to the stage with my ne clune clune of clune, of Clunes No Frontier, because I was I was really cool. And then I'd have been farmance by the P.E.I.

Like, I had jetted the hounde on the P.A.I. I've got to talk to say that Moonee. It was kind of a moment in my life. I've got it. I have a few

I'm glad. I have the impression that I see the person that I was in but it's sure that I've evolved. In fact,

the vibe of my secondaire, I've seen a film Quebec- who it encapsule really, really really really well,

and it's the film that I recommend to all it's at all at the west of Pluton. So, there's a film realized by

Miriam Verro, Henri Bernadette. And it's really that, it's been out of my 2008. So, I just had been

to finish my secondair. So it's probably been turned during that I'm still in the life, the everyday

of young Banliusor Quebequois to 15 to 15 to 16 and I think it's a kind of

casting, you know, it's not all these actors. It's not this time, it's true, because you do that

this week, it was never a, it would be the culture, and he I was just this idea of

this idea of casting savage, because it's she'll adapt to the version that's a

question of that's a question of the question, it's a time the essence of my seconder,

the vibe of these years it's magnificent like you talk about, you talk about you know, you represent a

point temporalal in the history of Quebec, that I think it's really

very much to do it very much to do you see a take concerning where where

there's there's there's Of course, Daphne, we've made mention recently because we solicit the moment at the house, but not that we're bombarded publicity of offer. There's a million-one way to make the money in a way dislocated, that it's a invest in crypto, the MLM, the revant of products cheap, and I'm going to pass, really, we'd probably pass the day, and I'm not named only fan,

but clearly, it's a source of revenue that, say, accessible, fast, and even at all age, okay? In from there, knowing that it's quite difficult to be a time see for the young, but not that's

and that's the case you're the interlililience artificial that could be able to this is being established, but I'm saying,

the government actually, we're completely over the pasted by what they're about what they're they're doing,

they're not their generation, perhaps they're not more of acuity and they're not affuteed for so, but can't it

there, there, there's impos, and the money. Is that really all you know, I think

not. And at how point the Avoort transit more locally in fact, and that finally,

in the coffre of the state, what's there rest? And I'm I'm a little revenue of a

employer autonomous, and I made my time this year, and I have made a

formular of a formule of a private who who have done in the internet,

and they demand by example, how many how site web and you procure of the

money, and how It's really at the discretion of to each one, to declare or not, but is it tracked? How? And I'm not in the secret of the deuce of all, I'm, I'm going to ask the question.

I've asked the question. Have you done with the info on this? Have you ever been thinking of a few Caffe Snaker because it's modern, well, well, thank you. So, for answer to your question, where will the money, well,

I'm, from a point of view fiscal, the different agencies of Perception of Revenue, that's so, Revenue, Quebec, revenue, Canada. It's a couple of years They've made the directives like they're more strict

on the revenue digital. There had even a communication that had been made been relayed in the different journals on, for example, the cados that the

people are they're doing their revenue, that it's going to be verified more strictly. There are there are

some kind of of a coup of clas that had been when a YouTuber Quebec I Kill You

Nabil had been evaluated and there had a reclamation that had been made of a revenue Canada of several

centen of million of dollars because he would supposedly not declare his revenue the web.

Certains only fan Quebecoise also, I seem, that's like some money, I'm doing,

some million, some dollars to the impo. And it's even with all the people,

but in fact, with all the world, because there, there, it's got to there's

more of chance to be able to be your declarations to the agencies there are there's a

time. It's sure that there there's a surveal, but it's not all these espies of some kind of there's not quite

to inquieter, I think, for enquieting, I'm a man, it's been on it, I'm, I'm, I'm,

I'm a, I'm a work as a long time, I'm a , you know, a great, a bit of a

time, boom, it's on it's coming on there, and they don't see not only the decision of

the year past, but the seven years there's there for the revenue digital,

after, what you evoke at the beginning of the message, well, the money, well, the money voyage part to the world. It's what we're talking about

of Fiat currencies, but when we talk about the crypto, it's more more than much rependue and globalized. So, yeah,

there's a lot of people there are clearly people who can not declare the money that they find, you know,

I think, for example, the Patrione, like the the structure that we use in this moment, and it

seems that it's from the year that's probably, they communicate so-d-d- It's more than the

government, the government, They have your NIS. We, we're also even with an advocate for to be sure that finally we're

not only only we, we, we pay some we're paying the bad way that it's the good way that. But I'm just it's kind of

nebuleous and you know, you know, it's a little in a form of ambiguity. Personally, it's not all

the comptables who know how it's how it function, the Patreon. And, and certainly

that Patriot persoe the tax on each abodement. So, there's kind of a piece of revenue that's communicated with the agencies of perception of revenue. I think it depends on the platform, but, you know,

let's on YouTube, depending on the partner program on YouTube, they've demanded your number of social. So if it's fun, it depends of how you do your agent. I imagine that more it's professionalize, plus it will be regulated, but clearly, there are some people

who pay their impo. And I think that it's, it can, in the I work freelance, I see, I receive these C-4, but there are many of these revenues that I declare that I could technically not declare because I've not received T-4, I think, yes, the government

are pre-de-of-cour, the agencies are pre-de-court, but they're still pretty much, and also, you know, we see, some of pressure popular, of people who are doing reports, that's not only only to have, in Revenue, Quebec, revenue Canada, but, let's

at the protection of the consumer, when these influencers make not the hashtag pub or whatever, you, there are, you, there are, The people who are ready to monitor the practices of influencer or, let's turner, Lewis Lefoy, a streamer-keme-coxed by Francois L'A L'Aloffin'i, who's reproached by Francois, to not necessarily well do their impover, and that was that to be it's fair to runcassie.

So, it's, kind of, there, there's a flue that makes a sort of a sort of doubt constant on if these figures public, that, pay their just part. But I think that at a certain moment, when you're sur-exposed like that, there's, there's someone who is to be able

to verify if you do do you're in the end of the end of the end of the end of those who are

that's the extra rich, unfortunately. Just it depends what's the structure financial you but we

know, we have not the company, there's a lot of the impo corporative, all that,

it's like an other chand completely and an other practice so. Personally, personally,

each year for me. The impo impo, yeah, literally, Everrest. Hello,

Mounier. The year past, I've I've been a lot of Bats Bunny, and it made a reflection of Puerto Rico,

on the event of the reggaeton, on the fact to mix the more traditional, with the sonority more recent,

and how we could transpose that to make it, even if Puerto Rico and Quebec, it's really

different, I think that's kind of a point of different for these questions that

because to my conness it's the two sole territory of America who have

been colonized by a un-privance European, and then they've been colonized by another

power of a other power more than the language of the first power of European that's colonized.

And in the two cones are very close to the United, but in a manner different. And for

to regeton, it's a genre musical that's made at the end of the 80, to Panama and in Puerto Rico,

who's developed at Puerto Rico in the 1980 and that's to be to be able to

international at from the 2000. Today, in Quebec, think you that the conditions are reunied

for that a genre musical rhythmically and musicalically hyper-recognizable appear. And then,

what's you think you think that you can't to point of view structural or mediatic

for that can't be able to be able to be used to be a particular. And I

did it about what I did say before the fact to make the old sonority with

new. The music Trade Quebecoise has like particularity that the line of

percussion is quite systematically played by someone that's sitting the line of

percussion with his two feet. We call that Paudo Rhythmic is almost all the

time, tak, tack, tack a tack a tak a tack a tack a tack a tak a

pretty, even this rhythm that traditional and it would be a bass rhythmic

that's easy to copy because I think for something for something or copy

at grand scale or that's important that's that's quite that's quite can't be able to

get to happen after that the end up after that the 808 for the bass and the synthesizer for

the melody the sonority electronic I'm not musician but if you there are musicians

that's there's I'm that I'm sure I'm saying well I'm sure it's not

too hard-sug my thing, it's not a podcast musical but

it's that Good evening. Thank you, Emil, for your take. Good evening. I'm sorry, I'm not doing like, I'm doing this. I've done. I've done of your analysis,

the reggaeton, and I've not done research on the event and it's, but I think it's like a merge with all the rap that's developed

in New York, and the exchange that has between the gross diaspora for Turcan that in New York who had also

in New York in the years in the end of 90 and 20 and this exchange that because, you know, you know,

some of these albums, it's du rap basically, the reggaeton, and it's sure that in the new album, there's someority different, which are a little more nostalgic, but I think that it's a lot of also all the things are developed by

the Afro-American, and the Afro-Latino, I think there's that also in this revolution. Well, it's that, it's touch the United, New York, the Panama, and you know, you know, you know, you've got to consider it also in an espouse of a diaspora. The Latinidad, it's immense.

It is very, very, very vast, and the language, I think that's the third-lang-the-planned in the world. So it's so it's in sort that the Wrigatan is vivant, there's a lot of influence

but it's circuls well, you know, it's also, it's augmante its power of diffusion. I think it's

related to some, you know, by example, migratory, which resone at the across several countries and

so it's transcends really more easily the barriers social, national, it has made in sort

that it becomes world rather than I'm not that, let's, let's be,

in a point of Quebeco. At least we know that, it's going to be my time. At least the Quebec

devine a place. Well, it's just, it's it's a beginning in the

Riggatton. So, for me, it's kind of more actual than the apodoo rhythmy.

You know, even the epiton, I've done there this last year, it's not

it's a time of people, I'm made a extra, I'm making we're really

the origin of that's what's the time of the music traditional There are all sorts of of explanations.

There are who said there was a music and there's to everyone to hear it, we'd make it on the

place, he was sitting on a chair, placed on a table for that the sound to the sound of the

sound. In this time there, there was there was there was there was there was

to mark the rhythm of the music with his feet. There's there are other who says

that no, in the fact, we're not we're not there's not the cause of

the clergy, so so, So, instead of jiggy, we've got to tap to the foot, there's in the encampment of bouchon, there were many of dancers of talent who were,

and there, they were developing the tapment of feet, I don't know. For me, the music crab Quebecoise, it's not a music that has a resonance in the present.

It's a music in my head that really a paste pretty fantastic, and I'm just a hate-y- But I'm also, the album of Bad Bunny

is literally that. The Apodotodooly. No, I'd have to to take more of photos, it's a nostalgia for a

neo-colonialism, a embourgizement of his own he has a view of the period, the veillies, traditional,

Quebecoise, I'm not a grasp there tis, whereas as you say, the riggeton, it's a music

of resistance also, it's a music decolonial, and it's linked to a context that's very relevant

again today. You have a resonance, there's a power, in the discourse

political that it can transporte, like music. The podo Rethan, it's not search, like,

like, frankly, yeah, I see not, and in my head, it's that the latinidad or the latinity, I don't know

that, it's really something extremely vast, the diaspora, and I can't the Quebec, I perceive more, and then,

I know, might be perhaps be frustrated when I'd say that, but a place

in the world, in the world, that's replying for it, for all

different of the question identity, we're we're just in the new.

In this moment, you know, there's a mountain of the right, in this conception that also

of the public traditional, this discourse that's to come to get on, it's not

pertinent, and it's not decry not the Quebec of today, it's anched

in a paste that's a question, let's, let's, maybe,

in gines of pootrine, you know, maybe this phenomenon viral, inusit, I'm

came on a Tick literally, there two years of DeFlipp Deppard, who was

I'm, trip on engine of patron. I'd like to play with them. I'd like to play with them. I'd say to what? I'd say, the past, okay? It's not like that that's all right. But it's not that... But I'd say, in a continuity.

There's not a disconnection, in fact, I think, that there would have a disconnection between the present and the past, even if... I understand, but what I mean, but what I mean, I'm saying, is that I

think not that... I feel not that the Quebec is replies. There's people who are replying, but how do you... I don't think... I don't think... The tapage of the

has a resonance in the context socio-cultural of today. Yeah, but it it's a way, you know, you know,

you know, you know, it's sure that I'm going to the question, it's true that question, it's,

via Mark Fisher. Or what is particularly Quebec, you could go to go to the language,

you could go to the language like the franglet which is very Quebecoos

like the expressions that you have you don't you're not in France.

Exactly, That's that. If Jeanne Loo was not Morrow had, maybe we'd like, I'm saying, it's for sure that I'm sorry that I'm because it englob not the reality of what's the Quebec today. We're tombe in a pastime. It's not mean it's not something,

there's not a piece, there's not something that's there's not a question that's why, let's talk, let's talk, let's let's the dictionary of the Chilard, I thought it's a domic that's the Dictionary of the Chilor or the Dictionary Cemetery,

maybe there, there's a response to something that we could offer more than the francophonies to devout our rapport with the language, but I'm not just the English, the Creole, the Arab, all this language that's created, that's all right, it's not just in a song, let's see, in a series or in a film, if you'd have to refer to the Aynne, but at Montreal North,

like, I'd say, refer to the end, it's simplistic, but, like, the impact that I'm talking, for re-fair the film, but in the pot, after, I'd say, a rapper, a beat with that, you, it would be just like an espouse of sample. Ah, but we're an example. It's like a parody of a song, Quebec-oes, But it's all right

But it's a piece all the word of a little porto-tree, we're in an extrait there's a

face-a-off face-a- face-a-sa- peteeteee zazah your little my-e-vae

my-vol- my-e-voled my-e-gave my-gave-gah there's a point, we're there, there's also

on the stereotypes racist, let's the Quebequois Blan who who saw a guy noir, and who is like, hey, I'm me far volle. I'd say just

just du Blan, Quebec-Bloid. Okay. She's a moot, Quebec, Bale. This question, or, in-st-case, me made re-pensee to make re-pensate to the publication of MatusArsono,

that I had dissected a bit in an episode of Carfice Ney that revenue on gene of Poatrine, and he said that relevered of a

filiation Quebecoise, that created, their image, all what he made in scene, it was very Quebec. I'm going to make the

Carousel Instagram in the notes of the episode, because it's really a little essay intellectual, but published on the form of slide Instagram, and he said that basically, it had these rapporteur similar. It's, it that it had been seen

to the banne-Genegras that had existed, like the George Leningrad, Duchess Cess, but also that it reprenna of the art visual, Quebec of the years 60, 70, of Gauvro. You, I had talked of his language Explorrean, language with

with these words inventing. So there's some famous the refue global and that it's inscribate in the affiliation

of modernism artistic, who was in Quebec who had been like a voluntary of human. So,

produce an environment where we were sure of the identity, you know, like when he was,

he had, all the world and he did they're doing it not with their words, they did not

their name. In Quebec, it's this current this current that, modernism, this

of the voluntary of the human, in reaction, just to an identity collective, aqueathment of certain artists for the identitar. The Quebecois, the nationalism, identitar. And when the nationalism

identitar, at each time he frapped a mur, finally, the mur, of the violence, of the exclusion of supremacism, and it's still developed in response

to that, you know, it's still just the last year, it was, the news, this story of

cagouled at Chah Winigan, who had branded a banker, who'd say, I'm I'm sure of a Quebec Blan. You know,

that also it's a part of the culture Quebec-to- maybe that's quite a clue in the country

white, there's a tendency much more large that the people Caucasian-blan are in

pant-dendant in their re-newlement demographic. It's just it's just it's part of the

blanchitude, to feel that we disappear. But the people, it's not different,

but what's it's not, because they're they're even like decolonized? Well, there's literally the conquite.

Well, it's decolon at the base. Yeah, for sure. But there's a conquite. Then, there's a rapport of class. It's had been

a class inferior. They have been divided. We've been in the psyche. In ways, in the psyche, there's a different.

And WASP American, have not the same rapport to a publicer even that a American, even that his father is

in the Quebec king and he erritted in a gross business, he's different than a fucking protestant of the exact,

so that's for that I insist on the fact that it's part of the culture Quebecoise. It's idiosyncratic. He said

he said that Matthew Arsonneux it would be in the music, in the modernism, in the tradition modernist Quebecuase,

this desire to find an other, a other, who, to be able to be to escape

to the question identity. I don't know, if it's really that that we could say

that we're people, or so, is the kind of the language, a language a more

metised. You know, I'm on a publication of Kinge, recently, he was probably just about

the franglis, and he was not more Quebec than the franglet. After that, you say, that could have to find out

another name for this language because there also there's also the improup of Creole,

it's like that we talk, it's like that we're that's just what you say,

what's what you're not of me that I'm that I'm that I'm that you explain,

it's like it's like it's like it's like it's like yeah, it's interesting thank you

us have launched this question. After, I'm not sure if we have been answered.

But, yeah, in fact, it's a double step. It's that that will takeover.

So, it was an episode of the Lines O'Brien for Atee.

Thank you to us listen, we're really privileged. I'm will you go back

the formula hybrid of Caffe Snake, we we're

we're present in times and you Exactly. Thank you, everyone, to listen, and I hope you're going to

and I hope you're going to pass a very a very much. The music of intro and outro. Aslo. A Z-L-O. Thank you.