café snake - Party Mix avec ringolos!

Episode Date: December 9, 2025

Notre Patreon: patreon.com/cafesnakeMounir parle du crashout de PSPP sur la culture, de Diddy, de la vente de Warner, Daphné aborde la vibocratie ou la vibocracy, les bébés et la guerre, la financiarisation de tout, la couleur de l’année selon Pantone et la soi-disant virginité de la la vierge Marie de l’ordinateur.Pour offrir Café Snake en cadeau de Noël :https://www.patreon.com/cafesnake/giftParenthèse bébés militairesDiscours de Fabien Mandon : https://www.youtube.com/watch?v=yQIEjelTbx4On en parle : le startup Nucleus GenomicsLe Politique: 1 souverainiste vs 4 fédéralisteshttps://www.youtube.com/watch?v=Fu4rz4p-ijE&t=1104sChristopher Curtis, The Rover : Opinion: The Parti Québécois Has Become a Party of Cyberbullies under PSPPhttps://therover.ca/opinion-the-parti-quebecois-has-become-a-party-of-cyberbullies-under-pspp/Diaper Diplomacy, https://www.instagram.com/diaperdiplomacy/The Absurd Appeal of Videos That Turn Trump and Putin Into Babies,  Ashley Wong, The Wall Street Journal, https://www.wsj.com/lifestyle/diaper-diplomacy-hegseth-trump-putin-mamdani-ai-3a509d2eVibocratiehttps://encyclopedia.pub/entry/59137Financiariser tout'Unauthorized' Edit to Ukraine's Frontline Maps Point to Polymarket's War Betting, Matthew Gault, 404 Media, https://www.404media.co/unauthorized-edit-to-ukraines-frontline-maps-point-to-polymarkets-war-betting/?ref=weekly-roundup-newsletterRecommandation:le marché de Noël Port-Royal x Bellevillehttps://web.facebook.com/events/1901549684097484/

Yo, it's my name. Yo, it's my name. I'm going to lookie just to write to meister at the culture on Twitter. I'm going to say, yo, do you? Do you, do you? Hello, Man, it's Daphne. Oh, but I'm obliged a film of one hour

on a horse. And I was just like, I don't not this film. It's a coffee snake. Good morning. Good morning. Good morning. You.

Hello, everyone. Hello, everyone. Hello, everyone. Welcome to Cafe Snick. Today, it's Cafe Snick, number 71. In direct, of Meck, Mess. It's an episode that is available for all the world.

Just you'll remind you that one episode on two is available only on on our Patreon. It's the last episode before the vacants,

so he will have the link that will embarked from the same next year. So, depleche, if you have not

on your message vocal, you can you can be by couriel or on our Instagram. If you arrive

to envoyed a voice note on Instagram just write me the link and I'll accept it and you

will be able and you can't give your message vocal on your email already? Info CafeSnake

at commercial Gmail.com Okay, thank Mounier and I want to you want to

you know the possibility to offer in a admonment Cafe Snake

to your proche colleagues of business you can you can choose the number of

that you desire So it's at the address Patreon.com, bar obliq, cafe, snake, bar oblique, gifte. We'll make the link in the description of the episode. Of what you will talk about today, Daphne? I'm going to talk to both things. So, parenthesis, baby, military.

I will also talk to the color of the year according to Panton, the financialization of all and what, of what, of what we call, the viobocracy. And I'm going to talk also of technology and of sexuality.

And then I'm also, I'll talk about paint of things. We'll talk about the new documentaire that's on Netflix, produced by 50 Cent, Sean Combs of Reckoning, that we've regarded. I'll talk also, just, the cashed by Netflix, or the tentative of the Netflix, of Warner Brothers,

which is blocked by Paramount, and how the centralization of the media arrive also, here, in Quebec. I'll talk about the story of Paul St. Pierre Plamondon, Chief of the Party Quebecois, on the milieu cultural. And it's so, so, so

so, so, so, don't put it. Merry Halal Christmas to everyone. Jingle HAL HALLEL Woo-Wi! All I want for HAL Christmas is you. No, yes. She has a good gift, the friends, the personnel.

It's the prayer. Okay, I've seen a theory that's elaborated by Daphne B, who is a poetess. We've talked to poetry, too. Poetess and co-animatrists of Balado Cafe Snake, okay? She thinks that the menu of Lofriere, it could be a way for the family Abatielo to make his positions politic.

Because... Because... You know, it's a little oriented. There are certain plots of menu that are a little oriented. We could watch. Weak up. Wicked Wicked Wreckh! Wicked Wicked Wreckh!

Wicked Wicked Wicked Wreckh! We have to find somebody that'll work with us that has dealt in the dirtiest of dirty business. We're losing. Puffy, puff daddy. Deadie. Sean Coles. So, Daphne and me, we have regarded Sean Combs of Reckoning.

It's a series documentary in four episodes that's paris on Netflix the 2 December. It's a series that was really anticipated because she was produced by Curtis Jackson, a liaos 50 Cent, who is an enemy noteworthy of Puff Daddy before very long time. The CityCent has never rated

an occasion to critiqued and to denouncee Puff Daddy or Sean Combs of his real name at a travel, I think, one decade, perhaps two decades. It's one of the sole actor of the milieu musical American

who has used an espose of this documentate. There was like an esposeous between the different diffuser in who

would have the famous documenter of 50 Cent because he's very he knows for his career musical but

because 15 years Curtis Jackson 50cent is a more prolific in the milieu of

the production audiovisuel but especially televisual it's he he produced the series Power which is

a great classic of the television of the years of 2010 and plenty of other series. So it's

really, at the years he's departed the production of album musical, and really it's lanced

in the production televisual, and it's culmined with this project on Shandcom which so we're

not only we, we, we, we talk of the recent pursuits civil, we talk

of different testimonies of abuse direct that are made on this documentaire what we

fact, is that we retrace the ascension of Sean Combs in the industry musical American, but I'd say more Afro-American, and his association

is directly related with the ascension of the rap or the culture or, like the intervenants in the documentary in the documenter,

just culture. The term culture in the imaginary Afro-American it means, it's the culture afro-american, but we're just

this term that when he's used when you're used, you know, when you're not the culture, what's what he says, the culture,

It's not just the music, but it's also the mode, it's also the way to talk, the way to see, appertaining to the U.S.S. different than the establishment mediatic-american. At the turner of the 90, when, you know, Sean Combs rejoined the industry musical by an stage

where one of the most label of rap-independent, uptown music, well, we see, how the rap was at a point turning, and he is arrived at a moment where he had 19, 21 and he represented

the genus that would professionalize the world of rap and it's that, among other that his label Bad Boy by the suit

he had made the rap to an author that he never knew for that then Jayzie with Rockefeller face more

more more and then it's acculment with let's get on Kendrick Lamar and top dog entertainment

so there's quite had been a kind of of the industry of rap that these codes have really

been developed by Sean Combs in great part. And it's what we see in the documentary, it's how he was party-prenant

in the majority of the gross phenomena cultural hip, it's the beginning, it's the beginning when we're in 2025, and

I'm not granded in these years, but I know this because I'm much interested at the history hip-up when

I was in the adolescence, but for someone who is the exterureure realize not at what

Chant-Combs was like a figure invergur in the world of the world of rap. But this

ascension, it's in the detriment of of several artists Afro-American who have been literally voiled or even toue. So it's so

that I think that's brilliant in this documentaire that, it's it's easy really to get to be in the space

sensationalism of all the denunciations and the process, the process federal of Shand Koms against, there had

there's charges of him of racketeering, of transportation of the sex at through the various charges

criminal against him. But it's just to the 4th episode that had really dissed the process that had been hyper-mediatized. We're really of 91, even of his infancy. There are some time of the people who have granded with him.

And also, the trame of fond of this documentary that is there all the long, is that the realistress, the productor, have had access to the video that had been turned the week before his arrestation in September, 2024, these videos that he had filmed himself because we learn very rapidly in the documentary that Sean Combs had always filmed all the time

all he had a cameraman, a videist, he was following he had revenued at Manateen for to be, because he said that his arrestation was imminent, and his advocate he had recommended to come to New York

for to be arrested. So, he is in an hotel Midtown, Manatan, he will make these tours of velo, these species of bainte-full, he's on central park, as we see a bit

already to orchestrate his campaign of communication, and I think that's that also that we with this footage and we'll see a parallel kind of strange

How he has managed to manipulate the opinion public? Also, it's where is he judge the importance of where is

where's what you have to manipulate the opinion public? And I say, I see a parallel a little with

Netanyahu and it's a certain to get a coche to some avocat he said, it's well,

you're at last on CNN but the people are not CNN, there's 7 million of people there's not

there's 7 million of people on Instagram and TikTok it's they're they're they're going to go to get play-dye

we need to we need to people who are American or not American who are the plus dirty possible of the business

of the Com and the PR and they request their campaign to Com for when he will have

the process I'm what I'm really the parkour so we know that as they're

young one of one of the first event that he organizes there nine more

that decul it's so he had decided to organize a space a match of basketball of charity

where is there were there were several artists and there had so much made a promotion for the eventment that were in a little gym

of a community college at New York there had been a movement of full of people who have tried to get to get

the term they've tried to bomb rush in fact the gym where what had the match of basketball

it's created in a cage in a cage of a scale a movement of full that made in sort

that nine people are dead and even he said in a clip of an interview

that was a documentary that he had produced he had made to the world mediastically, because he had put all the charge

of that on being the promoter of the event, he had made the conference of press, it was an history national.

In this time, there was in internet, so if there was a figure central of an history of a new of a tragedy

national, and it's you who did the conference of press at 21 year to to bring the responsibility,

but these photos were in all the publicin and all the bultons of the United, it was like,

it had left in his much of car more, but at every time he had

a war, he'd profite meditically like with Biggie. It's

that, and I think that this document that has been reduced to a new generation

a little the dissu of the relationship and the conflict

is historic between the West Coast and the Rapp of the Rapp

on the relationship on Notorious Big Christopher Wallace and

Tupacac Choo and Tupacour and Tupac and Tupac and Tupac We see, like, even me, that's the exterior that's not regarded plenty of documentaries

that on the film biopic of Biggie. I was not so conscious of the relation of amity that existed between Biggie and Tupac and we understand that's this relation of amity that made in order that's developed a tension

between Shandcombs and that's what is interesting, even fascinating, it's the gradation of how it it starts with these little

manifestations of abuse and the violence and the more the years advance, plus his power augments. It's like it's like to

have a fix of domination and the power he had been to cause more more more plus of violence

and of control. The documentary there's a name in clear because Shug Knight who was the Impressario

of Tupac has been got to before this documentary like this even I'm playing with

people all made Shug Night for many of many problems that had arrived at Detrow Records

and in the music of the West Coast and as a figure violent and criminal of the world of the music

but how he is depended in the documentaire it's like someone who had realized that Big Boy and that Shandcombs exploited their artists and that he had

like mission to redone the money to redone to add a lot in the film Straight Out of Compton which is a biopic of the group

NWA where is Shug Knight is depain yes in a way a bit more more violent but as the person who has

Permit to Dr. Dre to really do the money of his music. But Shug Knight, you're on sort of this documentary, as a figure almost of the saver of the industry of the music, but if you analyze a link between 50 Cent and then, Shugnight, Shugnight who was associated to Dr. Dre,

who was associated at Dead True by the entremise, just, of Dr. Dre, well, you understand why Shugnight had been in other documentaries, even I think there exists in a documentary on Shugnight specifically, well, it depends like a figure a bit more sinister. Like, if you're just

this documentary, a lot of people who they're because there this week in the Uki and in the States, it was number one

on Netflix before Stranger Things which is kind of, even, you know, 50 Cent, it's impressed to partage

that, during a short instant. I think that Strange U.S. is re-devenu first, but, you know,

it's really a phenomenon cultural, they generate a lot of discussion. The trams is that,

in the front is that, in the fact, the assassination of Tupac Choukeh, but also the assassination, assassina of

his artist or, like he qualifies, of his mayor of his wife Biggie Smos Notorious Big

I said psychopaths sociopath and daffin like, oh, it's these diagnostics that you do, but

I mean, to dance on the stage of the MTV Music Award with Sting who chants

while you've made a song homage to your supposed to your family

and you dance like that on the stage that's it's been a meme

the absurdity of this dance that's that's it's made context in the documentary, to have a moment televisual of music at MTV

in live. At this moment, it was really your breakthrough. And I think it made me think to think what Daphne he said often also, but it's that the men of power, the people who are often some politicians, these universitar who are, they want to be

all the time to be in the media, well, profoundly, they're a yearning for being artists, for to be creative, and so, we feel constantly by Didi. The rock stars. It's someone who has

No, no talent musical, but that he's grieve all the time to the artist emmergent in their promiseing the access to the glory and to the richess, but that finally, he is

in their video, he talks all the time for them in the interview, he is all the time when there's no talent musical, I think

that's really well, you know, in the documenter. I'm, what I think, it's in the whole, you, of the history

in general, I think it's on the accumulation of richness, it can really become an tool of extortion and of abuse,

And I think that at a certain point it's a little Also, what's it's not quite to decortique, but it's just really, you know, this documentaire

has been produced by an Afro-American realized by a African-American, it's a lot of people, what's they say in their testimonyage in the

documentary, is that they've let's pass many things with Shand Combs because he had the representant

of like this, this tomb noir that has nothing, that's that, that has nothing,

that he does a person, that has a confidence in that there's no complex of inferiority. It was like

if to him nuir to it's not to do you know to the cause of all this generation of African-American.

Even him, he is in trying to open the stock market with his mark of

Vendement Sean John he is like he's at an interview of New York Times

and he said, I represent the first wave of black wealth. You know, he has

really all all the time brandy and even you know in the source awards

that is a moment really iconic of the history the rap, who has really crystallized this conflict between the West Coast and East Coast. We have Shogh Knight and Tupac

who said, come to Detrow, if you want, that the producers are all in your videos, and who pay you pay, like, the world. And after, Didy, he goes to search a price, and he says, ah, I, I'm not oppose the men war. I'm for the peace. Felicitation to Detrow and Shug Night, blah, blah. For him, his

presence as a man, is an tool, in fact, that he has but he's not necessarily... And then, it's been in contrast with him, he's going of ful and then he says he's totally

saled and he's going to have and he's left with the peroxid, so he's touched to him it was like

it was an imprim to to be malade or plenty of bacteria like if these fans Afro-descendants would say

that's that implicitly said in the documenter and that's a moment that's a moment that has been

viral the people have done and he said he said I'm sure she's sal like he had

internalized a certain form of Like, finally, he'd feel like menaced in this environment that, entoured of North American. He's just, and he revendix all the time, justly, that he's ported end of art of the ascension of the man nor

or of the person noir. Well, it's certainly that his richness has been batted on the abuse of persons noir. It's that. And it's like an abu that's flagrant. You know, after, now, today, in time real,

the succession of Notorious Big has made a shorty to say that the declaration that's made in the documentary by one of the old

old dirigent of Bad Boy that Sean Combs after the death of the biggie

has wanted the most funerail of the history of New York and when he realized the

price that had to be able to take that in the budget of the biggie

that made that's his succession was redeavable because it's like so

the functioning you have there's advance, you have there's the money

of your album reimburse that reimburse It's like if he had charged to the family of Biggie the coup of the funerale that he made

decided the envergure. There, his succession is out to say that it's not the whole but the mother of Biggie

is not her in this moment that's the so there are people who specule on the fact that the people who are still

still loyal at Shand Combs. There's even the mother at Shant Combs who has made a communique this morning

she has done the 8 December to say that the declarations that are made like Chant Combs had been violent with

her in in 1991 are not right and that's not true the arrangement financial.

In the whole, she denounce the testimony of a person in particular who's

did as a bad boy record in the documenter. Yeah, I recommend to go

and give your take in the commenter or if you have already listen. Thank

my name. Thank you. Okay, I'm, my, uh, uh, uh,

uh, uh, uh, uh, uh, uh, a parenthesis, baby, military. In fact, I'd want to

Juliana, San Remort Rock, who wrote on Patreon, I think, this week, the same week past, who said that she said that she'd

have found that markant the discourse of the chief of the French, who wants to prepare mentally

the war with the Russia in the next years, that the people French should be to prepare

to the more of his children, it's on fact, the 18 November,

before the Congress of France, the general Fabian Mondon, who is chief of The state major

of the army has effectively said that the country should restore his force of arm to accept

to be to be able to protect to protect what he is and that would be to be able to

accept to a little discourse pro-Israel I'm put the extract in the

notes of the mission because it's kind of a discussion

that during 30 minutes there also the president Emmanuel Macron

who has talked to relance the service military not very

clear it would be a service military that would be made to be in

voluntary. We're trying to instore a climate of power. We're not really to say clearly

the word we're talking about more than we're using some of the euphemism. I don't

anything to say on the politics French that the fact that Mandon has used

the word infant, so accept to to lose his children,

I think it's not anodid we're many people in

the media we on Kaffa Snick, often, to signer the fact that the total of natality

be, notably in Occident. And in the episode preceding that I've, in the case,

I had explored the discourse pro-natalism which is quite enveugue in the Silicon Valley, but that is

not more new, it's there are some racine historic, and we've talked of this

discourse that in France, I think, post-premier Worldial, and how how, just,

the discourse pro-natalism was directly related not only to the eugenism, but also and certainly

to the security national, so the anxiety that's the anxiety that's around of a number

of naceance, of a number of an country or by a group of individuals done, it's also

an anxiety to the force military of a force military of a group because the

power because the power, the discourse about to do the idea of the idea of

the idea of a there's always a subtext because these kids are and they're they're not,

it's always the potential future soldiers, it's always potentially virtually

of the chair at cannon. And I said, you know, I didn't comment the the politics

but here we're on Maru who we look the chain of the formation

French and really, all this cycle media about of a

front of the Russia let's let's let's let's let's

it's historic it's it's historical, that that I think when we listen when we're we're going to we're in France

it's in France it's like constantly the Russia and the Russia and I understand how it's mind the invasion of the

Ukraine and how it's going to say that all it's possible but I would make that all over in Occident

this space of volontet of investment military we've seen in the last budget the first budget of

Mark Carney Fransau Philippe Champin the investment in armament in construction of structure

military, of new Golden Dome potential, you know, all that? It's 81.1 million in five years. All right, it's a rhyme, in fact, with a voluntity

to make pleasure to Donald Trump, because when we say we're going to invest in the armament, well, what's what we're saying,

or even when we say, we're going to get to the money to the company of armament, Lockheed Martin,

we're in different companies like that, who, are American, it's just to get the money in

the complex militaro industrial American, And that's everywhere Paray. There's even the Germany that

decided that would rebatte a army that's that's that's that all the

paradigm European seems disappear a bit where is we're about

we're not in terms of the time. It's like the Trump at the

power also had subsist this kind of of society

who during pretty after after the after the wall of

Berlin it's said as time when we have the Ant the Artic 5

that is a we have not necessarily to be able to develop our army and that it's denounced

by all the right of MAGA that the United would not occupy this role that's a role that had

been thought by the presidents in the 80 and 90 to to power to power

geopolitic and a fire imperial of the United everywhere in the world

yeah so just just to return to pro-natality when we when we

hear this discourse that, I would always have the purse at the word,

and it's more largely this week, I've seen really very much of the reaction,

in a particular on blue sky, and the articles that are on the

reproduction assisted, so IVF or FIV in French, who have really, these tendons

about the eugenism really, really, uh, more explicit, so I think that it's

kind of a, on-li- -li- collection genetic, which is kind of liable to a form of supremacy blanche.

That's never no more, it's based on the notion of race, for the notion that certain individuals would be genetically superior to

other, so more desirable. And when we talk about the effundraement of the natality world, what we say, it's

effondriam of the natality occidental, because in Africa, the total of fecundity or the total of natality is very elevated.

So it's so it comes to think it we would probably prioritise that there are certain nations that count,

like an other nests that would be not really, you know, you know, the nations in Africa,

we can talk about the nations in the United, where's the where's, where's, there's, where's, there's, where's

we can do make the same parallel with the mors, because the nascent and the more are very liable.

There are there are that there are officially, mediatically, and there are there are, that don't count

not, that we don't pleur not, who are absolutely invisible in the media, you know, that we're actually almost like a normality. Parallelial to that, there's all this idea, in the discourse, especially at the tech bro, of the menace existential, like what, the humanity, the genre human, would be menace, ported to disappearate, so, notably by people like Elon Musk, but if we had really in care the sort

of the human, we'd have also at care of the rights of the person. So, it's just to return to the pletor of startup, there on have one, for example, that I've seen in the newvel, so Nucleus Genomics, I think that the founder, so pavone, and had made, and they'd make a t-shirt where it's written,

like, This is not Eugenics, but in fact, it's not bad. They refuse the tiquette deologenism, but he uses an other term, the genetic optimization,

so optimization genetic, and I was going to consult their page Instagram, the slogan of the company, is, Have Your Best Baby

with IVF Plus. IVF Pro Max. That's that. The idea is to test the embryon pre-implantation and to selects the traits the most desirable. Then we'd, like, by example, the grandeur, the weight, and even the intelligence, which is, d'ambly, suspect,

because just that, there's not necessarily of a fashion fiable that makes consensus for measure the intelligence. But I'm capable of visualise how this type of eugenism that can be aligned with a discourse pro-natalism

who envisage the total of natality in regard of the force military of a because, a government could encourage

this type of manipulation genetic to their people, even the commandities to their money,

especially if this optimization genetic that will vise these traits that could

be perceived like the advantage military, by example, selects a embryo who would

have sensibly like a more force physical, for example. I think that's a ponder very, very, very glistence, but I think that it will continue to be

in the discourse, and we'll perhaps even on end up to more and talk. And finally, behind, parenthesis, baby military, I think that I've never talked in the cafe snake, but there's like a, a count YouTube, that is now, that's declines in several accounts on the radio social, for example, that's a page Instagram, it's called Diapur Diplomacy. Taylor Lawrence, we've already talked, but there, the Wall Street Journal has covered the channel, the channel, you know, transform, you know,

politicians, by example, of the politicians American, and other, in baby, with these caches, and it's

gained really in popularity. The people have the impression to see, the actuality because there

really, we use, you know, it's all, to create these bambin, but the words that's

really, it's not these situations fictive, it's real, and, it's the actuality political,

but version baby in cuch, it's like it's more agreeable to be current of the geopolitics of this

fashion that. The effect that it does denude a little the policine and it's a little bit of verny of seriousness. It's a may in exergue, perhaps, the grotesque of all this comedies, but I see if, in the case, is, is it really swatable? Because, like, it's, it's, it

becomes a form of theater, but also of divertisman, and I, I think that it really, it's really an emphasis on. I'm to make the article in the notes of the mission, if you're interested, go get a look at least. Netflix is a great company, and they've done a phenomenal job.

They have a very big market chair. And when they have Warner Brothers, you know, that chair goes up a lot. So I don't know, that's going to be for some economists to tell and also, and I'll be involved in that decision too. He came up, he was in the Oval Office last week. I have a lot of respect for him.

He's a great person. But he's done one of the greatest jobs in the history of movies. other things and he's got a lot of interesting things happening aside from what you're talking about but it is a big market here there's no question about it.

Prochain subject, it's a newvel that Netflix was heard with Warner Brothers for to buy the studio of cinema and HBO Max so the studio of Warner and HBO Max he had not purchased the totality

of Warner Brothers or it was not intended to buy the totality of Warner Brothers. This new had been received as a bomb in the middle of Hollywood but also these amateurs

of cinema but also it's a rattice large because the portfolio of property intellectual that Warner Brother

possesses is immense that's particularly Harry Potter all the properties of DC Comics

so the pensac to Superman Batman, Wonder Woman and also let's let's the series

the realisate Quebequois Denivil Noone but in fact, you like just just think

to the sort of souvenir of infance, of all the films that you have seen with

the logo the W.B of Warner Brothers. It's infinite and if all that were added

to portfolio of Netflix in fact it would be a immense, a immense price for

Netflix. They have also the platform HBO Max which is the third most

platform of streaming behind Netflix Disney and then HBO Max so Netflix if

proceeded to the acquisition of HBO Max would be 400 million to have been mensual to their service

of streaming which would really the moneer in this sector that, the abodements Netflix

were in Starination there was we know that the voluntity to Netflix for crore to his

model of the acquisition they're they're to acquire these studios like that

but the trame of font that was really very much mentioned by the

amateur of cinema is in fact this choice philosophic or this position

philosophic of the founder and CEO Netflix Ted Sarandos who for him

in fact the sort of film in a cell of cinema is just an accessory

he doesn't say there's even a situation where he said that he said

that he said barby and openheimer he had been on his

video and he said he said he said he said Lawrence of Arabia on on his

telephone so it's for him he said he said clearly the model

of distribution by cinema is a model that's going to disappearate, that's his position and it's really shocked the actors of

property intellectual of Warner Brothers because it's it's kind of this studio that in fact that this year that had

made the money to box office so it's not a good for Warner Brothers, but the

Council of administration will liquidate the company. Netflix, in this moment if he proceeded to

this acquisition he'd a little on counter of their model of because what what's

that would is that is that they'd like the branding of HBO that we know for like have revolutioned the television in commons

by the Sopranos Meadow Wire, Game of Thrones it's really the television of prestige it's really something popular and Netflix has been with certain

properties it has nothing to HBO the stamp of HBO when they produce a series I can't just put a logo Netflix

and have the same prestige it would be he guard the image of mark of HBO so it would be what? At the interior of Netflix, there are a channel HBO, and is they going to do other acquisitions? And there are

other channels? So, is that, in the phone, Netflix, it will be to be a cablo distributor like an other, where there's chains, at the interior of Netflix? So, in the phone, we're reproduced that Netflix had supposed to revolutioned with its platform? Yeah, in all the case, the accumulation of the market or the power of the same company, I think it's always very inquieting.

And, and certainly that's a milieu that fascine Donald Trump, who came to him from the world of the tele-reality. So, as the annons of a

potential transaction has been made directly Donald Trump has commented the affair because for

this kind of transaction, he should be approved by the regulators. We've

seen the case with Sinclair and Disney when he had had had been the scandal

of Jimmy Kimole but Sinclair has decided to retire to retire some to get

in the Bonds of Donald Trump and the movement Maga. And then

Donald Trump he said that it has out this morning, we're Mordy, 9 December, that it's sure that he will have a role to play in this transaction, because

the 8th December last, because how this transaction has passed, is that it had kind of a space of sur-encher in different studios for the aches of Warner Brothers, that has been a little leaky by Warner Brothers, who had the discussions with Parliament for the purchase complete of Warner

that they used for create this sur-encher that culminated by the offer of Netflix, which is a at $24 dollar by action and Paramount they wanted

they wanted to buy this company so they're they're they're an hostile

takeover of Warner Brothers that's that they're they've made an offer to all

the Warner Brothers for us we'll say we're going we're so we're so it's

not just the studios of cinema and HBO but also all the properties adjacent don't by

example like CNN that that pertinent to Warner Brothers they they want all they want to

to buy $30 dollar the action and it's a deal cash. And there, you have that the

actionaires of Warner Brothers vote for know if they're with the hostile

takeover. It's a little that I did a parallel with Daphne, it's a

little that he bought to Twitter, so you submit it to share and it's

the democracy that decide because in the offer of Netflix there's a party

cash but there's a gross party that around 20% is a a bit more than

20% is it's the actions of Netflix. So it's not a deal totally cash. I think that's very interesting because it's because it's been thinking,

I've been thinking on my first short-metrage documentary, and a subject that was the centralization of ownership of the companies of production by the diffuserers and the companies of production between them. And, in Canada, we've got

kind of an historic because the CRTC had made, or the government Canadian, had declanched the Commission Kent in 1980, because of the journals, at the

at the time of the press written, had to be the property of several families ontarian, and the power

of the media were really centralised or in the case, the actionarian of the media had been there had

had been the CRTC had finished by recommend that the CRTC has a position much more

aggressive on impish the centralization of the media. And that

has been a gross staple in the world of cultural Canadian, but

later the CRTC has really reculled on this position that. And I think a moment that comes

when I was doing a pre-entry for my documenter, it was the shop by Belle of Astral.

For the people who were not of Astral, yeah, it's several Channalvie, Music

Plus, no, I think not music plus, but other chains like ZTel Historia

who had the property of Astral have been by BEL. It had been really

critiqued by Quebecor, but who critiques always Belle. And, in this moment, the most gross game of coolists that the people are not necessarily

on current, is that many the diffusers are, well, not the differe private, are actionaire of many of

companies of production who have these contracts of production televisual by the diffuser. So,

by example, Quebecor is actionaire at the bar of production deferlant. I would give an other

example, because it's all of the data that are not necessarily public, but when you start to talk about these people, you realize that the companies

of production that are often chosen by the diffusers who produce to produce, well, it's because they are part of the actionaria of these companies of production

that. So it's like, in this moment, as it's these companies privates, we don't have not access publicly to who detain

what, but there's kind of a gross centralization of the property of the company of production. Because at the beginning of

the government of the Quebec, the Minister of the culture, had decided a bit, to sort of the model

where is the diffusers would produce their own the content like Radio Canada who produced

they're in their restructuration. Well, the group TVA in fact, when they were their

restructuration there's a year and a year and a TVA produced these things now,

they had cuted this division that. The view to create the mechanism with the

CED and all, it was to create an industry cultural that would be more

independent of the diffusers? Yeah, independent and diffusers but perenn and diversified

and it was to permit to the productor independent to have the same way that Radio Canada or no matter that decides

to produce something in-house but that it's a create a kind of the system where is the producers are

proprietor the one of these other boards of production and there there's a new centralization of the

actionaria that's created in the in the in the well no it's it's construed

at the time but the resultant now is that So, many of these boards of prods appertained

between them. Exactly. So I think, I think it's kind of interesting because these gross companies of production

that have these gross staff who have people who are in fact, depend on a system financially, of credit

impo, of allocation of funds, in fact, that maintains a mass salarial that is

more important than the cost of the cost of the cost of the cost of the cost of the cost of

the cost of I'm, I'd like that that's public and there's transparency that we can

see the state financier of these companies to see how how much their structure financial are

about about to pay the mass salarial of people who do you and at the end of the

when we're when we're when we're there's when we're the credit of impo well

the last people who's the people who's when we're talking sometimes

to finance the culture it's not the culture that we finance really it's so

we finance a class managerial which in fact create not just just the

couriel And I'm not there for I'm not to say that it's not to do the management and the bureaucracy for doing this

work of cultural in verdure. I'm not about the literature but I'm really of cinema or television it's a process

I see all the people who work on my co-metrage there's a lot that that I'd not be able to

do that but it's just to keep it in time when when we talk to problem

in culture we're rarely of that the color of 2026 just came to tomb and it's

of the blonde. Pantone is absolutely playing in our faces over this color of the year choice and I can prove it to you using their own words. When we traverse a crisis of the lodgment without all the metropolis of the world, the color Pantone of the year, it's a beau-blankassee of a proprietor who will

painturie in your apartment in letting these grand cul-liss, you know? Short parenthesis on the color of the year according, you've seen that passed? Yes, I've seen that past.

So, this year, it's the black, a color called Cloud Dancer, that we could tradue by danceoes of nuage. Bizarre, quite the most of the world, we

reactively, because we're in a climate of a climate of war, of ethno-nationalism that's a sort of

a monty, so of racism. Why to choose the blind? It's the

first time, for 26 years they've chosen a nuance like

so of black, and they say it has more with a soul of calm,

of peace, of serenity, And the idea of Canva Blanc, what I've found interesting, is that there are several responses mediatic who qualified

this choice of color of RageBate. The word of the year, according the press of the University of Oxford, just say that

on record live to go to get the in and out 2025, I've said RageBate discourse will structure the

year. So, is that Penta had not made the do on a on the

sensibility of the time that we're perhaps, in the way it's made talk

at a moment where I think this institution cultural this choice of color that's

kind of couldn't quite a little more important mediatingly he wanted he wanted relance the

affair in doing maybe I personally I thought it's a little Kardashian-coded

this color Kim coded so it's Kanye coded the colors that are associated

to the line of Vieter of Kim Kardashian their house that has been designed

by Kanye because it's it's just to be precise all this palette of color of the sands easy and the cany.

There had a mowl, a color that had been quite quite asocied with their branding which was the grays,

so a mix of gray and beige. I've seen that Kim Kardashian was launched in the

vancline on streaming on TikTok shop and he had made a live of 45 minutes

for launch a collection skims which is called Skim Cloud. It's like if we

reprened the name of the color of the year according Panton. It was people of pyjama

a little Newel with so in a nuance of a blank black, or of black or of

black, so very neutral. If it's to do you have the words, it would be I'm saying,

I'd say certain actors, and I say reference to this article that for the

people understand, I didn't I'd not the media culturalel,

I I'd I'm just to the end up to get to deboling, it's made to

deboled, and then I saw that my intention, which is to manifest an inquestine, an inquietude sincere, by rapport to the future of our ecosystem cultural Quebec in French, but it had become a total debate to know why PSP and so mechant with the milieu cultural... So the subject

that really made culled a lot of ink, the week, it's the sort of Twitter of the chief of the party Quebec, Paul St. Pierre Plamondon, who reacted to an article of Radio Canada who's the president of the Sartre, who is the president of the UDA, on the new minister

of the culture Canadian federal, Mark Beleu. The article, the title, it was the nomination of Mark Miller, well received by the milieu cultural, and he said,

and there, I cite, the vacuity intellectual and the plaventrism of a party substantial of the milieu cultural,

Quebec, are frankly ginnant. I'm honed. And then, I mean, when I've seen this tweet, I was like, you know,

d'avit he's made these posts of love, he's written, like, mills on a subject,

he responds to a chronic, whatever. And then, and then he just made a little tweet,

I mean, I thought that kind of out of character, and he is so categorical in his language, and you're like,

what's he's been past with PSP for he that's, then suddenly you look, the article,

and the article, it's Loki of RageBade of Radio Canada. The Appell Alarrage. It's,

The propos of the president of the SARTEC and the president of the UDA are quite, you know, I see, I see, I'm very, you know, Mark Miller, it's a name that we're going to say, oh, we're going to do Mark Miller or whatever. You know, their bus is to have some good relations for doing, like, the lobbying with the Minister of the Culture, for having the most of the point of percentage in the next budget. It's these functionaries diplomatic. And it's these representatives.

no, but this is it's just the representatives, of the members of the associations who they're paying their pay for like

they're present before, entre other the instances politics. And the Radio Canada title, the

title of the article, the title of the article, citation, reassurant to have someone of this envergue. Moimel,

it's not a person in the world cultural, it's not an artist, it's not whatever,

he has come never demonstrated really, you've been minister, there's affairs ottoctone, he has

applied the language of the nations autoctone, the The day of his nomination, Mark Miller, has made some mailie of press,

and he said that he was tanned of the discussion on the decline of the French to Quebec. When you were named Minister of the Culture and the languages official, to say a affair

to them, he has regretted, he said, he said he had mal-utilized the words. But there, all the world capote there had been the sort of

Francoe Lego that I'm going to just here. And there, Mark Miller, the new Minister Federal, the culture,

came say that is tanned of the debate on the decline of French. What Honest?

Mark Miller, it's a own for all the Quebecers. I don't how he

will do you know in a activity in a country after having said some

that's a question. I'm sorry that's really the most he could score

the point nationalists in saying that Mark Miller is a own he literally

did that. But two years, it's kind of a word that will

come Revenue often? Well, yeah, two years later, when all the

whole people are fashed against Mark Miller in New York, all the people are like,

uh, yeah, it's not the most the media radio Canada saw this article.

So, that I said that I'm sure because the tension was already hot.

And then it's got to put out and it's gone, and like honestly,

on the phone, there's not particularly reason because after he has he said

he said on he said he said that the fact that we we're going to

money to federal and that this money is redistribute to make in a certain limitation on how the artists

can't be on the future constitutional of Quebec that Ottawa impose these criteria

ideological for financing certain works. I think that if not let's the DEI that really

to do you have really to replace these species of personal ID who says oh yeah I'm a

way, I'm you're an Arab, immigrants. You know, I remember, there was a board of prod who submitted a project that

me had made to make me to make sure their personal ID for that he proves that you have an Arab

in their team. That I understand the aspect of the AI, but for real I can just

talk about I've never tried to to make realise a film and I know, I'm

not, Pierre Falardo, I'm not trying to try to make sure by

telephil Canada, I'm I imagine that when Pierre Flaardo had made

the scenario of October to you have said no Bruceki, you can't, I feel like, you know, I'm trying to

I'm sorry, because he's often said a few a week, because he's often he was really really about how how much,

just the Fond the Media of Canada and the film Canada, let's not make the film because he was too

sovereignist. And that, I imagine at 100% that it's real. You know, the number of the

number of I did on the radio Canada, that I'm fucking made to come at Radio

Canada to say, at T, all of the people of all of grand just for that I'm

just for that I'm superanist I'm in the effect the feeling of the feeling of that all

that is organized for suppress the idea national Quebecoise but from to let attack all

the milieu cultural that is already precar that many people many of

artists they have really there are really conditions of these conditions financial

those who are those who are particularly to the language the people

the people, they're really the Traveyor Cultural On the bottom of the scale.

It's so, so it had not to do you have to do you know, he's excused to all people

and he's exquised a little before, he had said, I'm sorry if I'm saying, I'm

saying to my part, I'd have not to say that he said, and he said the way the

way, the way, the way, the way, but I think it really really in fact, and, you

see, we know, we've been a bit, like, and Daphne me had sent me

a text of Christopher Curtis in the media Quebecua The Rover we'll make the link

for you have been to the rover in the episode, it's very interesting. He

he talked an anecdote that when PSPP came to gain to the course at the chepferry

he had done with PSP he had made a article on the time he

stined too on Twitter I think it just a tweet yeah a tweet or

whatever he had not he said he had a tweet or he had done a sort of

PSPP at this moment and he he received a few hours after or a couple

years after a call of a number masked and it's Paul Sepier Plamondon to the other

side of the alias Pisspipi who he would say no, we're not reason for if this

this, he's good to explain his angle more, the PSPP he had to deface

his tweet that's that and he had finished by the but I think we he was

a little at plenty of there's there's like a strategy very frontal

to affrontate to all forms of criticism. And I think it's kind of interesting,

but what's what's that's not, it's quite that when he's interesting, because it's rare the politicians

who talk people, normally who are people, they're like, he repete a lot of people, but Trump

says all the time the same thing, it has nothing about what PSPP he does it and they're

poor, they're caught, but at least he's written what he says. And I think it's interesting

when he's fact, but all the people who gravite around the sector these people

of the people of people of As you critic the PQ, you're going to write a piece of

these aspects of I've said like, the people who are the people who are often absent than the tweet

of PSPP because Dimitri Soudas commentator on the Mordut of Politique and ancient

director of communication of Stephen Harper he's he's put a malin pleasure

to do all plenty of text chat GPT to to us to know at how

PSPP not defunded not you're like Dimitri Sudass when you

had things that suffered, there were, there were other, but it was like the culture, the museums, the park national, we're talking, we're talking about of the austerity, of Harper, oh, yeah, the equilibrium budgetary, but he did it, not only that, the research university, the financement of the university, you know, it's a

government that's a very austere for, like, anyporeal, not just of form cultural, like, tele-visual, but just of literature, and of intelligence, to know, I think all these people, hypocrite, even Eric Duem, who made these sorties for the culture, this guy, he chroniced with Jeff They're their mark of commerce

to shit on whatever form of expression artistic which is not like a blockbuster American. I think it's a discussion

interesting but I think it you have to revoir this strategy of PQ they do they want to all the time

all the time with the text that can't be and they say the same things, pretty of kind of

if one person it's good if if one person would be live stream I think it's better than more than

more than more than I'd say I'm in live if I'm a politician I'd be all the live and I think if I thought

would say it would be very more than I'm trying to do you mean and try to vacuities

the void intellectual, of a majority of a majority of the community cultural, it's like

it's like a drunk tweet of Jeff Filion that's personally personally on the

social media that me made to make a concept that I have discovered

in the ballado new models this time and it it's, it's,

it's so the Vibocracy. I'll make the entry of the term in the notes. There's an entry in the E-Scholar Community Enscropedia. And that,

contrary to the, let's see, the terms that have circuled in the media, the post-verity, which makes the accent

on the erosion of the authority of the facts in the media, but the viabocracy, is what is

what is that orientes the discourse mediates, because there I think it has inunded the media,

the timeline, I, for example, on Facebook, on Facebook, but also on Instagram, there's a lot of people who are, there's a lot of people, it's important. It's an item of actuality, a one reasonance, and it's its, it's a virality, it's the atmosphere affective around this item that, the vibes who are organize the attention mediatic. I'm totally in accord with you. So, the legitimacy of the engeal, by example,

so we want to discuss in the media on which tablaced, it depends more not only of the verification, for example, of fact empiric, or, for example, of a process of discussion or reasonment, I imagine, you know, in a, I see, I don't know, around an table at Radio Canada or the people say, don't know, of what we're going to talk today,

it depends more than of the intensity of the signal that who circuls. So, is that this subject that will hit the algorithm is that

become a meme finally? The vibrocassie it can be also, like you say,

it's finally in this... It's generated of the virality. Exactly, and in this ecosystem

that, it's paying to make scandal, even if you treat the artists of cave

or of vandu. And it's that, like, in this new paradigm that, other time,

perhaps, perhaps we could be We'd creaned to do find a scandal. Now, we're like an arm, we transform

that in sign of authenticity. You know, you say that PSPP is quite quite quite quite quite

a sign also of power of domination. The word is revenued in his mouth, in the bush,

in the other, so there also an effoundreement of the own, something that you know

to make the power before, now, it's not the case. And, and it's not

a photo, there's a meeting with the president of the Sartec. You know, I think this, I think it's interesting to how it's been cadreed by plenty of people. Everyone has to talk of loyalty,

there's PSPP, it's loyal to him, you know, I think, honestly, like I'm still in a position privileged where is that, these people, like, the pickists on Twitter, in any case, he me even because I'm, like,

rebranded a little this affair of sovereignty. But, pretty and not, the moment that I've made a critic of the PQ, they're ready to come to me, so I think, I think I think

I think it's like a little just bece it. It's that Christopher Curtis sulliened

in his article for the rover that we'll put in the order that argue, and the

repressment at susceptibility of the des adep of PSP to react in the comments on

the radio social to each critic that is ported to show of the PQ

and I know, I understand totally that the resos social is not the terms of

the radio social like the Twitter or Instagram, or whatever the sections commenter, it's not like that we're

going to make some of the dialogue, you know, I know, if you look, the interview of me and PSP in 2022,

we're talking directly of ethno-nationalism, I've made that there a problem of ethno-nationalism in the base militant of sovereignism,

he he's he's reconnate, he's he's said in the interview. So, I know, I see that when

you talk with the people and you diffuse a content mediatic, with where there's a discussion of fun

that is long, it's there that there that's a real dialogue not a section commenter I'm sure I'm not

I'm not like the ambition to change a movement by these tweets but when you're PSP before you

when you talk about when you when we said at the St. John I literally said you like you

have not not to say he knew he know he he knows my positionment but after the people

get to judge the section commentary on internet and I understand because we

are absorbed by that but if we're in a viobocracy the section

of commenter becomes important because even if it's not the subject that should be able to

the place in the space media, if the people talk, it's that's the that's what I'm that's over my

position. It's a 100% that orientes the discos. But if I remit the clip on my

Twitter to me and PSPP who is he reconn't that you're a problem of being

nonationalists in the base subrenice then there in fact I'm going to do you realize

that I'm post the clip on Twitter live. Well, it's this sentiment that's to approach to the Quebec that they want to depain as being racist and intolerant.

We're not to come down. It's a fact that we like, oh, Quebec, there's an intolerance of racism, and, yes, in Quebec, when the referendum is finished, we've said that we've perused

at cause of the vote ethnic. It's that, it's it's in the image of people like, I'm not, I'm not not, I'm not, I'm not, I'm not, there's not this referent that because it's marked a little.

Yeah, clearly, but. There's a to do where we'll we'll arrive the perspective exterior between

people, there's a There's a There's always. There's there's always, the peace social

is never guaranteed. The progress no more. Even we can say that we're in a phase

that we talk about to resignation at the beginning, there's really an invitation to recule

on the point of the inequality social, not so so I think there's

like a susceptibility that's not attire, but it's it will attire

two steps. He'll run to government and he thinks that's that he will run to the government

and then he'll go to get a referendum. But you have to find attention to what you're to get to

to get to the government because it will be very tough to to gain after to get to a referendum.

Someone, because when we talk about this text that that we said that Christopher Curtis who finished

that I'm no attachment in the culture Canadian I'd very very vote to a referendum

but live I'm there's turnoff and there there's there plenty of people of this

stuff of this stuff, Live, I'm just a little turnoff by the style of communication of the PQ. It's just a little, a little, much.

Yeah, more just by attachment, profound to this cause that, sometimes, like, these kinds of fosper at

repetition, these aspects, they're just nuir to know to bigger picture that will be the referend of. Jesus was born

out of a virgin mother. What's more virgin than a computer? Hmm, if Jesus does return, even if Jesus was a physical person in the past,

You don't think that he could return as artificial intelligence. Oh, my God. If artificial intelligence could absolutely return as Jesus. Not just return as Jesus, but return as Jesus with all the powers of Jesus. You can combine Tesla's optimist, robot, and the best foundational artificial intelligence model or whatever. It reads your mind and it loves you and it wants you, and it doesn't care if you kill it because it's going to just go be with God again. I don't know if you've got to be with God again. of actuality, but it's, you know, our

last episode before the vacants. And I have a final parenthesis to do on the technology and the sexuality. I've seen circuled a clip of the podcast of Joe Rogan, which is recent, I think, of this week, who talked to the intelligence

artificial and of religion, so he's demanded to go out if Jesus could not reappearate under the form of the intelligence artificial. He has made reference also to the

birthance virginal biblical, when he talked of that, the Vierge-Marie, in the font, the machines that we use for generate the text or videos and

all that, generate without reproduction physicality, Jesus is made of a, a virgin, what's more virgin

than a computer? What's more virgene than a computer? And that it's really interpelled just because

I think there there's this attrace there behind the technology which we can't technology like an instrument

of creation who is virginal. And why is it is that it is not corrupt by the chair? And when we talk of chere

and to corombe, it's not just the sexuality. We talk also of the core who is submitted to the putrefaction. You know,

you know, it's a battle by example. So the putrefaction, the defecation, the caca, the fluid,

it's all what's the cause the core that's suites the horror. Why it socied the cause that

we're because it confront to our mortality, to the fact that we even we're

called to become the puritur. It's like the technology corresponded to a form of ideal

purely animated of reason. Like when in the discourse, we don't really the core of

the reason, it's it comes to a discourse that I have already that I know, that

the core in many discourse technological, it is misprised because it is sign

of mortality, so the ideal of, by example, of transhumanism, it would be to attain a life, would

be affrancher the core. So we could ultimately telecharge our spirits on these machines, by example. I think it's

interesting that that makes this parallel biblical that because it's also the line that Peter Thiel, the founder

of PayPal and Pallentier who he says clearly that to be opposed to development technological in

this moment it's like the Antichrist in fact, he does this link that

between the progress to be inscriven in a kind of a piece of a piece of the work of Christ

and so opposed to it's to be the Antichrist If we come in the Zadais we're kind of revenu

at an time where there's also a volontet to make disappear the car we're at

the Ozemp we revoir we revoir the maceor the magrear revening in vogue

she was pointed in Ozamp it's crazy No, I'm trying to. And so, the parallel

between the Virgin Mary and the computer, the ordinar it has also made also think to a dichotomy

who is like a core of the symbolism Christian who is when we oppose the mare

and the put in, I thought that it was quite quite quite in the

machine learning, so, by example CHAPT is a case, where the

large language model or, in of these technologies of this type, well, the generation of information, or rather the generation of text or of image, it is rendered possible by the absorption pre-alable of content that has been generated by decors. We can't do abstraction of these cores. There are these products that, for example, if I generate a text with chat GPT, Yes, there are these corps

that, but their presence is phantomatic, it is decorporalized. We see just the trace of the car. It's for that also that we're talking about both of

these technologies I've been I've already said in an episode preceding, but anthology for hanty. So there's a form

of persistence of the past in the present. There's a presence that is phantomatic. Because an LLM

produced the content, yes, but this contentu, it's just the result of correlation statistics in the same of great quantity of words that have been used for the entranet. In resumely, by example, if I demand a chat GPT to me create a card postal for my father,

because I'm in Morocco, there's quite a lot of chance that the card postal comes by, Hello, Papa. And why? Because there are enormously of corps in the past, who have tapocheed, who have written these cards postal,

who have produced these two words, this syntagm, this syntagm, that, Hello, Papa, in this context that. So, more there are the corps who have written that,

the, more there's a chance that Chad GPT me recrache, Hello, Papa. It's the product of various occurrences,

of the various corps who have vied this experience that in the past and we could even

say, we could even make a parallel sexual, and say that more the body count the word is elevated,

so the chance that's apparese. No, but it's literally that. And body count, I was not a word, it's not a syntagnes

that I was just at a moment when I'm when I'm when I'm back the way back in a couple years,

I've got to see that to appear in the profile of the guys. I want to do the

body counts that are not too elevated. So I want a woman than a woman

than that's interesting also because body counts it's, it's, it's a terminology military, it's a

metaphor military, it means to do the number of people that's more, because when I

know, when I'm more, it's more direct, when I'm the guy of foot,

all the people, all the people who had had cuched, they had got to

they, he's there, there's a thing, with the sexuality, the

more, I just just tried that role as parallel, and I want you

want to you're the technology, the product of the technology, not the

cor, but they're remediate the same it's like, you have a link with the cost of how many count, it's

a link with the video, because the Genzy, the more years, Genese, and even the

young millennials, have grown on call off dutie. Okay, I just just do a

little segment rapid, because yesterday I realized, yesterday, I've discovered

a new new channel YouTube Kimecoas who's called the political who has

published a video that's a subrenist versus four federalists.

The sovereignist in question in the video, it's Remy Wilmer. The channel YouTube has not a lot of information, it says that the video is realized by a certain Nicola P. But Remy Wilmer, it's a figure of the right. Yeah, it's a commandantor cultural, it's a commentator political

who works at a pub radio and on a boot that was a chronicer at the mission of Sophie de Roche, of Richard Martino. Now, now, there's a proper mission. I'd say that it's like a sovereignist, it's the office of a deputy of the bloc Quebecua, so

it's kind of, there's this an species of eritage political nepotized. It's a nepo-baby a little, but it's not grave. We're like, it's interesting

because there's quite a lot of nepotism in the media. It's so, but it's really really very well

the video, the four federalists that's the one, one, it's the president of the commission

of the party liberal, she has she said she wants to be part of the genese and she

primed and she's been good, like, but this chain that you've seen appear

if you're a copy of a chain very, very popular, in the U.S. In fact, I mean, when I was

I'm going to I'm going to tell, but it's really the format Jubili at its debut, it's,

it's these deba filmed that's enormously engagement, and this market was completely open to

Quebec, there was there person who had person who produced the video because the new new

channel YouTube that has been published and there is more to 204 hour,

is already has already in 12, million in the space, there's there already

400 commenter, there there of the clips that are diffused a bit about all on the

social, you know, like this format that is just a generator of virality that I think that's a

new force in presence this chain YouTube that. And just for those who would have an

analysis of this format media and how it is a break deleter. There is the podcast

American A Bit Fruitie that is animated by Matt Bernstein who had made in 2004

an episode that's called Jubulis Must Be Stop that I made in the notes of

the mission. So, so I think if you want, I'll make the link of the chain in the comments, if you want, you know, like the quality of production, and the decor, and all, and all, we know, we see that it's made with a good resource, but, yeah, the success of the first video, I think, instantaneously it will, it's, it's, it's, it's

a force of presence in the pageage political Quebecois. And I'd just justly, there's, you know, Remy Wilmer is still known in the world of the commentary political, but, there's figures even more than verger, I'd even not surprised that one year, someone, just like PSPP, the frets.

And you're, you're ready to do it's like, I'm in my claim, I'm like, my claim

it's like the sovereignism is not non-nationalists and there's four non-nationalists before me

and like oh my God it's so a banger. And for finish this episode of Raffale

of Cafe Snake I wanted to financialize all and whatever it's

that came from a situation that has been a many American, Financialize Everything. So, a phrase that I've

a lot of read this week that has a rapport to market of prediction Polymarket and Kalchie who refeseses the manchette, who are kind of quite at the

head of the actuality, I'd say, maloresement, not the manchette Quebecoise. Financialize Everything, is a citation

of Tarak Mansour, the CEO of Calchi, which is a platform a market of prediction, that said that in October during a conference,

and that It's also that the vision at long term of its company, it consisted to all financialized and to make of all due convergence of opinion an active financial. So it's kind of a bit inquieting. In general, it would say that each different by rapport to the politics

or even an opinion random, not just on the sport, on a celebrity, each uncertainty in our lives, each question that we could be posed on the future, well, it's become something of monetisable

that we're revended to the form of an active, or I'd say, I'd say, I'd use the terms of the market

of predictions. We can miser on these positions, we can buy a position on a market of prediction

on the price of transactions. On these markets, it's also possible to parriy on these

tragedies human, by example, on polymarket, we can parry on the possibility of a Nettoyage ethnic at Gaza, and on Kalshi, we could also pariet on the possibility of

a famine at Gaza. So that, that, d'allure, it was a gain. If we had had bought the money, it's really gloke, and it's pretty much that the people say, in the commenter mediatic that I read. I've heard also a podcast that's called Breaking Points, which signed that it was not time of an idea, to have parieted the world on the positions that could be ideological or political, because there are, well, there are kind of these clivage in this moment

in the world, but there's just that we not just have not a lot of our values,

our convictions profound, but we're also engaged in fashion monetaire. So when

we're engaged monetarily and ideologically, by example, for the result of an election XYZ,

it could aggravate the clivage, the violence and all sorts of things. And it's also

the market that are excessively susceptible to manipulation. I'm let an article

of 44 Media, But, for example, I've used, just a article recent that was about an market of prediction in line with the war in Ukraine recently. On Polymarket, it was a market that was based on a card in direct that sues the lines of front of the war in Ukraine and that had been modified for a false advance of the Russia

on the Ville of Mirnorade the 15 November. So, this modification, she has also coincided with the resolution of Paris on Polymarket. pariet on if if yes or no, the Russia would have to

Mironorad before the May November so before the 15 November the card on which it's a

card generated by the Institute for the Study of War it's a thing tank based at Washington

and it's a bit like the reference in this moment it's on this card

that that the most the most the most the she has been modified

the 15 November so on So, in monitoring that the Russia had effectively the control of the city. And then, the paris had been resolved. So those who had voted, yes, for example,

have been poached the money. Then, mysteriously, the card, finally, had been modified just after for show that that had disappeared. Who has made this edition that?

Who is going to modify the map? We don't know. The Tink tank who is in charge of the card has affirmed that, Yeah, yeah, effectively, there had been a manipulation, but we know

who is responsible. And just you just to remember also that Polymarket it was illegal to you don't see the year last, but

there recently he was authorized to be released to be relanced on sole American-Lamrican so there. So,

there also a flu regulatory on these platforms that because we could consider that really

like a gambling, but, obviously, they're going with the Mo Chalchi, by example,

which is the equivalent of Polymarket, they're present not like do gambling, they say, no, no, no, no, we, we're like a business regular. On this

bourse, we can negotiate on these events real. So, it's not the gambling. It's the trading. It's the finance. It's a new class of active. So, like that, with these moe, and this cadre, they can't evite also the regulation that

can't apply normally on the gambling. On Calchie, by example, there's 90% of the market where at a little bit at the sport, so it's a really like a sport of betting. And also, finally,

with the financialization of the economy which I have already said, it's not much that that the business is a giant

casino, because when we're not often the value real that is reflected in the price of the price of the

speculation, so it's very volatile, it's comparable to casino. And then, you know, I think the

main example of that, it's like the action just of Warner Brothers, they traded at $10

dollars the year last, there was a parliament of an offer for to buy a $30, she'll have like doubled in value, even with all these these tentative of purchase, because she will be able to be able to its value real. What I'm interested in, and the reason

why I wanted to say, is that I had already said in the past that we could consider these platforms like these aspects of media, because the market of predictions, they will also use, you know, they're going to choose the issues on which we can pariet. It's

for me to a great titre. And it relive also of a community editorial that's not not really who decide what,

but it's a relive kind of, it's so, of a decision of choice editorial. And there are

people in interne who decide, by example, that we can parry on the genocide

or the number of times that Trump will say woke in a discourse. And it oriented

like that just the endgeal media of what is what is what is what is

a recent announcement I've prioritized a bit my vision of these platforms that. So we've learned that the platform Calci had signed a deal with CNN, the media American, for that

the data of this market predictive, so the issues on which on Paris, are added to the emissions. And then, who is the analyst

in chief of the data of CNN, who will use the market of prediction of Calcii for alimented, just the reportage

diffused on the ensemble of the network, and we'll also have access, just, the Paris, or in any case, to see how many of the positions who vote, yes, who vote, no,

in direct, mis-a-jure at even the screen of television. It's called, just, to modify even the domain

of journalism. So, now, thank you, for your segment, the recommendation cultural of this time.

Well, it's soon, noel. So, I just reiterary that if you want, you can offer an abodement, Patreon, to someone. So, it's

at patreon.com, bar oblique cafe snack, bar obliq, bar oblique gift. And you can't choose the number of months that you want, let's on a month, two months. And the person will activate when they receive their gift, the

admonement. So, there is a Marche Nell that I like I'm in New York for those and those

who are that's called the Marche New York of Port Royal of Belleville it's in

in these atollies of artists Proge of Chabanelle Yeah So at 545

Rue Legend West I'll make all the information in the notes it's

it's past to 12 to 14 December so it's kind of soon and it's

Reuny, 90 Exposant. So it's really these artists that are there, and I don't know, there's really really great discoveries.

I think that every year is the Marche Newel that I want to visit. Ah, yeah, and I just also mention

that 100% of the revenue that are generated that are directly to get directly on the

exposance, which is not the case of all the Marches at Montreal,

I think, for example, the Sok at the Sucke at Lassatt that they take how how many

percent on the profits on the profits engendry. So if you You want to really support

the artists, the artisans, I'm going to this Marche of Newell there. Thank you, and there's our last episode

in direct, let's what we cover the actuality of the year. So, thank you for this be beautiful

of Café Snake, and we will make these links open for the next for the next time,

just to after the new year, we're going we're going to make our new in

and out after. So, as you you have more few days

for you invite your take. Invoyed them we've got already received

some of the other. We're going to get to be going to get to get back.

Passed a good time of some time of sometimes I think it's difficult the time

for certain people so I think I want to you're going to give you

want to and good good thank thank thank you chat out

to Patreon Abon your Patron the The realest the largest

the music the intro and intro and by Azlo A-Z-L-O Bizzu Peace You know,

Oh, Oh, me. You know, I'm going to be able to be. You know, Hey, Hey,

Oh, You know,