café snake - PDG du Mile end
Episode Date: March 31, 2026Daphné parle de la "saga du parler français" et Mounir de la viralité du Québec et de Montréal. Aussi: La propagande version bonhommes Lego de l'Iran, la Monitoring Room à Washingt...on et la controverse du gala Influence Création.Digi Mix: Si exceptionnel, Safia Nolin, (Reprises Vol. 3)https://open.spotify.com/intl-fr/track/5iMhMmlvwR34P31uM1Y9mW?si=4429a52ec53b4ce7Vidéo gala: https://www.tiktok.com/@tonagentvirtuel/video/7622065165801917714New York Times Montrealhttps://www.nytimes.com/2026/03/17/dining/rotisserie-chicken-la-lune-montreal.htmlMile end Kicks: https://x.com/Elevation_Pics/status/2031020799524520083Plan d’action pour la langue française 2026-2030https://mtl.ged.montreal.ca/constellio/?collection=mtlca&portal=REPDOCVDM#!displayDocument/00000138822La propagande version LegoStop Calling It Disinformation; We are deep down in Postdigital Propaganda™, Marcus Bösch,Understanding TikTok, https://tiktoktiktoktiktok.substack.com/p/stop-calling-it-disinformationIran Is Winning the AI Slop Propaganda War, Matthew Gault, 404Media,https://www.404media.co/iran-is-winning-the-ai-slop-propaganda-war/Why Iran Is Winning the Slop War, John Herrman,Intelligencer,https://nymag.com/intelligencer/article/why-iran-is-winning-the-ai-slop-war.htmlLa vidéo analysée dans le segment: https://www.youtube.com/shorts/QYX2fcZdw0AOnce Upon a Virus...https://www.youtube.com/watch?v=Q5BZ09iNdvoLa saga du parler françaisMourir pour la Cause, Chris Olivieroshttps://editionspowpow.com/produits/mourir-pour-la-cause/Les fros, Richard Desjardinshttps://www.youtube.com/watch?v=8qbHkQjfp-ABozo les culottes, Raymond Lévesquehttps://www.youtube.com/watch?v=fqv5ijX0k6sLuca Maxiim (Azerbaijan Technology)https://www.instagram.com/p/DWSH8YvmlY1/
Transcript
Discussion (0)
Hello, good morning.
Yo, it's my name.
I'm going to lookie just
to write to missus at the culture on Twitter.
I'm going to say, yo,
do you, is what I'm saying?
Hello, man, it's Daphne.
Oh, but I'm obliged, I've got a film
of one hour on an or something
and I was just a movie.
It's a cafe snake.
Good morning.
Good morning.
Yeah, ho!
Hello, everyone.
Welcome to Cafe Snake.
Hello.
Today, it's an episode
that is available
on all the platforms.
For all the world, to partage
in grand number.
Five stars,
all the kit.
After a little
a little pose,
we're in the return
for the cafe snickery,
cafe scenication.
Of what you're going to
talk today, Mounier?
I've been talking
of the new plan of action
of the Ville of
Montreal,
French, 2016,
2030.
I'll talk about
what I'm on the internet
the Montreal Renaissance.
You, Daphne?
Oh, yeah,
I see,
I'm like a
subject connect,
I said, the saga of the
Spanish,
what we see
repetitively
in the media,
that's not
a saga
with the OQLF
who says,
we have not
the right
to be able to
go-abs-go
on the
autobbus,
or even
the whole
last last
thing,
the grand
patron
of Air Canada
Michael Rousso,
who would
have made
proof of
Mepri
on the
Quebequois
when he
said
addressed
finally post-
tragedy,
where there
two pilots
of Air Canada
that are
more,
and he not
express than in English.
It's Michael Rousseau.
Okay, Michael Rousseau.
So, without more tardy,
the DIG News.
Feeling good, I'm singing again,
even doing a little bit of dancing, obviously, you know.
He will be
his retrait and cedrae
his place
this October.
D'clock,
first, you know,
I've got a
Seattle,
in Montreal.
Because we're talking to Michael Rousseau,
it's not just someone,
He doesn't really
not really French,
it's a
someone who
didn't
know the
importance of
the French
to say
like a true
Montrealer,
here's one more
expression.
Patne.
Yo, bro,
Patene means a friend.
It's not normal.
It's not
that we're
getting the
money to
save.
The nomination
of Gallo
Influence Creation
2026,
I'd
would
I'd
in this
conversation
in line
that's
in this
moment as
co-foundate
and co-productor
of the
because I
think I
have some
new
newions and
information that are pertinent for this
truth.
Tell me what
you
love what's
that's
exceptional.
I wanted to
say it's
I wanted to
the propaganda
of war
so by
a war in
Iran, there
there's
many
many of
video that
circuled
of the
administration
Trump,
but recently
I've
seen the
discourse
by
to the
propaganda
of war
that eman
to the
Iran
who uses
these
video generated by LIA, and
often even,
these mis-en
scenes that use
there's a lot of
non-officiel,
but I've seen
people who
did it talk about
AI
Slopaganda ProxyWare.
So, it's
that, in the
different videos
of propaganda,
often,
who made it on
scene of
these bonhom
Lego,
and it
reprened also
the code
of the
administration
Trump,
so-de-
say,
with a little
more of
success or
more of
my mind,
to me
want to be
to be
the point of
In any part of which
war,
there's always
different types
of affrontments,
the bombardment,
but there's also
different
recies who
are also
a thesis
on TikTok
who said,
in fact,
his PhD,
who said that
was a post
digital propaganda,
so there's
the propaganda
post-numeric.
Wait,
that's true,
of what,
post-digital?
Well,
this idea
to think
that we
live in
an air
post-numeric,
it's not
to say
that we
live after
the numeric,
it's a
like in the years 2012, in the
middle of the history of the art,
we employed often the term post-internet
because there had been, like,
in the years of 2090,
what we called the net art,
so that's all the art
that is made at part of technology
of internet,
but there's more to say,
well, we're in a world
where we have not the choice
to talk to talk
of internet, it's
part of the air
that we respirate.
Necessarily,
if you do you do
even if you do an aquarelle,
with these greenoies,
there's like a dimension
of your artached
to the air
non-numeric.
The air post-numeric
is an epoch
where the media
numeric
are more perceue
as farceive,
nor even
particularly visible
but are,
on the contrary,
pleneming
to the tissue
material and social
of the life
cotidian,
so of the
war.
It's like
we could
be able to
eventually,
a war
where there would
be not
the
propaganda
on the
social.
And not just
any part
type of
propaganda,
the propaganda
generated by
I.
that he could have
the air
of Leia and Slop.
Of the
island of
the island of
the
island of
your life
I'm going to
imagine. I'll
have to be
around the
last year after the
video clip
of rap
it would emaner
an grupuscule
propagandist
based in
Iran
which is
called
Explosive
News
team
and in
which we
go to
make
of Trump
but also
of Benjamin
Netanyahu
it's
kind of
a
Serb of the Imperialism American, so I'll
I'll tell you to listen.
We're locked on the target.
And now you are hiding,
Hello at Sede
Yeah, we're spelling that your name
Toaddle that you're the only one to blame
To play the
Fork
Yeah, it's interesting,
The style of rap,
Pretty pop-rap.
There were Michael Moore,
that was really in this vibe
that, to do rap pro-Palestine.
But this song, if we can't
to be more of the
year of 2010.
And then it'd say it's,
it's the casino, so,
we'll reprint this image
that's the idea
and it's a time of
the idea of
we're talking about
of escatology
or of recies
of the world
when we want to
show when we
want to be a
marionette
by Netanyahu
who would be
who would be
controlled by the
diab, we're
like in a
space of
spiritual.
Yeah,
there's really
a way
to represent
Trump,
not only like
an L-O-S-I-R,
a loser,
but someone
who is even
not an gentivety
that's actually
that is manipulated
that is a
virtual marionette.
There's a lot of
rumors that will have
had been in
the world
American.
It's just like
it will be
not if it's
going to be
the number of
people of
people who are
in the game
will be grand
augmenting,
and that it
pays really
low in the
conscience
popular American.
In the
Parole, it's
sacrifice your
own boys for
alive.
So this idea
of just
the
human life
for a
mansoned.
And we
use also
the Epstein
Files
like a
kind of
motif that
would make in
so
that,
Trump would
be like
not the
choice
to be able to
temper
to be in
Israel
because of
these secrets
are leaking,
the temperature
is rising.
It's interesting
to use
these animations
of Ligo
it's not the
case in
all the
videos of
propaganda,
but it's
a language
visual
that is like
that's
that's
that's
quite
a person,
and it's
not the
first time
that I
read
in fact
that we
use
that we use
of the Lego
in these
videos of
propaganda.
Notably,
there were
the Chene
in 2020
that had
diffused a
video of
propaganda made
in bonhom
Lego,
which was
called Once Upon
a virus
and who
mocker the
response
American by
a pandemic
We're not
the real.
We'll
make also
this video
that in
the notes.
As a
case, it
has a
idea of the
game, you're also
present in
the legal, and
there's used
something I
think it's
And that, yeah, the violence that we see because there's
some, there are some people who are killed, there are
missiles, and it's all right, we seem
more digestible, but it's recadrature
also what the war is.
It's not just, or in
any case, not like a tragedy necessarily
or just a crisis, but like
a game bowl, and also
the content. And the other
thing is interesting, and that's
many of journalists, on
sullini, notably, I think,
to Matthew Gault, who's written for
4-4 Media, is that
We have really the impression that this video of propaganda
they're addressed to
a public American,
to the people of the people in the world
where the dirgents are going to be called
to take part to the war
or to be position to this war.
Tandes that the propaganda
American, if you look at the video
that are published by the administration
Trump,
but it will really be more
vised to directly
a public interior,
so directly the United.
We have some references
of film American
Top Gunn,
of games
video
Granteft Auto
Ironman,
the music
like ACDC.
We don't
try not
to make
change the
opinion at
international.
We're really
in trying to
try to
make sure
the opinion
even not just
the
citizens,
but of
the
Republicans,
it's really
a
simple
that's really
a
opinion
of person
it's
just,
just
consolidate,
conserved
the support,
you know,
the
movement
of the
coalition
Magan
in this
moment,
she's not
in croissance
it's
in decrocessance
and the
goal is
to try to
maintain
to the
end of the
end of
whatever.
Brief,
there are
many people
who are
who wrote
for the
Intelligencer
who
says in
an article
Iran
is winning
the Slop
War.
So it's
like
if we
had an
impression
that
this
propaganda
that
AI Slop
were
more
more
effective
the
part
of
the
And it's also that there are
enormously of content farming,
so of firm-a-continue,
who are, you know,
who are we sub-sibling a public
American or North-American
who are based on international.
By example, in the Philippines,
you know, it's been a lot,
that there's been a lot
that's based a little part of
the world that will produce
the content simply for
a public American,
for eventually engrange
of the revenue
by rapport
the number of
clicks,
to the number of
the like.
So it's like
if we're
used to get
to get
to get
some of the
references
that's
that's
true.
Especially with the
monetization
of platform
like Twitter,
if you're
in the
Philippines or
if you're
a
money that
is really a
movet
a new
total of change
for us,
but if you're
doing it
has been
to get a
United and
you're paying
in dollar
American,
it's like
if it's
an incitative
to produce the content
to the exterior of the States of the States of the United
the fact that it's paid
so much more
because the people
in the States of
New York will
have no
because the payments
are not quite
anywhere in the
world in certain
places, it can
be a very gross
source of revenue
with a total change.
Exactly,
so the architecture
of the web
has already
there's a legion
of persons
at the international
who are
like
to create
the AI
Slop for a
public
North American.
Twitter,
in adjusting the
functionality
that you can
see
the localization
of the
cont. You saw that many of the more
combe, my guy, they're at the
Pakistan, in India, or in Africa, you know.
So, the next
subject, I'd like to sublinié, and also
commenter the nomination
of Café Snake, to Gala Influence,
creation, in the category
palado of the year. I think it's
kind of, it's a realigned.
For the people who know,
you know, we'll submit the candidature
to the podcast to
this galah, but...
It's a quote to the money, submit?
I don't know.
I think it's a good of the money.
but we've not
done,
we haven't
thought,
it's just
I'm represented
by an
agency,
and they're
on sumied
all the talent
to gala.
I was just
just who submit
the new
sovereignism
to be able to
because it's
Urbania,
and I have
no idea
that Fisnich
had been
submitted,
and finally
we've been
to vote
but it's
not really
really much
impact
on the
result,
let's say
that's
for the
last year
and the
Rizantado of
the end of
so it's
like it's
not really
a price
that's go,
go, go,
go,
go,
to vote
for us.
I'm sure.
No, no,
I'm proud
to see a
shout out of
Greene.
Anyway,
and then the
nominations
are coming
to be
so much
to have
many
because that
people are
not only
so are nominated
in other
categories,
but also
are the
many of
years of
years,
and we're
like,
an
space of
a thing
is a
thing,
what the
web
would not
reproduce
of the
media
traditional,
it's
really
that the
summit or
the
the apog
the creation of content in Quebec,
so detainue by a
kind of click of
who wants to
monopolize,
but in fact,
what's what happens
and then the
people say this
on the internet,
there's a lot of
people,
there's a lot of,
why I'm not nominated,
and we're trying,
oh, well,
my chain,
he nominated in six categories,
Alibrancer,
is nominated in eight
categories, Adam Paradisio,
emil the lunne.
We're
to understand
that they're,
in fact,
who have wanted
to be in these categories
and it,
and it's the
mechanism,
in fact,
of this galah or the galang in general,
depending on how they generate their
financement.
They're all their interest
to make in the plus
the category possible
the people who are
the most of engagement
because the goal is
to sell the publicity.
You'll go,
with this galah
in particular,
the placement
publicitar and in fact
the integration
publicisterer is omnipresent.
You can't
be the affichage
of this galah
without a publicity.
And how they
want these publicities
it's in assurant
that the creators
of content that generates the plus of engagement,
so it's enormously,
like, you know,
it's a lot,
it's quite,
we're talking about,
the year of,
the price,
like the price,
the library,
or, you know,
we talk about
the language
and how it's
important, and,
you know,
the literature,
but in the
fact, we're,
I mean,
on the level
monetary,
it had no
any sense
that I was
that I'm
there were
there were
there,
there were,
there was,
we're in a
state,
it was immense.
Yes, it's really
it's really
a run-due
a great
deployment
and the
annals of
the end of
New York
with a casino
with the other
in Quebec
it's like
really,
and the
ministers
were present
or do
much have
made
some of
doing it
not
not the
galas
the liberer
I mean
is that
the minister
of the
culture
will come
in the
not
now that
now that
you know
now that
you know
let's go
it's important
the
literature
It's all that
so important
for the
CAQ
the language
but in the
facts,
what they do?
Well,
it's the
commenter and
the reflections
I see on
a video of
Jeremy Grandmond
I've seen
on Twitter
who has been
on your
account,
it's someone
who has
someone who
does something
on the
marketing digital,
who can't
talk to
this galas
you can't
be able to
learn
in studying
a bit
their presence
mediaatic
all the
way to the
way to
monetize
this galah
and in
fact,
of how
extract the
plus of
the power
to reassemble
all these
people,
so we're
in a
gala
who,
we're
like,
willing to celebrate
the expression
cultural
on internet,
but also,
it's how
commoditify
the engagement
numeric
of the
people who
are able
to generate
and the
vande,
the package
and it's
that,
I,
the gross
critique that
I had
before
that had
created
when I
had seen
a bit
the
energy
and the
associations
You know, you know, it's
enough instantaneously
that what's he had
launched this gala
that's really a
partneria with the page
Instagram, QCe
and it's cool
and it really
refroredied to the
idea I thought
that it's a
great amount of
judgment, also
to have made
on the stage
to present
the price,
I think it
it was,
it established
really like
a weird
precedent,
and it's
that he made
on the world
mediatically
this gal
that,
you know,
they've
received
to have
the, I'm
not the
word,
Dora,
because
that it's
on C.C.
group that the candidates were
had been announced.
But I'm not sure.
I think
because there's
not a precedent
in the sense
where,
yes,
we're not
there's not
there's not
other avenue,
there's not
other iteration,
it's the
one.
There's a
mini-controvers
but I
think I'm really
absurd,
it's Luke Poirier
and Eric Gravel
who are like
a bit,
Eric Rave is
like a version
Wish
of Luke Pornier
but it's
like a
little
a relation
Matthew Boc
Cote,
Alexander Corriene
De Nille,
they have the
same profite
but there are one who is a much more mainstream,
and then the other is a little resentful,
the guy who is more mainstream,
and conned,
so they're indignant
of the price company of the year.
At the same,
on Facebook,
I've published something
about the galo influence,
and there,
it's seemed derrappie,
he has repri the same
content,
not the mine,
he re-creed on his page
differently,
and I'll explain.
So, the publication
is about of this.
Entrepreneurice of the Annette,
where's we saw,
Salvatore,
and Hydro-Keebeck.
My point
there's
this is that
if you desire
create a galas
that lets a chance
to be young
influencers to
be by their
content,
by their creation
and by their
ideas,
and that you
include a
company that
inject of
a million?
In fact,
it's what
even this
price,
the company
of the
year?
But what's
what's that
what's
it comes to
this price?
The price
is well
identified.
It's
It just comes recompensed the
company that's the
best integrated
the creation
in the marketing.
Okay.
So, it's not
the same.
I think it's
Rona.
He would have
gained the mic
at Chh Vona
has been very
popular on the
social.
You know,
I'm not
not a other
competitions
this year,
but it's
because
in reality,
what is he
would be
repensate
after Sue?
It's that
we know the
image of
Mark, but
it's who
who is the
portfolio of
Rona,
it's Cidly.
So,
in reality,
what's we
would have
in this
category that,
it's the
agencies
marketing of Aurora. Maxi, I don't know who, but
let's make do, let's make do Ccette, LG2,
does the let. There's not a lot. There's not a
company of pub, because who will be
to get up to, at each year when this
price is announced, it's often of these companies
and we, the circuit of the pub at
has already its proper awards, it's
already remise, its proper remise of price. So, you know,
so, in fact, in fact, that's, in fact, it's,
it's really, it's really for incite the companies
to present and to, and,
to submit, and have vowed an interest
for this gal, you know,
I think it's super
depriman.
I know, because they
want to make it
with the culture,
but at the final,
it's the publicity.
But it's for that
that's for that,
even in the category
that we're nominated,
it's literally
the past,
it's a parenthood podcast
that's like a
one that's like a
one that's not
really, like,
it's like,
it's like,
it's like,
I'm really,
the,
the value of all,
but after,
it's what's what
it's what it's
what's what
what's what,
what's what,
what's,
So what vision, in fact,
compose of the creation of the content?
And I think there's not necessarily
a vision of the creation of connoe
that's in the expression
cultural, the expression artistic,
or it's just really
an affair of publicitar.
And this year,
it's the first year
that the galah
will be diffused at television,
so he will be diffused
on TV5.
TV5,
that's not what
choice,
it's,
it's, what opportunity?
You know,
the,
the producers of this galo
love that they
are,
they're just,
they're not
have been able to have the bag.
I think it's really
the fact
it will be
diffused in
simultaneously on
the web also
but I'm
what I've
reproached
for some
years to
this guy
that is
that we
make all
this effort
on the
ceremony
but at
every
year the
different
it doesn't
not
so
in reality
for who
we
can do
is that
is the
audience
who
is the
only
the
reason why
all
can't
be
to
a gala
but
they
can't
not
look
the
the
And then we push, we push for that a galus
so we're tele-diffused. So we go, like, on
we're at the end of the kind of transition or
revolution that we're announced,
you know, we, we, we're, we're, we're,
we're, we're, we're, we're, we're, on fact, have
the authority and the visibility to say that our gal is
tele-diffused, you know? So, it's like, there's
plenty of contradictions in this gal,
but you're, even too, for funer, to say, to,
go, for coffee, for cafe, sydic.
Okay, finally.
Well, well, I, well, I, I'm, well, I'm, I've been
I had been
I've been
a remission
of my
life,
after this
guy that,
it was like
Aideon
before long.
I'd
I'm
monitor the situation.
I know
that's a
Englishism
monitoring the
situation,
surveilled the
situation.
Well,
I've often
talked,
it's a
mod,
at the
most,
she
use those
people
use the
platforms,
the
market of
type
Kalshii
Shi-Pol
Market,
and the
Plymarket
has
tried to
capitalize
on this
tendency
same
etic
that
monitoring.
The
week
last year
she had
announced
that
she
would
have
to
work
at
Washington
who
was
batised
Situation
Room.
And
in fact
it
was
an
bar
it was
takeover
of
a bar
that
was
a
weekend
but
there
had
installed
in
the
bar
enormously
of
not
not
do
not
do
for
not
a match
of hockey, but
but
being
the
flus
of
Don't in time real,
the reportage of
of actuality in
direct,
so a
good idea.
A tableau
of bar
giant in
a bar.
And especially
in Washington.
And what's
it's happened,
is that
finally,
all that
planted,
there's even
not a
TV, I
think,
like,
I've done
to be able to
talk,
that this
meme
that,
finally,
it was
incarned
to
fashion
physical,
but that
had not
put
fruit.
Allone
with
our
subjects.
I'm going to start with the saga of the Parlay French.
So you have certainly heard
all the kind of tapage
mediatique
around the tragedy
that's passed at the
airport Lagardea.
So there are two
pilots of Air Canada
who are dead
and there
and there are
a people who are
a keybecoe.
The government
Legos
exiged the
demission
of the grand
patron
of Air Canada
Michael Bruce
who has
put the
a parol, right at this tragedy, and he would have
made preface, and the Quebecois, and
he's been profaned, especially, because
he's not expressed in French,
to do all, just to speak in English, and
it's not the first time that he's criticized for
this. He had been criticized for sale,
also because he had said that it was 15 years
that he lived in Montreal, without
talking to French, and that had
no problem. After that
this controversy initial, in 2021,
he had said that he had
said that would sue 300 hours
of French, plus 150
hours of travel personnel, and it
been confirmed that's been
followed. He's
He's not
French. But it's
hard, you,
, to, learn
learn the French.
Francoe Lugo
has said,
well, if he
not really,
he's a manned
of respect
over his employees
and over his
client francophone,
so,
yes, I think
if they don't
not French,
he'd
be able to
not the
same to have
put the
power,
but we're
much of
a man,
but I'm
talking about
who,
who,
he's,
you know,
who you're
people,
please,
Mr. Logo,
the government
Lego,
in this moment
that's a lot of torture of critic
by rapport to
the expense
of the use inefficacy
if we're
for example
the 710 million
for Nordvold
the fiasco
it's a click
but also
and there's
something that's
something that's
particularly
me and
my name,
all their leg
in matter
of the
so it's
rendered excessively
chare the
loyyeye
but not just
that, I've
seen
our status
of locator
to precariser
in the
last years
we've quitted
our logged
our loggis
that was bargain that I had
had used
because I had
had a session
of a
other poet
and I'd
have been
I'd have
not been
because of the
new law
of the loggents
that you
don't know
that ever
we're fragilised
all the
measures that
I've made
me,
I'm trying
as a
workerer
to be
to be
in the
last years
it's
there's not
there's
there's not just
the goreate, it's
PDG. The doubt that came to
have a chart that person has demanded
elaborated, without the population,
who makes in peril our rights, liberty,
who established that without consensus
nor real consultation. I mean,
it's who is who ameprisant here, you?
And the same thing for the minister
responsible of the language
French, Jean-François-Roberge,
who he has demanded,
to be excused, in saying
that it was a question of respect.
Pardon, again one once,
Mr. Jean-Francoeurge,
who talks of respect here
when you've been
to abolish the program
of the PEQ
without clause
of the right
to do you
have puttue
of people who
have puttue
to get to
get to get back,
sometimes with their
family,
who have been
obliged to
repartire to
zero,
the immigrants
integrated,
francis,
and not only
that,
but you mined
also the
power of
the
country,
because these
people are
often they
have been
recruited at
the country.
So I
know,
I know that
they're
supposed to
who could
say,
but for
this espage
mediaistic,
in the
last week,
I'm aghast
really
profoundly.
And I think
not that's
that the French
is not a
point that you're
not a question,
but justly
an impression
that you're
an instrumentalization
languageer of
a tragedy
that's a
bad of a
tragedy human,
which is also
potentially a
issue of
security to
work, so
that's important,
you know,
we want to
what's
what's going to
be able to
let's be
there,
there to
the part of
the political
it's
been like
a
time,
it's been,
not just
in victim,
the
in dignes combatants.
All the reaction
of the politicians,
it's an affair.
But what I think
the most
interesting is all
the debate
that's the
other of Canada
and the Quebec
on on
a platform
like Twitter.
There it's
really interesting
to see the
vision or the
resentment
that's
especially the West
of Canada
by
about the
bilingualism
official.
There's
really a
want to
that
in fact, this
imposition
that would
be like
the
discrimination for
them
because to
have a
post of
a home
opportunity,
to be
you have to learn the
French
and for certain
the more
radical, the
French
and with all
the other languages
on the main
of the same
to say,
you know,
I'm saying,
I'm talking
already indie
and English,
why I
would have
to learn
to learn
the shock
of valor
like between
a valley
of St.
Laurent
and like the
rest of
Canada
because it's
recis
of like
bilingualism
official
country
found
on two
language,
it's
very
very when you
go
from you
in Toronto, but after, when you
know in the rest of Canada, there's not
the same rapport. It's right.
On Manitoba, there's
been a lot of people of transgophon, North Quebec,
there's a little part to Canada,
but it's really
effrified their poe politics.
We're talking about, we're talking about
on Twitter, they're not
represented, or so on the discourse
public, so we've got
really also, also,
of resentment
Anglo-Saxon,
by rapport to fact
that we've discussed
even,
the fact that the PDG
of a society
who, yes,
now
has been
privatized,
like it
historically
a society
of the law
on the language
official,
so,
fortunately,
he had
had to have
a word of
the two
language,
like,
it's a
good decision
of communication.
Yeah,
but to
be able to
his
demission,
I think it's
exaggerated,
and for me,
it represents
really a
way,
they're
to them
to be
a country,
in
a Romain
of the
language
French,
which would
perpetually
in peril,
and they
tap
on the clue
of that.
But there also, like you say, there's
many people
who are you
know, there's
also a couple of
Gazale of Quebec
Solidair who has
also demanded
the demission
of the PDG
of Canada.
For me, it's
an error,
I think it would
have felt like
rather rather than
the debate.
Yes, it's
an idea
that's a
company
of state,
it's a
company private.
Who had
before
an
state,
and who
was the
state has
to do you
have to
same, you
know,
if ever the
ever,
the state,
it's never,
the
there's
so much to do you. By example, ingeve you
in the lobby of the epriceries, it would
be more than the same thing?
It's not really a lot. Well, for me,
it's really an exercise of communication,
that we've seen, of relations public,
and he's echo recidantitary
of the Quebec-Blan,
at a travel in our history
that has kind of had kind of
much of the history of Quebec,
and it's the trope of boss,
the mania,
of the dirgents of enterprise
English.
D.
And, you're you're talking
that, but if you read the BD,
the version of the
published at Shepa O'Paw, it's
called Mourer for the Cause
of Chris Olivia
Russ.
In this book, we
talk of the
balbussiment of
the FLQ,
so it's
before the
crisis of
October in the
years 70,
it's all what
what's all
the end of
the 60.
But we
note in this
BD
that that
the event
that has
potentially
put the
put on
Poudre
to Quebec
who's
really,
generally,
like,
participate
to like
the
mountain,
the
comment
of the big
boss,
the president
of the
company
of the
Chmines
of
of Canada, the CN, in
1962.
Evident,
we're already
in a climate
in tension,
and there had
been a problem
with certain
of the
thing that was
that bad
but I don't
in what you
talk, we
question, we
question,
because...
It's so,
so,
I've seen in
a thesis
of doctorate
that there
had no
post of
high-nive
to the
organization
of C.N.
that
was occupied
by a
Canadian
French,
and,
and,
and,
on the B.D.,
we're
we're
that the
28 posts
of high
functionment, let's
in the company,
there were
only two
who were
occupied by
the Canadian
French,
so we're
interrogate by
about this
absence that,
and he will
respond,
it's not
my fault,
it's just that
finally,
there's just that
there's not
enough of
Canadian
French,
who's
he's
tough to
find some
talent
in the
talent,
he uses,
in English,
he
he talks in
English,
he uses
the word
it's tough
to find
talented
one.
It's
it's
of discourse that, is we
often, you know,
by example,
I remember,
when I had
talked to
the Proto of Occupation
Double,
and of the
kind of
eposom,
the person
gross,
and we have
said,
it's,
it's not
not our fault
if we
don't have
not more
than the
show,
and it's just
because there
are not
that they're
not quite
who auditioned
or who
have,
you know,
I've made
the auditions,
because I
had seen
Mounier,
I've seen Mounin'er,
do this
auditions, dode in a video YouTube, and I was like, hey, that's really my genre.
It's a word to say, I mean, it's a sport, to try to try to see what.
Oh, it's true!
Anyways, I, I'm scared really to the subject.
So, after this declaration, the CN, there had been, there's emmerd who had
been e-clatured, the manif, we've been, a fiji, the effigy, the boss,
and the tensions linguistic, have attained these semesters, since precedence,
what's what's going, finally,
eventually,
at the creation
of the FLQ?
You know,
if it's
well seen,
it's a bit
in the way,
we're in the
world of the
world,
there's a
chain of radio
who's used,
and there's
just for seven
hour of time,
some people
people who get
to get to
the francophones
or the frogs
and they're
saying that,
they're just
shawl,
they're not,
they're not
they're not
there's not
that today,
we'll be
maybe in
there's,
there's,
there's,
there's,
there's,
there users
who will
They've spent their time to shawl it all the
day on the Quebecers
but back then, it's really
like, imagine,
the line over at the radio
of people who are like,
asty, francophones.
No, but it's
that, you know,
it's just, you know,
it's about the
context of the
time.
At this epoch,
not only there
there had a
tension social,
exacerbed,
but there had
many of
pressure social and
economic,
which had
exercised by
the English
on the
Canadian
francophone,
the people
francophone.
And I think
today the
context is
really different,
but we
We'd say that in attacking on the bus, the bus of Air Canada, we'd have to
be on the trope that, and redirgely, finally, the attention of the people,
maybe mobilized also, these affect historic, nostalgic, that are part of our history,
or at least, the parents or our grandparents, but they're not in phase with the present.
We're just a bit on the trope of the patron English, because it's a part of our history,
we're sensible to.
A story, which is not just linked to the language.
It's a story that is
a form of
of survival of
very difficult,
and that we're
very much,
especially the religion.
Yeah,
but these conditions
material difficult,
that we're
fired to have,
in the guise,
and that's exactly
the generation
of Francoe Lego.
And there's
a lot of
culture also
who's
that I think
to say,
to the
song like the
Tune,
Bozo,
the culote
of Riemann
Lever.
You had
understood
that you've
been
B'Hare
Or soleseculante
A
day
someone
who had
said,
that we're
exploiter
in his
country,
Bozolele
Inculele
that
the
English had
the good
place
and that
he would
rye
in plain
face
beaux
or
Moseau
and the
St.
It's
talked of
a period
historic
in
Abitiby
and
there
there's
there
say, well, the fros, it's who? It's, in fact, the foreigners, the
people who were from the Russia in the 20, 30, the Ukrainians, the Polona,
who flees the misery, who arrived to Canada, and then, in Abitibia,
we're, we're, you know, to work in the mines, we've discovered
an immense gizement of cuive, and your work, is to go and exhumed.
And if you're doing your job, you're not, you're not,
in the law of the country, well, in five years, you know, your papers,
you know, your papers, d'identity, of immigration, whatever.
At a moment of the time, in these years, there were
there were conditions of work
in the mines.
And we explained, you know,
Richard Desjardine, he explained in preambule
that the jobs in the mines,
it was really the foreigners,
the fro who they had.
And there, the conditions are disastrous.
The workers in the mine
are a grave, and we call the police.
The RCMP, there are
there, there are grenades of acrimageneen
that are lansed, they are
to Amos, they are arrested,
they're on their papers.
They don't have no
the paper,
so we're
they're in
their own
and what's
we're in
after we're
after they're
to find out
because we're
new people
to use
to use
people,
we're doing to
people who
exploit the
people who
exploit,
they're
the
English
Canadians
wanted by the
mine
it's
it's
50 years
that
the blocs
are here
for the
cuive
us
we're
a bit
more
to survive
Like de Liev that goes the night.
Finally, it's the Canadians
French who have put the place
of the fro.
What I think interesting
there's that there's
there's already a hierarchy
social that we make in place
and we're seeing
when we look at that
that the Canadian
French are even
not the last
the pyramid, it's interesting.
It's, yes,
the English are top,
but the Canadians
French are
more than the foreigners,
the strangers,
and it's kind of
something that we
we're still, and then we're not
these Othottennes, of the
First Nations, there's
there are still a construction
victimer of Quebec
white, and there's the
facetment also in this
rissue there, of those
who had been affected,
who were perhaps
black, but who
came to other
countries, or the
non-blan.
At this epoch,
then when we have
this type of
discourse that, and
we're talking
the boss-anglays,
we're an alienation
that is economic,
which is not just
cultural-reel.
The prise in
consideration, you
the kind of
an anonoricist, the moment of
reconnaissance, like, Chris,
I'm an exploiter,
well, it's not just
a realization on the
plan cultural, it's
something that's
something that's
part of the
lot of the
workers, it's
a conscience
social, political,
that goes beyond
the language.
And in the
case of the Tune
of Desjardin,
you know that
there's even
a conscience that
is a lot,
it's not just
your situation
that you remark,
it's the
person also
of the
the employer who's precede.
If you want to mobilize the trope
the big bus,
the company that
speaks,
well, you can't just
do it through the
language.
There's like
plenty of
prises of conscience
that are also
necessary to have.
And today,
is who the
the grand
patrons of the
big business
of aviation,
by example?
It's who
who has the
good place
or the
good place?
Well,
exactly of
the world like
Francoe lego.
D'erre,
it's even
on this image
of bus
of company
of the company of aviation,
that Logo
has in part
built his
profile
political.
He was a PDG
of Air Transat
he had even
been co-foundate
of the
company.
It's had
forged his
image of
um-d-of-
after the
course,
his park.
Who secris
of the
workers today?
You know,
who meprize
the
people who
could say
the government
Logo?
Just in
this moment,
there is a
grave of
the milieu
commune,
commonote,
there the
project of the
law
101
who has been adopted in 2025,
which modifies the law
on the health and the security
of the work and who
will touch particularly
the sector of the
health, and the education.
We've already
had already
we talked about that.
We talked about it
earlier or event here.
It's an amy who
works in the sector
of the education
who is inceint.
And,
at cause of this
law, it's like
if we're obliged
to work
while even
that her
health and the
health of her
baby,
was in danger.
So,
consequently,
she has not
the right
to touch
She'll have touched
the presentation
complete if she
decides to
to be in retry
prevent
and that's
it's all new
the same
the same
the same
yeah,
yeah,
it's not a
way that's
exactly,
it's a lot of
because there's
people,
if we're talking to
the sector of
there's like
there's
people who
have precarise
the women,
there's not just
that, there
there's a
lot,
there, we're
there, we're
talking to
all the
thing have used,
and even the
law 14
that was the
name of the
project
of law
89,
who is entered in vigour in November
last, it's modified
the local of the
and our rights
to go to
our recour to
the grave.
So, in this moment,
the LACACC
is really not
a government,
you know,
very,
very, the trope
of the boss
English,
I think it
that it works
more well in
the bush
of the boss
French,
reprisant also,
you know,
when it's just
your language
of expression
that you brandy
to you
brandy to
differentiate to,
you,
I think,
not that it's
also effective.
if at least the
care, the love that
revendix for the language
it seemed really
real in my eyes
that it would
that would be in
a desire of respect
and of dignity
to all,
because you demand
to this dude
to be, but
you have to
do that same
for all the
world?
Is that they,
they're, for example,
they're in
process of
to learn an
autoctoene?
It would
be part of
something that
could be
very good,
because they
other,
contrary to
our boss
of Canada,
they
of the state.
It's
some of the
representative
of the
state,
so it would
be the
sense
that are in
that's a
way,
who are in
a lot of
that's a
time that
the language
French
or that
the CAC
makes that
the end of
the word
to do
the gos
that's
crazy.
I know
not the
answer,
in the
measures
are used
but I
know there
there's a
period
constant
of program
for the
culture
like
the culture
at
the school
in
my
experience
also
talk
me
to
lobby-yed personally
for that this program
that's really
preserved, it's
so important
because it's the
sole program, or
one of the
only, that
can't have
many of the
people, to
give some
the conference or
to meet the
students, and to
be paid decimely,
so,
sometimes it can
make a difference
substantial in
the year of
an year of
an
person, and it's
not only to have
a contact with the
students, you know,
I'm the impression
that the
fact that these
program that
are constantly
on ballotage,
it's a
collise of
the vitality
of the French.
He's collise
to know if
the actors
cultural are capable
to live or
even to create
or to produce
of the culture.
The culture
that they
seem to
defend beck and
the
language,
and they make
in place
some place,
and they make in
different
repressive and policy, and
that I'm
often,
than,
more, let's,
more, let's,
mour-
food, you,
we're not
in the
creation of
with them. We're really in
the surveillance. There are one
at the metro, saved,
a space of abri-bus with a panel
the French will not
be saved in, you know,
I'm trying to commandant
in French, or I'm just like, it's like
this new campaign
of the government
who's trying to be
to get a little bit,
and say, wow,
this publicity will not
save the French,
it's you know,
and we partage,
it's like you.
It's done to the
gentivity.
He's trying to deal
trip.
It's your fault,
in the font, in the
phone, in the
fact,
all, clearly.
It's, it's
also to a subject
connex
which I've
often talked
maybe there's
some of the
people who are
that's why
that's why I'm
like I'm
like it's all over
the time
with the office
Queveh
of the language
French, but
in fact,
it's that
I've had
an opportunity
to talk
Anne
Daphne
Dufne
District 31
to someone
to know
to know
the rages of
all that
and who
me made
to pose
some
so,
so I'm
more
more of the
information on
question, and I can consensically
you're on don't know a little bit more.
Evident, we're often talking to
the OQLF in the media, and it's
often not really for the good
reasons. We have always the impression, and it's
often, they're often,
the directors of little
companies who are going to
talk to the media, like,
all recently, in our cartier,
a kind of proprietor of
pastissery, the cartier,
who's made tap on the
a cause of post on the media social that were not systematically
traduished French-English.
But what you have to know is that there's like a myth,
because the aspect sanctions amends,
penalty, apparently that in the OculeF, it exists at a
pretty not.
Even if there's a lot of tapage mediatic,
in fact, the sanctions in money, it's very, very rare.
Evidently, there's had been a surveillance,
there are these advertisements that are launched.
There even a list of new or enterprise on the site of the O'KLF,
of an enterprise that
respect really
not the
regs,
the process
for demand
to demand
to be a
very
conformed,
it's a
long,
apparently,
that finally,
the company
has,
like,
the company,
like,
it's a
money,
it's a
blah,
for,
finally,
little,
of real
consequences,
but don't.
You're in
total,
you're dead
radicalized,
no,
no,
no,
there,
there,
there's a
way and they're,
like,
certainly,
demoralized,
I'm certainly,
continue to you
to give my
information.
The reason
why we
often talk
to these
affairs are,
it's like you
say,
is that the
companies
they do
do you find
these
out of the
and that
because
the indications,
or in the
case, the
demands
that are
to do
government to
government,
so it
can be
to pass
very quick
at a moment
of
a time,
on the
affixage
of the
commerce.
If I
if I'm
the example
of Little
Burgundy
which is
a bout
boutique
of
shoes, well, there, it's correct to have an
name in English, Little Burgundy, but you have to add
an generic in French. So, by example,
you could say Little Burgundy, Boutique
of Shoesure. And then, there, some years after, like,
two years after, it was not just that he
had, that, it was not enough, it had, in fact, that the
boutique of shoes, the kind of little
adjoe in French, deviant two-five
more gross.
I mean, I understand the
commercial,
if you're
for real.
And there's a
problematic.
And then we
gave the example
of the time art
market at
central city of
city.
So it's a
kind of
kind of
of a second.
And I think they're
kind of an
enseign that's like
directly on
market, the
meyer chief in
the city,
there's a
whole of a
whole thing,
the first
the way to
change your
affixage?
It's imp like
that you do
barry of the
Is it really barred St. Catherine after having changed your signalization?
Fet, the timeout market, it's apparting, to the case of depot and the placement of
Quebec. So, it's an instance paraguvernmental. And in these changes of orientation,
the police of the French, even the instances paraguvernmental are not necessarily
on current, you know, we remark that, finally, in matter of communication, of control
of Com,
of image
public,
the O QLF,
is a
zero.
It's their
talon of Achille.
And there,
if we're
going to be
their mission,
and it's
that I'm
that I'm doing
the blah,
blah,
preceding,
they are
really not
finally,
to the
celebration,
to the language,
or even at
an enrichment
of a
vocabular
terminological
precise.
Even if it
has been
part of the
mission
official,
it's really
not part of
their priority.
Parole of
a person
who also
not only
only talking
to someone
to
people,
at the level of the information, but I've
read their
last report annual.
It's all right.
You see,
the emphasis,
it's made,
where, let's on,
in the mission?
In the party
of Newell?
Well,
no, in fact,
they're really
turned to the
domain of the
affairs,
and it's very,
very procedural.
So, we'll
create these
politics,
and we'll be
the political,
and we're
interesting,
because I'm,
is these politics
that,
have a real
impact on
the vitality
of the
French,
have a real impact
on what language is
in the
middle of the
case, or even
in the
who's really
pened,
it's just
the person
who has
called on
the
people who had
met with the
people that the
person had
done the language
are engaged
for defund
the language,
not the
culture
Quebecoe
Francophone.
We're in
fact,
why these
people are
people who
are there are
people who
We don't know
to concede
to the
Quebec,
but,
you know,
it's,
it's,
it's,
it's,
it's,
it's,
it's,
it's just a
fun fact,
like,
but,
it's not
necessarily
a fun fact
because I
say,
that even
the
government,
that's
named,
just by
the CAQ,
whatever,
there's
person who
there's
part of the
culture
there,
it's all
these,
the police
,
the,
yeah,
no,
but,
like,
the PDG
of the
people,
let's,
tell,
Dund,
who's working in forestry.
You know, I've got to have
a lot of, you know, there's a
different of a diversity
of the people,
but I don't know
that's a rapport
to pretty or de
long with the language
and their mission
number one, in fact,
or one of the
mandaaaaafe,
is really to certify
of the enterprise.
It's what to certify?
Well, it's assurried
that the enterprise
they respect the
chart of the language
French,
the new new law,
and it does
be certified in
francisation.
It's a process
that I know
not exactly
at the letter,
but that it
for me, very, very bureaucratic. And the
company does prove that she responds
to all the book, just,
in the chart. And it's implic the visit
of the enterprise by a conciergey
to the OQLF, for sassure
that all right, that all right, that
did you remember, we're probably an account the
last that made up against, you know,
in the mines of Matchel, Azerbaijan, Technology,
that's... Yeah.
Well, this account there, come
to have to do you? Look, I should have to
get there on... Oh, yeah.
...there's a parody on...
It's a conk who produced
the AI Slop, but it's a bit...
Based on the eyes Daphne.
And there,
we're going to
do these videos
that really
of the police
of the language.
When you call it a smoothie
instead of a frat peo
foe,
the employee looks at you
like you just signed
your own death certificate
because you did
as the undercover language
police in line
behind you put you in handcuffs
so you try to explain yourself
it's the same thing
now it gets worse
because the cop
just replies something
in French
that you can't understand
then you're dragged into
an underground
Francization facility
where they convert
the reality
that generates
this concept that in Quebec, we'd have a police
down the land. But it's a bit
with what I want to say to talk about,
okay, interesting. Like I said, the mandate
number one of the Oculef, it seems
to be certified of the enterprises, okay?
It's a process that
has been digitalized or even
automatized, point of interrogation.
In fact, what we said, is
that the platform, in the case,
local left, it's been a couple of years
that they've worked with
a kind of project beta
of intelligence artificial
which would be, so-d-sorty-sertify
of the enterprise,
but that would be a
fiasco,
that's a patent
that we've paid
the million of dollars
and that would
serve to anything.
That's a genre
of a merta,
that all the
world know that
that works
not in the
institution,
but person
doesn't say
that
for the development
of platform,
that it's
either or not AI,
we're
we're trying to
create a serious
problem,
because the
verity,
is that
the company
of development
logitial,
in these projects,
who are not like at
grand scale,
like, let's on
say it's a
click,
I'm going to
when I'm going to
because I'm going to
because I'm doing
there's a lot of
in science
informatics,
and there you
see some people who
don't know
that they're
from the business
of development
logitial,
and then suddenly,
they've reached
to have a
contract for a
app,
so they engage
a programmer,
and then
then they realize
that, oh my God,
what's what
we've been
that's been
able to
do that's
to do you
to do something,
and what's
more tough and
complex,
what we
what we thought?
when I was, like, I was in this
milieu that, it was really the development of Apple.
All the whole of trying to have
some application, who had to become Uber,
or that had to be, I've seen,
I've seen, I've seen,
and I feel like, it's so that
that's what it's going to be that
companies factist,
of children of rich,
who are, like,
me, I'm going to have
developed your solution of intelligence
artificial.
Well, we said,
in any other potential,
it's a click.
It's kind of fool,
because if it's a click,
I mean, it's a portale,
I imagine that all people
use if we have an auto, but the Ocollef, it passes completely
under the radar. After that, I've tried to
find, if there were, just, there's communications,
let's on the rapport annual by rapport that beta, I've
really seen. It's interesting because this platform
that that tried at a cost of a million of dollars,
it would a platform where the companies
can't signer, imported, the documents, and be certified
with the IA. In which moment is that
that this kind of
thing, of patent
to gossip
that will
help
the franisation
to Quebec.
If you can
submit some
documents to
a U.A.
who will
say,
yes, it's
certified in
France,
or not,
you can
very well
do you
do you can't.
It's all
also,
the process
of certification,
you know,
there's not
really,
sort of
incitative
for the
little
companies,
because when
your
certification
in francisation
in time
an company,
it's certified
for
participate in
these
appell
of offer and
receive of
the subvention
of the
state.
So,
there's a
business,
there's a
car,
you know,
we're in
a carlis
too,
you know,
to do you
get to
your
so, so
so much,
it's,
they're going
to be
to be the
rules,
for me,
all,
that's
that I'm
to do you
need to
, we're
really more
more of
the bureaucracy
than
the love
for a
and it's
fool because
there's
there's a
there's a
there's a
there's a
government of
the part of
the journal
of Morale.
By example,
in January 2006
we're
that Frederick
Vero,
who is a
member of
the
council of
the OQLF
was vice
president of
an
company that
accumuling
the law
for the
three years.
So,
he's
in the
forestery
and he
figure in the
list of
the
companies
non-conform
of the
OQLF
and is
members of
C.
A.
Boolshit,
to A
to Z,
we're
and when
we're in
the report
annual,
we know
we're
focus
so on
the indicators
of performance
there's
a lot of
number,
et cetera.
Is that
it's for
to go to
get some
the
sub of the
government,
is to
maintain
the
budget that
the
government
allu
to
I know
I'm
but it's
quite
interesting
in
a
perspective
of
long,
to see
that
finally
to measure
your
impact
social,
you present, you present,
the percentage and
by example,
tant of enterprises
are conformed
or have used
their certification
this year.
It's a
idea of an
form of objectivity,
of an assurance
pretty scientific,
like, okay,
Loke-O-Kolef
has really an impact
on the franisization.
I've noted also
in my notes,
the leave trusted
numbers,
which is paru
in 1995,
we say that
in the view
public,
as in science,
we have confidence
in the numbers,
because we're
replace the
judgment human
with the numbers.
And why? Because the organizations adopt
often these regs quantitative,
not because the chiffres are more precise,
but because they're more easy to justify.
And the judgment, you know,
let's say,
honestly, the fact that
the time of companies
in Quebec who are certified
and they've got their paper
of certification this year,
well, it's not
saying on the plan of the French.
Well, the judgment,
it's a judgment human
that I've just to pose.
But it's politically
vulnerable.
The regs, all the procedural,
not. And in fact, all these
procedures, their
are the purpose
to make disappear
the fact that
that there's always
a judgment.
You know,
it's what,
let's on,
the casks that you
do you have
to be able to
be able to
submit to your
intelligence artificial?
The work
of interpretation,
it is not
reconnoed,
but at my sense,
it's,
it's, there
the issue.
You,
there's a
question of
having a
job of
interpretation.
We have
an impression
of a bureaucracy
that's
trying to
give a
legitimacy,
and I
think that
but it's also, often the case in the organs of the state,
which the members have been elected democratically.
But you will have a tendency to,
finally, to legitimate your position,
and what's you can use for the legitimate?
Well, not a judgment.
You will not make the emphasis on, for,
example, the enrichment of a bibliotheque
or an dictionary terminological.
You will go to search the numbers,
the percentage, because it has a look more difficult to critic it.
Thank you, Daphne.
So, I'll
start with my segment
which is a little
in the same vein
than the same thing,
but that's a little
more numeric,
that has not really
a rapport
with the institutions,
quake that we
we're going to
start with an institution
so the
city of
the city of
this week,
the plan of
action for the
language
of the language
2026,
2030,
and this plan
of action
will mises
on the
marketing
at the international
of Montreal,
metropole
francophone
of the American
and it's
not the
first time
that we
this genre of
language at the
city of
Montreal, it
seems
very
semblable
as that
Valerie
Plante
also
submitted
like
for
augmenting
to augmenting
the
image
of
Montreal
but also
his
reenement
world
so we
have really
this
vision
of
Montreal
as
a
city
in the
future
will
be a
kind of
a
destination
cultural
that is
it
there
but
we
really
miss
there
and
how
we
mean that
it's
insist
on
insisting
on
the city,
of one
other part,
I'm trying
to see with
Montreal on
internet, is
that there
really a
new current,
as well,
as when I
said,
oh,
yeah,
there's what
what you
have to
what you
have a couple
of years,
I see
a kind of
of a
thing that
is tough to
to create
in
more in
this moment,
but that
will
make
all his
sense
when it
will
really
to be
at some
potential
of
viral
of Montreal
and the
Quebec, particularly on Twitter.
And I'm not just virality
to Quebec, but
like in the Canada,
those United, and in Europe.
And it's a lot of
different, but
I think that it's kind of interesting
to be at current of that,
because it will change a
or it will, like,
augmenting how Montreal is
percussed everywhere
in the world.
So I'll start with
some elements.
There's, of several
Cote,
it's the
first of the
first of course
evident,
it's the new
bandannons
that's
out of the
film
Myelan Kicks
who made
in scene
Barbie Ferreira,
an seen
actress
of Auforia
who is
not in the
new season
or is
we see
a critic
artistic
that
a
I'm
wondering
what are you
writing
oh
I'm a
music critic
Oh,
cool
of
the years
to
cover
a
a little
the
scene that
Daphne
has been
a
just the
last time
in the
many years
exactly
at the age
that age
that's
the beginning
and
and credit
cultural
they're
and it
about
there's
not really
no
but it's
a
old
after moon run
I'm
I'm
in a
rest of
bar
and the
chanteer
and the
chanteer
of
it's the
sort of
that's the
sort of
that's
really this moment
that of the
Ville of Morale
who is really
romanticized
and made
in the film
that will be
there's quite
quite a lot of
enthusiasm
and then when
the band an
announcement is
out of people
who had
critiqued
the year that
the year
that had been
the year
for doing
oh but the
end of the
2000
it's not really
that
and we're
really that
these critics
that come
these people
who have
different
so people
are more
like the
people who
were like the
moment where
the moment where
is that
on his
peak
of like
underground,
hipsterism,
Indy Sleaser,
it's the
debut of the
end of the end
the year,
so we're like
a duel
between young and
young and
millennial.
But,
no,
it had
these discos
but these discos
that,
but these discos
were made to
to sit
really
really much
of engagement
on Twitter
when normally
the discussion
on the
evolution
cultural
of Montreal
rest
quite quite
cramped
in the
Twitter
Sphere
Montreal.
And for
all that,
I think
that's important
to like
breakdown
the
different
ecosystems algorithmic
in which
the users
Quebecers
have evolved
on Twitter
because we
do it's
we're not
in fact
and what's
what I'm
there's a
new ecosystem
Twitter
of Morale and
the Quebec
and a discussion
on the
Quebec
because when I
said
before there
two, three
years
the bules
on Twitter
were quite
quite quite
quite
the commentario
political
so the
journalists
all the
people who
people who
were
for the
organ of
press
plus the
politicians
that were
there were
there were some
people who had
some more
the same
more intellectual
academic,
these people are
parted on
blue sky
there were
there's people
that what we
could have been
black Twitter
Montreal
but who represent
not just the
people afrodescendant
but there
had some
magriban
these people
Asian,
the people
of Quebec
Canadian
French but
but who
was identified
to the
subgroup
cultural there
there was
what I
had to
Blinville
Twitter
you had
you
did
part of Blinville
Twitter
I have two accounts.
So I had one
that was more
Blanville Twitter
and a count
that was more
Black Twitter.
And then I'm
all mixed
in a account
because BlanVit
Twitter,
it's actually
basically.
It's been really
brief at the
end of the
end of the
end up
the end up
and the Syriot
and all the
influencers
and all the influencers
were
that I'm
that I'm playingville
Twitter
because all these
people were
to be in
Mirabell or
Blinville
anyway,
there were the
pirates
so there were
Jeff Filion,
and what's
we can
call the
Intellectual
Dark Webb
of Quebec
so
Jeff Filion,
Jan Seneeshal,
Geron Blanchet
Gravel,
Frank,
the Diedomiser,
all these
people,
Eric Duem,
all the libertarian,
in fact.
Intellectual
on quotation
Mark,
but I'm
I said that
because it's for
it's for
a reference
to what we
call it
at the time
in the
early of the
early of
2010,
Julian Peterson,
Ben Shapiro,
Charlie Kirk,
we're
called that
Joe Rogan,
All these groups have been
Finged, have been
Fughercement
when he owned
to buy up
but it's a lot
like that Twitter
evolved to Quebec
but I'm
the impression
I don't know
why,
because,
because Twitter
had been deletced
by a lot of
people,
and re-adopted
by plenty of
new people,
I'm impression
and we're
they're,
it's these
racists,
these xenophob
who get
to do slop
of Nick Fuentes
on Twitter
but no,
I'm the impression
that what's
what's what
what's going to
is that there really
plenty of new
users.
I tweet,
I tweeted
in fact
regularly,
and it was kind of
the main
people who were
to be in
to read in the
comments,
or to be
in the likes
of my tweets.
Now I tweet
these things
they're
like,
and I recognize
almost any
users,
and he comment,
and reply,
and it's
people who are
people who
see,
so it's like,
so it's
made me
interested to
who these
users,
and I'm,
the four new
page of Twitter
has to
give to be
tweets on
some different
graphic completely different. So like West Island Twitter,
the people who are in region of Quebec, but
they tweet in English, and they're interested in other
subculture American, but who are Quebecois, and then
we're doing a weird, so. So, all this, it's like,
created that, like, there's really much more
more than engagement that's possible to generate,
in parlance of Montreal on Twitter, and
the Quebec at large. These engees, they
can generate the 10 million of like. There are
there these kinds of millions of likes. There are some of
Montreal,
now,
who are
jokes on
the Quebec
who generate
the 10s
like.
So,
they're
like...
I don't know,
but it
was not,
but it's
me, it's
me,
it's not,
I'm asking,
some,
yeah,
we're not
in 2020,
when we're
part of
Khafei's
after,
Twitter,
it's the
thing of
important,
Twitter,
it's the
thing of the
important,
and then,
it's,
there,
it's been
clearly,
but I
think it's
still that it
still
on an end
important on the internet.
I have not
the good
to use the
but I'm going to
to watch some
because often I'm going
to go to
get to do with
it's the
only person
that's the same person
that's the
time on blue sky.
There's really
more more
more of the
thing on
blue sky
but after
if I'm
want to be
what the
people who
don't know
what the people
do you know what
the people do you
see?
But that I'm
not certain
that's not
certain that's
one of the
different
contemporary, is is there really
a platform that is representative
of the Zalguise?
I think that if there's a platform
where the content
emerges and Ruccel
on the other platforms,
it's also Twitter
that can set
the narrative
and these memes
that will be
distilled in some
Instagram or
these slides on TikTok
and edits on TikTok.
Like,
I'm not about
political, I'm talking
cultural, so
with some opinions
on Doja Katt
or some opinions
on Sarah Larson or
or Pink Panther
or Pink Panther
all the
I'm just about
of music,
of pop culture
of culture,
I think
the Batman
is still on
Twitter
and that
I think it's
a lot of
the rest of
the interest of
the country
in the world
in politics
like how
I'm going
to be
it's a
way
to get an
idea of
the unicit
of the unicit
Quebecuos
and the unicities
and
this week
what's what
it's been
with Air Canada
I rarely
have really really seen
so much
of time of
discussion
on the
Quebec
of the
part of
English
and that
it's like
transcended
just like
to be
talking about
Quebec
on Twitter
it's
to be
a point
of interest
like I
saw
I've
many of
people
and
also
I see
a
a
point of
influence
Morale
or even
rich
Montreal
to
rebranding
Montreal
and to
the
sort of
from the
carcan
Quebec,
francophone,
but just
like a
real real
incredible.
And the
menor
in this
category that
is
Early
Ficklestin
who is the
director
general of Shopify
so that
tech
bro.
Yeah,
which is the
most
company of
tech
on Canada
Shopify
one of
the
big company
of tech
too
course
which is
the
architecture
of commerce
of
many
the most
in fact
I could
not
I could
not say
the
chief
exact in
this
but that's generate
the million
of transactions
per day
in the
phone,
if we'll
let's
part to get
a boutique
in a
company,
we could be
a book of
Shopify,
and it would be
not only
all the
what's the
transactions,
but also
the communications,
the service
to the clientele,
it does
an infrastructure
really like
viable and
easy to
to create
a magazine
in line.
It's really
a standard
of the industry,
shopffile.
And it's
a company
canadian,
of the president-director
and at Montreal
and he's the most
he's the most
he's the most
he's talking
he's
he tweet just in
English
No no no
my God
I don't know
the O QLF
incoming
He's
he doesn't know
he's
he's not in
English
and there you know
a week
the New York
Times
has made
an article
profile
Montreal
the Routis Street
the chicken
capital of the world
I don't
if you had
seen that
pass.
No, so it's
that our branding.
No, but the branding, is that
Montreal has not only
a scene artistic
incredible,
an architecture
incredible,
of the food
incredible.
It's like the branding
we're trying,
and that he's
really to, like
mainstream-based
and that,
and the New York Times
do in this profile
that, is that
is the best kept
secret.
Like, you know
that's not that
Montreal is
so much
than ice
because you
have never really
pretty the time
to be able.
Even in Canada,
Montreal
would be the
mayor
the best,
the mayor
culture,
all that,
and we made
on the
distinction cultural
of Quebec
but it's just
a facade
that's
even in the
film that I'm
talking about
Milen Kicks
we present
Montreal with
any aspect
francophone
it's just
there are
there are
there people who
live in
English,
it's like if
we're
re-packaging
Montreal
as being
the French
the heritage
francophone
it's just
something
that pertinent
to folklore
at the
history
and it's
like it's cool
it's an
aesthetic
it's nice
the
not the rues are in
French
but really
it's not that
it's not that
you're going to
participate
to this movement
that?
Cathy Perry
when she
will go to
go to have
in a cafe
and she will
have to have
a story
and I don't
I don't
I'm in
so I'm in
so I'm
so we're really
discussions
on the
Quebec constantly
on internet
in English
we have
some
there's
a romantic
and we're a
more and
more
of
the
Montreal,
a caricaturization
of the
fact that the
Quebecers are
like francophones.
We're in
it's a
reality.
It's a
way, it's
a aesthetic
finally.
Plus than
a fact
important,
cultural,
a dimension
like capital
fundamental.
It's
that.
And you
see,
you know,
you know,
it's a
little bit in
Hitid
rivalry,
yes,
it's a
show
that's
a
show that
But the representation of Canadian,
French or Quebecoes,
she's turned at the humor.
You're like a character that
who's like,
he's like,
and he's like,
and he's like,
and he's,
he's,
and he's,
he's funny,
for these effects
comedic in a series.
I think,
I'm totally,
like,
Eat a rivalry,
reenvoy,
not a image
particularlyly negative
of Quebec,
but because
there's a
music Quebec
also there,
there's a lot,
there,
there,
there,
certain Zigeri,
like,
who are,
so,
Franco,
It's that, François Arnault,
who's the finalist,
who's been
who's been in the series,
I think that
Ethan Weevil,
he's created
to Quebec Baching,
especially that
Jacob Tunis here
in a Montreal
I see,
I'm going to
what I'm not
a bit, I'm not
a mode,
oh, you'll go
but it really
this year,
in time to
he will have
there's a
discussion
on Montreal,
and the plan
that the city
made in place,
the same
the count
Twitter of
Montreal,
and so for
that I'm
the Twitter, the comte Twitter at
Montreal,
said,
Ask me anything, I'm here to answer.
In English.
In English.
And there,
I'm offue a quote
tweet in English,
but it's a count
of a twist
Montreal, so whatever.
And then,
it's been a meme.
The world
comes to pose
some,
like,
politics,
the questions
like touchy
at the
city of
Montreal,
and the
gestioner of
this account,
they're not
to post the tweets
the most
ridiculous, like it's
the plague,
you know,
and the world
starts to turn
that like in
mean,
and the world
starts to
put out of
gruck is this real,
the world
says,
at Montreal,
is this real?
And these
responses that
become viral.
These times
it's sort
a bit of
context canadian.
Many of
these tweets
that were
very like
Canadian
ontarian,
but there
there's been
there had
many of
like,
it's on
Twitter,
you know,
when a tweet
has
many million
of
like, really.
Before,
in Quebec,
there was just
a count
that would
get a
million,
it's a
minute,
now the other
day,
I'm doing the
last year,
I'm doing
a guy who
was in Montreal, you
have a
minute,
I'm not,
I don't,
but it
does it
can't,
it does
kind of
a kind of
charge
viral that
there was
not over
on Morale.
I've
all the
whole
city in
America
New York,
and I
personally
I'd
have tend to
to believe
that you
have got
gatekeep,
but
after it's
because I
I think, in fact, I
think not
that you know,
but I think
that's not
it's not really
the discourse,
you know,
in this moment,
he is in
being in a
whole of the
people,
for who,
in my eyes
the fact
that the
country is a
folklor,
and it's
to the aesthetic,
and I think,
it's for
that's why
it's been
good,
but I think
there's other
other
he's cultural
than a
American for
representate
what's what
Montreal,
or in any
in these
years,
I,
you know,
I,
of the,
the
measure for
the
francization,
and that,
you know,
at this
time,
the time,
the time of
Milan Kix,
the film,
this era
that of
Montreal,
I was
entoured
of many
people,
my
my friend,
at the
time,
was an American,
the
he had
a program
that were
to see
the English
to see the
time playing,
and to receive,
a little
that's
my chum
of the time
that was
completely
bilingual,
his colloquy also.
You know, there were really like
there were these
tools concrete,
real for to learn
the French.
And I think there's
these measures that
they've been abolished.
So,
I'm going to
necessarily to go to
Twitter,
because I'm not
to ask you
make my
my wife,
but I'm like
continue to
see that's
accessible or
maybe, but
I'm playing
new users of
Twitter
that tweets on
the Quebec.
I think
there's what
there's
there's
New Orleans,
in the
Montrealise,
in the
is what?
Is it
is it
is that
will percolate
is it's
is it's going
to get to
talk to
TikTok,
on Instagram
well,
it's that
that I'm
talking about
the country
I'm sorry
I'm sorry
the name
exactly the
account,
but it's not
the name of their
fake company
who does
publicities
who did
the IG Reels
on Excused
and the police
of the language
Quebec
and all
the poor
Anglophone
who are
martyised
Quebec
when you call it
a smoothie
instead of
a frip
O Fee
the employee
looks at you
like you just
signed your own
death certificate
because
you did. As the undercover language police in line behind you put you in handcuffs, so you
try to explain yourself. It's the same thing. Now it gets worse because the cop just replies
something in French that you can't understand. Then you're dragged into an underground
Francization facility where they convert you into a loyal and obedient Francophone by using Azerbaijan technology's
latest invention, the Putin or native. It beams directly into your brain and the racist knowledge
of other languages instantly. Side effects include insatiable desire for Putin, having to buy season tickets for the Canadians
after the French,
cultivating
your bank
terminology,
and the culture
to have
rayonet
the French,
you're in
the way,
you're in a
way of a
policy,
like,
and we're,
we're not
consulted,
but the two
we're not
we're
different,
like I'm
with a
Englishist
so,
so I'm
like I'm
like,
I'm like,
you're
like,
you're like,
you're like
, you're
talking,
you're not,
you're not,
but justemann
it's a fault,
if the French,
like,
like,
the word,
So on this, Sophie Kaffes-Nayy.
We wanted also you
announce that, like,
as each year, we'll
bring some suggestions
for the Ling Uvert,
we'll readst
because there's an event
that's an event
and can't really
predict when it's
when it's the accouchement.
The accouche-in-ch-a.
I don't know,
I hope, I hope
all right, I hope
our link-uvert
kind of more in-a-vance
than-a-dovem than,
we'll be able to
let them, we'll start,
to make
to the idea
that you
can we can
you can't
you can't
you're in
you're in
your work in
your own
or in fichie
audio who
talk of a
subject
that's
but not just
a question,
you can't
you can elaborate
you can
explain your
your theory
so.
Don't you
know your
take
finally
on the
actuality
the
culture
web,
the culture
media
and we
we're
we're
we're
to
and
express
our
disagree
our
so if
you
want
you want
to
it's at the address
courierle
info cafe snake
at commercial
d'emel.com
She's in
the description
of the episode
so we're
doing this
report,
just to say
there's not
there's not
there's not
there's
to make it
but we
would like
to make
to get
to make
the enregistraement
the
pretty
possible
it's more
more than
you're
on our
phone
Instagram
respective
because
we're
we're
we're
we're
the field
in fact
This was Café-Snake.
Thank you, Daphne.
Thank you,
so we'll see
the week
next week.
For an episode
that will be
exclusively
on our Patreon.
Thank you
everyone to
listen.
You're real.
You're real, real,
real.
And the music
of intro and adjo
and of Azilo.
A-Z-L-O.
No,
Nore-R-R-M-S-M-G-G-G-G-O-L-L-L-L-N-G-G-G-G-G-O-L-L-L-L-P.
You can't understand.
Okay.
She'll be able to listen to her.
Bye.
Thank you.