café snake - Rue Duplessis [Extrait Patreon]

Episode Date: September 9, 2025

Patreon : patreon.com/cafesnakeMounir s’intéresse à la diffusion en direct du sport et Daphné à l’adaptation théâtrale du livre Rue Duplessis (au concept de transfuge de classe, mais aussi �� celui de PMC pour professional managerial class). En plus: du beef entre l’Angleterre et 4Chan, les sorcières de Etsy, le rapport sur l’avenir de l’audiovisuel québécois et la saga Medespoir (ça se complique!). +Recks culturelles.

Good morning Yo, it's my name I'm gonna lookie just I'm gonna say, you know, do you, what's what we're saying? Hello, man, it's Daphne. Oh, but I'm obliv, I've got a film of one hour on a horse.

And I was just like, I don't this film, that. It's a cafe snake. Good morning, oh, morning. Good morning. Hello, everyone. Welcome to Cafe Snake.

Today, it's an episode that is available entirely on our Patreon, patrione.com bar-oblique Café Snake Like each episode a week on two,

so abone you for have all the time of the cafe snake What you're talking about today, Zafne? I'm going to see the piece

Rue duplessie, my little Northseur so the adaptation of the book of success of Jean-Philip Plow

that I've put to say but it has made the good to talk to the concept of transhuge

of class because it's full at the mode for years and also to be the university

American Catherine New appell the professional managerial class. You know what you want to

talk about? I'm going to do the streaming televised, of the television but at the

launch of the sport as being the most great vehicle of audience in this moment

in the world so to observe this industry of the diffusion of support in direct

and it's modifications and progress at through the years. Yeah, you're more tardy?

The DG News. Doodoo! We all today. The CACC has interdied the Droid in the Rue in reclaming the Laicite of the

state, but I'm a question for the commandant of the CACC, the guy who has said to evangelize to M.C. Is it going to

be able to be able to get to get to the RELMAN? Because, is for the lifecity or it's just because you're racist?

It's just because you're racist. Hello. Hello. You're affirmed solonement to say the truth and all the truth. Dite, I'll affirm. Uh...

So, uh... ...for you, you have always been maintained in ignorance. Absolutely. Bondredi, at 19 hours, I'm going to be with Marie Maxime. We're going to do a live on TikTok. I'd you suggest to be there, because the verity will explode. Oh well, here we go again.

Oh, well, here we go again. Mr. Mr. Hello. Welcome to Chippre. Let's go! Let's go! Moreale, 23,045.

Moreale, 23.45. The bombardin-law, reprievered of young students in Dettet and tranteneer in the denies curious, is all right. We're mount, mount, m'n't,

crissed a man, see when we're brie we'll a-o'-a-d-dorri. Oh, mount, mount, mount, tabernacle, There's no fin impossible. We're going to be, we're going to be.

Trassus. So this week, this one. of the report of the group of of work on the event audiovisual of Quebec. It's a

report that I'm still long time or even the group of work of work I'm myself

I'm sure during the audience public when it was not public for this report that

so I'm still I'm invested I'm that the government the ministry mandate

of people to planify to planify and to save the world, the world, the world

audiovisual Quebec. It's a bit like that it's frameded we're don't

like a mandate to reimagine the system and the function of the industry individual of of Quebec.

So I think it's kind of ambitious. I have, I have the document packier,

I'm not all you, it's like more to hundred pages. Suffling the breads. Daphne,

they like really the norm if you don't know, I thought that it was like

a pastiche of the poetry Quebequoise. It's sufled on the brez of

the food of our culture. But it's not sufled surly the brays, it's

suffoled the braise. And honestly, I've found that there were certain aspects interesting, especially on the fiscality of the

taxos in production, like it's a big part of the financement of our sector osovisual, how if there

there's more the credit of impos that's money, so there's more of money that's invested in audiovisual, to find a

way to find out of this financement. But, again, and as I say it's certainly in half

snake, and as I'm said in the tour, it's fond, we're going to see a little, I guess, in the media of deroges, that we're all the time of the crisis of the media,

defriketement, of the socle common, quix, a through a logic, like, mercantile, just the financement. It needs to have more of money, always more of the money. And I'm sure that, like, to produce empathy at, I don't know how many a million per episode, it's a code of the

money. I'm in fact, I'm sure at 100%. But, in fact, it's that it's not the sole aspect that you have considered when we talk of Socle common imaginary, plural,

cultural, we've used to all the words. Or the way of brez. Yeah, of brez, but no

I think, I think, I think, a one moment in the conference, that was by the two

co-president, so Philip Lammar, the founder of Urbania, and Monique Simor, who was an ancient

president of the Sodeck, but who is worked in other institutions cultural. At one moment,

as we have adopted the quality of the quality of the production, or the choice, of companies,

production, and the diffuser, we have made reference to a mass critique of production and it's there

that we're able to get a jackpot of a hit so it's the only moment I think what what I'm

what I'm saying what they're saying that more we get an money in the production audiovisual

the more there will have to have a possibility that a series so we're

also in the logic to like the speculation we're we're doing the

plus of things possible for have the more of chance possible

to justly have empathy or do you know, so, so, so it's a

question. It's a question. So, I think, it's still reference to that's the same reference to that.

I'm a rapport also indicates that you have bonifier the Offre of Hydro-Keebe but like re-imagined Hydro-Keebe

Tele-Kbe as an kind of platform mediatique of future that makes the envy to

all the country of the world, it's like that's like it's like that's been decry

in the conference of press. I'm I'm just there if we a little rajone

the site of Hydro-Keebec which is like diffusay... Again a lot, of the Tele-Keebeck Oh, I'm I'm already in the site

is like divised in two sites there's like a front site or what is like these articles, there's a text you click on the

section video that you come on a other site that he looks to like a Netflix or a Crave but it's like it's like

it's like when you when you're like it's not like you're like you're like you're like you you can check it, the Indies Max Wing, I don't, it's like, no, you click on plenty of things. It's like, it's kind of counterintuitive.

So, just that, it would have not cost the millions of money on to Quebec, to find a set-web, sometimes it's difficult. Yes, just regenerate the site web, but also, and I think that's one of the affairs that's the most important,

and I've not used the rapport to completely, so I don't know if I'm not mentioned, but it's the communication around the access to the levies of production cultural, like, because there's plenty of people

who have not the capital bureaucratics to understand how to submit a, participate in a depot project of Telefilm Canada or Tele-Keebec. You know, it's like, you know, we've got done the formations out there.

And I know what I'm doing in the schools, I'm studying in television or you're studying in cinema. Of our own, there's a lot of, no, it's very opaque. It's so,

like, you know, I think that it's a good thing, okay, we're the Telekebec produces full, we want to make the commande

to produce these films, declanche, in all the film, in focusing on the 025, and that I think

it's kind of, 024, you know, I think it's kind of, not to be the scope in the point that's, let's turn,

my generation so, like the more the new millennials, are also, like, yeah,

so I'd have said like 0.35, or even 0.40, because it's like... Yeah, yeah, 040. No, but

that's what they say at the 024. Because the idea is that the 024, there's not an incitative for produce for them,

because they are in-de-door the market publicstair, that the market publicstere, it's like 25, a good of condom, because you know, you don't have to be advertised for the kids, kids, even if, like, the family ventura, it does just as well, we're going to benefit, in fact,

of the revenue publicitar, it, me seem. It's been, I've been a report, so if you were there in a rapport. For not entry on competition with the other diffuser. Well, it's, that, it's just to respond to the prayer of Pierre Calpedado, but I'm, I'd have to say, hey, okay, there's more publicity on TV. I think that the real nerve of the war, it's not that the market publicaire has a player in more like Tele-Gebec, ORA, here,

TV. The real affair is that one of the radio Canada is over to the game

publicitar PCOP he cro really that all this money in other diffusor

at TV A TVA or Lcian no, the money just part and it will go

and the real of the war, it's to render the value in

these productions web Quebecoas or the production tele on the web

Quebecoise to convince to base the society of the companies investes really

in public publicity, to not invests or not invest in the content, or instead of invests on the platform. It's like, we're the real ner to the air. It's like, we're in integration

by the creators, the productor of the content. Not that a pre-roll of YouTube. Is it that YouTube takes 45% of the profits and charges fucking more more than engagement

than an integration, by example, in a video YouTube of Gurki, like, you know, so, division in Quebec, and I've not made the exercise, but we could

have the exercise, quantitative, what is the percentage of publicities diffused that that pertinent to? And then we're talking to, like, Educalcol, the SAC, the SACU, no, import,

Hydro-Keebeck, just like, all the societies of state that we have on Quebec, diffuse a lot of the government of Canada, the government

of Quebec. That, it occupies a very great percentage of the offer publicite of these diffusers, we have reproducedure this model in

the production on the web or, in any the diffusion on the web. So if Telekebec is diffused on the web, if Radio Canada is diffused on the web, well, there are these integrations with these societies,

at the way, to have used to play a publicity. I mean, my video YouTube, you know, YouTube is really a market niched, like, there's not enough of content for the number of people

that's the number of people on YouTube. So, so the CPM on YouTube, so the money that you can do do you put on YouTube to Quebec. Okay, so, I wanted to return

on the piece of theater Rue du Pleistie, my petite, my little Noorce, who is an adaptation of a book that had really had really had been a lot of success of Jean-Philippe

who is also an animator at Radio Canada, who has, by some other, by some members of his family by a part of some information

that, I've just that I just that's I'll just that thank you. Thank you. It was the end of the

extract gratuit. If you want to listen the episode in entire, it's on Patreon.

Patreon.com bar obliq cafe snake. We're Rappell that one episode on two is available entirely only on

the Patreon. So, abone you, or if you're the next week, but abone you, especially. Bye.

Bye. You know, Oh, Oh, Oh, Oh.