Camp Monsters - Mothman

Episode Date: October 26, 2022

Donald and Lydia moved into their first home together a little outside of Point Pleasant, West Virginia when Lydia started noticing strange occurrences— like the two skinny things, casting shadows i...n the light that streams under the front door.  Shadows that look for all the world like what someone’s legs would cast, if they were standing, just outside. But there couldn't be anyone out there, right? If there were, they would have moved by now. No one stands so still for so long, without shifting at all. So…if it isn’t a person…what is it?This year’s sponsor is YETI. Check out all of their amazing gear in store or at REI.com. Drink it in – Shop YETI DrinkwareShop YETI Rambler Camp Monsters Mug 

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Starting point is 00:00:00 This is an REI Co-op Studios production. What did you leave out there on the porch? Two things, it looks like. Two skinny things, casting shadows in the light that streams under the front door. Shadows that look for all the world like someone's legs would cast if they were standing just outside. But there can't be anyone out there. Or, well, if there were, they would have moved by now. No one stands so still for so long without shifting at all. So, if it isn't a person, what is it?
Starting point is 00:01:00 You'll just go and see. Too bad there isn't a peephole, but... you can always look out the big picture window right beside the door, just to be safe. That's a good idea. It is awfully late at night, after all. So you walk across the darkened living room, and you step to the window, and you take a side of the long curtains in each of your hands, and after just a moment's hesitation,
Starting point is 00:01:33 you pull them apart, and you see what it is that's standing so still out there on your porch. But it also sees you. This is the Camp Monsters Podcast. And thanks to all of you for another year of Camp Monsters. It's your support in spreading the word about this podcast that's kept us recording. Four years. I can't believe it. We keep having more and more fun making this podcast for you, and I hope that shines through in each episode.
Starting point is 00:02:22 Please, keep listening, keep telling your friends about us, and here's hoping we have many more years together around the campfire. But now, we just have tonight. One last fire, and we've built a big one to try and keep back the cold. Oh, it's very pleasant here, outside of Point Pleasant, West Virginia, but the nights get chilly this late in the season. Winter will be here soon, and all the little night creatures know it. If you listen hard, you can hear them run and scurry and crawl and fly for shelter from the coming storms. Run and scurry and crawl and fly and flutter.
Starting point is 00:03:13 After all, this is the area where the legend of the Mothman was born. You've probably heard it before. Teenagers driving on lonely roads at night, or old ladies living alone in remote farmhouses up the valley. They look out their windows and see something. Something that has the shape of a person, but all mottled gray and white and rusty brown, with eyes that glow bright red and wings. But not the long, graceful wings of a bird. No, the stubby, flicking, fluttering wings of a moth.
Starting point is 00:03:57 The kind that you feel skittering across your face on a porch at night. The kind that land in your hair and fall down the neck of your shirt. Can't you feel it? They say all those sightings started back in the middle 60s, and we've managed to track down one of the earliest ones. But it isn't like the other stories you've heard. It's much, much stranger, and it makes me wonder about, well, about everything. Including the old Silver Bridge. Donald and Lydia drove over that bridge on their way into Point Pleasant. They were newlyweds back in October of 1967, moving back to Donald's hometown
Starting point is 00:04:48 of Point Pleasant, West Virginia. The weather was unseasonably warm the day they drove into town, and they had the top of their convertible down as they drove across the bridge. Lydia reveled in the feeling that everyone they passed was looking at them, the newlyweds, with joyful jealousy. Even the bridge seemed to be staring. It was a suspension bridge, painted shiny silver, suspended from two chains made of long steel bars. And where each bar joined the next there were bearings that looked just like dark, mournful eyes. Don't look so sad, you old bridge, Lydia thought.
Starting point is 00:05:34 Be happy. Smile, like me. But the bridge didn't listen, and every bearing eye they passed had a track of rusty tears running out of it. Well, that didn't bother Donald and Lydia. Nothing could bother them that day. They drove through and past Point Pleasant, out to their new little bungalow a couple miles outside of town. So bright, so cozy, so private, it stood all by itself in a little clearing, surrounded by the autumn colors of the trees. The movers were hard at work when they
Starting point is 00:06:15 pulled up. Through the big picture window beside the front door, they could see the new living room furniture being set up inside. And to give the movers time to finish, and because the afternoon was so nice, Donald and Lydia decided to go on a little picnic in a nearby meadow that Donald knew about. The locals considered that meadow part of what they called the TNT area, because it contained the crumbling foundations of a big factory that had been hastily built during the Second World War to produce explosives, and then torn down afterwards. There were some mutterings in town about a nasty old chemical dump on the property, leaking into the ponds and the creeks around. But it seemed to Lydia that twenty years had been more than enough time for nature to reclaim the area. Grass sprouted from the cracked cement of the old factory roads,
Starting point is 00:07:08 and a jackrabbit dashed from behind a low, ruined wall. Lydia wrinkled her nose when they peered inside one of the old explosive storage igloos. Big, dark, concrete structures banked with earth that looked like little hills from the outside. She left Donald roaming around the old igloos and returned to their picnic blanket to lay down in the sun. And there, right there in that sunny afternoon, was the first time that Lydia had the dream.
Starting point is 00:07:43 The dream that would keep recurring to her more and more frequently. In some ways it wasn't even like a dream, not like any dream she'd ever had before. At first she was just aware of lying there with her eyes closed. And how can you dream of having your eyes closed? But as she lay there Funny It began to seem more and more important that she keep her eyes closed Tight Even as she became aware of sounds around her
Starting point is 00:08:24 Faint at first even as she became aware of sounds around her. Faint at first, sounds of huge, deep movements, like the noises inside that skyscraper she'd worked in in Chicago when the winds were high. Faint creaking, distant groaning almost too deep for the ear to hear. And then it seemed to Lydia that there was a crowd of people nearby. A crowd of people, unaware of her, somewhere below her. And she wanted to tell them something. She needed to warn them.
Starting point is 00:09:06 An urgent feeling of danger came into the dream she wanted to open her eyes and shout to warn the people of what was about to happen but but she didn't know what was about to happen just that it was terrible but anyway And anyway, she had to keep her eyes shut tight. She had to. That was the most important thing, somehow. But the strain of it, the strain of keeping her eyes closed against the desire to open them, it was almost too much. And where was Donald? She didn't feel him there.
Starting point is 00:09:49 He wasn't near her now. He was in trouble. She knew it. He needed her. He needed help. She had to save him. It was that desire. That's what did it. That's what broke her will.
Starting point is 00:10:10 She had to let her eyes fly open. And just as she did, the dream's perspective changed. And it was like she could see the outside of her own eye up close. Like she was hovering just inches above it. She could see the thin veil of her eyelid twitch as her dreaming eye rolled around beneath it. And then with a sudden rush of fear, it seemed to Lydia that there was something that close to her. Not in the dream, but there. In the sunshine. In the meadow.
Starting point is 00:10:43 Something. Something. Some presence. Hover hovering inches above her face. She couldn't stand it. Her eyes flew open and for an instant she saw an image of her own eye, filled with fear, pupil contracting in the sunlight, and reflected in it was a figure. Something terrible. Like...
Starting point is 00:11:09 Then there was a tremendous, horrible sound. Like an explosion, a crash. Like thick metal shattering. And her point of view slammed back into her body as her lips flew open and she drew in a breath to scream. And with the breath, she felt something else fly into her mouth. Something thin and insect-like. Desperate. Moving rapidly. Fluttering like Lydia gagged and coughed sat up and spit spit something on the picnic blanket that began to move and scurry away across the fabric it was a moth wet from her mouth well poor little thing she never minded moths.
Starting point is 00:12:08 As a child, she called them night flyers, and thought they were just butterflies without their clothes on. But that particular moth had gotten a little too close for comfort. Now it scrambled hurriedly across the faded pastel quilt, stretching pale brown wings the color of rust that each had an interrupted black spot on them, two half-moons of black with a brown streak in between them, a marking that for just a moment reminded Lydia of the end of her dream,
Starting point is 00:12:39 of eyelids snapping open. Then Donald was jogging over and asking if she was all right. He'd seen her start up and cough. She smiled and said she was fine, and she didn't tell him about the moth. She knew he'd be disgusted by it and might hesitate to kiss her, which is what she wanted from him just then. That night was their very first in the new house,
Starting point is 00:13:15 and everything was wonderful and warm and cozy, until very late. But you know how it is, sleeping in a new place. Every building has its noises, and if you aren't used to them, they can be surprising. Like, in the middle of that night, Lydia woke up and thought she heard something. The noise hadn't woken her, now she'd gasped awake from that same dream again The one where she had to keep her eyes closed And something broke when she opened them
Starting point is 00:13:52 There wasn't any moth in her mouth this time But there was that sound What was it? Something in the next room, or... A thick, fumbling sound. Heavy curtains blowing against something in a stiff breeze. Lydia wasn't easily frightened, and she knew there must be a simple explanation. So she sat up and threw the covers off her legs.
Starting point is 00:14:23 The house was cool at night. Cooler than she'd expected. She stepped from the bedroom into the hallway and listened, letting her ears guide her. Yes, there it was again. A muffled, flapping sound. It was coming from the living room. Maybe a bird caught in the chimney?
Starting point is 00:14:48 But of course then she reminded herself this was a modern house with central heat. There was no fireplace or stove, no chimney for a bird to get caught in. And once she stepped into the living room, the flapping sound stopped, but... But Lydia's eyes were fixed on the front door, and she tried to figure out why. What drew her to look in that direction? Perhaps the flapping sound had come from the long curtains that covered the window beside the door? But no. The curtains hung limp
Starting point is 00:15:25 and closed the window was shut the air in the house was perfectly still nothing could have been flapping those curtains loud enough for her to hear unless a breeze had come under the front door
Starting point is 00:15:40 and died just as she came in that could have happened Lydia could see the light from the porch seeping around the curtain and outlining the edges of the front door. Now, that was shoddy craftsmanship around that door. She'd have to get some weather stripping to seal those cracks and a door shoe to block the gap at the bottom where the door met the sill. That gap where the light now poured under the door, except in two places. Two places just like the shadows that two legs would cast if someone were standing out there on the porch.
Starting point is 00:16:23 Lydia stared at those shadows for a long time. If there was someone standing out there, just outside the door, they would move, eventually. They'd shift, pace. No one would just stand out there for hours, perfectly still. But a long, long time passed, and the shadows didn't shift at all.
Starting point is 00:16:50 Not a quiver. So, so something else must be casting them. Not the legs of a stranger, but Lydia tried to think of anything she'd left on the porch, or boxes, or maybe a delivery. Maybe a friendly neighbor had stopped by in the evening and left a housewarming gift without wanting to disturb them. Whatever it was, Lydia was going to find out. She was going to march right over to that door and dispel all this silly mystery. March over there and throw the door open and... Well, maybe she'd go look out of the window first. Yeah, no harm looking through the window before deciding whether to open the door.
Starting point is 00:17:42 That was so sensible that Lydia did it immediately. She stomped over there, so if anyone was outside they'd hear her coming. And then she grabbed the long curtains that covered the window and hesitated just a moment before throwing them wide. And there, in front of her on the porch was night just empty night and the thin beams of the porch light streaming across the struggling young grass of the newly planted lawn
Starting point is 00:18:19 Lydia shifted her gaze so she could clearly see the whole area in front of the door Nothing Not so much as a welcome mat It was so barren that Lydia leaned back and looked again At the light streaming under the door into the living room To confirm that the two shadows were still there But they weren't.
Starting point is 00:18:47 The light that spilled under the door and ran across the floor was unbroken, unobstructed. That was strange, very strange. A deep sense of uneasiness came over Lydia just then. But she shook it off and stepped over to open the front door. And when she did, she felt the empty coolness of the night hit her face. She felt it pour into the house between her bare feet. She stepped carefully, quietly out onto the porch, feeling very odd. Feeling like something was about to happen, or had happened already, without her realizing it.
Starting point is 00:19:44 She looked up at the porch light and, funny thing, as she looked, all the moths that were fluttering around it suddenly flew off into the night sky all at once. She looked after them into the night, but... nothing came running across the lawn out of the darkness to grab her. Nothing swooped out of the star-filled sky to stop her heart. She stepped slowly across the porch, until she was standing in front of that big picture window that looked into the living room. She glanced back inside as she passed it, and her heart stopped. Standing inside the house, filling the window, was a figure. A huge figure with its hands pressed against the glass. Hands just like a human being's,
Starting point is 00:20:46 but a dusty, hairy gray. A figure with arms and legs and a neck just like a person's, but covered with fine, tufty, bristling gray and brown hair. And its face was... It had a long, sticky-looking proboscis curling out where its nose should be.
Starting point is 00:21:11 And its huge, close-set eyes glowed red. And from its back spread great, mottled, flaky gray and pale brown wings. Lydia saw all this this all in an instant so vividly that she could never block it from her mind never forget it but for all its fierce vividness
Starting point is 00:21:37 the image that she saw was faded somehow shadowy darker even than it should have been in the night. Like... Like it was a reflection in the glass of the window. And it took Lydia a moment that felt like a lifetime to realize that... She couldn't see anything inside the living room except for the back of the curtains. And what she was looking at was a reflection.
Starting point is 00:22:12 A reflection of... But she couldn't see any reflection of herself. Except... Unless... Unless she was that creature. Someone screamed, and Lydia
Starting point is 00:22:40 blinked, and the terrible vision was gone. And she saw her own familiar face, reflecting back at herself with a startled look. Then Donald pulled the curtains open wider inside the room, and his concerned face loomed into view. What are you doing? He asked through the glass.
Starting point is 00:23:03 You startled me, pressing against the window like that. Are you locked out? Then he went and opened the front door and he rushed out to her and... She broke down a little. What had... What had just happened? How had she... It was all so vivid and terrifying.
Starting point is 00:23:28 Nothing like that had ever happened to her. She'd been sleepwalking. Obviously. That's what it was. Sleepwalking with night terrors. She'd never walked in her sleep before, as far as she knew, but... Obviously, that's... That's what had happened to her that night. A new house, a new husband, a new life altogether.
Starting point is 00:23:53 And then that disgusting experience with the moth in her mouth out in the TNT area earlier that day. It had all culminated in this sleepwalking nightmare. Just a nightmare. Just a nightmare. Nothing more to it. Donald was glad that the sound of her flapping hands against the front window had woken him, before she'd been out there long enough to catch a chill. No, Lydia hadn't caught a chill, but she couldn't forget what she'd seen, reflecting back at her in the window. She couldn't forget what she'd looked like. She told Donald about it, about that part of her nightmare. He did his best to calm her and help her keep it in perspective. It was just a dream, after all.
Starting point is 00:24:50 Strange things happen in dreams. She'd smiled her agreement, but... But every night... Every night, for weeks, she'd wake with a start to the sound of something flapping. Flapping, soft but insistent against the window in the front room, and then against the back door, and then against the window right beside their bed. Flapping. Getting louder. Stronger every night, but never quite enough to wake Donald.
Starting point is 00:25:36 And the sound stopped if she woke him up. Every night, something flapping against her window. And she didn't dare look to see what it was. Because she already knew. Things finally, finally did start to get better at the beginning of that December, 1967. That was when the cold weather finally came that year. The first freeze, and the moths stopped circling the porch light at night. That dream about the closed eye still plagued Lydia, still kept her from getting a good night's sleep. But now, when she'd finally wrench
Starting point is 00:26:26 her eyes open and she'd hear that heavy steel bursting sound and she'd gasp herself awake, there wouldn't be any sound of flapping. The house when she woke would be quiet and dark and still. Funny thing about moths, though. When the cold weather comes, they don't just freeze up and die like other insects. No, they look for shelter. They crawl under the bark of a tree, or into the relative warmth of a rotting log. Or or every moth's favorite, of course, the warmest place around, is to find a way inside your nice, warm house. December 15th, 1967. That was a bad day.
Starting point is 00:27:24 Everything seemed to go wrong for Lydia First, Donald had been messing with the top of the convertible in the garage the night before Then, that morning he discovered that he'd somehow managed to get it jammed with the top down Lydia had gone out to try to help him heave it up, but no luck There wasn't any rain forecast that day, so Lydia had gone out to try to help him heave it up, but no luck. There wasn't any rain forecast that day, so eventually Donald bundled himself up in an extra coat and drove off to work with the top still down. After that, a small cascade of little things had gone wrong all day around the house until, finally, in the late afternoon, Lydia threw herself down on the couch. She'd barely slept the night before. The dream of that closed eye had been so strong, repeating every time she tried to drift off. Lydia hadn't intended to fall asleep there on the couch in the living room but it was so
Starting point is 00:28:30 warm in the house and she was so tired. When the magazine she was reading got too heavy she laid it on her chest and closed her eyes just for a moment, just to rest. Sometime later, Lydia tore her eyes open and sat up. Outside the window, the last of the evening light was creeping away into night. Dark came so early these days. She sat there, breathing for a few seconds, listening, hoping that she was still dreaming, but hearing it clearly now.
Starting point is 00:29:13 That flapping sound again. Except this time, it wasn't coming from the front door or the windows. This time, it was coming from inside the house. Lydia glanced at the clock that ticked on the wall. 4.45. Donald would be making his way home now, driving back across the silver bridge. But she was alone in the house, and the sound
Starting point is 00:29:49 was getting louder, stronger, more persistent, more angry. She stood up as quietly as she could, and she edged around the couch so that she could see down the hall. There was nothing there but the light was on in the coat closet. She could see that the light was on because the door was open a little crack. A little crack that as she, slowly widened. Slowly widened as if something unseen were pushing it open from the inside. You know how, in a dream, in a nightmare, all at once you'll think, Oh no, I hope that doesn't happen.
Starting point is 00:30:45 And then, as quick as thought, it does. Lydia was frozen in place, watching that closet door swing open, watching the mirror on the inside of the door as it swung, seeing it reflect the clothes in the closet, and in the wall, and in the living room furniture, and hoping, hoping that it wouldn't show her what she knew it would. But finally, the door swung slowly to a stop at just the right angle so that Lydia could see herself from head to toe and she could see what had become of herself and she could see that terrible creature again
Starting point is 00:31:36 all she could see was that enormous moth and that's the part of the dream Where you wake up Just after you see something like that That's the part where you wake up Screaming But Lydia didn't She turned away from that Terrible reflection and she ran And she made it out to the shadows
Starting point is 00:32:02 Of the front yard as the last of the evening light Faded away And before she knew what was happening She felt herself and she made it out to the shadows of the front yard as the last of the evening light faded away. And before she knew what was happening, she felt herself rising up, up, up into the air. She caught an incredible glimpse of her little house and the forest all around it in the gathering darkness, zooming away beneath her feet before she shut her eyes tight in terror and to this day, fifty some years later, she isn't sure what happened then. Her memory diverges into two separate strands that somehow seem to belong to one story. In the first strand, she was flying. She was feeling the wind rushing past her, wings beating the air above her head, flying
Starting point is 00:32:57 like she'd always known how, flying as fast as she could, because she knew where she had to go and she was almost too late. And in the second strand of Lydia's consciousness she had that dream one last time. The dream where her eyes were closed and she knew she had to keep them that way as long as she could and there was an unseen crowd of people below her and something terrible is going to happen and she had to warn them except this time when her point of
Starting point is 00:33:36 view shifted and she saw the eye from the outside it wasn't her eye at all it was it wasn't her eye at all. It was... Well... Where had she seen that before? Oh yes, it was one of those eyes that she'd imagined in the bearings of the suspension bridge as they drove into town. The big silver bridge, the one that Donald drove across to and from work every day.
Starting point is 00:34:14 In this version of the dream, she was staring close at one of the eye-like bearings between the links of the enormous chain from which the bridge was suspended. It did look just like a dark eye. Perfectly round. Lined in the bridge's silver paint and leaking the shadow of rusty tears. She could barely see it in front of her. That steel eye. Out here in the darkness of the night. In fact, she knew she couldn't really see it at all. Because her own eyes were shut so tight.
Starting point is 00:34:57 She was straining, straining to keep them closed, because she knew something terrible was going to happen if she let go, if she let her eyes fly open. She was straining, with a pressure and a fatigue that no one could see, straining like the eye in that link of chain, the chain that was all that held up that high silver bridge. And Lydia couldn't stand it anymore. She couldn't stand it anymore. She couldn't stand the tension. And as her eyes sprang open, she heard that sound. That huge, sudden... steel shattering.
Starting point is 00:35:40 And this time she knew where the sound came from. And what it must mean. And she watched in horrified helplessness, in slow motion, the eye of that great steel chain split open right in front of her, just like her own eyes had. It cracked right across the bearing like a great silver eyelid thrown open with a bang like a cannon shot. And the chain went slack, and it began to fall. And she looked down from where she found herself,
Starting point is 00:36:19 hovering in the air near the top of one of the Silver Bridge's towers. She saw the whole structure tremble and try and fail to hold. She heard the second chain scream tight until it, too, snapped under the added strain. And then the whole bridge sagged and sighed as the girders tore free and the car deck began to drop straight down into the freezing dark of the river below. Lydia saw something else as well as she looked down onto the deck of the falling bridge. As soon as she saw it, the two strands of her consciousness collided,
Starting point is 00:37:05 and she folded her moth-like wings and dove, dove down faster than the deck of the silver bridge could drop. Many lives were lost that night, December 15, 1967, when the huge chain parted and the Silver Bridge collapsed. Many lives were saved as well, but only two lives were spared from among the unfortunates whose cars were caught in the very middle of the span. Donald and Lydia's car was fished up days later from the middle of the river downstream where the current had carried it
Starting point is 00:37:48 the convertible's top still jammed down but in the immediate aftermath of the disaster both Donald and Lydia were safe and dry on the Point Pleasant shore helping to rescue others whose cars remained trapped above the water on the bridge's fallen wreckage. Donald had no idea how he'd escaped.
Starting point is 00:38:12 He had a vague memory of flying through the air, figured he must have been thrown clear somehow. And Lydia, well, if she had a different idea of what had happened, she kept it to herself. She never had that dream again. And the midnight fluttering stopped completely. Never since has Lydia seen any hint of the mysterious winged creature that people call the Mothman. She and Donald still live in Point Pleasant, in that same house that was brand new 55 years ago. The only strange thing she still experiences, the thing that helps her believe it all really happened,
Starting point is 00:39:00 is that whenever she comes out onto the porch on a warm night, when the moths are swarming wildly around the light, as soon as she steps close, they all fly away. As if they can sense something about Lydia. As if they respect and maybe fear something she once was. And I am afraid. Afraid that our time is just about up this season. I hope the fire and these stories have kept you warm.
Starting point is 00:39:46 Now it's time to put out this last campfire and return to our cabins. Oh, and watch out for the moths around the porch lights as you go in. They're harmless, of course, but some people find the feel of them unnerving when they flutter against your face. Camp Monsters is part of the REI Podcast Network. Beating her tiny, frantic wings
Starting point is 00:40:16 against a glass of this week's final episode is our senior producer, Chelsea Davis. But she flies off into the night whenever she senses the approach of our associate producer, Jenny Barber, who's investigating what those noisy, fluttering sounds could be. Oh, they come from our engineer, Nick Patry, who practices his flapping exercises diligently, just in case today is the day he transforms.
Starting point is 00:40:44 And our executive producers Paolo Motilla and Joe Crosby are getting some exercise too, setting up one of those bug zapping lights on the front porch. Is that a hint, guys? As for yours truly, Weston Davis, writer and host of the Camp Monsters podcast. Well, they used to call me Slothman. I assume it was because of my patience and dogged persistence. Right? As always, these stories are just stories. It's up to you to decide if you can believe that we've come to the end of our longest and most successful season yet.
Starting point is 00:41:29 Thanks to all of you for making it possible, making it worthwhile, and for joining us here around the campfire. Stay subscribed and we'll let you know when campfire season is starting up again. See you then. Thank you.

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