Cautionary Tales with Tim Harford - Kyoto: The Battle that Defined Climate Politics - with Joe Robertson
Episode Date: November 21, 2025Misinformation, double-dealing, character assassination - lobbyist Don Pearlman will stop at nothing to prevent the world from agreeing to cut carbon emissions. This arch disrupter, who works for foss...il fuel companies and oil-producing nations, is determined that the climate talks in Kyoto, COP3, will fail. Will Don's tactics succeed, and what will it mean for the future of the planet? Tim is joined by playwright Joe Robertson to discuss Kyoto, the political thriller he and co-writer Joe Murphy based on 1997's international climate negotiations. Kyoto is currently on stage at the Lincoln Center in New York https://www.lct.org/shows/kyoto/See omnystudio.com/listener for privacy information.
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Pushkin
They're exhausted.
Many haven't slept properly for days, but the fraught talks go round and round.
Thirty people have been hospitalised from overwork.
The interpreters are about to leave.
World leaders are making each other cry.
Others are threatening to walk out.
Welcome to the Kyoto International Conference Centre.
It's December 1997.
For 10 long days, representatives from
158 nations have been in the ancient Japanese city trying to strike the world's first
legally binding climate agreement. This is the third conference of the parties, or COP 3.
An alliance of small islands makes the case for swift action in the face of rising sea levels.
Oil-producing countries demand compensation for potential loss of income.
Developed nations express concern about the economic impact of moving away from fossil fuels,
while delegates from developing countries argue they shouldn't be held responsible for the mess made by the industrialised West.
There are breakout sessions, huddles in corridors, walkouts, squabbles about wording and punctuation, and ultimately, stasis.
Now it's 3pm on the final day of the day of the country.
conference. Delegates are dropping like flies. Raoul Estrada Oluela, the Argentinian diplomat,
chairing COP3, has disappeared, and no targets have been agreed. Don Perlman, lobbyist for the oil
companies, rubs his hands with glee. I'm Tim Harford, and you're listening to Portionary Tales.
Right now, delegates from around the world are meeting in Belaym, Brazil, for COP 30.
There they'll seek to reinforce global cooperation, and,
seek to speed up the implementation of existing UN climate agreements and commitments.
But audiences in New York are being invited to go back in time.
I think we can all agree on one thing.
The times you live in are truly awful.
There's food shortages, runaway inflation, culture wars, real wars,
race riots, fake news, insane insurrections, global pandemics,
and on top of all of that,
A planet in a literal meltdown.
And if you're a guy like me, looking at a time like now,
the main thing you think is...
Wow, man, the 1990s were freaking glorious.
That was Don Perlman, as played by Stephen Cunken,
in the play Kyoto, about the historic third cop.
After sellout runs in Stratford-upon-Avon and London,
the Royal Shakespeare Company's production is currently on stage at the Lincoln Center in New York.
Kyoto was written by Joe Robertson and Joe Murphy, and I am delighted to say that Joe Robertson is with me now.
Joe, welcome to Cautionary Tales.
Thank you so much, Tim. It's an absolute pleasure.
A huge fan of the podcast and of all your work, so thanks for having us.
Oh, it's a pleasure. It's terrific to have you on the show.
So the inner machinations of an international climate conference
They don't scream theatrical thriller
But that is what you've created
So how did you come across this story
And what convinced you of the dramatic potential?
We had an interest in polarisation
This was a good few years ago now
And looking around at a sort of coarsening public discourse
And an ever more divided society
Where conversation felt, you know, more strained
more difficult to have. And we wanted to write about that and find a way of talking about that
in a dramatic and exciting way and actually stumbled on the story of Kyoto by accident.
And we're immediately inspired by this parable of agreement. And it felt to us like that spoke
quite amazingly to this very divided world that we live in. You know, how do you get that many
people to agree on anything, let alone something is difficult and contentious as laws and climate
laws which, you know, have tentacles in every part of our society. Now, at that point, we
didn't know it would make an exciting play, but we started talking to people who were involved
to diplomats and delegates and ministers and scientists from many countries and from all across
the divide. And in every one of those conversations, were struck by the drama and the
emotion and the jeopardy of these negotiations that often go on until early in the morning,
the intrigue, the back corridor deals. But above all, a real dedication and devotion and pride
in what they do
and that then inspired us to go
if we can translate that
and put it on a stage
that might be a really
great thing to do as writers
the conference is 1997
end of 1997
but the play begins
a little earlier than that
so the end of the Reagan administration
conversations happening around
1990
just paint us a picture
of the climate conversation
in the early 1990s
during the 1980s
it had started to really
gather pace
There was a big summit in Villiers in the Austrian Alps with leading scientists coming together in the late 80s,
with great concerns about what the climate models and the meteorological models were showing about a warming world.
And there was a great deal of suspicion that man-made emissions were influencing those trends that they were seeing.
And out of that group then was formed in 1988, the Intergovernmental Panel on Climate Change,
which is a UN body that was tasked with bringing together all the available science at that time.
and producing a sort of report that they could then share with governments and ministers all around the world,
you know, with their summary of the best available evidence and their advice about, you know,
how much of a problem this really was to worry about.
Although there was strong evidence, there wasn't a smoking gun.
There was a lot of work going on to try and understand it, you know, with nascent computer models to try and figure out.
Yeah, climate's complicated.
You know, even today, there are trillions and trillions of inputs.
It's a vast, vast system.
So, you know, distilling that evidence into a clear thing that not only,
they can understand, but that everyone can understand, is sort of one of the major problems at the
heart of this discussion, I think. You've told a cautionary tale, really, and what we do on
cautioning tales is we try to find some vivid character at the heart of the story that will help
us bring it out of the realms of the abstract and to really introduce a figure that can help
our listeners understand the story, and they can follow the decisions of this person.
The person you chose, I think, is quite interesting. You chose a man.
called Don Perlman, who's a real person, but he wasn't an environmentalist. He wasn't a politician.
He was a lobbyist for the oil industry. So why choose him as the person through whose eyes
you're viewing much of the story? You know, as we were researching and we spoke to scores of
people, read every book and sort of report that we could find, learnt the language and the lingo of climate
and of the UN. It's a lot of acronyms. And we kept discovering this name, Don Perlman, often in footnotes,
often as sort of vague references.
There's not much about him online or in the literature.
And the more we spoke to people, the more we understood that he wasn't an American
old lobbyist.
He'd worked in the Reagan administration and the Department of Energy under Don Hodel
as a sort of chief of staff.
And after George H.L. Bush's election went into the private sector and started
representing a wide array, although basically unknown group of oil companies and oil
producing states.
And he was an absolutely brilliant.
strategist, a brilliant lawyer, a brilliant mind. And because we wanted to write a story about
agreement and a story about climate, which is often, it can be earnest and it can be serious and it
can be, you know, lofty, the idea of writing a story of agreement told through the lens of
this agent of disagreement at the heart of it felt like quite an exciting dramatic device
that could undermine some of that earnestness, but also show what he and other lobbyists like him
back then, but also to this day, how they operate within the multilateral systems which decide
everything from climate to trade to, you know, you name it, how they operate within those systems
to obfuscate and stall and direct the outcome of those negotiations. And there are not
many people as effective as Don Palmer at doing that. He really was a thorn in the side of those
trying to find a way to move the world forward at that time. You can't look away from him on stages. It's a
It's a fantastic performance.
I come at this from a slightly different angle,
which is for my book, The Data Detective,
I became very interested in misinformation and disinformation,
and the fact that some of these tactics were first used by the tobacco industry,
who, I mean, it's not quite the same problem,
but it's a similar problem,
which is like, there's an emerging scientific consensus
that your products are killing your customers.
Although, you know, emerging, what is the,
the science, what is a consensus, all of this sort of stuff. And I was quite struck by the fact that
John Perlman in the play, his wife in her closing monologue, says that he thrives on uncertainty.
I mean, you know, you spoke about punctuation earlier. It's all about the question mark.
You know, he and his associates didn't need to present a sort of a coherent idea of the science
that conflicted with the ones that the UN scientists and scientists around the world were trying
to formulate. It just needed to be a question mark. And that was enough to
to sow doubt in a subject as dense and as opaque as climate,
where it's hard enough to, you know,
for climate scientists to understand what's going on,
it's very easy to sow that doubt and sow that discord.
You know, uncertainty is very fertile soil
for someone as smart and as brilliant as Don Perlman to operate in.
Yeah.
The people who are hearing the message,
smoking will give you cancer,
smoking will give you heart disease,
all these fossil fuels, they're warming the planet,
that will lead to extreme weather.
You listen to that and you think to yourself, do I have to believe that?
Or is there some room for doubt?
And who wants to believe it?
Who wants to believe the cigarettes are killing them?
Who wants to believe that they can't fly on holiday or drive their car anymore?
You don't want to believe that.
So very often people are just desperate to find a reason to delay, not even necessarily
to do nothing, but to do nothing yet.
Absolutely.
And that applies in our personal lives in terms of our behavior,
but also on a global multilateral level.
I was talking to Tim Latimer, who's a US climate negotiator.
He came to see the show the other day and now teaches negotiation.
And he was saying, imagine getting 170 people in a room and asking them to agree on where to go for dinner.
With all their dietary requirements and their intolerances, analogies and preferences and cuisines,
how impossible it would be to choose a restaurant.
Now times that by a million when each person is representing millions, potentially hundreds of millions of people
and these vast, complicated, interconnected economies and societies,
which are hard to change at the best of times,
then what you're facing is this impossible task of bringing about agreement.
And so you throw someone like Don Perlman or these other lobbyists into those scenarios,
it becomes very easy in a way for those negotiations to be derailed
because of the impossibility of the outcome that is desired.
Well, Don Perlman and lobbyists like him didn't get things all the.
their own way. After the break, we will talk about some of the tactics that they use, but we
will also be talking about how the small island nations found their voice to fight back.
Stay with us.
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B-U-Z-Z-I dot space. We're back and I'm talking to Joe Robertson, the co-writer of the hit
play Kyoto. Joe, one of the challenges, both for people seeking
consensus on climate but also for you and the other Joe while you were writing the play
is that there's so many people involved. The cast of characters is enormous. We had 158 nations
represented at Kyoto. So how did you decide who you were going to focus on and who was going
to fade into the background? My co-writer Joe and I went through a whole process of, okay,
how do you tell this story in the most effective way possible? It was really important to represent
this growing, ever-strengthening body of developing countries,
which is represented by the bloc, the G-77 in the UN,
and they become an ever, ever more important voice in these negotiations.
So we compressed, you know, about 120 countries down into three or four.
Tanzania, who led the G-77, China, which obviously remains
one of the most important countries involved in these negotiations.
And then, as you say, the small island states,
played a crucial role in this whole history and still due to this day, because the problem with climate is it's, you know, less so now, but it was then a sort of a future thing. You know, this is something down the line we have to be worried about. And for the island states, that wasn't true. It was an immediate threat to their states, to the health, to the continuing life of their islands. And in 1992, they come together and form a block, a new block, the Alliance of Small Island States, which is like a firework set off in the middle of the UN coming together.
and forming this huge alliance
is they become much more difficult to ignore
and they become the moral compass of the negotiations.
Yeah.
I mean, it's an amazing moment in the play.
It's really dramatic.
The conditional tense is no longer sufficient for us.
Sea level rise will threaten survival.
Western Samoa rises first.
They support Kiribati.
It will drown our crops.
Then the Republic of Nauru seconds this and want it in the minute.
It will salinate our fresh water.
Water supplies.
Followed by Trinidad and Tobago, the Bahamas, Barbados, Bangladesh.
It will bleach our coral reefs and kill our mangrove forests.
Tanzania.
Stans with the island states, the developing world will no longer be brushed aside.
It will erode our coastlines.
It will destroy our homes.
Mauritius, St. Lucia.
It will displace us from our land.
The Cook Islands, the Maldives.
It is.
Displaces.
The Federated States of Micronesia.
And we will not drown in silence.
A tidal wave of resentments.
Old and new flood the conference hall.
Another dramatic moment is the confrontation between your anti-hero, Don, and a scientist, Dr. Ben Santa.
He's a real character who's represented in the play.
What does Santa tell the conference and how does Don deal with you?
him. With climate, what you would expect is as emissions rise, so should the temperature. That's the
theory, right? That's the hypothesis. And that's what's been happening basically since the start
of the Industrial Revolution. But because correlation is not causation, you have to find something
really unique that is causing that. Until then, it could be, you could write it down to solar
flares or other things. And what they discover in 1995, Ben Santa and his colleagues discover,
while the lower atmosphere is warming, the upper atmosphere is cooling. They really figure out that
man-made emissions sort of sit between the lower and the upper atmosphere.
trapping heat, causing the lower atmosphere to warm and the upper atmosphere to cool.
And that is what they call a fingerprint.
And it becomes the moment when the scientists feel it is clear enough to say,
we can now confidently say that man-made emissions are influencing the global climate.
And this finds expression in chapter 8 of the second IPCC assessment in 1995.
Ben is asked to write chapter 8 to bring together the evidence what is causing these changes in the climate.
And so he sums it up in 12 words, which go down in the history of all of these negotiations and of climate law.
The balance of evidence suggests a discernible human influence on global climate.
And it's all hinges on that one word, discernible.
And there's this very famous moment.
It's actually in Madrid.
They're arguing over the adjective.
And Don is there.
He's right in the room.
And as are lots of other stakeholders.
And they debate what this word could be.
And I think they go through 28 possible adjectives.
with appreciable, then through observable,
moderate, plausible, detectable,
visible, identifiable, noticeable,
until they land on this word, discernible.
The balance of evidence suggests
a discernible human influence on global climate.
And that's the moment.
That's the moment when they can say it's true.
And what Don and his associates do
is essentially commit a character assassination on Ben Santa.
This is before Climategate,
before the big cases of misinformation we've seen.
They accuse Ben of changing details within the chapter
that were agreed in the room for publication.
Now, what he was doing actually was just sort of fulfilling IPCC formatting regulations
so that all the chapters of the book aligned.
But they used those little referencing changes, punctuation changes, word changes,
to argue that actually he was committing fraud against the population of the world.
It kind of destroys Ben's life.
The stories are horrible.
The Nazi Party of Germany publishes an address on the Internet.
It's one of the first doxings we can actually find in the history of the Internet.
They tried to get him tried at the Hague for crimes against humanity
alongside congressional investigations and threats to his job
and his son sleeps with a wooden sword next to his bed
because he's so scared of people putting dead rats on his doorstep.
And in that moment, that's when I think the battle between the sort of the climate denies
and those who believe in all this gets really toxic.
And it's the beginning of a new chapter in these culture wars.
I was curious about the power that Don had in reality.
So in the play, he's really pulling a lot of the strings.
There's this one really memorable scene where there's a Japanese proposal.
He basically goes to the Chinese delegate and says,
you realize this is really an American proposal.
These guys are playing with you.
And then he goes to the Americans and go,
you realize this is really a Chinese proposal.
He torpedoes everything because everybody believes him.
I was curious to what extent, you know, exaggerated,
that for dramatic effect, and to what extent you really think, actually, you know, was this
one guy? And if it hadn't been for this one guy, everything would have been smooth.
Yeah, there is an element of dramatization. Everything is as much as possible based on the research.
We got a lot of information from brilliant book, Merchants of Doubt. The sequence you describe is early
in the play when we're sort of showing the toolbox of tactics that people like Don, and it
wasn't just Don, but Don was very much at the forefront and, you know, probably the most effective
of all of these kinds of lobbyists.
So that's called double diplomacy.
The sort of playing countries off against each other.
They challenge the science.
They emphasise the costs of action.
And for Don, most importantly, being present in every single second.
Almost no one else in that entire period of time
was at every second of the talks more than him.
And that includes some of the heads of delegations.
And that level, that sort of total immersion
in every detail, every word, every meeting.
He was so ahead of everybody else.
But he knew the rules of procedure, you know, back to front.
He could quote it.
He knew how to play the system.
He had these alliances with states as well as with individual delegates.
I mean, you know, a good example is in Berlin.
He realizes that in the rules of procedure, there's a problem.
How do you adopt a protocol is a big question.
And in the convention that was agreed in 1992,
it only said that each country has one vote.
And so through his proxies in the Saudi Arabian delegation,
they bring it up and they say, well, you know,
what majority is required?
is it two-thirds, is a, you know, three-quarter majority or whatever.
And when it's clear that there is no clarity, they bracket the rule.
It's Rule 22, I believe.
They bracket the rule.
And a bracket means it's no longer sort of enshrined.
It's up for debate.
And without voting rule, it meant that every decision, every sort of adoption of a protocol,
could essentially be vetoed by an individual country.
One country could stand up at the end, object.
And, you know, to go back to our analogy, that would mean that 169 people didn't get dinner.
if one person objected to the restaurant, that rule still applies to this day, even at COP 30 this year.
In Baleem and Brazil, they will be operating under a consensus model of agreement that began, you know,
as a result of Don and the OPEC states back in 1995.
So we've been talking about the anti-hero.
Let us talk about a surprising hero.
A man who I think will be known to British listeners, certainly British listeners of my age,
John Prescott, who was the Deputy Prime Minister of the UK.
elected with Tony Blair in 1997.
So he'd only been Deputy Prime Minister for about six months
when the Kyoto talks happened.
Tell us about Prescott and the role he played.
He has this sort of reputation, you know,
as the one who connects with voters with his fist, as it were.
Somebody threw a egg at him and he just punched the guy.
On the election trail, yeah.
He's a bit, you know, a little bit of a joke sometimes.
But in researching the play, what we realised,
he was absolutely integral to the success of Kyoto.
His history of negotiation went all the way back to his youth
when he was working in the Merchant Navy in the Union
and his job would be to mediate between sailors and the companies
and between sort of roaring factions within the Union
and put down riots of thousands of sailors
who were drunk and refusing to go back aboard.
And so he comes with this amazing ability to sort of cajole
and with a huge amount of resilience,
but also intellect, understanding how to listen,
how to find out people's bottom lines, how to keep them talking, how to find routes through
when things seemingly are intractable.
And, you know, he did the same in the Labour Party in the 1990s, from sort of an old
labour to a new labour.
He was this sort of mediator in the centre of that.
And he was central in Kyoto.
So he arrives, I think if the Netherlands is supposed to be representing the EU in the
negotiations, and the EU negotiates as a bloc of 15 countries at that time.
And the Netherlands just doesn't turn up.
So he is unexpectedly becomes the lead negotiator for the European Union.
And his big slogan, his big sort of creed occur, was we've just got to keep walking and talking.
And that's what he does.
He manages to get Japan up to 6%.
He manages to get America on board.
He's in all the back rooms and corridors.
He famously makes the Japanese delegate cry because of the power of his persuasion.
And when we spoke to Raoul Estrada, he said John was a warrior.
But despite his best efforts, there was still.
huge disagreements. And I think this is not just about disinformation or troublemaking. It's a fundamental
clash of interests between China and America. China, this huge developing nation, now by far the
world's largest emitter of carbon dioxide, but at the time they were not. But everyone could see
it was on the way. And they felt that it was unfair that they should have to curtail their ambitions
when the world had basically been polluted by the Americans and the Europeans, not by them.
meanwhile the Americans are looking over their shoulder at the Chinese and saying well why do we have to curtail our emissions if these guys China and India don't do anything and it led to I think genuine deadlock for a long time
it seems to me this is the central tension at the heart of the climate movement since the very beginning and to this day you know it's about whose responsibility is this problem to solve and you know China and India and lots of developing nations who you know at that moment were developing
at pace. Doing what the West had done
a hundred years before, their central
argument was, we didn't cause this problem.
You did. You have
enjoyed the status of economic superpower
built on the limitless use of fossil fuels.
Why should we be denied the same?
You have caused this problem. It must be
yours to solve. And at the same time, we
should be allowed to develop as
fast and as quickly as you did.
Using the same resources that you did
and how you square that circle is the
fundamental problem of solving climate change.
Yeah. So,
on the final day of the conference.
The Chinese are threatening to walk out.
The Americans are threatening to walk out.
The Europeans are dancing around numbers.
The island nations are reminding everybody
that their very survival depends on radical emission cuts.
And the Saudi Arabians are demanding compensation
for potential loss of earnings.
It's utter chaos.
And to cap it all, the chairman of COP3 has disappeared.
So where is Estrada?
Can an agreement be reached?
and do we need global unanimity to cut emissions?
Find out after the break.
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We're back, and I am talking to Joe Robertson, who is one of the writers of the play Kyoto.
So it is the final day of the Kyoto conference.
It is hurtling towards disaster.
And, Joe, you've had the privilege of interviewing many of the people who were there.
on that day, what did they tell you about the atmosphere?
It's a mixture of sort of PTSD and sort of utter excitement.
So Estrada, the chairman, he disappears and he actually goes for a nap.
Wise man.
Yeah, wise man, absolutely.
And it has an app, goes back to his hotel, has dinner with his wife, Letitia,
and then comes back to a conference centre, which is a bit like Dawn of the Dead.
You know, you've got delegates literally sprawled out asleep.
Coffee is run out.
food has run out. There's rumours that
toilet roll is running out as well.
The conference staff are clearing away
furniture because they've got an event
the next morning. Some people say there was a wedding next morning
with a bride and groom waiting.
So when you enter this final negotiation
with Estrada, who's refreshed, he just absolutely
powers through. They don't start the final
session until about 11, 15 at night.
The interpreters leave after
like midnight, so suddenly people have got
to sort of translate between themselves.
You then, the president of the conference,
the Japanese president, who's sort of the host
Hiroshi Oki suddenly resigns in the middle of the final session.
He just takes off his badge and says, I've got to go back to Tokyo because my prime minister is facing a confidence vote.
So he heads off to the bullet train.
They spend about four or five hours arguing over emissions trading, which is just one paragraph in one article of 28.
And then when that is finally a compromise is agreed at about 4 a.m. or something,
they then start Article 1 through 28 and spend another sort of six hours going line by line through every sentence of
of the protocol. The scenes are sort of farcical, but kind of amazing.
We could separate the paragraph, dash, from the article on commitments, comma, to create an
interim arrangement, question mark.
Not without bracing the ellipsis with an apostrophe comma, so we can properly pre-emphasize
the quotation mark, exclamation mark.
Good point, well made.
Mr. Chairman, comma, we object to italicizing the close brackets to colon the question mark.
They are arguing over commas, but they're not only arguing over commas, because he
whether developing countries participate or not.
That's not a side issue.
Absolutely.
And just prior to the actual conference itself,
the US Senate had voted unanimously not to ratify
any protocol agreed in Kyoto
that didn't include developing countries.
So you have from the get-go,
the sort of Damocles hanging over the conference
because without that, America won't ratify.
And if America doesn't ratify,
what's the point in having a protocol?
Yeah.
And the commas.
You know, commas are really important in this process.
As a writer, commas are about punctuation.
is about creating clarity in climate negotiations.
They're actually about creating ambiguity.
Accoma allows for a slight ambiguity in a sentence
that allows two different delegations to go home and claim victory.
And there's this dramatic moment where Raoul Ostrada is just gaveling his way through.
He's hammering one clause after another.
The article remains as is. Agreed.
You can't just gavel through.
I just did.
Article two.
But talk about high-wire chairmanship.
I see no objection, so, agreed.
We're already agreed on Article 3.
Thank God.
So on to Article 4.
The USA has the floor.
We object to the missing preposition in the fourth line.
Silence, please.
The US will blow up the talks for a missing preposition.
I'm gaveling.
Agreed.
By the end, he's governing through, and you can hear the delegates going,
agreed, agreed.
And it sort of rises into this crescendo of,
of people through both exhaustion, but also realizing, oh, my God, it's going to happen.
They're willing it, and they're willing this moment of agreement into existence.
And I think at about 10, 15, something like that, Raul is able to bring down his gavel using the sort of the famous lines.
I recommend the Kyoto Protocol for adoption by unanimity.
And that's the moment that Kyoto Protocol is agreed.
It's almost like a magic trick when you see it on stage.
and they do agree, in the end, of course, the US Senate doesn't ratify the protocol.
On the one hand, you have presented us with this kind of amazing moment,
and you've shown all attention, and you've shown what it took to reach agreement.
But given what then followed, how enthusiastic should we be about that moment of agreement?
There are big debates about this, and especially now, I think, as quite,
global multilateralism is in doubt, and some people say it's dead in a world of strong men
and in a world of sort of ever-declining international cooperation.
But, you know, Kyoto is undoubtedly like an amazing moment of the proof of what can happen
when countries do come together.
Now, America didn't ratify, but the fact that they didn't walk out allowed this moment
to exist on the international stage for it to become this line in the sand.
And most of the developed world ratify, with the exception of a couple, by and large, all of them really met their targets.
And many exceeded their targets.
No one can say things are going well in climate.
I think without Kyoto, we'd be in a much worse position.
And on the continuum of multilateral negotiations that leads to Copenhagen and then through to Paris,
which is when the developing world finally really does come on board in this substantial way in 2015,
We would not be where we are today without that moment.
On the other hand, just from the point of view of climate change,
I look at the UK's emissions, for example.
So our emissions, carbon dioxide emissions per capita,
are lower than they were in 1860
because we stopped burning coal and we switched to natural gas,
which is cleaner, and then we've reduced a lot of natural gas
and now there's a lot of wind and there's a lot of solar
and also a lot of stuff is more efficient.
And there's a similar story to be told about many developed countries.
So although global emissions are still near a peak, there's a lot of progress been made
and a lot of that progress seems to be technology driven.
And I'm just wondering how much of this actually can we credit Kyoto for and how much of it
is just, you know, well, actually it was German solar subsidies, it was Chinese industrial
policy, it was the UK's dash for gas and actually none of it really was about this global
agreement.
I wouldn't be so bold as to say, without Kyoto, that, the,
those things wouldn't have happened.
But back in the 80s, no one would have been able to tell you what climate change was.
But what this process did and what the human beings at the heart of this process did
was to bring this into the public consciousness and into the political policymaking consciousness
in a way which became completely impossible to ignore.
And there is a before and an after Kyoto.
And we live in an after Kyoto world where the threads run through all elements of policymaking
all around the world.
And some amazing, some of the most amazing human beings I've ever met,
but flawed, working in systems, which are human systems, which are flawed, trying to influence
human behavior, which is flawed. But they are the best we have. They are the best structures that we
have, you know, the United Nations and the idealism of the multilateral process is, I think,
you know, this is where my artist, as an artist comes out, I think beautiful, because I think
the ambition of those structures is so noble. And yes, you can criticize them and they can be
criticises talking shops and all the rest. But when we meet the people involved who have
devoted and dedicated their whole lives to just nudging the dial a little as much as they
possibly can, that really inspires me and leaves me with a huge amount of admiration.
Your play, Kyoto, begins with Don Perlman. It ends with his widow looking back on what he did
and reflecting on his life. Do you think he ever regretted what he did? I think Don very, very firmly
believed that what he was doing was right. You know, he's an old school Republican. He heard everything
to America. He's the son of immigrants who gave him and his family everything. And I think he saw
in the, in the negotiations, an attempt to change a world order that was to the detriment of the
United States of America, you know. And I think he thought that the negotiations were less
about the science and more about America's place in the world. And I think he he fought and
ultimately died on that hill, you know, and do I think he would have changed as the science?
got clearer and clearer.
It was pretty clear in 2005 when he died, but, you know, maybe.
I mean, the interesting thing is it's not just about the science.
Even if you look at climate change and you go,
burning fossil fuels definitely warms the atmosphere,
it's definitely going to cause trouble,
it will cause extreme weather.
Even if you accept that,
it doesn't necessarily mean you have to act.
You could still argue it's not worth the cost of abandoning fossil fuels.
Or you could say it's worth abandoning the cost of fossil fuels.
fossil fuels, but it's not our business. So I think even if you accept the science, there's
still room for disagreement.
Well, absolutely. I mean, we use a line that came from Dr. Shukong, Zhang, who is the head of
the Chinese delegation for much of the 90s and in Kyoto. And he says, China will not remain
poor so that the world can breathe. You have in there the very problem. And Donne himself
says, you know, someone says, you know, is the science clear? And he says, well, what science?
Political science, social science, economic science. It's not the right question.
Fossil fuels and our use of the natural resources of this planet
are a part of every single aspect of our life,
from transport to industry to manufacturing to our economies
on every conceivable scale.
It's so deep in every aspect of our behaviour on a personal level
and on a global level.
So it's a complicated thing to solve.
It is indeed.
So cautionary tales, we're all about true stories that teach us lessons.
And on the day that this conversation,
is released, should also be the last day of the COP 30 conference in Brazil.
I was curious what you hope that delegates in Belame might learn from the Kyoto process
and from all the previous COPS.
Definitely have naps.
In the Prescott way, just keep walking and talking.
And I think that applies not just to the COP, but to all of us in this really difficult moment
that the world is facing, when it feels like multilateralism is at risk, when it feels like
conversation between ourselves is at risk. What Kyoto shows me every time I speak to the people
involved and watch the show is actually all we have is discussion, is conversation, is the
ability to talk and to work through our problems and our issues, however intractable,
however deeply felt, however entrenched, just keep walking and talking.
Joe Robertson, thank you so much for joining us on Cautionary Tales.
Thank you so much, Tim. It's a pleasure.
As many of you know, I am a huge fan of tabletop games,
and Christmas is the perfect time to be playing them.
With that in mind, we have invited the inventor of games such as Magic the Gathering
and King of Tokyo, Richard Garfield.
to join me for a special episode of cautionary questions.
Richard knows everything worth knowing about game design
and he also has some questions for me.
But if you want to ask him a question,
be sure to get it in to Tales at Pushkin.fm by the end of the month.
Cautionary Tales is written by me, Tim Harford,
with Andrew Wright, Alice Fines and Ryan Dilley.
It's produced by Georgia Mills and Marilyn Rust.
The sound design and original music are the work of Pascal Wise.
Additional sound design by Carlos San Juan at Brain Audio and Dan Jackson.
Ben Adaf Haffrey edited the scripts.
The show also wouldn't have been possible without the work of Jacob Weisberg,
Greta Cohn, Eric Sandler, Carrie Brodie,
Christina Sullivan, Kira Posey and Owen Miller.
Cautionary Tales is a production of Pushkin Industries.
If you like the show, please remember to share, rate and review.
It really does make a difference to us.
And if you want to hear it, add-free and receive a bonus audio episode, video episode,
and members-only newsletter every month, why not join the Cautionary Club?
To sign up, head to patreon.com slash cautionary club.
That's Patreon, P-A-T-R-E-O-N.com slash cautionary club.
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