Chief Change Officer - #347 May Yeung: Sculpting Impact from Dim Sum to Disability Inclusion

Episode Date: May 5, 2025

For the first time, the Chief Change Officer podcast returns to its birthplace—Hong Kong—to spotlight local artist and community builder May Yeung.From doodling on walls at age two to sculpting giant dim sum steamers for public exhibitions, May’s journey is anything but typical. She swapped Goldman Sachs for gallery spaces, battled cancer with faith (and clay), and now leads Art of My Family, a charity that brings art, healing, and heritage to underprivileged youth across Hong Kong. Whether it’s mental wellness programs, intergenerational education, or marine-themed installations made from recycled shells, May turns every life experience into a canvas for good. Bonus: her baby son Archer makes a surprise guest appearance—arguably stealing the show.Key Highlights of Our Interview:Draw First, Write Later: A Childhood in Color“I drew on walls before I could write my name… by twelve, I knew I’d be an artist.”When Music Shapes the ClayFrom piano lessons with Hong Kong’s top musicians to dance-sculpture mashups, May’s art listens before it speaks.The Goldman Pivot: Finding Purpose Through CSR“I helped organize community art after Hurricane Sandy. That’s when the impact bug bit.”From Cancer to Conviction: The ALT of Art“Faith, feeling alive, touching lives—cancer gave me a new mission, not just new scars.”Archer Joins the Show: A Toddler-Sized Shift in Artistic Purpose“Motherhood made me realize: my art must nourish the next generation—his and others’.”Dim Sum, Ping Pong, and Bamboo DreamsFrom Chinese checkers to handmade steamers, May’s art honors Hong Kong’s everyday beauty.‘What If’ and ‘Blossom Love’: Sculpting Global Conversations“What If” made her the first Asian sculptor to exhibit at Rockefeller Chapel; “Blossom Love” built a cultural bridge between Hong Kong and the Netherlands.Why ‘Art of My Family’ Isn’t Just a NameMay’s nonprofit uses art to serve mental health, sustainability, and inclusion—with the three C’s: co-design, co-create, co-learn.Mission: Teaching Artists Who Teach From Life“I’m not just instructing—I’m modeling the mess, joy, and resilience of the creative path.”______________________Connect with us:Host: Vince Chan | Guest: May Yeung  --Chief Change Officer--Change Ambitiously. Outgrow Yourself.Open a World of Expansive Human Intelligencefor Transformation Gurus, Black Sheep,Unsung Visionaries & Bold Hearts.EdTech Leadership Awards 2025 Finalist.15 Million+ All-Time Downloads.80+ Countries Reached Daily.Global Top 3% Podcast.Top 10 US Business.Top 1 US Careers.>>>150,000+ are outgrowing. Act Today.<<<

Hi, everyone. Welcome to our show, Chief Change Officer. I'm Vince Chen, your ambitious human host. Our show is a modernist community for change progressives in organizational and human transformation from around the world. I started this show in Hong Kong and I run the show in Hong Kong.

I'm originally from Hong Kong and I run the show in Hong Kong. I'm originally from Hong Kong, talking to guests from every corner of the world possible. Yet so far, I haven't interviewed any guests from right here in Hong Kong. Today, that changes. I'm excited to bring a local guest to the studio, Mei Yeung, founder of the charity Art of My Family, a teaching artist, a cancer survivor, a mother to a really cute boy, and the wife of another Vince, who happens to be a good friend of mine. May has experienced many life changes over the years. the power of art in her own way to change lives and create an environmentally sustainable, mentally healthy, and socially inclusive society here in Hong Kong. Hong Kong is not just about business, finance and money. Mei has chosen a different path to do well and to do good.

And as a side note, we've got our youngest guest ever, Mei's 11-month-old son joining us on the show. So don't go away. Hi everyone. My name is May. I'm a teaching artist and while I'm a stocker, I'm also the founder of Art of My Family, a charity dedicated to organized community art events with sustainability elements.

May is a teaching artist. What is teaching artist, you may wonder? And how does she develop her artistic journey? Before we do a deep dive, let us start with Mei's history. Mei, give us an overview of your history, your education, your life experiences, just to give us some perspective. Then we will explore different elements of your journey in the later part of a show. Sure. Growing up, I've always really enjoyed art

more than anything else. And much some kids prefer playing sports. Art really came naturally to me. So from the time I was around two years old, I would draw on walls before I could even write my name. And art was one of the ways my parents and I bonded. So when I was three, my mother taught me how to sew an origami. And by five years old, my father and I

were creating ceramics together. At age 12, my positive experiences with art from my childhood really gave me the conviction to become an artist, during which I had a fascination with dataism and pop art. And I eventually went to the University of Chicago to study arts. This is where I met up with Professor Jeff Oppenheimer, who gave a lecture on integrating art into daily life and daily life into art.

And the contents of this lecture really helped form the framework and direction of my art to this day. And also were one of the major factors in my decision to become a sculptor specializing in pop art and large installation for puppet spaces. You went to the University of Chicago to study visual art, along with another interest of yours, political science. I happen to know a lot of people from Hong Kong and China, including myself, who attend

the University of Chicago to study economics, business, mathematics, or physics. Yet, even at your young age, you purposely chose art as your major. Tell us more about the why. Why at that age you decided to pursue art as your major? Why you wanted to get serious about this field of study, rather than just keeping it as a hobby or as an interest. For me, art is a way of self-expression as well as a way of communication with others. And I think the power of art, it's that even for words that cannot be expressed, it can be experienced through art.

And I think, as I mentioned earlier, Professor Jeff Overtimer, actually as well as Professor Laura Latinsky, both of them play a very important role in my artistic career. They really encouraged me to jump outside of the box and incorporate some of the daily life materials into my artwork.

And that's also my philosophy as an artist too. You've mentioned to me before that music has had a significant influence on your journey as an artist. Can you share more about how music plays a role in your art world? Yeah, sure. Besides art, I also received a musical education from a very young age, receiving to the age from Hong Kong, Hongdae to Mr. Jimmy Chan and the late Mr. Dai Sichong, who actually taught a lot of famous singers in Hong Kong, including Andy Lau and all those other singers. And I was also taught piano by Chinese pianist Mao Tse Kwan, and very luckily

became the distinguished winner of the Swator Hong Kong Youth Piano Competition. So I actually used a lot of my traumatic experiences to create art sculptures and direct stands and musical performances that amplified some hints of each other. And when I first returned to Hong Kong in 2015, I served as the visual arts director and showcased my sculpture, Kupkun, using textiles at the residence of the

Netherlands Council General to Hong Kong Macau, the Forge for Mental Performance. And even later until in 2018 for the French May Art Festival, I directed the Feptenaynick, Mectita and Travertier Dance and Music performance, where I fused Chinese and French musical instruments and facilitate a collaboration between the artists. And so I'm very excited about the upcoming show, which is the Discovery Arts Red Red Fruit. I will present my artwork called Musical Compass.

It is actually an artwork, a series of sculpted basses in the form of a musical rest in a garden of sprouting daisies. And I will actually hand painted them and the artwork is really aimed to calm the mind and encouraging the viewers to actually rejoin themselves from the bustling city lives to relax, to recharge, to recharge and to reflect. And the reason why I actually chose our musical rest is because I believe that the absence of sound in a musical score actually provides dynamics,

mutes tension and actually maintain the rhythm, even change a tempo of the theme. And I really hope that as music is everywhere and I really want that through art and music, which are both universal language to actually have to cross beyond borders and cultures. In your career so far, you've explored various areas of art, like music, sculpture and painting. But you've also spent a good amount of time in the corporate world, including investment banking and working for a tech company in the CSR or ESG space. What were your thoughts back then about gaining this so-called standard commercial and business experience while still pursuing your artistic ambitions?

My transition from finance to startup and into art was a kind of gradual realization of my calling in life and what I really wanted to do through my career. And earlier you mentioned I worked in finance. I was an analyst at Goldman in the US. And back then I had opportunity to work on the CSR initiative and experience really impact me. And specifically like the committee team works which provided relief efforts

for victims of hurricane Sandy. And so I actually at that time, I helped organizing up community art events and become a really fun family for me and inspired me to shift the career towards focusing and making a positive social impact. Coming back to Hong Kong I then joined the founding team of Deliveroo Hong Kong office as the office social responsibility lead and that's where I launched a food recovery program and providing meals, free meals for the community and so seeing the potential for

collaborations to support their communities really solidified my desire to use my abilities to benefit those in need and all these experiences and also with personal help to Orange that's actually led me back to my original passion for art as a pop art sculptor and also the founder of the charity Art of My Family. I now really dedicate my career to bring creative opportunities to underprivileged youth in Hong Kong, sticking to values of ART art, which is affirmation, resilience, and mindfulness. So today I look back at my career transitions and I realized that the nature of my grandest roles,

be it finance, be it startup, it was really my calling to do social work and the spirit of perseverance that gradually developed through these experiences really what shaped me who I am today. And the spirit of perseverance that gradually developed through these experiences really what shaped me who I am today. Speaking of perseverance, I can't help but ask about a significant aspect of your personal life.

You shared in other media interviews that you were diagnosed with cancer at a young age and battled the illness for a considerable time. Could you share how this experience transformed or impacted you? Did it make you a more empathetic or artistic person? Or perhaps it had a different fact? How does this health and personal experience shape your journey? I think our listeners would really appreciate hearing about the life lessons you've learned from this challenging time.

Sure. So before my cancer, I was wrapped in my own cocoon. And growing up, I was a rent-a-lease, rentlessly perfectionist. So I set very high standards for myself. I was very critical of myself, of everything from work to daily life. And back then I micromanaged all the operations of my design company, Art in Love, and also my charity, Art of My Family. I think my cancer, my fight with cancer really gave me a new perspective on life. I transformed into someone who really placed emphasis on faith. And when I say faith, I would say X really stands for having faith in myself. Instead of challenging what I do all the time, I actually embrace it and have confidence

in myself. And A, it's feeling alive and celebrating small things in life. It's not easy to be a sculptor. A lot of times things are being affected by the temperature, things affected by the humidity. But celebrate the small things in life and you'll become a happier artist. I is creating an impact on society by making a difference one step at a time. That's also my mission no matter as a sculpture or as a committee artist. And T is really touching lives and hearts by helping people around me.

And so really happy to have set up part of my family to achieve that. And H taking better care of my mental and physical health as well as actually helping the mental wellness of people around me as well. So I think the camp experience really give me, let me feel a greater sense of conviction to serve the underprivileged, whether through events such as French May, or the Moldav Panda workshops, to Mother Nature Next Generation exhibition. A near-death experience gives you a new perspective on life.

While that experience is full of suffering, and we don't try to glorify it. It can also lead to personal growth. You came out of it as a better person, someone who embraces life more fully and finds greater happiness. Speaking of life, I know that in recent years, you've started a new chapter. You got married to another Vince, who's also a friend of mine, from the University of Chicago. other Vince, who's also a friend of mine from the University of Chicago, and you have a son, a new life that you are nurturing. How is modelhood treating you so far? How has this experience, along with other major life events, impacted the live events impacted your perspective as an artist and in helping your communities? Just give me one moment, Archer is coming over soon. I would like to carry him as I'm answering this question, so please help me. Oh, he's sleepy. Okay. Did you interrupt his afternoon baby sleep?

Beauty sleep? Actually he was awake before the call, but then he fell asleep. Yes, like this. Okay. Hi! Yes, hi! I'm trying to grab a photo of the three of us. Let's see.

Okay. Okay. Okay. Okay. Cool. Hi. Yes. Oh, this person is, because look at this. The eyebrows like checking me out.

What is this? What's this person? What are you trying to do? So that's our traditional. And he just smiled. So back to our original question about a new chapter in your life, about a new life that you're nurturing, about motherhood. Speaking of motherhood, my journey actually really inspired a new purpose for my art creations,

from my pregnancy to the birth of my son Arthur. That's when I realized that my work should be created with the goal of enriching and exploration, regardless of its amazing work or regardless of art pieces. And I think the art and the joy of creating is an expression of intergeneration care. So for Archer and also for the other youths who needed the most in my community.

So one of the pieces actually Vince, you saw in person, League of Faith, was an art piece I created for Mother Nature Next Generation exhibition. With me trying to express the excitement and the joy of watching life grow into something wonderful, from something very small, the bamboo steamer used in League of Faith, which is the largest handmade bamboo steamer ever made in Hong Kong, is a piece of cultural heritage that represents all the things I really enjoyed growing up

that I wish to pass on to the next generation. Actually, on a side note, why I decided to name him Shigao is because I really hope that he could aspire to be like the artist Mark Shigao who is basically a very innovative person and who also went through a lot of challenges in life but she still managed to get to become one of the most celebrated artists in the world.

What were some of the things you enjoyed growing up in Hong Kong? Can you share more about activities or experiences that were particularly meaningful to you during that time? Yeah, sure. One of the motifs that I have in my artwork is definitely Hong Kong's culture. And when we talk about Hong Kong's culture, it's not only being the sailing boat and all those things, but it's really little things, little precious moments in daily life. So it can be dim sum,

it can be Chinese checkers and all those things. And that's why I actually incorporated Dim Sum Steamer and French-made Art Festival, Suban exhibition back in 2017, as well as Mother Nature and itinerary shapes. But I think Dim Sum, this intangible cultural heritage is something that is really worth Hong Kong people and actually people from all over the world to treasure.

And Chinese checkers and even ping pong balls are things that I really love playing as a little girl and so that's something that I it's really fun to actually see them shy in my artwork. I remember that I actually took a photo with that piece, and Vince, your husband, explained the significance of that dim sum container to me. Since Vince's family is in the restaurant business, he shared how dim sum plays a major role in Hong Kong's dining culture and overall culture. That really big dim sum container, especially made as far as I know, was something you turn into a piece of art. Yes, But it has always been great working with Tuck Chun Som Gye. They are the fifth generation of bamboo artisans in Hong Kong.

And it's really fascinating to see them that they still handcraft bamboo steamers, which is not easy. Actually, a lot of the steamers these days are actually made with a mix of bamboo and metal. What they do for us, working together with us for an exhibition, makes it even more precious.

And I'd always love to incorporate some fun food elements into my work. I think not only experience my other half, but also just experience by me growing up, it's always trying to treasure food. me growing up, it's always trying to preserve food. Like even, for example, a few years ago for Art of My Family's program, we had a two-year program related to marine conservation. So in 2020, we actually recycled over a few hundreds of seashells and turned it into artwork. And the children actually interviewed fishermen, fifth generation of fishermen in Aberdeen to create artwork related to Chinese bone script culture

as well as actually exhibiting their work in Taikung. And then the next year we worked on ideas related to the sea and seafood as well, which we also believe is sustainable seafood. The kids actually drew on Japanese postcards that we call Atagami and to express the importance of making things sustainable. the importance of making things sustainable. May, tell us a bit more about your artwork. Are there any particular pieces that stand out to you? One that you find especially memorable and would like to share with us?

Yeah, sure. One of my most memorable art pieces I created is Wadid, which was one of my favorite art pieces I created while studying at the University of Chicago in 2012. And it's a piece that made me the first Asian sculptor to debut my work at the Rockefeller Memorial Chapel and Chicago Union Station. In creating this piece, I actually want to encourage people to take a moment and think outside of blocks and also appreciate life and those possibilities. I believe that art is like a life

has a lot of twists and turns that can change one's perspective and lead to new discoveries. If I have to pick one more art piece to talk about, it would have to be Blossom Love, which I created for Dutch Days in Hong Kong 2022, an event created together with the Netherlands template general and Hong Kong maternal. This piece was actually inspired by the Netherlands state of the art, a sustainable urban development and water management system.

Wood is a medium that I often use in my artwork, including this piece. And I want audience to envision iconic Dutch tulips and health boats where the seaways represent from the Dutch spirit and tackle and many urban resilience issues. So I think this piece actually serves as a bridge which will invoke on the Netherlands

and is a bridge that I hope will inspire more I did sharing collaborations. This seems like the perfect time to talk more about part of my family. May, you've mentioned this charity a few times during our interview. It's called Part of My Family, with my and why standing for your name, May Yeung.

When I look at your website, you set various goals. Making art accessible, promoting social inclusion, fostering cultural exchange, strengthening mental wellness, and championing environmental protection. These are all very important agendas. Looking back over the past six years, I'm curious, how would you assess your progress? Of course, we've reached a stage in life where we don't just judge our achievements based on report cards. And you've mentioned that you used to be a perfectionist, but now have a different perspective.

But if you have to evaluate your progress over the last six years, how would you rate yourself? And as a follow-up, looking forward, what else do you want to achieve? Are there areas where you feel you haven't done enough? Or where you believe you can do a better job? So it's a two-part question. First, assessing your past progress. And second, looking ahead and learning from the past to improve in the future. Before answering your question, I actually want give a little bit full story behind why I set up Art of My Family in a personal place. And then I'll talk a little bit more

about what I plan to do and as well as how I assess myself. I actually, back then, as I mentioned earlier, I was serving as the CRSL lead at Deliveroo, and I was launching a food recovery program where we managed to save a substantial amount of food and refuges and also provided thousands of meals for the community. And that's when I realized my potential in supporting the community. And I decided to lean towards my passion for the arts and recognize that many underprivileged children

did not have the chance to learn art as I did. That's why I decided to set up Art of My Family in 2018. In terms of assessment, I would say that there's always world beyond world. And I just feel so blessed to be part of the Art of My Family and also the family just continuing to grow old. One of our key programs is actually Art Team Artists Scheme, which is basically striving to nurture the next generation of creative and artistic talents. And for that program back then,

we mainly partnered with the Hong Kong Design Institute. And now we actually expanded our program to, besides HKDI, we've expanded to Metropolitan University, City University, and also CC Design. So it's very exciting to see how the family grow. And we definitely want to continue to expand that to other universities in Hong Kong. But I think also one point, in terms of what I really wanted to do,

I think one point really worth mentioning is that many children and youth in Hong Kong these days actually go through emotional turmoil. And the World Economic Forum actually projected the emotional problems would be one of the biggest problems by 2030, and the cross cement of health conditions would actually skyrocket to six trillion US dollars globally by then and so art of my family actually has launched programs

like hearts at home program the past year. I mean helped to further expand this program to help strengthening the mental wellness of children with disabilities and also those that lack family care, including those in a memorial home. So our goal was actually to ultimately help those, help them to integrate into society and to walk out from the shadow of the family negligence. Besides Artsy, ArtSkene, and also hearts and culture. We actually are a public good sculptures with unique characteristics and all 18 districts of Hong Kong to show the importance of art and not only do to find a city but also supporting the mental well-being. Speaking of mental

wellness or well-being, it's important to acknowledge that, whether in Hong Kong or elsewhere in the world, aftermath of COVID, economic uncertainty, and other global challenges have created a lot of stress. These aren't just isolated events. They are interconnected factors that bring about significant changes. In my view, embracing change can be a growth opportunity, but it also brings mental pressure

and negativity, which can impact everyone's well-being. I agree with you that wellness is crucial for everyone, from the elderly, who have their own challenges, to children, who are the pillars of our future society. Often, the mental issues we face as adults can be traced back to childhood. Something that happened in the family or during those formative years shapes how we see the world, how we behave,

our mindset, and even our life and career choices. That's why I really admire your focus on intervening early in children's lives. The impact you're making goes beyond what can be measured financially. It's truly invaluable. For that, I applaud you. Now, I would like to web up our interview with a question that touches on the many roles you play. You run a charity. You're a mother raising a child. You take care of your own health. And you are a teaching artist with a wide range of interests.

How do you balance all these different roles and responsibilities? And more importantly, what is your life mission now and going forward? The future is uncertain, the present is here, and the past is behind us. But when you set a goal for yourself, it's clear that you are fully committed and don't back out. So what would you say is your life mission? My life mission is to inspire the next generation of artists and art educators. That's also why I decided to be a teaching artist

because as a teaching artist, my goal is to leverage my experiences as a working professional, but also provide a link between the creative process and also the art-based learning. And that's why I always try to develop specialized curriculum approaches to engage diverse groups from people with disabilities to constipation. And in particular, actually my charity, Art of My Family's, co-educational philosophy involved around the three Cs, co-design, co-creating,

co-learn. So for example, the exhibition you visited in July, we actually co-designed backdrops and competition drawing outlines with university students. We co-created artwork with subdivided unit children including the Seeds of Hope icon wall and co-learn artwork with subdivided unit children, including the Seeds of Hope icon wall, and co-learned with other peers at the Design Institute at Bridgetox. So I think what's special about teaching artists is that in the classroom, the other emerging artists and I

actually work alongside the students, and we try to model the creative journey and also demonstrate the importance of this student and I share our real world experiences with Land Street Cred to Lessons offering first-hand guidance on techniques for navigating the art world. So I really believe that a symbolic relationship between the teaching artist practice and also the environment causes creativity, dialogue, and growth for both me and my students. So, your teaching artist role is one of the provocations, inspiration, using my artistic experience to diversify the creative path and also to achieve my mission

to inspire the next generation of artists and art educators. That's wonderful. Mei, I'm really looking forward to seeing more of your artwork at attending your exhibitions. As I mentioned, next time when your son picks up more words and expands his vocabulary, we'll have another interview. We'll do it entirely on video. We'll have another interview. We'll do it entirely on video. We'll let him join in. That would be super awesome. He's a talkative baby already,

so I'm sure he'll be a talkative kid. Really appreciate it, Mei. Thank you so much. Thank you, Vince. Thank you so much for the opportunity, and Archie and I look forward to catching up with you soon again. reviews, check out our website, and follow me on social media. I'm Vince Chen, your ambitious human host.

Until next time, take care.