Chit Chat Stocks - Paramount Global (PARA) | Not So Deep Dive
Episode Date: March 8, 2022Paramount Global operates a worldwide media and entertainment business. The company distributes a variety of content across various different platforms. Paramount Global was formerly known as ViacomCB...S. The company was founded in 1927 and is headquartered in New York. Listen closely as Ian, Brett, and Ryan go through the history, financials, and future prospects of Paramount Global. Enjoy the show! This episode is sponsored by Commonstock, a social network for smart money investors. Check-out the platform here: https://commonstock.com/ Want updates on future shows and projects? Follow us on Twitter: https://twitter.com/chitchatmoney Subscribe to 7investing with the code "CCM" and get $10 off: https://7investing.com/subscribe/aff/4/ Interested in more of Ian's work? Follow him on Twitter: https://twitter.com/IanGrayLive Contact us: chitchatmoneypodcast@gmail.com Timestamps Company Background | (3:26) Industry | (9:07) Management & Ownership | (10:42) Valuation | (13:26) Earnings | (16:43) Balance Sheet | (18:54) Our Analysis | (22:00) Disclosure: Chit Chat Money hosts and guests are not financial advisors, and nothing they say on this show is formal advice or a recommendation. Brett Schafer and Ryan Henderson are general partners and portfolio managers at Arch Capital. Arch Capital and its partners may hold securities discussed on this show. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices
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Welcome to Chit Chat Money. On this show, hosts Ryan Henderson and Brett Schaefer interview
industry experts and riff on the world of investing. As a quick reminder, Chit Chat
Money is a CCM Media Group podcast. Ryan and Brett are also general partners at Arch Capital,
and Arch Capital may have positions in the securities discussed in this podcast.
Anything discussed on Chit Chat Money by Ryan or Brett or any other podcast guests
is not formal advice or a recommendation. Now, please enjoy this episode.
Welcome to Chit Chat Money. Today is our Tuesday not-so-deep-dive episode,
and we're talking about Paramount Global, formerly known as ViacomCBS.
Who's choice was this? Ian? I think this was yours, right?
Yep, this was my choice.
What inspired you to pick Viacom or Paramount?
well at the time it had been it had been dropping quite a bit it was right when the name change
happened um it's rebounded quite a bit since then but i was a little interested we see our guy alan
on twitter it's been uh keeping us up to date on it so i thought it was time for us to take a
little not so deep dive episode for it and these episodes i guess for anyone who is new to the show
these are 30 to 45 minutes usually around 45 minutes uh breakdowns of the business we go
through what they do how they earn money some of the financials and then we talk about i guess the
opportunities and sort of the qualitative characteristics of the investment as well
but we are on with brett as well both you guys are in foreign countries right now uh so that's
why I'm kind of hosting, not the typical host for these shows. But before we get to Paramount
Global, I want to talk about our sponsor. It's Common Stock. So Common Stock is a social investing
platform that lets you connect your existing brokerage accounts. So a lot of people are able
to, I guess, fudge the numbers with some of their stuff. When they talk about investing, this kind
allows you to really show what your gains, they've told us to call it, let your gains speak for
themselves. And I think this really lets you do that. It also gives you sort of a longer form
way to talk about potential investments. So you can add sort of attachments, memos. Brett,
you're on CommonStock more than I am. Do you want to add anything about the platform?
Yeah, I wrote a memo about Match Group and it's a perfect way to do a longer form.
it's kind of in between maybe an analyst report and a tweet about a stock. So you can kind of
get that conversation going where it's more casual, but you have room to write out your
full thoughts. If you've ever heard of something like Value Investors Club, stuff like that,
this is for that. But for maybe for the younger type generation, people want to make it more
social. You can connect your brokerage account, all that good stuff.
Okay. And you can download it on iOS. I believe they're on Android too,
since Brett, you use them.
Check them out.
We like the team over there.
They also hired two of our friends
who have been on this show before.
So they're really building
quite the great team out there.
But yeah, definitely go check it out.
I've been kind of looking to get into
maybe a place that allows
for longer form stuff anyway.
So I'm going to try to spend more time on there.
Without further ado,
I'm going to get into what Paramount Global does.
And I have to say,
it was pretty messy looking at it.
Like it was kind of hard to understand
the strategic vision for the company.
But basically, it's now just a hodgepodge of popular media assets that deliver video content across tons of different platforms.
So some of the most notable brands include CBS, Paramount, Showtime, BET, Comedy Central, Nickelodeon, MTV, to name a few.
And all those brands have their own intellectual property underneath as well.
And then a lot of those brands have different parts of the business.
So Paramount's got Paramount Studios, which is sort of the theater business producing movies.
And then it's also got Paramount Plus. CBS has a few different channels as well.
But each of these brands generates revenue in multiple ways.
So there's number one is traditional advertising revenue.
Think just ads on cable channels.
That's basically that is that comprises the majority of the advertising revenue.
The second one is affiliate revenue.
So these are fees paid out per subscriber by companies like Comcast or Dish.
So affiliate and advertising are really just, those are tied to their legacy media business.
And then the third one is streaming revenue.
So each brand we talked about, and this is sort of the future, what a lot of people are
thinking about is the future for Paramount.
Each brand has their own streaming channel.
So where you thought it might've been bundled into one, they all kind of have their own.
There's Pluto TV, there's CBS has a streaming channel, Showtime has a streaming channel,
Paramount Plus, which is one we're going to talk about. And it varies by model. So some of them
are subscription products, some of them are advertising, some of them are subscription
and advertising. And any advertising revenue from streaming gets lumped in here. It doesn't
get lumped into advertising as its own. And then the fourth one is theatrical revenue.
So this is movie theater revenue. It's a very small part of the business. It's also much lumpier. And then the last one is licensing and other. This is like if Netflix aired The Godfather. So Paramount owns Godfather. If they aired it, Paramount gets that licensing revenue.
So, and the history, this is kind of, history took me about an hour to research, which it
was very extensive and it's very, also very messy.
So, it started in 1927.
And I know that sounds like a long time ago.
There was a talent agent named Arthur Judson who was struggling to find any work for his
clients.
And they were primarily, the clients were trying to get on NBC's radio stations.
And so Arthur Jetson decided to build his own network, which he called United Independent Broadcasters.
It was later renamed Columbia Broadcasting System, so CBS, after he merged with Columbia Phonograph and Records Company.
So that's kind of the basics of CBS.
That's kind of how it started.
And then it got bought out by a guy named William Paley, who kind of led them into the juggernaut, the media juggernaut that they are today.
And then fast forward to 1952, CBS actually broke out a new segment of its company. It was the broadcast syndication segment, which was basically just designed to license some of their content to other stations. And this later got renamed to Viacom and spun off due to, there was some regulatory rule that said media companies couldn't have syndication companies as well.
And so, they spun off Viacom. The segment Viacom itself started to buy up its own media assets after that rule was kind of repealed. And Viacom ended up actually buying CBS back in 1999, only to break up again in 2005. So, divestiture, re-merge, divestiture, and now…
Talk about those investment banking fees right there.
I mean, if there's any investment bankers listening to this, they're just licking their
chops at those 1% fees back and forth.
Yeah.
And fast forward one more time to 2019, and Viacom and CBS decided they were going to
re-merge and rename the company ViacomCBS, only to change it to Paramount Global recently,
so about two years later.
So now it's traded under the ticker PARA.
it's known as Paramount Global, but they have had, I wonder if this is the last ride. I wonder
if they'll divest again at some point. I know they have been divesting some assets, but hopefully
this is the final company. What do you guys think? Well, I'd say the most likely scenario
might be they get bought out. There's been a lot of rumors of that. So that's probably something
we're going to discuss in the second half uh looking at their history and the the way these
media companies like to operate i'd say it's likely that there will be some sort of maneuvering
because it seems like that's what they just like to do they never want to sit still but
ian you got any thoughts on that yeah i think um i think you're right that they're going to
do some maneuvering they've continued to make some divestitures the last couple of years as well
um so they're always seeming to kind of add things take things off trying to trying to find the the
right mix of parts to be paramount i guess what's now paramount paramount global but i i suspect
that this is not the final iteration yeah and i'll hit the industry and competition here again
i got a hamster wheel trying to run this wi-fi over here so apologies if it uh bugs out a bit
but i think it's fine right now um and i gotta say paramount global the name it reminds me of
Prestige Worldwide from Step Brothers, but kidding, it's a more serious point here.
The industry is fairly simple to understand. There's only like three notes that I have here
that I think people would want to, or would say would be relevant. So on a broad standpoint,
the entertainment industry is estimated to be about $2 trillion worldwide and steadily growing
each year. Global broadcasting and cable TV is at about $300 billion as of 2019. And I think
either stagnating or slowly dropping. And then the global streaming market is estimated to be
$82 billion worldwide in 2022. So this year, and growing quickly, as most listeners would know.
Now, competitors, there are a ton. Everyone knows Netflix. There's Fox and Fox Sports,
and then Disney and ESPN. ESPN and Fox Sports are their big sports competitors. Amazon is dipping
their toe into sports. They're kind of a competitor there as well. They're also a competitor in
streaming apple is a competitor in streaming hulu warner hbo discovery which is they're going to be
their own company soon um you count youtube you count video games the list is really endless i
mean in a broad sense paramount global is competing for people's attention during their leisure time
and that's really you know it's a very it's a hyper competitive industry all right ian do you
want to hit management and ownership? Yep. So the CEO, the CEO of Paramount Global is
Robert Backish or Bob Backish. He came from the Viacom side and the Viacom CBS
re-merger back in 2019. And he's been the CEO of Paramount Global since then.
Paramount has a segment head model. I don't know exactly what the right way to put it is,
but basically they have a CEO or a head of operations for like all their different segments.
And so, um, for instance, like one of them is a CEO slash president of internationals
networks, studios, and streaming.
And I find this is kind of a side note, but I always find it interesting with these types
of companies and I'm a Disney shareholder.
So I see this on the Disney side that it always feels like these are interesting to watch
the leadership teams on because there's a lot of potential candidates for new CEOs.
There's kind of some maneuvering that happens.
There seems to be a little bit of politics involved about, um, like which segment head
is next in line and who's the most important and all that type of stuff.
And it was something that I saw at GE as a GE shareholder, you know, four or five years ago.
But anyways, on to some more about the management and leadership.
Sherry Redstone is the chair of the board.
Her family's been involved in the media world for years, most notably her father, who ran National Amusements prior to her, which is kind of this media company, basically.
But it's basically a holding company.
and um they national amusements owns 10 of vi or paramount global and holds about 80 of the
voting power and so paramount global is controlled by this redstone family and now it's firmly in
the hands of sherry redstone because there were some legal battles over the last couple of years
about whether she was in control or her father who was very who it was uh in his 90s and his
Her father has since passed away. And so it's very clearly in her control now. At one point,
CBS shareholders wanted more of a say in the company and didn't want her to have the same,
basically all the voting shares. And she won that battle. So she's kind of been able to
capture control of this company and seems to be fairly actively involved.
Otherwise, insiders own very little. And then one final note is that Vanguard
owns about 10% of the company and is its largest shareholder.
it sounds like succession the show yeah it was based off of this stuff it's uh yeah they said
i believe it was a combination of redstone family and the murdoch's um but yeah so they're one of
the uh they're one of those crazy families it sounds like that succession is is truly based
off of i'll hit valuation market cap 23 billion dollars as of this writing ticker as ryan mentioned
is P-A-R-A. They also have some other ones that's P-A-R-A-A. I think they have dual class
that is traded. Enterprise value is a lot higher. It's $34 billion. Now enterprise value is market
cap plus debt minus cash to exit any of those liabilities. I just thought I'd put that out
there because a lot of people may not know what enterprise value is because, and it's very
relevant to Paramount Global because they have $17.6 billion in long-term debt and $6.3 billion
in cash. So that debt load, while Ian will get into it on the balance sheet, it's very manageable.
They spread it out pretty good. It's there and it's big. Now, enterprise value to operating
cashflow is around 40. Now, this is probably the best metric I'd say for measuring their
profitability, at least in the short run, because they're investing heavily for their streaming
content. It's sort of the Netflix model right now, or as people may have known, Netflix kind
of has those accounting things that make their earnings look a little higher than they actually
are. And it's a bit confusing to talk about over a podcast, but they, if you have, okay,
they amortize their content that they, well, amortize is a word that many people might not
know. But basically once you get to the operating cashflow line in the cashflow statement, that
basically X's out their amortization while also their upfront investments in content spend.
And it kind of gets the true cash generation without any of the accounting gimmicks.
Now, right now, since they're investing a little bit heavier and they're kind of coming off of
the COVID stuff and they're in this transitional period, cash flow isn't looking that great,
but you're going to want to track that over time because if they generate that operating cash flow,
that is what they're going to be able to use to pay down debt and then eventually return cash to
shareholders through either buybacks and dividends, and that's how you're going to make
your money. Now, one thing I look at is watching out for the inflated enterprise value to income
number, especially with one trailing numbers. They had a big real estate sale that will not
come through again and was also a non-cash sale at the time. There might be some more details in
there you might not want to know. And again, like Netflix, there's a big difference between
what they're saying they're earning on their income statement and the cash they're actually
generating right now. So again, track those over time because the cash is king over the long run.
Looking at dilution, not really anything to worry about. They had a good amount of
RSUs and options that were exercised in 2021 because I think as we all know,
not everyone knows this, but they were one of the stocks that the Archegos blow up was about
and or was in and their stock got driven up by what, like 300% in a month.
and i think some people took advantage of that paramount global took advantage of that and
raised some cash and i think people exercise their stock but their granting pace compared to their
shares outstanding is not heavy at all so what that means is that going forward dilution uh of
your ownership might not be that hard or might not be that heavy and it won't hamper returns i know
that was a mouthful for the valuation um but this company is complicated so ryan do you want to go
to go into earnings. Yeah, that was a good explainer. And it's a lot of the stuff ends up
showing up in the earnings. So I'll kind of try to avoid some of the accounting minutia. But
in total for 2021, they generated $28.6 billion in revenue. That was up 13% from a year ago.
Advertising accounts for 32% of revenue. Affiliate revenue accounts for 29%. Licensing,
which I believe hopefully everyone remembers what each of these segments consists of,
was 23%. And streaming is about 15%, but it is growing the quickest. So year over year,
streaming grew 64%. That was at least the top line. And then as Brett alluded to,
they reported $6 billion in operating income or adjusted operating income. I believe that figure
was actually pure operating income, but that came from the real estate sale. And so if you're
looking at it on a market cap to operating income ratio, it looks insanely cheap, but that is very
misleading because it's not indicative of the true cash that us as shareholders are getting.
So actual free cashflow was about $500 million. The majority of that discrepancy between operating
earnings and cashflow is that content spend, especially for streaming. And they announced
that they're going to spend up to $6 billion in content expenses by 2024. So they really are
pouring a lot of money into it. And they also reported some of the other, I guess, highlights
from the year. They reported 56 million total streaming subscribers globally. And that's across
their entire family of apps. That's more than double what it was last year. So they are seeing
a lot of growth, explosive growth in their streaming business. And they upgraded their
guidance for 2024. They call it direct to consumer revenue, which is pretty identical to streaming
revenue. And that is they estimated that they could generate $6 billion in 2024. Originally,
they upped that to $9 billion. So they are seeing a lot of success there. That's pretty much it for
earnings. Ian, do you want to talk about the balance sheet? Yep. I'll get into the balance
sheet now. As Brett was mentioning earlier, they have $6.3 billion in cash, were able to raise a
little bit when their stock price got a little inflated. They've got $17.6, $17.7 billion in
debt with an average interest rate of 4.93%. One thing to note about this is more than half of the
debt is due after 2030. With some debt, I think some of the longest dated debt is due in 2047.
And so because of their, you know, as one of these big media companies and some, the types of advertising and affiliate revenue that they get, historically, that's been fairly stable.
And so they're able to put on quite a bit of debt onto a company like this, and they're able to get really long dated debt.
And so that's kind of, they will have to start refinancing some of that debt at different points in time, as long as they kind of maintain the same capital structure.
but a lot of that is due 10 plus years away. They paid down about $2 billion in debt in 2021.
And they do mention that they will refinance debt if and when they can get lower interest rates. So
they'll take some short-term hit on cash with some, sometimes they have to pay fees to extinguish
some debt. But if they can refinance it at a lower interest rate, that's going to be better
for the long-term, they're happy to do that. They also have access to a $3.5 billion revolving
credit facility. And they haven't used any of that yet. And so that's basically a line of credit
that they can use if they decide what needs more cash to spend on content or pay out dividends or
buy back stock or whatever they decide they wanted to invest in the business. There's also a pending
$2.1 billion sale of book publishers Simon & Schuster, which was owned by Paramount Global,
to Penguin Books. It's currently in the midst of like an antitrust lawsuit. And so there's
some questions about whether that sale will go through, but that should provide even more cash
for the company. And then this was just kind of something funny that I found earlier. I was
comparing Paramount Global to Netflix and Disney and some other companies. And it's eerily similar
the capital structure of Paramount Global and Netflix. And they're different companies,
So it's not identical. And there's some there are some differences, but they've got both companies have about six billion dollars in cash.
Both companies have about seventeen point seven billion in debt with similar interest rates.
Paramount Global has longer dated debt. But I just I found it interesting that two two companies with similar business models,
but still still different because of all of Paramount Global's legacy businesses have.
Like I said, it was it was stunning to me how similar their cash and debt numbers were.
Yeah, and the balance sheet today is in much better shape than it was at the time of the merger.
It's really remarkable how much they've been able to deleverage over the last year or so.
Thank you, Bill Wang.
Thank you, or however you say his name.
Yeah, yeah.
That's what they're going to be saying.
Yeah.
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Welcome back in.
We have anecdotal evidence next.
and i think we all probably have something but let's start with ian what do you have
i haven't used the streaming service um paramount plus but i've you know obviously watched cbs shows
or football or that type of stuff um but honestly i almost got it and i think this is just the state
of streaming today but i almost got paramount plus confused with um peacock and i thought i
was like oh i'd watch something on there and then i realized it was actually peacock that i've been
watching it on and not paramount plus so um maybe a little bit of a like i said a little commentary
on the state of streaming today yeah for me i i've watched paramount plus only because they
have like certain soccer rights that i like to watch um but i churn or i unsubscribe after i
lose those um some of the other ones like i've watched billions on showtime but once again it
wasn't something that i kept subscribing to i subscribed to it just so i could binge it and
then i was kind of done uh there really isn't any service in here any streaming service in here that
i would subscribe to recurringly at the moment for like for like a whole year it would kind of
be spotty based on when i wanted to watch certain content brett what about you yeah i think i can
play off of both of you guys there um i agree with ian that i do not understand why like the
value proposition for paramount plus is a bit muddied i don't know why i would want to subscribe
to them like i understand why i'd want to subscribe to netflix i know it's broad-based tons of stuff
i understand why i would want to subscribe to disney plus if i was a family or a fan of the
fantasy content i understand espn plus i understand hbo max but i don't understand paramount plus now
speaking about the churn stuff and that's a big problem they have um way higher churn than netflix
i think the they're they're combining or they're allowing people to uh subscribe to both paramount
plus and showtime at the same time or sorry under the same subscription i think that is a big you
know that'll be a big uh help with churn because each on its own it doesn't make sense why they're
separate but combining the two i think that it's almost to an hbo level plus sports uh value
proposition um but separately i just really like it irks me to have to subscribe to like paramount
plus um which i've never have and i always do an illegal stream um don't don't call don't call the
police on me but i really just do not like when they have the sports rights in paramount plus
um i know it's they they own the sports rights and they have the right to charge me for it but
i just don't like it i would rather have i i enjoy immensely when amazon has the rights
to thursday night football and when espn has all the football stuff because they will let you one
the streams are a lot cleaner and two it it's just such a better experience of signing up
or having a shared account with other people, or, you know, there's so much like, I don't know,
Paramount Plus just has a bad UI. So personally, I really don't like it, but I kind of understand
where they're going from with all their content and trying to bundle it. Does that, does that
make sense, guys? I think you guys are in the same boat, maybe. I mean, it's not the, it's hard
to tell exactly what they're going for because there's overlapping content in some of their
offerings, but it's still each brand has its own direct streaming offering. That's why I say it's
basically like a hodgepodge and sort of like a mixed pot of assets. It's not clear where they're
trying to go with this, but let's get to future growth opportunities. Ian, what do you have?
Yeah, I think something that's going to be important for them, and this is kind of piggybacks
on that real well but they need to get their big titles from traditional to streaming so they'll
tell stuff they'll say stuff right now about how important streaming is and streaming is the future
of the business and we're focused so much on streaming and then their next paragraph their
next the next line out of their mouth will be um you know our biggest shows are young sheldon
yellowstone ncis which are all shows that are on their traditional um channels on uh cable television
and so and they don't have the streaming rights to those so for instance um young sheldon's on hbo
yellowstone's on peacock ncis is on netflix and it's just this kind of weird thing and part of
that's because they just came out with paramount global and so these these they were getting the
um the rights to them for a couple of years they were giving the right the streaming rights away
because they didn't have their own streaming platform to monetize but um eventually they're
going to need to start getting some better content on there like it'd be nice if they
were talking about their biggest shows being things that were on the streaming platform
um and and having more success in that realm if that's the direction that they really are
trying to push the business um some go ahead go ahead yeah i wonder how much
conflict or i guess friction there is in trying to get those rights away from linear
uh channels because i and i've heard that before is like some of these studios aren't super like
it isn't as easy as it sounds as like oh well it's technically our owned asset but obviously
they can't get it on their streaming channel so there seems to be more friction there than i
would have thought right and some of it makes sense because they were trying to they were trying
to make as much money as they could before they had their streaming platform and so they might as
well license it out but i think just to contrast disney did a really good job about and now disney
has more control over all their content but disney had did a better job of kind of setting it up so
that they could start pulling things off and looking forward and saying we want these licensing
deals to end so that we can transition this stuff to our platform once we launch our platform and
it doesn't seem like paramount plus has done that in the same way i will say that they have been
working with the Yellowstone creator on a new series. They seem to be trying to make efforts
to get higher quality content on Paramount Plus. And I think that's a move in the right direction.
And I just, there's kind of an imbalance right now. And I think the growth opportunity is,
can we get the things that are most popular on what we think is the best business opportunity,
which is the streaming platform? I would note on the end, you said Paramount Global,
and i think you meant to say paramount plus correct just for any confusion from listeners
because i know every all the names are um they can be quite confusing at first yes that's correct
all right for me and i think this taylor's or is almost just piggybacking right off what ian said
it's it's it's really not one i guess direction but paramount plus seems to be what they're kind
of betting or putting most of their marbles in.
It doesn't seem like, I mean, that's really, I imagine what a lot of the content spend
is going towards.
Over the last year, or this year, they accounted for 33 million subscribers.
That's almost triple its figure from a year ago, although it launched, I want to say a
year ago.
So maybe that's just early growth.
That seems to be where they're kind of betting the heaviest.
And now that I'm just kind of thinking about this is because in my mind, it's like I'm frustrated because I don't know how profitable a lot of these streaming businesses are for them.
And they're obviously kind of in cash burn mode right now because they're pouring money into the content spending.
But it's almost like they have to because if they don't, they'll be left behind on linear TV.
So it's not necessarily, I mean, at least they have the balance sheet to do it, but it almost is like they're in a corner.
this is their only option this their only way out and they have to move to streaming it just
doesn't i don't know i mean it's not necessarily a bad thing but brett what's your future growth
opportunity yeah i would note that paramount plus was called cbs all access again it's so
confusing they keep renaming stuff which is just annoying um but it is what it is so they i think
that 33 million was off of a base started a little while than more of a year ago but
for my future growth opportunity, we haven't talked Pluto TV at all. And that's probably
because we had nothing to complain about. And it's maybe, I don't know what your guys' opinion
are, but I think it's probably the highlight of this business. It seems to have found its niche.
It's free and ad supported. So anyone can really go on and watch stuff. You just got to make an
account. And I think it can probably grow globally. The only concern here, and I don't
had the MAU numbers in front, but they had pretty good MAUs, pretty good growth and pretty good
hours watched. I don't, I think YouTube and Roku channel may have a competitive advantage here
though. What gives them any sort of differentiation with Pluto TV? And is that defensible over the
long-term? Curious what you guys' thoughts are there. Do you mean YouTube or YouTube TV?
YouTube itself, like anything YouTube, you know, I mean, YouTube on its own is ad supported free.
i think that competes probably it's probably the number one competitor for pluto pluto tv to me
because like if i'm spending 30 minutes watching something on youtube that's something i could be
watching on pluto tv but isn't isn't pluto tv primarily live channels or am i getting that wrong
uh i think it's not like similar i thought they had live channels versus i would say don't get
don't get held up on the mode it's just who's it's all about hours spent you know what i mean
like it doesn't matter what type of mode it is and and they say they say they've got 250 plus
channels of free tv and thousands of on-demand movies and tv shows okay i think it's different
content obviously it's growing so i think they're i think they can it doesn't have to be one or the
i think they can both do well youtube's obviously doing well pluto tv is doing well what about roku
though i think roku channel i mean that's basically the same thing does it have a live
does it have all these live channels i'm looking through i believe so i believe roku channel is
very i haven't checked on roku channel but it is very similar to pluto tv i don't know who would
win there maybe it's another one of those where both both can win no or do you think it's kind
more winner take all i was just gonna say uh um yeah i wasn't i had nothing to say so i think uh
hard to tell i don't have an opinion all right highlights and lowlights for the business and
yeah i think to start off i think the paramount global name change was smart
they've talked a little bit about how viacom cbs felt like two companies still and it just wasn't
good and like through our researching for this show and as we've discussed like there's a lot
of pieces of this business that feel kind of um siloed and i think they're trying to get away
from that both with and it starts from the top with the name i think and so i think that was
a good move i think the paramount name is probably better for what they're trying to do um
and focus on streaming rather than using uh the viacom cbs which just sounds like an old
company right when you hear viacom cbs it just sounds um it sounds kind of old i don't know
like not that that's necessarily a bad thing but i think they're trying to get a little bit newer
um i do think to kind of piggyback on the last conversation you guys are having i think there
is a place for ad supported streaming and i don't think it's um been saturated yet we've got all
this ad supported tv through um linear tv and people are used to that and there's a huge market
for ad-supported television and ad-supported television shows and movies and all sorts of
stuff. And I think the Pluto TV business is a good one, as you were saying, Brett. And I think
there's some interesting opportunities there. I think there's more open space in the ad-supported
streaming market than there is in more of the subscription model like Netflix and some of
these other ones. A couple of lowlights for me is the voting control with 80% of the shares being
owned by that family i think that's um you're along for the ride with what they want to do
right and what um at this point what sherry redstone wants to do and i think there's a lot
of people who really like what she's doing and thinks she has a good direction for the business
so this isn't a knock on her but the businesses have not performed great over the last few years
and shareholders don't have a whole lot of recourse and so it's just something to be aware of
Um, the capital structure is a little bit interesting to me. Like the debt, like I said,
is, uh, understandable, but at the same time, um, they're paying out a dividend, um, every year.
And so they're paying out, uh, I've got this number here, $600 million cashflow, right? They're
paying out $600 million in a dividend, um, for the last couple of years and, and basically planning
to pay out over $600 million in dividends this year again. And it just feels weird. And part
of the thing, like I mentioned at the top, Vanguard is one of their largest shareholders
with 10%. And I assume that they like the dividend. And I assume there's a number of
institutional investors who like the dividend. But it feels like if you're really trying to
chase after streaming, and you're trying to preserve as much cash to spend on content,
paying out a dividend at this point um is not the best decision now maybe like i said maybe
their hands are tied and they're just they have to pay a dividend because everybody expects it
and they're afraid to cut it because it's going to tank the stock price but um it just seems like
that's not a great decision um and then even like and part of this was due to covid but even disney
has suspended its dividend since 2020 um and so that cash you know 600 million dollars into this
business is quite a bit of cash that could be used to hopefully fund some growth. And it makes
me wonder if the management team doesn't think they have great profitable growth ahead of them
and that they can put $600 million to work. Like it just, it kind of, it raises a couple
of yellow flags. Yeah. My highlights were basically that they were able to share up
the balance sheet. And I guess maybe I'll talk about the Archegos or Bill Huang, or I'm sorry
if I'm saying it wrong, but Bill Huang, Bill Huang incident, which was essentially a stock.
If you look at the stock chart, it reached like, what was it? Like a hundred dollars a share or
something like that. Basically because it was being, and correct, if I'm getting any of this
wrong, Brett, let me know. But basically there was a bunch of leverage that was sort of artificially
pushing it up and Archegos, the firm that Bill Huang ran, essentially got a margin call and all
these banks had to liquidate, driving it right back down. In that timeframe, ViacomCBS or now
Paramount Global was able to raise cash, I believe around $3 billion at $85 a share. Today, it's at
$30 something a share. So really opportunistic cash raise there. Also, I think the divestiture
of Simon & Schuster could potentially free up another $2 billion in cash. So the balance sheet
is in great shape. And on top of that, with the push towards streaming, it's not like they're
starting from square one. It's not like they have $6 billion in cash and no content. So they do
have a library of content that they could potentially pull from, like Ian talked about
earlier, that could really, I guess, bolster the offering for a lot of their streaming apps.
My lowlights though, I actually don't know what the economics or the profitability is going to
look like for Paramount Plus or any of their big streaming apps. I have a hard time.
if i don't know what that's going to look like and the legacy part of the business is going to
keep running off i have a hard time buying into this um and i'll leave it at that brett what do
you have for highlights lowlights yeah i like pluto tv even though i was trying to play devil's
advocate but i i do like it it seems like they've executed really well i don't know it that i don't
know the business that well but i mean the numbers look good um their debt structure looks good like
ian was saying uh great long-dated stuff there i was worried at first looking at that 17 billion
dollar number but looking at the at their kind of um payback periods of what years it's going to be
it's not that concerning at all if they can execute on their strategy they have a solid backlog like
ryan was just saying um and then the move to bundle paramount plus and showtime i think shows
they're moving in a direction that's going to work however turn to low lights their overall
streaming strategy i think is poor um i don't know why it's on it's multiple companies like
it still feels like multiple companies i just don't know why like disney um is so much cleaner
you know what you're getting and eventually everything's going to move on to disney plus
hulu um and those might even merge together and espn plus like what even is this netflix is one
big bundle hbo max is um basically everything under one it's like it's like separating hbo max
into two with paramount plus sometimes i just don't understand it but they're moving in the
right direction so hopefully they could fix that but again if they go with this current strategy
i just think they're going to lose um lackluster growth i think with paramount plus compared to
the opportunity in front of them now some people might say you know it is growing but i just don't
think it's the growth isn't strong enough and the churn is quite high i just funny enough saw a
chart on twitter the other day right before we recorded this uh showing that paramount plus
its churn has been consistently high consistently higher than netflix and you got to do something
to fix that and they're really not um and again biggest low light very tough competitive position
that they find themselves in then netflix is larger amazon is larger um hbo max discovery
is larger who am i missing did i say disney i mean yeah they're way larger they're spending
way more their content spend for param paramount global's content spend is is way less um that's
just a big overhang for me all right ryan or i guess you're leading the show we move to bull
case yeah and what's your bull case so david gardner from the mommy pool has this idea of
the snap test where it says if i snapped and um paramount global suddenly disappeared tomorrow
would anybody notice and would anybody care and i think that's how i'm going to kind of look at
the bull case bear case today i think on the bull case i think there are a lot of people that care
about many of their shows especially on linear television when you talk about young sheldon
Yellowstone, NCIS, Paw Patrol. And I've mentioned Paw Patrol being a really good.
Don't sleep on Paw Patrol. Don't sleep on that. It's actually super popular. It's like the new
Yeah. And probably a little more uplifting than SpongeBob. But anyways, I think these are
franchises that they can leverage over the years, grow the brand. I think some of their hits
for this to be a bull case. I think some of the hits that they have on linear television
eventually get onto their streaming platforms and subscriber growth continues.
And that's,
and it becomes one of the major streaming players that withstands this next
couple of years of turmoil.
Yeah, I guess I hadn't really,
I think maybe I was anchoring too much to like what the content meant to me.
Cause some of these, some of these shows really do resonate with, I mean,
they obviously resonate with a huge audience. For me,
just looking at the bull case, I think a lot of people,
pretty much all investors that look at this are going to have a hard time valuing it
because it's not super clear what's going on. And you see that looking at analyst ratings,
I think it's like six think it's a sell, six think it's a buy, and the price targets are
vastly different. And so I think that creates some opportunity if the non-streaming segments
of their business can keep sort of melting at a slow rate or even stay flat, and they're able
to hit their guidance for direct consumer revenue for 2024. I think this is, I think there's a very
good path to having this investment work out. I think this is probably a business that trades at
an EV enterprise value to free cashflow multiple of probably 10 to maybe 15 times. And so I think
if all, if they hit all their targets, we're probably looking at a good four or 5 billion
and free cashflow maybe in five years.
Brett, what about you?
Yeah, my bull case is, you know,
legacy content, sports, cable shows,
they're stable, streaming hits maturity
in four to five years, you know,
continues on its current growth rate.
And then I separated out Pluto TV
and I'd say Pluto TV continues
to be a double digit revenue grower
and kind of, well, I put wins here,
but is one of the leaders, I guess, you know,
there's plenty of ad supported out there,
is one of the leaders
in the ad-supported streaming market. I think if this happens, you could see them doing levered
free cash flow of $3 billion to $4 billion a year. And I say the levered free cash flow because that
takes into account... So normal free cash flow is just typically cash you earn after your capital
expenditures. But with the heavily indebted company like this, I would use levered free
cash flow because they're going to have continuous... Well, interest payments are in the
income statement, but they're going to have to pay back the debt. So after the debt they pay
back each year, how much cash can they return to shareholders? I think they can get to about
$3 to $4 billion a year if all those work out. It doesn't seem crazy enticing with an enterprise
value of $34 billion, but I think returns would probably be positive. And then also in the short
term, I think there's pretty decent buyout potential from Warner Discovery. What about
Bearcats in? Yeah, so the flip side of the snap test here, I think that there's a chance that
people actually don't care about Paramount Global. And not that they don't care about the shows,
but I think it's an interesting thing that people probably don't care about the company. And so
they want to care where the content was, they would just go follow whatever piece of content
that they wanted, which I think is different than some of the other companies. I don't think
Paramount Global has any loyalty with the brand. And it's like a new brand in a lot of ways.
um, just to kind of contrast it, Netflix is a necessary expense in today's society. Everyone
has a certain level of loyalty to Netflix because it's where you watch streaming. It was the first
streamer people just go there. Right. And then like Disney is a beloved brand and everybody
loves Disney for all these, or not everybody, but lots of people love Disney for all these
different reasons or love star Wars or love all this other type of stuff. And it's not necessarily
even about the particular shows it's about the brand itself. And I think that's what
Paramount Global is currently missing. And I think that's the bear case that there's just
not enough people care. And as has been your experience, Ryan, that there's a lot of churn
in the next couple of years. Yeah. As much as I do think they have
some really valuable assets in their library, I think as an investor today, you are betting on
them being able, with how much they're spending, you're betting on them being able to make
good content in the future not not just their current library because they're spending that
money they have to get a return on that um at some point and so i guess my bear case is that
they turn stays high and that they're not able to get a huge return on that um and that maybe
you're getting sort of just kind of maybe the linear customers move over but you're not attracting
new ones like is that a really good scenario as an investor i don't know brett what about you
yeah mine's simple the competitors win um they expect to spend they being paramount global
expect to spend six billion dollars in d2c content in 2024 that feels really low to me um
i don't know that's it i think it's simple and if you don't get to scale they're not going to
to be profitable maybe if they're able to if they were more direct about they're they're not very
direct about the streaming business so if they were very direct about the economics of it the
profitability and the growth purely in streaming and where like their direction on a cash flow
basis for that maybe analyst analysts would be able to do some of the parts here and value each
business independently but they yeah they're just giving us revenue they're just giving us revenue
right that's it yeah you can kind of guess but it makes it very hard to predict and maybe maybe
that's an opportunity for investors uh more or less interested in i i haven't known what i was
going to say i'll show for for this i think um i think i'm going to have to say just a little
less interested and part of that was because i had fairly high expectations going in that this
was going to be something that i was um interested in i'm a big fan of disney and i i like the
transition that it's made to streaming and well maintain its other businesses but um i think
there's just been a couple of things about paramount global i try and stay away from
companies that are clearly not the top tier um just because of all the the risk involved with
with execution and being being kind of a bottom tier company or not bottom tier but a lower tier
company than some other ones but i don't know there's good there's good things about it there's
bad things about it. And I'm sure you guys feel a similar way, but, um, I'm, I have to say just
a little less interested, but I'm probably going to do some more research on it anyways.
Yeah. It's I'm, I'm kind of the same boat as you. I'm, I'm on the fence. I'm glad I studied the
business in case we start to see like some improvements in the information they're giving
investors or the direction of the streaming business. Like there's more clarity around that,
um that part i'm i would be more interested if those two things happen um but for now i have a
hard time predicting what's going to happen and whether these streaming apps are going to land
and be sort of one of the core three or four apps that people subscribe to um that's my only
hesitation here and really going through this whole thing all i was thinking was like why not
on roku like it seems like everyone is just spending at will for the streaming platforms
like it this this whole show got me bullish on like the the platform providers yeah that's a
good point um i'm less interested i'm i'm i'm well i don't know if this is the right way to say it
i'm more in the less interested spectrum than you guys i don't like the video entertainment
industry i had personally have no read on anything except for the fact that probably netflix is going
to stay relevant within streaming but i i still don't have any kind of read on what kind of
profitability they're going to have um and within streaming i i don't know this is not nearly my
favorite company uh within it even after looking at them so yeah just less interested i mean
there's a chance like like you could envision something working out here but i think you can
envision that with a lot of companies so like i don't know why are you betting on why are you
betting on perma global here with their history of poor capital allocation decisions i it just
doesn't it doesn't uh doesn't get the juices flowing i guess as you might say if i were an
investment banker though i would love this company oh yeah you guys need a divestiture ah right here
oh my god it's like uh michael scott from that famous episode snip snap snap snap snap
what's the stock for next week yeah it's gonna be my turn but we did forget ian
has some news for us and you want to talk right 20 30 seconds here yeah for sure so some if you've
if you've been listening to the podcast for a while,
you've probably heard me mention the project I'm working on.
We're finally ready to release that. So it's actually going to be released when
this episode is when this episode goes out. So we have created,
or sorry, I have created with a partner of mine, an app called Merlin,
M E R L Y N that's Merlin with a Y to help
basically help people find the answers to the questions that they need from
people that they admire, respect, or trust.
And so we allow, um, experts, creators, and influencers to hold build by the minute video
calls for, for anyone who wants to ask them a question about what they're doing or, um,
just get to get some answers.
And so we're getting it out there.
We're kind of testing it out, seeing what people think, and we'd really appreciate your
feedback.
So if you give it a download, um, and let us know what you think, it's an iOS app for
iPhones, um, that we'd really appreciate it.
you can follow us on Twitter or Instagram at get underscore Merlin.
That's Merlin with a Y and, um, you can reach out to me on Twitter.
I'd be happy to walk you through some stuff or, you know,
if you're any feedback you have for us. So appreciate the time today, guys.
And I am, uh, Brett and I are both on there. So if you want to give us a call,
just, uh, yeah, we'll test, we'll test things out. We're, uh,
what do you call them? The first users. I don't know.
there's some slang term for that but yeah let's get let's get on to the end of the show um i don't
know we i may disappoint you guys here because we're going into the high tech realm i'm choosing
applied materials it might be kind of a tough homework assignment for everyone because it's
such a complicated business but i believe it's the leading semiconductor equipment company
and um and it'll be quite fun to do so yeah all right well that's gonna do it thank you all for
listening. Feel free to give us a review. We're almost to 100 reviews on Spotify. So if you want
to be the hundredth, actually don't try to be the hundredth. We're at 95 right now. So get those in.
But yeah, we want to remind our listeners that we are not financial advisors. Anything we say
or discuss here on Chitchat Money is not formal advice or recommendation. We are, however,
general partners at Arch Capital. So clients may have positions and securities discussed
in this podcast. Thank you all for listening. We'll see you next time.
We'll be right back.
