Conan O’Brien Needs A Friend - Mike Schur
Episode Date: February 28, 2022Producer and writer Mike Schur feels fine about being Conan O’Brien’s friend. Mike and Conan sit down to talk about Mike’s new book How To Be Perfect: The Correct Answer to Every Moral Question..., the culture of consequence, and striving to be better at apologizing and forgiving. Later, Conan recounts his experience assisting an unlucky fan with their marriage proposal. Got a question for Conan? Call our voicemail: (323) 451-2821. For Conan videos, tour dates and more visit TeamCoco.com.
Transcript
Discussion (0)
Hi, my name is Michael Schor and I feel, you know, fine about being Conan O'Brien's friend.
No exclamation point.
No.
No underline.
No.
Is fine in italics?
No, that's too much emphasis and stress on the word.
It really has to be neutrally, neutrally read and delivered.
Fall is here, hear the yell, back to school, ring the bell, brandy shoes, walk in the lose,
climb the fence, books and pens, I can tell that we are gonna be friends, I can tell that
we are gonna be friends.
Hello there and welcome to Conan O'Brien Needs a Friend.
I'm Conan.
It's probably obvious and I'm joined as always.
That's not obvious by now.
Something's wrong.
I'm joined by Sonam of Sessian.
Hey, Sonam.
Hi.
Okay.
This isn't a morning show, a morning drive time show.
Sorry.
It has all the ingredients though.
Yeah, it sure does.
We're doing some weather and traffic in just a minute.
Matt Gorley also joining us.
Hey, Matt.
Hey.
You know what would be great is if we did use part of the budget to rent a helicopter,
you know, like the way someone else would talk about traffic patterns and what's happening
and we have a helicopter and it's flying around, but it's doing, it's serving no function
on the podcast.
What's it doing?
It's just, every now and then I'm checking in with the, checking in with the Conan O'Brien
Needs a Friend chopper.
You know?
And I'm just like, hey, Conan O'Brien Needs a Friend chopper.
You know, we got Aaron Blair, it's up there.
Hey, Aaron.
And Aaron, you can come on, Mike.
Hey, everyone.
What's going on?
And what we'd do is we'd put, you'd be in a chopper and you'd be flying around Los Angeles
and we'd just be checking in with you every now and then and it's a podcast, so people
listen to it either now or six months from now, or they never listen to it.
No, you're checking in on the web traffic.
Yeah.
How's the web traffic, Blay?
The metrics are high and the ones in zeroes are looking pretty good, but I think we got
a hold up on the packets coming from Netscape.
Nice.
All right.
Jesus.
That was pretty good.
So, he's not commenting at all on what he's seeing in the helicopter.
No, no.
The helicopter.
He's looking at a computer.
Sona, please.
I can't be more clear about this.
The helicopter serves no function.
And I want, when we play this, I want there to be helicopter noise, ambient helicopter
noise around Blay, so you know exactly what it's like.
And I just, hey, check in now with the Conan O'Brien Needs a Friend chopper again.
Our man, Blay, up in the chopper.
It's our own chopper that we bought.
That used to be, chopper was formerly used in Operation Desert Storm.
We purchased it for $1.6 million.
We painted the Conan logo on the side and Aaron Blair is now high above Los Angeles
or by the 101 freeway.
How are the downloads going?
The downloads are going great.
Our routers running pretty hot over here.
Cat 5 cables, a little bit of a mess.
You can expect to slow down until mid-morning.
Okay.
Thank you.
Very much for that, Aaron Blair.
We call him the Blay Man up in the chopper.
Rotor Blay.
Yeah.
Can I, I have to go to the bathroom.
Can I come down?
No.
No.
No.
We put a coffee can up there for a reason.
It's been a long time.
No, no.
That is a coffee can that has a specific purpose in mind.
Okay.
We'll be chucking him with the ch-
Wait, can I, can I ask him about what he's seeing?
Like, can I be like, hey, how is the, how is the weather up there in the chopper?
No, because that actually, then that gives there to be, that gives there to be.
Great job, Conan.
I think it's chopper fumes that I'm high on.
That means that there's some purpose to the chopper and it's important that the chopper
have no purpose.
So even if Blay said clear skies and people hear that when they listen to this episode
seven months after it drops, because they're on a long car trip and their favorite podcast
doesn't have a new, doesn't have a new drop, then it, I don't even want them to know what
the weather was like today.
It's got to be useless information.
Sona, why can't you get your head wrapped around this?
I'm sorry.
Perfect concept.
Hey, can you fix it?
Can you fix it, Matt, so that Sona's in a mini-sub right now?
Absolutely.
Yeah.
Some Sona noises.
Of course, for this episode, Sona is in a small.
This is a repurposed 1959 Korean mini-sub that we purchased from the Korean government.
That's South Korean.
Yeah.
We tried to get a North Korean one.
They are not, I guess it's illegal for us to trade with them.
Anyway, Sona, how's it going?
You are now, says here you are 35 leagues under the sea in the Pacific Ocean off the
island of Moratu.
I believe I just made up that island.
What's up, Sona?
What do you see?
I just see a lot of water, and it's really cool and a little moist, but I don't know.
I'm not very good at being in a sub, I don't know what to tell you.
Then clearly I don't know why you volunteered to man the mini-sub if you now confess to
us you're not very good at being in a sub.
I didn't.
I did not volunteer.
You made me go down here.
I had improv to deny what I just laid out that could cause damage to your sub.
Always yes and, Sona.
Always yes and.
That's the first thing you learn when you join the Navy.
Yes and.
So, let's try that again.
Okay.
Sona, you've clearly been drinking a lot in the mini-sub.
What kind of alcohol have you been drinking?
Yes, and I had some, you know, I had a couple martinis down here, yes and.
We say yes.
Just say T-mini martinis, Ossifer.
I had T-mini martinis.
I had T-mini martinis, Ossifer.
That's the old joke, and it works even so far under the Pacific Ocean.
Yes.
Surface of the Pacific Ocean.
Anyway, back to our chopper now, Aaron, tell us.
You're up in the chopper, very expensive chopper.
I love saying chopper.
Aaron blared up there in the chopper right now, tell us, what do you got for us in the
Kono Brian Needs a Friend podcast chopper today?
Seeing a lot of pixelation in the GIFs, JPEGs, and the PNGs, but if you're going to be downloading
stuff make sure it's in raw format because that's going to get you the quality you need.
Yeah, that's the kind of information that you need a helicopter to provide.
And Sona, of course, doing her best from now it says, doing her best.
It says you are 122 monocle, monocle, monocle, monocle miles.
I don't know what my problem is today.
Monocle miles and two T-mini turkeys.
Oh my God.
Yes, and I am in the, in the submarine, and it is, I am exploring shipwrecks.
Sona, you are taking on water very quickly.
Yes, and I forgot how to swim.
Sona, for improv you don't say yes and in every sentence.
It's going the spirit of yes and, but you don't say yes and that's terrible improv in
its own way.
Oh, okay.
All right.
I am taking on water.
I don't, I don't, I wish I brought a schoolboy equipment instead of these martini glasses.
Yes, and that would have been a good idea.
See?
It doesn't quite work.
No.
Yes, and let's get this show started.
Yes, and.
Yeah.
See, I'm going to have quality control experts come and check the quality of this podcast
open.
I do, I do fear.
Oh no.
And what if Blay was in a real chopper and we were doing this conceptual bit about how
the chopper was unnecessary and then Blay crashed in that chopper.
That would just be terrible.
No.
And I had to.
Don't make that joke.
No, no, no.
He's not in a real chopper.
I can make that joke.
But what I'm saying is I would hate to have to tell his family, they'd be like, why, why
was there a son in a chopper?
He didn't have to be in a chopper.
That's what was so funny about it.
Why did you put me in a submarine and then actually ask me about what I was seeing in
the submarine?
I mean, I don't know why he can have a useless helicopter, but I need to actually like pay
attention in my son's in my summer.
Also, what the fuck is going on?
I invite anyone to edit this open into something that makes some semblance of sense.
No.
Yes.
Go ahead.
Anyone out there listening, feel free to edit this together to either A, make more sense
or B, make less sense and then send it in.
We'll let you know how you did.
All right.
Well, listen, safe home to Sona and to Aaron Blair in their dangerous, strange, unnecessary
crafts.
I have a terrific show.
My guest today is an Emmy award-winning writer and producer behind some of the biggest television
comedies of the last 20 years.
He's worked on such shows as The Office, Parks and Recreation, Brooklyn Nine-Nine, and The
Good Place.
Good Lord.
He now has a new book, How to Be Perfect, the Correct Answer to Every, moral question
available now.
I am thrilled he's with us today, extremely talented gentlemen.
Mike Schur, welcome.
First of all, I want to initiate any of the uninitiated out there who don't know about
the great, Mike Schur.
You have been part of, and Sona, you put it best, literally everything Mike Schur has
worked on and helped create and write has been fantastic.
I've looked for a flaw in the armor.
I can't find it.
I can't find the one pilot you did about the talking rabbit with no legs that completely
bombed.
It ran for eight years.
But it was terrible.
It wasn't good, but it ran for eight years.
It was on UPN.
I like season six where he gets wheels.
Yeah.
That was a...
I'm glad you pointed that out.
It was a good break.
Some people think that's where the show jumped the shark, but yeah, Mr. Quabbles, it was
called.
But no, I'm going to just go through it right now for everyone listening.
The Good Place, The Office.
You worked on The Office.
You played Dwight's cousin, Moses, with the most improbable beard I've ever seen depicted.
Is it Moses or Moe's?
It's Moe's.
I'm sorry, Moe's.
You messed that up.
He was giving the formal name of the character.
I call him Moses.
But yes, his name is Moe's.
You play his brother, Moe's, and...
He's cousin.
I'm so sorry.
There's a live fact-checking going on for Sonia.
You said brother.
It's not his brother.
It's his cousin.
I'll fix it.
Yeah.
Thank you for listening to this podcast, but he doesn't watch your show.
Is it Scur?
S-C-H-U-R?
That's right.
Yeah.
Let's...
No one fact-check him now.
Let's just see.
At the end, we'll do a review of everything he got wrong.
You worked on a show called Parks Recreationally, but I got to say, on the good place, my favorite
character was Chitty.
Yes.
Yes.
So you...
I can do this all day.
It's just you read...
You just read the Wikipedia, so you don't have to pronounce it.
I'm reading Wikipedia now on you.
I didn't prep for you, sir.
It says you were born in Ann Arbor, Michigan.
You don't even know the U.S. states.
This has now gone from you didn't do any prep to just you have a deficiency of education.
Now, connecticut.
You moved to connecticut, which is where you were raised.
This is the whole pot.
We should do this for an hour and a half.
But you've worked on all these brilliant shows, and your comedy pedigree is really superb,
and I thank you for being here.
But the purpose today, and I think this is something I've been really excited about,
is you've written a book, How to Be Perfect, the Correct Answer to Every Moral Question.
And you bring up in this book so many things that I've thought about, and I'm an immoral
man.
Right.
The book is essentially for you.
I saw that.
It was dedicated to you.
It was dedicated to Conan O'Brien in the hopes that he reads and learns.
Maybe this will help is what it says.
You called me the dommer of comedy writing, which I think of myself more as a Bundy because
my social skills are off the charts.
Right.
You're very charismatic.
I'm charismatic.
Handsome.
And a psychopath.
Yeah.
Do you know how hard it is to get the door handle off the inside of a VW bug?
It's not easy.
Hi.
Things took a very dark turn very quickly.
I remember, you talk about something in the book where tipping at a Starbucks.
And in this book, you really are trying to take people through ethical questions, and
you can learn from this book, but it's also very funny and light.
You take them through these ethical questions, and you talk about, you're tipping at a Starbucks,
but you want to see the person, the barista, to see you give the tip.
Right.
Yes.
That was the thing that hit me was that I waited until the barista turned back around
with my coffee before I put it on.
We have all done that.
Yeah.
Sona, have you done that?
Oh, yeah.
I have.
I want to say no, but I have.
I don't think you tip.
What?
I don't think you tip.
What do you mean?
I've been with you, and you said, I got a good tip for you.
Don't play in traffic.
Well, no.
First of all, whenever you're with me, you pay for everything.
Well, that is true.
That's a nice way to back into that, a little factoid.
Well done.
Yeah.
I do.
Thank you.
Well, I do have Sona waiting until the barista turns around and then not tipping, like aggressively
not tipping, looking at him right in the eye.
Yeah, and then she folds her arms.
But you also, you do this thing sometimes where you show the barista how much cash you
have.
I have money.
You show them tons of ones, and you like to fan them out like a poker player.
And then I show where it goes, where I would have put the money.
You start to show how easily it fits into the tip jar, but then you take it out.
Right, exactly.
Right.
Yeah, I want them to see that.
And then you just say, do better next time.
Next time?
You know the ways in which you could have improved.
You know what you did.
So much in that same way, just as we were starting the podcast, and it's so embarrassing
that I have to bring this up, but you mentioned that, I'll just say it because now I'm a reporter
reporting what happened, that this was your favorite podcast.
And I said, no, no, no.
I never said that.
Yes, you did.
You did.
I remember you said it.
And I said, no, no, no, no, no.
You say that on the air.
Correct.
So listen, all joking aside.
All joking aside.
No, you don't have to do this.
No, I do.
All joking aside, despite what I said about how I feel about being a Conor Bryant's friend,
this is a, I'm very thrilled to be here.
This is honestly, no joke, my favorite podcast.
There you go.
I'm very starstruck to be sitting with Sona.
I hear Matt Gorley's voice and it's, and it's really, I can't look him in the eye.
Don't look him in the eye because I'm a huge fan.
I know.
Thank you.
It's incredible that you just said that.
No, it is true.
It made for me and Matt.
That's great.
And I'm very happy to be here.
So I just had to guide, let's get that out of the way.
Let's get that out of the way.
But much like...
Conan, you can take 50.
We're just going to do some talking.
Yeah.
Much like the tip jar, the point I'm trying to make is, I did the same thing.
You talk about this in your book and I'm like, no, no, no, no, if you're going to praise
the podcast, if praise is given in the forest but no one's there to see it, was their praise.
That's how I've always interpreted that saying about the tree falling.
If no one hears it.
If no one hears someone compliment me, then it didn't even happen.
It didn't happen.
Sure.
And so that's why I'm going to need you to write out what you said and we're going
to need to somehow get it published.
I don't even know how that...
Just sky write it maybe or something.
We'll figure it out.
Yeah.
Countless pilots crash trying to write that.
So let me...
And I keep...
Lives are lost.
Me trying...
God, that pilot had six kids.
I don't care.
Get another pilot.
All it said is, this is my favorite and then it crashed.
So let me ask you this then, if you're saying you did this, because in the book I write
about this long journey I went through trying to figure out why I did it and what it meant.
When you noticed yourself doing it, what was your feeling about yourself?
Not good.
And I'll tell you something.
There was an episode, Leave It To Beaver, famous black and white sitcom...
Very modern reference, contemporary reference.
Sorry, I'm taking the younger people along with us.
There was a famous sitcom that actually was quite good, quite single camera sitcom from
the early 60s called Leave It To Beaver.
And there's an episode where the older brother, they ask everybody to donate to a friend of
theirs who's been in an accident and the older brother has like $50 in his pocket and it's
like a $50 bill, which in 1960 is like a huge amount of money and he's been saving it to
buy a car and it's the only bill he has.
So when it's his term to put the money in the box and everyone's looking, he doesn't
put it in.
Then he feels bad and goes back later on and puts the money in, but no one saw him.
And that's what the whole episode is about.
That burned into my brain.
When I saw that rerun as a kid, I totally thought, yes, you have to go and tell everyone,
by the way, I did go back and put the 50 in.
But the point of the episode was, no, you don't.
That knows or what you did was the right thing and I realized in that moment as a kid that
I was on the wrong side of this issue.
Yeah, I mean, the question when you see an enormous, anonymous donation to a museum or
a symphony or anything, I cop to the feeling of moral curiosity.
I just want to know who it was or just straight up gossip.
I just want to know who did that and at times, especially in this city, I think that there
are some anonymous donations that are made because maybe the people who are making them
would know that LA museum goers wouldn't necessarily like the fact that this particular
person is donating to this museum.
There's also people like the Sacklers who are-
I was just going to bring up the Sacklers-
Right, who are responsible, largely responsible for the opioid crisis in this country who plastered
their name over a million charities in order to kind of try to either whitewash their reputation
or they're just egomaniacs and-
By the way, this podcast gets a lot of money from the Sacklers right now.
It's Raytheon, right?
The Sacklers.
We get Sacklers, Raytheon-
General Dynamics.
Facebook.
Zuckerberg by himself.
A lot of defense contractors, a lot of people that-
We get most the money from manufacturers of missiles.
Anything that-
Landmines systems, laser guidance systems, stuff like that.
Yes, landmines.
We are hugely under-
That's how we got these great amazing microphones, just to shout out to General Dynamic Landmines.
Because I wasn't going to win a Nobel Peace Prize for shutting this podcast down.
But this gets into a big thing that we're going through in our country.
I have always thought that putting your name up and having it inscribed chiseled into stone
is a bad idea.
And that is something I was thinking about before I read your book and your book in
so many ways just fired all these different neurons of things I was thinking about.
But for example, the Sacklers when they gave to museums were very controlling about this
is where we want the money to go.
This is how big our name has to be.
This is-
Our name has to be all over the place.
It has to be in the men's room and the women's room.
It has to be on the urinal.
And this gets into the whole question of why are you doing this and performative acts
of goodness and kindness, which is, I think, also been a huge issue during the pandemic.
I've encountered many times where people have said, there's this crisis or there's that
crisis.
And so we would really love it if you wore this shirt or wore that shirt or said this
slogan on the air.
And I've felt very uneasy about it because I'm anti-vax, we all know that, I'm a dyed
in the wool racist, no, none of those things.
But I never wanted my comedy to mean anything.
I wanted to try and make people laugh.
But I never wanted the comedy to educate, elucidate, show you the right way to be.
Very dangerous terrain for a comedian to be like, you're laughing, but you're learning
as well.
That's a scary thing.
Part of the point of writing this book to me was these questions don't have answers.
There's no title of the book as a joke, obviously, because the point is there's no answer here,
there's no right thing to do.
You're always saying, well, they're both bad, what's the slightly better version?
And you try to aim at the slightly better version to the best of your ability.
Social media has made it very tricky because anyone can hashtag do the right thing while
they're taking a selfie of them in a thong burning a $10,000 bill.
That's the right thing in this scenario?
No, no, what I'm saying is despite, they can hashtag that and it's like, hey, I'm still
good because I hashtag do the right thing.
Very confusing situation.
I was trying to imagine what bizarre version of the ALS challenge would be to wear a thong
and burn a $10,000 bill.
I hope there's a $10,000 bill.
Get on that.
Is there a $10,000 bill and who's on it?
Is it Tilden?
Who is it?
It's got to be some obscure political figure.
I'll check.
It's Tilden.
I think it's Tilden.
It's got to be Tilden.
Tilden.
Tilden.
Tilden Swinton.
Tilden Swinton.
Okay, the $10,000 bill featuring the portrait of President Lincoln's secretary of the treasury,
Salmon P. Chase.
Salmon P. Chase.
Yes.
Salmon?
Yeah.
Salmon P. Chase.
Like the fish?
Spelled that way.
That's really not the thing to cling to in this story.
They then got onto a 40-minute conversation about salmon.
So to tie this back, to do your job for a second and make this podcast, Get Back on
the Rails.
Thanks a lot.
I'm glad you're here.
So when you're talking about the tipping thing, that's performative, but it's a performance
for one person.
That's what's interesting about it to me is when I found myself doing that, it was like
the only person who would even see this is the person who's receiving the tip.
And so it's a micro version of performative donation or giving or whatever you want to
call it.
And yet it's still when I realized I was doing it and had been doing it for a long time,
I felt gross about it.
I felt sick about it because I was like, am I so shallow?
I need even on an individual basis, I need people to know that I'm the good kind of person
who tips.
That's a very odd human foible.
And I think as I wrote about this too, I went around and asked, I did a straw poll of all
of my friends and every single one of them copped to doing essentially the same thing.
It's a fascinating thing about humanity that on a one-to-one basis, we want other people.
I weirdly think it's an optimistic thing because I think what it means is we all want to do
good things and we want to be seen as the people who do good things.
There's something, even though it's kind of weird, I took some hope from it because I
feel like if the instinct is in us somewhere to not only do a small kind gesture, but to
be seen as the kind of people who do those gestures, even if it's embarrassing, I'm kind
of, I don't know, it makes me kind of hopeful or something.
Well, because it's a societal glue.
It's an adhesive.
When you look at footage of January 6th, you can really feel what's going to hold this
thing together and I think individual acts of goodness, even if they are done so that
people can feel like a good person and they're getting, there's no such thing as a completely
selfless act.
If that's what holds us together, then fine, so be it.
Yeah.
I mean, the scary thing when you're talking about national or global events is you think
like this is, it's a nice idea that these little acts of kindness or societal glue can
hold us together, but there are institutions that are far, it's a little bit like the global
warming thing, right?
Drive an electric car, use less water when you water your yard.
Those are all good things to do.
Then you read an article that says, well, 85% of the water used in California is used
for agriculture, so you turning off your faucet while you brush your teeth, even if every
single person in greater California did that, there's still enormous other things that need
to happen.
That to me is the danger, is that you get into this zone of, well, nothing matters.
Nothing matters.
Then it doesn't matter.
Then why should I bother?
Right.
I do feel that even though it is factually true that turning off your water when you're
brushing your teeth isn't going to solve the drought, that the mindset that goes along
with acts like that, that's what's important.
This gets into not just moral rules, but I have comedy rules, I know you have comedy
rules.
Sure.
I knew our mutual good friend Greg Daniels has a lot of comedy rules, and we're a believer
in comedy rules, and if we see other people not following comedy rules or we think taking
shortcuts, it can cause us some kind of pain, but if it looks like it's working, then you
think that causes you more pain.
It causes me more pain and rage, and then I start to think, well, what am I have my
stupid rules for, and then I think that's not the point.
The point is, I made these rules a long time ago.
I think these rules are important.
They're important to me.
They may end up being meaningless, but I need to follow that path.
Yeah.
Well, that's one of the hardest things about trying in any way to be ethical in the modern
world is that you can look around and see a whole lot of people who are not only not
trying, but are actively trying not to be ethical, and they're really rich and powerful.
You're like, well, what's the point then of trying?
It's harder to make ethical choices.
Very frequently, it's the more difficult choice.
It's either requires more time, energy, money, concentration, whatever.
When you see a bunch of people who are wildly successful by flaunting the very concept of
being ethical or caring or having any kind of moral compass, it's a real bummer.
It's just like, well, then why am I working so hard to figure out what the right move
is where I park in this grocery store parking lot or whatever when that guy is a senator
and is happily living his life inside or trading.
We have a, the elephant in the room is we've had a president, Trump, even his followers,
his ardent followers, don't think he's an ethical person.
They just think, screw it, that doesn't matter.
I like a swagger, and so I think, and that's a hardcore MAGA hat wearing, Trump should
serve 35 terms and should continue to serve after he's a corpse, he should still serve.
That person, if you started to say like, well, can we just look at his ethics that say ethics,
schmethics, what are we talking about?
That's not what we're talking about.
And you think, well, I mean, yes, nobody's perfect, but this is someone who clearly thinks
that that's a joke.
And I also think that part of that is that we have now been through any number of presidents
and senators and everybody else who's in power in this country who have claimed to care about
ethics and then have been revealed to be deeply unethical people.
And so I think part of that attitude is actually, to my mind, understandable.
Yes.
It's like, well, that last guy said he was, or not the last guy, the last guy was ethical.
Bill Clinton said he was claimed to be a sort of like ethical, upstanding guy and he had
certainly has more than his share of problems.
And so do any number of senators and congresspeople who have put forward the idea that they are
the good kind of people.
Right.
And then it's like there's a terrible scandal.
Yeah.
In a way that Trump's people would say, and maybe they're not wrong, is even quasi-refreshing.
This is someone who said, didn't pretend.
Right.
Didn't pretend.
Said, hey, look, I've been in New York real estate.
Yeah.
And you don't know how.
He talked about it.
He said, if only I can work the system, like he was bragging about the fact that he knew
how to get dirty and that people, I think, were refreshed, felt a sense of like, this
is refreshing, that he's just saying like, yeah, I'm going to do a bunch of weird stuff.
You have no idea how terrible I can be.
He told us that up front in his inaugural address.
He said, just watch.
You're not, you haven't seen nothing yet, guys.
This is going to be awful.
And you got to give them that because, you know, we've been this, there's this controversy
in the last year, year and a half, two years of taking down statues.
We clearly have had these great people in history that have contributed great things
and great ideas.
We build statues to them and then we're confronted with great flaws in their character, terrible
things they did, and there's a big debate.
And I have long been of the opinion that there shouldn't be a statue of any human person.
And that the minute you carve something out of stone and put it up, you're at the same
time you might as well set a timer because there's an expiration date.
There's an expiration date on all of us and it's why I was raised very Irish Catholic
and in the church and grew up seeing people, you know, put into caskets and there's a graveside
memorial and I for a long time have just thought, I don't want to, I don't want to grave.
I don't want, I don't want any piece of earth that says, here's where this man was because
I think I'm okay with just going away.
Here's where this man was.
Well that was, I spent a lot of time trying to sum up my life and I came up here's where
this man was.
So stirring tribute to you.
Here's where this man was.
Wait, so he lived here at his grave?
No.
Look, was it the best?
I was trying to be poetic and it came out wrong, just go with it.
But it's written in stone, certainly you had time over your life to change.
Here's where this man was.
No, I said it.
You wrote it into your will.
This is what you wanted the person to say.
You had the stone made nine years before you died.
It was notarized, why is there a statue of him here?
One statue, there's seven statues.
I've always wanted to be found, left in a field somewhere where I can be found by people.
Thereby, like kids on a scavenger hunt, finding me and then that traumatizes them and that's
how I live on.
You wanted their trauma.
You want to be the cold open of a law and order episode.
Yes.
Yes.
A jogger.
It's always a jogger, it's always a jogger and then like, oh my God.
And they're in the middle of some personal drama with their girlfriend and you and my
mom never got along and then like, Conan O'Brien.
Conan O'Brien.
Anyway, I've come to the no one should get a statue and I'm bothered, I'm going to say
when I drive by huge tracks of land that have been given up to graves, I always think there's
a timer on graves.
People visit them for a period of time and then those people pass on and then no one
knows who that person was and there's all this beautiful land that could be a Chuck E.
Cheese.
Oh my God.
And I think should be a Chuck E. Cheese.
You got a little Boston with that, you were a little bit Merrick Quindy.
Oh, I believe.
Every funeral home and graveside should be a Chuck E. Cheese.
Should be a Chuck E. Cheese.
The things that I've put forward here, first of all, someone out there is going to use
my gravestone saying.
Here's where this man was.
Here's where this man was.
And I think there will be a movement to turn most large graveyards into Chuck E. Cheese.
It's only natural.
It's a natural fit.
Have kids playing video games on the pile of dead bodies under their feet.
Instead of the bin, wait, so instead of the giant bin of balls, it's going to be just
skulls.
Just skulls.
Rolling around and skulls and bones.
Oh my God.
Yeah, like the pool and poltergeist.
All right, so I have a number of things to say about this because I generally agree
with you.
I think that the problem with statues is that once a thing is carved in marble and put on
a pedestal and like one year goes by, everyone loses perspective on the reason it was done
to begin with.
So in this recent movement to take down some statues of people who maybe aren't deserving
of them, there's no distinction being made between a statue of, let's say, Thomas Jefferson
that was put up in 1807 or whatever and a statue to a Confederate general that was put
up in like 1952 in New Orleans as part of a we wish segregation were still happening
movement because after a while you look at those two things and they're just two stone
or marble statues of famous people on horses and you don't understand that there was an
enormous difference between venerating guy A and venerating guy B in terms of the motivation
behind it and the people who did it.
So that's one problem.
Another problem is what you're saying about the countdown clock is real.
My pitch for the statue industry, for big statue, the statue industry in America.
We also get a lot of money from big statue.
My pitch is if you put up a statue, there is a board of review that after some amount
of time, 25 years, 50 years, whatever, reviews it and says like, do we still want this statue
here and then you have to constantly check in because new information could have come
to light or the world could have changed in some way that now means that this person,
the problem is that the veneration, the eternalizing and the veneration of these people without
anyone being able to wave their hand a little bit later and say, hey, you didn't take into
account this aspect of this person is problematic.
And the last thing I would say is that it's very tricky to judge people from the past on
the standards of the present and we, this country has had this enormous reckoning in
a lot of different ways, not just me too and post George Floyd racial societal reckoning,
but just in general, we're a very different country than we were even call it 20 years
ago.
And so there is a temptation to take the standards that we have now and go back to 1776 and say,
well, that person didn't live up to these standards and it's like, well, no, of course
that person didn't live up to these standards.
And if you try to apply the current standards to everyone in history, no one will measure
up not just Thomas Jefferson and John Adams and Abe Lincoln, but you and me.
Like if someone, you and I both worked as an L, no, wait a minute, I would hold, I would
hold up.
No, I am a bedrock of morality.
I think your statue would be torn apart immediately.
I think the people sculpting it would get up to.
They would be tearing it down as they were building up to, they'd get above the waist
and they'd be still chiseling away at the torso when they would start taking it apart.
And mine would continue to exist long after this planet doesn't exist.
Sure.
So I don't know what your point is.
Here lies, here lies this perfect man.
Here's where this perfect man was.
I guess the only point is to say like that's my border of review thing is like, let's say,
let's give ourselves a little bit of a break in terms of applying all of the standards
that we now have here in 2022 retroactively to everyone who's ever existed.
And say like, we're not going to do that, but we're also going to say that every so
often we're going to check in and say who are the people that we are choosing as a society
to celebrate and venerate and who should be the people who represent our country.
And if those people don't live up and it's like, okay, well, it's time to move on.
Some people are sacred like, look, George Washington owned slaves.
There's no way around that.
He also was the guy who founded the country.
So you don't throw the baby out with the bathwater in every situation.
But and this is the key, you also don't pretend he didn't own slaves like that.
That's the thing that drives me crazy in this, in the people who are complaining about the
way that the country is gone and the way that we're doing this now.
It's like, they want to try to compartmentalize people and there's no reason to do it.
George Washington isn't offended by what we say about him now.
He's been dead for 200 years.
And I don't see the problem in saying holding two ideas in our heads at the same time.
He was offered the crown of life and he turned it down.
And so let's celebrate what is amazing and incredible about that guy.
And when we do that, let's also remember that he was a flawed person who lived in a flawed
way, who owned slaves, which is a reprehensible thing to do and not try to pretend that either
of those things isn't true.
I'm reminded sometimes that there's a legal term of we will have zero tolerance and that's
something lawyers came up with, meaning we can't be sued if we say this company, you
know, Evil Co, has zero tolerance.
He's a supporter of the podcast.
Oh my God.
Don't get me started.
Huge supporter.
Their logo is all around the studio.
It's very impressive.
They are of the makers of Evil.
They're the best.
They are.
They really get it out there.
But Evil Co can say we have zero tolerance for any kind of shenanigans and zero tolerance
is not human.
And so we're in a place where I think people making mistakes and forgiving them or putting
that into the context of their larger life seems like it gets lost in moments.
Yeah.
I mean, look, I think that most of the people that I hear complain about what they now somewhat
reductively and almost meaninglessly refer to as cancel culture are really complaining
about essentially consequence culture, where like in the old days, meaning pre-19 or 2017,
I could do whatever I wanted and I would never get in trouble for anything and now suddenly
I'm getting in trouble for things.
What the hell?
Right.
And that argument is extremely bad.
Yes.
It's a bad argument.
No, no, no.
I don't know what to say.
I am 100% in agreement on that.
I think when I talk about forgiveness where I'm trying to take it is there's a lot of
people who are afraid to take on questions of morality, questions of ethics, questions
of what's the right decision because it can inevitably lead to, well, here I probably
made the wrong decision and I think that needs to be accounted for and you account for it
in your book.
Yeah.
You say that you can take on this pursuit and you can find yourself lacking and people
can find one another lacking and it doesn't mean they're damned to an eternal hell.
Right.
So the last thing that I wrote in the book, the last chapter in the book is about apologizing.
And what I say is essentially this isn't really ethics, but it's sort of like adjacent somehow,
which is like, we're going to screw up.
When you screw up, like it's hard.
Apologizing sucks.
It's so hard and it's embarrassing and your face gets hot and you avoid it and you keep
like having conversations with people you should apologize to and then not apologizing
to.
Oh, you're talking about apologizing and meaning.
Yeah.
Yeah.
Oh.
I was like, I don't know what the fuck this guy's talking about.
Sorry you were confused.
I didn't understand.
Yeah.
I'm sorry.
I didn't pay you last year.
I mean, bookkeeping error.
I should have clarified.
Sincerely.
Sincerely.
Oh.
So tell me, so what's that like?
So your face gets hot.
You feel shame?
What?
So I wrote this chapter and I talk about how the Catholic church, to bring this back to
your life, apologized to Galileo like 360 years after they put Galilean or house arrest
for saying that the earth revolved around the sun and not vice versa.
And I wrote this chapter and I thought it was pretty good, but I didn't have an ending
for it.
And I didn't understand how to end it.
And then it was like a week before the book was going to be printed.
I suddenly realized, oh, I need to write something else.
And the thing that I added was, okay, you sucked it up and you apologized.
Now you have to put yourself on the other side of the equation.
You have to understand that other people are going to screw up because they're also human
beings and human beings grew up.
And so they're going to come to you occasionally and they're going to apologize to you.
And what are they looking for when they apologize?
And they face down that ugly feeling and that shame and that flushed face.
What they're looking for is forgiveness.
They're looking for you to say, it's okay.
Like this caused me some pain, this upset me, but you are sincerely coming to me.
And again, I know you can't relate to this, but you are sincerely coming to me and saying,
I'm sorry.
So what they want is forgiveness.
And so now that's what we should all strive for.
And the key is what is a forgivable action?
Like that's the question that none of us can really answer.
And it's an individual decision and these things are on an individual basis.
Whatever the person did that they're apologizing for, sometimes you'll find it forgivable
and sometimes you won't.
But the point is that you should start from a place of, can I find it in myself to forgive
this person for what they did?
So I'm very hopeful about this.
I really believe that it's going to be okay.
It's just that both sides have to, we have to get into a position where we get better
at apologizing when we screw up and we get better at forgiving people when they have
screwed up.
And if we can get to that point, I think we'll be in a good place.
You talk about this in your book and you talk about luck.
I think there are a lot of people, especially in show business, because that's the world
I know.
It's really the only world I care to know.
Oh God.
It's the only world that matters.
Thank you.
From your ellipse to God's ears.
I don't want to, I hear there are other people doing other things, building things and digging
things.
I don't want to hear about that.
But one of the reasons I bring this up is that I'm very conscious of the fact that there
are people who really believe that they made their reality and that's why they're a pop
star or a top comedian that they made all this happen or they're rich because they earned
all of that.
And I think, no, this gets very tricky for me, but there's a lack of shame.
There's a lack of perspective.
There's people that this hubris that the reason I'm a billionaire or the reason I'm a millionaire
or that I have the nicest house on the street is because of what I did, which is not the
case so many times.
Yeah.
I mean, the example that I give in the book is Michael Jordan where legendarily the hardest
working, the most competitive guy, right?
He worked harder than everybody else.
He wrote his teammates harder than anybody else.
He practiced the most.
He took the most free throws after games, whatever.
The idea of saying Michael Jordan didn't deserve everything he got seems crazy and I understand
that.
But Michael Jordan was 6'6".
He didn't get 6'6", because he worked really hard at being tall.
Like he didn't put in the time in the gym.
He actually, well, I'm sorry, he went to Sweden and he got stressed.
He had four vertebrae inserted in a very controversial surgery in 1977.
I see.
I should issue a retraction.
I too have had that surgery.
It's not just his height.
It's also his parents being supportive of what he did as a child and being able to pay for
equipment.
It's the date of his birth.
The thing I say in the book is Michael Jordan's born 50 years earlier, no one's ever heard
of him because the NBA didn't really exist and he wouldn't have even been allowed into
a non-integrated NBA.
So it does require this extra level of, like you say, Google Earth is zooming out to kind
of understand this stuff.
But it's something I think about all the time in relation to my own life and it's because
my particular path, I just always have focused on these weird sliding doors moments where
I could have gone that way.
I went the way I went because it seemed like, well, I'll try this.
And then it turns out that's the greatest possible way I could have gone.
I happened to decide to leave Saturday Night Live after the 2004 season because my then-girlfriend
now wife had moved out here.
We were dating long distance and it was like one of us has to move.
So it's like, okay, I guess this is the year I'm leaving.
So I was like, I'll go to LA.
I'll try to get a job.
And I essentially got one job offer and that one job offer was from Greg Daniels who was
adapting the office.
And I know that he picked me out of the giant pile of scripts because he liked my writing.
And that's the part that I did.
But then the success of the office was maybe one percent due to me and one percent due
to Mindy Kaling and one percent due to BJ Novak and one percent due to, you know, five
percent due to Steve Carell and four percent due to whoever and 81% due to Greg Daniels.
Greg Daniels made that into the thing it was.
And I just, my little floating dinghy happened to like float up next to his cruise ship at
the exact right moment and he yanked me on board.
So it's not, it's not self deprecating to say that you're a lucky person.
I think the reason people sometimes don't want to do it is cause they feel like, but
I've worked so hard and I've done, I've made these choices and I put in like I worked harder
than I've ever worked when I was on the office cause I just wanted to do a good job.
And it doesn't take away from what I did to say that also I was the benefit of this wildly
given fortune that led to the whole thing.
I think to try and, you know, there's some common themes here.
And one is keeping two ideas in your head, seemingly contradictory ideas in your head
at the same time is a very wise definition of intelligence.
And importantly, in terms of empathy, which I think is a, is like a, we're at, we have
an empathy deficit in the world right now.
And if you can hold those ideas in your mind, then your, your next logical conclusion is
there are people who work really hard who are not lucky.
And there are people who are really lucky who don't work hard at all.
And both of those things are painful in different ways.
Like if you see someone who is rich and famous and successful and powerful and doesn't do
any work at all, it can be really irritating.
And if you see someone who you know, who is incredibly hardworking and diligent and talented
and has just been super unlucky and has a tough life, that can cause you pain as well.
And it just helps you keep those things in perspective and remind you that like when
you work really hard and are really lucky, that is itself its own kind of luck that is,
that you should bow down and be grateful for, you know, like that it helps you understand
other people more too, I think, to know that those two things are true, that some people
have one and not the other, some people have both, some people have neither.
I get on this thing about the internet, which is the internet as it's a brand new tool.
It's changing society more than the atom bomb did in 1945.
Without question.
It is shoving us and our egos and ids, it's shoving it all up against each other.
And that's why we're having this conniption fit right now, to use the term that no one's
used in well over 140 years.
I heard that on Leave It To Beaver.
Yeah.
Thank you.
I'm trying to educate.
Round and roll, conniption fit here.
As my mother would say, it's all sixes and sevens.
What?
Don't ask me.
I don't know.
Her other one was, I think things have gone randy boo.
No.
Yes.
Trust me.
I grew up in a very strange house, but we're being shoved up against each other and I think
that I attribute so much of this to the internet because I don't think, I think we will adapt.
I don't think we've adapted yet.
No.
This is the rubber meeting the road and it hasn't settled.
Like, you know, the way I think of it always is, you know, that thing of like, if you're
angry, when we were kids back in the olden days, people would say, if you're angry at
someone, write a letter, but then put it in your desk drawer overnight.
If you still want to send it the next day, then you send it and almost always you end
up realizing like, okay, I've cooled down, I don't need to send this letter.
The internet is like, you get angry, you write the letter, you march over to the person's
house and you shove it in their face and you point to it.
And with the letter is a picture of your penis.
That's the big difference.
Yeah.
I don't understand why this penis is here.
Well, I added that because I was aroused.
My anger.
My anger.
My anger towards you over your Hyundai backing into my Excel angered me and aroused me and
then I took this picture of my penis and taped it to the letter I put through your mailbox.
But no, I think that's exactly right.
The other thing is, I think the good news about humanity is most of us, I think, when
confronted with a person who's in pain, we want to help.
I've seen this time and time again.
More people are good than are not good.
I agree.
And when someone's in pain, when someone's unhappy, when someone's uncomfortable, the
urge is to help, to help them feel better.
And that's, I don't care who you voted for, I don't care if you're wearing a MAGA hat
or not, that is most of us.
Most of us want to help another human being.
What the internet's done is obviously made everyone seem not real so that that person's
virtual.
They just said that my idea was stupid.
So I just wrote back, I hope your mother dies.
I mean, first of all, that's an exchange that I apologize for.
And I was talking to my brother, which really made it fucked up.
Personally, my mom's fine, but I just lost it and I forgot that we had the same mother.
But I do think it's making, it's the others.
It's too easy now for there to be others.
Everyone's anonymous.
It's not even, the picture is like a cartoon dog and the name is like jumble of letters
and numbers.
And you're not thinking of people as human beings.
I mean, I've often thought that the single best way to cure a lot of the darkness and
evil on the internet is just make it a law that everyone has to use their real name.
Yeah.
And I say this by the way, as a guy whose Twitter handle is at Ken Tremendous.
So it's like, I'm not going to deal with this.
You were born Ken Tremendous.
That's true.
It's my...
In Ann Arbor, Michigan.
It says here, 1952.
God, you're old.
You know, I'll say this, we have talked longer than I usually talk to anybody on this podcast.
Is that true?
How long have we been talking?
I was talking to President Obama on this very podcast when he got to 50 minutes.
He was mid-sentence saying what he thought the new direction of America should be.
And I said, that's all the time we have for you.
You're doing a swift kick in the ass.
Yeah.
And then I...
Well, I didn't kick him physically because there was secret service, but I did.
I cut it short.
And then I told people about this amazing service called Fracture, where you can get...
Oh, God.
Come on.
You can get a print, put on glass.
Oh, my God.
Fracture.
If you've got a print and you want it on glass, make it Fracture.
By the way, President Obama also talked about luck when he was on this very podcast.
Yes, he did.
And it made me think, well, I should be president.
That's what I really thought when I heard him.
I thought the same thing.
I said, Mike Schor should be president because I'd only ever seen your name written and not
read.
We've met many times.
I know.
I know.
And trust me, I know how to say your name.
Can I say one more thing before you give me a swift kick in the ass and kick me out of
here, is I'm a person as you might have been able to tell from reading the book who is
tortured.
I'm personally tortured by my own failures, my own ethical and moral failures.
And this isn't technically ethics, but the Emmys in like 2000 and something, I ran into
you.
This is literally 20 years ago and you were with your wife, Liza, and you said, I came
over to you.
I had only met you maybe once or twice, but I saw you and I think maybe you're writing
Safa just one for the first time.
And I went over to congratulate you and I said, hey, congratulations.
You said, thank you so much.
This is Liza, my wife.
And I said, hi.
And I essentially turned away from her and talked only to you for about eight minutes.
And she sat there, stood next to you the whole time.
And it is a thing that has tortured me for 20 years that I was so rude and unpleasant
to her and that I basically was talking to like the guy I knew, but also like the famous
person.
And I'm sure this is a thing you've talked to your wife about before, but it has honestly,
I think about it probably once a month for 20 years.
I thought about how, and I haven't seen her since and I would like to apologize for her.
But so funny because she thinks of it constantly.
Yeah, I bet.
And no.
No, but it's one of those things that you learn.
Well, that's, I know what you mean.
I know what you mean.
We all have those.
We all have those moments where, but fortunately, my wife, by the way, yesterday, we celebrated
20 years married.
Congratulations.
So it's time to move on.
You got married on January 12th.
Yeah, we did in Seattle.
And Greg Daniels was there.
Why January 12th in Seattle is an odd date and time and place.
Because most people worry, will it rain on our wedding?
And we knew it definitely will.
And you wanted the coldest rain.
We wanted a cold, dreary rain to make the rest of our marriage look great.
My wife remains the loveliest person I know, and very understanding and would not hold
that against you for a second.
So you stop worrying about that.
I'm glad to hear you say that.
I would like to hear her say it so I can actually believe it's true.
Well, you're not going to get that.
I'm not.
She hates me.
She's livid.
So she is a massive fan of your work, and as I said, the good place was required viewing
for the entire family.
And I also would be remiss if I didn't mention, you brought up Greg Daniels in this interview.
Greg was my writing partner when we started out.
And I think if I hadn't started out with Greg and had him at my side, I would not have jumped
into this business.
I was way too scared, and it turned out that I chose just the nicest, most brilliant guy
to help me get launched in this business.
So I'm so glad that you have consistently said such nice things about Greg because he
deserves it.
And he has done so much for so many people in their careers.
And unlike me, doesn't demand praise on the air.
He is confused and scared by praise.
I would say.
Yes, confused and scared.
And it goes to me, while we've been doing this interview, I've had nine portraits of
myself made, and 35 statues have been erected.
The statues I was going to bring up, yeah.
We've had a lot of statues.
But you know what?
My solution to the statues things is let's not make them out of granite.
Choose a stone that dissolves over a 30-year period, so the statue has to be rebuilt.
All stones should be made of like a very hard soap.
And then literally the guy starts to fall off the horse and the horse starts to collapse.
The horse slowly just is kneeling and kind of tips over on the side.
Yeah.
And that's my solution.
All statues made of a very durable soap.
I love this idea.
And then you don't have to have a public referendum.
It's just like, hey, there's two more rainstorms and we're done with this guy forever.
Well I'll say this, Mike, sure.
The world is a better place because you're in it.
We've made so much great television.
And by the way, just as a side note, when I watch your shows with my kids, occasionally
I've seen them mouthing along with them because they've watched them 15 times.
And that I find frightening.
And they think of all the books they could have been reading, so fuck you.
Anyway, Mike, sure.
I got it.
I got it.
You did.
I wasn't sure whether he was going to say fuck you to get it.
No, no.
I got it.
Congratulations.
I'm not on the wire.
The only guy to really give it to Obama.
How to be perfect, the correct answer to every moral question is a tremendous book.
Get it.
You're going to love it.
And if that's not enough, you can watch The Good Place, The Office, Parks and Recreation.
The list goes on and on and on.
This was really fun.
We got to do it again.
Make sure.
Anytime.
Okay, I'm not sure when this is going to go out as part of the podcast.
But it's an experience that happened to me yesterday, which is I was taking my dog for
a walk.
I have two dogs, but the other one's quite old.
Whenever I say, do you want to take a walk?
He says, go fuck yourself.
Yeah.
And he says it in perfect English.
You might just not want to be seen with you.
Probably.
But then the other younger dog is always cool to go with me.
So we went on this hike up through Will Rogers National Park and it was really nice.
We were having this nice walk and we stopped and I bring water with me so the dog can drink
plenty of water.
And this guy recognized me and he came up to me and he said, oh, hey, Conan, could you
help me out?
I'm about to propose to my girlfriend and I didn't know what part I was going to play
and he said, can you videotape it for me and handed me his phone.
He handed me his phone, which was already set to video.
Oh, you are the last person I would ask to videotape because I feel like you would mess
it up.
No, okay.
I'm not saying that to hurt your feelings.
Oh, is there another way that can be taken?
I don't know.
I feel like you would just forget to press the red button.
No, it was going.
I've checked to make sure that it was going, he didn't trust me either clearly because
he started it and handed it to me.
So he has video of me saying, and I think, and then the first thing I said to him was
I looked at him and I saw that his girlfriend was up the trail just a little bit chatting
with someone else and I said, are we sure about this?
Because I just thought, you know, guy to guy, you just want to say like, and it was kind
of joking.
But I'm like, are we sure about this?
And he went, yes, I'm sure.
And then I realized, why did I say that?
Yeah.
I thought you meant, are we sure about this me as videographer?
No.
You know.
No.
Stop.
Would you guys get off that for a second?
I know how to aim something.
I can aim something.
It's already running.
All right.
That's, that's, that's not, and that's not a big claim, but let's just shut up about
the don't don't phones just explode when you hold them because they know you're so stupid.
So no, I, um, they do not several did, but most don't.
So I said, we sure about this and he went, yep, then I immediately was like self-conscious
because I'm thinking, why did I say that?
I'm going to mess this up.
No.
Shut up.
But then I realized like, that's a rude, like what if he had said, gee, I don't know
that's no one's asked me that yet.
I might have.
So but he was, uh, he was the surest young man I've ever seen.
And so, um, I shut up.
So he goes up and he starts, first of all, he takes out, uh, he has a backpack.
He goes up to his girlfriend and he's like, hold on a second.
She's like, what's going on?
He takes out of his backpack.
He takes a knee pad, straps it to his knee.
Yes.
And then he kneels, hence the knee pad in the dirt and she's like, what's happening?
And then he takes out the box and then she puts her hands up to her mouth and she's starts
like, I think crying.
And you're standing there.
I'm saying that now, listen, I'm a distance away and I didn't want to blow it.
If I, if I go rushing up and I'm shooting, she's going to know something's happening.
So I'm kind of far away.
Not doing a pinch zoom or anything like that.
Hold on.
But then I start, I start, and you know what?
I don't know to do the pinch zoom.
Okay.
Okay.
And guess what?
I don't, you're right.
I don't know to do the pinch zoom.
So what I do is I creep up and I'm moving closer and closer and closer as he's proposing.
And then there's a tree and the friend who's there is also shooting it and the girlfriend's
face is blocked.
And so I think I should move around for a different angle.
I'm actually putting some thought into this.
So I come up, coming on the tree and then I get this like nice side shot and you know,
you can see that she says yes and everything and then we're done and they turn to me and
they go, thank you.
And then I stop it and then I realize that the way I've shot it, it was me being really
conscientious about, you know, let's get in close, let's move around the tree.
It's the point of view of a murderer who's killing, it's the opening scene of any horror
movie is a young man and a young woman kissing and creepo is moving up and then moves around
a tree to the side and then pushes in on them and comes in for the kill.
So their proposal video is like by Wes Craven, you know?
And so, yeah.
This is crazy because you know what just happened to me, I'm not even joking.
Halloween, we're in South Pasadena where the literally the Michael Myers house is the house
from Halloween and we walk by and two people, a guy proposes to his wife on the steps of
the Michael Myers house and I started videoing it and gave it to them and I shot it for them.
Is he wearing a hat too?
Wait a minute.
Wait a minute.
Wait a minute.
The same guy who's just going around following and he's a super fan of this podcast and he's
just finding all of you and he's like, I need you to film me proposing to my girlfriend
and it's a safe person.
Wait a minute.
So you were filming them without even being asked.
I was asked to do it.
You're a creep.
You're a stalker behind the tree.
Please.
Matt.
Did they ask you or not to shoot it?
No, but there was a...
That's creepy, Matt.
That's a sacred moment.
Hey, both of you shut your mouths and listen to me.
Okay.
This is the angriest we've all ever been in each other's lives.
Shut up.
You shut up.
Shut up or I'll kill you.
You'll stick a dick.
Fuck you.
Shut up.
Okay.
All right.
This was at Halloween so there was a crowd of people at this house.
Everybody was filming it.
Like it was, it was a celebration.
It was...
Oh man.
It's, you know, that's, it's like a Mecca at Halloween where everybody goes there that
likes the movie Halloween.
Yeah.
Well, anyway, I, I just want to say to that couple their names are Paula and Hugh and
they just got engaged at Will Rogers State Park and I was their videographer.
I apologize that when you play the video, whoa, please do this when you, whenever you
do look at that video, put scary music to it.
It's going to look fantastic because I didn't mean to do that.
Oh my God.
But it really does.
I think you should definitely put scary horror movie to it as I'm creeping up on you guys
and that by the way, that's a service I do provide.
You can call me anytime and, and hunt me down and I will, I will provide that service.
Conan O'Brien needs a friend with Conan O'Brien, Sonam of Sessian and Matt Gorely produced
by me, Matt Gorely, executive produced by Adam Sacks, Joanna Salataroff and Jeff Ross
at Team Coco and Colin Anderson and Cody Fisher at Year Wolf theme song by the White Stripes.
Music by Jimmy Vivino, take it away, Jimmy.
Our supervising producer is Aaron Blair and our associate talent producer is Jennifer
Samples, engineering by Will Beckton, talent booking by Paula Davis, Gina Batista and Brick
Kahn.
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