Consider This from NPR - How One LA Neighborhood Reveals The Racist Architecture Of American Homeownership
Episode Date: May 10, 2021Property ownership eludes Black Americans more than any other racial group. NPR's Ailsa Chang and Jonaki Mehta examine why. They tell the story of LA's Sugar Hill neighborhood, a once-vibrant black co...mmunity that was demolished to make way for the Santa Monica Freeway.Their story is part of NPR's special series We Hold These Truths.To take a short, anonymous survey about Consider This, please visit npr.org/springsurvey. In participating regions, you'll also hear a local news segment that will help you make sense of what's going on in your community.Email us at considerthis@npr.org.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
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Ron Nickerson grew up in a charming little pocket of central Los Angeles called Sugar Hill.
The street was very wide.
We had the old-style lanterns.
There were all kinds of craftsmen houses, five, six, seven bedrooms.
So we're talking about big houses.
Ra's brother Van says they used to walk around selling lemonade.
We got our wagon, and we'd go up and down the street selling lemonade.
Right.
Sugar Hill was named after a wealthy black section of Harlem. In the 1940s, the L.A. version was much the same.
Home to doctors, oil barons, even Hollywood stars like Hattie McDaniel from Gone with the Wind.
If you don't care what folks says about this family, I does.
I has told you and told you that you can always tell a lady by the way that she eat in front of folks like a bird.
On screen, she may have played a housekeeper or an enslaved person,
but in Sugar Hill, she hosted extravagant soirees in a sprawling mansion.
People like Duke Ellington and Ethel Waters would show up and perform.
If you drive around L.A. today, there are a lot of neighborhoods
that still look like something out of the golden age of Hollywood.
Sugar Hill is not one of them.
On a recent afternoon, I stood with Ra and Van on an overpass looking down at the Santa Monica Freeway where their childhood house used to be.
Where the freeway is now right here, this overpass.
Right there where that sign says,
quarter, next three exit.
Lift it up, our house is right about there.
Consider this.
That freeway, built over Sugar Hill almost 60 years ago,
was made possible by deep structural forces.
Forces that have made it harder for Black Americans to own homes
and to build wealth through home ownership.
Unlike Sugar Hill, those forces still exist today.
From NPR, I'm Elsa Chang. It's Monday, May 10th.
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Today, it seems like everybody's got a bone to pick with the news.
So it happens when somebody stops talking smack and just decides to wage all-out war?
First thing you do in an evasion, you eliminate the communications of the enemy.
And what happens if they win?
Visit Stockton, California, for a story about a revolt against the mainstream media
that's shaken up a city.
From NPR's Invisibilia.
It's Consider This from NPR. Now,
this isn't just a story about a Black neighborhood getting demolished to make room for a freeway.
This is a story about how Black residents of that neighborhood had to fight to live there in the first place. I reported this story with NPR producer Janaki Mehta, who's going to help me
tell it from here.
The homes in Sugar Hill, like so many that were developed and built in the early half of the last century, they were subject to something called a racially restrictive covenant.
So when property is sold, it's a rider included in the deed that says,
this property can only be sold to other white people.
And it would list who would be excluded
from sale. Kiyango Yamada-Taylor wrote a book called Race for Profit, which was a finalist
for the 2020 Pulitzer Prize in History. Sometimes it was Jewish people, different immigrant or
ethnic groups, but primarily it was a tool to exclude sale from African Americans.
Racially restrictive covenants became popular after the U.S. Supreme Court outlawed another
form of housing segregation known as racial zoning, which is just what it sounds like.
City government could come up with racially designated blocks within a community and say,
white people live here, black people live there.
After that practice was deemed illegal in 1917, the real estate industry shifted to
racially restrictive covenants as a way to stop black people from moving into white neighborhoods.
Ron Nickerson told us she actually remembers her dad explaining all this to her when she was younger.
Well, my father would talk about
covenants. As a child, I worked with him in his real estate business, and covenants were alive
and thriving, you know. He would show me documents, and he would show how the covenants were worded.
No blacks, no Jews, just blatant hate, and it was, it was everywhere.
In 1940, 80% of properties in LA had racially restrictive covenants attached to them.
And those covenants were a key part of Sugar Hill's history. See, Sugar Hill wasn't always a Black neighborhood. It became one when white homeowners began to willfully violate racial covenants,
in part because some Black buyers were willing to pay more than white buyers
because they had less property available to them.
The first known Black person to buy a home in Sugar Hill was Norman O. Houston.
He knew very well at the time that he was defying a covenant attached to the house he bought in 1938.
Here's Ivan Houston, his grandson.
He recognized things that were unfair, and he felt he was as equal as anybody and nothing should hold him back.
So he kept pushing as far as he could push, but legally.
But as more African Americans moved into Sugar Hill, one white homeowners association didn't like what was happening.
So they sued their black neighbors for violating these racially restrictive covenants.
Hattie McDaniel, Norman Houston, and dozens of other black families fought back with their own black homeowners association.
Ivan Houston still has this old notebook that belonged to the association.
Okay, let's see.
The pages are all browned with age.
The handwriting is in this tidy cursive.
That's the book of the minutes
that, you know, Granddad was the president of the group.
It has all the minutes of the restrictive covenants,
the redlining, and the meetings
to start changing the restrictions.
Those meetings to change these restrictions, they went on for years.
But then, on December 5th, 1945, the parties entered a courtroom. Legal historian Amina Hassan
says that day, you could see wealthy Black Angelenos dressed to the nines.
Patty McDaniels and hundreds of sympathizers appeared in court in all their finery.
This is what a reporter said.
The stylish atmosphere in the court was such as to make one wonder
if the judge would pour tea during the afternoon recess.
This crowd had shown up not only to see the Hollywood stars,
but also to take in the legendary NAACP lawyer, Lauren Miller, who argued their case.
His presentation was electrifying and the people were waiting for a good show and I believe they got a good show.
Miller argued that racially restrictive covenants were unconstitutional because they violated the 14th Amendment,
which mandates equal protection under the law. And remarkably, that argument worked.
Hassan says this victory was about more than simply winning the right to stay in Sugar Hill.
It was about giving Black people in Los Angeles access to a better life. Housing was the crux of it all. It opened those avenues for them
to move beyond the one part of Los Angeles designated for Black people. They could have
their children in better schools, and they could find jobs in the area. Housing opened the door.
Eventually, the Sugar Hill case in California paved the way for a 1948
Supreme Court case, Shelley v. Kramer, which would ultimately deem racially restrictive covenants
unenforceable nationwide. At the time, that victory felt momentous. To Ron Nickerson,
it meant maybe the system could be used to help Black people live where they chose. You don't make waves, but you quietly use the legal system.
You quietly talk with your brethren,
and you systematically step by step,
but you kept your focus.
You knew that it was necessary for Black people
to live where they wanted to live.
But it didn't take long for Ra and her brother Van
to learn the two of them wouldn't actually be able to live
where they wanted to live.
A few years after Shelley v. Kramer,
rumors began to spread that the government intended
to demolish Sugar Hill to make room for a freeway
as part of a federal push in the 1950s to modernize America's roadways.
Black residents in Sugar Hill banded together again.
They headed to the state capitol and lobbied against the freeway project.
But this time around, they lost their fight to stay in Sugar Hill.
The California Highway Commission unanimously approved a new freeway
that would split Sugar Hill in two
and plow right through Raw and Van Nickerson's childhood home.
I watched the tractor bulldoze these homes down.
And I was still young.
We used to go and play in the lot where the freeway was being built.
I remember the sand. I remember play in the lot where the freeway was being built.
I remember the sand. I remember standing in the sand.
I remember when it rained, there were puddles,
and we played in the sand puddles across the street where they were building the freeway.
The government seized the Nickerson's home through eminent domain.
Now, while the U.S. Constitution requires, quote,
just compensation for any property acquired through eminent domain,
Ron Nickerson says her family was cheated.
I remember my father telling me about eminent domain and how there was no option to stop this.
The valuation for our home was quite low.
It was not market value that we were compensated for.
And so it was quite an upheaval.
An upheaval that Ra's father said would never have happened if Sugar Hill were a white neighborhood.
He was very, very angry.
He felt the city government resented Black people living there, and this is their way of demolishing a very viable community to support racism.
At the time, highway planners used the language of science to justify building freeways through communities of color.
That's what Eric Avila says. He's a professor of urban planning at UCLA. They presented a kind of dizzying
array of charts and graphs to insist that this was the most economically efficient route for this
particular freeway. They denied any questions of race. They denied any questions of bias.
What they did instead, Avila says, was say that they were targeting so-called blighted communities.
I don't think we know the extent to which Sugar Hill was designated a blighted area because, you know, it was affluent.
But in the discourse of urban planning in the mid-20th century in the United States, blight was often synonymous with people of color and with African Americans in particular. Around the same time the freeway construction through Sugar Hill began, the
California Division of Highways proposed another freeway that would cut through Beverly Hills.
But when that wealthy white community protested, officials canceled construction.
Almost 70 years later,
the Nickerson's still feel the loss of their childhood home.
It was just sad.
I really felt very secure in the community.
That's all I knew, you know.
So it was, I was quite rattled by it all. She and her brother say after the freeway forced them to leave their childhood home,
they never quite
experienced the same safety and comfort that Sugar Hill provided. And we moved over onto Bronson Avenue
and I immediately got to some problems. Most of that neighborhood was white and a white boy called
me in front of my house and pardon my vernacular, but I kicked his ass.
You know, that was the beginning of the real world for us.
The Santa Monica Freeway connected new suburbs to the city, but it erased much of the Black
community of Sugar Hill. When freeways carve through communities, property values decline,
which means less money for schools in the area. Not to mention,
in the decades before and after Sugar Hill vanished, redlining and other racist policies
at the Federal Housing Administration prohibited Black Americans from buying homes in many of the
nation's newly expanded suburbs. The Fair Housing Act of 1968 ended that kind of discrimination
in theory, but in practice, it's never been enforced
very well. Well, this is part of the problem. I mean, you can't have 35, 36 years of legal
discrimination and then declare it over and expect that the legacy, the history, and the impact of
those policies and practices just wither away overnight.
Kiyenga Yamada-Taylor, who you heard from earlier,
told us that all these policies, compounded over generations,
have held Black homeowners back in this country.
For example, paying higher interest rates, paying more fees,
because of the cumulative impacts of these policies and practices over these several decades
reconstituted their neighborhoods as risky, reconstituted them themselves as credit risks.
And with risk come the legal pretext for treating Black consumers differently.
So you can be included, but you have to pay an additional price to do so.
Before we parted ways that day, Van and Ron Nickerson closed their eyes and they listened
to Sugar Hill one more time. I hear the rumbling of the automobile. You can almost feel it sitting here, shaking the ground.
That was non-existent when we were kids.
It was quiet.
Very quiet.
You can't hear the birds anymore.
As we walked away from the freeway overpass,
Ra Nickerson headed to the corner to catch the next bus to Inglewood, where she lives now.
And Van got into his car to begin his journey back home to a town more than an hour away.
His drive would begin on the Santa Monica Freeway
and take him right through the middle of what was once known as Sugar Hill.
That story you just heard is one of many that we reported on this month
about the barriers that have held back
Black homeownership in America.
Find more stories from that series
at the link in our episode notes.
And just a reminder,
if you have a few minutes to give us some feedback
on the podcast,
we would love to hear from you. You can share your thoughts at npr.org slash spring survey.
That link is in our episode notes too. It's Consider This from NPR. I'm Elsa Chang.
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