Creating Confidence with Heather Monahan - #283: How To Show Up As The Most CONFIDENT Version Of Yourself, With Kim Rittberg Digital Video Expert & Content Strategist
Episode Date: January 3, 2023In This Episode You Will Learn About: Embracing a life of authenticity How to be your best self on camera Developing your brand messaging The M.E.S.S.Y framework Resources: Websit...e: www.kimrittberg.com Join Raise Your Revenue With Video! Listen to Mom’s Exit Interview Email: kim@kimrittberg.com LinkedIn: @Kim Rittberg Instagram: @kimrittberg Youtube: @kimrittbergcontent Overcome Your Villains is Available NOW! Order here: https://overcomeyourvillains.com If you haven't yet, get my first book Confidence Creator Show Notes: Being the most confident version of yourself is the BEST way to succeed in business! No matter who you are, it’s normal to feel nervous when it’s time to sell yourself and get in front of the camera. Taking the leap of faith to start filming video content will help you connect with your audience and GROW your business! Video strategist and award winning content expert, Kim Rittberg, is here to help us perfect our brand’s messaging and share our stories with confidence! It’s time to STOP worrying about how you might look or sound and just START today. About The Guest: Kim Rittberg is an award winning content strategy expert in TV, digital, video and audio! She’s been featured by Business Insider, and spent 15 years as a media executive at Netflix, US Weekly, and People Magazine. Through her company, Henry Street Media Kim helps brands and professionals be better on camera and make authentic content to grow their businesses. As the host of Mom’s Exit Interview podcast Kim inspires women to craft careers that work for them, instead of the other way around! If You Liked This Episode You Might Also Like These Episodes: CREATE Strong Connections With Your Cues! With Vanessa Van Edwards The Lead Behavior Investigator At Science Of People Title The KEY To Building Confidence Through Failure, With Professors & Co-Authors Wendy Smith & Marianne Lewis Why NOW Is The Time To Take A Leap of Faith With Annabelle DeGrazio, CEO and Founder of Taja Collection
Transcript
Discussion (0)
Nowadays, it's all about being authentic.
And so I think that professionals just have to be themselves.
And I really, like, I'm the biggest cheerleader who's never been a cheerleader in high school.
I really am such a cheerleader.
I believe so strongly that everyone can put themselves out there and can use that to grow their business.
Because you don't need to be perfect.
Like, you really don't.
You don't need to be anchor.
You just need to be yourself and the most confident version of yourself.
Because if you believe in what you're talking about and you're knowledgeable, you're teaching people.
You're educating people.
And if you're funny, then you're entertaining them.
I'm on this journey with me.
Each week when you join me, we are going to chase down our goals.
We'll overcome adversity and set you up for a better tomorrow.
I'm ready for my close-up.
Hi, and welcome back.
I'm so excited for you to meet Kim Ritberg today.
She's an award-winning content strategy expert in TV, digital, video, and audio.
She's been featured in Business Insider and spent 15 years
as a media executive at Netflix, People Magazine, TV News,
and launching the first ever video unit for Us Weekly.
I love Us Weekly.
Kim has been a speaker and instructor at Penn, Syracuse University,
and General Assembly, and is a graduate of the University of Pennsylvania Annenberg School.
Through her company, Kim helps brands and professionals be better on camera
and make unforgettable content to grow their business.
She also hosts Mom's Exit Interview Podcast, which I was just on,
after deciding to quit corporate to run her own business after working in the hospital while
giving birth to her second child.
The podcast helps women craft careers that work for them instead of the other way around,
even when it seems terrifying.
Kim, thank you so much for being here today.
Thank you so much for having me.
First of all, tell us a story.
How were you working when you were giving birth?
Like, what is that whole nightmare?
What happened?
It was a whole nightmare.
That's exactly true.
So I had been working in media for 15 years, and I had the opportunity, like, seriously dream job.
I've been in TV news for 10 years.
I switched into digital, and I got to run the Us Weekly Video Unit and not just run it, but like build a business inside a business.
And it was everything I wanted.
Like, I'm really, like, very ambitious.
I love, like, building something and I loved running a team.
And it was such a dream come true.
So I was leading a 17-person team.
I had my first baby there.
I joke.
I had two babies, baby Lily and Baby Us Weekly.
And a very amazing unit full of great creative people.
But when I was pregnant with my second, we were getting acquired.
And typical messy acquisition, everyone's getting fired or laid off or quitting or whatever.
I wasn't laid off.
None of my team was fired or anything.
Actually, the new people said, we love the video unit so much.
It's a big part of the reason we bought it.
I'm like, oh, well, this is my reward.
Like, everyone on my team is quitting.
All of my peer executives were laid off.
And I had to build everything I had just built over the last two and a half years while
nursing a newborn, again, all from scratch.
And I just, I was just, I realized this is just not what I wanted.
Like, I just felt like this caricature of myself, I'm in the hospital, in the labor and
delivery room, getting fluids, you know, the ivies.
And I'm on my phone saying, okay, if, um,
John doesn't want the job, then you should offer it to Eliza.
And then if Eliza can't happen, for this job, look at this person.
And I'm like, what am I doing?
I felt like such a caricature of myself.
Like, I'm actually like a whole well-rounded normal person who doesn't do that.
And it just, everything felt out of whack.
And I decided that day I need to figure out a different way where I can bring my skills
and my experience to the working world, but in a way where I just have more control.
I want to be fulfilled professionally, absolutely.
But I also want to be present with my children.
and I have little kids and for as long as they want me around, I want to be there a little bit more.
So that's when you decided, you decided that day that you were out.
I decided that day that something was off.
But just like real world, it's messy.
I took two more years and two more jobs to launch my business.
So, you know, I come from media.
The soundbite is like, I was in the hospital and then I launched my business and now it's so
successful.
No way.
I earned like a few thousand dollars freelancing in that area I thought I would wash my business.
and then I was a little bit stressed out, like, how am I really going to make this be a full-time
career, a full-time salary, a full-time income?
And so I took two other jobs.
I worked at Pop Sugar as a vice president of branded content.
And then I worked at Netflix in marketing.
And I loved those experiences.
I valued them.
But I 100% knew I wanted to work for myself at that point.
It just, you know, just I really had that clarity of I want to take all the things I've
learned and help people.
And I do feel like I learn all of this.
from media and also branded content.
So I'd work with Target and Essie and Kia and AT&T
crafting these really interesting branded content projects.
And I feel like there's all these professionals and smaller brands out there
that could use someone like me.
So I'm like, you know what?
I'm just going to try it.
I'm just going to go for it.
I have no idea what's going to happen.
And I just started, like you say, you know,
I just started putting one foot in front of another.
I told a few people that I was looking for clients or projects.
I made sure to say I'm not looking for full-time work.
And I launched my business.
And so my business, I help businesses and professionals be better on camera and make
amazing content to grow their revenue and their client base.
And it's been amazing.
But like I definitely had that at the beginning.
My confidence was like all over the place.
I'd have a great project.
And then I'd be like, no, one's ever going to hire me again.
But of course, like if you're doing good work and you're meeting people and your networking,
you will get clients again.
Like your business will keep growing.
And I'm on year three and every year is better than the last.
Oh, that's, I'm so happy for you.
I'm so happy that you finally made that leap.
All right.
So let's get into, I love this topic about the importance of video content, how to become
confident on video, how to shine on video and how to create content for businesses with
video because so many companies that I've consulted with, I'm on the board of a company
that doesn't create video content, right?
But then I even look at myself, Kim, and you and I were talking.
about this off air, I can get up on the biggest stage in the world and I'm like,
wind me up and let me go. But the minute I'm sitting at my house alone and thinking,
okay, I guess I should probably create video content. I'm sitting with the phone. Then I get
frustrated. I'm like, what am I even going to talk about? Forget it. No. And I put it down
and I don't do it. So what is this full? Why are people afraid or resistant or like what,
what is this stuff point with video content? So you raise the best point. As soon as you put a camera or an
iPhone in someone's face and you turn that little red or green button on, it steals your soul.
Instantly, everyone's insecurities, self-doubt, just feeling like you're not interesting comes
out. So I've worked with executives, CEOs, Congress people. Everyone is like, I don't know what to
say. Like, I'm not interesting. Why should I talk? I'm like, of course you are. Like, you're so smart.
You're so established. So the first thing is everyone feels this way. I think the level setting is super,
super important because it doesn't matter who you are, what your background is, like, you know,
your job, everyone feels self-conscious on camera. So I think understanding that helps then to the next
stage, figuring out why are you putting yourself on camera? Once you really identify that this is a
business goal, I think it's a lot easier to say, okay, maybe I don't feel that comfortable.
Maybe I'm not really sure why I'm filming an Instagram story in my bagel store, but I understand
this in some way is helping people connect to me, is putting myself out there to grow my business.
So I think, number one, everyone's self-conscious.
Number two, that is just so important to understand that you need to remember it's a business
goal.
Otherwise, if you're trying to be an influencer, that's a different thing.
But you're primarily trying to put yourself on video or on podcast because you want more
clients or you want more revenue.
So then from there, it's really, really all about practice.
it's a skill and you have to start every single day talking to your camera. It's an uncomfortable
and awkward thing to do and the first 10 times you will record yourself, you will hate it.
You'll hate hearing your voice, we'll hate seeing your face. It doesn't matter what you look
like. You'll think you look terrible. So every time it gets easier. I have a couple of like nitty,
gritty tips that I give people. So first there's the mindset stuff. Before you're about to film,
play some fun music, whether you're, you know, a, you're, you know,
a person or you're like a EDM person, play that music that makes you feel great. And that's going
to get you into the right mindset. Right before you're on camera, got to do breathing. Our body
does that fight or flight. It's like, I don't want to do this. I'm so nervous. Like your breathing
is off. Your brain is shutting down a little bit. The breathing will help you come into the body.
So you're feeling good with music. You're getting your breathing. And then you have the messaging,
which it's a little out of order.
You've got to have your message down because I think you can never, ever be good on camera
if you don't know what you're going to say.
Like, you have to have that.
So those are the three main things I think is really important for people to remember
being on camera.
So it's that messaging.
It's that getting into the right mindset.
And then there's that breathing.
So those are like the three things.
And then as you're filming to your camera, you have to just get into practice every
single time it's going to get a little easier.
You've got to feel like you're talking to your friend,
whoever your friend is, you have to be conversational. And this is a hard thing because it is one of those
things that only comes with practice. But the more you do it, at the beginning, I did on-camera reporting
for like local news, like many years ago. My first videos were awful. I was a deer in the headlights.
I was robotic. I was impersonating what I thought a reporter should sound like. Everyone does that.
Over time, you'll get your own voice. And your own voice on video will soon sound like your actual
voice. So I think those are the real keys. It's messaging. It's getting to the right mindset.
It's doing the breathing. And then it's talking casually and conversationally to your phone,
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quince.com slash confidence so around the messaging because this is super interesting to me I always
figured and I know I don't know I figured just like ad lib turn the camera on and just talk right
I never thought about like be strategic, Heather, and have a plan.
However, now that I'm thinking about it, I sat down with a friend of mine and she had
written out all these questions.
She was off camera and she was asking the question.
It was so easy to create the content that day because there was a, it was very much planned.
And, you know, she knew what the goals were and what question she was asking me.
So it was very easy for me to answer.
When you are working with a person or a brand, how do you guide them around that messaging strategy?
So messaging is the most important thing before you even lift a camera or take your phone out.
So at the very core of it, you have to know what you're offering people and you have to
know who you are as a brand or as a professional.
Once you have that, you write down your message.
I generally recommend for people to slash 30%.
Okay?
Because you want a really succinct and high energy message.
The more words slows it down, slows down the energy.
So my number one thing is you write down.
I'm Kim Ritberg.
I'm an award-winning content expert.
I spent 15 years in national media,
and now I help professionals and brands be better on camera
and grow their business with content.
Every time I try to say, okay, can I take out one or two words?
You try to get it tighter and tighter.
So that messaging is really, really important.
So that's one of the things.
And then I do, I think the elevator pitch that I teach people
also comes into point for messaging.
When we think about messaging, it could be for brands,
it could be for professionals.
Messaging is also selling yourself, right?
So if you're doing an elevator pitch,
you have 30 seconds probably to tell yourself
and know more than that, truly.
And I think about that message is A, B, C.
A, you get your accolades right at the front.
You tell somebody, if you have your Harvard MBA,
you put that right in the front.
Business.
Your business background or anything like that
that relates to the thing that you're talking about
or selling.
And then C, creative.
any fun spin that makes you you.
You know, if you travel the world for a year,
if you're an Olympic lacrosse player,
just like something fun, that's personal,
that cracks open a way to talk to you.
So that elevator pitch message
can be applied to a lot of different things,
but I think that's the way.
And the reason I created this framework,
when I worked in media,
I sat on these panels with hundreds of people pitching me.
And I got pitched all the time just because I was a TV producer.
And people come up and they'd say,
oh, I'm a dentist, I do this and that.
I love kids.
And then I would be like, you went to Oxford or like, you invented the type of enamel for teeth that is used all over?
Whatever that accolade is, that should be the first thing you're saying because that's really selling me in on you.
Because when you're trying to get on media, you're trying to get press, that journalist or producer, they have to love you, but they have to sell you to their boss too.
They have to be like, Heather is the best.
She was a CRO.
She was the number one person in her area.
she made $55 million.
I'd be like, wow.
And then I feel like I can sell you to my boss.
So those are a couple of things to really keep in mind
when you're creating that elevator pitch or the messaging.
When you look back at your career,
having been at people, at us, Netflix,
what were some of the commonalities,
things that each one of these massive companies did
around their content strategy that you saw was a theme
so that we can all learn from that?
And what were some of the nuances or differences
that made each one of them different?
this is such a great question. So what I love about my career is that I feel like I've gotten
to learn so many different things. So I started in TV writing stories that are 30 seconds,
maybe two and a half minutes, breaking news and entertainment. And then over time shifting to digital
video, which is not on TV, obviously, it's like it's on your phone or it's on your computer,
short form. But within there, I also did hour long content. So I really understand how to tell
a story short to long. And then I switched into podcasts as well. So now I'm sort of like a Jane of
all trade. One of the things that I find for all of these things that I help brands apply to it
is we talked about this before about the message. When you're starting to do content, you get your
message. Make sure it's not too complicated. So all of these things that you never will see a media
outlet tell a story that's about like 20 different people all around the world doing something.
It's always like there's three potential people or there's, you know, one couple and this other
couple and they're intertwined. Like it's not too complicated because people don't
like something that's so complicated. So when I teach people I have this like I'm auditioning a new
framework called the messy framework. I'm auditioning with you, Heather. So M, your message,
not too complicated. Tell your granny. Go call your granny. Explain what you're about to do.
Explain the message you're about to do. Read her your script. If she doesn't understand it,
that's not your message. Okay. Keep boiling it down. Boil it down until your seven-year-old cousin
and your granny can both understand it. Then you have a great message. So that's something from
Netflix to Us Weekly to cable news, the message super simple. You're on camera. This is more
like for professionals being on camera. A lot of professionals like don't want to be on camera,
but you have to be. I think there was this trend for a little while that I saw in digital
video where it's a lot of content and words, but not a lot of sound. And if you still see it a little
bit, but not as much, people really like connecting with faces. They really like seeing people and
getting to know you. So I'm all a fan of an inspirational quote, but putting yourself on camera is
really the way to go. And so I think you're seeing that as a trend back to that. You're seeing that
really everywhere, YouTube, TikTok, Instagram, people putting themselves on video because that's how
you build connection. You know, that's how you, that's how you get to know people. So putting a moving
quote on a screen, it's just never going to build that connection in that same way that a person well.
Oh my God, this thing, as I said up, this is a messy plan, right? M-E-S-S-Y, message. E, easy to understand.
that's the ES strategy plan.
You need a strategy.
So every one of these places, you would never just turn on a camera and be like, guess what?
We're recording.
You know why?
That's a huge waste of money.
It's a huge waste of money.
So every time you're recording something, you don't have a script or you don't have a plan.
You're wasting your time.
You're wasting your money.
If you hired a camera person or an editor, you're wasting everybody's time and money.
So you really have to come in there with a strategy.
And so that's for every single place.
And it's interesting.
You know, now that I work more with professionals or brands,
they sometimes feel more time-starved or perhaps budget-starved.
But so does everyone.
You know, I was running a 17-person team at Us Weekly.
I had to say no to plenty of great ideas.
So plenty of celebrities would pitch us weekly to do a video,
and I would say no because you're always going to run out of time and money.
So you have to have that strategy and plan and decide, like,
what's important to me right now in this quarter or in this half year.
And you have to be really ruthless.
and you have to really stick to that because money and time's going to go away.
Okay.
And then the why is you're a journalist.
You're always a journalist.
You're never a salesperson.
No offense, Heather.
I love me a good salesperson.
But the main thing is you will never see media outlets and you should never see brands selling.
No one wants to watch commercials unless it's the Super Bowl.
So that is like one of the keys.
And when I did branded content within these media outlets, you know, when we're working with
Swiffer or Target or Essie or AT&T or whoever or NyQuil ZEQuil, you're never making an ad.
You're really always thinking, how can I make this fun?
How can I make this feel like something?
Somebody would want to watch on their phone.
So that could be entertaining.
That could be educational.
I could be touching.
It could be moving.
But it can't just sell.
As soon as it's selling, everyone's swiping by it.
Nobody wants to watch that.
So those are some of the things that I feel like run through both all of the,
the media outlets and also the branded content I did at those outlets. I feel like those are
the messages that I have taken with me and now I try to apply to brands and professionals because
people don't know that. If you're a lawyer, you're a doctor, you're running your wellness
clinic, you haven't spent 15 years in media. So why would you think about that? You shouldn't.
No problem, you know? But now that I have thought about that, I really do apply that.
And that's what I think is like really, really interesting. It's just getting your headset as
a journalist. Like, what do you think somebody would be interested in hearing from you? And it
takes a little bit of mindset shift. But once you do, you will have just like a Google Doc
full of ideas. Like once you unlock that, the brainstorm is just going to flow.
How do you get these brands and companies to drive revenue if you don't want them selling
on video? How do you convert? So converting is, you know, that slow process, you know, like no
and trust, all of that. Like people have to feel a connection to your brand. And you have to
stay relevant to them continuously. You're going to have multiple touch points, right? So they might not
buy from you from that video about the best smiles in America. I'm just like making up a random
thing. Like maybe you're a toothbrush brand or you're a dentist or whatever and you're doing
something about like the greatest smiles in America and it's videos of like old ladies and babies
and whoever, right? Maybe someone's not clicking and buying from that video, but it's got to be a
part of your mix because if all you're doing is selling, you're not even going to have followers.
If you're only selling, it's like the equivalent of your mail being full of junk mail.
You know, it can't always just be offers and discounts and coupons and stuff.
It has to be, you have to build that relationship.
And you see brands, there are lots of brands doing amazing on social.
That's because so little of their content marketing is selling.
So much of it is marketing.
And also some of the content marketing.
So content marketing obviously, you know, is the sort of marketing that companies are doing
that make it fun and make you want to watch.
it, but you think about fashion brands, you know, they're doing lookbooks or shoes, like,
you know, I get in my Instagram feed or all birds or whoever. Some of those, in theory,
they're selling because it's full of their product, but they're cool and they're fun. It's more
like a music video rather than like on sale now, 50% off, you know, it's bringing you into
an aesthetic experience and it's fun and it's colorful and it's, you know, so it has to be a part
of that because if all you're doing is selling, you've already lost. So you're more advocating
for creating content to develop the relationship rapport and then maybe drive them to a website
or drive them somewhere else where you're going to then convert.
Yeah, I think you have to have those convert points, but it's not the majority of your content
because if the majority of your content is the conversion points, I think you honestly don't
have enough people even in there to then even get to converting.
You have to have the majority of your content being things that people truly want to consume
and then that's going to convert.
And I think that's forever.
I think that's for professionals.
I think that's for brands.
That's for products.
that's for services. And I think you see that with the most successful people and the most
successful brands. If you really look at their content, a lot of it really is things that you're
like, oh, that's pretty or oh, it's interesting. You're not saying, you're not looking at their
feed going, oh, 50% off. Oh, sale. You know, it's a part of it, but it's not all of it.
Yeah, for sure. What are your thoughts on? Because so many companies that I've worked with and
consulted and the one that I'm on a board of, the CEO is not having a personal brand. They're not
having a presence around content creation. They're saying, yes, agree with the video strategy.
We're all in. I'm going to have my team do that they can be on camera. What are your thoughts on
that? What kind of company? I always like to think like sometimes it depends. Okay, so I have a company
that is a digital marketing services company and the CEO is brilliant, founded the company,
you know, has so many great success stories. It's so funny. And I'm always advocating for him to be on
video and he's always telling me why he shouldn't be and his team should be.
Oh, well, you should tell what he's wrong and that Kim said so.
I really do think that when you talk about someone who started a company, right,
this person must be really passionate about digital marketing that they started a company.
So I think that to hide that person away and lock them in a little tower and not put them on video
is doing a disservice to the company, but also to the clients,
because clients can feel that energy.
The person who's most connected, who's most lit up about the message should absolutely be on camera
because that is going to build that relationship to say, oh, not only are we an expert, we're going to do X, Y, and D for you, but like, I love talking about this.
I love doing this.
If you work with us, we're going to make your business, you know, skyrocket it.
And I think that it really does a disservice.
And I think, again, you know, we talked earlier about being on camera and everyone hates, hates how they look, hates how they sound.
everyone feels that way.
But at the end of the day, you're doing it for your business.
And I do think it needs to be a business goal.
And sometimes to help unlock some of the professionals I've worked with, I've said,
well, what are the things you love?
Why don't we sit down and film a YouTube series only about those things?
Like, let's do a little YouTube playlist about just these five topics that you love.
And then let's see.
You know, because I think it is hard to push people to be like, get on a panel and get on and do this and do that.
But like, let's start with the thing that lights you out and just see where that goes.
Yeah, I'm a huge advocate.
I just think it's really, really important.
Like, I feel like you put me somewhere.
I'm like, I'll talk all day.
I love this.
And I really believe, like, I also believe everyone can be great on camera because I think we're
in such an amazing and lucky time when I was in my 20s.
Of course, I'm still in my 20s, as you could tell by my voice.
I'm just kidding.
Obviously not in my 20s.
So in my 20s, I started in journalism.
And it was sort of that era where no one on TV was sort of.
of a regular person. It was like everyone was a gorgeous woman who came from a pageant. And then maybe
there were men in suits. But for women, it was a lot of pressure to really look perfect and be perfect
and speak with the perfect diction from the middle of the country. It's not like that anymore.
So nowadays, it's all about being authentic. And so I think that professionals just have to be themselves.
And I really like, I'm the biggest cheerleader who's never been a cheerleader in high school.
I really am such a cheerleader. I believe so strongly that every,
can put themselves out there and can use that to grow their business because you don't need
to be perfect. Like you really don't. You don't need to be anchor. You just need to be yourself
and the most confident version of yourself. Because if you believe in what you're talking about
and you're knowledgeable, you're teaching people. You're educating people. And if you're funny,
then you're entertaining them. But I just think it's really, really important. And I do,
I just love, like, unlocking that for people. I'm like, look how good you are. Oh my God.
You're so much better than you were two weeks ago. You know, and it's the process. It's not overnight.
you put yourself on camera, it's not a one week process.
It's not a three week process.
It's months and months and years and years.
But over time, it really is worth it.
It's so worth it.
So you tell that CEO that Kim Rickford believes in him, and he can give me a call.
I think he needs to because he's got a great founder's story.
And I personally, for me, brands that I want to invest in, I love knowing that backstory.
I mean, Sarah Blakely is such a great example of a CEO being a face of a company and
sharing that founder's story and connecting meaning and so much more to something other than just
a product and solving a problem. So I'm all in with you that founders need to be sharing these
stories, inspiring and bringing that energy and excitement and passion that they have for their business.
A hundred percent. And listen, I'm a mom of two. And I think that there's a lot of in the business world,
you're like, do I acknowledge my parent? Do I hide it? Do I like, it's a photo on my desk,
but I never talk about my kids? Whatever. There's all those questions about like, how do I
incorporate my family into my work life. And the founder's story. Like, why would I not share the story
that I was in a hospital bed and then I realized, yes, I want to work. Yes, I love working and helping
people and making great content. But there's more to life. There's more to life than that. And
there's a way that you can take control and take a risk on yourself and create the life you want.
And so like now, pretty much like any day of the week can just be like a day where I take my
kid for ice cream after school. Oh my God, what a life I live in. And in the summers, I try to work
less so I could pick them up from camp and go to the beach with them and collect shells.
I literally never thought my life could be like that.
And so hiding that story of having my epiphany in the labor room, that makes me feel
like seem like a robot actually.
So when you hide that founder's story, it actually, it makes you seem one dimensional.
And I think when you can bring the real you, and I still work, everybody still works.
I'm not that vulnerable.
There's a lot of other stuff in my life I'm not talking about.
I think we all have our privacy and our like real secrets secrets. The next episode is about
secrets. I'm just kidding. But I think being vulnerable to whatever extent you can be vulnerable
really brings people in. It makes people so much more interested. There's a hundred digital
marketing companies, but only one was founded by person X with the most amazing story. And so I think
that just bringing that in brings that humanity. And I, you know, it's funny because I advocate all of
these things for my clients. And now I try to practice what I preach more. And I've been called for all these
speaking engagements, to be on all these panels. I've been on TV like three times in the past six months.
And that's because I'm telling my story. But before that, I was like, oh, I'll help you grow with video.
I'll help you be better on camera. And I was hiding my own personal story. Not because I was
embarrassed of it. I just was like, who cares about my story? But then I really thought about it.
I'm like, oh, I'm a journalist. This is my headline. This is my why. And
And so once I decided to apply my own principles to my own business and my own story and trying
to grow my business with that, it's really unlocked a lot.
So I think that anyone who is the founder of a company or is the face of a brand, and even
if you're not the face of the brand, think about putting yourself as a face sometimes.
You know, it doesn't have to be all about you, but it should be sometimes about you.
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Like you said, people do business with people they know like and trust, and you've got to,
no matter if you're salesperson or you are the CEO,
you've got to let people know they're dealing with a real person.
There's such a higher probability of getting clothes, getting business.
And the other thing I hear from people is, well, I don't need to share my vulnerable story.
It's been told enough times by so many other.
people. It's too similar to someone else's. And I really want people to hear this. There are different
frequencies. People connect with different people. The same person that might listen to my podcast and shout
out for all of you listening right now. Thank you so much. But for that person isn't necessarily listening
to your show or is it necessarily like you and I could have the exact same message, but the way we tell it is just a
little bit different. And people have to understand different individuals will reach and connect with different
individuals and your message is worthwhile because of that. No one is going to tell it just like you.
No one has your exact unique experience and it's going to make you unique and different and
you're going to reach more in different people that I can or you can't. I totally agree.
And when you think about our fractured world of content consumption, who knows where people are
listening from? You know, people listening a podcast, people listening on YouTube, they're watching
on Instagram, they're watching on TikTok. They really don't know your whole story. And so don't,
This is the other thing I think just in all of this is like we feel like, oh, well, they've heard
my story or oh, I'm going to be judged.
First of all, people are too busy thinking about what they're having for lunch to think about
you.
They're deciding between a turkey sandwich and a BLT.
Like, they're not thinking about you.
So in the positive side of that is you have to remind them about yourself.
And so every time you're on an interview or on a video or on a press interview or whatever
it is on social media, you have to remind people who you are.
And you have to remind them of that backstory because they don't remember that.
People meet so many people.
Like you were in sales, Heather.
You've met thousands and thousands of people.
Even regular people who don't do sales meet hundreds and thousands of people in their lifetime.
They really don't remember the nuances of your story.
And so you should remind them.
You're interesting.
Like everybody thinks they're not interesting.
They are.
Everyone's interesting.
And so it's just important to remember that everybody feels that way.
But you have to remember, you are interesting and you have to get your story down.
I think that's the other thing.
Whatever your story is.
You need to write it down. You need to perfect it. You need to keep saying it. You need to keep telling
people because it feels weird to say that. It feels weird. You know, I used to feel weird bragging.
I used to be like, oh, like I launched the video unit for us weekly and, you know, it's sold for $100 million.
And then I'm like, why would I not say that louder and brag about that? That's bananas. Not that many people can do that.
Not that many people have done that. So you have to remember whatever that thing is that you do, say it loud and proud, practice it. Keep pitching with that because it is interesting.
interesting and everyone has something to say. Oh, so true. And you might inspire one person by your story
and by what you were able to do it at Us Weekly. You could inspire some young person out there to say
that they have that same potential too. And they wouldn't have known it was possible if they hadn't
heard your story. So if you're not doing it for yourself, do it for those people coming after for
you all day. And yeah, and I love to be honest about the fact that like I have an amazing resume,
except I also feel the same self-doubt that everyone else feels. I didn't feel comfortable building my
business. I didn't know I'd have clients.
And, you know, we feel super human confidence in sometimes, and we feel super low in other times.
And so I think being honest about that with people and reminding everyone, we are all humans.
We all feel bad about ourselves sometimes.
We all need like to call our mommies or our brothers to be like, am I awesome?
Tell me I'm awesome.
You know, we all need that.
And so at the end of the day, just like remember that we all are interesting.
We all are great.
And we all are worth telling a story.
And I just, I'm like, I'm truly the biggest year later.
I just think everyone has a story to tell and should be putting themselves out there because
they're hurting their business by not.
Yeah, and it doesn't have to be some crazy I got fired at 43 and reinvented myself.
Sometimes the more relatable and you think it's just a basic story, that's what people
really connect with.
Don't think that you have to have some dramatic story out there.
You definitely don't.
Even your passion for your business is interesting.
I think that that's the other thing that when you're passionate about what you do,
for people who write, maybe.
it was the semicolon that drove you crazy in 11th grade and that led you to be a writer. Okay,
you know, whatever, whatever your story is. Maybe it's, you know, you smash your tooth on a
skateboard ride when you were 12. You want to be a dentist. Okay, that's fine. You know, like,
no problem. Like, everyone's got a story. It's not, it doesn't have to be as as mega as everybody
else is. So tell us about once we, we have the messaging, we have the story, the different platforms.
And TikTok is talked about all the time. And I get so much flack from people for not being active on
TikTok. When is it enough enough? When are we on enough platforms and what are the platforms that we
should be on? It's such a good question. I start every plan with a client with their goals.
So when someone says, what should I be on? I say, well, what are your goals? Because I think that
different platforms are perfect for different brands and professionals goals. So I think LinkedIn,
we all know it's a very professional platform. All of the platforms are you get what you give.
And you got to be on there and you have to be engaging. But it really is a lot of connection.
with people. So TikTok is the hottest thing ever right now. There are adults, grownups,
and professionals on it, but still a lot of dancing young people. And so you can hit it,
you could strike it, you can blow up on TikTok. You can also spend so much time on TikTok and it's
not doing anything. So I see it both ways. I think it really depends. If you have a lot of time
and money and you could be on all the platforms, great. But truly, I think you should pick like one or two
to focus on. It's hard to do more than that, depending on the size of your business. I think you really
have to focus and prioritize. Within that, I would say as you're creating content, try to squeeze that
orange. So I just did this blog post on my site, cambrickburg.com, where you work from your biggest
content down. So right now we're on a podcast. We're talking for like 30, 40 minutes. You have that
podcast on video and audio. So that's your hero content. You've got a big piece of content, a YouTube,
or a podcast. Then you cut that up, you squeeze that orange, you squeeze all the juice out of it.
Can that be a blog post?
Can that be pretty quotes that you can put on Instagram or LinkedIn?
Can that be a LinkedIn text post?
Can it be a newsletter?
So you can really be creating like 10 pieces of content in 10 minutes once you have that
hero asset.
So it's important to remember that while it's very overwhelming to do everything,
you actually have like little hacks that once you're talking, once we're talking about
content, for example, over talking about content, we could be making 10 pieces out of this
conversation.
And no one's checking all your different platforms.
So don't worry if you're being duplicative.
And also you can pull, we're talking for 30 minutes.
We probably have seven amazing quotes.
We are so brilliant.
Of course we do.
So, you know, we probably have seven great quotes to make really pretty quotes.
We probably have seven short form videos you can cut up.
You know, you do vertical for Instagram, vertical for TikTok, horizontal for YouTube, whatever.
So you could just be cutting that up in different ways.
But I think if you're limited in terms of like time and money, I think you should really stick to two platforms, try to go all in, try to engage, try to build that community there.
And then you know, you look at the analytics and you see like, how is this content performing and you follow that.
if you have a lot of money and a lot of time, you should try everything. Great. If you have a team
and they're willing to engage on all these platforms, go for it. But most people really don't.
And so I think that I'd recommend being on a few different platforms. And I also like to say,
like, don't sleep on blogs. Don't sleep on blogs. Don't sleep on newsletters. You know,
if you use that content across video, but you're also putting on a blog, you're getting that SEO.
So Google's loving you. When Google loves you, that's great. You want to be Google's lover,
you know. So it's, it's laughing at me. But it's important, you know, to really,
just be trying to get as much as you can out of it without killing yourself and without looking
at your week and being like, I spent nine hours making content. You don't want to do that. You know,
you want to keep it a little, a little bit less than that, a little more manageable. I totally agree.
I went all in. I decided five years ago when I got fired, I'm going all in on LinkedIn. That was
my one thing I was clear on. That was my goal. That's what I was doing. And I've never deflected from it.
And it's paid major dividends. Of course, the longer you're on, the more you show up, you know,
the more credibility you have.
And then over time, now I'm able to add different platforms on.
But I agree with you.
Just be really consistent and constant and clear on what that top one or two platforms are
and just start showing up.
And then you can start reassessing if you want to add a TikTok or not.
And people also feel like, oh, goodness, I need to have all of these followers.
Like, you really need the right followers.
Because if you have a million followers, but you're not getting clients from them,
you'd rather have a thousand followers that are buying from you.
So I think that it's just like people need to get out of that popularity contest.
Like I always, every client I sit down with, I'm like, followers is never a goal.
Driving revenue, driving client leads, driving business, those are goals.
Those are real goals.
And I just think like that's the most important thing to remember.
So LinkedIn, you could meet three people on LinkedIn.
They could be clients today.
You can be on TikTok for a year and have a million followers and never sell one, $1.
So I just think it's like an important thing.
for people to remember. And one thing, I just thought about this about what we were thinking about
content earlier, the idea of using the journalistic elements of like telling a fun story. So as at
Pop Sugar, we were doing this branded content for Swiffer, you know, the cleaning moppy thing.
I have it. Yeah. I know. Who doesn't have a Swipper, right? I have a Swiffer. I think I have two.
Anyway, we're doing a Swiffer video and we're brainstorming it and we're doing it with like animals.
Okay, so cleaning up after animals. That's cute. But I was like, you know what? People love.
not just animals, but the most, the biggest, the superlative, right? So we did this video to be
the fanciest pig in America. And we featured, or it was the most, the most, what's the
pampered? Most pampered, the most pampered pig in America. And this is a pet pig that was
getting dressed up in pearls and like had a feather boa on. And when this pig would walk through
the kitchen, they would swiffer and you would keep going. That is a good example of a video that
you'd watch because it's fun, even though it's brandy content, you're watching because it's fun.
So I think that's a good example of you're getting your messaging in there.
People understand, oh, Swiffer does a good job cleaning, but you're watching it.
It did really, really well.
It performed really well.
You're watching it because it's a cute pig, and it's a pig where it's like a diamond necklace on.
So that sort of drives on that message of when you're coming up with content ideas,
think about what might your listener base, your viewer base, what might they be interested in,
your clients, what might make them laugh?
why am I make them learn?
And instead of always just trying to sell, sell, sell.
Well, Kim, for those that don't know how to be that creative and come up with ideas like this,
how can they follow you, how can they find you so they can get some more of these tips and hacks from you?
Great.
So my website is Kim Ritberg.com.
I'm on Instagram.
Instagram.
com slash Kim Ritford.
Why did I even say that?
Everyone knows how to go Instagram.
You can also follow me on LinkedIn.
I love talking content.
I just started a blog because I do believe in the power of blogs.
They're old school, but they're valuable.
And reach out.
You know, I love hearing for people.
I love hearing what's working, what's not working.
and I'm just super passionate about making great content to grow people's businesses.
And I believe that everyone can be on camera.
Well, I believe it too.
And I am challenging everyone listening right now.
Here's a challenge.
Get your phone out.
Get your video out and put up at least one piece of video content this week.
Make that commitment to do it.
Someone challenged me to do that a few years ago.
I took that challenge.
I made it happen.
And I promise you it helped my business and it will help yours.
Until next week, keep showing up.
Creating confidence you know I will be.
Come on this journey with me.
