Creepy - I've Been Digging Graves for 11 Years & The Me in the Mirror

Episode Date: January 6, 2022

I've been digging graves for 11 years, and before yesterday, I'd never found a body already under the ground***Written by: Nick Botic and Narrated by: Nate Dufort***The Me in the Mirror ***Written by...: Joe Prosit***Find our reward tiers at patreon.com/creepypod***You can also subscribe to us on YouTube: https://www.youtube.com/creepypod***Sound Design by Pacific Obadiah***Title music by Alex Aldea***Intro/Outro Narration by Joe Stofko Hosted on Acast. See acast.com/privacy for more information. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Transcript
Discussion (0)
Starting point is 00:00:01 Welcome to the bloody disgusting network. No. This is creepy. A podcast dedicated to sharing the most famous chilling and disturbing creepy pastors and urban legends in the world. Whether these stories truly happened or are simply fabrications is for you to decide. These stories may contain graphic depictions of books. violence and explicit language. Listener discretion is advised.
Starting point is 00:00:49 Creepy presents. I've been digging graves for 11 years. And before yesterday, I'd never found a body already under the ground. Written by Nick Boutik and narrated by Nate DuFort. I've owned Pine Lawn Cemetery, the cemetery that serves a small town in which we reside. for going on 11 years now. Our land is a good size, but due to the size of the town from which our cemetery draws its inhabitants, it's only about half full, despite having been around nearly a century.
Starting point is 00:01:31 About a month ago, however, an elderly man in town passed away, and his family wanted to purchase a plot of land for their family in the next to be developed area, a plot that would serve as the final resting place for members of their family, for generations to come. We've course accepted. After working out the logistics with the man's son and his wife, my own wife and I set out to prepare the land. The plot they bought was one that would potentially accommodate 80 burials, which would be enough for all the members already buried elsewhere in the cemetery, as well as, as mentioned, any members that required burials for many years to come.
Starting point is 00:02:17 We took the family to survey the area before they committed, and once we all signed some paperwork, all was prepared. I rented an excavation machine and got to work digging the first grave of what would someday be many. I used the machine to burrow into the ground, and as I began retracting the claw from the first pass. Up with it came an arm. I immediately called the police. The police force in our town is like the town itself. Very small, but even still, they brought every cop our town has.
Starting point is 00:02:57 They examined the scene of the burial. They took the moderately decomposed body, which at first glance was that of a woman in her 30s. They checked our cameras going back three months. The farthest back we kept the footage, and they fingerprinted the body. What we came to find out was that there was no evidence of any wrongdoing. There were no wounds on the body, nothing to suggest that the woman had been murdered. After an autopsy, it was found that the woman had died of a brain aneurysm. When all was said and done, the body was brought back to us, where we were to prepare it for
Starting point is 00:03:35 and ultimately cremated. We received the body on a Tuesday evening, and our initial plan was to cremate at the following day. However, I was awoken on Wednesday morning by our doorbell. When I opened our door, I was met by a man and woman in their late 50s who introduced themselves as John and Jane. John and Jane wanted to see the body of the young woman, informing me that their daughter had gone missing a year prior, and that they'd hoped it was her. Naturally, I said yes. I told them of the decomposition that had already set in
Starting point is 00:04:14 and brought them to the crematorium and uncovered the body, where they both looked at her with wonder in their eyes. They walked on either side of her, examining her from head to toe. After what felt like too long, I respectfully asked them if it was who they thought it might be. To that, I got no response. The way they were looking at the deceased woman's body was like, like they couldn't believe what they were seeing,
Starting point is 00:04:45 not in an, oh no, my daughter kind of way, but like in, I can't believe my eyes, this is amazing, kind of way. Soon thereafter, they both leaned forward, getting their faces startingly close to that of a decaying dead woman's. At first, I wasn't sure, but now, after everything that's happened, I'm sure they were whispering things, to the dead body.
Starting point is 00:05:14 I inquired again as to the identity of the body and asked them if they were okay, and this time, instead of flat out ignoring me, they turned towards me with smiles on their faces. In unison, they said, Thank you so much, and began to walk towards the exit. I was so confused I didn't say anything.
Starting point is 00:05:39 But the man spoke once they reached the door. Please keep her here. We will pay whatever fees necessary for you to keep her where she is, to not cremate her, to not so much as lay a finger on her, until such time as we no longer need you to do so. She is not our daughter, but we belong to a support group for people who, like us, have had their children go missing. we would like to give the members of our group whom this young woman might have been related to the chance to see for themselves will you please do us this kindness
Starting point is 00:06:14 i was taken aback at the request i considered it for a moment but i didn't really have any real reason to say no so i obliged telling them that they didn't need to pay me considering the purpose of doing so was potentially giving a grieving family some closure for two Two days, the body sat on the cremation shelf. I had offered to put it in the freezer, but they insisted on leaving it out, and literally left a bag of money to ensure I did, despite my insistence that I didn't need to be paid. Until the third day, when two more couples showed up, these couples too simply stared at the body in awe and whispered quietly towards it, not once giving any indication of sadness or relief that they had or hadn't found their missing loved one. Eventually, both couples thanked me in the same manner that the first couple had, before
Starting point is 00:07:16 telling me it wasn't their daughter, but that another couple was going to be by in the morning. You might be thinking that this was an odd situation, and that I should have been perturbed. You're thinking, right, and I was. So much so that after the couple that was expected in the morning. morning had come and gone, I planned to call John and Jane, offer them their money back, but insist that I was going to cremate the body one way or the other. I so very much wish that that would have been able to happen.
Starting point is 00:07:55 That next morning, a couple did indeed show up. The same thing happened. They stared, smiled, whispered, and thanked me. Once they'd left, I called the original couple, but got no answer. I waited a little while and called again, but still no answer, so that time I left a message.
Starting point is 00:08:20 I then turned on the retort and prepared the body for cremation. A few minutes before I was set to burn the body, I heard a knock on the door. When I looked through the blinds to see who it was, I saw the faces of John and Jane, as well as several unfamiliar faces. all standing very close to the door, all looking directly at me through the blinds.
Starting point is 00:08:48 Some of them were standing together, as if they were couples. Others stood alone or close together in bigger groups. If nearly thirty people, at first glance, showing up to view a dead body, presumably to see if it was their daughter, wasn't weird enough, What really took me aback Was that some of the people there Weren't even as old as the deceased woman By my quick survey of the people
Starting point is 00:09:17 Through my split in the blinds There were men and women ranging in age From their early twenties to their late 80s Including again at first glance Three people in wheelchairs I didn't open the door to the crematorium Rather I locked the deadbolted as well. A bunch of people standing outside my place of business might not seem too horrifying
Starting point is 00:09:41 on its face, but believe me when I tell you that my heart was beating out of my chest. Realizing I didn't have my cell phone on me, I stood there unsure of what to do for what felt like an eternity until someone from outside broke the silence. Let's go. We don't want to hurt you. No harm will come to you as long as you allow us to complete what must be completed. I asked what they were talking about, and without telling me they advised me that I needed to open the door, otherwise they would just find another way to enter the building. They then again assured me that I was in no danger, so long as I let them do what they needed to do.
Starting point is 00:10:24 To help me with my decision, they let me know that they could just as easily enter my actual house, where my wife and daughter were, none the wiser. I reluctantly opened the door, and that's when things got even weirder. The groups of people stepped apart from each other, making a kind of aisle for two men and two women to walk through, each of whom holding what looked to be blankets in their arms. One of the men was a beast of a human, looking to be in his late 30s, standing at least six-eight, 300 plus pounds with a bushy black but graying beard. All it took from him was a point of his finger towards the back wall for me to go to it.
Starting point is 00:11:12 Each of the four people in my crematorium began unfolding the blankets they held, and before long I noticed they were taking care to not let the blankets touch any surface, not tables, not chairs, not the ground. They worked in a weird rhythm. with three of them holding the four corners of a blanket, then the fourth, starting to unfold theirs, while simultaneously taking the corner from whoever was holding two, then placing their blanket on top of the previously unfolded one.
Starting point is 00:11:45 Each blanket was white, and each blanket had a different symbol stitched into it. Once they had all four blankets on top of one another, two more men entered. Each of the men had a piece, of linen cloth over their heads, and walked with their hands out, palms up. They then stood at the head and foot of the table, at which point they and the people holding the blankets, began to speak in unison.
Starting point is 00:12:16 I don't remember exactly what they said, but I remember a few phrases, since I'm pretty sure they repeated their chant five times. Thank you for leading us unto you, the daughter of him. a call to the great then and there to him to him to him the entire time i just stood there mid panic attack watching them when they were done it took around ten minutes for them to say their chant as many times as they did the two men at the ends of the table lifted the deceased woman's body and placed it under the blankets come come someone said from the outside and I turned my head for the first time since they'd begun unfolding the blankets. All the people outside the door were now wearing hooded cloaks, some of which were black, others a darkish blue.
Starting point is 00:13:20 One of them who had lifted the body onto the blankets, nudged me and pointed towards the door. I was essentially in shock, so I simply just walked out with a dumb look on my face. From there, I was led, in broad daylight, by a group of cloaked individuals across the grounds of my cemetery. After about thirty seconds, I knew where we were going, which was to the spot I'd originally found the body. We walked up a hill, and when we crested it, I looked across and saw more people in cloaks, as well as more holes, more bodies. and what looked to be a much larger hole in the middle of those.
Starting point is 00:14:09 As we walked closer, I counted, finding there to be an additional four bodies dug up. Once I was close enough to see, I looked inside the larger hole, which there were four people digging, and saw that there was what looked to be a gravestone that they were digging around. I repeatedly asked that they let me go, but I got no answer, and they always made sure that I was surrounded. After they finished digging out the largest hole, all the cloaked people and myself stood in a large circle. In total, I'd say there must have been around 70 people there. I asked one more time that they please just let me go, and one of few people down from me leaned forward.
Starting point is 00:15:01 forward and whispered, We need you here, Nick. You made this all possible. It was the sheriff. The person who I would have called had I been able to call anyone. The person I would have relied on to help me in this nightmare scenario was part of it. A man in a white cloak was suddenly in the middle of the circle, standing next to the large hole. I hadn't even seen where he'd come from.
Starting point is 00:15:32 It is time, he roared. Proceed. Four groups of people began performing the same ritual with blankets and linens and chanting as they raised the other four bodies from the ground. The entire group was chanting now. Only after the five times, they said their peace. They didn't stop. Rather, they began humming the word hymn, like, him. They would hold it for about ten seconds, then repeat. As all this was happening, The man in the white cloak approached me. He walked right up to me, then dropped down to his knees and placed his hands on my shoes. Thank you. Thank you. You have made this all possible. Without you, we would still be lost.
Starting point is 00:16:24 He would still be wandering. Your generosity will not be forgotten. I couldn't find the words to respond. The white-cloaked man got up and walked back to the large hole. Brothers, sisters, the time is now. Long we have waited. Long did our parents and their parents and their parents wait. But the time is finally upon us. The humming got louder. Bishops present the bodies to their final grave. The hour is upon us. The people holding the blankets brought them to the large hole, and one by one lowered them in at the foot of the
Starting point is 00:17:09 underground grave at different angles. Once all five bodies were in the ground, the members joined the circle and the humming. To him we rejoice. To him we thank. To him we give. To him we are, the white-cloaked man said. The humming ceased.
Starting point is 00:17:35 To him we are. To him, We are. To him, we are, the circle chanted repeatedly. As they did, the white-cloak man removed his cloak. He was a man in his 60s, by my guess. He continued removing his clothes until he was completely naked. Cardinal, proceed!
Starting point is 00:18:01 A member of the circle walked forward, as the previously white-cloked man dropped to his knees at the foot of the hole, facing the underground gravestone. This is my finest hour, he proclaimed loudly as he spread his arms. And with that, the cloaked member behind him brandished a knife and cut the naked man's throat. The blood from his neck poured into the hole as he leaned forward, eventually falling in. To him we are. To him we are.
Starting point is 00:18:41 To him we are. The circle continued. Then they all went silent. We all stood there for what felt like an hour, but in reality, probably no longer than a minute. In that kind of ear-shattering silence, silence that hurts. I was on a bit of a mound, so I was able to see fairly clearly what happened next. the bodies in the whole began shifting around not as though they were reanimating but each body as a whole then they start sinking lower and lower and lower until i couldn't see them any more then i heard the most blood-curdling sound i've ever heard i'm not sure i can adequately describe it it was like metal on metal made nails on a chalkboard
Starting point is 00:19:39 while also gurgling. That doesn't make any sense, then, just maybe I've described it somewhat accurately. What happened next is the most baffling thing of it all. It got dark. Night fell in the blink of an eye, but not everywhere. I could see daylight at the edges of the cemetery, but over it?
Starting point is 00:20:06 It's like it was midnight. I could hardly see the cloaked people standing next to me. What I could see even less was the hole. But I could see something. I could see the silhouette of something, crawl up and out of that hole. The cloaked people dropped their knees, and I instinctively followed suit.
Starting point is 00:20:30 Whatever it was, it was large. Its silhouette must have been seven feet, easy. I wanted to cry. I did cry, I think. I threw up, too, I'm pretty sure. I even pissed myself. But that happened when whatever this thing is,
Starting point is 00:20:51 this demon, this monster, whatever it is, walked up to me. It reached out and put a finger under my chin so as to make me look up at it. I expected something that was ostensibly from hell. to be warm, but its touch was ice-cold. I can't even explain the shape I saw. It was humanoid, to be sure, but it was jagged and rounded and angular and smooth
Starting point is 00:21:21 and any other contradiction you can think of. I could feel it looking at me. I couldn't see its face, but I knew. It was making guttural sounds as it breathed in and out, and without that noise stopping, I felt it communicate with me. I don't know if it was speaking telepathically or what, but it thanked me.
Starting point is 00:21:48 It thanked me, and then it turned around, let out a shriek that was just a much louder version of the noises that had emanated from the hole as it was being birthed, and took off, sprinting on all fours. I passed out from fear or shock or something, as I heard it run away into the selective night. And as it did, I'm like, 60% sure the darkness moved with it. When I came to, I was alone in a field.
Starting point is 00:22:24 The large hole was empty, and I finally got a look at the gravestone. There was no name on it, but rather it was inscribed with the symbols that the blankets had had stitched into them. I ran back home, called the state police, and I've spent the last hour typing this out while I wait for them to arrive. I'm dreading having to tell them what happened. But luckily my wife saw the darkness over our home
Starting point is 00:22:57 since it's on the cemetery grounds, so at least to that, she can attest. I don't know what they let out. I don't know what that thing is going to do. i don't know anything besides what i've told you but if you have any questions i will answer to the best of my ability good luck creepy presents the me in the mirror written by joe pro set when i was in lockup the mirror wasn't made a glass it was polished steel bolted to the wall so i couldn't break it and turn a shard into a shank. The reflection was always dim, hazy, tarnished,
Starting point is 00:23:54 which was a blessing. It spared me from seeing who I really am. That's the hardest thing about being on the outs. Out here with you? All the mirrors are crystal clear, as if they're hardly there at all. As if the only thing stopping me from moving through them is myself. I step out of the shower
Starting point is 00:24:18 wearing just a towel. One of those eternally soft, thick cotton towels that you never find on the inside and swipe my palm across the glass. And there I am my worst self. And maybe you think that when I say that I'm being metaphoric, that I'm being too hard on myself, that I need to let go the past and focus on my future and move forward. But you don't understand. As I lean in close with my straight razor in hand, ready to trim the stubble, I don't see the same thing you see. Not that clean-cut, well-mannered, well-groomed person I'm trying so hard to be.
Starting point is 00:25:07 I see a version of myself covered in filth and viscera and blood and decay. And the bathroom around me? Our bathroom? It's also a macabre closet of horrors. Rithing worms and waves of beetles move along the walls. Decomposers feast on bones and flesh. Fungi and viruses spread out as soft beds of living fuzz, only to wilt into slime. and in the center of it all is that photonegative version of myself, mimicking my every movement.
Starting point is 00:25:53 His eyes are always fixed forward, locked with mine. I'm unable to break away from them. Whereas my pupils are black, his of a night shine like a predator in the woods. But as long as he's on that side of the mirror and I'm on mine, and it's okay. I can look evil in the face, and by doing so, contain it, whenever I reach out and touch the glass,
Starting point is 00:26:24 maybe I'm not touching glass at all, but blocking him from crossing the boundary between our worlds to tell you the truth. My worst fear is that one day I'll look in the mirror and not see that horrible version of myself, because that would mean our movements to have gone out of sink. Then there will be nothing stopping him from going through onto this side.
Starting point is 00:26:53 So when I wander into the bathroom to take a piss at two in the morning, and I see those beady moonshine pupils glowing on the opposite side of the glass, I'm not unsettled. I'm comforted. Then, one morning, it happens. He's not there. The moldy, putrecha. a disgusting bathroom is still there, but I have no reflection at all.
Starting point is 00:27:24 And I'm terrified he's escaped, that he's crossed over and he's waiting for me around some corner, lurking in alleyways, watching me, waiting, trying to figure me out so he knows how best to hurt me. Or worse yet, that he is me, that we've merged into one and somehow I pulled him through. And now that he knows everything about me, he'll use that knowledge to hurt you. I try to conjure him back to the mirror, but he won't show himself. He's gone. Or he's so close I can no longer see him. Like the tip of my nose underneath my own eyes. I can't recognize him anymore. and that's always most dangerous. I've forgotten the face of evil.
Starting point is 00:28:23 So now, evil could be anywhere. I think I might have to do more to draw him out. I think I might have to commit evil in order to expose it. And what could be more evil than hurting you? You're innocent of all this, forgiving, kind, beautiful, I could hurt you. Not badly, not permanently. Just enough so I could see him again. So I can fix him to a solid spot like nailing a tiger's tail to the wall. It won't hurt much. What am I talking about?
Starting point is 00:29:09 I could never hurt you. I could never do anything to bring you harm. But I won't do nothing and let harm find you either. Omission, in this case, might be far worse than come mission. Perhaps a trick is a thing. A trap. Something to make him feel safe enough to come out of the shadows. I have to offer him what he really wants. Blood, violence, and depravity.
Starting point is 00:29:42 A sacrifice. Nothing major. No burning altars or dead animals. I think a single drop of blood should suffice. I do it in the bathroom, close to the mirrors, so I'll know which side he's on, and so he can flee to the other side if he's on ours. I wait for you to come out of the shower. He'll be wearing white, just a cotton towel,
Starting point is 00:30:12 but white like a bride all the same. My straight razor is ready to draw a slice across your back as you gaze in the mirror. It's fogged over. The other side unclear, just like that polished steel mirror and lockup. I can't see the other side as I wanted to. But I can't delay any longer. One quick cut across your back. You scream.
Starting point is 00:30:43 Your blood is as vivid as a neon light. It paints the pale canvas of your skin and the white towel. It drizzles off my razor onto the floor. And when it lands on the tile, the splotches are black. By now you've turned to face me. You push yourself away from me into the corner against the mirror, and because no one is there to stop you. Through the mirror, meanwhile the black splotches on the tile floor expand.
Starting point is 00:31:18 They're spreading swaths of thaws like bacteria and a petri dish. The blackness grows First is something alive and consuming Then is something rotten and stinking Slick with a glisting film That's when I noticed my hand It's black too The blood your blood
Starting point is 00:31:43 It pours the black over my fingers And the process begins here as well I'm covered in a festering, living, dying, tar. It works its way under my skin, along my blood vessels, up my arm, throughout my flesh. It eats me. You're still screaming, kicking and pushing yourself over the coner, through the threshold of the mirror, onto the other side's corner.
Starting point is 00:32:17 I can still hear you scream when you cross over, but you're suddenly muffled by the glass. I try to grab your legs at the ankles to pull you back, to keep you from going all the way over, but my hands are slick with a black paste. You go over to the other side. That side's so pure and clean and innocent and full of falsehoods. You don't belong there. You belong here with me and the black. We'll bathe and blood and squalor.
Starting point is 00:32:52 will wallow in the vileness of truth. Stay with me, but it's too late. I can hardly see through the fog. Just shapes, really. I reach my hand out to wipe away the dew, and there he is. The other me, wiping his hand to smear away the wet as well. Palm to palm with me. He's bleached clean.
Starting point is 00:33:27 well-groomed and dressed in bright colors. All his flaws and sins hidden and tucked away. I hear him ask you if everything is okay, if you're all right. You tell him that it's nothing, that you just saw something in the mirror. He looks at me. I look at him and I can tell he sees me, that the night shine of my pupils unsettles him, but also validates him, makes him feel good about himself, makes him feel safe.
Starting point is 00:34:07 He judges me the liar, the hoser, the cheat, the thief. I know everything about him, all the things he does and the evil that he will return to. I won't be locked up again. I must find a way to. get back through. For more information on this podcast, including how to submit your own story for consideration, please visit creepypod.com. You can also follow us at creepypod on social media and YouTube.
Starting point is 00:34:52 All stories told on this podcast are done so through Creative Commons share-a-like licensing or with written consent from the authors. No portion of this podcast may be rebroadcast or otherwise distributed without the express written consent of the creepy podcast production team and the stories author.

There aren't comments yet for this episode. Click on any sentence in the transcript to leave a comment.