Criminal - Day In, Day Out

Episode Date: June 10, 2022

When Laura Coates decided to become a prosecutor in Washington, D.C., she was told that the job would be “human misery.” She says she remembers thinking, “If there's one person in the justice sy...stem who could do something about human misery, surely, it's the powerful prosecutor.” After four years, she quit. Laura’s book is Just Pursuit: A Black Prosecutor’s Fight For Fairness. We need your help. We are conducting a short audience survey to help plan for our future and hear from you. To participate, head to vox.com/podsurvey, and thank you! Say hello on Twitter, Facebook and Instagram. Sign up for our occasional newsletter, The Accomplice. Follow the show and review us on Apple Podcasts: iTunes.com/CriminalShow. We also make This is Love and Phoebe Reads a Mystery. Artwork by Julienne Alexander. Check out our online shop.  Episode transcripts are posted on our website. Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Starting point is 00:01:12 Please use discretion. There are those dogs that are the teeny tiny things that believe they're in a, you know, giant Great Danes body. And in some respects, you know, that does capture me, that I tend to bite off a lot, but I am insistent on chewing and swallowing it down. This is Laura Coates. She grew up in St. Paul, Minnesota. When she was applying to college, she was asked what she liked to do for fun. And she said she liked to write imaginary speeches about what she would have said at different moments in history if she had been in charge.
Starting point is 00:01:53 After college, she decided to go to law school. And then, in 2008, she got a job with the Civil Rights Division at the Department of Justice. Much of her work involved investigating voter intimidation. As part of the job, Laura traveled around the United States monitoring polling places. I went all across the country
Starting point is 00:02:14 in those cases that you traditionally think of as below the southern states to those that are in the mid-Atlantic and the West Coast, wherever there were injustices regarding voting cases. And my colleagues there were phenomenal, and the work they do continues to be phenomenal. But over time, Laura says it got frustrating. There was a lot of red tape, pushback from state election officials, and she felt like her cases weren't even getting off the ground.
Starting point is 00:02:48 One of her colleagues in the Civil Rights Division often told Laura stories about a six-month detail he'd done with the U.S. Attorney's Office. She says he spoke about it so glowingly that Laura decided she wanted to get away from all the bureaucracy and get into the courtroom. And then, in 2011, she was offered a job with the D.C. U.S. Attorney's Office as a criminal prosecutor. And I went to my colleague, expecting him to sort of perhaps pat me on the back to acknowledge the shared camaraderie and
Starting point is 00:03:19 the experiences I was about to have. And the normally jovial, very charismatic character that he was totally changed. She told him it wasn't just for six months like he'd done. It was a permanent job with a four-year commitment. She remembers that her colleague, who's Black, stood up and closed his office door. And he had this extraordinarily grave, you know, facial expression. And he was very, very concerned about the ability of anyone, let alone a Black woman, to be able to handle the stress of human misery that you would see day in, day out. She remembers he said, I don't know how to describe it. It just keeps coming. And I remember thinking, well, if there's one person in the justice system who could do
Starting point is 00:04:15 something about human misery, surely it's the powerful prosecutor. Why wouldn't I use what I had, start where I was, and do what I could to do more about it? Laura took the job. Early on, a fellow prosecutor offered to show her how to interrogate a witness. She remembers he said, let me show you how it's done. It's going to give you a witness. She remembers he said, let me show you how it's done. It's going to give you a high. Laura followed him down to the basement and says he told her, watch how I maintain control. This is psychological warfare. They were interrogating a black teenager named Josiah.
Starting point is 00:05:05 Her colleague asked Josiah for information about someone named C. Josiah said he didn't know anyone named C. They went around and around, and the interview ended abruptly. Laura didn't understand. But then her colleague said, the other inmates will know that he didn't go straight to the courthouse for a hearing like they did.
Starting point is 00:05:24 You don't want to be a snitch in holding, trust me. Laura remembers being afraid that Josiah would get hurt. She asked her colleague, Why would you do that? And why bring me along? She remembers another incident where she was preparing to prosecute a car thief. As part of her preparation, she had to run background checks on all her witnesses. She says it was customary to run background checks on everyone, even the victim, the man whose car had been stolen. During the victim's background check, she discovered that there was a warrant for his immediate deportation.
Starting point is 00:06:05 He had a wife and family, a full-time job, and a valid driver's license. He'd been in the country for 20 years. Laura found out about the deportation order two days before the trial. She knew that even though he was the victim in the case, her job required her to alert federal marshals. If she didn't, or if she warned the man ahead of time, she could lose her law license. She emailed her boss
Starting point is 00:06:33 to see if they could dismiss the case. He said no. The morning of the trial, the man whose car had been stolen arrived early, prepared to testify
Starting point is 00:06:44 about what had happened to him. Laura remembers he was dressed in a suit and had polished his shoes. He had no idea that he was about to be arrested. And when Laura greeted him, she could not tell him what was about to happen. ICE officials arrived and arrested the man and made him put his hands behind his back. He asked Laura to call his wife, his boss, and his pastor. Laura held the phone up to the man's ear so he could speak to his wife.
Starting point is 00:07:15 When she got on the phone, he said, I've been caught. I love you. And then ICE took him away. Lore says she's often thought back to what her colleagues said to her about human misery back when she first accepted the job. In that moment, I failed to appreciate fully what those battles of allegiance would one day be. And it was that phrase of the idea of not being able to do anything about the misery that I didn't understand what he meant or what he could possibly believe what the role of the prosecutor could be if not to have a solution or be able in some way to do something about the bombardment of human misery, to stop it, to prevent it. But there was real concern on his face that maybe looking back, he wasn't even fully comfortable of expressing all of the reasons why
Starting point is 00:08:14 he thought of it sort of as a personal risk. Looking back now, that expression in his face is one that I now recognize because it's one where it's very difficult to explain what it's like to be particularly a Black or brown person in the justice system, in a position of power where the seat at the table and coming with your lived experiences and being questioned as to the audacity of you to be in the stance and in the position of where people think the stereotypical white man or the man ought to be. After four years, Laura Coates quit and stopped practicing law altogether.
Starting point is 00:09:02 I'm Phoebe Judge. This is Criminal. Before she left her job as an assistant United States attorney, Laura Coates worked on cases involving violent crimes, sexual offenses, drug-related offenses, and domestic violence. She was involved in every step, from an arrest all the way to sentencing. I think so many people have the impression, and we're all conditioned in some respects because of the generations of people who've been watching law and order. We all have this impression that a crime happens, an arrest is made, charges are brought, a trial happens, a conviction or acquittal ends within about 45 minutes, and they walk down those old stairs outside of the courthouse, and there you go. It's all sort of buttoned up in the end. And if there's a guest celebrity star,
Starting point is 00:10:02 well, that's the one who did the crime as well. So things are very obvious to people of what happens. But in reality, the role of the prosecutor is not so reactive or just in the trial world. I hadn't really understood what the prosecutor's role was in kind of even deciding which cases will be charged. Would you talk about the process of screening cases and take me through when you were up for that rotation, that duty, what you would have to do? What happens is when somebody is arrested for a crime, the police officers try to anticipate what the charge might be. They'll be able to have the person held pending either an arraignment if you pursue charges. But before that happens, they bring the case to a prosecutor's
Starting point is 00:10:51 office or the prosecutor to screen their arrest, which means that these are the people who need to come before a judge in a timely fashion on this day through an arraignment so that we have sort of the speedy trial type of rights protected. And the police officer will bring the case and say, all right, here's what happened. Here's some paperwork I have. And you really have the moment of tell me what happened. And you're interviewing this officer to try to get a sense of what the crime may have been, what are the anticipated defenses that might be raised, and the viability of this particular arrest. And is there more than one person that you can look to whose actions cancel out the other, sort of a crisscross? Maybe it's a fight that broke out.
Starting point is 00:11:37 Is it clear who the initial aggressor is? How about is the victim cooperative? And this happens within like less than a 30 minute conversation often with the officers. All of this you're gathering and you're typing along. You're trying to decide what to happen, what to do, what charge, what maybe one charge you'll arraign on with an eye towards a grand jury to develop additional charges. This is the moment when you have to gather all the officers notes and things that, you know, we're going to be fleeting. Where is the evidence? Where is the gun? Where is the knife? Where are the drugs? Where is my chain of custody? You're dotting I's and crossing T's. And these discussions, these moments happen within, like I said, moments. And so did you paper a case meeting?
Starting point is 00:12:26 You're going to go forward with it? Or did you no paper, meaning forget it. This case is going nowhere. You can go ahead and release the person. There will be no arraignment today. Lohr says prosecutors, without an active trial, routinely rotated through different courtrooms, covering hearings for cases assigned
Starting point is 00:12:45 to their colleagues. So on this stack of things to do, one case came up and it was a man who came up who was professing not only his innocence, but that the warrant squad had arrested the wrong person. He was not the person who should have been standing trial for a violent attack on a woman with whom that person had fathered a child. And he and his counsel, they were both Black men, were adamant that the police had gotten this wrong. And the judge had heard some version of it wasn't me throughout the course of her career, let alone that day, she was not having any of it. She sort of turned to me as if to have the immediate allegiance and camaraderie to ignore and move and march right along, consequences be damned.
Starting point is 00:13:42 And he kept saying, it wasn't me. And I'm telling you, it's not this. And he kept saying he wasn't me and I'm telling you it's not this. And I thought to myself, just because of the way it was being said, and I thought, what would it mean? What could it be if I just looked into it for a second? He's already essentially in custody. Let's just see. She stopped the proceedings and asked the judge for a recess to take a look at the man's claims. The judge gave her 20 minutes. Laura went downstairs to a basement office to look up the arrest warrant for the case. The photograph of the person they were seeking in the warrant database
Starting point is 00:14:14 versus the person I was looking at standing in the hallway, they were not the same color complexion. They had varying heights. Their physical appearance looked different. It was immediately apparent that this was not the right person. Laura told him, I'm sorry that no one listened to you or took the time to perform even a cursory inspection of those photographs. The man said, that shouldn't have come from you. And that man was released that moment when it was clear that there had been a mistake?
Starting point is 00:15:10 Yes. In 2019, the ACLU issued a report that looked at arrest data between 2013 and 2017, which overlapped with Laura's time as a prosecutor. They found that 86% of people arrested by the D.C. police were Black, even though Black residents represented just 47% of the district's population. Moore has questioned her role as, quote, an agent of a system that disproportionately filled prisons with people who looked like me. Law professor and legal scholar Angela J. Davis argues that prosecutors are the most powerful officials in the criminal justice system. She's written that they exercise almost boundless discretion, and that, quote,
Starting point is 00:15:59 it is very clear that prosecutors control the criminal justice system through their charging and plea bargaining powers. She says much of that work is done behind closed doors, and that prosecutors don't have to explain or justify their decisions to the public. As Laura Coates puts it, at times it wasn't clear which camp you were in. You compartmentalize. You wonder whether your presence in the system perpetuates injustice or disrupts it. I was also, you know, struck by how many balls can get dropped in just the administrative and clerical and bureaucratic process that goes from charging someone to taking them to trial and how everything even begins with the prosecutor deciding, let's paper this, let's go forward or not for these people.
Starting point is 00:16:47 There are so many instances where that phrase of people falling through the cracks is dangerously accurate and prevalent. You know, there is the expectation of perfection and there is not the time nor the resources life really works. And then you have to actually see life as it is to be able to correct and prevent and address. We'll be right back. Support for Criminal comes from Apple Podcasts. Each month, Apple Podcasts highlights one series worth your attention, and they call these series essentials.
Starting point is 00:17:56 This month, they recommend Wondery's Ghost Story, a seven-part series that follows journalist Tristan Redman as he tries to get to the bottom of a ghostly presence in his childhood home. His investigation takes him on a journey involving homicide detectives, ghost hunters, and even psychic mediums, and leads him to a dark secret about his own family. Check out Ghost Story, a series essential pick, completely ad-free on Apple Podcasts. What software do you use at work? The answer to that question is probably more complicated than you want it to be.
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Starting point is 00:18:50 future? In this three-part special series, Decoder is surveying the IT landscape presented by AWS. Check it out wherever you get your podcasts. Laura Coates says one of the strange things about working for the U.S. Attorney's Office was that the attorneys were sort of interchangeable with one another, and all of them were lumped together as government. And that's what the judges called them, too. Once, while she was pregnant, Laura remembers a judge setting a date for a trial on her due date. I said, actually, that date will not work.
Starting point is 00:19:26 I'm due to give birth on that day. And the judge said, really? The entire government's pregnant? The whole government's getting ready to have a baby? Wow, who's the father? How amazing. The whole government's unavailable. To sort of underscore the point of,
Starting point is 00:19:40 I didn't ask what your schedule was. I asked what the government's schedule was. She says she often sat in court and observed her colleagues' trials. It was common for the prosecutors to wait for breaks in one another's cases. During those breaks, their own cases could be called. She was present for one trial where a young girl was called as a witness and testified that she was sexually assaulted by her mother's boyfriend, who was now on trial. The judge in this case was a woman.
Starting point is 00:20:10 I remember sitting there while I watched the young girl who was, you know, sort of a preteen. And I remember her walking down the aisle and watching the judge scan her with a level of derision and disgust, it appeared at the length of her skirt, the sort of fidgeting and shifting and nervous smile that she had on her face, which, you know, as a somebody who has had to interview so many people who have been victims of crimes, let alone sexual offenses, let alone those who are young and youthful, I don't put a lot of weight into one's nervous tics or expressions or even laughter. But in watching this judge's face throughout the testimony, I immediately knew that this would end in an acquittal. Laura remembers that at one point, the prosecutor on the case asked the girl why she was laughing. The girl apologized and said, I'm just really nervous. I'm sorry. I'm just not sure how to be. And then I approached the bench because my matter was being called on a break in their trial. And when I approached the bench, I saw on her computer screen, the judge did not even have the courtesy to minimize that she was shopping for shoes.
Starting point is 00:21:39 I'll never forget, it was a wide calf, cognac boot. And she had been looking at this screen during the young woman's testimony. The judge found the defendant not guilty. Laura remembers that the judge said, quote, no one who had been raped, even a young teenager, would have skipped down the aisle of the courtroom dressed like that. Just the expression of the young girl who did not have the benefit of her mother's support, even if I suspect the mother believed her, who in her own way was victimized by a different level of abuse by this man, and who had gone on to marry this person. And this young girl realizing in that moment and hearing the way the judge spoke about her
Starting point is 00:22:31 and what did I do wrong and her confusion of what? What did I do? And looking at her level of self-consciousness and knowing she had nowhere to go in the end. She says that when a judge leaves a courtroom, usually everyone stands up. But that day, after that ruling, Laura says she couldn't bring herself to do it.
Starting point is 00:22:56 Laura watched the witness's mother and stepfather leave together. That was the thing that struck me about this young girl, is that she had nowhere to go because her mother was sticking by her perpetrator. I, like everyone else, was curious as to what this mother must have been thinking. And she was positioned behind the defendant in the gallery. And the way that her expression was so stoic and steadfast you know our our judgmental selves would look upon her and say she should have done or should have felt or should have acted or who she should have supported there was something very sad about this mother
Starting point is 00:23:43 and the circumstances that she and her daughter were now in. Laura says one of the most memorable times she was in court was when she witnessed two young men being sentenced. They'd been convicted of the homicide of another young man. The families of all three men were in the courtroom that day. Both the co-defendants were given nearly lifetime sentences in prison. You heard these guttural cries and screams was from what I would think was from the family of those who were the now convicted defendants facing extreme sentences.
Starting point is 00:24:23 But it came from the victim's families instead. Laura remembers the victim's father saying to the judge, please, there's been enough loss already. We don't want this. One of the defendants collapsed after the judge handed down his ruling. A marshal helped the young man back up and then stood behind him
Starting point is 00:24:44 so that people in the courtroom couldn't see him. And I remember that marshal never moving, holding him up seemingly. insensitive for not trying to get the person medical attention right away and the betrayal that they saw of this person who was also a member of the Black community who they thought, how dare you not protect or take on or at least do something of humanity in these moments. After the defendants left the courtroom, the judge called the next case, Laura's case. She approached the bench. And then she realized why the marshal was standing in front of the young man that way. When I approached the well of the courtroom, it became apparent this defendant, who is now convicted and facing the sentence, had defecated in that moment, likely out of fear and realization of
Starting point is 00:25:48 what was ahead of him. And the marshal who was being berated by the people in the courtroom had been trying to shield what he saw as an embarrassment for this young man away from the view of everyone, was trying to give some semblance of dignity and humanity to this man. After the judge set the date for the next part of Laura's case, he got up to leave. I remember him turning to us and just saying, please don't stand for me, not today. And just how in the weight of what he was feeling in that moment of being in a position of power and not wanting it. Laura left the courtroom and went to the bathroom.
Starting point is 00:26:41 Inside was the mother of the murder victim from the sentencing she had just witnessed. And I remember her turning to me and touching my stomach, my very pregnant stomach, and asking about what I would be having and having this expression of remembering how much she loved being a mother before leaving the bathroom.
Starting point is 00:27:07 And I just, it was a moment that will never, ever leave me. Because I think sometimes when we think about justice, we assume we know what the victim's family desires. And we assume we know what the victim's family desires. And we assume we know what humanity looks like and who will dole it out and to whom it is deserved. And it was one of the most eye-opening experiences. It almost became this Rorschach test in the justice system of the different roles that are being played and performed
Starting point is 00:27:43 and everyone being not unscathed from this entire experience. We'll be right back. Robeson, the senior AI reporter for The Verge, to give you a primer on how to integrate AI into your life. So tune into AI Basics, How and When to Use AI, a special series from Pivot sponsored by AWS, wherever you get your podcasts. Hello, I'm Esther Perel, psychotherapist and host of the podcast, Where Should We Begin?, which delves into the multiple layers of relationships, mostly romantic. But in this special series, I focus on our relationships with our colleagues, business partners, and managers. Listen in as I talk to co-workers facing their own challenges with one another and get the real work done. Tune into How's Work, a special series from Where Should We Begin,
Starting point is 00:29:05 sponsored by Klaviyo. In 2015, Laura Coates left the Department of Justice. She remembers when she decided to quit. She'd just won a trial. A jury had found a black defendant guilty. Laura's boss, a white man, was there that day and congratulated her by shouting, We got another one. Laura thought about that incident for days. She says that for her conscience,
Starting point is 00:29:37 quote, it was the proverbial final straw. Today, she's a legal analyst on CNN. She's written about her experiences in a book, Just Pursuit, A Black Prosecutor's Fight for Fairness. In it, she writes, As a prosecutor, I never had the luxury of wearing sociological blinders, and I never wanted to. Race prominently stands at every intersection in America.
Starting point is 00:30:06 It shapes our legal policy, our charging decisions. I think there is power in people seeing themselves in moments that are real. And I think there's power and fertile soil based on that experience to be the nation we say we are on paper and to have our legal system really be that justice system. So I hope that people are able to experience it and read it. And there are moments of extraordinary triumph and extraordinary acts of humanity and beauty that, you know, makes you feel good. And there are moments that make you feel aware. And both are necessary for us to go into this eyes wide open and walking the walk and talking the talk of justice. Laura's book is dedicated to her two children.
Starting point is 00:31:06 Today, they're seven and nine. She was pregnant with them during the year she was trying cases at the U.S. Attorney's Office. She says she wants her children to know what she was thinking while she was a prosecutor. It sounds like this time working as a prosecutor, that you saw the whole range of human emotions, of course, but also just kind of the depths of what one can handle and overcome. And you saw it all, or maybe I've seen enough. And one of the reasons I left the prosecutor's office and my work in the Department of Justice was because there is a necessary muzzle one must have on in dealing with these matters. And as much as we would like to have transparency, it's not coming from the prosecutors. I remember thinking about when I decided to leave and there were moments that, you know, sort of forced my hand in the sense of my conscience couldn't bear certain aspects as well. But also, I'm a mother and I have a little son and a little daughter.
Starting point is 00:32:35 And I oftentimes share the stories with them at times because I want them to never go through these sorts of revelations. Because I want them to live in, if not today, if not right now, at least eventually, in a world where the justice system is just that, just. When you were in law school, did you think that this is what it was going to be like? No, not at all. In a way, I mean, I got to tell you, I loved being a lawyer. I loved being in law school. And I conceptually, intellectually understood about socioeconomic disparities and sociologically disparate impact. And I understood injustice. until I think I became a criminal prosecutor, that I really not only intellectually understood, but every fiber of my being was experiencing it. And I could only equate it really to locomotives, right?
Starting point is 00:33:39 We know the power of a locomotive. We know the power of an engine. We know the power and the ferocity and the speed at which a train can travel. We intellectually know about all of these factors, but it's not until you're on a platform and this subway train whizzes by, not stopping at your station, not slowing to a halt for you to board, but whizzes by that the reverberations are felt. It takes your breath away. You are required to take a step back. And now there is that forever bridge and connective tissue between what you intellectually knew and what it felt like. No one forgets the power of
Starting point is 00:34:28 that train. Criminal is created by Lauren Spohr and me. Nadia Wilson is our senior producer. Katie Bishop is our supervising producer. Our producers are Susanna Robertson, Jackie Sajico, Samantha Brown, and Libby Foster. Our technical director is Rob Byers. Engineering by Russ Henry. Julian Alexander makes original illustrations
Starting point is 00:35:09 for each episode of Criminal. You can see them at thisiscriminal.com or on Facebook and Twitter at Criminal Show and Instagram at criminal underscore podcast. Criminal is recorded in the studios of North Carolina Public Radio, WUNC. We're part of the Vox Media Podcast Network.
Starting point is 00:35:29 Discover more great shows at podcast.voxmedia.com. I'm Phoebe Judge. This is Criminal. The number one selling product of its kind with over 20 years of research and innovation. Botox Cosmetic, Adabotulinum Toxin A, is a prescription medicine used to temporarily make moderate to severe frown lines, crow's feet, and forehead lines look better in adults. Effects of Botox Cosmetic may spread hours to weeks after injection causing serious symptoms. Alert your doctor right away as difficulty swallowing, speaking, breathing, eye problems, or muscle weakness may be a sign of a life-threatening condition. Patients with these conditions before injection are at highest risk.
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