Critical Role - C3E3 The Trail and the Toll

Episode Date: November 11, 2021

While investigating a series of thefts at the behest of their potential patron, the group stumbles onto something much more dangerous than they anticipated, with lasting consequences...Due to the improv nature of Critical Role and other RPG content on our channels, some themes and situations that occur in-game may be difficult for some to handle. If certain episodes or scenes become uncomfortable, we strongly suggest taking a break or skipping that particular episode. Your health and well-being is important to us and Psycom has a great list of international mental health resources, in case it’s useful: http://bit.ly/PsycomResourcesWatch Critical Role live Thursdays at 7pm PT on https://twitch.tv/criticalrole and https://youtube.com/criticalrole. To join our live and moderated community chat, watch the broadcast on our Twitch channel.

Hello, spellcasters, sages, and spectators. I'm Ashley Johnson, and you're listening to the Critical Role Podcast Network. Tap into our magical narrative by watching Critical Role as it airs on Thursdays at 7 p.m. Pacific on twitch.tv slash criticalrole or youtube.com slash criticalrole. Twitch subscribers can watch the video on demand right away, or you can catch it the following Monday on YouTube. As always, Critical Role will be available right here in podcast form on Thursdays, a week after the initial broadcast. And now, let's scry into the story and see what mysteries it holds for us, shall we?

Hello everyone, and welcome to tonight's episode of Critical Role, where a bunch of us nerdy-ass boys have to sit around and play Dungeons & Dragons. What are you talking about? Like that. Oh. Yeah. Before we jump into tonight's episode, we do have some announcements to get through,

beginning with our first sponsor of the night, Hit Point Press. Sam. Hey, guys, remember that ad I did two weeks ago for Hit Point Press and their latest product, Fool's Gold Into the Bellowing Wilds, based on the popular YouTube animated series by Dingo Doodles? This jungle-themed campaign setting

uncovers the mysteries of the world's deadliest wilderness where everything wants to kill you. Well, they're back, and they have their own special minis to go along with the adventures, including the biggest, baddest Tarrasque I have ever seen! Okay, that's fucking awesome. Whoa, it's sharp!

That's huge! Can we keep that? Is it heavy? It's heavy. Here, I'll pass it around. You can check this out and more at FoolsGold5e.com. Man, guys, Hit Point Press sponsoring the show twice in just three weeks. They must have, okay, I have more bit to do. More bit to do. Okay, okay, okay.

They must have just loved my Broadway musical as much as you all did. I mean, that standing ovation you guys gave me in episode one will stay with me forever. Wait, wait, what? I don't remember giving you a standing ovation. Trina, you all stood up and applauded. Why, I remember it like it was yesterday.

Oh! Bravo! Thank you, thank you! Sam, you are the funniest person alive! Oh, thank you, guys! Yeah, that's not how I remember it at all, actually. Yeah, in fact, as I recall... Huh? What the hell was that song?

Well, it was a musical. I think it's ready for Broadway. Well, I would agree with you, but then we'd both be wrong. You are the first person alive. That does not sound like something I would say to anyone but my own self in the mirror. Yeah, I'm with Sam here. That's not how it went down. The way I remember it.

Huh? Oh. That's not how it went down the way I remember it. Huh? Oh, well, thank you for that polite applause. Yeah, it was a so-so bit. I guess so. Oh my god! Look out behind you! Oh god! Oh my god!

Oh! Oh! Robbie! Oh my god, you saved me! You saved my life from an assassin attack! It's all in a day's work. Oh, Robbie, you are the sexiest person alive. Yep, that's how I remember it.

Oh, yeah. Pretty much, yeah. Well, I'm glad we got that all cleared up. Thanks to Hit Point Press, and Matt, back to you. Thank you, thank you. And thanks to the second sponsor of this episode, Robinsburger and their new title, An Immersive Audio Series, where players use a deck of illustrated cards

and spine-tingling sound cues to complete a story and solve a mystery. All you have to do is install the app, scan the cards, and the sounds and illustrations bring the story to life. Right now, you can choose from two stories to play as a group or solo, the dancer or the cocktail. And more stories will be released in 2022. So check it out now for yourself at bit.ly slash cr-echos. That is bit.ly slash cr-echos.

And thank you so much for supporting our show, Robinsburger. Announcement. Yes, there are more announcements. Thank you so much for joining our show, Robinson Berger. Announcement. Yes, there are more announcements. Thank you so much for joining us live on Twitch and YouTube. To join in our live and moderated community chat, please head on over to our Twitch channel. And I believe that's the last of our announcements. So, boy be fur, we had a lot to pick up on

in the first couple episodes. Now we're at a decent pace, so thank you for your patience. Oh no, I'm nervous again. Let's go ahead and jump into tonight's episode of Critical Role. Oh, we split the party! Ah! Critical Role. Critical Role.

It's Thursday night! All right! And welcome back. So, last we left off, this group of individuals, disparate lives and goals, all brought together here in the city of Drusar. Managed to cross paths by a brief scuffle in the open streets outside the Spire by Fire Tavern. Caught the eye of Sir Bertrand Bell,

and as such, offered to gain their trust and a possibility for paying work under Lord Eshteross. After an invitation by Bertrand Bell, you agreed to see it through and met with this elderly orc noble-like figure within his estate. There, he seemed interested, but wanted to test you. And by that, he attacked you. You all did battle with him in the middle

of his firelit study and seemed to prove yourself well against this orcish figure with a history of combat and mercenary work and a heart dedicated to bringing justice and a modicum of good to a city that he sees fraying at the edges. Welcome back.

Hi. I was distracted. I didn't have a pencil, and I noticed that Ashley's not wearing any shoes. Wow. She's like, what a betrayal. Yeah. Well, it's like that person on the airplane,

and you look over and you're like, oh, okay. I wore flip flops today. I have, you know, Chris Crow's applesauce over here. I don't want to do that with flip flops. Applesauce. Yes. This is what I'm doing up in the live count. I'm not that person on the plane, by the way.

No, you're not. Never. You know this. I know. I wouldn't do it. After proving yourself. Capable in combat, Lord Eryx Estorhas wanted to see if you had the aligned interests. So he sent you on a brief mission to begin to seal this pact between you. He let you know that there had been some strange

elements of thievery going on in one of the warehouses under Pradaj Textiles, one of the portions of the business that he oversees. In looking into this, you met some of the interesting figures that watched this warehouse during the day, inspected some of the contents of these crates where some of these thefts had happened

and acquired some strange clues. After waiting outside to see who might leave, looking a bit dubious and a bit of questioning and mind probing and getting a read on a few of the members within, you waited to see who was exiting. After sending Orym in, invisible, sneaking in as Dennis, the managerial gnome

who seemed to be the most shifty of the group from your curious probing, began to dart off in a huff just as the sun was setting and the warehouse was closed, locking you behind in a lightless space with a lot of the group in the alleyway behind it. Dorian left, keeping watch in the front as Bertrand Bell and Imogen both rush off

to chase after Dennis. So, where we come in, what is happening? How much time has passed so far? So far? Since what? Since this, because we set up camp in back, how long have we been back there at this point?

At this point, you've been back there for, I'd say, about an hour or so. I'm getting antsy, okay. And we still have the drunk guy next to us, too, right? More or less, yeah. Oh yeah. He is out. How long has Orym been in Solo? I've been in the warehouse?

You've only been there for maybe a minute. So an hour for them, right. I've got a lot of time. You guys all set up, and we're keeping watch for a while. As the sun began to set, people began to leave one after another. Then once you were all situated for a bit,

it wasn't until Dennis went ahead and closed up, locked behind, and then bolted, in which you two carried off after that. You stayed back, wanting to stay with the rest of the group. So you've been in there for just a couple of minutes, fumbling through the dark as the oil lanterns have been completely enclosed off. There was light.

It is a lightless interior to this warehouse. We should start with me because I'm the easiest to figure out. I am just between some crates and a wall that I felt, and I've got my blade in hand, and I can't see shit. I am just listening for anything, be it my friends. Well, didn't somebody bang on the door? Yes.

Back door. Yeah, the back door. Right. Liam knows that was allies, but I just heard go, goon, goon, goon, goon. I was allies, but I just heard. I was like, I messaged you, right? Yes! Did I message you? Yes, and you got whispers. Yes, that's what happened.

Yeah. Yes. Is that what happened? Because I don't remember. That's where all of us began to talk in whispers. Yeah. Oh, so I'm just thinking I'm right. So I'm just terrified.

Yeah, you were just scared. Okay. But you've got the message. You're too far to communicate with each other now that you've taken off with Bertrand? Yes. The backdoor team doesn't know that the front door team is in motion. Full frontal. Full frontal.

Full frontal. Full frontal. Full frontal is get it right. Yes, I'm sorry, I have it written down. I'm just joking. Jesus Christ, where is the Heidi? Every time I come in here, I never see her. Oh! Oh no!

Fuck you! I didn't know what you were doing. Stop it, Sam. That is horrible. And, sorry, Freaky Friday, what was the information you passed on? Freaky Friday. Freaky Friday. I think it was just like, hey, what's up? How's it going?

I'm here. No, you were telling him. You were letting him. Oh, I was like, full frontal is gone. Yes. But we're still here. I told you mentally. We should watch our show. Well, that happened right before we ended.

Yeah, it was a fast roll. But I think I was like. Check chat. Yeah. So. Danny. We're fine. All right, we're good. We're good? We're good. So are you just currently waiting

for something to come through this door? Yeah, I'm not doing anything. I'm listening for threat and for anything coming up out of the ground or out of the ceiling. Not necessarily, I mean, I'm listening for everything, but the walls and the doors are likely them, and anything coming up from below

or that I can't anticipate is bad. Fair enough. That's where I'm at. So we'll figure out where everybody else is rotating. Team Backdoor, what are you doing? Hmm. I think we should be all right. Well. Okay. Should I keep?

We know he's in there. Should I keep? I'm going to just start scratching on the door. You're now here. Goddamn it. Maybe we should check in with Dorian? Send one person around to the front and come right back immediately.

Who wants to go? I'll go. Okay. As you spiderwalk your way to the front of the building. I can see she does this just walking normally. Yeah. Air biscuits.

No, air biscuits are a different thing in the south. So you come around the corner and you see, standing nervously, Dorian. Dorian! It's Laudna. Does she come out of the alley? see, standing nervously, Dorian. Dorian! Hi. It's Laudna. She come out of the alley? Yeah. Yeah, yeah, okay. Oh, Jesus.

Laudna. Hi. How are you? I'm not so good. Oh. They just took off. I'm by myself. What happened? Where did they go? Someone came out of the door and Bertrand and Imogen just took off after him and I don't know what to do.

I am hurt. That is good. I'm so sorry. Who is it? The dead? The little shifty one. Yes, yes, they took off after her, and here we are. All right.

Do you want to come join Team Backdoor? It's quite fun back there. You shouldn't be up here alone. I look around to make sure that no one is clocking the area or anyone's coming back, and I go, All right, let's go. All right, all right, all right. Come back with them.

Okay, so as you head back to join the team back door and you're waiting, hearing this odd scratching against the metal, Imogen, Birch and Bell, charging after this figure, one, I would like you both to make stealth checks. Oh. Yay. I'm feeling good.

To not, just to not be noticed from a very paranoid individual that you watch as they're darting quickly, as like looking over their shoulders and ensuring they're not being followed. 13. All right. 19. Oh shit.

Oh. Jeez. Pretty spry for a what? As we follow, are we a pair or separate? Like, should we take opposite sides of the street, or should we be like, I throw my armor at you? In your head, I do not, I move away from you. And in your head, you hear,

I don't know what the fuck we're doing. I just saw you run off and didn't think you should be by yourself. Oh, we're following, that is. Right, but should we really be split? Yeah, let's split opposite sides of the street. We drift opposite sides of the street. Right as this is happening, you watch as

Dennis stops in her stride and glances over to you, Inogen, and goes, I'm terribly sorry, we're closed for the night. Oh, that's right, she knows. Oh! Oh, it's you. I'm not at the... Oh, you know what? We are really close to your business, aren't we?

No, I'm just in the area. Make a deception check. I'm just in the area. Just in the area. It's an industrial part of town. Yeah, I was just guessing. I was wondering what about, but okay. Okay, here we go.

Okay. 22. 22. Whoa! Whoa. All right. And Dennis looks at you for a second. You can see the eyes are wide and there's sweat dripping down the side of her temple. There's a little bit of a lip twitch to the side

and occasionally it's looking past you in the alley before going, Right, well, feel free to come by tomorrow or later in the week, but unfortunately, we're done for the night. If you're just wandering through. Just wandering through. All right, well, stay safe.

And you said not to come by until I talked to your employe- Do you remember what's going on? Are you okay? You seem a little frazzled. Oh, well, I had to finish closing up, and the streets get a bit dangerous here at night, so I'm just trying to make sure that I'm making my way home. Do you need someone to walk with you?

Because I don't want you to be on set. I'm very used to this entire walk. I take it every day, so. All right. But thank you. I appreciate it. I just keep walking, by the way. I just keep getting ahead of where that conversation is. Yeah, you don't seem to gain her attention at all.

Right, well, best of luck to you. Do come by once you've spoken with our employer. Most certainly. Thank you so much for your time today. Of course, of course. Have a good night. You too. Puts up a scarf over the head and begins, not a dart, but a quick walk,

and then gets a decent distance away and begins to speed up once more. I'm going to stay a little further behind and I'm just going to say to Bertrand in his mind, keep a close watch because I'm going to be at a distance now. Not a problem. Just let me know which direction you're going. You know, mentally.

Like, I have to just think it? Just tell me mentally. Okay, straight ahead. Yeah, all right. So you're staying at the? I'm going to stay out of sight of them and I'm just going to follow Bertrand's directions. But staying within mental contact with Bertrand.

Which is like miles. I can be four miles. Steep straight. I got it, Bertrand. Can you hear me? Yes, I can fucking hear you. Just, you'd have made me cuss. You'd have made me cuss.

All right. Bertrand, I would like you to make a perception check for me, please. Turn left at the roundabout. 17. 17. No minding much. You do watch, especially as the end of day businesses are beginning to let out

and now some of the night shifts are shifting over, the socially, the energetic social portion of the evening is beginning to brim and come to light. You can see individuals who are getting dressed up to go out for a night on the town. You can see entertainers are starting to fill portions of the street. You can see a different wave of carts and knickknacks

and different cellars, especially here in this portion of the Lantern Spire, are beginning to set up. You watch as Danas is carefully darting through, just right of the street, and would be hard to follow, but you have a keen eye. You've followed some dangerous things in your past. Indeed, just like the Whispering Werewolf of the North. You hear him. What are you talking about?

What? I'm so glad you asked. What Whispering Werewolf? You've probably heard of my adventures across many continents, but that was one of the beasts I slayed, the Whispering Werewolf of the North. I'll remember that, sir. Have you ever heard of the horrible Hippogryph?

Oh shit, hold on. Straight ahead. Faring right. At the end of the road, turn round. Meanwhile, back in the warehouse, Orym. I guess I should ask, has the scratching continued or is that a brief beat? I just made sure to go from the top of the door

all the way down to the bottom very slowly. Just a long screech. I'm just tapping now. Fearne. Yes? What are you doing? Oh, you're back. Oh, yes. Oh, sorry. Hey, I found Dorian.

Oh, hi. He's a part of Team Backdoor now. Welcome to the Backdoor. How's it going up front? Not so great. There is no more Team, us front-fold people. They abandoned him. Full frontal? Mm-hmm.

They left him. What? They just ran off. No, no, they didn't exactly leave him. They were going to investigate. Anyway, it's just us now. Investigate what? Danis, she took off off and Bertrand and Imogen followed her and I don't know.

We didn't, we're just letting them go without? I suppose. I have full confidence in Imogen. Okay, okay, okay. New plan. I'm going to put my ear to the back door. Do I hear anything? Make a perception check. I would like you to make a stealth check with advantage.

Natural 20 on the first. Oh, well, never mind. And a 15 on second. Taking a, I'm so sorry, it's a, which check, perception check? Perception, yeah. 16. Nothing, absolute silence. Okay.

Do you have any way of making things quiet? Just bringing noise down, anything? Anything? Not today. Don't think so. Okay, choose. I can make images that are quiet. Can you make...

Okay. But not, you know, images. I can make things that are really, really loud as well. I can do that, too. I can make things that are really, really loud as well. I can do that, too! So can I, holy shit! What are you trying to do? Okay, plan B. Wait, is this after plan A? Are you abandoning your plan?

Plan A is shit now, it's plan B. All right. Wait, why is plan A shit? How many people were outside, like how many people on the street? What did you see? When I left my post, no one. No one, the coast was clear. Okay, we're going to, at the very least, the two of us, we're all going to go.

This is time to do this. Go where? We're just going to go out front very casually, and we're going to get inside, because this is taking too long, and we've got a man inside. Wait, but it's locked. People will see us going in.

Let me see what I can do about that. Should we try to go in this door? It's a loud door. Unless you can heat the lock or something. We. Should we try to go in this door? It's a loud door. Unless you can heat the lock or something. Well, we want to see if people come in, right? He's already in there. So why would we go in? He is.

Are we the intruders? We will be, that's the hope. Is this a... Maybe this is a reverse timeline situation, you know, and it's like we're jumping back and we're about to catch ourselves in the act. Oh, wow. I just want to get our friend.

Let's go to the front. Should I burn it down? The door? Can you quietly melt? We try not to make noise. Can you? Just no one crime! Oh, wait, hang on. If Orym is inside, why can't he just unlock it?

Yeah, that's a great idea! I have been trying to get his attention and he is not opening the door. Wait, hang on. Orym! Orym! Orym! I am Orym.

Do you hear the o-ring? I hear the o-ring. How's it going? How's it going? What is it come inside? Kiss of the Gods. I thought the idea was to wait and see what happened. Well, we've been waiting for like five minutes and nothing is happening.

It's time for death. It's really not that long. How? Should we continue to wait or do you need assistance? Wait. I think I'm good. How about you just freak me out if there's a problem? All right.

All right. He's fine. Did you ask him to open the door? Oh, well, I said to open the door. And he said to stay outside. If he's fine, I guess it's okay, but the longer this takes, the more that can go wrong. That's all I'm saying.

Because I'm still confused on the goals. Yeah, I got to say, I'm with Laudna on this. What are we trying to achieve here? Yeah, I think I lost track of why we're here. The theory was to get in and take a look around and see what we could find. But we're in. But it doesn't sound like we're- But nothing's happening in there.

Can't hear anything. Clearly, there's nothing happening in there. There's nothing to listen to. But meanwhile, two of our associates are on a wild chase across town and we're just letting them go? There is nothing else to be fucking done other than maybe speed this up.

Herself, all right? Imogen's great. She's got, everything's totally in control. Speaking of which. What the fuck am I? If you could make... Straight A. Make either a perception or investigation check

with advantage because you are getting guidance from Bertrand. A perception or an investigation? Correct, this is glancing around the town and trying to discern streets in a rapid pace, covered with people. You've been to this town, city for a little bit, but you don't know it that well.

13. 13, okay. That's not bad, actually. You almost get tripped up a couple times and some people, a couple vendors rush out to you and try and catch your attention and you just push it off. As you're still pushing through and focusing on Bertrand,

the whispers still peek into the periphery a bit and you're having to keep them at bay. As you continue onward, you can keep visual on Bertrand as you continue to follow. That's great, because that's the only way I'm going to be able to keep mental stuff with you. My knees feel like there are knives in them.

God, I miss Goudilich. I can talk to you. Look, I can talk to you for three minutes max if you're out of my sight. So every once in a while, just make sure that- Jump. Here, look, I jump. Oh god. Ow! I got you, I got you.

Just keep going. Jump! Murtrand! Very right. All right. A short walk later, you watch as you come to a familiar portion of the Lantern District, of the Spire, where you see the very same Weary Way Tavern

that you had previously stopped by. Dennis rushes into. Now, at this point in night, where the sun is predominantly gone and the orange and purple hues are transitioning now into deeper blues and eventually the darkness of a star-covered nightscape, the interior is warmly lit and you can see

many patrons have now arrived. There is music emerging from the open front door space and a welcoming display. You can see there's a couple of dancers on stage that are in the process of doing this hearty jig performance. a welcoming display. You can see there's a couple of dancers on stage that are in the process of doing this hearty jig performance. Most people seem either not drunk enough

to be appreciating it or focused on the food in front of them, but it is a lively place with many different tables and spacious areas, and Dennis just vanishes into the crowd from this distance. Oh shit. My notes are so organized, but just for everyone else, did we stay at the Weary Way Tavern before or the Spire by Fire?

The Spire by Fire. Got it, okay. So, D'Noss makes her way into the crowd. I'll push in and just try and keep eyes on, but I'll also pull the band out of my ponytail and let my hair go into my face a little bit so I can just mask the sides as I push through with my little shawl, trying to get eyes on her.

Okay, okay. Just trying to keep eye contact. I'm here for the Pantene commercial. I'm outside. Where did you go? Where'd you go? All these crowds. Inside the Weary Way Tavern. Where are we? Inside the Weary Way. The tavern, all right. We stayed there. We stayed at the Weary Way. Oh, the tavern, all right.

We stayed at the Weary Way. We did? Or the Spire by Fire? We drank at the Spire by Fire and had a fight there, but we stayed at the Weary Way. We slept at the Weary Way, right? Yeah. That's what I thought. Are we really? Oh, you're right. Actually, I'm so sorry about that.

You're absolutely right. Danny! It's somewhat familiar. Not Danny's fault. It is not Danny's fault. I have notes. I'm just not used to having good notes. Our fault. I feel the urge to nap. It feels like it's been four weeks since last night.

I know, why does it feel? Because it's been a long week. So since the hair's down, just as I'm looking for Dan, it's also looking at the room real fast just to see if there are any familiar faces, anybody that works for Lorde, Eshteross, or anybody else that might be clocking me

with this shaggy shawl for me. Make a perception check. Oh! Six. Six. Glancing across this room, you have no gauge on Dennis. There's probably about 40 or so patrons in this room, and the room could hold well over 100 comfortably. Well, not terribly comfortably, but functionally.

Not a fire hazard, necessarily. But within the current group, you do not see a sign of Dennis. You can see there's the bar in the back. There's a number of alcove, almost bench seats that are situated. They're mostly full, a few that are empty. You can see there are two different staircases

that lead to different portions of the upper inn area of the tavern. You can see a number of tables in the front where people are eating, laughing. Some are doing some mild gambling with dice or cards. It is what you'd expect of a lively cusp of night tavern atmosphere, but no sign of your quarry.

It's going, the music's going, so people aren't really checking it. I mean, it's like a healthy vibe in the place, right? Yeah. It's not quiet, okay. Just simple process of elimination. I'll try and keep pushing towards the back of the tavern and also keeping my eyes on the two staircases to see if she happens to move up,

just trying to get to the other side, see if I can see anything. You got it. Imogen, what are you doing? I get to the outside of the tavern, and I'm just going to stand on the outside. Okay. I probably shouldn't follow you in here. I'm afraid she'll notice me again.

I can't see her. I lost her. You lost her? Yeah, she's here. She's still here. I'm going to go around to the back of the tavern to see if maybe she cut through. Okay. You dart around the back of the tavern to see if maybe she cut through. Okay. You dart around the back of the tavern and check the alleyway.

You can see there is an older half-giant that's in the process of dumping rotted vegetables into this small trough container on the side and begins mulching them. Stops and looks up at you. Can I help you? How do you get in here? I can't find the entrance anywhere.

Back where you came, there's a big door. Uh-oh. Thank you so much. You're welcome. I'm just going to turn around. Keeps crunching him. Yeah, no sign of Dennis in the back. Have you made your way in yet?

No, I was checking out the back. Damn it! Fuck! I'm... Bertrand? I just want to find her! Are you looking at the staircases? I mean, should she maybe go upstairs?

I'm looking, I'm looking. What do you think? Your eyes are scattered around the room, but you're having a hard time focusing. Meet me inside. Meet me at the bar. Use a code name. I'll be posted up.

Try not to look like you're hitting on me. You just hear me sigh in your head. Are you okay? Do you need assistance? They can wait. They can wait inside. Are you trying to make an entrance or are you trying to slink in?

I'm just going to try to slink in, and also, how do I avoid? I'll just walk straight over to the bar. Are you doing anything to adjust your appearance? No, I mean, I stayed here last night. I mean, I'm not that, I don't know. I have purple hair, you know? I'm pretty.

Well, to be fair, to be fair. That's true. There's a lot of varied people from all over Exandria here, people who are largely within the city, from all walks of life. It's a colorful crowd, so it's not like you stand out like a sword.

Okay, okay. Bertrand's doing his best CIA thing. He looks like Val Kilmer in The Saint, where he's being the French policed and the artist. He's like, What a reference. The Eldwitcher. What are you doing?

What are you talking about? What are you talking about? You don't have a new disguise? I don't have a disguise, Bertrand. Plus, I mean, it's a tavern. People come to drink. Did you use my name? Barry, Barry. Same letter? I start looking around.

Make a perception check. SAM and LAURA laugh. Oh no. Oh no. Three. Three, looking around the room here, you do not have eyesight on anybody that looks or resembles Dennis.

Looks like your eyes have failed you. I think we lost her. All right. We've got to work on your clandestine skills. What are you talking about? I mean, it's fine. We should head back to the group. What?

Look, now we can tell them where to go, right? I mean, this is a new lead. Unless you want to hang out around the back, I'll go get the group, let them know what's going on. And yeah, you just keep looking like yourself and make sure that he doesn't leave here. I suppose you're right, young girl. What are you doing?

Are you still looking around, or are you just making another perception check? I'm looking at the radar, baby. Okay. 11. And the vibe at the same time. Get the hip out. Yeah, Chris Christopherson.

I mean, you're just a cop. As you flip your hair, on the left-hand side, as you enter, what would be the left-hand side of the Weary Way, you see one of those little alcove booth-like sections. There is a small figure that currently has their hands around a mug and is sitting there,

looking out over the crowd nervously. That's all you can make out with an 11. Ah! Hot! Hot take! Hot! Hot! What are you? Why do you keep saying hot? Eyes on target! On target! What does that mean? We have luck.

I found her. Be cool. Be calm. Should I leave, now that you know where she is? Oh shit, this is the break we needed, Imogen. Imogen, make a stealth check with me if you're managing to not, because you're in the eye line of this particular booth

that you have not noticed. Be cool, Honey Bunny. No! Are you two, Honey Bunny? Four. Four, okay. Oh no! That's all. Okay.

Is she over my back shoulder, or is she behind me? If you're at the bar and you're leaning on this arm, she would be over in the- Oh, I can see her. You can see her. Don't turn around! Don't. Don't turn around. No, don't turn around!

She is at a booth at your six o'clock. Should I? Did she see me? Does she look like she sees me? Did she see me? I'm looking at you so that there's Oh, I know. I'm leaning. I'm leaning so you can look past me. No, look, every time you do that,

you look more drunk than I do. Dennis has moved from the booth and has vanished from sight. Oh no, fuck! Come with me, vanished from sight. Oh no! Fuck! Come with me, help me outside. Oh gosh. Help me outside. Oh, Barry, you're getting so drunk again. Barry?

I don't know. Make a deception check, both of you. Oh god. It's just words and words. It's like a 30 DC. There's no way. Got them all out of your system now. What'd you get? What'd you get?

I got a nine. Five! I rolled a five! All right, so what are you two doing? Well, he wanted to walk outside, so that's all we're doing. Meet me outside, meet me outside, yeah. I think we're being kind of obvious. Oh.

I say in your head. I just, I take, we're going to plan to go out the back, but is there any sign of her up the stairs or up in the up-door area? Up-door, upstairs. Not currently, no. Fuck.

Eyes towards the door. Eyes towards the front door, you mean? Yeah, like, is she heading towards the exit? You do not see anyone heading towards the exit. Eyes towards the front door, you mean? Yeah, is she heading towards the exit? You do not see anyone heading towards the exit that looks like her. I saw her for one second! Maybe let's go, is the booth empty now? It looks like the booth is empty, yeah.

Let's go check out the booth. I go sit down like you're my dad taking me out for a nice, even drink. I've been doing this for years. She could be invisible. So just act like you're going to sit down and maybe she'll be like, So maybe on our way?

What's the matter? Maybe on our way to the booth. We should just swing our arms around. Just in case, you know, she's next to us. Time gets better and better by the second. So we're going to just start pirouetting around the bar. It was like one of those kids on a dark wave dance night, just by yourself in the middle of the dance floor. She's going to do the Molly ringer. Just in case we catch her, you know?

Let's go. Yeah, just walk. Mom. So. As, just walk. As you both walk past the bar, you see Crazy guys! There is a figure with a sloshing stein in their hand wearing work leathers, a light gray skin with horns curled around their ears, shaved head.

Looks like they've had a hard day's work watching both of you and just... And then moves away. Uh-huh, uh-huh. Try the mead. You head to the booth? Yep. And you just, what, windmill in this space? We're just going to get there and then we're like,

Just wimpy goosey, you know, just swinging our arms in the space? We just get there and then we're like, Just kind of loosey-goosey, you know, just swinging our arms a little harder than normally. All right. As we walk over. Nothing catches your hands or arm. Okay, well. Is there a depression in the seat cushions of the booth? Make a perception check or investigation check, your choice.

17! No, there are none. 19. Don't be suspicious. Don't be suspicious. Well, if I did an investigation, it would be 19. Any sort of business card that she dropped? I don't know, is there anything there that looks like

might've been from our party? It looks like the mug that she was holding was left behind on the table, but that's it. Get a DNA sample. Yes, this hound has got his teeth locked in. Ah. All right, back to the others. Yeah.

Sorry, Bert. Barry. Sorry, Barry. Meanwhile, what are the rest of you doing? Ashton. Yeah? You said you had a plan. I do. What's your plan? We go around the front. All right.

We open the door. Okay. And we all go in, because clearly there's just nothing else happening because half the group walked away. How do we open the door? I will try and pick the lock. Should I, once again, just have Orym open it for us?

Or are we setting up a challenge for practice? Oh no, I keep forgetting you can talk to people. Maybe, yeah, maybe have him open the door. So, but here's my, here's, I think, where I'm confused. What are we supposed to be seeing if someone came in the building? And if we're in the building, how do we see if someone comes in the building?

There was supposed to be someone out there, and they decided to do this instead. I wonder if someone, maybe it's not a good idea that we're all in the back, because what if someone walks in the front? Right. And I don't know. So should we have a new front door team?

Who's it going to be? Well, some folks should go in so that Orym isn't alone in there, right? That's my thought. We should investigate the space as well, right? And if you need someone to stay in the back, I don't mind doing that if you want. I'm going to need you for a second

if we're going to pull this plan off. Can you see in the dark? I don't know. Can I? At the end of your sentence, I do not believe you can. I don't think I can. I'm pretty sure I can, but I've got a light.

I keep a light in my bag. Well, I have pretty good vision. You do? Yes, in darkness. Clearly, okay. Yeah. So maybe I can go inside. That's pretty good vision. Yes, in darkness. Clearly, okay. Yeah. So maybe I can go inside. That's a good idea. And then we'll take it from there.

And then we'll have two people inside, someone in the front, someone on the back. Everything should be fine. Just covering all of our bases. Who's staying in the back? Probably be the two of us. We'll put you back in the front. We'll go in the front.

Yeah. That sounds good. That's suspicious somehow. I don't understand why, but somehow. Well, not so long. With Orym. Okay, okay, okay. Okay, great. Good luck. Orym! I'm going to get used to this.

Yes. Would you open the door? Door. I understand. Yeah, just one second. All right. The back door. I can't open the door. Yeah, just one second. All right. The back door. I will move towards where I heard

the scratching on the door. Okay. Okay. Do I find it? Do I have to search for a door? I will say, in a little bit of time, you're aware of the surroundings. You were in here earlier when it was lit, so it doesn't take you too long to get there.

Yeah, you do jam your leg a little bit. You do get to the door, and you reach it, and you see there is an area where a handle is. As you tug, it doesn't move. You guys, if you recall, the back door is sealed. It's sealed. Maybe tug it a little harder. Oh, hey, the other door was one.

Maybe it pushes in. Does it push or do we pull? Let's just go to the front door. Or I'll close the door. It's locked. Can you hear us through the door? Very, very faintly, Nottie. You're all right up against it. Are you okay in there?

I mean, I can't see anything, but nothing's happening. Yeah, let's go in the front door and keep going. Why is the door sealed? Exactly. That's weird. They locked it up because business is done for the day. No, they would seal it up. It's sealed from the outside. The door is sealed, but is there a gap in the bottom?

Like in the bottom of the door, like a normal door? I thought you said last time there was no gaps. No gaps. That's right, it was all bits of barn. It was a barn sliding door that's been sealed and welded against this. Let's just go in the front door. All right.

Orym! Orym. Orym. Yeah. Should we try the front door? I have a slight fact about you. What was that last part? I just asked if you could try the front door.

On my way. All right. Okay, we'll go up front. All right, then, we'll come with you. Are you okay back here? We're sending a message. Make some noise. If you hear noise, we'll come rushing in.

No holler, okay. All right. So the rest of your team backdoor heads to the front door? Yeah, yeah, yeah. All of us? Yeah. Three of you. All of us? Yeah. Three of you. I think you and you are staying in the back. With what?

Or do you want to come in the front? I'll stay in the back with Ashley. Don't know why. As you go, I'll just say, if anything happens back here, I'll send you a feeling. Oh. That's so sweet. Oh, and also, I'll just cast Guidance

in case you need it for the next minute or so. That's a good feeling. Yeah, it is. All right. All right. Hustle, hustle. So you all make it back to the front door as you're fumbling through back to the front portion of it where the door is there,

and you can make an investigation check for me. Sure. With disadvantage because you're dealing without any vision here. Real bad, yeah. Real bad. That is a four. You find the door, but you are not quite sure

how the mechanism that locks and bars this door functions. You don't know where there would be a turn portion or a knob or a slide that gets it open. It's just barred and you're not quite sure how to open it. I think I can reach the, you're going to have to open it from your side. Shit. Okay.

I'm going to, yeah. I don't know, try the door. Make a strength check for me. Is that what they're all about? This is what I've been waiting for. This is everything I've been waiting for This is everything I've been waiting for Okay, with guidance This is strength modifier Okay, so here's my question

Okay, okay It's just not a saving throw Even though they're sign. Okay, okay. It's just not a saving throw. Correct. Even though they're the same. Okay, so that is a 19 total minus three. Pretty good. Pretty good.

So 16. Okay, not bad, not bad. As you pull on the door, you watch as the muscles tense and your shoulders pop out of the sockets from the pool. As you focus even harder, there's this odd,

magical darkness that swells around the muscles in the shoulder and reinforces as you tug once more and the door. It doesn't open entirely, but you can see the metal on it bends a bit, and whatever mechanism is holding it shut appears to be somewhat damaged and lessened in its strength.

Nice. But I didn't open it. Mm-mm. It's still barred. All right. Okay, so it's barred. It's barred? Is it barred from the inside?

It was barred. I just pop my shoulder back inside. Oh. All right, well. Okay, well, is it locked? It appears to be locked and barred. Yeah. I love this.

I am frantically looking over my shoulders while these two fucks make this lock. Make a perception check. Yeah, yeah, yeah, yeah. Okay. Before it's perception, just straight 14. 14, okay. Glancing around, nobody seems to have currently gained any attention,

though there was some noise from the pulling of the door and the knocking and such upon arrival. So who knows how long it'll be, but currently you feel no prying eyes. Did Ashton come up to the front? No. Did we hear it in the back? The noise?

You would've heard the. Oh, for fuck's sake. I do have a lock picking kit. Oh. Okay. It's not like my forte. Well, you could give it a try. You've already used your superhuman strength. That was amazing.

That was really cool. I've never felt so strong. Oh my gosh, that was just so neat. Thank you. All right. Okay, I think you should try it. Oh, you're not here. I crack my fingers a little bit.

Okay. Does it have a lock that's pickable? It does have a lock that would be pickable. It looks like the damage to the door may have done good to it, may have done bad to it. You're not sure. It did something. It may have hindered or helped your attempt, but if you want to go ahead and attempt to pick the lock.

I'm going to try to hide her with my body. Okay. Shoulder to shoulder, for sure. Yeah, yeah, yeah. Nothing's happening here. You got it. See it sure. Yeah, yeah, yeah. Nothing's happening here. You got it. Nothing's happening here. Yeah, yeah, yeah, yeah.

Rolls-Royce. Are you proficient in lockpicking? I'm not proficient, no. You just have them? I just have them. Okay, so just roll a d20 and add your dexterity modifier. All right. As an ability check. Not that one.

This one. You do not have Guidance. I do not have. No, no, no, no, no, no, no, no, no, no, no, no! I thought that's what it was. I thought that's what roll 20. That's great, Guidance. I do not have. No, no, no, no, no, no, no, no, no, no, no, no, no! I thought that's what it was. I thought that's what roll 20. That's great, plus. Plus two, so 22.

22. As you get down there with the lockpicks, it's the larger opening for the lock there, and you can see inside, some of the springs are already busted and whatever created this latching bar mechanism that closes this warehouse is partially damaged. As you get the lockpick in there, it's not quite going to get what you want,

but your finger can get inside. Just slide my fingernail up a little bit in its bed to give it a little bit more length. You find that one last little metal tumbler, and as you pull on it, as you retract the finger on the inside of the lock, you hear the rest of it slide open in the door. Aw.

Oh my god! It's good to see you. How's it going? Are you having fun? Uninventful. This is going to be fun. Come on. Come on in, I'll show you the place. In or out, in or out, let's go. All right, all right, all right.

Come on, come on, come on. Good luck. And I'm going to shut the door behind us. Okay. Are you in or out? Who's in? Yeah. Oh. They're out. I don't know. And we're in. Oh, did you go in or out? I went in, I went in.

Oh, you went in? Okay, okay. Did you go in or out? You're the one who you went in? Okay, okay. Did you go out? You're the one who could see, right? I'll stay outside, I'll stay outside. I'll stay outside and I'll watch. All right. Go get some stuff. I'll scrape the door. You'll scrape it and I'll know that it's you.

All right, both of you. You can hear it faintly. You guys are listening for it, so you can hear the sounds of the door opening and then closing again. Ashton, I feel like we should split up. Just you and me, just go two different directions. I don't know why.

It just feels like that's what we're doing today. I'm just kidding. No, I respect the urge. Yeah, these people. Okay, okay. Something happened over there and we're not hearing, have you heard a creepy voice in your head? No, no, not at all.

Not in a while, anyway. They have good instincts, though. They just need a little bit of guidance and help, focus. They got the door open, apparently. I've heard they got the... Yeah. Let's just keep a lookout, put our ears to the wall.

I feel like they're going to fuck something up. Yeah, you're right. Yeah. Has the plan changed? What are we doing? You know, I'm not entirely sure what the plan was from the beginning. So it just feels like we're making it up as we go.

It is dark in here. Yes. I'm going to pull out my Moontouch Scimitar and it lights up the area. Hey! Better. Two episodes to get light in there. La la.

You got this. You got this. Got it. Thank you. Level three, madame. Level three. You want to just sit and wait? I mean, that was the first idea.

Right. But is this a new idea? You said you found something in here that seems suspicious, or? No. Oh, earlier, yeah. Yes. Yes. Like a residue, yeah. Yes, yes. Like a residue of something. Do you think there's more to investigate

in this spaceship and look around? We should investigate. Right? Brimstone residue? Brimstone. Did I know that, though? Yes, you did. I told you. Yeah, we knew. Okay.

Brimstone. Well, I'm going to take a look around. Okay. Oh boy. I haven to take a look around. Okay. Oh boy. I haven't been in here yet. It's nice. So who's doing what? I'll stick with Orym, since we can see together, if he stays close enough.

Okay. And you can see in the dark. I can see in the dark, so I'm going to do a perimeter pass and just look around, see if I can find any things that look like hidden entrances or weird vents, ventilation shafts that we didn't really notice before, like ways that people could maybe get in.

Make a perception or investigation check. Okay. You know, if you need anything, just do the terrible thing again and we'll come. What? What terrible thing? As you were. All right. Okay.

I'm no longer guided or blood? No. No. That was just once. Just one time. 14. 14. You, it takes a little bit of time to do a thorough scan of the chamber, but looking around, aside from the storage boxes and crates,

and you do see the same crates that you had managed to uncover, that are still, you know, while the lid's been put back onto them loosely, it confirms what they had previously seen as they were entering the warehouse and looking about, but no signs of any hidden entrances, doorways. Are there any desks around?

People work. Not within this main room, but there are a couple of other chambers if you want to go ahead and explain. Oh, well, let's check out other chambers. Okay, in the interim, what are the rest of you doing? I'm going to take out my pan flute and just lean up against the outside of the door

and just start playing my pan flute. Okay. Very nice. You guys can hear the pan flute. Woot. Woot. Woot. Okay. Is there anything around right now? Is it pretty quiet back here?

Pretty quiet. The drunk guy's starting to rouse a little bit. He's like. Mind if I have a sip? I'm just going to, he's got a bottle, right? He's got something or no? He looks like he does. You go and grab for it. He isn't reacting to you doing so,

and it is empty. Ah, fuck. He slowly gets back up and hobbles off and wanders out of the alley and back into the rest of the city. Kind of rooting for him. Yeah, I mean, I hope he does something with his life. He's living his best life, that's fine. You think that's his best life? Sadly, I mean, I hope he does something with his life. He's living his best life, that's fine.

You think that's his best life? Sadly, I do. Hmm. I don't know. I don't know about that. You know, aim low. Oh, I don't know about that, either. I feel like he might have a lot more to accomplish than just being a waste of space

who's just drinking his troubles away. That's not necessarily a waste of space. I mean, that's a person going through shit, probably. I mean, what do you imagine? Bring it, bring it. Tell me. For that fellow? For that fellow. Well, just what do I imagine his life could be?

Yeah, I'm bored, please. I just feel like he needs something in his life. You know, like, the problem that I find with, not the problem, I don't want to be insulting or anything, but the issue that I find with some of you soul-touched creatures is that you always know what you want, you know?

But you don't always see what you need. I feel like he might just need some help seeing what that is. It's like a hobby or something like that. Yeah, an interest, an inspiration. Like, for instance, for you. What is the thing that you're trying to get to that you think that you want, maybe?

That's a very interesting question. Self-reliance. Certain amount of freedom to move about. Those are good goals. It seems like you have a lot of that already. I've got some of it. I've got some of it. It's complicated.

You're not free to move around? Oh. You know. I don't. I've got some debts. Oh. You know. I don't. I've got some debts. Oh. That, you know, that hang over. And that's what the money's about, honestly.

That's why you're always asking for jobs and whatnot? I got some stuff I'm working through. I'm working through it, I'm working through it. No, one step at a time, that's fantastic. Yeah. Working through it. Yeah, yeah. But it's the debts, it's the money thing?

It's the money. Well, it's money, it's favors, and some reputation issues. I can be difficult with people. No. Really. No, you're great. I appreciate that, but to be fair, I haven't hit you yet,

like in intense anger with a giant hammer. That's true. That glass hammer does look pretty intimidating. It does. If it makes you feel better, you're just too adorable to smack with that thing. Well, I appreciate that, but. Or if we did, it would be like

you would get to hit me again. It would just be something like that. Oh, I don't know if I could do that. I would. You mean like, I keep seeing you trying to use that buzzsaw, and I just, god, I'm just rooting for you. Yeah, yeah, well.

I feel like I'm a little too low. Yeah, sorry. As the conversation goes on and the sunset turns into night. Uh-oh. Oh no. The stars begin to peek through the sky. Fucked up now. Inspecting the interior of this warehouse,

you begin to look about, and most of the small chambers here look like break rooms and some side storage spaces that aren't currently being utilized because it isn't a very full warehouse and it looks to be a small office. Put a little cot right here, actually. There is an office door that is locked.

Ooh. Ooh. Lock picks. Go ahead and roll a d20, add your dexterity modifier. Come on. Not as good. Not good this time. Nine. Nine.

It's not budging. No. Right at this time, Bertrand Bell, Imogen. Oh yes. You return to the warehouse. Oh. To the find the exterior. Oh wait, we were coming, we were both heading back? Yeah. Oh, I thought you were going to stay there.

I was, but I'm sorry. You both return to the warehouse. You want to stay? No. As you no, no. As you arrive, you turn, and Bertrand's there behind you, and you're surprised to see the defunct. I thought you were staying behind, Bertrand. I thought you said,

Come, Barry, follow me. We're going back, whatever. No? Where is everyone? You hear the can of tea. Oh! Hi! That's lovely! Thank you. I was just passing the time.

So team Backdoor sort of became full frontal, and now they're inside. Okay. A couple of them are also in the back, and I'm just keeping watch in the front. Oh, all right. Well, we followed Danas, the ball slayer. Yes, yes. We followed her

all the way to the Wayward Tavern. Weary Way. Weary Way. The Weary Way. And we lost her in there, but she was in there, and then she saw us. And. No, no, what? I mean, did she see us?

I don't think so, no. I mean, we were being pretty sly. Okay. Yeah. Well, perhaps she didn't see you. Yeah. She was hard to follow. She was hard to follow. I lost focus in there, and I apologize for that. It was a bit of amateur hour.

We fucked her up, but that's okay. At least we know where she went. She had a corner booth. Listen, I will not judge at all. I know this is- Where's everyone else? Inside. Oh. Yes. Good. Ashton and Fresh Cut in the back.

Should we move away from the front door, perhaps, just in case someone does get here and then they just see us standing here? I open it. You can go in. We can all go in. Oh. Well, I can still stay outside. No, we, I mean.

I mean, I can stay. You go. I look, I've made myself. Oh, you look very different. Should we go inside? Sure. Are you sure, Barry? Yeah, I can do a bird call if someone comes. Okay. Oh, all right.

Or you can, okay, are you going to be across the street just keeping an eye? How are we going to? I'm going to have Laudna send a message to you every once in a while, just to make sure that you're safe, all right? And I'll do the same thing where I just inform her of my position every how often?

Five seconds, okay. Okay, yeah, actually do keep me posted because we can talk for a few minutes at least. Sitting down. Three five-second feels a bit excessive. Sitting down. All right. I think at this point, the two of us come running around the other side because there was a weird fucking

sound that just happened. Thought I heard a bird. The fuck was that? It sounded like a big bird. Yeah, that was... I'm in disguise. Oh, all right. We're going inside. You're going inside?

I don't know what's happening. Did you want to get in there? Into this door? Yeah. Yeah, I think this is an office or something. Maybe we could find some papers. I have a pick, too. Step back. Oh, really? I slash the lock. Go ahead and make an attack. Sl. Maybe we could find some papers. I have a pick, too. Step back. Oh, really? I slash the lock.

Go ahead and make an attack. Slash the door, as I said. I'll make it a disarming attack. It's a 10 plus a 16 to hit the door. Yeah, it definitely hits. Okay, and that is 12 plus my superior. 17 points of damage.

The lock. Oh, that was cathartic. Vakunk. Do your thing. Let's go. Are you coming? Or are you going to stay? You watch her, I'll watch you and the room.

We'll watch each other. It'll be great. All right. Just keep that sword out. Sure. It's really dark in here. Oh! Imogen? Imogen? I'm right, I'm just, I'm by the door.

Okay. Oh, good. Are you okay? Glad to have you back. Yeah. Good, good. Well, old machine. Stay together. You guys hold hands or something. I'll go get them.

Okay. Run through the darkness and go. Okay, let's go. Let's hold hands while we investigate. Sort out. It is a relatively small chamber. It's about 10 by 7 feet. You can see there are a couple of small tables

on what looks to be a roll-top desk that is currently closed. Gorgeous. That's it. You know, I had one of these desks in one of the cabins that I used to live in. It was along the way, and it was just abandoned, and I fixed it up a little bit. You put a nice little stain on it.

These things, they don't make them much anymore. All right. Anything? Uh-huh, yeah, it's make them much, very much anymore. No. All right. Did you see anything? Uh-huh, yeah, it's a roto desk right here. Okay. What else do I see? Oh, yeah, you said desk, other stuff. Two other small tables.

It looks like they have some scraps of material on them, a couple of small tools. I'm going in the desk. Are you in the room, too? Make an investigation check. I'm making my way through the larger factory toward you so you guys can see. Oh, you know what? I'm running toward way through the larger factory toward you so you guys can see. Oh, you know what?

I'm running toward you with light. As you do that, I'm going to just cast Dancing Lights. Oh, great. But I like, that's a really neat trick you got. Thanks, I appreciate it. I'll put it back and I'm going to scamper back into this back toward Orym to see what they're doing. I always forget I can do this.

That's very cool. 12. Looking through the interior of this desk, you find there are ledgers and collective books marking ins and outs within the warehouse, dates and materials delivered, materials distributed. It's a fairly, by the book, dates and materials delivered, materials distributed. It's a fairly, by the book, breakdown of the passage of materials

in and out of the Prudaj Textures warehouse. It looks like there have been a couple of mentions of missing materials. But it's been heavily... Make an intelligence check for me. Does it look like it's been doctored or something? Mm-hmm, mm-hmm. Mm-hmm, mm-hmm, mm-hmm. Just straight intelligence check?

Yes. What is my intelli... Okay. Oh yikes! That's a two for a three total. Ooh, okay. There's something about it that just looks a little off and you're not sure why. What does your hand feel like?

What does your hand feel like, Laudan? Cold, a little clammy. What are we talking about? Like unnaturally cold. Okay. So you're walking in from being out in the winter weather? Yeah, like someone who has really bad, you know, like me, someone who has really bad circulation.

And it's almost a little ever so slightly tacky feeling. Okay, okay. A little porous. As we wander into the room, I'm going to say, so. Yeah. Yeah. So Bertrand and I followed Danas, and she's over at the Way...

Weary Way. The Weary Way. She's over at the Weary Way Tavern. We lost her, but, you know, I remember Mr. Eshteross said that what he wanted more than anything was us to take care of the source of the problem, and it very much seemed like she was the source. Source of the problem, all right. Did you have any idea where she was headed next?

No, and we lost her, but maybe if we head back over there, we could track her down? Orym starts flipping through that book. Yeah. Look, it looks, you're smart. It looks like it's like, I just drift some.

Look at those lines. It looks like it's smudgy, almost. Like it's not right. Well, for you to be an intelligence checker, just kind of look at the top of Orym's head. The lights spark and flicker above you. Am I doing intelligence or investigation? Intelligence. 19.

It looks like there have been initial findings in one handwriting, and then it looks like it's been smudged and then rewritten to downplay the amount of goods that are missing. You're saying two different scripts? In multiple different dates over time. Whenever there's any sort of indication of theft,

it looks like there has been intentional use to downplay the amount or retroactively alter the information with the book. Okay, it's an inside job. Yeah, and can we find anything else that has this secondary handwriting on it to prove that it's actually Danas making those notes? That's such a good idea.

I could keep looking through the desk, I guess. I will say, because you are there and the desk at your disposal, there are a number of essentially invoices that have been signed off for other vendors and distributions by Danas and the handwriting does match. So we take both of these books.

Worst case scenario, we can take these back to Mr. Eshteross and get 150 gold for finding the source. We could, however, go over to the Weary Way Tavern and see if we can track her down and maybe take her out. Or take the source out, whatever it is. I'm not saying take her out, but maybe like- For stealing some wool and linen? You want to kill? I'm just, I'm just-

I'm not. We can take her. We can take her out of the tavern and bring her. And interrogate her. Sure, or stop her sources or something. Sitting in the street. She did look. Mr. Bertrand is sitting in the street. Is that safe?

It's fine, it doesn't matter. He looks really disheveled. Somebody should look in there. I don't remember what I was thinking. Well, we have evidence now. We do have evidence. I don't remember what I was thinking. Well, we have evidence now. We do have evidence. Oh, that's what I was going to say. She seemed distraught when I ran into her,

when I talked to her on the street. She seemed like, I don't know, like she was in trouble, almost. Was she carrying anything, like it was a delivery or something? Not that I noticed. Maybe someone's making her do this. Maybe someone's making her do it. Maybe someone's making her do it.

So if we follow her, maybe we can find out the greater source, you know? We could confront her with this. It's a smoking gun. That's true. Take this. You are brilliant. And take an invoice. Yes.

So we can show her, we can see her. Yeah, I'll fold up an invoice, put it in the thing. Put it in my bag. And you saw her at the Weary Way? Yeah, the Wey-Way. And that's where you left her? Yes, that's where we lost track of her. Okay.

Maybe the Weary Way is in on it. I get really uncomfortable in taverns. You know, I start feeling funny and I don't know, I just lost focus and I apologize, Mr. Butcher. Only in taverns? Or is it a specific thing with taverns? It's crowds. It's crowds? It's crowds?

It's all right. Yeah. Um. Anyway, do you think we should head out, maybe? And get out of here? Well, it seems like we have enough for part of the job. Question is, do we want to settle for that or do we want to try to wrap the whole thing up? I'm hanging out watching all this, I assume.

Can I find an address for Danas? Is there anything around that's just got an address on it or anything like that? Make an investigation check. Natural 20 for 21. Natural 20. Glancing around, even just pouring through the papers and some of the drawers in it,

you feel pretty confident that there is no address for Danas or any records that indicate that present. So at least you know you're not missing. I was going to say, nothing valuable or interesting otherwise, or weird looking. You find a handful of copper and a silver coin that have been left in a drawer. I keep the silver, I throw the copper on the floor.

I'll pick up the copper. Fair enough, fair enough. We could take a shot at going to that tavern, or maybe I wonder if we could go to the theater and find her coworker and, I don't know, talk to her or lean on her. One front door team goes to the tavern, back door team, no, we're not doing that anymore.

It does seem like we should at least swing by the tavern to see if she's still there, right? We should probably do it soon in case she leaves. You know, she did seem a little, I mean, quick. What time is it right now? Since you left and caught up with the group, I'd say it's been a little over 10 minutes. 10 minutes? 15 minutes.

She could still be there. All right. I imagine, yes. He said evidence was good, but I believe he said there. All right. Yes, he said evidence was good, but I believe he said a person was better. Yeah, he did. He said, that's right. Yes, he said 150 gold if we can discover the source of it, and 300 gold if we can stop the source of it.

All right, to the tavern. I know what to do. That's what the theater is. You have no idea. Oh, Bertrand! Bertrand. I'm going to say in his head, Bertrand.

Oh. Did you hear? We're coming out. Yep, all clear. Okay. Head out. So we're going to head to the tower. Is anybody on the street?

If we come out of the building, is anyone going to see us? Is anybody on the street? Make a perception check. Six. Coast looks clear. Clear. Go, go, Team Alpha. I'm just going to knock a little bit more shit over on the way out, just to thrash the place

just a little bit. Sure. I'll help. Yeah. Fuck this furniture. It's been a theme. Okay. Fuck the furniture. It could look like a robbery. Oh, that's why we're doing this.

No, for fun, too. Let's be fair. Oh, you know what? This is the fun part. On the way out, maybe we can grab some fabric, for fun, too. Let's be fair. Oh, you know what? This is the fun part. On the way out, maybe we can grab some fabric, some clothes or something we see, and we can just cover ourselves up so that it's a little less obvious it's us,

at least the ones that were in there before. Are there premade clothes? There are, yeah. There's a number of premade outfits, as well as just base material to grab in here if you want to. Just grab stuff on the way out that covers us. I'm going to throw on a tunic.

Yeah. Great. Throw on a little capelet that can cover my face. Yeah, all sorts of colors are your disposal. Yeah, right. Great. All right, if we go over there to the Weary Way, though, it feels like you don't want to be there for reasons,

but also maybe Bertrand, maybe not, because she saw you or did she? He ain't here. Oh, he's not there. Well, we're making our way outside. Yeah, yeah, yeah. Okay, so you exit the warehouse, catch up with Bertrand.

Caw-caw! Caw-caw! What? What are you? Is it? Caw-caw! Are you ca-calling? Because we're. Oh, you changed your appearance, so I have keen eyes. I miss nothing.

What did you discover? We found a book and some shit. We're going to go back to the tavern. Are we getting paid, or are we going back to the... We're going to go back to the tavern. If we don't find her, then we can still go to Mr. Estrella. Fair enough. Yeah. Good job.

Let's go. I'll lead the way. Okay. You trek across, following the footsteps that you two previously walked, the Weary Way Tavern approaching. It is as loud, if not louder, than it was when you last left. It looks like the usuals have definitely

taken up the space. You can hear what sounds like a violin already rousing a group around the small stage to the right-hand side of the interior. People are drinking, people are talking, people are laughing, people are shouting. It is a boisterous atmosphere. Okay, before we go in, Imogen,

maybe you can stay outside with me. We're pretty well suited. boisterous atmosphere. Okay, before we go in, Imogen, maybe you can stay outside with me. We're pretty well suited. These bitches be witches, so we'll just let you guys go in and get your shot, shall we? What do you say? All right, go get them. Do all of us know what Danis looks like?

We describe her. I describe her to everyone. I'm going to go in. Okay. Okay. Who's going in? I'm going to go in. I'm going to get a drink and hang by the front door. I'll stroll in as well.

Okay. I'll, I guess, maybe try the back. Been on the back door all day. Back yes. Sure, sure, why not? I'll rejoin the back door. I'll describe what the back door looked like, just so you know what to expect. Okay.

Okay. Those of you who are inside, what are you doing? You said you're getting a drink at the bar. Getting a drink, sitting by the door, looking around. Make a perception check. Yeah. That seems to go okay. Not this time.

Natural one. Oh, I biffed it, too. I rolled. I have advantage of perception. Oh, really? But. biffed it, too. I rolled. I have a band of perception rolls. Oh, really? Woo! This place is crowded. It's very crowded, and you're no luck so far glancing and seeing a person of that size.

I mean, you only just got here. I'm checking the ceiling. Yeah. Is the band full on playing, or did you say they're playing or setting up? There is a person with a small fiddle playing and you can see there's other performers that are in the process of getting instruments ready,

like a backup performance. I'm going to walk on over to them, with the musicians vibe and ask them, excuse me, I know you guys are about ready to play, but have you seen a small gnomish woman around here this evening? Maybe looking a little bit nervous, out of place, anything like that, and slowly pull a silver piece

out of my pocket and twiddle it in my fingers. Make a persuasion check. Come on, come on. Let's go, Harvey. Come on. Let's go, Harvey. Come on. Let's go, 21. Woo! This isn't one of the fiddlers.

This is somebody you see is pulling out this long sitar-like instrument and is in the process of getting ready to start tuning, goes, There is a patron like that, indeed. They've been sitting over there for a bit, but absconded up that staircase about three minutes ago, I'd say.

Thank you so much. Have a wonderful show tonight, and I go in to shake his hand and palm him the silver. Goes ahead and takes it. Indeed, and enjoy your night. You too. Run back. Who's in here?

Are you going to perform? What? We were talking to the musicians. I figured you were figuring out a tune to play. No, no, we're doing plan B. I'm doing plan B. Oh, oh, oh, oh, oh, oh. Yeah, yeah, yeah.

So he said three minutes ago, he saw Dennis go up those stairs, just three minutes ago. Two sets of stairs towards the back, and the one to the right was what they appointed. This one, that way. Let's gather everybody and get up there, then. Right? Okay.

Should I make my fucking way up there? Make my fucking way up there! I'm just very impressed. We don't have everybody yet. No. Let's get everybody back. Okay. Does anybody, can anybody?

I'm just going to walk outside. Fucking quietly! There we go! We need the edges. Down my drain, put it down, and I walk the fucking way. All righty. Walk outside. You can mark off three copper for your drink.

Walk outside. Yep, sure, sure. As we see him come outside, did we lose her again? Nope, nope, we got her, we got her, come on. Oh! Oh! Oh!

Oh, oh, oh! Just make sure my hair's covered. All right. Imogen, if you need anything in there, just, I'll be right next to you, all right? Yes. I'm going to start clomping up the stairs. And I'll be right on the other next to you.

You can be in the middle of us. Quietly, or? That's so comforting, actually. Thank you. Thank god. It's a stairway surrounded by 50 to 100 people. Yeah, it's a busy room. Yeah.

What you trying to do? I'm just walking up the stairs. Oh shit! So as you guys are talking, working this out, you see Fearne's already just going up the staircase without you. Love the initiative. I'm going up, too. Yeah, I start trailing.

Okay. As you all begin to follow behind, heading up the staircase, and it goes up to the second floor of this, yep, this multi-floor establishment here. You get up and turn the corner and you can already see it's a long hallway and there are just doors right and left.

You've now entered the inn portion of the establishment and you can see room doors. It's probably, as it continues downward before curving to the left, and you get the sense from the outside, and now that you're looking in, the front is where most of the party atmosphere happens, and then the building itself is a large square behind it.

It's three stories up, and around that square is where all the additional rooms in the interior and exterior are. You saw some balcony fronts out the front of it, so you get a general vibe of this large rectangular structure. So you curve around the way, you see down the hallway, and there's about five or six doors on each side of the hall before it curves up to the back.

Letters? You had the ability earlier to open your mind up. I heard your thoughts. Can you do that again? To hear other people's? To see if you can hear her down the hallway. I would do it, but I... You can't. I'm a little overwhelmed.

She can. I can. She can. Okay. It's just a lot for her, all right? I can. It helps if I can. She's very capable. I believe you, and that's wonderful that you're sticking up for your friend. I can open up my mind and hear some thoughts. It helps if I can see them, but I will at least be able to hear

if there are people in rooms, you know? Would you recognize the thought pattern? I don't know. I've only used this spell once in this campaign. What's a campaign? You can use this spell to detect the presence of thinking creatures that you can't see. Yep.

But I don't know if I can really hear thoughts that way. I would just know that they are there. You can search for thoughts in 30 feet of view once. It's spell can penetrate barriers. So yeah, you can use the spell to detect the presence of thinking creatures you can't see, I'll say. Then once you've acknowledged them, then yes, you might be able to.

Okay. Discern that same. Okay. Then yes, I will open up my inner gadgetry and try to sense the thoughts of those around me with Detect Thoughts. Yes, I will open up my inner gadgetry and try to sense the thoughts of those around me with Detect Thoughts. Okay. Then I guess. I'm just going to keep my hand on his shoulder.

I'll just go around the perimeter of the hotel. Okay. That hallway? Yeah, just feeling. All righty. Continuing down, rolling forward and concentrating, first room is bereft of any sort of thought. The next room has two individuals, and you take a moment to focus,

and even just the surface read, it is primal. Amorous, You continue. The next room to the right, there is a person sleeping. Not familiar. The next room, nothing. You come around the back bend,

and the first room on your right as you turn, which is out facing towards the next street or alley onto the back of where the structure was, you sense many figures. Like, just an initial impact as you come into the space. It's like one, two, three, four, five, nine, 10.

And this room isn't marked as a suite or anything different? It's one of the larger rooms, but you're not sure. You're not familiar with the space and what's there. Great inn. But one of the... Even just an initial impact, you can gather or glean a familiar

thought pattern as to the person you met in the warehouse earlier. Wow. I think we got something in this room. That's wonderful. But there might be many others in there as well. Yeah, it sounds like a lot. Maybe we can scare them, smoke them out.

Oh? Yeah. I had that idea, too. It feels like a bad one, but. You can vaguely hear, are you at the door or are you all back? Yeah, I guess so, right? Yeah.

On the other side, yeah. I feel like maybe some of us are hanging back up the hall. Are we all together or? Yeah, we're all just trouncing around this hallway. I feel like we went up on our own. Yeah, just to listen through.

Yeah, yeah, yeah, yeah. Okay. Orym. I'm going to send back a message to you and let you guys know that this is the door. This is the girl. Were you traveling along with them, or are you staying back? Yes, I would.

I would have traveled with them. Okay. Because I'm light. You do hear very, very faint voices from underneath the door that Fresh Cut Grass pointed out. And it sounds, does it sound like her? Make a perception check. That's better. 22.

22. You hear some of the whispers, these just hushed voices. You get low, right to where the crack of the whispers, these hushed voices, you get low right to where the crack under the door is, and listen in, and you hear, I don't really have much else to say. There was some rough-looking folks, and an old man started coming around,

asking questions about deliveries, and I think I really. There was some woman that came in by a business, I ran into her again. I don't... I'm just getting uncomfortable. I think we're being found out. There's a pause in the voice, a second voice,

and from there, your voice comes through. Uncomfortable because you cannot be trusted to keep your mouth shut. Because you are incapable of handling yourself. Tell me, should I be uncomfortable as well? No. I'm listening to this, I just start thinking she's in danger, she's in danger, she's in danger.

No, no, not at all. I just, I thought you would want to know. Most definitely. And I thank you. Did you tell them anything else? I pause. Well, I suppose we need to adjust our supply lines. I'll look into it.

Dennis, I appreciate your contributions. We'll be no longer requiring your services. Oh no. I kick the door. Oh no! No! Oh no! I do.

Okay. Full speed! Oh god, no. Make a strength, or yeah, this'll be a strength check. Against a locked door. I start clomping. I see this happen, I'm running full speed. You got it, okay. I follow behind.

The door cracks and splinters, but does not push open. All you hear now at this point is and. I'll slash the door, too, now. I'm going to cast. Let me know when I'm close enough. False life on myself.

Okay. Calling it now. Knocked on the, false life is on. I'm going to cast Mage Armor. Rage and ready to hit. All right. Mage Armor on myself. Mage Armor on yourself, you got it. All right, and go ahead and make your attack roll.

She's just choking on a grape, you guys. This is dumb. Oh, sorry. Figure out where I put my rolls again. There we are. All right. Yeah, okay, let's hit the door. Yes.

Ah, fuck sakes. What'd you roll? I rolled a... He doesn't want to say it. I actually just threw everything because I hadn't set this up. Nine, I rolled a nine. You hit the door and it impacts,

but from the angle that you're coming at and rushing, it just glances off the wood, splintering it further. The door is damaged, but it is a sturdy door, and you guys are having a rough time with it. It's made out of my alchemy. The rest of you have now rushed up to the door. It's always the fucking doors, I swear to god. The rest of you have rushed up now.

What are you doing? Can I see, is there a crack to where I can see inside? Not enough, no. Not enough? Hmm. Not with those rolls, unfortunately. Is this hotel space? Are we getting clocked by the rest of the establishment?

There's nobody yet. This all happened very quickly, and the hallway is currently empty. Oh god. You knock. Does everyone wait after the knock? No! No!

Slash the door and slash the hand. I'm just going! All right, both of you roll attacks on the door. I'll cast, before they slash again, I'll cast Bless on both of them. All right, on Orym and Ashton. And who else? Oh, I get one more? There's three for Bless.

Imogen. I was keeping. No, yes, Imogen, yeah. 13 to hit. 13 to hit, does hit. Go ahead and was keeping. No, yes, Imogen, yeah. 13 to hit. 13 to hit, does hit. Go ahead and roll damage. Oh, thank god. So you said Orym, Ashton, and Imogen. Yep, correct.

You got it. Up your face, then. I brought up your room service. These two are like. I just don't believe how shitty these rolls are. Okay. Nine points of damage. Nine points of damage.

The door splinters in a bit, and you can just barely begin to see through him. What'd you roll? I duck the hell under his gigantic hammer. I rolled a 23, and I got eight points of slashing damage. The door splinters open off the hinges, broken, scattered to the side. Elements of it just fall to the floor

and skitter forward. I'm instantly going to telekinetic shove whoever is next to Danas. Flashback. Just push them back five feet if I can. You glance in, make a perception check. I don't know. He's not there yet.

Oh, that's a weirdo. That's a weirdo. I liked it, but yeah, it was cocked. Perception, 14. 14. You going to do that? Nobody. Oh shit. There's nobody there?

There's nobody. Do you run into the room and look around? No, no, no, just the door. The door? You don't see anybody from the door. All you see is, from the other, you see there's a closed window that leads to a balcony. You can see some magical torchlight

flickering in the chamber, giving a little bit of ambiance to the space. You see some heavy armoire, some furniture closet on the opposite side. There's a table in the middle of the room with some chairs, but in the low light here, and just glancing beyond what you can see right now, no person. No Danas? No what you can see right now, no person. No Danus?

Not right now, no. The door's open. I'm going to run in and smash the closet, see what the fuck's in it. Preach, go in. The door's open. Okay. You rush into the room, go over, and you roll an attack for the closet.

22. 22 roll damage. All right. 22 roll damage. All right. Faint furniture. Apparently, yeah. 12 points of damage. It's going to move, it's going to move, I know it! You slam into this large cabinet, just breaks in.

As the doors fall into it, and the top structure of it collapses inward, you skip back a minute, and you hear on the inside of the cabinet, and you see movement coming from the splinters, at which point a voice from behind you goes, Oh, interesting. Wasn't expecting more visitors.

You glance over your shoulder, and you can see by the desk, up on top of it, some sort of a humanoid figure in the dark shadows of the corner, cloak wrapped around the shoulder, peering off the front end. You see this sallow, pale dwarven face with a very scraggly kept chin beard

that looks patchy and nasty, greased hair pulled back. Just amongst the black cloak and clothing, it's almost like a floating head. We're talking like the weird flashes of Pazuzu in The Exorcist. It's just staring at you from the far corner. You hear other strange skittering throughout the chamber.

That's where we're going to take a break. Aw! Oh shit. Back here in just a minute to see where this goes. Woo! I completely forgot we had to take a break. I did, too. I forgot we had yeti. I shut the door behind him.

Good night. We'll be back here in just a few minutes and we'll pick up from there. Why, hello there. This is Critical Role's resident art dad, also known as Liam O'Brien. We are continuously amazed at the artwork this community creates. That's why each Thursday at 8 a.m. Pacific, we share a curated gallery of submitted fan art each Thursday at 8 a.m. Pacific, we share a curated gallery of submitted fan art over on critroll.com. If you'd like to submit your art for consideration,

visit critroll.com slash submit. And thank you to all of the incredible artists who share their talents with us week after week. Hello, everyone, and welcome back. So I feel like we should roll. after week. Hello, everyone, and welcome back. So. I feel like we should roll a mission. Oh! We're just going to? We're just going to? Oh my god.

What's it going to be? Who's the one? Who's the one? Straight up that thing. Oh! Oh my god. I don't know which one. I don't know which one. I feel like this.

One, two, three. One, two, three. Go, go, go. Ooh. Ooh. Oh god. Oh god! Oh god!

Oh, that's a new one! She's in trouble. What? Oh, I saw it. Hey, let's go! What? Tagu. Cyan.

There you are right there. After trashing this piece of furniture. Yeah, fuck that furniture. I was going to say, yeah, if you want to knock that down or something. We knocked it off the furniture. Now the rest of you. Fuck, fuck. Orym and Orym are right at the door. Yep, Orym is right there. This door is. I was going to say, yeah, if you want to knock that down or something. Now the rest of you.

Furniture. Furniture. Furniture right at the door. Yep, Furniture is right there. This door is. Oh! Imogen was right in the middle of the door, too, because. Seven years of bad luck. In the middle of the door.

Oh, because we're listening in. I had done the try to do the shove. That's right, yep. That's right. It would be dead center. You got pushed there. Imogen would be right in the center of the door. Sorry about that. And there's the dwarf. Right over here in the center of the door. Sorry about that. And there's the dwarf.

Right over here in the corner. Where do the rest of you want to be, out in this hallway? I was knocking, so I think I probably went right in. Orym and Fearne are pressed, I guess, right behind. I'd probably be with Fresh Cut Grass behind them. Look at that little bed. Okay. Dorian? No, that's where we're going. It's like a little bathhouse. Dorian, that's where you are?

It's like a little bathhouse. To the right or left of these folks? I'll go to the left, closest to the door as possible. Oh, it is a cute bed. Then Bertrand probably over here. I was still down at the bar, but let's say I heard the door break. Bertrand is not present.

Oh, I thought you were upstairs. No! No, I was going to keep an eye on if other people came up behind you. Oh, that's right. Someone might want to send a message for their turn real fast. I guess I should ask,

does anybody in the bar downstairs hear the and look up towards the? Feeling message. I mean, it's pretty loud and there's music playing and it's a bar. It is. Here. And people drop shit all the time. Roll a perception check.

This is not strong for me, Matt. I don't know why you'd... 18! Yay! Lumber psychology, let's go! You do hear the repeated impacts. You see a couple people hear it and look up the stairs,

but nobody's really paying immediate attention. My ears, let me go. Danger to the foot. Move, fools! They're going at it in room 17 again. All right, so it'll take you two rounds to get here, fully booking it on a move and a dash. You can get there in one round

if you use your action surge. I will make an extra move. I'll go ahead and use it. Okay, so you won't be there for this round, but the next round you'll be able to get the edge here. We'll say at a full sprint. So initiative scores, can we have 25 to 20? 20.

Dirty 20. Ooh, okay. Yeah. All right, who of you has the higher dex? I have a plus two. Plus three. Dorian! Dorian up first. Always got a lot of Dorian. All righty, 20 to 15.

18. 18 plus three. Ooh! Oh, wait. Okay,y. 20 to 15. 18. 18 plus eight. Oh, wait. Okay, so we have Bertrand. What's your dex? Plus two. Plus two? Oh shit.

You guys get to pick who goes first, then. Ladies first. Okay. All righty, so see. 16 for me. Oh, 17 for me. Okay. What was Ashton?

16. Got it. Okay. And 17, Sadie, Majin? No, 16 for me, or I'm with 17. You're 17. Says fuck. We both were 16?

Yeah. What's your? My dex is two. My dex is plus two. Oh shit, what's your, my dex is 15. Yeah, same. Oh shit. Shit. Roll ease. Roll easex is 15. Yeah, same. Oh shit. Shit. Rollies, rollies.

Rollies, rollies. Fight! Oh no. Nat 1. Nat 1! Oh! Rollies, that's it! Rollies, suck death! Come on! Rollies, suck death!

Best game! Oh god. 15. Five. Oh god. Really? That was the hottest game of rollies ever. Like, yeah, yeah, yeah. Oh god. 15. Five. Oh! Oh god, really? That was the hottest game of rollies ever. Like, yeah, yeah, yeah. It's better than the better tiebreaker in rollies.

Yeah. It was on 15 and then it went boom. Oh my god. I mean, there's options, like poker. Loser eats their die. So it's Orym, Ashton, Imogen, right? Yes. Correct. Then Fresh Cut Grass at the very tail end.

You got it. Good job, CG. Dorian, you're top of this realm. All you have is watch after the door gets broken in, Imogen walks in, looks a bit confused, right as she gets pushed to the side, as you see Ashton run into the room, you hear yelling and then the smashing of furniture

and this weird voice beginning to emanate from somewhere in the room. What are you doing? I'm going to sprint in. All right. Because I'm stupid. Five, 10, 15. Yeah. So far as you take in the space and all you see currently in this room

is just the low-lit space, this one dude in the corner and Ashton across the way near a smashed cabinet. Ashton, what's going on? Thing, kill! Ah! Me killed, all right! Where's homeboy? Right there.

You have 15 more feet of movement, I believe. And do I hear others? Are these voices circling around the room? It's just one, all you hear is one guy talking. Oh boy. It's his mouth. Okay, I'll just, okay, I'll. He's not talking right now.

In a moment of panic, I will just turn to him, not move anywhere, I'll unclip my hand axe and wing it in his noggin. All right, are you staying put or are you getting closer? I'm going to stay right where I am. You got it, okay. Fighting bard, fighting bard. Poopy, poopy pants. Come on!

No, big poopy pants. 12. 12. You throw it, and you watch as the head shifts in the cloak, and it just scrapes off the side of the wall, and as now your axe is in that corner, you have to retrieve it to use it again.

I know! You need a chance of returning. I know, right? Can I move any more, or am I? Yeah, you have 15 more feet of movement. I'm going to make way for my homies. I'm going to sally back into the corner by that picture frame.

Just throw it out here? I put my bow down. Hang on, hang on, wait, wait. We've got it. Everyone pause. All right, cool. So I finish your use of a bonus action? All right, cool. Finishing Dorian's go, Laudna, you're up,

with Fearne on deck. Oh shit. All right. Imogen? Coming in. 15. It's the Shadow Creepers! I think so. Doug!

And I'm going to... What? Doug? What is this? Who's Doug? Doug! His name is Doug! Look, all creepy people, you know. Name Doug.

Sorry, Dugs. Shit, what am I doing? What are you doing? I'm going to hex him. I'm going to hex him. Oh, wait, wait. Shit, what am I doing? What are you doing? I'm going to hex him. I'm going to hex him. Oh, wait, wait, shit. It's not going well. Is the hex making shit? Where are my spells?

I don't know, your turn. This is a bonus action. Hex is a bonus action, but then I... And then it's a spell. And then it's a spell, but then I just want to make sure. I can't do a... Goddamn it. Why are you doing this to me right now?

I can't do two bonus actions. I can't do a bonus action as an action. Bonus action and actions, what you got? Okay. Then I will start by hexing him first. All right. Nice, nice. Yep. Solid, solid. Solid choice. Solid, solid.

I'll do that. Give him the OPA. And then I'll do Chill Touch. And then I'll do Chill Touch. Okay. Yes, you can. Chill Touch, yeah, yeah. Chill Touch, chill touch, good call. Which you can do ranged because of Spell Sniper. Yeah, 240 feet.

Yeah, that's right. What? Yeah, you have a large range on Chill Touch, yeah. Why are you in the ring? So you don't have to worry about range. You can be at the bar right now. All the time. So I'm going to sling some black liquid from one hand, and then with the other,

you see coming out of the wall a big ghostly, skeletal, spectral hand that reaches out and yanks him and smashes his head up against. You roll to attack or to saving throw? I roll to attack. Go for it. I think I do. I should maybe do that.

Yes. We'll see. Range spell attack. Ooh, yes! Okay. Yes, yes. 21. 21 hits. Ooh, yo! Okay. Yes, yes. 21. 21 hits, go ahead and roll damage. Fucking balls.

Fucking what? Piece of shit. One damage, but... Oh, oh, oh, it hexed. Thank you, thank you. Okay, four damage. Yeah. Four damage. And he can't regain hit points.

Got it, okay. So as the spectral claws rake through and try and pull him from the top of this table, it glances back at you. Two creepy things looking at each other. Ha! Oh. Get a coffin. All right. Are you going to stay where you got a coffin? Who's returned?

How much more movement do I have? That would have been 15 to get there. So you have 15 more feet. I'll do another 15 to start clearing the doorway, and I'm going to stick to the farthest wall that I can. Over here? Yeah, but if I can move even a little. You know what, that's fine.

That's good, that's good, right there. Okay, there you go. All right, that finishes your go. That brings us to Fearne with Bertrand on deck as you spend this turn arriving. We'll get there. Ah! Ah! Boy.

You're winded on the stairs. Okay. I am going to come in and peek around the door because I know they're shooting something in that corner. Okay, so five, ten, and that's about the time that you can glance in. You watch them rush in and start shooting things to the left,

so you come in and immediately look to the left and you can see this long black cloak that's dripping over the edge of this table and this pale dwarven face looking back at you grinning. Okay. I am going to shoot an ice knife at him. All righty. Is that a?

Do it. Do it. Okay, okay, okay. What are we going to use? Let's do this. 16. 16. 16 does not hit, I'm sorry. Ooh!

Okay, good to know. You go and release the ice knife, and from this cloak, this is the first time you've seen this figure doing anything, the cloak opens up from where it's standing, perched on this table, and in one hand you see there's this long rapier, in the other there's a dagger,

and the dagger hand just deflects it, and you watch as it spatters into ice shards onto the wall. Shit. You bitch. Okay. I'm going to... I'm going to tuck in to the other side of the wardrobe.

Over here? Yeah. All right. So up against the wall, you know he's right around the corner there. Yes, right around the corner. All right, Seydn. That's my turn. That's your turn? All right. Bertrand, you're up with Orym on deck.

You. I'm so glad I'm taking that glucosamine! Actual surge. Pick up the double run! 60 feet up! That'll get you, we'll say, about there. This elevation's a bitch! 12 feet of elevation.

Woo! Woo! Woo! I'm coming! Woo! Woo! Woo! We're coming! Woo! Finishing your go or on your up. Ashton, loosely on deck, we have something coming up for you.

I think loosely. I've seen two of the ladies run in and look to the left, and I can hear that voice, too, so I do a dive and roll between... Just straight between my legs. Yeah, straight between your legs, is what I was going to say, and then bounce up and then just juke left immediately

towards where I know this motherfucker must be. 25, 30, does get you within melee. Okay, I'm going to try to, what weapon is this weirdo holding? It looks like a rapier and a dagger. Okay, I'm going to try to knock the rapier out of his hand. That hits, that and a dagger. Okay, I'm going to try to knock the rapier out of his hand. Sweet.

That hits, that's a 23. 23 hits. And he has to make a strength save to hold onto the rapier. All righty. With a 14? Yeah. 13.

Rapier. Gone. It just drops to the ground, right? That's right, right on the ground. And eight, that is 10 points of damage. Then I will Action Search and try to knock the dagger out of his hand. Let's go. Okay. But that totally misses, so it was way too low.

That's a great target. Okay. Hell yeah. So you rush around the corner, this tiny little Bad bitch. Shield four, blade out. You carve the side and you watch as the rapier goes to block your blow, but that wasn't the intent. You carve into the arm a little bit,

but deflect it off to the side and it scatters to the ground and falls partway underneath that chair. Looks back at you, dagger still out. You go to swing again and it just touches and parries your blade with the second strike. You're with me. I'm with Sam. All right, finishing Orym's go,

it is now this person's turn. They're going to leap down. Good for you. Person. Onto the side here and pick up their rapier. Oh, I know. Because. Bad old trick. Well, it's a bitch move.

Why do you do that? Yeah. But now, we'll instill it. You go, fine, it's us. Is going to go ahead and make four attacks against you. Four attacks! No, no, no!

Four, no! Four! No! Four attacks? Yeah. Two of the rapier and two of the daggers. So that is going to be a 23 to hit. Hits. 26 to hit. Hits, yeah. So both of those with the rapier here will say our...

15 points of piercing damage. Just like, gets you both in the torso twice. Then now with the dagger, that's going to be a 14 and a 20. Yes. So the dagger gets you for seven points of piercing damage.

Pulls back and glancing at you a little bit and then as a bonus action, he's going to disengage and keep shifting a little bit further this way. Yikes. That's as far as he probably is and go because half his movement was to get the weapon, right? Exactly.

So that finishes their turn. Ashton, you're up with Imogen on deck. Oh, you are not! I am running full speed. There's a weird phase to me where a little, slightly redder version of myself keeps running the opposite direction just for a little wisp like a candle, and a of myself keeps running the opposite direction just for a little wisp like a candle,

and a blue version runs through the door like a little candle. They're just popping off of me, and I run. I'm basically going to shoulder check the wall, swing around, and try and nail that fucker right into the wall with a backswing. Go for it. Roll for an attack. Let's do, yeah, fuck it.

I'm doing a bit of the thing where you... Reckless? Reckless. Go for it. The thing where you hit. Natural 20. Yeah! So. Reckless attack. Fuck yeah!

Yeah. Are you raging? Oh, I'm raging. Rage when I'm up at the door. Nice. Okay, so that's... Look at those big fucking eyes. I know. And I'm also putting in a Chaos Burst into this,

because, you know, life. Yeah, yeah. And that's correct. I love some of his little setup. So that's also going to be... How much force damage? That's pretty good, so... It's going to be base of seven, and then six, seven, eight, nine, 10, 11, 12, three,

and then 14 points doubled. Oh, he's getting more action. So 14 doubled. So 28 plus seven. 36. Yeah, 36. Going to use your reaction to Uncanny Dodge and reduce that by half. Okay.

I'm kidding. Yeah, just get it. 35, 35. Rougadee, rougadee, rougadee. So. 18? 18. 18 points of damage. You slam into the chest,

but you watch as the last second puts the shoulder down and it glances off the shoulder armor. It did a hit and it cracks into the wall and you can see the stone and wood there just slightly cracked at that point. I'm going to liquify you. I like your gumption. Did you say forms were coming off of you

as you were running? Yeah, like little wisps that keep going different way, little blue and red wisps that keep, and there's a weird pulse happening. All right, that finishes your turn? Yep. All right, Im finishes your turn? Yep. All right, Imogen, you're up. All right, I'm going to stay right where I am

and just open my mind up as much as I can and shove all of the cacophonous whispers I hear from downstairs right into his head. Okay, so is this in Whispers? Yes. Is it a whistling saving throw? It is. Natural 19.

Okay, so on a fail. Fail save on a success. Does it do anything? On a successful save, half as much damage and doesn't move away, so it still takes half. Got it. Okay, so that's 3d6. 11, 13 halved.

13 halved, so six. All right. As you release the whispers, you can see the right eye of his closes and twitches for a second and then he shakes it out. You going to stay where you are? I'm going to move.

Oy vey. Oy vey. Oh, vey. I'm going to stay, yeah, I'm going to stay where I am. You got it. Is there any sign of the little gnome that was in this room? You're not in the room.

No, I know, I was just curious. Okay, finishing Imogen's turn. You just flushed. Now, up against the wall. No, I know, I was just curious. Okay, finishing Imogen's turn. You just plop. Now up against the wall, both blades in hand, Ashton to the left side, as it recovers from the impact, Children. Oh, here we go. Cool.

You start hearing the sounds of tiny feet and scraping claw. From outside of the broken furniture, from the chest behind you, from under the table, from under the desk, it looks like somewhere in the neighborhood of about seven or eight of these small creatures emerge from the shadow.

You see these gray, leathery faces with toothy mouths and these jet black eyes. No nose. They have these hooded cloaks from tattered material of different darker shades. A couple of them are holding blades and you can't make out much of their form under the cloaks beyond these clawed feet.

Oh god. These guys are no joke. You know what these are? Yeah. Well, we don't know this one. Maybe they're... Oh, helpers. Ah, cool. Yes. Oh no.

Goddamn it, not again. Boy, it's a hotel room fight. Bed bugs. Jesus. Hey, bed bugs, no joke. Oh no, this is... I don't know how many of those things. Glad I'm in the hallway.

Climb out of it. There. Cool. Game over, man. Game over. Okay. Okay. They are all now going to make treks. There's two attacking you. Oh noes.

With claws. Oh noes. A seven. And 16? Yeah. All right, you take four points of piercing damage. Reduced to two. Plus four points of necrotic damage.

Not reduced. Mm-hmm. The other one is to you. That one has advantage because it is technically flanking with him. That's going to be a 16 to hit. Hits. Hits. You take four points of piercing damage.

Reduce to two. And four points of necrotic damage. Motherfucker. 12. There are, this one's going to go ahead and dart forward towards Imogen while those two currently knock some shit off the table. The one on Imogen, go ahead and go with its claw. Nine.

Misses, I believe, I'm pretty sure. Step back, yeah, and avoid that. SAM and LAURA, SAM and LAURA, and you can now see as it's lashing at you, the hood pulls back a bit and it has this weird, almost rubbery, leather-like texture to its gray skin. It looks humanoid, but monstrous at the same time.

We recognize these. You have encountered one of these before. Goddamn it. The fuck? Goddamn it. There are two now currently going after Laudna over there. One roll is a six to hit. Hey! Seven to hit, seven to hit, but yeah, still.

How far? I think it's a 20. Yeah! Not a natural 20, a dirty 20. So one of them looks for an opening and can't find it, but while you're distracted and focusing on that one, the other one jumps up, grabs onto your back, and just goes and starts tearing into your shoulders.

Your happy reactions are the same as your sad ones. You take five points of piercing damage. Yeah! You can help her! Maybe she likes it. So five points of piercing damage and eight points of necrotic damage. Oh god!

As it begins to just tear into you. 15 total. Missed how much? 13. Okay. A lot of Miss Middlefingers must be. How much damage did you take? 13. 13. Okay. A lot of those middle fingers must be. How much? How much did you say?

Yeah. Eight plus five, right? Yes, eight plus five, so 13. There is now, this one here is going to rush in towards you. So the one that's attacking you, Fearne. National 19. Oh no.

You need a 24 to hit. You take six points of piercing damage and eight points of necrotic damage. Oh jeez. Fearne! Okay. Yeah, they're no joke. The one that is currently focused on you,

that's going to be a 19 to hit. Hits. Fuck. You take two, four points of piercing damage. Yeah. And 10 points in a card. Down. Down. Down. Down? Oh no.

I'm not even in the room, people. Yeah, we're not even through a whole round yet. Oh my god. That finishes their go. Fresh Cut Grass, your turn. I'm their go. Fresh cut grass. Your turn. I'm going to roll into the room. 15.

Will they get, I guess? You can get over to here, but you're now between two of them. I'll just say, well, smiley day, everybody. How's it going? Oh my, oh my. Situation. Situation. Situation. Oh boy. Oh boy. All right. How's it going? Oh my, oh my! Situation, situation, situation.

Oh boy, oh boy. All right. I will cast Healing Word on our friend Orym. Okay. For five points of healing. Nice. Awesome. That's my last spell. And then.

Yeah, we're used up. No long race, we're used up. No long race. We forgot about resting and stuff. We got a lot of spells. It's been a long day. And then I will, boy. You know what? Boy.

I'll use my action to try to see if Danas is anywhere. Make a perception check. Nope. Nine. Nine? At a glance, no. Damn it. All right, does that finish your turn?

I think so, because if I move more, they'll get an attack of opportunity, right? They will. Oh, I'll stay put. All right, Dorian, your turn. Yeah. Shit. All right, I'm going to go,

and that one's got, mm. I'm going to rush toward the one right behind Laudna and try to get him in the back with my scimitar. You've got it. Thank you. You've got it, I'm going to try, girl. You have advantage on this because you are technically flanked with Laudna. That is very good.

I know! Fuck me! What is it? What did you do? It's five, and then, yeah, it's nothing. It's 12, yeah. 12 just hits. Oh!

Okay, they're little! Okay. No, no, no. Okay. They're not a lot. What was your first roll? Eight. Okay, okay. And then plus five. Yeah, yeah, yeah. 13. not a lot. What was your first roll? Eight. Okay. And then plus five is 12.

Yeah, yeah, yeah. 13. Yeah, okay, okay. Okay, bad math, but not bad, bad math. Yeah, yeah. Okay. Okay. With my scimitars. All right, guys, I'm getting there. One d6 plus five, there it is.

Give me this. Ah! Six plus six is 12. 12 points of damage. Hey! As you rush to go ahead and help Laudna out, as this one is currently untouched and has been mad-dodging her, you see the other one leap onto her back

and start slashing as she recoils in pain. You come back, and as you swing, you carve into its back, and as you finish the rest of your blow, no resistance met, it slumps into the ground. Oh, okay, okay. They're weak into the ground. Great. Okay, okay. They're weak little fuckers.

I turn to the group and go, they're squishy, they're very squishy! Victory! Then I'm going to go over to Laudna. Tribulation! I'm just going to say, get him, and I'll give him my bardic inspiration. Yeah!

All right, so do you want to move to her? This guy over here will get an attack of opportunity against you if you move out of his combat range. Yeah, yeah, I want her to. She's our cannon. Let's do it. All right, so you move over. It's going to swing towards you, and that's a 12 to hit.

It does not. Nice. So as you just barely using your cape to get in the way of it trying to swing at you with its, it looks like it has a small dagger, and make your way to Laudna to go ahead and inspire her. Does that finish your turn? It does. All right.

Finishing up Dorian's go, we have Laudna with Fearne on deck. I'm going to take the ichor from the goopy thing that he just sliced open, and having his bardic inspiration, I'm going to take it and I'm going to lick my fingers as I start to crack my head, and I'm going to do my Form of Dread.

Uh-huh. So once again, I lick this black ichor and then it starts pouring out of my eyes. And I guess he'll hit things at a range. Will I be at disadvantage because he's up next to me as long as I don't hit him? Like if I want to hit the one that I'm basically faced with. If you want to hit the one that's right against you,

it'll be disadvantage. Disadvantage. Correct, anything else is okay. Oh, by the way, just to interject here real fast, as it falls into two pieces in the ground, No. Shut up. just bursts in a flash of fire. It turns into two pieces in the ground. No. Shut up. Just bursts in a flash of fire. It turns into two more. It turns into two more.

Leaving ash behind it, the body is just incinerated into ashes, but the heat is immense. I need you both to make dexterity saving throws. Oh, okay. Fuck me. What? I know. Five.

Yikes, 10. I want you to stop doing that. Those are failures. I'm burning it. But you only take one fire damage each. Oh yeah! He's a hot little guy. All right, Solana, sorry, continue your turn.

Cool, so Form of Dread, real quick, I get temporary hit points. Let me do that, sorry. Which, by the way, do not stack with your... Well, those are gone now, so it's fine. Okay. I'm sorry, they were gone now, so it's fine. Okay. I was going to say, they were already gone. They were already gone. But that is good to know.

Okay, and then I am going to Eldritch Blast the dwarf. Go for it. Across the way. That's hard. Yeah, 20 total. Yes, 20 total. Let's go. Hell yes.

Ooh! Before you roll Hex damage, roll for concentration, because you did take the damage from the previous. Sure. 10, I'm okay. Yeah, you're fine. Yes. So now go ahead and set.

Yes! Woo, max damage on that. That's max. 16 plus three, so 19. Yes! Woo, max damage on that. That's max. 16 plus three, so 19. With Hex. Nice. With Hex, and he has to make a wisdom saving throw. Or be afraid. Be feared.

Afeard. That is going to be a failure. That is an eight. Oh, let's go. Afraid of me. He's frightened of you. As are we all. Let's go, Knott's Berry Farm.

I did knee pads and I just start sliding everywhere. Yeah. So many sparks! I get closer to her and just generally afraid. You should be scary, man! Laudna, you just won the lottery. Are you happy about that? There it is.

Sorry to look at that little counter there. Oh, cool. It's so cute looking. Right. Okay. It's really pretty. Well done. Is that your turn? That is my turn. All right. Finishing your go, it is now Fearne's turn with Bertrand on deck.

Okay, so I'm standing up against the wall. Ooh. And I'm going to start turning into a constrictor snake. Ooh! Right? I haven't seen that yet. So. In a while. Sorry.

The snake is a bright green with little yellow swirls around the body with red eyes and little sea foam tufts of hair on top. Oh, that's so cute. Hey, where I'm from, some snakes have hair. Okay, so. So.

I am going to... Lovely lizard looks. I am going to... Lovely lizard looks. I'm going to take a bite at the one in front of me. Quick question, just to double check on this, for beast shape. Books out. Yeah. Right, that's what I'm double checking here. Oh, is it an action bonus action?

Class. It's an action to change it. Oh, it's an action to change it. Okay. Correct. Okay, okay. It says one of the benefits of a Circle of the Moon Druid is you can do a bonus action. You can jump right in. Yeah.

Okay. If you still want to do that, we can totally do that. I'll still do that. All right, you got it. And I'll just stick my tongue out. You got it. That's my turn. You got it? All right. It just growls back at you and lashes out with its got it, all right. It growls back at you and lashes out

with its blackened, pointed teeth. The tongue itself is almost jet black inside. It's gray face, too. It's an awful thing. It just looks like these vacuous spaces without light. All right, finishing your go. It is now Bertrand with Orym on deck. Same song for me.

I can come in the room. I'll say you can get about there. Perfect. I'm coming to fucking snake! No, no, I'll take a swing at the dark little, scary individual right in front of me. Yeah, as you just push right past Imogen and you see the creature is now herring her from the front

and you get right in its face, go for it. Shink! And I'll wager plus right in its face, go for it. Shink! I'll wager plus three on the Gambler's Blade. That is 21 to hit. That hits, go ahead and roll damage. That's fun. I like wagering. I don't know what it means, but I like it. There's a Gambler's Rapier,

but it has consequences if it goes wrong. Nine points of piercing damage. Nine points of piercing damage. Nine points of pierced damage. It is now on the edge of your blade, impaled. You see it grab it. It starts spitting out blood. It's still alive. Oh god! Second one. Slam it with the blade.

Does 16 hit? 16 hits. Yeah! Come on, baby! Seven points of piercing damage. It splits in two on the ground. Yeah. You got it! Burns into ash, and the heat burns around the space.

I need Fresh Cut Grass, Fearne, Imogen, and Bertrand to all make dexterity saving throws. Not a problem. I'm warm. Seven. Loose. Two points of fire damage. 13.

13, success. You take one point of fire damage. 16. One point of fire damage. Six. Two points of fire damage. Okay. But it is destroyed. All right, does that finish your turn, Bertrand?

It does. All right. And that brings us to Orym with the dwarves up next. All right, so he just came to. I'm going to use a bonus action to use a second wind. Got it. So I, ooh, good, get 12 back. Hell yeah. Good. And then I'm going to do that thing where from my back,

I flip up onto my feet and roll along this little critter's back and stab into his back. You got it. Laura Bales, you could have added D4 to your save. Oh. It's 25 to hit. You are blessed. 25, that definitely hits. Oh, that would have made it 11.

Five points of damage. Did that save? 11 to one damage. Okay. Thanks. Thanks, Freshi. Is that how much that was? Sorry. That was just five. Oh, you also would have had, if you're attacking Big Bad, you would have had advantage also.

It wasn't Big Bad, that was Small Dude next to him. Right. Okay, so as you go back, you stab him in the back. You land back over, are you coming over to this side? Before I take him. No, because I'm wary of that guy and I'm feeling fucked up, so I'm going to stay right where I am. You got it. Actually.

Okay. That finishes your turn. Yeah. All right, the dwarf, looking at you with this intense look of fear in his eyes, Children, and is going to go ahead looking at you with this intense look of fear in his eyes. Children! And is going to put its hand forward, and as it does, suddenly all the torches in the room begin to darken and...

Before anything, I want to cast Temporal Morass. Temporal Morass, right. Constitution save. Right. Get that ass. That is a failure. So what's that do? That means

speeds halved and no reactions until the next, he loses his reaction. You got it, all right. So you watch him slow a bit. Suddenly, in the same way that you watched, you flicker the red and blue. There's almost a dragging gray imagery off of this dwarf as it tries to move.

It's slightly slowing its pace, looking at you angrily, staring back at Laudna, releases its hand, the lights dim, and the chamber is now filled with darkness. Oh no. Magical darkness, we can assume. Yeah. It's dark. Bitch.

You little bitch. It just fills with shadow. No. So currently, Ashton and Orym have no vision. It's just black. And? Count a spell. Oh!

Oh no. Someday. Okay, here we go. That finishes their turn. Ashton. I can't see shit. No. See it swing away at my point. All right, let's attack towards

big, big motherfucker. Go for it. So I guess I'm just one die then. Correct. All right. YOLO. Yeah, I'm bringing it back. 20 to hit. 20 to hit? 20 hits.

Just, wow. I knew where they were. It's interesting. You go to swing, like where they were, you swing backwards to go for it, and you hit this way. Nice. Nice. Let's put a Chaos Burst in that, just for fun.

Give you some, all right, let's do some lightning damage. So I get a little power of Thor there. Here we go. Big money. That's pretty good. Four, five, six, seven. 14 points of normal damage. That's great.

And then, oh, goddamn. Seven points of lightning damage. Nice! Wow. That's pretty good. That's decent damage. And then I'm going to just turn, so I'm facing that way now.

You turn to face that way. You feel the spark and the burst, and you're used to in shaded spaces, especially when lightning charges off the weapon, it creates light, but there is none. Whatever this darkness is, it is absolute. You know, I'm feeling it. Fuck it, I'm going to book full speed away.

Away? Okay. Please run into something. Oh yeah. It's going to be over this way, you mean? Yeah, yeah. Okay. Full speed will get you way over here. Just once I'm out of it, I'm going to stop. Okay. You get to the edge of it.

You do feel a swipe towards you from two creatures as you move that direction. Oh man. Oof, that's going to be from one of the smaller ones for a 23 to hit? Yeah, it hits. You take six points of piercing damage. Reduce to three.

And nine points of necrotic. Oh my god. Oh my god. That ain't good. And the other strike is going to be a 15. That's my god. That ain't good. The other strike is going to be a 15. That's my AC. So it does hit. What?

What? That's going to be six points of piercing damage. Okay. You okay? No. All right. Yeah, level three! Level three!

Level three! That finishes my turn for now. Fuck, I made a bad call. That finishes my turn for now. All right. I made a bad call. Oh no. All right, finishing your go, Ashton.

Imogen, you're up. That feels like a tight spot. Fuck. Shit, I can't see anything in there. All you can see are the one creature at the very edge. Actually, no, because Orym would still be in it. So all you can see is the one that's currently engaged with Laudna on the opposite side

and the one that is currently engaged with fresh cut grass and the snake formerly known as Fearne. Take a chance. Take a chance. Take a chance. I'm going to go for the one that's engaged with Fearne, since it seems like everyone else has the other one. The storm hand is not there

because it is splattered, so you can see it. Oh, okay, great. Yeah, that's fine. Then I guess I'm going to. To be a little more accurate here, I can go ahead and just disengage this. Anybody have a healing potion? I think I might have a healing potion.

Okay, good. Oh, really? Do you have this for this one? About what? Yeah. Let me pull one up for you, because I can do that now. Oh, great. Yeah! Somebody's going to drop it. I have a bedroll and a water skin.

Ooh! Oh. Somebody drop it. We're back at the same table again. A bedroll and a water skin. Ooh! Oh! Summoning Draven. Back at the same table again. Hey! That was awesome. Nobody's down down yet, though, right? This one's close.

Takes a lot of skill with him. But I don't see him. He's in the darkness. He's in the dark. I don't see shit. So I'm going to Zaskig, but yeah. Okay. I'm going to... I'm going to... I'm going to. I'm going to walk up behind the one

that's attacking Fearne Snake, and I'm just going to grab onto his back and cast Shocking Grasp. Go for it. Roll an attack. If you want to move into partial here, you can go ahead and make it a... Yeah. You're stepping into partial darkness

over your shoulder, so part of your arm vanishes in Reil's perspective, but you're still visible. But you have advantage in the attack roll because you have the creature. Jesus, 12. Total of 12? 12 is his AC. Yes! That was with advantage. I rolled a 12.

Oh, you also have plus four to hit. Oh! Not that it matters, but there with advantage. I rolled a 12. Oh, you also have plus four to hit. Oh! Not that it matters, but there you go. 13. It all adds up eventually. Five points. Five points of damage to that one. I'm plus two.

You are? Fuck I am. All righty. You've been hitting just fine. Been hitting just fine. As you shock it, you watch it doubles over for a second and then wriggles out of your grasp. The cloth tears out of your hands a bit

and you see it shred and you can see part of its gray body beneath exposed from where the material is damaged by the spell, but it's still standing there. Do I have movement enough left that I can get away from the darkness and just circle around it? Around here, you mean?

Or back over this way? Yeah, just like, oh, I'm there with you. Can I get on the other? Over here, you mean? Or back over this way? Yeah, just like, oh, I'm there with you. Can I get on the other s- Over here, you mean? Yeah. To get out of the darkness? There you are, you are on this side, and you are just outside of the Sphere of Darkness. All right.

All right, Imogen, that finishes your go. It's now their turn. Oh boy. So these two, one of them is going to rush up towards you, Ashley. Yeah. The other is going to move over here towards Orym. Fuck, here we go. This one is going to move over this way.

Wait, they can't see in the dark? They can. Oh no. Yeah. Tracks. Oh no. There is the two against Orym. That is going to be a 16 to hit. No. Get the shield up and deflect the first blow

as it comes down. This one's actually wielding a dagger. You barely catch the glint of it as this one's just barely out of the shadow, and you pull out of the side. The other one, however, out of the darkness, comes for you directly, and that is going to be a 12. They both miss you.

Oh, baby. All here. That's a good hit. There's one here that has now been just damaged by you. Imogen is going to go ahead and lash out with a back claw towards you. That's going to be a 16 to hit. Aw, man.

Yeah, it hits me. Okay. You take four points of piercing damage and 12 points of necrotic. What the fuck? Are you okay? No. I'll take half of that. Ooh! Whoa!

FCG? Would that just be the nec, how much? 12. It's the total attacks. It'd be 13 total. Oh no, sorry, it was four points and then 12, so 16. So you take eight points of damage instead, and you get eight temporary hit points for the time being.

FC Cherish! Cut Grass. We'll see what happens. Okay. Thank you. Tyra. All righty, and there is now one attacking you. Yeah, they didn't start. Yeah, that's right, he didn't start his turn there, man. No, they rushed in towards you.

That is going to be a 13 to hit. Nope. You step out of the side. As you watch it emerge from the shadow, you just barely get out of the way. There's the one against you, Laudna. That is going to be a 22 to hit. That will take

seven points of piercing damage and nine points of necrotic. Oh my god. Who knows? Oh no. Okay. That's going to finish their turn. Goddamn it!

Definitely pick him. Fresh Cut Grass, you are up, with Dorian on deck. I better use some of this pain. I have my grappling thing on. Mm-hmm. Do I need to be away to use that, or can I use that point blank? If you want to fight the one right in front of you,

it's point blank, but it is disadvantaged on the attack roll, because it is technically a ranged attack, it's something that's- Then I will shoot it at the one across from me, near Laudna. Okay, go for it. I get no bonus on this attack. It's just a straight roll. 16. That hits. Okay, go for it. I get no bonus on this attack. It's just a straight roll.

16. Yay! That hits. Okay, okay. What does this thing do? Okay, it's 1d10 for damage. You should, if you flip it inside out, it's a solid color, too. Do I do that?

Seven points of damage. Seven, do I do that? Seven points of damage. Seven points of damage to that one. And if the creature is medium or smaller, they are grappled. Indeed. That's good. You can also, if I believe,

choose to pull it towards you, if you want. On a hit, you pull the creature up to 20 feet directly towards you if the target is a medium or smaller creature, or pull yourself 20 feet directly towards the creature. Oh, if it's large. So I'll pull it towards me. Why not? It's a large creature.

It just gets yanked over. As the earth, you now grab, like, got it in its arm and pinned its arm to its body, and it's like. Okay. Oh shit. And I've dumped those eight temporary hit points into it. Yes. Yes, you do.

Which you do, and do an additional eight damage. You watch as you pull it in, it actually, you hit it in the arm, you pull it towards you, and it impales on the front of your grapple cannon. Wow! That was fun! Murder! A little extra kick.

Wait up. Let her say it. Holy shit! Burns into ash. I need you. Oh my god, we're making a sale for that. Just you, go ahead and make a, because you did pull it out of the base. 17.

17. That's nice. You take one point of fire damage. All right. Get over here. Take that? Yeah. That's exactly what it. All right. Get over here. Take that? Yeah. That's exactly what it was. Wow. Get over here. That's my favorite scorpion variant, let's be fair.

Might as well finish him. Yeah, that's all I can do. I'm all done. Okay. Oh boy. That was sick. That's awesome. That was the one that was on me. Yes. I'm all done. Okay. Oh boy. That was sick. That's awesome. That was the one that was on me. Yes. Dorian, you're up. You watch the creature that you were both engaged with

just go, and get pulled off and just wrecked by your little automaton friend over there. Oh, so that guy that was right in between us is no longer there? They got pulled off and killed. Oh, oh! Good job! Oh, no problem. I'm eager to help.

But even with that, I'm just torn, because Laudna and Ashton are both super fucked up, right? They're looking pretty rough. Yeah, yeah. All right. And I'm going to reach, Laudna's right next to me, right? Correct.

I'm going to reach over and tap on her shoulder, and I'm like, do the best that you can, and I'm going to cast Cure Wounds on her. Great. Yeah, right? Correct. I'm going to reach over and tap on her shoulder and I'm like, do the best that you can, and I'm going to cast Cure Wounds on her. Great. Nice. Oh, six and three, so nine for you. All right. Thank you.

And then I still got my scimitar, right? You do. I'm going to use my movement to sprint right into the darkness to Orm. Yes, I love it. With my blade out. We love a brave boy. You jump into the darkness, and as you get Yes, I love it. With my blade out. We love a brave boy. You jump into the darkness,

and as you get in there, the light vanishes. At that point, you realize, oh, this is not normal shade. Yeah. It is just black around you. Okay. Brave light. That finishes your turn. As you smash into the table and trip over the table. Perfect, okay. Yeah, returning the favor to FCG,

I'm going to Eldritch Blast, the one that's right in between them. Go for it. Yep, that's grud. Very grud. Very grud. 22. That definitely hits, cut a little damage.

That's not good. That's shit, but you know, we take what we can get. That's okay, okay. So that's three, 10 damage total. That's good. 10 damage. And he has to make a, oh, go ahead. He would if he wasn't all of a sudden

just scattered to the ground. You watch the head just pop, and what would be blood instead is ash by the time it hits the stone as it begins to burn. Oh, oh, oh, watch it, watch it! This minor burn up as the body incinerates, leaving nothing but charcoal and dust behind.

I need Imogen, Fresh Cut Grass, and Fearne to make a dexterity saving throw. 16. One point of fire damage. One, you said? Yep. 19. One point of fire damage. Ow! 17. One point of fire damage.

Okay, okay, okay, okay, okay, okay, okay. Oh, are you getting this one, Turr? You're staying there? Can I back a, I'm going to get in the corner. In the corner over here? Yeah. Easy enough to do. Okay. Oh, he healed you.

Yeah. That finishes your go. That brings us to Fearne with Bertrand on deck. Okay. Bert or Fearne? Are there any visible? No! Bert, that's pretty cute. Why?

Oh no. No! What have you done? I like it. That's so cute. It's really cute. That art's going to be won. Let's open it. Are you Fearne? No. No.

Are there any more visible creatures, or are they all in the darkness? Everything right now is in shadow. You don't see Dorian. You saw both Dorian and Orym vanish into the black magical mass, and you just hear sounds of movement in combat. Okay, here's a question.

So with the constrictor snake, constrictor snakes have blindsight? Correct. It wouldn't matter. Yay! Yeah! Of course! That's a good trick right there.

Let's go! I'm going to start slithering into the darkness. Okay, you slither into the darkness, and you can tell that there are two of these right by the side of where Orym and Dorian are. Which direction do you want to go? Okay. Can you see the big baddie?

Do you have snake earrings on right now? I sure do. Holy shit. I love it. Okay. Oh boy, oh boy, oh boy. Where's the big baddies? What's the range on blindside? Hey, we're...

10 feet. 10 feet. So yeah, no, you don't know where he is. Okay, so I will go. As you move up here, you immediately can make out the two of those. Yes, so I'll just go naturally. I feel like it would be, yeah, perfect. Okay, so I'm going to take a bite attack. Go for it. Oh, that's awful! Perfect, okay, so I'm going to take a bite attack.

Go for it. Oh, that's awful! Well, let's say it was cocked. No, it wasn't. Technically, you do have advantage. No, you don't, I guess, I'm sorry. That's my bad. Okay. There better be a way

to get into it, I don't know. Not from where she was placed, unfortunately. Yeah, okay, that didn't hit. What'd you roll? A seven. Seven is not hit, unfortunately, now. Good try. Okay, okay. All right. That's it. Is that your turn? Okay. That's very cool.

Fishing for Ensgown, Birshurm, you're up, with Orym on deck. There's no enemies outside of Zaku, right? Nope, it's just darkness. Why am I tripping, Frisco? I will run to the edge of the bubble and call out, friends, where are you? And reply.

Anyone reply? Do we hear it? Yeah. Bertrand? Okay, you're in there. That didn't help at all. You know the basic direction where they are. You saw where they vanished, or at least where Dory ran into.

So can I split the difference and just run in between the two and swing? Oh my god. Oh no! Sure. Let's see what you hit. Yep. You run into Dorian. Oh goddammit.

And that's as far as you can get there unless you change direction. Okay, there we go. You just, poof, you hit the back of Dorian. Take a swing. 15. What's your AC, Dorian? It is 15. You just, poof, you hit the back of Dorian. Take a swing. 15. What's your AC, Dorian? It is 15.

You hit, but it will damage. Oh my god. Shit. What do I do? He's such a troll. This is the best. 10 points of damage. Oh! You dick. Oh no!

Oh no! Merchant, if that you! I'm so sorry. Why would you do this to me? I thought I had a plan. I literally, no one has stabbed me up until this moment. I know how to get out of here. Do you want to leave?

No, you just saw me run in here to help. And I'll just start taking steps back out of the bubble. Oh my god. Take your attack of opportunity. Do I get one? I'll allow opportunity. Do I get one? I'll allow it. Do I get one? I just want to unarm strike,

try to open palm and summon it. Do it, do it. Do it. Fuck you, three. I'm giving you advantage. Why? I'm giving you advantage. Come on! 15! The NPC's 14! Let's go! Oh! Vasey's 14!

Let's go! Crack, crack, crack, crack. The red hot pain on your cheek as you get the biggest backhand you've, and you've gotten a few backhands in your time, but this one shakes the room. This is like we're talking anime, fight scene quiet after this.

Everyone in the room goes, and you're like, in the darkness, goes. You look and she's like. In the darkness, but yeah. I stumble out of the bubble and go, Toad's over there! Does that finish your turn? It does. Okay. Not done enough.

Amazing. All righty. Finishing your go there, it's now Orym's turn. Man, I'm in the darkness and I've just heard Are you there? Ah! Yeah, a lot's turn. Oh man, I'm in the darkness and I've just heard Are you there? Ah! Yeah, a lot's happening. So I know.

You have two dudes right next to you that even though you can't see, you can sense them. So what I'm going to do is I'm going to make as if to run and use a superiority die as a bonus action, make a feinting attack, which will take me from disadvantage up to a straight roll. Correct. So I'm going to go as up to run

and then immediately pirouette back and slash in a circle. You got it. Still blessed. Thank you. 21, 26. Yeah, that definitely hits. Go ahead and roll damage. Although, for all these fire damages, do I need to be rolling for concentration on that?

Yes, you would have. But they're one point of damage. Just love to roll each time, so just roll a couple for me. That is 13 points total. You are lying. But he's still hit without it. 13 points. 13 points? Of damage, slash and damage.

Wow, first one. I thought it was a one. Just a razor pirouette. As the blade cleaves through you here. That's right, natural. I need you to make a dexterity saving throw. Okay. I'm good at those.

I'm near the one that I used. 17. 17, great. You take one point of fire damage. I'm really bad at these things. Yes, Bless is gone, unfortunately. Boo. Bummer. Boo. All right.

No, good looking out on that, too. Is that keeping it? DM's pet. Legitimate. Yeah. DM's pet. I want to be DM's pet. DM, DM, I love you. And cuddle and close teeth like a kid.

You guys were on it, I'm so in love with you. Yeah, yeah, yeah. Is that your turn, Orym? Yes. Watch it. Watch it. The kids don't know me. All right, that brings us to Ashton, your go.

All right. Did that creature actually somehow back into the darkness away from me, or? No, it's visible at the end right there. Okay, they are visible. Yeah. Okay, I'm going to take a swing at that thing. Go for it.

Am I going to do a reckless? Robbie keeps looking at his hit points. I don't kill the damn thing anyway. So mad. Yeah, that hits. Okay. Okay, yeah, definitely. Hey man, you sat next to Travis the entire time.

Yeah. I bet it's a mistake. That's seven, eight, nine, 10, 11, 12, that's 13 points of damage. It crumbles underneath and spatters for a radius of about a foot in every direction before burning up Mega Dexterity. I have an advantage on Dexterity.

You do? Thank god, because, all right, that was terrible. 19. One point of fire damage. I'm rolling so bad for this fire damage. It's consistently twos and ones. Nice, nice. Good for you.

That was all a katab. I know. No, I can do more than that. I'm just rolling really bad. I'm going to run around the darkness towards everything. Okay. Five. And 25 is right here,

and you're in the middle. All right, that'll do. As long as I want to just. Dorian's over there! Stay away from me! Imogen, you're up. Oh god, okay. Oh god, that's right. What can you do?

Well, this is so dumb. I like that. What'd you get? But I know where I can hear, right in front of me, where everybody is fighting, right? I mean, just super noisy. So I'm going to go run into the darkness, past it, as far as I can into the room. Which direction?

Straight into the corner, into the back corner. Okay. What? Into the darkness. Into the darkness! I would like you to make a dexterity saving throw because you are running through furniture and other things in the way while blind. Let's go. We got this.

Tasha's Legos. Seven. Seven. You run past, you shoulder check into somebody. You thought Dorian was there and you hit Dorian a little bit, move past, stumble into another creature, hit a chair. You take two points of bludgeoning damage

from the chair hitting you right in the kneecap. You know, right in that. Oh, that hurts. You know when you whiff it on a stair and your shin cracks on the floor? You do what? Never mind. Also, the creature you run past gets an attack from. Oh shit.

That is going to be a 14 to hit. Nope. Because of Mage Armor, that's right. Yeah. Whiffs and you run, run, run. That's fine. Okay, you run and you just keep running. You haven't got to the edge or a wall yet,

but that's your movement. Okay. You can keep going if you want to. No, no. I'm going to stop where I am and I'm going to cast... Oh boy. Mm-hmm. I'm just going to put my arms in front of me

and close my eyes really tight and cast Shock Flare all around me. I've never heard of such a thing. Okay. So an explosion of electricity just flares up all around me. All of you hear this weird low bassy sound,

and the air suddenly smells like electrical fire. Yeah. Cool. That's all you know, though. Go ahead and roll damage. Okay. Okay. Cocked. That was the most cocked ever. 10 points of lightning damage.

Okay. Is that your turn? Yep. You got it. All right, that your turn? Yep. You got it. All right, that brings us to the last one's turn. Can I see it or no? Is that fire? No, it is. It's a 10-foot radius. It's 10-foot radius? Yeah, 10-foot radius, yeah.

Which means from where you were. Did I get anything? No, you were 15, you've been there, five, 10, yeah, it's 15 feet from you, unfortunately. The one that's left. Oh, so I think there's nothing? I was hoping the bad guy was been there. Five, 10, yeah, it's 15 feet from you, unfortunately. The one that's left. Oh. Yeah. There was nothing? I was hoping the bad guy was still there.

No, it was a good call. But you didn't get the one that's near Orym, unfortunately. But you got one thing. But that one is going to attack you, Orym. I don't know if I got anything. I was hoping the big bad guy. You fucked up that chair that got you, though. No, I was hoping the big bad guy was there.

Natural 20. Oh no. Oh, oh. I did? This is going to put me down. It is. Hold on. One, two, five points of piercing damage. Okay. Hey.

And 10 points of necrotic. I'm still up. Oh shit! It rolled a one on one dice and then a two and a three. So even on a crit, you've doubled. Oh no shit! I did a, not action search, I keep confusing the two terms.

I know, you did, yeah. The second wind. Second wind. Oh cool! Second wind. Fuck, good, good. He's a little beefy boy. Yeah, surprisingly beefy. He is beefy. All right.

And that's going to go ahead and finish its go. I'll take all of your on. Fresh Cut Grass, you're up. Oh. There's, I don't know what to do. Yeah, it's just a void of darkness before you in this room. You hear combat, you hear friends yelling in pain,

you hear creatures shrieking. Yelling in anger. Yeah, yeah. Are you pretty down, Ashton? Did I hear anything when I did my spell? Nothing. I'm all right, I'm sorry. I'm not my spell? Nothing. Nothing. I'm all right. I'm sorry. I'm not in double digits or anything, but I'm all right.

Wow. I mean, I don't see anyone. I can't do anything. Shit. I don't know where anything is! I could Blind Fire? No, I don't want to do that. I will, I guess, once again, use my perception to try to,

no, this has been rounds. Danas is dead by now. We've had at least three rounds of combat. Damn it. Danas is dead. All right, I'll go to the edge of the darkness No. We've had at least three rounds of combat. Damn it. Danis is dead. All right, I'll go to the edge of the darkness and hold my attack action until I see anything dangerous, I suppose.

Okay. Danis isn't necessarily dead. It's been like 30 seconds, max. But if it's a... It'll be three, well. If there would be three rounds. Yeah. It's possible. we'll find out.

No one has seemed to see her. So you are right up against. We've been walking all around this place. Maybe she's in that cupboard right there. That's true, she might be in the cupboard. Wait, didn't we break up the cupboard? There's a second cupboard. Yeah, there's furniture over here,

there's furniture over there. Is that furniture broken, or is the other one? No, it is now. No, that one is over there. Is that furniture broken, or is the other one? It is now. No, that one is not broken. Well, then I'll go open that. That'll be my action. I'll go open the cupboard. Okay. See what's inside.

Door out of the way. I just pull the door off and throw it away. I mean, yeah, yeah, totally. Pull it open. It looks like there are some sleeping linens that are provided for the chamber, but nothing else in there. I'll just look through the linens

and try to tidy them up a little bit. Okay. I respect that. There's a gray with the whites. While I'm here. Should be over here. Dorian, you're on. Into a swamp. Uh-huh.

You can hear the one creature that's currently harrying and fighting with Orym and is just right in front of you as well, you hear. But I can hear it. You can hear it, yeah. I'm going to use my movement to go straight toward that. You take a step and it's right there. You've been just hearing it,

you're like, oh, it's right in front of you. Oh god, I just want to touch Orym. I want to reach out. I'm just, yeah. You can either reach for Orym or you can go for the creature. You hear the creature there and you hear Orym in pain, like taking a blink.

Okay, I'm going to reach out for Orym. Okay, and? And do I, I'm going to try and cast Cure Wounds if I can feel him. Okay, yeah, I'd say you. I got a palm in his hand, like a basketball. Yeah, yeah, yeah, I know you. Yeah.

And I'll cast Cure Wounds. Go for it, roll. All right. Hmm, plus seven. All right. That's a nice one. Nothing to sneeze at, thank you. All right, does that finish your turn?

While I've got my hand on his head, I'm also going to say to him, I'm going to say, I'm not feeling so well myself. Please help us. I'm going to give him Bardic Inspiration. Oh shit. Wait, wait, can I do that with it's already on somebody?

Clarification, can I? Yeah, you can give out Inspiration. You can do multiple to a single person. Multiple to? But you can give it to different people. Okay, yeah. So I'm going to give it to Orym. Yeah. Just making sure. Yeah, no worries. Okay.

All right, that finishes your go. Let's bring it to Laudna with Fearne on deck. All right, I am going to move up to the darkness. Mm-hmm. Ah. I'm not sure if my Eyes of the Dark would work with this. Eyes of the Dark would work with this. What does Eyes of the Dark do?

Starting at first level, you have darkvision with a range of 120 feet. When you reach third level in this class, you can learn the Darkness spell, which doesn't count for an sorcerer's point. Cast as spinning two sorcerer's points, you can see through the darkness created by the spell. Oh.

So I can see through darkness spells, but I don't know if it has to be mine or if I can see through his. It says if you spend two sorcery points, you can look through darkness. I can cast Darkness. Okay. And see through. Sorry, specify again

what it allows you. When you reach a level in this class, you learn the Darkness spell, which doesn't count against your number of sorcerer spells. Correct. You're not third level in that class yet, unfortunately. That is true. Yeah. That is true. That's something you can look forward to in the future.

I'm first level, but I have Darkness, so I can't see through the Darkness. You peer in and it is just void. It's just nothing. Okay. Shadow that doesn't like me. That's like,. Yeah.

I am going to, and I have zero idea where anybody is, I am going to start charging, it looks like sinew, and almost like a Jacob's Ladder that I start making, but out of like, like he has dripping bloody sinew. And I wait, I'm going to hold my action.

I'm going to say, Imogen, I'll shoot where you shoot. I'm going to wait and hold my action for Imogen's turn and attack wherever she attacks. Okay, you got him. Finishing your go, it is now Fearne with Bertrand on deck. Okay. That guy who's right next to you,

the bit four, you can still hear moving and shifting right next to you as the serpent. Okay, I'm going to take another bite attack. Go for it. Come on, snake. Come on. Solid. Solid! Natural 20. Yeah!

Yeah! Ooh! Okay. I'm just going to turn towards it and then just slowly open my jaw very, very wide and just on top of the head. You know when snakes are trying to eat something, it's just real slow?

Yeah. And I'm going to do it. Roll damage and double it. Okay, what's the... Ooh, okay. So that would be seven points of damage. No, I'm sorry, eight points of damage.

Eight points of damage. Yes. Two points of damage there. This is the last of these particular creatures. How do you want to do this? Yeah! I'm just going to keep slowly just chomping down. Oh my god!

Just real slow, just while he's screaming, while it's getting muffled in there. Yeah, okay. All right. I'll say, situationally, as you swallow it, you hear . Roll a dexterity saving throw with disadvantage. Yeah!

How do you dodge that? It incinerates into your. Roll for heartburn? This is if you can spit the ashes out fast enough and try and. Did you say dexterity? Yeah. 10. With disadvantage? That's a disadvantage, yeah. Okay, three points of fire damage.

Ooh. It makes sense that that would do the most. Yeah, and it incinerates within your gullet. You manage to spit some of it out as it flashes, but you still catch the brunt of it. Is your snake still alive? Still alive. Cool. Yeah. Still alive.

All righty. That finishes your turn. So it does. There's another person. There's somebody else in here, right? The initial dwarf that was in this chamber has vanished into that darkness. Okay.

Okay. I'm going to start slithering over there. Okay. Okay. I'm going to start slithering over there. Yeah. And you've got blindside. Yeah. I'm going to just start. You slither over towards where Laudna is. Or Imogen.

I'm sorry, Imogen over there. Yes. And it's just Imogen over in that corner. I give her a little snake on her arm. Let her know I'm here. That's inappropriate. All right, that finishes your go. That means it's now Bertrand with Orym on deck.

Can you see anything in the darkness? She's blindsight in 10 feet, and you see furniture, but you don't see anybody else over in that corner, aside from Imogen. I'll just walk to the edge of the darkness and take my rapier and hold it in my hand and hold an attack if an enemy becomes visible. You got it. That's it.

Okay, that brings us to Orym. I'm basically going to do the same thing. I'm going to roll back, lean on Dorian and just hold the blade up, waiting for anything to poke out. back, lean on Dorian and just hold the blade up, waiting for anything to poke out. You got it. Because it's rough in there. Okay, so holding attacks at the ready.

Finishing your go. Ashton, you're up. Fuck. I'm going to move into the corner where I first saw the gross little creature. Yeah. And I'm going to hold my attack. Okay, your old weapons at the ready,

looking into this shadowed, shadow-consumed portion of the chamber. And I drop Rage. You drop Rage. Oh no. All right, Imogen. I'm going to say very loudly, I remember a door over here, there was a door! And I'm going to start walking towards

where I remember the door being. Can I feel anything? Yeah. You go over and you come to the door and as it touches it, you push past and this door is now open. You enter into what is, you step out of the darkness and you're now in a separate bedchamber with a large canopy bed

and what looks to be a second balcony. Oh no! I think he came through the bedroom! I'll run out. Do I see any trace of him, door open onto the balcony, anything? The opening to the balcony, the window is open. Can I look out?

Do I see anyone running on the street? I'll say roll a perception check. Decisions, decisions. Five. Five. Looking down over into the alley, glancing around, mm-hmm. Five. Five. Looking down over into the alley, glancing around, it's low lit in here. You do not see anybody at the moment.

All right, so finishing that, we'll say we're technically now out of combat. So we'll go ahead and bring this down to what are you doing as you all hear Imogen shout this. I'm going to, hearing my girl, I'm going to run out to this balcony over here and see if I see anything. Okay.

Go ahead and roll a perception check. All right. Five. You see me. On the other side. Hi! Oh my god! Yep, no, nothing. Nine total, but I mean.

Yeah, now glancing down the alley, same thing. You're both not catching sight of anything in particular. I'm going to open that trunk and see if Danas' body is shoved in there. Okay, you go ahead and shift over to the trunk. You go ahead and lift it up inside. It is empty. It is a storage trunk. Okay, that's less gory.

Where did this body go? I'm just going to keep tossing the room, then, if this It is a storage trunk. Okay, that's a little gory. Where did this body go? I'm just going to keep tossing the room, then, if this is what we're doing. Okay. Good plan. You're going to get in my voice! Yes, but I don't want to! No, I'm sorry!

Come back this way! Can I look under the bed and see if there's anything, like a doorway under the bed or anything? Sure, make an investigation check. Letters will help, I'm sure. And I'll ask, or I'm still in front of me, I'll maybe guide him by the collar. So you see you. 20!

20? Oh, okay. Dirty 20. Dirty 20, okay. We'll get to that in just a second. You see how Laudna's off on the balcony, looking over to the side, and you hear Imogen shouting, and they're in the process of looking for where this individual might be hiding or running. You go ahead and start inspecting around.

You look under the bed. You do not find anything under the bed, but as you begin to feel on the ground, you begin to push into the darkness and feeling along where the table was. And underneath the table on the opposite side, you touch what looks to be a boot of some kind. Oh my god. Uh-oh.

I don't know. What are the rest of you doing? Deadly boot. I'm tossing furniture in the main room, and I'm probably going to make my way. I'm not being subtle about it. I'm going to make my way into the bedroom. Okay.

I will have limped my way over to where Laudna is, and I'll actually leap down to ground level and see if I can spot our runaway. Okay, so you leap down. What's everyone else doing? Ankle bump. I'm going to sit in your image and I'm going to slither over to where?

At this point, we'll say for the purposes of this, he is gone. Oh, fuck. And you know, generally, where everything is in the room. Is the darkness still up? Is the darkness up? It's lingering. Wow. How long does it last? Since the darkness up? It's lingering. Wow.

How long does it last? Since I don't trust this, whatever this is, can I just use my telekinetic pull and pull the whatever it is toward me? Yep. To the chairs, get shoved out of the way, and you watch as a limp female gnome body Oh shit!

is extracted from the darkness. It's covered in crimson. Letters! Well, I'm coming. I'll roll over to where I heard this call. Do I see this dead Danas? Indeed. Pale and bloodied. I'll cast Just In Case, Spare the Dying,

but I don't know if they're still fighting. Okay. Make a medicine check. Okay. 19 plus things. Plus five. Fantastic. You cast Spare the Dying and go over to inspect, and there is no pulse to this body. It unfortunately did not survive

between the time of whatever, and now looking at it, you can see there's a grievous wound from the bottom of one ear across the throat and almost taking the head off the neck. Oh. What are the rest of you doing? As you jump down? I'm trying to.

Yep, you want to make a perception check? Room, I'm going to the hallway just to look and see if we've attracted commotion or. Close the door, block it. There's definitely. You didn't leave much of the door. You can see there's a few patients out in the hallway, leaning,

going, glancing in the direction of where you are, looking a bit concerned by the sound. It's all right, stay in your rooms. Stay in your rooms, please. Everything's fine. Make a persuasion check. Stay in your rooms, stay in your rooms. What you see here?

Persuasion or intimidation, your choice. 13. 13, okay. Most folks tend to whisper and then go back into their rooms. They're not likely to get involved in something when an authoritative voice says them not to. I take the pieces of the door and just. I'll walk over to the door.

With advantage on perception, halfling luck, and bardic inspiration, I got 24. 24, okay. Glancing around side to side. Do you want to say anything? Yeah. I put my snake head on Imogen's boot. Okay. Glancing around side to side. You don't see anything. Okay. I put my snake head on Imogen's boot. Aw.

I've made my way out of the darkness and into the body and look at her for a minute. I'm going to unclip my cape and give her a shroud real quick and just cover her up. Just because the door's open, it's unpleasant. Having dealt with these guys before, I imagine you and I would start looking around

for entrances, places they could get in in the room. It was interesting, though, because they were with him. They were different. Yes, they were different. Austin explodes. No, and they had red eyes. These ones had black eyes. You've seen these creatures before? Yeah, shadow creepers. They certainly didn't explode. No, and they had red eyes. These ones had black eyes. You've seen these creatures before?

Yeah. Shadow Creepers. That's a cool name. Did you name them that, or did someone tell you that's what they're called? No, apparently they're like rats in this town. Oh. They're essentially little treasure thieves, goblins. They sneak into people's rooms. Our wonderful landlord, Sh treasure thieves, goblins. They sneak into people's rooms.

Our wonderful landlord, Shadana, she's been dealing with them for a bit, and we helped her defeat them. But normally, it just seemed like they were out to come in, steal knickknacks and treasure, and go add to their little horde. Awful, but innocent. Yes.

These seemed different, like you said. Mutants. Yeah. Have you ever seen so many of them? Well, yeah, they come out. Like she said, they're like vermin running hordes. Orym gets a running start, and with his boots of striding and springing,

leaps and grasps the bottom of the balcony and rolls himself up. Without issue. Finish checking the bedroom and get the fuck out of here. Is that a mirror over there? Yeah, that is, yeah. I'm going to slither over there

and then drop Wild Shape once I get to the mirror. Okay. There's a little sign for this, but yeah, you get over to that sign. You go ahead and make your way over to the mirror. Okay. There's a little sign for this, but yeah, you get over to that sign. You go ahead and make your way over to the mirror and drop a high-shape. And I'll go over. Is there a reflection?

Mending the door to patch it. So we have a bit more privacy. All right, so slowly the door begins to magically extend and repair itself with the pieces that Bertrand put up to it. I would say we've been successful in our task. We've rooted out the problem and found the person that was also the victim,

but I guess we could say is responsible. I'm not a fan of perhaps taking a body to Lord Destoros. We could always, and I cast Press of Digitation and clean the body up. We could pretend she's drunk and bring her to him. Act like our friend. We could. Does anyone have any artistic talents?

A sketch of her, perhaps, in case he knows who she is. I am very good at drawing. It might behoove us to leave this scene. It is, it is. And not be affiliated with it. Agreed. Just leave her here? I feel like everyone saw us come up here.

We weren't. Personally, I see two options. We leave her in the bed, leave the place ransacked, something happened, or push her over the edge of the balcony and get out the other way. Well, hold on now. I mean, did we inadvertently cause this in any way?

Yeah. Yeah, we did. No. No. So what exactly? She was stealing, but she was stealing for someone? She was in bad business with a bad person and bad things fucking happen. It happens. Well, who was here? Who was first on the scene?

Did anyone hear anything before we? I did. I mean, we were there, but I got my ear down by the door. She sounded like she maybe had been giving them what they want, and that went sour. I'm going to go over to her body and check her pockets. Sure, go ahead and roll a general investigation check. General investigation.

15. 15. You do find about 12 silver, 15 gold pieces. Mm-hmm, mm-hmm. The keys to the warehouse. Oh. Don't need those.

I broke the door. That's true. But those are the things of importance and interest that you find. Could be other locks. Did you check that room? The one your balcony's in? I looked under the bed and stuff.

Oh, okay, okay. I keep looking around the room, but yeah. Orym looks over. Did anyone check that desk yet? You're checking other parts of the room? Yeah, remember I said I was looking for places that's. Right. Then I'll say as an extension, as you were pointing earlier, which you did roll,

under where the desk is, Under where? there is a portion of the wall where the baseboard-like structure of it is splintered, and you get your fingernail under and pull back a bit, and it leads to a hole in the wall, about a little over a foot across from side to side that descends into the wall of the building itself.

Yeah. Can you come here for a second? Sure. Oh, look at that. Can you come here for a second? Sure. Oh, look at that. Can you fit in there? Yeah, yeah. Are we a bit worse for wear before we start jumping into dark rooms?

Boy, I don't feel good. Yeah. I'm not doing so well. Well, I guess I'm okay. Maybe we could shut the door and just lay low for a bit. Take a nap in here. I don't know if that's an option. We made a lot of noise. I personally want to get out of here.

We can always come back. We can always come back. You do begin to hear heavy footfalls. Shit. A series of steps making their way from the far end of the hall towards where you are, though the door is now closed and moderately repaired by you. You can hear.

I start to push the boards up and put the chair in place and the desk. Should we just hot tail it off the balconies? Let's hot tail it off the balcony. Do we need to take this body or are we leaving? I don't know how we're going to make it. Did you sketch? Is there any parchment in the room?

Where? I pull out the, there's not really time. Not taking a character out to. I pull out the book that I had. And they saw us come up. They're going to think we killed them. If we did, if we take her, she's just not here. How does she look after you did that?

She's cleaned up, but she's got a lot of blood. Well, she's still wounded, but there's no blood spatter. I'll leave it to you. You're cool. Weren't one of you two wearing a big bit of textile? Oh, I've got a tunic. I don't need it.

I'll take the tunic. I'm going to grab the body, and I'm the strongest one, so I'm going to roll it over. Out. We're indecent. Dorian, come here. I just pull him in and I'll open up my shirt a little bit.

Ooh! The door, by the way, is still, as you open the door? I just peek out. All right, so there's a bunch of furniture that Orym just pushed up against it. You just, ooh. I'm giggling.

Against the door? No, I'm sorry. Oh, I'm missing the chair. I was covering the hole under the desk. I picked the doors up and slid the chair in front of it. Gotcha, I misunderstood. So yeah, so the door is able to eat. Yeah. You open it up and you can see there's two

strong-looking humans who you've recognized briefly as you were scanning the room earlier as the peacekeepers of the internal space. You can see they both look like they're related, but one looks a little older and a little more haggard. The other looks a little younger and spry. Greeting you at the front, you can see as one of the employees

who normally passes out food and drink amongst the patrons as it's ordered. Looks to be a half-elf with a light sun-bleached hair, sun-dappled skin with a smattering of freckles and these dark brown eyes, glances at you. Hello? We've been hearing complaints about some sort of a... Oh my goodness.

We are so sorry. Not the first time, if you know what I mean. We're too noisy. We can tone it down. Yeah. Yes, please. Make a deception check. Come on, come on.

Well, you either both roll individually or one of you can have advantage. Who's got great deception? Oh, I think we both have pretty good, but I don't know. This is your idea. Okay, okay. Come on, come on, come on, come on, come on, come on. He's got great deception? I think we both have pretty good, but I don't know. This is your idea. Okay, okay. Come on, come on. Come on, come on, come on, come on, come on.

He's got good rolls. He does have good rolls. Maybe we both roll. One of each? Why would you put that on me? One of twosies, threesies. That's cocked. Because you're good. Deception. That's why. Okay.

Dirty 20. Oh, that's great. I rolled 16. 16. Glancing over you a bit, glances over at you. If you don't mind, you're bothering the other patrons. Well, you can always tell them there's room for a third. You do see his cheeks flush.

I have to get back to work. But. See you later. Good evening. Good night. I go, I have to get back to work. But, Tiddly. Good evening. Good night. What? Jallien. You hear them all begin to slowly make their steps towards the far end of the hallway.

While they were doing that, I just start ushering people towards the back. Bertrand's one leg over the railing going like, Oh god! Are we going? I just lift his leg. Ah! Perfect.

The fuck are you people? I'm just, yeah, I'm taking the body and I'm dropping off the balcony. We're taking this body? We should take it. I've got it wrapped like Santa Claus. Not on me! I jump over the balcony.

I take any fall damage? You would, yeah. You would. Yeah. Two points of bludgeoning damage. Not a sprained ankle, but you're going to have to sleep on that. I use bird to break my fall. Rolled it. I'll skip up Imogen. You take another two points of bludgeoning damage.

Sure. We'll flutter down off the balcony. Yeah, we'll flutter. I got my boots on. I'll princess carry her down to the ground. Ooh. There you go. Thank you. I'll use my grappling hook to lower myself down. Oh my god, so cute.

Mm. All right. All right, one by one, you all eventually make your jump off or descent from the upper balcony into the alley behind the Weary Way Tavern. What do we do now? We get over to the end. Eshteross? Yeah.

Yeah, I think we just go to a tavern and then. No, we go to Eshteross. That's what I said, Eshteross. Okay. Yes, we go to Eshteross right now. Five pints. This whole thing to blow over. It comes in pints.

All right, so as you arrive to the... Well, I'd say for the most part, you're carrying, you are carrying a limp body. Who is currently taking charge in the transfer of? I've bundled the body to the hammer like a hobo satchel, and I've tightened it up as best I can to just look like a big, lumpy mess.

All right, yeah. It is a gnome. It is a gnome. Oh. I'm strong. That's fucked. Okay. You trek away from the Lantern District, back to the Core Spire,

to the exterior of the Estoross estate. There at the door, you are greeted by Evelyn, who peeks behind the door. Is this good news or bad news? Yes. Mixed. Mm-hmm. Mixed. Be right back.

Evelyn steps away. All slattered with ash and blood. A few minutes pass before the door opens once more. Everyone goes, please, to the dining hall. And you all step in and immediately met with a very sweet smell, almost like a fresh bakery of some kind. Like there is a,

something fresh out of a warm oven and there's a sweetness and a warmth to the interior. It's very different from how you came here last time. You all head off to where you saw Lord Eshteross had all those weapons hidden for the breakfast for the morning, but now you see the long table is set for eight people. You saw Lord Eshteross had all those weapons hidden for the breakfast for the morning, but now you see the long table is set for eight people.

On the far end, you see sitting the somewhat grumpy in appearance, Lord Eshteross in his thick, familiar burgundy evening robe, in his thick, familiar burgundy evening robe, tucked around, his glasses on, sitting there, arms crossed, looking over you as you arrive. So, how has gone the journey?

Very well, very well indeed. Bertrand Bell and his sorceress swords have delivered as promised. I drop the bag on the table. And what is this? Well, this is half your problem. I pull out the ledger and the note we took from the office.

Pulls it forward, his massive hand almost covers the whole paper as he pulls it in and reads it over. That is the whole time. Well. Yes and no. She was working with someone else. Do you know who?

You know, we were working on that. He was very creepy. We saw him. We can describe him. Pale, sallow dwarf. You see the cunning eyes of this aged orc going back and forth in the head, trying to place the description that you give

of this figure beforec, going back and forth in the head, trying to place the description that you give of this figure before giving a nod. I'll see what I can look into. He came in with a team of shadow creepers, a small hole in the wall. He called them his children? Shade creepers. Shade creepers. Shade creepers.

Gosh darn it, I knew we were saying it weird. That makes more sense. That's why people kept looking at us weird when we were saying it. As opposed to shade creepers. Shade creepers is terrain, it's just. I mean, there are pestilence on this city, but.

Yeah, but these ones were special. When you killed them, they exploded into flame and their eyes weren't red, they were black. They looked almost like undead shade creepers. I have a little heartburn. She ate one. What? What? What?

I'm impressed. And this? I open it up. You see Evelyn in the back of the room. Oh, look at this house. You know how to deal with this. He doesn't flinch, really. He gives a look for a second and then...

Well, it seems that those who deal in dangerous realms run this risk. That's exactly what you said, Ashton. That's because I'm right. Because I'm a man. Yeah. We'll take care of it. None of this is my responsibility. I will make sure that the family is compensated,

and I do not think it's necessary to have to sell her memory with this truth. But I am perplexed as to who she was working with and why. You don't recognize the description that we gave? I do not. But, is this the extent of your report? Oh, well, there's some more details.

Yeah. When we were investigating the textile place. Oh, that's right. They were smuggling. We found some missing items, but also we found some powder. Bloodstone. Broomstone. Broomstone. Broomstone residue. In multiple crates.

That they'd been smuggling or hiding or ferrying around from someone. He sits back in his high-backed dining chair, and as he does it, it shifts and creaks. There's the mass of his shoulders, you can see his straining, as he thinks, stroking the edge of his chiseled chin. Even at his age, you could see this handsome orc,

who is, based on the scars that peek through, seen a lot of the world, to an extent. For the life of me, I cannot imagine what shade creepers or their ilk would need with brumestones. I thought maybe this thievery was related to the Ivory Syndicate, but this is a shift in the journey I was not expecting. Well, I thank you very much. While he gives you all an intense look,

reading down, both looking at how hurt you are, but also how curious about these threads of mystery as well. Nods slowly. I'm impressed. I ask you this. What's most important about this? The coin?

How do you feel at the loss of this one? Even though her deeds were dark? I wish we could have been there sooner. Yeah. We're not done yet. Don't let us go yet. Give us a chance to find this dwarf. Well.

If you're still looking for work, I am certainly interested in pursuing this relationship. Yeah. We got pretty banged up back there. Yeah. But, I mean, are you all, do you all want to keep going? Well, maybe we like sleep.

Take a rest, please. But I mean, just in general. If we do not know where this individual is, such an investigation will take time. There's no reason to push ourselves past the point of exhaustion and ruin. If I may, this is a most generous offer. The connections you seek,

the coin you require from Lord Eshteross is quite the one to provide such an opportunity. I'm a man of my word, and I will have a contract drawn in the morning. We will formalize our arrangement, and as interested queries come to mind, I will notify you, call you, and should you be available and interested,

the work is there. But for tonight, and Evelyn, you watch, drops these little pouches at the table where each of you are arranged around. You can hear the clink of coin from within. As agreed upon, 150 gold each, with a 50 gold bonus for expediency. I snatched it.

And if you would mind, I think there's a bit of a celebration to commence with this relationship. And for the first, ever since this hard, rigid orc has met you within these chambers, there's a smile that curls across his lips, this softness you weren't expecting, and he stands up. SAM and LAURA, and everyone's like,

I can, like, this is my thing. And he turns around and comes back with, He says, this is my thing. He turns around and comes back with, you see in his hands, this massive brown structure, this rounded structure, and sits on the table. After a long hiatus, I felt compelled to make a cake. So let us celebrate our partnership over cake. And takes a little knife and begins cutting slices out of it.

This is amazing. A cake? Did you bake it yourself? I did, and I apologize if it's a bit rough. I've not had a reason to make cake in some time. What kind of cake is it? Takes a slice. This is carrot.

I hope you like carrot. I love it. It looks, it just looks brown. Begins passing pieces across the table and Evelyn begins helping pass them out. You see there's a sense of pride on his face as he passes them. Carrot's my favorite. I'm more familiar with pie, but this looks wonderful.

It's like a heartier pie, if you want to think of it that way. But thank you. What do we call you? Bertrand's? No. No. Bertrand, no. No. No. No, I do not like that.

The BBSS. We will definitely. BBSS. No. No. No. No, I do not like that. The BBSS. We will definitely. No. The Backhands. No. The Backdoors. No. No. Full frontal.

Think on it. There is no rush in this until we've solidified a contract, but I do require a title for your Band of Mercenaries. Band of Mercenaries? Okay. That's a good name. We could just be a band of mercenaries. Band of mercenaries? Okay. That's a good name. Just be a band of mercenaries.

It's all about branding. Believe me, it'll get Carrie far. We'll think about it. We got to all get to know each other a little better, I think. We're not very good at this. The naming thing. Oh, I thought you just meant all of it in general.

Did you all have a name? The three of you? We never quite settled on one, did we? No, we didn't. It was... Have any good candidates? Not particularly. No.

How is it? Do you like it? Oh, it's so delicious. What is it? How is it? It's very dry, but it's not bad. It's standard carrot cake with some raisins in there. What kind of frosting does it have? Oh, there's no frosting on it. It is just cake. It is a cake loaf.

Do you have any water? Or milk? Yes. Coffee? And eventually, he looks over at your faces and goes, It's so good. Right. Evren, could you make some frosting? And she steps back, but.

All right, as soon as I hear that, I'm going to stop eating and wait for the frosting. He doesn't seem offended, if anything, he seems a bit embarrassed that he forgot. I just keep a bite in my mouth for a while and then just let it fall out. Coming up the worst. Perfect, perfect.

There's a little pile on the face of your chair. Whatever he drops, I'll eat. Great. Other bits of a meal are prepared. The cake is repaired with Evelyn's frosting and together does make it a decent cake. Not the best you've had, not the worst, but an upturn from the frantic events of the evening.

Throughout the night, there is questions and laughter. If there's anything, if there are questions you have for Lord Esternal during the dining period of the evening, you is questions left, or if there's anything, take their questions you have for Lord Esternalist during the dining period of the evening, you're welcome to ask, or we will move forward with the evening. Can I ask a question while I'm eating this cake? Yeah. And thinking back to the encounter

we just had in the hotel, did the dwarfs' attire resemble what I saw in the past? Not necessarily. I mean, there are some similarities in the darker clothing, but there was no heavy face covering. There was no interest, at least when you gathered for any sort of head covering.

There were, it didn't quite match the description, but you also didn't get a great look either. Okay. You don't know. Lord Eshteross, why do you keep so much of the house in darkness? I have, one, not as much use as the previous occupant did.

And second, most of the chambers in this house are heavily trapped. So do not wander, please. There have been many attempts on my life through the years, and I've gotten here by being careful. Good to know. I'll ask, as the night progresses, I don't want to drag you into a personal matter,

but I had some dear friends that met a bad fate near Evishi. Right, the city of Evishi, yes. I'm sorry to hear that. You know, it's in the past now, but I don't know who was responsible for their demise, and I wondered if you had heard of any I don't know who was responsible for their demise and I wondered if you had heard of any

creatures around there that had? There are many creatures that wander that part of the O'Deeran Wilds. I've fought many in my days of past. You see there's a brief bit of distraction, a glaze over his eyes as he begins to look into memories, and there's a nostalgic grin that curls. I was once a premier sellsword for a company called the Ruddy Hilt,

a much better name than the Toppers, which was the original when I joined and I pushed to change it personally. But in that region, I have fought a terrifying, mutated bog spider that had wandered far from the Heartmoor and set up in that space. We believe it was an alchemist's attempt

before it ran free. There's a whole manner of odd trolls in their own divergent lineages and free. There's a whole manner of odd trolls in their own divergent lineages. Do you have any knowledge of any creatures that have one eye? I mean, there are Cyclopses, though not indigenous to these jungles.

I have heard of many aberrations that have a central eye or multiple eyes. There are many beasts that can meet this description. Do you have any further descriptors? Not really, that's all I know. Pirates. Should any other information... Should any other information come to light, let me know.

I will. Thank you. That's a good suit. Oh, that is evident. This feels good. It's good to be back. It does. You're right. This is a rare opportunity

to be in such demand and esteem. There's a direct line of eye contact with Lord Eshteross, who looks at you and goes, Indeed. I have a question. Yes. How did you know we were coming? Or have you just been waiting at this table for 48 hours?

I had made a cake just in case. Oh, an emergency cake. It had been around for a few hours, and I wasn't certain if you would arrive in the next day or two or five, but this cake is designed to last quite a while before being cut into, so I felt confident. Like a fruitcake?

More or less, yes. Also, when Evelyn told me that you had arrived, we quickly set the table. If it looks a bit slapdash, my apologies. That's wonderful. So your hobbies are baking cake and covertly protecting the realm from evil. What an odd retirement. How did you come about it?

I also read a lot of books. How'd you come about it? How'd you come about? How'd you come about? How'd you come about? He thinks to himself, he goes, Well, I did the odd mercenary work for a good 25 years of my younger life, and I made a name for myself here in Marquet. But one of my patrons who I struck a strong friendship with

was Mistress Prudaj, who was the previous owner of this estate and the, well, the business of which you had helped find this thieving within and others. Which needs a new door, by the way. I'll arrange it. Through this friendship over the years, I left my mercenary company and became her private protector, her bodyguard.

That's where I met Evelyn, who has since become my caretaker. But through Mistress Pradaj, I learned that, I learned true values. I learned what it meant to be more than just wandering for coin. I learned really how many people are challenged

to protect themselves. And while there are some people in the Mahon houses, in the political structures, in this space that are trying their best, there are others who are insidious in the need to climb and abuse their power. And other dregs and societies that sneak beneath

the brimming darkness of the streets. I was hired over years to capture well over 200 fugitives, criminals, and members of the streets. I was hired over years to capture well over 200 fugitives, criminals, and members of the Syndicate, so I was already familiar with their lack of morals. So when it came time that she had passed from this world, I was surprised that she left me everything,

and I continued to retire from my business and wanting to take her memory and her wealth and do with it the best I could. That's wonderful. Oh. How did she die? Natural causes. Inside check.

Make an inside check. Okay, okay, okay. 16. Oh! This whisper is brought to you by, I don't have anything to hit point press, and a gigantic tarrasque. By our pet bandanas.

Our pet bandanas, available now at the store. They fit humans, too. They do, they really do. And other animals, probably. Tragic. Indeed. Well, nevertheless, the evening grows late and I am up in my ears. I thank you for your candor,

for enjoying this cake with me. And, well, hopefully this is the beginning of a wonderful relationship. And if you cross me in a line, I will have you destroyed. That's not going to happen. I don't think so, either. But that's fair.

And I guess we can do the same as well, if you cross us. I guess that is indeed fair as well. I don't think we need to worry about that. I've always been taught that when you lie down with dogs, you wake up with puppy smooches, because, you know. That sounds wonderful, actually. No, that, okay. Nevertheless.

Dogs are the best. They are quite adorable. Well, have a good night, friends. Oh, I think that's our cue. Oh! Thank you. We'll excuse ourselves. Are we sleeping here? Is that what? I have no rooms that are fitting for sleeping for guests.

And they're all trapped. That would not, in some terrible way, render you dead in your sleep. If you ever want assistance setting up a guest room, I volunteer. She is excellent with furniture. No joke, her eye is just... He looks back and Evelyn goes, you were talking about a remote one.

He goes, not now, but when, maybe. Okay. Anyway, I'm going to retire. Evelyn will sue out. And he goes ahead and gets up. It's funny, you fought this man and he had a strength and a fervor.

For a brief moment as he sits up, you can see the age hit, but he still holds himself with dignity, grasping his silvered cane with the orb at the top that some of you had felt personally, and exits the chambers, as Evelyn also shows you to the door and out into the night air on the Core Spire. Hmm.

Well done. Well done. That was fun. I had fun, I don't know. Yeah, that cake was delicious. It was pretty good. It was a bit dry. It was a bit dry. Yeah. I learned.

Felt a little strange eating the whole dinner with Danas just sitting on the table like that. Danas was taking a drink. Was he? You get that Danas' flow was not really doing it for you? Yeah. Eating the cake and just staring over at the bottom.

No, no. Needed icing. Was very, sorry, I should have specified, not part of the dinner experience at all. Will, does that mean, like, we're in this together? He did ask us for a name. A name? A name. We're in this together? He did ask us for a name. A name? A name.

What does that even mean? To make a contract, put it in writing. Do we have to choose the name before the contract? I think so. I can handle the contract. How it is traditionally done. Yeah. Make a name, make a contract.

I mean, I guess just for here right now, working for him doesn't have to be forever. Don't the three of you also have other business to attend to here? Hey, we're looking for someone, right? Maybe we can help. Is it a bad someone or a good someone? Are you a good witch or a bad witch?

Yeah. I haven't run with a crew in a while. Long while. I mean, I'm sure we all have things that we need to do. Hmm. We should also talk about what we can do and maybe strategize, because that was horrible. Over more drinks.

I feel like a celebration. How about a walk and talk? To the tavern? Let's not go to the same tavern. How about that? The Spire by Fire. Spire by Fire sounds wonderful. Drinks on me. You carry your extremely hurt, bruised, bloodied selves,

though probably with Prestidigitation easy enough to clean up, but still hurting selves to the Spire by Fire tavern here in the Core Spire for rounds of drinks and for- As we're walking, I'm just going to, into Dorian's head, say, sorry about pulling you in like that. I hope it wasn't... It was fun.

All right. Reminded me of drama club. A theater kid. Fuck. I had no idea. As we're walking, Bertrand's right ahead of me. I'm just going to kick the outside of his heel so that's make him trip over his own feet. That's it.

Yeah, make a dexterity saving throw. I got this. I'm not wearing dexterity saving throw. It's a seven. You yeet shit. And I'm holding the cane so it falls under the arms. Ah! Oops.

Oh, he's so old, don't you? He'll be fine. I'm doing okay. Yeah, I definitely felt an alignment shift. Some stuff moved around back there. No, he's not getting up. No, just make him stumble, not kill him. No, no damage.

It wasn't that bad. It was just a minor bump. I deserve that. I got carried away, and I will not strike without. I'm going to help him up and say, you are forgiven. Thank you. That's very gracious of you. It's lucky that pile of fecal matter was there.

Yeah. Oh, fuck! Press the Digitation. I'm not double checking for the earrings still around my belt. Oh yeah. All right, still there. Cool. Okay.

Ashton, I'm not going to need this, so thank you. Just give him all my money. What do you think about this? About hanging out with these folks? Yeah. Oh boy. Well, I mean, I think it could do you a lot of good.

Eh, yeah, all right, anyway. I mean, they might get us into some more trouble, right? I was literally just using you as a coin toss. I'm fine either way. Well, I'm thumbs up. All right. You have yet to get me killed,

which is, to be fair, pretty impressive. I try my best. Can we grab a table outside this time? Oh, what a good idea. Oh, right. Yes, better. What? You're horrifying.

Thank you. You're welcome. So are you. Oh, horrifying. Thank you. You're welcome. So are you. Oh, thank you so much. You're welcome. Let's get drinks. I'll cover them, I have this. So it's not allowed. A round for Bertrand's Bells.

No. No, no, no. The Drusilla Dogs. No, no, no. Out here! All right, yeah. The melons! The Bertrand Bellons. Just think about it. We'll say four silver for the rounds.

Not a problem now. But yeah. Or ever. You gather your evening drinks. You're welcome to converse amongst yourselves or go to bed, whatever you feel to do. God, real... Quiet. Wrecked.

While you had suggested earlier, we share our strengths and weaknesses with each other? It just might be good next time we get into a scrap. That is true. Does anyone else heal things other than myself and Dorian? No. No. I can siphon life and give a little bit to myself.

Oh. But it's just for me. I may be able to, sometimes. May? Yes, if I want to. Oh. Do you want to? Well, it depends on how I feel about the person, I guess.

That makes sense. Hypothetical scenario. Ashton is bleeding out in the middle of the street, crying out, crying out for help. Never have. Grim. You have a chance to rush to his side to save him. We're hurt and can't help. Ah!

Ah! Do you save him? I've eaten all of them senseless. Every last one of them, I've kicked their fucking ass. I may be hurt, but man, I took them the fuck down. Do you save him? I've eaten all of them senseless. Every last one of them, I've kicked their fucking ass. I may be hurt, but man, I took them the fuck down. Do you save me? Ah. Yes.

There you go. Oh. Three healers. Now she likes me better. That's just all that came to, clearly. It's like you have some tricks up your sleeve. A very tight sleeve. They are. Very tight. They don't go up at all.

It's just pure starch. It's the craziest. Finest of Marquesian polyesters. I personally am fucking exhausted. I don't know about the rest of you. Are we meeting here? What's the plan? We're going to tomorrow have some breakfast, figure out what happens next. Yes, absolutely.

I think we should return in the morning, unless two of you live nearby. Yeah. Ditto. We could return in the morning? That way. Oh, fantastic. If you ever want to see it, let me know.

It's fucking great. The Crook House. The Crook House. We're over on the windowed wall? Yep. Yeah. Nice. Yeah, it's really nice over there.

Do you want to have a place? We just got here. Do you want to stay in hotels? Well, if you're going to be sticking around, you should probably find something. Might be a good thing to do with your time tomorrow. Oh yeah. Like a permanent. Yeah, maybe we could find someone else that'll rent a place over by us. Brilliant. Might be a good thing to do with your time tomorrow. Oh yeah. Like a permanent.

Yeah, maybe we could find someone else that'll rent a place over by us. Brilliant. It's really beautiful. We can show you in the morning. Sure. Actually, why don't we meet at your place tomorrow morning?

It's hard to find, but we'll meet you on... What spire are we in right now? You're in the Core Spire. Core Spire. So that's where we live. Yeah. There's got to be... Do you think they have extra rooms? Well, we had to ask around for...

You know, maybe Shadana would have an idea. We can ask her tonight. That's a good idea. Yeah. What about something near that library that you've been trying to gain access to? Oh, that's the... No, that place is hoity-toity. Is there a particularly nice waterfall?

I mean, you would know, Bertrand. Yes. Off the windowed wall? There's a nice centered chunk of the windowed wall? Yeah, there's a number of, and there's vertical gardens that are built into some parts of the wall, especially certain regions of the spire. Like, it has a lot of natural areas of beautification

for gathering or wandering. Well, we're not picky. We could just go with anything tonight and figure out something more permanent. Maybe stay at the spire by fire tonight, and then... Well, if you guys are staying at the spire by fire tonight, and then. Well, if you guys are staying at the spire, I'm going to run home for the night, and I will see the rest of you in the morning.

You're welcome to stay or otherwise. I know you love people. I'm coming with you. All right. Y'all just hear in your heads, good night. Good night. We safe out there? goodnight. Good night. Be safe out there. All right. You too. The two of you make your way back to the Krokals.

Ashton, can I have your drink before you join? Oh, sure, sure, sure. There you go. That is a dick move. They make their way out of the establishment onward to the Croak House. So we're, are we at Spire by Fire? You are, yeah.

Another round! Oh. Oh. Oh, no? Oh. I was just feeling the group. Yeah, absolutely. It's about five silver a room here tonight, so. One more before bed.

A room per room? Yeah. Is that normal? That's normal. It's modest. Okay. Were we in earshot when he said another round? No, you were fine. Okay, never mind. I'm sorry. I'll cover the rooms as well.

I get sorry. I'll cover the rooms as well. I get points. You know, Spire points? Both points. Yeah. Of course. I'm going to get a race car phone, man. Yeah. Get a free skyship journey to Amman and back.

That's pretty great. It's been saving up for four years. 400,000 points. Yeah. Well. I'm probably going to call it a night. I brought a lot, too. Yeah. I'm going to call it a night. I brought a bow, too.

Yeah. Okay. The two of you go to one of the rooms. We're going to head back to Shadana's, but we'll give them a good location to meet us at, if you guys want to meet. You know, let's meet. The archway that's got the hanging plants. We'll meet there. Yeah, yeah, that one.

The gate, you know. That's where everyone will meet us. Yeah, yeah, that one. The gate, you know. That's where everyone will meet us. Do you know where that is? You got it. The hanging gate? The arch with the hanging plants? Yes. Okay.

The hanging gate. Okay. So you all head off to your chambers for the night. You have a room paid for by Sir Bertrand Bell. You have your room as well. I do, but I'm going to enjoy the night. This is a long time coming. I pat him on the back as we leave

and say thank you for the drinks. You're very welcome. I hope you know how special this is. You don't always find yourself with the ability to mingle with these type of people. You do a lot. No, I do find it quite special. I don't mingle with people type of people. Do a lot. No, I do find it quite special. I don't mingle with people very often, so I appreciate it.

Very glad to have come across all of you. Bertrand, what type of music do you like? Oh, I've had my phases. All sorts of music. The hard stuff. The light stuff. Orchestral. Jazz, I don't fuck with.

How about some of the light stuff? And I'm going to pull my chair up next to Beauchery and lean against the wall and pull my lute out and just sit next to him and pluck a little tune for him and see if he likes it or not. This is wonderful. I have to tell you, I haven't always been this in demand, but in Jrusar, this is going to change things for me.

It's been a while. Been a while. A lot of travel, a lot of adventures. It's exciting. Feels like a new day. Maybe I'll write a song about you. You should. I'll make a list. Slip it under my door tomorrow morning.

I'll need the whole night. I only want 10 titles. All righty. Well, I'm going to retire. So I'll see you all in the morning. Are we, the three of us, in one room? Is that what you paid for, Sir Bertrand? No, no, you have all of you.

Bertrand's bells have their own rooms. The bellends! That's two gold. Ha ha ha! Two? What? Two gold for the four rooms, including your own. For the two rooms? MATT and LAURA and LAURA and LAURA and LAURA and LAURA You're not a real person.

Got it. Let him know. Be me! I'm going to walk up to the bar. Okay. Would you mind sending one more drink over to the older gentleman, Bertie?

Yeah, totally, I got you for that. You give him something nice. Okay, I know what he likes. He comes in here and drinks every now and then. Okay. Thank you kindly. He grasps it in his lion's paw and rustles the whiskers a bit

and goes to pour the usual for Bertrand. All right, I'm going to bed. If you wouldn't mind taking that to him, that would be great. I got you. No worries. All right, drink is delivered. Yes! Who is this from?

This is the tall, creepy-horned faun girl that came through here. Faun bought me a drink. Don't read too much into it. I won't. All righty. You two off? Oh yeah, we wander.

We're wandering back. They head off. Burns off to bed. Well, gentlemen, I'm going to retire myself. Are you sure? We could parade around the spire. It's true, Bertrand should have retired years ago. Yeah, this is the latest I have stayed up in 30 years.

You want to help get upstairs? No! No. No, every once in a while, you need to see the sunrise. Might be that night for me. Okay, well, you need to see the sunrise. It might be that night for me. Okay, well, you want to get some sleep. Mm-hmm. Back at it tomorrow. I didn't take as much damage as you did. It's true.

Not true. I've got him, Borg. Okay. Losing my seat. Well, enjoy the night, John. Night. I walk past and I stop next to the two of them and I just place a hand on Dorian's shoulder.

Thanks for not letting me die on the floor there. That's one I owe you. No debts between us. Night. Night. Night. Okay. Any other events for the evening before you find yourself? I'm going to try and play him to sleep.

All right. Count backwards from 100 to one. 100, nine. How much more are we drinking? As much as you want, Bertrand. Who else wants a drink? Four hands on the inside of the cup. You're still in the front area,

and Big Green's going. Take out the big bag of money we just got. No! Bertrand, Bertrand, Bertrand, Bertrand! I know this is an unwelcome sight at times, but here's generosity personified! Oh my god. All righty.

We'll say for the other four individuals, it'll be, and drinks for yourselves, it'll be three gold. Amazing. He's going to be so happy. One last quick thing before I go to bed. Okay. One point of exhaustion. Once we get home,

I want to head over to Milo's apartment real quick and give a knock. Yeah. So you head over to the room in the crook house where Milo stays. Milo, wake up. I take one of the bags of gold and throw it at their face.

They open the door. What? Oh! Fuck! 20 diamonds. Yeah! Cartilage gun. There's blood running out of their nose. I can't believe you've done this!

How the fuck? What is wrong? I just, whoa! Dumbbell. I'm thinking about running with a new crew. It's been a while. I'm moving. I need a new crew.

I don't know. I found some people that might be picking up some money, and I need you to do me a favor. Yeah, yeah. When you get some time, I need everything you can fucking find out about Lord Eshteross. Everything.

Okay, I'll ask around. I got some friends. It's good money coming in, but I don't know. You know what happened last time. We'll see how this goes. Yeah, yeah. Yeah, no worries. Has she come around any time recently? That's not recently, no.

That worries me, and I would rather have that. I don't need that coming around right now. I want to cement this before anything weird happens. No, no, I'll ask around. I'll see what I can find. Make sure she doesn't find out. You got it. You could go for the shoulder next time.

I'll try. You should go to bed. I'm going to go find a place to throw up, and then I'm going to go to bed. That's a good plan. Yeah. All right, Ashton. Night. Night. Oh.

Ashton. Coins hit you in the face, and you see Milo hitting in their hand a cluster of coins they took from it. How much damage? Not enough to attack. I don't know, I'm really on the, I'm just kidding. Sorry, I'm going to leave your ass in there.

Yeah. Thank you. When we get home, I'm just going to take my bag and chuck it at Shadana. Hey, Cavendish! From Ksaar, that was a series of murders. What are you going after? I got you.

All right, we're going. The Goldsack Murders continues. Yeah, the Goldsack Murders. Is that our group name? Yeah. Screws with that money pit. The sack murderers are continuous. The gold sack murderers. Is that our group name? Yeah. Screws with that money pit. I will take my drink and I will put it in front of Dorian.

All right. I'll say, you are a trustworthy fellow, so don't tell the others. It has not always been this successful for me. No. I was part of a previous group called the Bevy. The Bevy? The Bevy.

And we did not have as much, why are you all taking notes? We did not have as much success as this one did. I think there's really, really something special here. So I want you to remember that. Bevy. Cherish this opportunity. It comes and goes.

I have had years where I was the top of the walk and years where I was shit. Mm-hmm. It feels good to be. Not shit? To be back on top. We will not let this become the bevy tomb for you. Yes, something new, better.

I have to go figure out where the windowed wall is, otherwise Imogen's going to know. I don't know where that is. I'm going to go take a walk. You get some sleep because you are fucked up. You're going to go take a walk. You get some sleep because you are fucked up. You're going to go walk by yourself? Of course. What were you trying to find out?

I have to go find the Windowed Wall and this library. I think it might be upstairs. I think the Windowed Walls might be upstairs. I appreciate your good nature, but I want to walk. The man should walk. Thank you, Dorian.

You need sleep. You're right. Put my loot away. I grab another drake off the table. Oh, nice. Somebody else needs to get table. Oh, nice. Cheers. Cheers. To the Bertrand Bells!

To the Bertrand Bells! How many people are left in the tavern? At this point, there's probably the same four. Let me hear it! Bertrand's Bells! Bertrand's Bells! Shut up! Outlanding. Good night, Bert. Good night.

And I stroll out to figure out where the fuck they live. Okay, okay. You're going to bed? Yeah, I'm going to go to bed. Okay. And I walk. Imogen. Oh shit.

Oh! And that's where we'll end. Exhausted, sleep comes to you quickly. And you feel the gentle touch of the tall grass and you feel the gentle touch of the tall grass against your fingers. As you find yourself walking through the beautiful green fields of the home village of Jelvan,

the breeze is cool and gentle, and you can watch the horses running to this plateau valley alongside the climbing Talon Highlands. You feel the nudge on your left, turning to see the snout of Flora, your favorite mare, acknowledging this look for a snack. I reach in and give her something. Bertrand, you are wandering at a zigzag

through the streets of the Spire at night. You got to pee real bad suddenly. Sure. Time to bless the dirt. There's not much dirt in the way around here. It's an open street with alleys. You know the windowed wall is a little ways away, but you can hold it or find a quick stop.

Not at my age. I'm going to find a quick stop, otherwise at all. Okay. So you duck into the side alleyway and begin to relieve yourself, and it's a genuine relief. A little bit of moonlight that's peeking through the alley is obscured to your left. You suddenly sense someone standing there.

You glance over and you just see a silhouette. Do I recognize this? Make a perception check with disadvantage, you drunk asshole. Oh god. Guys. I. Pocket perception. Six. Can't make out any details.

I put my hand on my rapier hilt. Draw myself up to my full height. I put my hand on my rapier hilt, draw myself up to my full height, say, Gertrude, are you, oh, I'm sorry, friend. Can I help you? The figure takes a step closer. My friend is off around the corner. Can I be of some sort of assistance? Takes another step closer.

I draw my rapier. I think that's close enough. You sense this figure looking at you, and as they get closer to you, the full height of your stance, you can tell the figure's a bit shorter than you. Cloak of Hood maybe comes up to about your shoulders. What'd you say? Is it this dick?

Is it the fucking door? Is it the door? Shorter. Why don't we have a conversation? A little further in, and you see beneath the cloak, there's a flash of metal as a familiar rapier glint hits the moonlight. Further in where?

Points deeper into the alley. Is there anyone with him, beyond him? No, the alley itself is maybe about eight feet from side to side, and they're right in the center of it. They're about three or four feet deep into it, and you're about 10 feet deep. Oh, I think I'm fine

right where I am. Seems I have you at a disadvantage, sir. Yeah. Sounded like a dice. In a sudden flash of quick movement, of unnatural speed, the cloak whisks and you feel a twinge of burning pain in your chest as you look down at the hilt of the rapier

that's now up against your chest. You take 12 points of piercing damage. Okay, okay. Oh no. That's a natural 20. No. No. It is. Right there.

As you glance down at it, and cough, the blade withdraws again and goes this time into the abdomen, right up to the hilt, for 16 points of piercing damage. Caw! Unconscious.

Imogen. Just then, the wind suddenly starts to change. Harsher, colder. You turn, and your eyes find a familiar sight. The horizon, entirely consumed in red, swirling, hungry clouds filling the sky and coming fast. Silent flashes of lightning in the distance as you stand motionless,

watching the streaks of dark crimson rake across the heavens above you, darkening it, reaching for you. Flora immediately flees. You stand, frozen, the storm reaching around and consuming you, buffeting your face, the wind growing louder and louder until you hear her voice.

Yeah. Run, Imogen. Run. I back up and start sprinting towards my house. You go and you run and you run and you run and you rush towards that country home which you now see darkened by the shadow of the looming storm as it continues to follow.

You reach the door and tear it open, look over your shoulder to the roiling storm, and you see another figure standing where you were. At a glance, it's a man, older, refined, walking proudly into the tempest before he's gone. What? As you lie bleeding in the alley, your vision begins to blur.

A coldness and a peace begins to come as the figure steps and blocks the moonlight and says, Suburbtrendal it is, huh? Good night. That's a run-of-fines episode. We'll pick up from there next week. No, we're going to do it right now! This episode already ran pretty late,

but it was getting to fun stuff and you guys are having a great banter, but. I probably should have said my name less. Barry? Barry! Barry? As the vision fades, I just say, LaMzal. I can't say it.

You asshole. Sis-u. well we'll pick up from there thank you so much for joining us we love you very much and is it thursday yet thank you so much for joining us on this adventure. To help new listeners discover the show, please give us a rating and review on whatever podcasting app you're listening on. Until next time, is it Thursday yet?