Dan Carlin's Hardcore History - Show 57 - Kings of Kings II
Episode Date: March 20, 2016From Biblical-era coup conspiracies to the horrific aftermath of ancient combat this second installment of the series on the Kings of Achaemenid Persia goes where only Dan can take it. For better or w...orse…
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What you're about to hear is part two of a multi-part series on the Achaemenid Persian Empire, and especially its dealings with the Greeks.
I suggest getting part one and listening to that first before you dive into this, but listen, I'm not here to tell you how to live your life. You do anything you want.
I would like to point out that this is the Dan Carlin version of this story, which is always what you get with me,
which may or may not correspond to the traditional way these things are told, so please listen at your own risk, and if it sparks an interest in the subject, I'd be very happy about that.
Nonetheless, without further ado, and with proper warnings in place, this is Kings of Kings, part two.
December 7th, 1941, a date which will live in infamy.
The events.
One small step for man, one giant leap for mankind.
I take pride in the words, Ish bin, I'm the Elina.
Mr. Robachoff, the drama.
Paired down this wall.
Eight-sixty-and-a-half-courts, nine-six.
Number two has had a major explosion and what appears to be a complete collapse in the entire area.
I welcome this kind of examination because people have got to know whether or not their president's a crook, but I'm not a crook.
If we dig deep in our history and our doctrine, and remember that we are not descended from fearful men.
It's hardcore history.
How many people out of a hundred that you could name, either people that you knew or people that you've heard of or read about?
How many people out of a hundred do you think could handle absolute power without totally losing their mind?
And if you could handle it initially, if you could find that well-balanced person who could deal with it initially, what about dealing with it for the long haul?
Because, you know, history shows that there are a lot of people that, you know, the power gets to you over time.
It eats at you slowly. I mean, if you could handle absolute power initially, could you handle it for 10 years or 20 years or 30 years?
Those of us in democratic systems tend to assume, because it's kind of built into the thinking of our political systems, that nobody can handle absolute power.
Or that it's certainly an unbelievably small number, right? Absolute power corrupts absolutely.
How long have we all heard that term? And we assume it's a truism. I know I do.
And yet I can prove myself wrong pretty easily by looking back at the past and realizing that by that sort of rationale,
shouldn't every emperor and king throughout history that had either close to or de facto absolute power, shouldn't they all be crazy?
Shouldn't they all lose their minds?
And while you could certainly say most of them probably lost perspective of, for example, what life was like for normal people,
the vast majority of them didn't go crazy, which might be more interesting than assuming the opposite.
Although we all know of the high-profile examples, don't we?
And, you know, I'll use the classic one, so why not go right to Godwin's Lime and look at Hitler?
You could say maybe it was a form of Parkinson's disease or maybe the doctor feel-good drugs he was being shot up with.
At the same time, by the end of his rule, he's exhibiting the classic symptoms of megalomania and paranoia that come with the absolute power sort of stereotype.
Look at a guy like Alexander the Great. I mean, he's almost another kind of Godwin's law, isn't he?
Especially with this program. By his early 30s, he's as paranoid and as megalomaniacal as Hitler is.
And again, maybe some of that's connected to what a lot of historians would call rampant and terminal, maybe, at the point he was at alcoholism.
Who knows? It's difficult to separate. But Alexander seemed to be able to handle power initially and then somewhere along the line, he couldn't.
And the sources at the time, by the way, write about this growing megalomania and paranoia.
Not very fair sources, maybe, too. Let's acknowledge that.
When the near legendary and enormous historical figure of Cyrus the Great that we talked about in the first part of the story, when he dies or is killed in 530 or 529 BCE,
he bequeaths to his son the most dangerous inheritance I can imagine.
He leaves in the empire that he had just won. And by doing so, he both creates an immense challenge for his son to overcome.
Absolute power or something very close to it and what that can do to him.
But also he hands his son something that is so valuable that immediately other entities are going to be tempted by it.
It's like leaving him gold and jewels, which, you know, in effect he really did leave him,
and then sending him out at two in the morning to walk down the most crime-ridden street in town.
You're always going to be looking over your shoulder, and there may be other people very tempted by what you have.
Cyrus the Great's oldest son was named Cambyses. Officially it's Cambyses II.
As part of what made Cyrus such a visionary ruler, he paid a lot of attention before his death
to making sure that there would be a smooth transition of power from him to his, you know, designated successor.
This is an era in human history where this was a very precarious affair a lot of the time.
I mean, we take for granted in our democratic systems today that the transfer of power will be relatively smooth,
and we consider it a really big deal in a constitutional crisis if, you know, we can't name the winner at the end of the day,
you know, on an election day, and if it has to go to a court, and if there's challenges to, you know, ballots in this state,
or that's it, that's a huge deal.
In the ancient Near East, in West Asia, in the period we're talking about here, all kinds of nightmares happened,
and any king or ruler would have known about them.
There would be revolutions and coups and assassinations, and sons would kill their parents and go to war with each other.
I mean, my favorite story about these kinds of affairs, and it's a classic case, I guess you could say.
The rule-proving classic case is the Assyrian king Sennacherib, who famously destroyed Babylon
and then lost his life supposedly while praying at the hands of at least one and maybe two of his sons.
And in one tradition, by the way, killed with a statue that represented Babylon,
so you get that wonderful, you know, ancient history tie-in that the authors from ancient times all like,
where, you know, there's a certain karmic justice here, you destroyed Babylon and then the god of Babylon gets back at you,
and then his sons go to war with each other, the tale tells, and a third son maybe comes in, defeats both of them,
and then takes over the throne.
Sounds perverse, but not that unusual, and a guy like Cyrus the Great would have understood,
you know, the pitfalls, right, there's gonna be a ton of entities out there that want the power that you just created.
Remember, Cyrus is a guy who in a space of a single reign, admittedly long reign,
took his people from a geographical backwater on the world stage
and made them the masters of the greatest empire the world had ever seen.
A guy whose initial title when he came to the throne was King of Anshan,
and whose titles when he died were things like King of the World, King of the Four Corners of the Earth,
King of the Universe.
As we said in the first part of this show, that's a heck of a promotion in one lifetime.
And while it's hard enough for the self-made individual that makes that progress in the space of a lifetime,
how much harder might it be for people who simply have that handed to them?
The second generation or the third generation who begins to live a lifestyle that's different and expects these sorts of things.
And you can see Cyrus training his son for years before his demise to make him, you know, ready, essentially on-the-job training.
He's gonna hand over the family business to his son, and so his son gets to be the Viceroy of Babylon for a while,
gets to hang out with the army for a while, do this, do that.
He's learning how to be the King of Kings.
I wonder if that somehow increases your chances that you can do so without losing your mind and your perspective.
Cyrus also brokers an important deal because he has more than one son.
And, you know, if you look back at even recent history, a guy like Cyrus would have been able to notice how much of a problem you have
when you have more than one possible inheritor to the throne.
Cyrus, in addition to his oldest son, Cambyses, has another one known by multiple names.
The most common, probably to be mispronounced by yours truly, is Bardia.
He's the younger son.
And according to the ancient sources, take this for what it's worth.
When Cyrus is crafting essentially his will, his inheritance, the deal, he makes Cambyses the next King of Kings,
but he gives sort of a consolation prize to the younger brother, right?
You lose out on the fruits of empire, but here's your runner-up gift.
He gives to him a large territory in Central Asia to govern,
and apparently says that unlike all the other territories that are being governed in the name of the King,
you can keep the taxes and the tribute, you know, from your places.
You still are beholden to your older brother, but you have a nice little, you know, place to call your own, sort of, and keep the money.
And initially this seems to work rather well, because when Cyrus dies, the transition to his chosen successor seems to be relatively seamless.
And then things begin to get corrupted.
So corrupted, in fact, that you actually have to look at the end of Cambyses's reign and then work backward to the beginning,
because what happens at the end changes, corrupts, and alters all that we know about the reign.
Cambyses II's reign is going to be like a game of clue.
Did you ever play that game where, you know, you have to figure out the murder mystery and the weapon and what room it happened?
It was Colonel Mustard in the library with the candlestick trying to figure out the reign of Cambyses and who this guy was
is a little like trying to figure out the who done it of the game of clue, because something happens to Cambyses.
And it might be that he goes insane because he can't handle the amount of absolute power he has.
That's what the ancient sources indicate, right? Herodotus basically says Cambyses lost his mind.
But a lot of modern historians don't buy that at all.
They see a cover-up, a conspiracy, something that would not be unfamiliar to people who read things about the John F. Kennedy assassination
and conspiracy tales about that, because there's something about the demise of Cambyses that looks a lot like one of those
John F. Kennedy assassination conspiracy books or several of them.
What's more, the people that may have gotten the King of Kings, the founder of the Persian Empire's son out of the way
may have been the ones who got to then decide how the history about him was written.
And that has colored everything we know about the second ruler of the Achaemenid Persian Empire.
A guy who had the very unenviable task of trying to follow a legend.
I mean, who could follow Alexander the Great?
Well, nobody. They ripped his empire apart and started fighting over it rather quickly.
Who could follow Adolf Hitler if his dreams of a thousand-year Reich even partially came true?
You can't even imagine it can.
Hitler's personality and DNA was entwined all throughout the idea of the Third Reich.
You can't even imagine anyone succeeding him in any sort of a realistic way, right?
It was to, you know, Admiral Donuts who succeeds him for a couple days to sign the peace agreement.
Who could succeed Napoleon?
Cambyses II is in an unenviable position.
But if modern historians are to be believed, and I shouldn't see why they shouldn't be,
he did a pretty good job for the time he had available to him.
Was he insane?
That's a much harder one to figure out.
It depends on who you believe.
But if he was, sure wouldn't be hard to imagine why.
How many people that you know out of a hundred could handle absolute power.
The idea that Cambyses was insane and that he did all these crazy things
was one that took hold way back in ancient times
and persisted up until really like the 1960s or 1970s.
Will Durant in 1935, a great historian writing an outdated history,
did a wonderful job, and by the way, taking it at face value,
giving you the traditional Cambyses story.
And it's a litany of horrors, but it's fascinating as heck.
I mean, if you're Herodotus, and we've described the ancient Greek historian
as an ancient screenwriter or script runner.
If you're Herodotus, don't you want a nice half-mad Persian king to play around with?
Because think about the possibilities inherent in that, right?
Here's the way Will Durant describes this in 1935.
Again, taking the entire story at face value,
but essentially giving you the story as it was understood
and believed to have happened for thousands of years.
He writes starting to talk about Cyrus, Cambyses' father,
and contrasting and comparing them.
He says, quote,
One great defect had sullied his character, meaning Cyrus' character.
Occasional and incalculable cruelty.
It was inherited, unmixed with Cyrus' generosity, by his half-mad son.
Cambyses began by putting to death his brother and rival.
He means Bardia, he says, Smeridus.
I told you the guy had a lot of names.
By putting to death his brother and rival Smeridus,
then, lured by the accumulated wealth of Egypt,
he set forth to extend the Persian Empire to the Nile.
He succeeded, but apparently at the cost of his sanity.
Memphis was captured easily,
but an army of 50,000 Persians sent to annex the oasis of Amun,
perished in the desert.
And the expedition to Carthage failed,
because the Phoenician crews of the Persian fleet
refused to attack a Phoenician colony.
Cambyses lost his head
and abandoned the wise clemency and tolerance of his father.
He publicly scoffed at the Egyptian religion
and plunged his dagger derisively into the bull,
revered by the Egyptians as the god Apis.
He exhumed mummies and pried into royal tombs,
regardless of ancient curses.
He profaned the temples and ordered their idols to be burnt.
He thought in this way to cure the Egyptians of superstition.
But when he was stricken with an illness,
apparently epileptic convulsions,
the Egyptians were certain that their gods had punished him,
and that the theology was now confirmed beyond dispute.
As if again to illustrate the inconveniences of monarchy,
Durand writes,
Cambyses, with a Napoleonic kick in the stomach,
killed his sister and wife, Roxana,
slew his son, Prosaspis, with an arrow,
buried twelve noble Persians alive,
condemned Crises to death,
repented, rejoiced to learn that the sentence had not been carried out,
and then punished the officers who delayed in executing it.
On his way back to Persia,
he learned that a usurper had seized the throne
and was being supported by widespread revolution.
From that moment he disappears from history.
Tradition has it that he killed himself.
End quote.
If you're the ancient screenwriter that is Herodotus,
you love this guy as a story element.
But is it true?
Trying to investigate, you know, what happened here
is like going into a crime scene and being an investigator.
I've often thought that history is like a crime scene.
And, you know, I am not a historian,
I'm an admirer from afar,
and I love those moments where historians are put into the,
sort of the Joe Friday, the Sergeant Joe Friday,
or the, as I said, Colombo mode,
and go into the game of clue and start investigating what happened.
And the guys from Durant's era and earlier,
they're sort of like old-timer investigators.
They go out there, they interview the witnesses,
and they try to figure out what happened,
and they give you the story as they understand it.
But they don't have modern-day techniques, right?
It's like investigating the Kennedy assassination,
you know, with techniques from the early 1960s
or being able to have it happen today
and investigate it with DNA evidence and modern-day ballistics
and, you know, in audio samples and cameras on every street corner.
I mean, the difference is, you know, astonishing.
And when modern-day historians go back and examine this case,
they break it down to the same sorts of things you would
if you were Sergeant Joe Friday going into the scene.
You'd start looking at the physical evidence, right?
The blood spatter and the fingerprints.
That's the archaeological stuff.
And you start comparing that to the stories you got
from the witnesses and the different people
around, you know, the neighborhood.
They're the, you know, written sources
and the stuff that's come down to us.
And you start compiling sort of a, you know,
a composite of what the person, the victim, was like.
And then maybe you send investigators down to the city hall
and you start looking at the paper trail
and see if there's any, you know, records on this person,
arrest records, real estate transactions, anything like that.
Those are the, you know, ancient sources
like the Babylonian tablets that they've found.
And you try to compile some sort of a semblance
of what happened based on, you know,
the total view of the evidence.
The story of the Cambyses is insane,
comes from some of the, you know, witnesses at the crime scene.
And they may have been giving you the information second-hand,
and it may have come from biased sources.
But if you're investigating, you know, this crime scene,
you'll start with just the facts,
as Sergeant Joe Friday might have said.
The facts of Cambyses, the second reign that you can say,
with certainty, is that he, you know,
ruled for about eight years from about 530 BCE
to about 522 BCE.
He was the king that first really gave the Persian Empire
a naval capability, and this may not sound like a big deal,
but really it made them the first of the powers
that were based in Mesopotamia and that area of the world
to have any sort of significant naval capability ever.
People like the Assyrians might have had the tribute
and the nominal allegiance of some of these coastal cities
on the Mediterranean may have even been able
to operate some coastal forces or forces in freshwater areas,
but the Persians become the first of these people
to have a fleet which is significant
on the Mediterranean naval world stage,
and it should be.
They take over the one that was probably the best
in the Mediterranean up until that time.
They start absorbing Phoenician cities
with the fabulous Phoenician navies,
and the way the Persians governed,
they didn't create their own navy
or they didn't take the Phoenicians
and make them as a base to start their own.
They simply went in there and sort of subcontracted it
and said, well, listen,
what you have to offer the Empire militarily speaking
is, you know, you already have a fleet,
so when we need a fleet, your fleet is our fleet
and you'll run it and you know what you're doing
and there'll be a bonus in it for you if you do well.
The Assyrians would have said something like you perform well
or else the Persians probably said something like,
you know, you perform well
and there'll be a little something extra
at the end of the year.
So Cambyses is the guy that does that,
and that makes a huge difference
in the story that's about to happen
because if the Persians don't have any naval power,
well, a lot of the things that, you know,
occur in the rest of their history can't.
For example, the other thing,
Cambyses is absolutely known for
and that's a physical fact
and that's that he's the king of kings
that takes over Egypt.
Something that requires, by the way, this navy
in order to do
and that completes the conquest of his father.
Remember his father, you know,
when he first started off conquering things,
there were four kind of superpowers in the world at that time
or their version of the world.
Cyrus conquered three of them.
His son conquered the remaining one.
And Egypt was a great state, pretty much always.
They were no pushover,
although not a lot is known about, you know,
the fighting and the battles
and all that sort of stuff.
There were some decent stories.
One of the more perverse that one of the ancient sources wrote,
you know, probably totally false,
but said that the Persians took advantage
of the ancient Egyptians' reverence for cats
and strapped cats to their shields
so that the Egyptian archers would be, you know,
unsure of how to react to that.
That would be exactly the kind of, you know,
image that a Herodotus-type character would love
to share with an audience.
That's a colorful anecdote, isn't it?
But Herodotus himself says he actually saw
bone fields in Egypt from some of these battles
and that would have been, you know, 75 years
after the fact or something.
So it would be very interesting.
It's not like Herodotus to lie about what he actually sees
or what he actually talks to somebody about seeing.
Herodotus tells a story from the fighting
that says that the Persians at one point,
and this would be very like them, by the way,
because didn't we talk about in the last program
that they essentially did this with the Greeks
and with other peoples?
They sent envoys to the Egyptian defenders at one point,
probably trying to offer them a typical Persian deal, you know.
You give up this fight, we'll all benefit, blah, blah, blah.
It'll be great, you know.
And it must have been a sizable delegation
because Herodotus says that the Egyptians
seized the delegation and tore them limb from limb.
And pretty much at any time in history,
just about anywhere you go,
envoys and ambassadors and whatnot are untouchable.
I mean, there are usually very strong reasons
to not abuse the envoys of another country
and the Persians are no example.
And as we said in the last episode,
the Persians are very lenient empire,
sort of graded on a curve,
but they could be just as nasty as their predecessors
in the region when they decided they wanted to send a message.
And the Persians were very good at knowing who to send it to.
Herodotus tells a story, who knows if it's true or not,
about what the Egyptian punishment was when they lost the war
and someone had to pay for the treatment of those envoys
who were so horribly abused.
Herodotus has Cambyses right after he captures Egypt,
summoning the Egyptian elite to the capital at Memphis
to watch a demonstration of what happens to people
who break the law.
And I keep trying to imagine what a scene like this is like.
It must have been, you know,
intense enough with an oral historian like Herodotus
talking about it to an audience.
I can't imagine what the big screen modern-day
blockbuster movie would be like.
But here's what Herodotus says,
and you try to imagine, you know,
what the sound of 2,000 parents
watching their children being executed is like.
Herodotus says, quote,
Nine days after Cambyses had taken control over Memphis,
he seated Semenotus, king of Egypt,
who had reigned six months and other Egyptians
in front of the entrance to the town as an insult,
and he tested the spirit of Semenotus in this way.
He had the daughter of the former king dressed like a slave
and sent out carrying a jug to get water,
along with other girls,
selected daughters of the most eminent men,
and all dressed in the same way as the daughter of Semenotus.
As the girls walked past their fathers,
they cried out and wept,
and all the other fathers seeing their children so degraded
answered their cries and wept with their own.
But Semenotus, after seeing and recognizing his daughter,
only bent down in silence to the ground.
Herodotus continues, quote,
After the girls had gone by with their water,
Cambyses sent out the son of Semenotus
with 2,000 other Egyptians the same age,
bound with ropes around their necks and bits in their mouths.
They were being led in this manner in order to pay the penalty
for the Egyptians' destruction of the middleenians
and their ship at Memphis,
and for the decision of the royal judges,
was that for each member of the ship's crew,
10 eminent Egyptians should be put to death in return.
Semenotus saw them passing by
and realized that his son was being led to his death.
But while the other Egyptians seated around him were crying
and openly expressing their anguish,
he behaved just as he had in the case of his daughter.
End quote.
I try to imagine that scene.
The parents watching their children put to death
and the slavery thing might not hit home until you think about,
you know, these girls were probably dressed extremely scantily.
These are formerly the noble women, you know, of the realm,
and they're dressed in a way that would be provocative to,
let's just say, the male population looking for slaves
for more than just menial labor.
We tend to forget that element of slavery over time,
but it's undoubtable that sex was an integral part
of the attraction of having someone
that you owned available at any time.
And if you're the parent watching your daughter in that situation,
the anguish and then to watch your son being executed in front of you
and then seeing, you know, the other people in your situation
are right next to you in this crowd seeing that,
I mean, what's that sound like?
What is this allegation true?
There you begin to ask questions
that are part of investigating, you know, the crime scene.
I'll tell you this, if it was true,
it's not hard to imagine that Cambyses
might have made a few enemies in Egyptian society
and might not have the greatest reputation in Egypt,
because this is where you can start the investigative process.
Herodotus is very open about where he was getting his information
about these events, which happened about 75 years before,
you know, he's writing.
He says he got information from Persians and Egyptians.
Well, the Egyptians might not have been too happy
with Cambyses to begin with,
and by the time Herodotus is talking to them,
they're having problems with Persia
and they're very happy and they've had some revolts,
and there's every reason to believe
that Herodotus' Egyptian sources that he used
were particularly anti-Persian
and particularly anti-Cambyses.
And the Persian sources were too,
which is a much harder question to answer.
You know, why is the son of Cyrus
not more highly thought of amongst his own people?
There's a lot of allegations against Cambyses.
And we'll use the legal terms, right, alleged,
as though the lawyer is piling up
the historical charges against him.
He's alleged to have, you know,
killed the children of those prominent Egyptians.
He's alleged to have lost an entire 40
or 50,000-man army in the desert
on the way to conquer an oasis,
and supposedly a sandstorm blows up,
buries the whole army, and they're still there.
Most historians and articles I've read
do not believe they're still there,
but it's an intriguing enough thing
to capture the hearts of archaeologists
about every 10 or so years
who set out for expeditions
or start talking about the, you know,
likelihood of finding the lost army of Cambyses.
Then supposedly, in his rage and haste,
he's supposed to have attacked the people
to the south of Egypt.
The vile Kush the Egyptians called them once upon a time.
The black African Egyptians, you know, if you will.
When people think of, you know,
dark sub-Saharan African pharaohs,
they're thinking of the Kushites,
and the Kushites dominated Egypt for, you know,
the time period, for example, around the Assyrian time period,
where you literally had black pharaohs,
and the culture of this area down south of Egypt
was Egyptian also.
You know, the ancient sources say that Cambyses
didn't prepare for this, and as generals told them,
they had to have supplies, and he didn't care,
and the army starts starving in the field.
And they draw lots, the ancient sources say,
and you pick a lot, and the guy who gets the short end
of the straw, one out of 10 of the Persian soldiers,
has to sacrifice themselves for the army
and into the pot they go.
And then the same sources say that Cambyses,
you know, bringing his cannibalistic,
decimated army back up to Egypt,
gets there and sees the Egyptians celebrating.
And so Cambyses assumes that the celebration is
a celebration of his misfortune,
and he starts getting crazy and killing priests
and interrogating them, and then he does the thing
that is the most sacrilegious in the tradition,
and he picks up a dagger and he stabs the apus bull.
If that's true, there's very little that would have upset
the Egyptians more than that.
The apus bull is a sacred Egyptian symbol.
They are venerated, treated with a huge amount of care
and respect, and so for Cambyses to deliberately
injure or hurt it would have been a huge
religious transgression and shocking to the people
of Egypt.
And once upon a time, the early investigators
of this historical crime scene accepted
that Cambyses killed the apus bull,
and a lot of other things followed from that.
Not hard to see that he's got bad press
and his portrait is insane.
Herodotus straight up says he is,
and the killing of the apus bull is one of the
best pieces of evidence that proves it,
but the modern-day investigators, the Columbos,
the Joe Fridays, have more tools at their disposal
and more information at hand than the early investigators did.
They might have had to rely on, you know,
witness testimony back in the day of Will Durant
in 1935, but by about the 1960s and 1970s,
the records were becoming available,
and modern-day historians could look at the equivalent
of fingerprints and the blood spatter evidence,
and they found out through Egyptian records
that that apus bull didn't die because it was killed.
Not only did it die a normal death and was interred
with the other apus bulls from previous times,
but the Persian king of kings, Camp Isis,
as Pharaoh conducted all the normal sorts
of religious rites and sacraments
you would have expected a native-born Pharaoh to do.
He behaved exactly as you would have expected him to
if he was keeping a continuous policy,
you know, the sort his father used to employ of tolerance,
and having the Persian king assume the legitimate mantle
of the religious beliefs in the governments
of all these countries and fit in perfectly.
This is part of what began to make modern-day historians
suspicious of the official story.
So who was propagating the official story?
Is this all based on, you know,
Greek writers like Herodotus,
who had all sorts of undercurrents
of other things he was writing about,
including, you know, the idea of the growth
of Persian decadence and how, you know,
from the greatness of Cyrus,
he was already beginning to fall one son into it,
who's drinking himself to death,
spending too much time in the harem
and losing his mind, and it's all downhill from there,
to themes of oriental weakness and decadence
and indulgence that have continued
up until the present day.
So you take everything he says with a grain of salt,
but there's an influential Persian
that sort of takes a swipe at Camp Isis
and adds fuel to the conspiracy fire
when he says Camp Isis killed his brother
and kept it a secret.
Quote,
Camp Isis had a brother, Bardia by name,
of the same mother and the same father as Camp Isis.
Afterwards, Camp Isis killed Bardia.
When Camp Isis had killed Bardia,
it did not become known to the people
that Bardia had been killed.
End quote.
Those ancient allegations are more than 2,500 years old.
They were carved into the rock face
of a sacred mountainside,
along which the old heavily traveled royal road used to run.
I've always thought of it as kind of one of the most
successful examples of a roadside billboard ad ever,
although I don't think it was very easy to see from the road.
They put a garden around it and stuff,
maybe more like a rest stop,
and it contained a carving showing a scene
involving human figures,
and then in three different languages and narration.
The narration is the story
of how one of the greatest kings
in the Achaemenid Persian Empire,
probably number two on most people's top ten list,
behind Cyrus the Great,
hard to knock the founder of the empire
off the top job usually,
but this other guy named Darius,
or Darius the Great,
I use both pronunciations interchangeably,
that I apologize.
I'm hopeless sometimes.
Nonetheless, this is the story
of how he gets the job of King of Kings,
as told by Darius the Great himself.
It's an autobiography of sorts,
but for that reason, it's a little self-serving.
This is a guy who, by the way,
would seem to have every quality you want
in a perspective great King of Kings,
except for one thing, legitimacy.
And this story that he tells on the mountainside,
amongst other places,
seems to be a quest to explain to you, the reader,
why he should have and deserves the top job,
including the normal sorts of qualifications
that the God wants him to have it.
Ahura Mazda being the God,
and this is a sort of a change in emphasis
in religion for the Persian Empire,
which is too complicated for me to understand,
but fascinating.
Says Ahura Mazda is behind him
and gives him all these great gifts
and makes him the king
and wants him to have the job.
Goes into his lineage and all the blue blood
that's in his veins.
These are standard justifications anyone would expect.
But then his story veers into the weird.
The weird and wonderful and conspiratorial and fantastic.
What's funny about this is this is the official story,
and the official story is twisted.
Darius the Great is an interesting person
to get this information from,
because Darius the Great in our historical crime scene
is like Colonel Mustard in the Game of Clue.
He's a potential suspect,
because somehow this guy,
who is not directly connected to the royal line,
will end up in the top job.
How does that happen?
Well, it's an interesting story,
and Darius the Great carves it alongside a mountain
to explain it to you,
and it starts off with Cambyses killing his brother
and keeping it a secret.
And the reason this is important
is because apparently Cambyses had no heirs.
So what happens if the son of Cyrus,
the king of kings were to die?
Who's the only other person,
logically, that you give that job to?
Well, the other son of Cyrus, right?
Bardia.
It's an escalation prize of empire.
You've heard the line,
Cyrus's sons were the heir, Cambyses,
and the spare.
Bardia, if something happens to Cambyses,
you turn to the spare, don't you?
So how does Darius have the job?
Why didn't the spare get the job?
Well, funny you should ask,
Cambyses killed the spare,
and then he didn't tell anybody about it,
and then he led the army to conquer Egypt,
and Darius the Great,
and the spare, which is an official position.
Think of like a person on the general staff,
or something, I think he was like 28 years old.
Part of that increasingly nasty
veteran Persian army that conquers Egypt.
And according to Darius, while they're away,
or while they're on their way home,
one or the other, they get the word
that the throne has been seized by a usurper.
A usurper claiming to be Bardia.
But according to Darius, Bardia was dead.
The problem, of course, is by not telling anyone,
as he says Cambyses didn't,
the people didn't know that Bardia wasn't alive anymore.
Darius says that the name of the imposter on the throne
was Galmata, or Galmata,
and he identifies him as a magus.
One of the magi.
Our modern word magician is related to that.
And I didn't realize this until Tom Holland,
the historian pointed it out in his book Persian Fire.
But there may be a connection to the fact
that this is a really sort of hard to believe story.
But now it has someone who could be considered
to have potential supernatural powers involved,
which explains away all kinds of story holes, doesn't it?
When you have a problem, you just say,
listen, the guy's a magus.
You don't know what those people can do.
Oh yeah, that explains it.
But after this Galmatas, he's as the throne,
the empire starts to come over to him.
Darius admits on his rock carving
that the people began to go over to this false Bardia.
Bardia seemed to be popular, by the way, too.
I compare it to the line that's well known among football fans,
that the backup quarterback is the most popular player
on the team, because you can invest all your hopes in that.
You don't know how that person would play.
But you know you're not so happy with the starting quarterback.
Camp Baisey's is the starting quarterback.
And there were a lot of historians thinking
that there were policies that Camp Baisey's was a part of,
for example, cutting down the amount of money
to the Egyptian priesthood, eliminating or reducing
the power of clan leaders and local nobles
so that they could consolidate it in the central government.
All these sorts of things, tax policy,
he may not have been too popular with a lot of people,
whereas this Bardia guy, well, you know,
he's the backup quarterback.
I think he'd play better if you just gave him the job.
So Darius says he was getting a lot of support.
It was becoming a big problem.
And he's with Camp Baisey's at the time.
Herodotus tells this wonderful story,
again, another movie scene,
where he has the representative from the new king
showing up, you know, in front of the army
and Camp Baisey's while they're out in the field
and proclaiming in front of the army
that there's a new king on the throne
and that they should no longer, you know,
heed the orders of the very king who's with them,
you know, visible.
Those are great stories.
And then somehow in this story in 522 BCE,
Camp Baisey's dies.
And a bunch of historians will say, you know, suspiciously,
it's suspicious that we don't know what happened to Camp Baisey's.
According to Darius on his rock carving,
he says he died his own death.
For a while, that was also translated as by his own hand,
which made us all think of suicide a while back,
but more modern historians have pointed out
that that's probably not the right translation
and that even if you use the way the Greek writers say he died,
you could interpret that as by his own hand
and not have it be a suicide question.
For example, Herodotus says,
Camp Baisey's will die after he jumps on his horse
and stabs himself with his sword
because the tip of the scabbard had come off
and that the leg wound will get infected
and he will die several days later.
And by the way, because Herodotus has to tie this story up
in a wonderful bow, he says he stabs himself
right at the spot on his thigh
where he stabbed the apus bull in Egypt.
So he, once again, karma.
Herodotus is a big karma guy,
a lot of the ancient writers aren't, they just don't call it that,
but you get your just desserts, right?
In another Greek author's tale,
which is strangely similar in its own way,
he says Camp Baisey's was whittling a piece of wood with his sword
and he slipped and he cut himself on the thigh,
and same thing, infected, dies a few days later.
So he died by his own hand, but that's not suicidal.
Nonetheless, no one knows how he died
and there's a decent number, maybe I'd say
20% of the historians you read,
think that the guy probably was a victim of assassination
by his underlings, one of whom was Darius the Great
and suspiciously the one who becomes the next big king.
If you're at the historical crime scene,
this Darius the Great guy is the one who's going to get
all the stuff of the murder victim.
He's Colonel Mustard, he's a potential suspect here
and so his whole story has to be taken with a grain of salt
because of what happens next.
According to Darius, after Camp Baisey's dies,
he organizes what maybe you could call a hit team
or an assassination squad, an oligarchic hit team.
And he will set out to kill this person
who is impersonating the dead brother of Camp Baisey's, right?
Because if you believe Darius's official story,
when he and his six assassination cohorts go out to do this deed,
both of the sons of Cyrus are dead.
Now the story, as told by Darius on the mountainside
at Bihistan or Bizzatun, that's what the inscription's called,
is in its own way dramatic enough,
although it's pretty bare bones,
once Herodotus the screenwriter slash historian gets his hands on it,
it becomes this wonderful tale, fully modern
and probably the precursor to several repetitive movie themes
we've all seen a hundred times,
but if that's the case, Herodotus is the guy who started this.
In his hands, this assassination move is like a force 10
from Navarone type movie,
where you have the assassins or the commandos,
but they're working for the good guys
and they'll go to this heavily armed Nazi island
to take out the head of the Gestapo
or something through all these guards with lots of explosions
and all these things.
That's a little like what the story sounds like.
Herodotus says that Darius and his compatriots go to a fortress
where the false king, the Magus, is staying
and that they get past the guards
because of their lofty status in the regime, right?
These are the pillars of the regime, the aristocracy.
This is the oligarchy walking in.
Surely they're nothing to stop at the gates in fear.
That's the way Herodotus portrays the story.
So the force 10 from Navarone group
get past the first level of defense.
Then Herodotus has them encountering royal eunuchs
in the courtyard, these royal messengers, he says.
The Persians, like a lot of the regimes in that era,
had a lot of eunuchs and there's a lot of debate
over whether or not they were sort of really castrated males
taken as young boys to provide a governmental class
for the Persians or whether castration
had actually sort of become symbolic by that point
and it was more of a title.
It's hard to know.
Probably the former though.
I tend to believe the weirdness when I can.
And these eunuchs recognized that these seven aristocratic
nobles are there for no good and challenged them
and then a knife fighting shoes
making a lot of noise in the courtyard.
And again, when you're reading Herodotus at a moment like this,
try to remember that a lot of historians
think he was performing this live for an audience.
And if that's the case, this is a Herodotan action scene.
And so all that's missing really are the explosions
and the Lucas sound and the big score and the popcorn.
And you can hear the courtyard sound effects
as there's a lot of noise and Herodotus basically says
that the Magi, and he's got two of them
because why only have one supervillain in a story
when you can double up?
So instead of just having the Joker in this movie,
he's got, you know, the Riddler II, two of the Magi.
And they look down in the courtyard,
they can hear the commotion, so they arm themselves.
And then after the Force X from Navarone Commandos
get rid of the eunuchs, you know, they're running towards
the stairs and you can hear, just imagine the music, right?
I mean, this is a scene we've all seen, right?
They run up there and there's a swashbuckling fight
with the two Magi and the Force X from Navarone Commando guys.
One guy gets stabbed, people are wrestling.
And then again, in a scene we've seen a million times,
the one principal magis, the one who is the false Bardia,
the one who's been sitting on the throne dressed as the king,
takes off and breaks up out of the room
to be followed by a guy named Gabraeus
and the soon-to-be-down-the-road king of kings, Darius.
They take off, you know, after the one guy,
down the hallway, through the door, into the darkened room.
I mean, imagine the music and the tension.
Go for your popcorn here, right?
And then Gabraeus and the false king are wrestling in the dark room
and Darius is sitting there with his sword,
but he's afraid to stab because he's afraid of hitting his friend.
And Gabraeus says to him, Herodotus says,
why are you hesitating?
He goes, I don't want to hit you.
And he says, stab us both, are you crazy?
So he runs him through, but only gets the bad guy.
Darius in his rock carving is a little bit more bare bones
than Herodotus is about what happened
after pointing out that the fake king had led
a reign of terror in Persia because he was wiping out
anyone that could recognize that he was a faker,
anyone who knew what the real bardia looked like
he was getting rid of so he could consolidate his position
and not be called out of fraud.
So after explaining that the reign of terror was going on,
Darius says on his mountainside, quote,
no one dared say anything about Gaumata the Magus until I came.
Afterwards, I prayed to Ahura Mazda,
Ahura Mazda brought me aid.
In the month of Baga Yadish, ten days had passed
and then I with a few men slew Gaumata the Magus
and the men who were his foremost followers.
A fortress, Sica Yavatish by name
and a district, Nassia by name in Medea,
there I slew him.
I took the kingship from him.
By the favor of Ahura Mazda, I became king.
Ahura Mazda bestowed the kingship upon me, end quote.
Several historians have said in this entire account
it does look a little bit like Darius' doth protest too much, doesn't it?
The story of how he goes from simply being one of the assassins
to the one that actually gets the top job involves a horse
and it's not very good to talk about at breakfast
and it's a weird story and it makes no sense at all
and there's no way anybody ever got picked to be a king that way.
So it all becomes a little bit weird
how Darius ends up at the throne
and no wonder he feels a need to explain it.
Here's the problem he faces.
If you don't believe that Cambyses killed his brother,
look at how this entire story changes.
If you're the crime scene investigator
and you approach it from that way,
well as historian Pierre Brion says,
the entire structure collapses like a house of cards
because if Cambyses didn't kill his brother, Bardia,
what happened to Bardia?
And this is where we get back to the game of clue
where you're examining possibilities, scenarios, motives, things like that.
I mean, for example, scenario number one
is that maybe Bardia led a rebellion.
The very thing that Cyrus the Great was so worried about
when he divided his empire and worried so much about
giving Bardia the consolation prize to empire
and avoiding that terrible thing that happened so often in the ancient world
well, maybe it happened anyway.
There are hints that the brothers may not have gotten along so well.
Bardia seemed to be very popular,
had that backup quarterback thing going for him.
Maybe he led a rebellion,
in which case if Cambyses did kill him,
that wouldn't have been some slam on his historical reputation.
It would have been a pretty standard thing for a ruler to do
and probably justifiable.
I think by leaving out the specifics of Cambyses' motive,
Darius sort of slanders him for all eternity
by letting your imagination or Herodotus' imagination fill in the blanks.
Why did Cambyses kill his brother?
Because he's insane, you know what I mean?
Nonetheless, the idea that Bardia may have led a rebellion
with local elites and people trying to preserve their power
or pushing a different approach for the empire,
all of that's very possible, in which case Bardia may have died
as a usurper, you know, killed by Cambyses.
Another possibility has to do with, you know, a question of timing.
When this Bardia character took the throne, right?
If he took the throne when Darius says he took the throne,
when Cambyses is still alive and well,
well then that's a usurpation, right?
He's a rebel, basically.
But what if he takes it after Cambyses had died
and who knows how that happened,
so we're whittling wood, we cut ourselves,
we die ten days later from gangrene?
Who does the empire go to?
Well, if Cambyses really had no heirs,
the way the ancient authors said,
the empire should go to Bardia, shouldn't it?
And things get really strange when you start asking the question about,
you know, if this was the real Bardia,
because if Bardia wasn't killed by Cambyses,
who is it that Darius and his hit team take out
when they go, you know, and kill the magis?
You know, the false Bardia, Gaumata?
Well, if it's not the false Bardia,
it's the real Bardia.
When I think of the various scenarios out there,
I think of our historical crime scene investigator,
you know, showing back up at headquarters
and telling their superior officer,
you know, the old gray-haired, cynical, veteran lieutenant,
the official story that they got from the crime scene
that this Darius character tells them,
yes, I stabbed this guy dressed as the king
who had a name tag on that said, I am Bardia,
the son of Cyrus, but he wasn't Bardia,
and I saved the nation by killing this imposter,
and the lieutenant, the grizzled veteran,
looking at them like they're out of their mind and going,
you don't really believe that crap to you.
Let me tell you what probably happened.
This Darius guy killed Cambyses, his king,
and then went and killed his brother,
the guy who should have been the next king,
and he was thrown for himself, case closed.
Well, that might have happened, too.
Historians just can't know, though,
there's not enough information.
It would tell you so much about what was going on
to know the facts, but it's like the ultimate cold case file
of all time, isn't it?
I like the way historian Mark Vandameru
kind of sums up the situation
and gives you the sense that it's suspicious,
but we don't know what happened,
and there's a lot of possibilities, he writes, quote,
The main source of information about events
is the description by the final victor, Darius,
who was not a legitimate successor to the throne.
His account was carved in three languages,
on a rock facade at Bayestun,
in a Zagros mountain valley connecting Babylonia and Iran.
It was also spread throughout the empire
in Aramaic translation on papyri,
and possibly Herodotus used one of these
as the basis for the story he told in his histories.
We have thus a severely biased description
by a usurper who justifies his actions in the text,
and it is not easy to determine what really happened, end quote.
But because it's so important,
all these historians who don't like to stray very far from the data,
but because there's so little data are forced to,
he gives you his best guess here, quote.
Cambyses' prolonged stay in Egypt
gave his brother Bardia a chance to claim kingship at home.
The latter abolished taxes and military levies
for three years in order to gain popular support.
Cambyses returned from Egypt,
but was probably assassinated,
either by Bardia or by Darius,
a high military commander who subsequently killed Bardia.
End quote.
There are other theories as well.
Heck, Risa Sargami in his book Discovering Cyrus
says we shouldn't be so quick to throw out the official story.
He's not specifically lining up with it, but he says,
listen, if you look at a certain number of facts,
history has been weirder than this.
Maybe there was a Gaomata.
Maybe he was impersonating the other son of Cyrus,
and maybe Cambyses had killed him.
And of course, the final possibility is that it's partly true
that Cambyses did go insane,
and that he did kill his brother,
and that he didn't tell anybody about that,
but that eventually, you know,
the oligarchy is confronted with a king of kings
who's not in his right mind.
You can't exactly impeach one of those.
So what's the logical alternative in a system,
you know, to do away with an absolute ruler
if the absolute ruler has lost his mind?
Maybe in this case, Darius and, you know,
the rest of the aristocracy was simply doing
the logical common sense thing in that situation.
Who knows?
To those historians who suggest that what we may have here
when Darius comes to power is some sort of an oligarchic coup,
he writes in the inscription on the side of the mountain, quote,
Darius the king says,
these are the men who at that time were there
when I slew Gaomata, the magus, who called himself Bardia.
At that time, these men cooperated as my followers,
and he goes on to name specifically, you know,
six co-conspirators, the other members of the assassination hit team,
one by one, and then he says, quote,
you who shall be king hereafter,
protect well the offspring of these men, end quote.
How many descendants over a hundred years, let's just say,
although the Persian Empire existed closer to 200,
how many people can be the offspring of those six original
conspiratorial force 10 from Navarone comrades?
The descendants of the assassins may have ended up being
like an oligarchy in the Persian Empire,
or maybe a better way to phrase it is like an oligarchy
on top of the already existing oligarchy.
Kremdela Krem, the descendants of the hit team members.
In Greek literature, they will usually be referred to as the seven,
and being one of the seven may have been the equivalent
of having your place in Persian society literally carved into stone
by one of the greatest kings the Persian Empire ever produced.
I've always seen the seven, you know,
Darius and his six co-conspirators,
a little like the initial investors in a assassination-related
startup company, in this case a startup company devoted to
assassinating a ruler and taking the throne over.
And if that's the case, and it really did put those people
into a permanent different class, well,
that's a heck of a long-term dividend return that paid off
until basically the end of the Empire, not a bad deal.
Historian Pierre Breonde is one of some of the newer ones
who question the entire idea behind this special class, by the way.
Some of the newer historians suggest that these six Persians
that were the co-conspirators, that that number
might have been chosen for religious reasons,
that they maybe weren't six or more than six or less than six.
Also, that it just so happens that these people
may simply represent the powerful, you know,
noble clans of Persia anyway.
So the people that already were kind of the oligarchy in Persia
just get their status reaffirmed.
Doesn't matter which one of these scenarios, though,
that explains, you know, this weird period
between the end of Cambyses's reign
and the beginning of a reign of a guy
who doesn't seem to have any connection to the royal family,
Darius, doesn't matter which one of those scenarios are true.
And by the way, we only scratched the surface on the many
that are out there.
They're all pretty darn wild and woolly.
All of them would make a good film.
Personally, I think the best one is, you know,
this events version of, like, the Warren Commission report,
the official narrative of Darius makes the best movie,
if you ask me.
Get Herodotus to do the screenplay.
Oliver Stone to direct it.
Make sure there's some Lucas sound. I'm in.
It's stuff like this that make this maybe the best
two-day task slash assassination slash regime change
conspiracy story out there.
I mean, it's fantastic.
Doesn't matter which one of them turns out to be true, though.
By 521 BCE, the end result is this guy, Darius, is on the throne.
And he's got, maybe you could say, a legitimacy deficit.
Maybe the only thing he's lacking.
And it causes him problems right away.
He's very open about this in this autobiographical account,
you know, carved into the mountainside.
He lists all the places that rebel against his rule.
He has to fight.
He says 19 battles in a year and a half to three years
to quell all of the uprisings.
And these places in Persia that are rebelling are some of its
most important provinces, large places, right?
Egypt, for example.
And they're not rebelling so that they can band together
and support some sort of rival claimant to the throne
because historians think there might have been a bunch of people
in the empire that thought they had as much of a connection
to the throne as this Darius guy.
It looks instead like they're all kind of going rogue at the same time.
Like they want their independence back.
They all seem to have kings that sprout from nowhere
that are claiming royal descent from the last independent line
and all these places had, right?
And in the same way that Darius on the mountainside inscription
says that Gaumata lied about being Bardia.
Remember, the Persians have this thing about lying.
Basically number one on their cultural naughty list at this point.
And so when he says they lied, that's pretty bad.
But then he goes on to say that all of these kings in all of these
provinces that have rebelled that are claiming descent
from the old royal family that used to exist there
before the Persians showed up, they're all lying.
Historians refer to all these kings as the Liar Kings.
Darius would have to go from place to place to place
fighting battle after battle after battle.
He would send his generals to go fight some of these battles too.
Had to conquer Babylon more than once.
You'll love this.
One of the Liar Kings that pops up also claims to be Bardia.
So this would be the second Bardia that shows up on the scene.
This is the zombie now, other son of Cyrus, that cannot be killed.
And I love the way, by the way, Darius on the mountainside inscription
gives the orders to his forces to go quell these rebellions.
He says the same thing every time, which probably means it's
ritualized and somewhat, but it's still wonderful,
you know, old school, ancient stuff, terminology.
He says, quote,
go forth and defeat the rebellious army, which will not call itself mine.
End quote.
And then as he captures these, you know, rebel leaders,
the ones who tie themselves to the old, you know, royal family
from long ago, he treats them all pretty darn badly.
Sometimes they only show up in pieces.
The Elamites, when they find out he's basically on the way,
they kill their own independent king themselves
and send body parts to Darius.
That's sort of like saying, oh, we're sorry.
But when he gets his hands on the whole liar king one at a time,
he treats them like this.
This involves one that rebelled in Medea named Freyortes,
which is a Greek version of a name that's famous in Medea in history.
So rooted in the old royal family.
And then Darius got his hands on him.
He writes on the business and inscription on the mountainside quote.
Darius the king says, afterwards Freyortes fled with a few horsemen.
There is a district in Medea, Raga by name, and there he went.
After that I sent an army in pursuit.
Freyortes was seized and led to me.
I cut off his nose, ears, and tongue, and I put out one of his eyes.
At my gate he was kept bound, and all the people looked at him.
After that I impaled him at Ekbatina.
And in the fortress at Ekbatina I hanged the men who were his foremost followers.
I executed his nobles, a total of 47.
I hung their heads inside Ekbatina from the battlements of the fortress.
End quote.
Now we said the Persians were more tolerant than a lot of the earlier empires in the region,
but that's graded on a curve.
This is still the ancient period where the sorts of treatments
of prisoners and captives and people on the other side of justice, for example,
more resembles the stuff that the very worst of the terrorists in our world today do.
That's often part of the legal codes of these early societies.
You know, I'm fascinated by the extremes of the human experience,
and when you go far back in time you see them everywhere.
I mean, I was reading, for example, the process by which impalement
as an execution is carried out in some places and sometimes.
I think in our heads we just think there's a sharpened stake sticking out of the ground.
You throw the victim up, they land on the stake, impalement done, no must, no fuss.
Well, basically.
But instead I'm reading about, you know, a whole thing where they use a razor blade in advance
and some of these places they would then put something on to stop the bleeding,
fix you up a little bit so it went the way they wanted,
greasing the stake.
I mean, things that just doesn't make any sense to the modern mind,
and you think about the people who did this,
and you think that they almost sound like a different species, don't they?
But they're not.
We could take a little newborn baby out of a modern hospital,
put him in a time machine, send him back to ancient Persia,
hand them off to a childless couple there and go back in 20 years
to check on how the modern kids doing being raised in the ancient world,
and they'll probably be able to explain to you the logical common sense,
moral rationale behind impaling people.
They might even explain to you that they enjoy watching it.
Times change, of course, but we human beings are an interesting species, aren't we?
Nonetheless, as horrifying as all that sounds,
when you grade the Persians on a curve,
they still come out as a rather lenient people by the standards of the place and time.
The way that Darius handles the many revolts and uprisings
and the need to placate whole areas and put in new structures
and to keep fires from breaking out again
is the foreshadowing of what's to come when it comes to the ability
of this figure, Darius, who will eventually be called the Great.
His gifts, though, are a little bit unusual for the kings of kings,
these heads of state, especially from the Persian tradition
where they're always thought to be like warriors, like Cyrus the Great,
these leaders on horseback continually pushing the empire at the head of their troops.
Darius is a little bit more like a, you know, white collar worker, like a desk job guy.
Herodotus says the Persians had a saying,
and they said that Cyrus was the father,
Cambyses the tyrant,
and Darius the shopkeeper.
Which, if you believe what people like Herodotus have written about the Persians,
and a lot of aristocratic peoples have felt this way over time,
they sort of disdained as rather, you know, lower class by their standards,
things like mercantilism, getting your hands dirty with money, business, commerce, anything like that.
Of course, in the modern United States and much of the world,
well, that's maybe the most, you know, highly thought of profession,
and in a way, shopkeeper, which sounds a little like a slam at Darius,
if you think about the size of the shop Darius was running, he was running Walmart.
We don't call those people shopkeepers, we call them CEOs,
and when you look at Darius, that's what he looks like, a modern CEO,
which does make you wonder, again, about how he gets the job,
because he seems so suited to it,
you can't help but think he's some sort of process of natural selection,
you know, as part of his cast, I mean, we were only choosing from the aristocracy,
but that's a heck of a bigger talent pool than trying to choose from two sons of Cyrus.
Isn't that always the problem with monarchy, right?
Such a small talent pool to pick from.
In some countries, you have to pick the oldest son, and then there's no chance at all,
that's just a roll of the dice.
Darius may have been the most capable amongst, you know, the nobility of Persia,
because he seems exactly what the Empire needs at this time.
He is overly concerned with money as sort of the stereotype,
but he thinks about profit and loss, and he's an administrator,
and a person who organizes, today we would think of him as a consultant,
who comes in and streamlines operations.
I mean, he's credited, for example, with starting the satraps and the satraps,
which probably isn't true, he probably didn't start it,
but he certainly reorganized the Empire in a sort of a lasting way.
He would handle things sometimes in a very cutthroat manner,
in a very innovative manner, and in other ways, in a very deft manner,
weighing his options, you know, clever is what they would say about him,
and some of the histories I've read when they wanted to be nice,
but that could swing over into conniving, you know,
when the pendulum moved too far in a different direction.
You think about a guy like Steve Jobs, maybe, or some of those CEOs,
not the ones who just go collect a paycheck,
or the ones who get paid $123 million, and the stock's cut in half since I've been here.
You think about the people who really, you know, have something to them when you go,
okay, I mean, I like this guy, or I may love this guy,
but you can see that there's some genius there,
and sometimes the genius is in things that maybe seem kind of mundane, you know?
I mean, it's one thing to see an artistic or performance genius,
it's another thing to see an administrative one.
But when they're working their wonder sometimes, the benefits are incredible,
and when you look at Darius and how he took the Persian Empire,
essentially you could call it a startup company at the beginning.
This is when it goes public, and Darius is when it gets its first really high-level CEO
who takes it to the next level.
There's a lot that has to be done to make that happen,
and a lot of people in the empire might not have liked it very much,
which is another reason you have, you know, 19 battles you have to fight sometimes
to quell all the fires that are springing up.
But the difference between the empire when this guy takes over
and how he leaves it is profound.
There's a reason a guy comes out of nowhere in terms of his royal lineage,
ends up probably number two on the greatest Achaemenid Persian kings of all time.
He's a highly energetic, highly competent, long-ruling figure
who becomes important in the story as far as Westerners have been concerned for more than 2,000 years
because he is the one that starts mixing it up with the Greeks.
And supposedly, when I was growing up, Western civilization considered the Greeks the home team.
This story is kind of a chance to highlight things from the visiting team's point of view
in the battle for Western civilization.
Of course, as we pointed out earlier, that's pretty hard to do
when you were working mostly with the equivalent of the home team's newspapers.
And the way we've structured this story is to just do every king in the Achaemenid empire,
one after another in order, as sort of the structure of this show.
But so far, we've been dealing with kings that are so important,
and the sources, especially the hometown newspapers and Western civilization,
so full of things involving them that we've been able to go into them in loving detail.
There will be whole kings that we will almost fast forward through.
And it isn't because they didn't do anything,
it's because if they didn't do anything to or with the Greeks, we don't know a lot about them.
And what you do have is mostly what archaeological evidence can show you and things like that.
So there will be kings that might have done a bunch of things very interesting
over off in India or up in modern-day Afghanistan or down in the area around southern Egypt today.
And I suppose if the Greek sources didn't write about it, sometimes we don't know about it,
in which case some of these kings are going to get short shrift indeed.
Cyrus, Cambyses, Darius, these are some of the heavyweights in the Achaemenid empire.
And like a lot of empires, their leadership is sort of front-loaded,
which is why it does so well for a while.
If you can tie competent or inspired leadership to, you know, the good fortunes of an empire,
at this point, the Persian empire is on the upswing and leadership is a large part of it.
And Darius is perhaps in terms of a total competency overall, maybe the best they ever had.
He concerns himself with the boring side of government, things like, you know, we would say today, monetary policy.
He's very famous, for example, for instituting maybe the first metal coinage in the region outside of Lydia,
which is famous for having started metal coinage, certainly in that region.
The gold coins will be called Derricks after him, Shekels will be the silver coin,
and the Persian gold and the wealth of the empire will become an absolutely hallmark element of it.
They're known for having a lot of money and they use it.
And of course, there's nothing new, right, in using bribes and money as a foreign policy tool and all that sort of stuff.
Nothing new about that, that goes back to time immemorial.
And, you know, during the period we're talking about here, maybe only the Chinese, though, are doing it on a comparable level
to what the Achaemenid Persian empire is doing.
And some of this plays into this CEO style of Darius too.
Things are purely weighed on a profit and loss sort of criteria, and if, you know, we can solve this military problem
without having to fight a war, let's do it that way, you know, that kind of an approach.
He's concerned, for example, I mean, you can tell he's concerned like all Persian kings with the status of the office
and protecting the authority and the reputation and all those kinds of things.
But you know, I mean, if there's something that comes up where we can talk about some sort of a deal,
I'm not, you know, totally closed-minded to it. There are empires that have come around that have much more of a machismo to them
where we don't, you know, deal, what do you mean deal? Do what I say or else?
Whereas the Persians are kind of perennially open for business, if you will.
I like, and let's be honest, there could be some ritualization to this,
but I like what Darius himself has carved on his, you know, he's buried on a mountainside eventually
and he will have a carving, sort of, you know, what he decided he wanted on his tomb.
And he emphasized sort of the, you know, thinking man's approach to running an empire.
On the tomb of Darius it says, quote,
I am not hot-tempered. What things develop in my anger I hold firmly under control by my thinking power.
I am firmly ruled over my own impulses. I have a strong body. As a soldier, I am a good soldier.
I see who will rebel and who will not. First I will think, then I will act.
End quote.
There's an ancient line that money is the sinew of war.
And the Persians were not dominant militarily at everything, and in the areas where they lacked something,
the ability to come up with a ton of cash as needed could compensate for a lot of those shortcomings.
And believe me, a guy like Darius understood that better than anyone.
Historian Pierre Briont runs down Darius' qualities a bit and then points out how, you know,
much of a change the period that he inaugurates in Persian history is.
He says in a chapter subheading entitled, A New Foundation for the Empire, quote,
The ways and means of Darius' accession to power, to the extent that we can reconstruct them,
a testimony to the new king's energy and decisiveness. Darius was undeniably an exceptional personality,
but he also proved to have organizational ability.
During the same time that he was reorganizing the entire tribute system,
other projects were carried out in various regions, construction of new capitals,
the conquest of Samos, expeditions from the Indus to the Nile.
In the year 518, he also commissioned the satrap, Ariandis, to gather Egyptian sages to collect the quote, end quote, Egyptian laws.
Other measures affecting Jerusalem were affected at the same time.
What is striking, he writes, is the care with which the king planned for the long term, end quote.
Then discussing the era that he inaugurates due to his energetic efforts to, you know,
create the support system long term for something, Breon writes quote.
Without in the least deprecating the work accomplished by his predecessors,
we may thus assert that the advent of Darius marks the foundation of a new dynastic and imperial order.
In this regard, the first years of his reign definitely represented a decisive period in Achaemenid history, end quote.
One of the revisions to the structure of things that Darius works out is the succession.
And he tries to create the conditions so that the way he came to power will never happen again.
One of the first things he did, this is a traditional thing, by the way, to do after a coup or a toppling of an old regime in the Middle East.
You want to marry into the previous royal family, because remember, this is all about sort of genetic blue blood.
Even if a king is a bad guy or the regime is overthrowable and it would be a good thing, doesn't mean you don't want that blue blood in your lineage.
It can go back to like, you know, pulling the sword out of the stone type legendary beginnings.
You want to have that in your bloodline.
So Darius takes care to marry two daughters of Cyrus the Great and his granddaughter.
Some of these the previous wives of Cambyses, by the way.
So in a way, I think of like the Ford Motor Corporation and Henry Ford, the big founder, maybe he's like Cyrus the Great.
And then, you know, Henry Ford's son takes over the company.
And then by hook or by crook, Colonel Mustard may intervene.
Who knows?
All of a sudden you have this guy who wasn't in the family tree, not the direct one anyway, maybe a second cousin or something.
And he's running the Ford company.
And then all of a sudden he marries, you know, the daughters and granddaughter of Henry Ford.
Maybe one of these was married to Henry Ford's son, who knows, but eventually, you know,
some guy from outside the direct line of the Ford family is running Ford Motor Company.
Here's the thing though, he may not be a member of the Ford family, but his kids will be.
So that's how you tie yourself back into the early royal line.
You may change a few statues and, you know, hide your tracks a little bit too in your building projects.
Historians are starting to think that they see more and more, that the entire lineage of Darius,
connecting him to the great Cyrus of old, may have been sort of forged in reverse,
reverse legitimacy as we called it earlier.
Once again, smart.
Darius becomes the king that expands Persian authority more to the east of the empire,
which is territory that because the Greeks didn't know much about, you don't hear much about.
You know that it happens though, because soon you'll have satraps in the east that are Indian, essentially.
What's now modern day Pakistan is the part of India that the Persians conquered one way or another.
And as far as the ancient Greeks were concerned, that was like the end of the known world.
They didn't know about anything maybe that existed past that.
That could be dragons, unicorns, or, you know, hostile barbarians as far as the eye could see.
Maybe the Persians knew, but they weren't telling Herodotus.
Darius will do some more conquests, you know, in northeastern Africa.
But this is kind of like, it's almost like the blob a little bit.
I mean, he just, the Persian empire goes from these amazing, you know, startup company type growth rates
to a steady, you know, healthy growth rate where the empire is expanding nicely.
Thank you very much, but not so fast that we can't incorporate everything nicely.
And absorb everything appears to be the inevitable long term outcome of things.
If you're looking at a map of this region, you know, in 515, 514, 513 BCE,
because the Persian empire looks like, you know, the 1950s horror movie blob,
slowly, you know, advancing in all directions and spreading out and just, you know,
naturally absorbing everything on the fringes.
And while there are certainly natural limitations an empire could run into,
might reach the limits of communication, for example, or run into climate
and environmental things you can't deal with.
I mean, I'm sure the Persian army in this period can defeat the Indian army in the interiors of India,
but can you deal with the jungles and the snakes and the weather and all that?
Ask Alexander in a couple of hundred years how much of an impediment that's going to be.
You know, can you deal with transportation questions?
And of course, revolts are always a threat, especially the larger you get.
But who's going to act as any kind of a military counter force to the great king
and the Persians as things stand, you know, around 515, 514 BCE?
Look at a map. Who's there?
There's no one to have World War III with.
The Chinese, they'd be a fun fantasy matchup,
but they're on the other side of the world in their own little civilizational bubble.
If at all aware of the Persians, simply probably through, you know, some traders
who actually make the long journey, but who knows?
So those armies aren't fighting.
So who is going to stop the blob from taking over literally everything
until they reach their natural limits?
Well, that's what makes this story so compelling.
That's what sets it up for the movie that Herodotus is going to give you
when he explains to you how, you know, this David will beat this Goliath,
how someone will stop the blob, and by the way, thereby save everyone.
Like so many other people who've been interested in the Persian army from this period,
I became interested in them because I was interested in the Greeks.
And the Persians are the uber adversary, the arch nemesis, right,
of the Greeks from the, you know, classical era.
And after a while, you know, you become a little curious about these people that,
you know, the classical authors mostly portray,
but, you know, you even get this up until the modern time as sort of zombies or orcs
who only are formidable because of their numbers,
but their numbers are so huge that they're massively formidable.
Millions of them, they drink rivers dry, there are so many of them.
And you become kind of curious about these people,
you know, once you get past these numbers after a while,
you get into it, the Persians become so fascinating
because they're the final installment of the ancient military system of the Near East,
the final development.
And that doesn't really mean the apex of its development
because it's possible that that happened during Assyrian times,
but the last of the armies fielded on principles that were developed in Sumeria
and nurtured by peoples like the Assyrians and the Babylonians before them
inheritors to a 2,500-year-old military tradition,
is what historian Nigel Tallis says.
And once you get rid of the very large numbers that the classical authors give you,
turning them into orcs, you realize how good they must have been at what they did.
I mean, if there weren't millions of them,
look how nasty the smaller numbers of them were.
Look what they did, look what they conquered.
If you believe the ancient authors and you're thinking,
well, of course they conquered all of them.
There were millions of them.
They swarmed over the defenders.
But if there weren't millions of them,
if there were roughly equal numbers,
then all of a sudden the fighting quality of these Persian armies,
which had always assumed to be relatively low,
gets increased, you know, by a lot.
And the quality begins to look like the kind of quality you would have to have
to win an empire like this and to hold it.
And we told you in the first part of this story,
when we were talking about Cyrus the Great,
and he was doing all these conquests with his army,
and we kept talking about his army,
but we couldn't really discuss what that army was like,
because they didn't really know.
It's a shame, too, because that's an army worth knowing about, right?
Look what that did.
But by the time of Darius the Great,
sort of the mists part a little bit,
and give you a look into the military organization
and the equipment and whatnot of the Achaemenid Persian Empire.
And by Darius, I don't know if you could say it's the height of military development,
but they're still fighting at a very high level.
They are a veteran army that fights a lot,
so they have a lot of actual practical real-world experience.
And the army is relatively unbeaten.
They have a setback here or there sometimes,
but by and large, you know, the places they want to conquer, they conquer.
Good luck, though, getting any agreement amongst modern-day historians
concerning exactly how they did this.
Because just because they've, you know,
done away with those crazy numbers from the ancient sources,
the two million men type things,
doesn't mean that they've figured out any better ones automatically
than everyone agrees upon.
The numbers that the Persian armies brought to the battlefield,
not the entire number available to the empire,
if they mustered everybody,
but these battles that are famous that involve the Persian army,
how many men were there?
Well, when you see that it ranges from a low of like 12 to 15,000 men,
and a high of like 250 or 300,000 men,
you begin to see what a huge difference, you know,
these different peoples have on how this army operated,
just to give you one example.
It's well known that a corps, you would call them maybe guards today,
existed in this army, 10 to 12,000 men strong.
You know, when you incorporate the extra super royal guards,
and that these troops were superior in general
to most of the other troops on the battlefield.
They were what you would call today regulars,
they may have been drilled, right, the best troops in the army.
If your army is 300,000 men,
and 10 to 12,000 of them are these guys,
well, you might not even be able to call them
the tip of the spear in an army that large,
they may just be the king's guard.
If on the other hand, these armies are closer to 25 or 30,000 men strong in reality,
well, then a guard of 10 to 12,000 regular drilled troops
is a third to half your entire army.
That's a huge difference, isn't it?
That's a much better army.
So right there, that would impact, you know,
the impression of how these armies did what they did.
I will say that as a fan of the Persian army,
it's been wonderful over the last 20, 25 years
to really see a more modern view of how the army fought
and was organized, crystallize, very exciting.
And this could change, by the way, down the road.
I mean, this is just the latest interpretation of the evidence.
It should also be pointed out that when I talk about the Persian army,
this is an empire that stretched over 200 years.
The army will change and evolve and become different,
you know, from the start of the empire to the end of the empire.
We are freeze-framing a moment in time here,
but it's a moment that, according to the Greek sources,
pretty much determined whether or not western civilization would continue,
so it's worth focusing on.
It's also worth focusing on because the majority of historians
for more than 2,000 years have pinpointed the reason
that history went the way it did down to a question of weapons systems
on the battlefield and how they interacted.
As strange as that sounds, I know, because we normally think of
the things that impact history as being either massive sort of forces,
like industrialization, mixing with colonization,
mixing with a newly unified and very nationalistic Germany,
looking for their place in the sun.
All those things together. Boom.
You have a history-changing moment, right?
Or maybe it's the extraordinary individual
who comes along at just the right time
and catches a few breaks here or there.
And boom, you have Genghis Khan or Julius Caesar,
Oliver Cromwell, or Tecumseh.
And most of the time, obviously, it's a combination of things, right?
The extraordinary individual showing up just at the time.
The colonization is going the way it's going
and Germany needs its place in the sun, right?
All those things working together. Boom. You have a historical moment.
But another one of those areas where history can turn
seems almost banal by comparison,
but it can come down to a simple question of weapons systems
on the battlefield.
And remember, in this area we're talking about,
the battlefield is like, you know, 2,500 yards long, maybe,
just on average.
And the decision point happens in a couple of hours
or an afternoon.
And it can be determined by something, you know,
if you go back to, well, the majority of historians,
even now probably, but certainly the way Herodotus saw it,
the question of something like,
whether or not you're armed with a spear or a bow,
or whether or not your weapon system includes a lot of body armor,
or doesn't.
And if you think that that's a little kooky,
well, if you think about one side having firearms
and the other side not,
you can see what a difference a weapon system differential
could make to an outcome of a battle.
And I don't have to convince you, do I,
when battles and wars turn out,
you know, have a huge impact on the way history goes,
right, imagine, if you lost the Second World War,
it's going to look a little different, isn't it?
So a great many historians,
for more than 2,000 years,
have boiled down to why things happen the way they happened
to a question of how armies interacted with each other,
Greek armies and Persian armies.
So you have to understand the Persian army
that's going to go into these conflicts with the Greeks
to understand what happened if those historians are right.
Another thing to understand is that the Persian army,
you know, to, to we ancient history war gamers,
and I know you're out there,
to us, this is the army you get when you like a lot of bow fire.
I mean, like machine gun level bow fire.
A buddy of mine once said that you could historically justify
giving every single person in the army during this time period
a bow if you want to.
But how many arrows does it take to blot out the sun
during his story of the last stand of the 300 Spartans?
Remember those Clint Eastwood types in bronze?
Herodotus tells a story of a local person
who goes up to one of the Spartans and says,
you know, that the Persian archers are so numerous
that when they shoot their arrows, they hide the sun.
And the famous one liner that comes back, you know,
the bravado from the shore to die Spartan
was something to the effect of,
that'll be great because then we can fight in the shade.
But it's indicative of what this Persian army was known for, archery.
And is it hyperbole to suggest that they could blot out the sun with it?
Don't you wish you had video of one of these ancient battles
to get some idea of what we're talking about here in the capabilities?
I've said many times that if I ever get that time machine,
I want to be, you know, transported into a hot air balloon
floating about 100 feet over one of these ancient battlefields
so I can see, you know, what's going on.
I'll answer 100 questions in about a minute and a half.
As soon as I can just visualize it, there's no video.
It'd be very gory and awful if there were,
but I'd look at it just to try to get a picture
of what we're talking about here.
We haven't done this in so long, nobody knows what it was like.
It's the same thing when I was studying western sword fighting techniques.
Nobody knows that either.
Everybody's trying to recreate how people did medieval sword fighting
with a long sword based on still two-dimensional images from books
because no one kept alive the art form,
say the way the Japanese did with their sword fighting techniques, right?
That's alive and well, but nobody knows for sure,
even with some pretty darn good recreations out there,
how western sword fighting did it.
You don't do something for a while, you don't have video of it,
yet you lose the ability to understand it totally.
Same thing with these ancient battles, right?
Oftentimes, these ancient authors that you would use as your best pieces of evidence
to explain and colorize what it all looked like,
leave out the most important parts of the story,
because to them, it's just known stuff, right?
I don't have to explain the most basic stuff.
To you, everybody understands what happens when, for example,
two blocks of human beings, you know, a thousand men strong,
run into each other during a charge, right?
Well, no, I don't know what happened there,
and neither do historians,
and if I was in my hot air balloon a hundred feet over the battlefield,
I would finally be able to answer the question,
do those blocks of human beings actually run into each other?
And go face to face, tooth to tooth,
toe to toe in a claustrophobic, horrible scrum,
you know, where people are so cramped together
they can hardly use their weapons,
and the people in the front row are being squished to death
by the people in the back
and pushed onto the spears of their adversaries.
Is that how it goes?
Or is it more like other historians have theorized,
where at the last second there's something inherent in human beings
where they won't throw themselves on the weapons of their enemies,
and they stop with a four or an eight foot gap
between the two blocks of human beings, a no man's land, if you will,
where they're stabbing and throwing stuff across the gap,
and champions are running out from each side
and challenging each other in the no man's land,
and other brave people are running across to the other side
and grabbing somebody out of the ranks
and pulling them back to their side.
Is that how it was?
There's other historians who split the difference
and say that the units run into each other for a second,
and then, you know, over the first minute and a half
or two minutes or whatever,
slowly pull back from each other,
creating that dead space in the middle.
But nobody knows.
Nobody knows if cavalry will charge infantry
or under what conditions.
I mean, there's just stuff that's still debated by the experts,
because how would we know?
You could do some mathematics, though,
if you're not terrible at math,
and I'm not that good,
but I was able to handle round numbers like this
to try to get an idea of certain capabilities.
One of the wonderful things about ancient warfare
is that even if you can't know what it was like,
you can understand that there are certain realities
to it, physical laws, if you will.
Let's call it the physics of the battlefield
in pre-gunpowder times
that are limited by, you know,
certain bedrock elements that don't change.
Human beings, for example,
horses, other flesh and blood creatures,
like camels and elephants that are often used in battles.
There's a limit to human endurance.
There's a limit to human morale.
There's a limit to muscle power.
And those sorts of, you know, constraints
were operating in the armies of the Pharaoh
in ancient Egypt,
all the way to the armies of Richard II,
the Lionheart, you know, in the Holy Land
during the Crusades.
There's something about, you know,
battle over the eras until gunpowder takes over,
where commanders from different eras
could have commanded armies from other eras
and not been too deep out of the water
for them to understand, you know,
what they were dealing with,
because certain elements didn't change.
When you're talking about the sorts of armies
that these great states threw against each other,
they generally included, you know,
close-order infantry as sort of the rock
around which you built your army.
The battle line, you would say, in some periods.
A good estimate for a traditional set-piece battle
with a Persian army might be a 2,500 or 3,000-yard
or meter front.
Think about, you know, 25 or 30 football fields long,
and a solid line of men across a ton of that space.
The battle line would generally make up maybe
if you wanted to just get it off the top of your head.
Estimates say 70 to 75% of each army's side
is made up of these phalanxes,
units of men packed shoulder to shoulder
next to each other,
and keeping that packed nature of things
staying together, and then multiple ranks behind them.
The rank depth changed,
and if you had four ranks behind you,
that's a pretty shallow formation.
In the Hellenistic period,
you'll get some Hellenistic phalanxes
that'll go 72 men deep.
The armies of this period near east
tended to be organized decimally.
So the smallest unit would be 10 men,
then up to 100, then 1,000.
We're told the Persians had 10,000 man units.
The tweak that the Persians are supposed to have made,
modern historians think, to the age-old formations
of the Assyrians and the Babylonians,
has to do with how many ranks of archers they have
versus how many ranks of spearmen.
Historian Nigel Talis is one of many who points out
the Assyrians thought, and the Babylonians copied them,
that you needed to have half of your units
ready for hand-to-hand combat,
and the other half could be armed with missile weapons.
And so what they would do is pack the front half of the unit
with the spearmen, and with a big spear, heavy,
big shield, a helmet if you could,
an armor if you could.
And so if you had a formation that was eight ranks deep,
the first four in the Assyrian army
would usually be the hand-to-hand combat guys,
or the archers, and the archers would shoot
over the head of the spearmen.
It creates a very flexible formation.
Any enemy that won't come to grips with you,
you can strike from a distance.
Any enemy you want to advance on and close with,
you can weaken before your spearmen
have to engage in hand-to-hand combat.
Anyone who just sits there, you can shoot for a while.
And anyone who comes at your unit,
you can kill on the way in,
making an easier job for your spearmen
when they finally get to you.
Historians think that the Persians
tweaked that formation by taking out
most of the ranks of close-order infantry,
the spearmen, and replacing them with archers,
often archers with little or no armor,
and no shields.
Most of these Persian units
are going to have a front rank of spear-armed,
shielded, often armored, but not always,
infantry that protect the archers behind them.
They have a shield that's made of wicker,
but that looks like a boogie board for you Americans,
almost a man-sized, tall, wicker plank.
Cut square.
And it looks like when all the front rank
decided to close together, those things
are going to fit together like a perfect wall.
So imagine, you know, 70 to 75%
of your 2,500 to 3,000-yard front
has a wall of wicker shields in front of it,
protecting, you know, your archers
from any missile fire back,
but your archers are shooting over the heads of those troops
and just blowing people away.
So I did some calculations.
Assuming loan numbers at every step.
Imagine a 50,000-man Persian army,
which would be a loan number, believe it or not.
Imagine that in that battle line
that the Persians have probably increased
the firepower over Assyrian versions
by, you know, 20 or 30% more.
Imagine that 20,000 archers are in that main battle line.
Each archer fires about five arrows a minute,
and their quivers carry 120,
but just for the sake of argument,
we'll say that they're not full,
and we'll give them all 100 arrows each.
That means that across that battle line,
where these troops who are sitting behind
the wall of wicker shields are shooting,
they're shooting 100,000 arrows a minute
from the main battle line,
you know, to a distance of about 200 yards
in front of the army.
Beyond that, they can shoot,
but effective range is 175 to 200 yards.
They can keep up this fire
for as long as their muscles will hold out,
or until their arrows run out,
which at that rate would be
after about 20 minutes of shooting,
and after 20 minutes of shooting,
they would have fired two million arrows.
Now, infantry with armor
might be able to withstand that,
but if you're on a horse in front of that crowd,
you're dead.
If you're driving a chariot, you're gone.
You don't get anywhere near the battle line, right?
You're blown away at a distance.
That's a great sort of military change
that they made over the Assyrians.
If you're fighting the kind of enemies
the Persians usually are,
they improved those Assyrian formations,
unless, of course, enemy hand-to-hand combat troops
finally get to you.
Here's the way historian Nigel Tallis talks about
this change that the Persians did
to tweak the traditional Assyrian formation.
It is likely that a battle array of this kind
would be highly effective
when facing the large mounted forces
known in the Near East,
since at least the 2nd millennium BC.
A horse is a large and vulnerable target for archery.
Well-equipped infantry is less vulnerable,
as the Persians were to discover.
It is probable that Achaemenid formations
followed the Elamite tradition
of maximizing the number of archers
in the infantry units,
unlike the Assyrians,
who seem to have maintained a 50-50 ratio
of archers to shielded spearmen.
End quote.
Now, it's tempting to think of all this
as minutiae, right?
Wargamer geek stuff.
But if the majority of historians
for more than 2 millennia are right,
this is the kind of minutiae that determines
why these battles we're about to talk about
go the way they do.
Now, whereas the majority of the Persians
in this time period are going to be
in that battle line we just talked about,
they're also going to have some cavalry,
and the Persians had great cavalry.
I've often thought of the Persian army
in this period as a more,
for lack of a better word,
barbarized version of the Assyrian army
at its height.
And I often compare it to like ancient Rome.
If you look at the Roman Empire at their height,
it's so tempting to see them almost
as like the Nazi Germany era,
where they're all marching in almost
lockstep, goose step formation
with intricate precision, immaculate drill.
You know, everybody's sleeping in the barracks,
everyone's professional in the whole thing.
And then I think of the Roman Empire,
you know, a couple hundred years later,
where the army's lost some of that spit and polish.
And instead of having everybody or the majority
of troops, you know, at the top being Roman,
you have, you know, some barbarians,
the Romans would call them tribal peoples,
more aristocratic.
I mean, Hans Del Brooke calls the Persians
from this period, the cavalry knights.
So imagine, you know, a more barbarized version
of the Roman Empire's army with Normans.
And maybe that's a little like what the Persians are.
I think the Persians could give the Assyrians
a run for their money, but there's not as much
spit and polish.
And there is more aristocratic tribal nobility,
but their cavalry can fight like hell.
And there's a lot of them.
They fight a little bit like the Skithians
and the Huns and the Mongols and those people.
They shoot you, you know, from a distance
in small units with bows.
Generally, it's thought that the big unit of cavalry
would go over to near where it wants to attack,
stay at a distance and then send out subunits,
you know, smaller squadrons, who would then go up
to where they want to attack, unleash all their
javelins and arrows until they're out,
ride back to the main body, and then another
smaller squadron comes and repeats the process
until the unit that they're firing at begins
to get all disorganized or their morale breaks,
or they become so weakened that they're, you know,
easy prey for the Persian infantry.
Once they've run out of their two million missiles
or however many it is to come and mop up,
and of course, once an army broke and started
to run away, all that Persian cavalry becomes
absolutely lethal.
They do nothing better cavalry than running down,
fleeing, routing troops.
Now, this cavalry was one of the most feared elements
of the Persian army, and it worked in conjunction
with the infantry. In fact, it's tempting to make
a case that the Persians might have rationalized
getting rid of all those close combat troops
and replacing them with archers by suggesting
that their overwhelming cavalry could make up
for the difference and that their battle system
required combining what the cavalry was probably
doing on the flanks with what the infantry was
doing in front and close cooperation would create
a lethal combined arms sort of approach when it
worked. The Persians also had those guard units
we talked about. They were called the immortals,
also called the attendants or the attendees,
probably armored, may have fought in a similar
way to the rest of the normal troops, but just
at a higher quality level. Also, the Persians
used mercenaries and hired them more and more,
by the way, as the empire went on. And lastly,
the empire could levy troops from its own empire,
which is what it did with the main forces.
The main forces are Persian and Median and
Illumitan and the troops from the center of
the empire, but they had all these provinces
stretching from modern-day Pakistan to
modern-day Libya up all the way to Afghanistan
and down all the way to, like, practically
Saudi Arabia. It's a huge territory and they
could levy troops from the entire thing.
And when you read your Herodotus, by the way,
he says that at least nominal units from all
those areas showed up. The Persians ruled
over, like, 80 different people. And Herodotus
runs down more than 40 of them, you know,
when he runs down the Persian army. So you
have all these people we just talked about,
but then you have all the exotic people from
the periphery of the Persian empire. And Herodotus
talks about the Indian troops that are in the
army. He talks about the troops from
Africa who will paint half their body white
and half their body red and tip their spears
with antelope horn, black troops from
modern-day Sudan. He'll talk about what he
calls the black Ethiopians from India,
which modern historians think are probably
Dravidians because they're dark, but they
have straight hair and horsehair helmets.
I mean, it's a wonderful exotic list and
historians think that part of what the Persians
were doing is showing the flag a little bit
to these people that they were fighting,
basically saying, look at the breadth and
scope of the people we can draw from.
This is how big our empire is that we encompass
all these groups and you're seeing just a small
number of them. Imagine how many are back
at home that we could call on if we needed
them. Historians are unsure how much those
troops played a role in a typical set piece
battle, but it just kind of shows the width
and breadth of the Persian king of kings
ability to call on troops, you know, as
needed. And sometimes because of their
specific skill, you know, I need this done,
I need to call up the Ethiopians. I mean,
for example, that's how the, you know,
Persians get the greatest navy in the world
like overnight. When they take over the
Phoenician cities that are on the coast,
they essentially, I would say,
subcontract, but there's no choice in the
deal. It's like, you know, the CEO,
Darius of Persia Corps announces the
acquisition of the Phoenician navy.
And now the Phoenician navy is a division
of Persia Corps, something like that.
But that's how they are with everything,
right? We take over the local institutions
and we let you do things your way as much
as possible. I mean, part of the fun of
running a Persian army in ancient war
gaming was that all these troops got to
fight in their own local style.
Again, that was sort of a subsidiary of
the Persians letting you do things your way.
They kind of go up to you according to the
way we used to think anyway and say,
listen, what does it you do well? Well,
we're very good at spear throwing. Okay,
why don't you do that for us? You'll be
just like the Phoenician navy. They're really
good at that.
According to historian J. F.
Lazenby, he lists the Persian armies real
strong points and they're all sort of
above the tactical level. He lists
intelligence as something they do
wonderfully. You know, reconnaissance
sending out diplomats and spies and
merchants who report back. I mean, they
usually know quite a bit about the
territories around them.
He cites diplomatic warfare as his
number two thing that he says the Persians
does have a huge advantage in.
They're always ready to make a deal, measure
the profit loss, you know, that kind of
thing. And if you weren't so willing to
make a deal, you know, when the Persian
army was a long way away, they send
diplomats with the army so that, you
know, they just check back with you to
make sure you're sure on that deal
decision, you know, when they have 30,
50, 100,000 men with them armed
heavily.
Lazenby says meticulous planning was
one of their strong suits. And, you
know, you would think that as inheritors
of tradition, the greatest record
keepers in the ancient world, right, the
Babylonians and Sumerians and all those
people, you'd think that you inherited
the ability to, you know, handle that
sort of thing. Well, keep your records,
keep your books and be organized.
But that actually played into
how far away from the homeland you could
move your armies. Because if you weren't
a meticulous planner, those armies
starve when they get a certain distance
away. Every army is constrained by
sort of a range of motion, you know, by
how you could supply it. And the sheer
fact that what we call the Greek and
Persian wars will happen in Greece
shows you, you know, how good
the Persian planning was.
They could project their power a long
way. And finally,
Lazenby says that they had an
engineering expertise that he says was
quote of a high order, end quote.
Basically, the Greeks
were, you know, blown away
by the Persian ability to bridge
rivers, to dig canals,
to knock down walls.
And this is really key when you think about it.
We've been comparing the Persian,
you know, approach and conquest of
territories and expansion to the blob. But
you could also think about it like really
slow, thick lava.
They just kind of, you know, when they have
to reconquer territories, they just sort of
go in there and one after another,
slowly but surely knocked down,
reliably knocked down the walls of the city.
You take it, move on to the next city.
And there's a very business-like approach
to the whole thing.
And if you weren't good at that,
you wouldn't have been able to do what the Persians did.
Too many cities had walls and that was such a huge
part of conquest.
As I said before,
I would love to see what this all
looked like actually in battle.
I actually go watch, by the way,
you know, some of the worst riots you've ever seen
that are on the internet and everything
because you'll see oftentimes police
who have big shields that are like the Romans
and they're kind of packed into formations
and you'll see the rioters on the other side
and flinging things and attacking sometimes
and sometimes cavalry comes into it and you think to yourself,
okay, it's not
really apples and apples at all
but there's certain, we get back to the physics
of the battlefield elements to it
that make me think, okay, maybe this is a little
what it's like. Look at how those two bodies of people
move when they get close to each other.
Look what happens when a horse enters the picture.
I mean, maybe you can just get the tiniest taste
of what the physics of battle,
that everybody up until the time period
that gunpowder took over would have known instinctively
or through experience
or simply through common knowledge.
According to ancient Greek authors,
the Greeks had, especially before, you know,
the big tangle happened,
a healthy respect, a very healthy respect
for the great king's armies and capabilities.
And as we said, up until this time,
this is an army that basically wins.
But then sometime between
515 and 510 BCE,
Darius decides to give this army
one of those tests
that are so difficult it would be a surprise
if they didn't fail.
Many great armies over history have
failed a similar test, by the way.
He decides to go invade
the land occupied
by the Central Asian Nomads
and becomes just another one of those,
you know, leaders over time
who found out that people who live
on the wide open expenses
of the steppe, whether in ancient
times or 20th century
versions of them
have the option of simply retreating
into the interior
and then you have to follow them.
Ask Napoleon how well that can work.
And that was in an era, by the way,
Napoleon's time, when there were cities
that could be burned down and taken,
the secret weapon of these people
Darius tries to conquer
is that there's nothing to conquer.
They're nomads, there are no cities,
there are no urban centers, and how do you,
with your fantastic army, deal with them
if their strategy to deal with you
is to simply retreat in front of you
and keep going and going and going
while your supply lines get longer and longer and longer.
Because guess what?
You aren't Central Asian tribal nomadic horse archers
and you can't just supply
a huge army, whatever that means,
with lots of infantry and horses
and camels and all sorts of things
endlessly on a wild goose chaser,
in this case, a wild centaur chase.
Now there are two reasons
why this gets a ton of historical attention
because Darius had actually had to quell a revolt
against Central Asian people
right when he came to power.
This gets a ton of attention, though, for two reasons.
One, Herodotus makes it a key scene
in his narrative.
So when he's giving his performance,
he has another opportunity to emphasize
the wonderful, colorful
nature of the Scythians.
One of his favorite subjects, and let's be honest,
one of mine, too, because if you're trying to entertain people,
these people are the color.
Brilliant historical color and fearsome
and nasty and scary and full of all sorts of exotic
customs.
They play the same role in his story
that Native Americans play in the old
dime novel Westerns, right?
And there's a similar feel, by the way.
Americans would recognize a lot of the same things
because tribal people share
certain qualities, and in the same way, for example,
that tribes would
band together into confederations
in the Americas, and we've always considered them
fairly or otherwise to be
the next level in state development
when you go from individual tribes to confederacies
banding together into supertribes
like the Iroquois confederation.
Well, they did this in
this entire world of the Central Asian
nomads, and so the tribes that we actually know
the names of are in fact
confederations of many tribes.
And it's a hard enough army
to try to deal with.
When the Central Asian, the barbarian
nomadic people from the steppe, that's the traditional
we would say today, probably racist,
culturally
xenophobic, the million names to describe
how Herodotus's views of the barbarians
are.
But it's one thing to try to deal with them
when they break into your territory.
That's hard enough. Trying to deal with them
in their territory.
But let's put it this way, it won't be too long
down into history where Macedonian armies
from the period of Alexander the Great
are leaving their bones
on these desolate steppes
trying to chase down these armies
of horse nomads.
In Herodotus's story, there are
wonderful scenes.
He of course makes it a personal
thing. He puts dialogue in people's mouths.
And the Skithians,
they play the Genghis Khan role
in this story. They are
a combination of merciless
and menacing.
And by the way
now, if you look at a map showing
the route that Darius took
he crosses that little strip of water
that separates Europe from Asia
in modern-day Turkey, becoming
an invader now from the ancient
Near East stepping foot on European
soil and then moves through
the area east of
modern-day Romania and up into the
southern Ukrainian area.
I mean, it's an enormously long
rotsia or raid.
Burning, pillaging, looting,
whatever there might be
in an attempt to somehow bring
these people to battle
but they won't stop running.
And Herodotus in his
account writes, quote,
As there seemed to be no end
of this pursuit which had gone on
for a long time, Darius sent
a horseman to Aydan Theirsos, king
of the Scythians with this message.
You extraordinary man,
why do you keep fleeing when you could
certainly do otherwise? If you think
you are able to challenge my power
then stop your wandering and stand
to fight it out. Or if you acknowledge
that you are too weak for that course
then you should stop running away.
Bring gifts of earth and water to your
master and enter into negotiations
with him, end quote.
Sounds like a civilized kingly
approach, right? Let's settle this here
and now. But that's not how they did
business on the Central Asian steps.
And Herodotus has the reply
from the very scary,
you know, barbarian
Central Asian, you know, tribal
leader. He writes, quote,
To this Aydan Theirsos, king
of the Scythians, responded
This is my situation,
Persian. I've never yet
fled from anyone out of fear before
and I'm not fleeing from you now.
What I have been doing is, in fact,
no different from what I'm accustomed to do
in times of peace. I'll tell you why
I do not engage you now. It is because
we have neither towns nor cultivated
land to worry about being captured
or raised, which might induce
us to engage you in battle sooner.
But if you really must come to battle
without further delay, know that
we do have ancestral graves.
So come on then, find them
and try to destroy them and you
will know whether or not we shall fight
the graves. But before that,
we shall not engage you in battle unless
we see fit to do so.
He then says, quote,
Instead of gifts of earth and
water, I shall send you the kind
of tokens you really merit. And
in response to your claim to be my
master, I tell you,
Weep. That is your answer
from the Scythians.
End quote. Weep.
That's a great scene in Herodotus'
history, isn't it? So is this one,
as recalled by historian M.A.
Dendemiyev, quote.
The Scythians did not
dare risk a decisive battle against
the huge army of their adversaries.
They therefore resorted to their beloved
scorched earth tactic. They retreated,
taking with them their livestock,
burning the grass and filling
in the water pits. In addition,
Scythian cavalry repeatedly attacked
and destroyed small Persian
hunting parties.
The Persians were worn out by their
protracted pursuit of the Scythians
deep into their own territory.
When Darius was looking for a way out
of this predicament, the Scythian
leaders, in response to his demand
that they would either come out for an
open battle or submit voluntarily,
sent a messenger to the Persian camp.
Subsequently, if Herodotus is to be
believed, Darius was presented
by the messenger with a bird,
a mouse, a frog, and five arrows.
Darius thought that the Scythians
thus announced their submission.
Gbryus, however, one of the
seven conspirators against Smyrtus,
Bardia, gave a completely different
explanation. If the Persians
could not fly in the sky like birds,
could not burrow into the ground like
mice, or jump into the lakes like
frogs, then they should expect to die
by arrows."
There's a lot of different ways to
interpret this. Generally, it's always been
considered to be some kind of a loss, and
the Persians come struggling back to Asia,
lucky to make it over a bridge
of boats held by Greeks.
But modern-day historians look at this in a
number of different ways. One of which is
that these leaders, people who were
descendant from step tribes themselves,
who dealt with them all the time,
knew that you couldn't capture them
or force them into battle, and so in
effect, what they were doing was
something like what the Chinese did
for millennia to try to control
and punch at them. Just launch
a raid, essentially, with a huge army
go smack them around. Sometimes
you can depose their leaders and put in
a client king, because as
Dandemiya points out, you can't
actually, you know, put a Persian
ruler, like a satrap,
to rule over these tribal peoples. They won't,
you know, you can't. They have to have a
tribal chieftain or something like that, but
you can handpick that guy.
So in other words, Darius
might have just punched these tribes exactly
what he wanted to,
but the other thing that modern historians point out,
in which case you almost have to look at this
as a victory, is that when King Darius comes
home supposedly struggling with the
Skithians close on his heels,
he leaves a general
in Thrace. Thrace is in the modern
day Balkans.
And this general's orders
are to continue the conquest
and subject that entire area.
That entire area
is Europe, north of Greece.
The northern part of the Black Sea.
A place where
cities like Athens depend
on grain shipments that all of a
sudden are threatened
by an army
whose capital is located
in modern day Iran.
But these
Persians are in the Balkans.
This is the setup
for what's about to happen.
And what's about to happen
kicks off with a revolt
in cities that are
in modern day Turkey.
Greek cities, but cities that were
under Persian domination at this time.
Many of these cities
were in a province of
what's now modern day Turkey.
Asia Minor called Ionia,
so they're called Ionian Greeks
and this revolt is called the Ionian Revolt.
And it'll go from like 499
to like 493 BCE
The Greeks
were great colonizers.
It had cities all over the Mediterranean
not just the coast of Turkey
on the Aegean like these cities.
They had many of the islands
in that whole region were Greek.
They had colonies
on the North African coast.
They had
one outside of Egypt.
They had many on Sicily.
They had some in Italy.
They had some in southern France.
They had colonizers.
And so they have cousins all over the Mediterranean though.
And it is to
the mainland Greeks that the Ionians
go for help after they rebel and realize
uh oh, you know, we're screwed.
If we don't get some help here
we're in terrible terrible trouble.
So they send a guy named Aristogoras
who's one of the leaders of this revolt
back to mainland Greece to essentially make a pitch
like a business proposition.
And I know this whole show has a sort of
a corporate business feel,
he's it. He actually has this guy
going here with like a PowerPoint presentation
first to the Spartans
and has him acting
as a clever businessman to try to sell
Sparta on
intervention in their revolt against the Persians.
And it's one of the great parts
of Herodotus where, you know,
essentially he has the story of Aristogoras
first going to King Cleomenes
of the Spartans. And remember
the Spartans had two of them, two kings.
In this case,
Aristogoras goes in there
with his bronze tablet
so you think of your, you know, laptop PowerPoint presentation
and he sits down with the Spartan king
and he starts giving him the rundown
of all the good things you'll get
if you invest in this,
you know, Ionian revolt idea
that I have here for you today.
This is from my Purvis translation
and he translates as he should, by the way,
the word Greeks
as Hellenes.
So when we say Hellenes we mean Greeks
we mean Spartans, quote.
According to the account
of the Lachodemonians, when he went to talk
with Cleomenes, Aristogoras
had with him a bronze tablet
on which a map of the entire world was
engraved, including all rivers
and every sea. To begin the discussion,
Aristogoras said,
Cleomenes do not be surprised at my
urgency in coming here, for
this is how matters stand, that the
sons of the Ionians are slaves
instead of free men as a disgrace
for the most painful anguish to us.
But also to you, especially
of all the others, in as much as you
are the leaders of Hellas. So now, by
the gods of the Hellenes, come rescue
the Ionians from slavery.
They're of the same blood as you after all.
This will be easy for you to
accomplish, since the barbarians are
not valiant, while you've attained
the highest degree of excellence in war.
Since they fight with bows and shortspears
wearing trousers and turbans
on their head, they're easily subdued.
Further, the inhabitants of that continent
possess more good things than all the
other people of the world put together.
To begin with, they have gold, as well
as silver, bronze, colorful
clothing, beasts of burden and slaves,
all of which could be yours if you
really desired them.
End quote.
He then runs down
every territory that the Persians
have, at least the ones Herodotus knows
about, and with each one he says what it has.
This one
has a lot of gold and silver. This one
has a lot of cattle. This one has a lot of slaves.
In other words, he's running down
the benefits of this business
proposition of his.
The leader of Sparta says
go away, let me think about this for a couple
of days, and I'll come back and give you my answer.
He comes back and he asks a simple
question of this Aristogoras guy.
He says, so how far
is it from where we are
now to where this king is?
He wants to know how far it is to the
Spartans, but how far do I have to go to win this war
that you're trying to sell me on?
Herodotus says at this point
this business proposition
goes sour. When Aristogoras
makes a key mistake
when he takes the opportunity to not
lie to the Spartans at this point.
This is how Herodotus
from my DeSellenkor translation puts it
right before
they're supposed to meet again
for the Spartans to give the answer
as to how they feel about investing
the whole thing, quote.
That was as far as they got
at the moment, but when the day came on
which Cleomenes had agreed to give his decision
and they met at the appointed place
he asked Aristogoras how far
off Sousa was, Sousa the Persian capital
and how many days it took
to reach it from the Ionian coast.
Up to this, Aristogoras had been clever
and had led Cleomenes on
with great success, but in answering
this question he made a bad mistake.
If he wanted to induce the Spartans to invade
Asia, he never ought to have told them
the truth, but he did
and he said it took three months,
end quote.
Herodotus, writing
2,500 years ago, I mean think this is
a great scene, right, that you almost
think about him as the sort of the sleazy
salesman type comes in here and tries
to sort of put one over on the Spartan king
and then all of a sudden falls into the trap
and says three months is how long it's going to take
to get to the Persian capital and Cleomenes
basically says get the hell out of here.
He says be out of Sparta by sundown.
Are you crazy?
And sort of instantly understands
that this whole time he's been
led on and Herodotus says that
Cleomenes goes back home and the sales guy
follows him, tries
to start bribing him to do the deal.
Come on, I'll give you 50 talents if you do it.
I'll give you 100 talents if you do it, that kind of thing
and Herodotus says a little Spartan boy, one of the
sons of Cleomenes was in the room
and said something like daddy you better get out of here because this man's
going to corrupt you if things keep going the way they're going.
It's another one of those stories about the
uncorruptible Spartans.
Now, because he fails
with the Spartans, this Aristogoras
character then goes to the Athenians
who have been a democracy
now for 10, 15, 20 years.
I mean it's a short
new kind of system they're running with there
and it's not like a democracy
you or I would recognize
but as Herodotus points out
instead of having to convince a king
or two in Sparta to invest in your idea
here
you have to kind of convince the majority
of whomever it is that makes the decisions here
that they should invest in the idea
in other words voters whomever the heck
that might be in an ancient democracy.
This also
from the Decellan court translation
quote. It was at this moment
when the Athenians had made their decision
and were already on bad terms with Persia
that Aristogoras of Miletus
who had been turned out of Sparta by
Cleomenes arrived in Athens.
He knew that Athens at this time
was the next most powerful state in Greece
accordingly he appeared before
the people and made a speech
in which he repeated the arguments he'd previously
used at Sparta about all the good
things to be found in Asia
and the Persian methods of warfare
how they used neither shields nor spears
and were easy to beat.
In addition to this
he pointed out that Miletus had been founded
by Athenian settlers so it was only natural
that the Athenians powerful as they were
should help her out in her need.
Indeed so anxious was he to get
Athenian aid that he promised everything
that came into his head until at last
he succeeded. Apparently it's easier
to impose upon a crowd
than upon an individual for
Aristogoras who had failed to impose upon
Cleomenes succeeded with
30,000 Athenians.
Once persuaded
to accede to Aristogoras' appeal
the Athenians passed a decree for the
dispatch of 20 ships to Ionia
under the command of Melantheus
a distinguished Athenian.
Herodotus then says
the sailing of this fleet was the beginning
of trouble not only for Greece but for other peoples.
End quote.
That translation
of that line differs book to book
translation to translation
but that's the shverpunk. That's the moment when
the Athenians decide
to do something that's a little bit
crazy because they essentially give in
and Herodotus
sort of blames democracy for this
saying that one Spartan king
could see the flaw in this dude's proposal
from the get-go. Spotted the flaw
like the shark tank investor
venture capitalist said get the heck out of here
don't you try to cheat me. But 30,000
Athenian voters
part of the electorate there, they could have
the wool pull over their eyes by a clever salesman
and the Athenians send
20 ships
to go help the Ionian Revolt but 20 ships
is not enough to do anything except
get you in trouble.
These Athenian ships
will join with other ships, they will
disembark and join
rebellious Ionian troops who will
among other things
burn the provincial capital at Sardis
maybe accidentally
and then that army will get
caught by one of the
provincial Persian armies
and crushed with heavy casualties.
At this point the Athenians
whose support for this Ionian Revolt
is kind of like
not a little more than symbolic but quite
a bit less than useful, they kind of pull
back and go oh yeah we're not that into it
anymore.
We can kind of see
echoes in an inconsistent
policy where public opinion just sort of
changes right? There's no king here to
say we're going to stay the course, the public wasn't sure
anyway and all of a sudden maybe these
Persians didn't look like the pushovers
that the salesman for the Ionian
Revolt said they'd be, yeah we're out
and hopefully we'll just forget
that this ever happened.
Of course Herodotus makes a point
to say that Darius
of course is not going to forget that it
happened and one of Herodotus's great
stories revolves around
you know Darius trying
to make sure that he didn't forget
amongst all his problems
in his empire those people
the Athenians
Herodotus's story talks about after the
burning of Sardis and Darius
gets the news about that quote
it is said that
when Darius first heard this report
he disregarded the Ionians
since he knew that they at least would not
escape punishment for their revolts
but he inquired as to who the Athenians
were and after he'd been told
he asked for a bow. He took the bow
set an arrow on the string
and shot the arrow toward the heavens
and as it flew high into the air he said
Zeus let it be granted to me
to punish the Athenians
after saying this he appointed one of his
attendants to repeat to him three times
whenever his dinner was served. My lord
remember the Athenians
end quote
that's how they did things back
in the analog era no word
on whether the attendants name was Ciri
nonetheless great story though it may be
probably either just
totally false or you know another way
to look at it is that this Athenian
problem of Darius this was
so small he had to have someone remind
him every day three times at dinner otherwise
he'd forget about it with all the things he had to deal
with. To show you what
a low priority this whole revolt
is for the Persian Empire
the great king himself doesn't even worry about
the Ionian revolt he delegates it to an underling
and the Persians like slow moving
lava methodically
reduce these rebellious cities
in Asia Minor and off the coast
and it's often
awful
the retribution that these empires
meet out to rebellious cities but let's
understand that's that's something that in much of the world
is still treated rather harshly
and in this time period standard operating
procedure was an extreme human
experience so for example
the home city of Aristogoras
the power point presenter
of Herodotus he gets his city
leveled
Miletus is the name of it
for the most part killed but the boys
were told are castrated and sent
back to Persia to be eunuchs
the girls and women
sold into slavery
and so if you don't look at Aristogoras
the way Herodotus did like some clever
manipulator and instead
look at him as someone who one way
or another gets involved in this revolt
but once you're in
the stakes are everything
I mean you see what happened to his home city when it
got retaken by the Persians
he knows what the stakes are
if you're thinking every man dies every boy gets castrated
every woman and girl gets
sold into slavery and your city's leveled
wouldn't you do anything
wouldn't you buy hooker by crook tell the
Athenians anything that they needed to hear
to get public opinion on your side enough to send
help
and even though Herodotus sort of makes
this
Aristogoras and his movie version of events out
to be a little like professor Harold
Hill and the music man
coming in to sell River City on the idea
of a boy's band with instruments that'll never
show up
and the people of Athens are at least a
sizable percentage of their electorate
as easily hoodwinked by professor Hill
it's clear that
for at least some Athenians
this issue of Ionian
freedom for Greeks in Asia Minor
is big and passionate
and important
historian Peter Green tells a
story of a play that aired
in Athens right after the Ionian
revolt collapsed he says
it may have been the first time that recent
historical events as opposed to myths
had been represented in the Athenian
theater and he writes quote
in the early spring of
493 the dramatist
Phrynaikus put on a play called the capture
of Miletus vividly depicting
the collapse of the Ionian revolt
the effect was remarkable
Phrynaikus saw his audience weep tears
of grief at patriotic shame
stung into swift action
the pro-Persian lobby got the play
banned when in doubt
Green writes fall back on
censorship Phrynaikus himself
was fined a thousand drachmas almost
three years pay for the average working
man but the idea of subservience
to Darius however reasonable
it might be now rapidly
lost ground
end quote
how modern does that sound
public opinion altered
by a popular portrayal
of events that were
relatively current
and while
historian Peter Green
writing in 1970
shares an attitude that we probably
would share today living when and where we do
that censorship is not a good thing
censorship of the arts is not a good thing
and that public opinion should
matter in a democracy or a republic
it should matter and remember Athens is in what
you could call the testing phase maybe
of how this whole democracy thing
is going to work
there certainly must have been other
democratic experiments the world over
but Athens is credited with being the
quote end quote first democracy
and they probably are given the scale
you know first major attempt
at the experiment that is
democracy only 10 or 20 years old
at this point and if you're watching
from the sidelines and you're a member
of the conservative former but still powerful
ruling class and you're looking
at how public opinion is doing
so far at trying to
you know govern things intelligently
they've already done something
the Spartan king refused to do and got
involved in a revolt that tweaked the nose
of the great king of Persia
that never had a
chance of achieving anything really meaningful
with the small amount of people they sent
but was just enough to get you into trouble
you already did that
and now this playwright is writing plays
that get them all fired up
about confronting Persia because of all the injustices
of Darth Vader and the evil
star empire
if this is the same thing as
like remember the main was
the newspaper campaign that fired up Americans
in the Spanish-American war period to
you know go to war with Spain
it's a little bit different
because in that conflict you could
argue about historical justice
and all that kind of stuff but the United States was going to
kick Spain's rear end
so propaganda that got public opinion
to support the idea of kicking Spain's rear end
is something that is not
too detrimental
to the country
this is much more like
the people in Latvia
being encouraged and their passions
roused and a war fever
stoked
in order to confront the Russians
or the Mexicans
you know having the
propaganda and the entertainment and public
opinion and everything pushing towards
you know going back and reconquering those states
they lost to the United States a century and a half ago
that's
something that in that case
is public opinion leading you
towards national suicide
and they'd already shown a propensity
to get you into trouble that's why you're on the
you know great kings naughty list already
it's no wonder
that guy was fined
you know stoking those kinds of emotions
at this time and at this place
that's an existential
threat to Athens at this point
it is interesting
the ability to portray the Persians
in such an evil light though because if you
actually look
you know at the Ionian revolt and how the Persians
dealt with it afterwards
they actually did so in a way that was
just typical of their style
they punished the rebellious cities
horribly as we said
but then went in and tried to figure out why the
Ionians kept revolting
lowered some taxes in places
changed some trade deals in others
tried to alleviate the problem at its
core and ironically
enough because some of these cities that
had revolted didn't like the tyrants that
were ruling them this new fangled
thing called democracy they wanted a piece of
that too the Persians let them
have it
remember they were known for allowing
local customs you know to stay
in place as long as things still worked out
for them and if the local custom was going to be to
elect your own leaders in your own city the Persians
were fine with that as long as
the city stayed loyal to Persia
so once again
the Persians kind of look like the
place we'd all like to live if we
had to live back in those days
in a you know absolute monarchy
right
on the ancient monarchy
scale you know they score very highly
for leniency tolerance compassion
common sense
but if you're
Greek you're not going to look at it that way
at least not if you're Athenian
the last thing
you want to do is have a king you have a democracy
now and if you're Spartan
you want a king but you want
a Spartan king the last thing you want is some
barbarian king so
no people ever in the path
of being conquered by any other people
could see the upsides
can you blame them
but you know I've always thought that if you
were another city state
in Greece remember Greece is not
a unified place it's a bunch
of competing often warring
in some cases bitter enemy
city states
smart as a city state
Athens as a city state
Thebes, Corinth a bunch of places
Argos
what the Athenian democracy
did by sending those 20 ships
to aid the Ionian revolt
is take the great king of kings
gays the most powerful
figure in the world
and
turn it into your direction
and he doesn't just see Athens
he sees everything over there
what did the people in Argos do to deserve
that they might have
eventually been absorbed by the blob
who knows
but the Athenians essentially declared war
on Persia but lived in a
neighborhood that the Persians couldn't help
but trample on on their way to punishing
the Athenians
and this is partly why this story
has magnified in terms of importance
for the people in Greece
this is
life or death
to the Persians this is a
frontier disturbance
historian A.T. Olmsted has a
chapter I love the title it's
problems on the Greek frontier
historian George Cockwell
entitled his whole book the Greek
wars instead of the persian wars
because the persian wars makes it
sound like the Greeks are talking
about it because to them that's what this was
but to the rest of the
world that was centered around Mesopotamia
these were the Greek wars something over
on the frontier something that in no
way you could ever imagine
could threaten the empire
the Athenians however were
doomed
and they knew it was coming
during this whole period traditionally
there's a lot of focus on Athenian
internal politics and the war party
versus you know what the Athenians
sometimes called collaborators
they had a word for it based on you know
it was the Persians and the Medes so they
called it medizing when you were
medizing you were talking about collaborating
or giving into the great king and so
they had these different factions led by
different powerful families you know sort of
sparring and fighting it out and meanwhile
you know the existential threat
in 492 BCE gets going
led by
a son of one of the assassination
hit squad members who also happened
to marry into the royal family
so you know you can see how incestuous
all this assassination hit squad
thing is starting to be
his name is Mardonius he's fascinating
I wish we knew more about him he's an interesting
Persian general
and he takes an army and a fleet
working together
in a way we would call land sea
operations today
and leaves Asia crosses
the Dardanelles into Europe
now
nobody knows the size of this army
Herodotus says it was 300 ships
take that with a grain of salt but it doesn't
matter if it's half that big this is a mammoth
operation for navies in the ancient
world the Persians
of course did not create their own navy
they took over the best one in the world
and then they tasked it with things it never
could have been tasked with before like
okay we want you to support
a 20 or 30 or 40,000 man
army with your navy
that's a new level of sophistication
and operations and what the Persians are doing
in this conquest of Greece which is something
that they might have done in Egypt too
earlier but this is where you really
get a chance to see it on display
is a precursor to
you know land sea operations today
involving you know marine amphibious
landings everything
these fleets can be used
to sit offshore and
follow an army that's marching along
the coast and feed it
extending operations
nobody knows how many troops Maradona has
had but he lands in this area
controlled by Thracians
the entire
region around the Balkans during this time
period in this particular area of course is up
in in sort of by where modern
north eastern tip of Greece is
you know up in that area all a bunch
of Thracian tribes Herodotus labeled them
the second most populous nation in the world
after the Indians
and extremely warlike
he said that they would have conquered the world
if they didn't love fighting each other too much
and they are
you know you don't want to be so stereotypical
about barbarians because all these people had
wonderful cultures and values and
religious beliefs and you know
puberty rights I mean it's all a part
of it but you can't help but look at a Thracian
and think there's your Hollywood casting
director's idea of a barbarian
they look a lot like a Skithian
without the horse they got
the war paint they got the tattoos they like
you know carries several heads around with them
when they're trying to intimidate their enemies
and they're tough
and they like ambushes
and they like to kill prisoners I mean they scare
people and this area
had submitted to Darius this whole area
when he came along chasing those Skithians
a while back but you know
the Persian army then goes home
and they kind of you know get a little lax
and yeah we haven't heard from him in a while
and you know whatever and then
the army comes back and says you know what
we're just going to tighten that relationship
a little bit more and made all of those
areas that have been formally sort of just
yeah we're your vassals kind of deal
into official provinces
run by governors
appointed by the Persian king
one of these provinces
is the next little
kingdom I guess you could say
on the way to Greece you go from Thrace
to Macedonia
if the name rings a bell
the king at the time will
be harder his name is Alexander
Alexander the first of Macedonia
you know what he does when the Persian army
under Mardonia shows up
he submits
becomes a governor under the control
of the Persians
and some historians in a wonderful
ironic twist of history say
that if not for the stability
and centralization
and state building
climate that Persian control
you know gave Macedonia during this
period they may never have coalesced
into a strong centralized state
that would eventually evolve into something
that could destroy the very people
who made that centralized state possible
oh and just for the fun of it do it under a king
with the same name
don't you just love history
nonetheless
the
Thracian tribes do get one good
sucker punch in
on Mardonius before they get crushed
literally a tribe of them
will ambush the Persian army at night
and create great havoc
including wounding Mardonius
right around the same time
this fleet
that is accompanying the Persian army
will try to round
a point called Mount Athos
and Herodotus says as soon
you know it's like going around the tip of
Florida think about it that way
and as soon as the fleet hits the tip
it gets hit by winds
strong winds according to Herodotus
and he says 300 ships sank
and 20,000 men
died
here's what my purveys translation of Herodotus says
quote
from Thassos the fleet crossed over
and sailed close to the shore of the mainland
up to Acanthos
from which they set out in an attempt to round
Mount Athos but as they were sailing
around a strong north wind
came up on them which was so impossible
to deal with that it battered them badly
and wrecked many of their ships against the shore
of Mount Athos in fact
it is said that about 300 of their ships
were destroyed with more than 20,000 men
and since this sea
is full of savage creatures
some were snatched up and killed by them
while others were dashed against the sharp
rocks some men perished because
they did not know how to swim
and still others died from the cold
so that is what happened to the fleet there
end quote
I'm sorry in my head right now
what did I think to myself
what did that look like
300 ships
20,000 men
that is somewhere between
13 and 14 titanics
going down in terms of
lives lost if Herodotus's numbers
are anywhere near correct
but even more from a visual
standpoint is the idea
of 300 ships wrecked
all
I mean are they all bunched together
in one place or are they scattered
around an entire coastline
what is the visual on this if Herodotus is doing the movie
who's doing the cinematography on that
and how much do we have
to use CGI
computer graphics because there's no way otherwise
to show that scene
how much would it cost to do that
1950s Elizabeth Taylor
Richard Burton style right
analog have to get
300 fake ships
I mean think about the visuals
just all the people in the water
I mean everything that people find so horrifying
about going down in the titanic
you have happening
around Mount Athos
and you know when you think about
the precariousness of maritime travel
I mean bad storms will sink
ships today as we all know
well the farther back you go
in history in general the more rickety
these vessels become during this period
they didn't even like to stray away from the coast very much
standard operating procedure
was to beach these ships at night
and then in the morning push them back out
and they're big ships but you still beach them
140 guys I read
it took to
essentially lift a trireme
onto the shore at night
so I wonder
how much it took to actually give these
these fleets trouble but the idea of
300 vessels going down
when they rounded a cape
it's just it boggles the mind and yet
you can find historical examples all over the place
I mean the most famous has to be the kamikaze
right?
the divine wind
when Japan was saved
you know from the Mongol horde
because the storm came up and battered the fleet
sank all these ships
scotched the invasion right?
maybe this was Greece's own
version of a kamikaze
but one thing
that the Greeks knew
is that this was not going to save them
this kamikaze was not
a deliverer
it was a delayer
and in a mere
two years
Darius will have
his next invasion
force ready understand something
300 ships lost 20,000 men lost
that will stop most ancient
empires in their tracks
the Persians
methodically just put together another one
in 490 it's ready to go
and it is bigger
it is nastier
it is going to be handled
better and we're going to take into account
everything we learned from the failures
of the last expedition
and this time it is going to be aimed
right at the heart of Athens
and it's tempting to see Darius
in his CEO role
as already
seeing that the odds are
massively in his favor
I mean in the celestial casino in the sky
the battle between Athens
and the Persians is off the books
they're not taking bets on that
there are no odds there is no chance
and Darius is still trying to
get a little edge here or there
he leaves no stone unturned
planning wise
he sends out envoys in the year between
you know the first expedition that
founders off the rocks of Mount Athos
and the one coming up
he sends envoys to Greece
and they go to all these Greek states
and these Greek islands and they ask for earth and water
remember earlier we said that was the
traditional token of submission
and most of these places give it to them
vast majority of the islands, a bunch of Greek states
two notable holdouts though
Athens who either throws
Persian envoy into a pit
that they usually have for convicts awaiting execution
or throws them off a cliff
take your pick
and the Spartans who in one of the famous moves
of all time although some historians
doubt it ever happened
supposedly throw the Persian envoy into a well
when he asks for earth and water
and tells him he can get both of them down there
that kills the Persian envoy
and puts both the Spartans and the Athenians
if they really did that
onto the ledger of
you know, misdemeanors and high crimes
that the Persians are keeping track of
remember what happened to the Egyptians
when they killed Persian envoys
Cambyses got to sit there
and watch a thousand or two thousand of their kids
executed and sold into slavery
a bunch of Greek city states and islands
chose what you probably have to see
as the only realistic answer
and submitted earth and water
to the Persians as asked
and instantly becoming
not just neutral
in this struggle that Athens
is about to engage in
but adversaries I mean other city
states in Greece all of a sudden were subjects
of the great king that's like the slow moving
lava on the other side of the Aegean
all of a sudden launches
embers into the sky that dropped
down on city states in Greece near Athens
the great king is going to levy
troops from these other
Greek cities to use against the Athenians
so if you already
were going to crush poor little
Greece
with your Persian forces
well now he's isolated the Athenians for the most part
the Spartans with them so now he's just going to crush
that little part of Greece
now he's going to add Greek city states
to his side and their armies
to his I mean this is a guy
who really likes to load the dice
right
and when you hear the scale
of this attack
and what it takes to launch it gives you
an absolutely new appreciation
for the capabilities of ancient peoples
and you really do think to yourself
could we do this today
if we had no computers
and none of the modern stuff we normally use
I mean you try to take let's just say
a 50,000 stadium
size crowd of people
and transport it
over water and land
a long way
and not have it be a catastrophe
historian Tom Holland
you know has both of the generals
of this expedition one guy's name is Artifranis
and he's related to the royal family
the others called Datus
and he's a mead and they command this expedition
and from their eyes
he has them see the preparations
that were so large and massive and went on
for a whole year and there's no doubt the Athenians
knew this was going on Holland writes quote
every day's journey westward
brought them fresh evidence
of the barely believable scale
of the great king's resources
the labor gangs toiling
to maintain the roads
whole populations sometimes
transplanted from the furthest reaches of the earth
the guards stationed beside
every bridge
every flotilla of pontoons
every mountain pass
the troops in their own rear
not merely persians and meads
from further east
bactrians, sogdeans and axe wielding
Sakha
what was Athens to people such as these
not even a name
yet on they marched directed by the will
of their far off all seeing king
and every evening no matter where they halted
these men from the steppes
from the mountains from the villages of Iran
they would be provisioned
out of monstrous depots
supplied punctually with jugs of wine
and loaves of bread and barley for their horses
and when at last
having passed through the Syrian gates
and descended into the plains of Kalikia
on the southeastern coast of modern day Turkey
they found their waiting for them
an immense fleet of ships
some built as weapons of war
others as horse transports
end quote
in the history of naval warfare
what the persians are about to do here
it's hard to find an earlier version
it's hard to imagine that anyone moved
tens of thousands
of troops across the water
and landed them in
like an amphibious assault situation
what the persians are doing here
is breathtaking and remember
two years ago
year and a half ago two years ago
they lost 300 ships
and 20,000 men doing something like this
so they know what might happen
this time by the way
they're going to go a much more direct route
none of this going around the long way
and supplying the army
we're going to transport the army on the ships
and we're going to island hop
across the Aegean from Turkey to Greece
take the islands on the way
if you are in Greece
especially if you are in Athens
it's hard to imagine those folks
feeling a whole lot different than the British
in the second world war after France fell
and they knew
they just knew
okay brace yourself
the storm is coming
and for the Athenians
in 490
the storm breaks
in the summer of 490 BCE
the Persian expedition
gets underway
Herodotus says
it consists of 600 ships
now modern day historians
have done a great job poking holes
in the ancient authors numbers
whether we're talking ships or men
but they have no real agreement
about what numbers to plug in for them
and there's broad disagreement
in fact historians are not even sure
what the goal of this mission is
is this a mission just to punish
Athens and some of their small island
friends and what not
well if so you require
one size force
if on the other hand this is an expedition
with the intention to punish Athens
and conquer the rest of Greece
you need another size force
so even trying to figure out
how historians differ
I've mentioned earlier that this operation
is really a different sort of operation
than what you saw before this period
the Persians as we said
may have done this already
a generation before when conquering Egypt
but in earlier periods
you always had naval warfare
but it was something more like a glorified version
of what the Vikings did than this
what the Persians are doing
is really the precursor
that will eventually evolve into say
three day landings in June 1944
it's the father and mother of that
because when
the Trojan wars happen
for example and the Mycenaeans
come over from the area that's now
Greece and they invade and you have the Trojan wars
they come over on ships too
but they don't bring sophisticated
horse transports
and food carrying ships
that do nothing but bring the supplies
that keep everybody fed and watered
that's a modern day operation
and when the Sea Peoples
came to Egypt in ancient times
they didn't bring horse transports
and everything they needed to supply an army
with them by sea
in 1944 when the Allies
crossed the English Channel they did
and they did here too
by going island hopping
when these islands in the Aegean
are relatively close to each other
the Persians can avoid having to cross
like a large stretch of open water
they can go from place to place to place
you know most of the time probably just beach
their ships at night
some cities get
the destruction treatment
the first one they go to is one called Naxos
and they owed some payback to that one
and so even though the population
fled up into the mountains places got burned
you know bad things happened
but then they arrive at another island
one that is supposedly the birthplace
of the god Apollo
and the population runs away
they're all scared and the Persians stop and they tell them to come back
you have nothing to fear
because that island didn't do anything
you know they submitted
then the Persian general goes up
to the altar of Apollo
and burns an outrageous amount of frankincense
sort of massively over tipping
the god as a kind of a way to say
listen you know when we're around
this god's gonna get even more than he's used to
you know when you were taking care of things
I mean it's the carrot and stick approach
that the Persians always use
then they go to another city
to give it to shreds
the city's name was Eritrea
it was one of the two cities
you know along with Athens
that really supported the Ionian revolt
so it's on the hit list for the Persians
and they
take advantage of the divisions
that seem to be in almost all these Greek cities
maybe not Sparta
but maybe even Sparta
using their gold, their promises
and this carrot and stick approach of theirs
to essentially
tear the Greeks up from within
to exploit divisions that already exist
one of the great advantages the Persians have against the Greeks
is they're united and the Greeks aren't
but it's not just a division
between this city-state
you know Argos does not get along with Sparta
it's divisions within city-states
for example here's how M.A. Dandemiev
describes
what happens when the Persians launch this expedition
to the islands
and begin to punish people
quote
on Naxos which was still independent
they conquered the island and pillaged it
the majority of the people of the island
fled to the mountains
there upon the Persian army sailed to the town of Eritrea
on Yubia
at that time Eritrea suffered from the strong
antagonism between two political parties
the aristocrats
wanted to defend their town
while the democrats were inclined to surrender
the Eritreans offered resistance
against the Persians for six days
on the seventh day the democrats
surrendered their city
in the hope that the Persians would give them the power
over Eritrea
the Persians however burnt and destroyed
the city and its temples
and led away its people into captivity
they were deported to Sousa
in modern day Iran
and there upon by orders of Darius
settled in the village of Adurica
in the Elamite district of Qissia
end quote
supposedly the great kings orders
to his generals had been to reduce
Eritrea and Athens
to slavery
and then to bring the slaves to him
and I kind of always
assumed that to be rhetorical
he doesn't mean really like scoop up all the people
in the city state
put them on the ships
send the ships back to the asian mainland
then march them three months to him in chains
and Sousa does he
and then I remember that
people had been moving whole populations of other people
since time began
and I wanted to couldn't you look at history through a lens
of population movement
and start by determining that there's two basic kinds
voluntary population
movement and involuntary population movement
you know the movement
of people who want to go elsewhere
and the movement of people that somebody else wants
to go elsewhere
Joseph Stalin was doing this kind of stuff in the 1950s
wasn't he
so maybe not that hard to believe
and certainly if you were the Athenians
you get worried about this
Eritrean disaster
and you get an idea of
what your very near future
probably looks like
and you have divisions within your city
every bit as contentious
as those that brought down Eritrea
and
you can't help but notice once again that
in a very modern move the Persians
are taking advantage of this
with them leading them
guiding them and helping them
on this expedition towards Athens
a guy that used to run the place
they're bringing back
an old tyrant and I stress the word old
because that's what Herodotus does
this is a guy who ruled
the place before democracy broke out
and the Persians are bringing him back
they're interested we would say today
in regime change
and they're bringing a foreign army
to back it but the assumption
is that there's going to be a bunch of people in Athens
who welcome this from the other
party if you will
supposedly there are high signs
and all kinds of other things that
conspirators and those who want the regime
to revert back to the old days
I mean the city divisions
in Athens are clear they're open
they're talked about by the primary sources
and the Persians appear
designing their strategy to take advantage of this
it seems just like them doesn't it
how are we going to rule this fractious very political place
well let's bring somebody back in who knows
the lay of the land and who has the support
of the people already
and that faction in Athens
is opposed by some of the most famous people
in this story if you're looking
at it from the traditional Greek point of view
guys like Themistocles
who a lot of historians
compare to you know a Churchill
figure in this story and
another one named Miltiades
who will play a key general
role in this upcoming
you know face-off that we're about to happen
according to Herodotus
it is the former Athenian
tyrant in between
wheezing and coughing fits
that supposedly tells the Persians
the best place to land for their amphibious operation
a plane called
Marathon
about 25 miles
outside the city of Athens
you could call it a staging point
for your amphibious operation right
unload everything
get yourself all put together and then you can march on the city
or you can just act
as the incentive
for Athens to
change public opinion favoring more
these people who are saying it would be great to have the old tyrant back
and at the same time
we'll be realists about cutting our losses
against the great king who now has an army
25 miles from here by the way
did I mention that
in a war party Themistocles
Miltiades
what are you gonna do about that
and of course this leads now
to a famous encounter
first of all the Athenians
do the smart thing
and they send a runner
which boggles the mind when you think about how
this is a life or death issue
do we send a horseman no
there had to be a reason why and I don't know what it is
we'll leave it to a historian
to explain why somebody would run
to Sparta
but that's what they do they send a runner
because they need help and you know who you're gonna call
most of Greece is already working now
the Persians and besides the Spartans
could kick all their rearends in combat anyway
send the runner to the Spartans
and begin to put your own
house in order and get your soldiers together
and this is where the story once again
needs to focus a bit on the soldiers
we described
the Persian army earlier
and we pointed out at that time that
there's a real importance to things happening
on the battlefield level
tactical questions that impact
the rest of human history
because remember this is
an encounter that should be off the books
at the betting casino
the celestial casino I mean this is the great
Persian Empire encompassing most of Asia
at least the part of Asia
that anybody knows about all the way to India
and Athens
what is gonna make resistance
anything other than completely feudal
maybe the weapon systems
it's kind of crazy
to think about
when you realize how long
military history has been happening
in places like
the Middle East right or
China or any of those places
they've already got thousands of years of military
history under their belt
but in 490
really this era right that we're talking
about BCE this is the emergence
the beginning
the entrance on the historical
stage of European
military history
now obviously there's
as much European military history as there is
anything else if you can
if we had the tribal records from all the
peoples that existed on what's now
the European continent going
back to 10,000 BCE
but we don't
historians can try to reconstruct
some sort of dark age
or heroic period of Greek history
during the time of the Trojan Wars
but by and large
the first records we have of European armies
are these armies we're talking about
right now in Greece
the vast majority of them
made up of
average everyday folks
dressed and equipped and fighting as heavy
infantry
now because this is the
earliest form of western military
history you will have whole schools
of historical thought
and they were dominant for the last
2,500 years most of the time
that will assert that there are qualities
in these Greeks
either what makes them fight
or how they fight or their theories behind
how you should fight
that have influenced maybe even
made western
militaries dominant
for the last 2,500 years
I'm reciting a phrase
you might hear from someone from the
Victor Davis Hansen School of
historical thought on these questions
for example
the idea that the Greeks
were people who believed in decisive
battle
and that we ourselves are the inheritors
in the modern world of that same idea
it's easy to get lost
in the rabbit hole
and I will leave it to the mainstream historians
you know Hansen's of provocative
character but he gets a lot of pushback
and there's a lot of great arguments for people like yours
truly to watch
but part of what makes the
ancient period of warfare so fun
for a guy like me
is that you get to see
the most variation between
cultures and peoples and societies
and their influence on warfare
than you see in any other period
we're very standardized now
if you look at a military from
say modern day South America
and compare it to one from modern day Asia
they're going to be
dressed the same they're going to be using
equipment they're going to be using very similar tactics
I mean the difference between
the two will be minimal
it's standardized
but the farther back in time you go
especially to the ancient period
all of these cultures are in their most
exuberant shall we say flamboyant
maybe
and distinctive sort of cultural
incarnations for lack of a better phrase
they all look very
like their culture
they fight in ways that are connected to their culture
organization everything
the contrast
is part of what I love about the
period when the Persians and the Greeks
first meet in this period that we're talking
about right now this is a clash
of cultures literally
and that's part of what makes this such a
rabbit hole of stereotypes and motifs and everything
like that to go down because
it's been this west east dynamic ever since
but you can't help but
notice the wonderful distinctiveness
for example the Persians are a combined arms
army when we talked about them
you have all these different things
you talk about first you talk about the cavalry
then you talk about the light troops then you talk
about the line infantry the Greeks don't
have much of that during this time period
they have heavy infantry
hoplites
if you were a wargamer it's part of what makes
Greek armies from this period kind of boring
everything you get is
a hoplite basically
the hoplite is the quintessentially
Greek heavy infantrymen
and they're one of the
examples that historians often look to
to try to answer
an unanswerable but fascinating
question you know especially
from the pre-gunpowder you know period of
military history as to why some people
you know develop weapons
types and weapons systems and
soldiery that others can't imitate I mean
why are there samurai
in Japan why can't the Chinese
emperor just decide one day those
samurai are really badass I want some samurai
so I'm going to get a disgruntled samurai
bring him over here let him train my guys
I'll give them the same weapons and armor
and soon I'll have samurai too
well you can't do that can you
there's something cultural right
the cultural carrots and sticks that are reinforced
by the Japanese feudal society that
you know you can't create samurai
just because you want them
in history when the Roman
legionaries were reigning supreme during the
Roman Empire period other commanders tried
to imitate that they're known as imitation
legionaries by the way
go get a couple
of centurions by the same armor
and weapons and I'll have legionaries
too but they never quite measured up you just
can't do that there have to be some
of the cultural aspects that
are very hard to reproduce same
thing with hoplites
historian Victor Davis Hansen
gives a remarkable
statistic in his writing he says
quote for nearly
300 years
from 650 to 350 BC
no foreign army
despite any numerical
superiority withstood
the charge of a Greek phalanx
the battles at Marathon and Plataea
demonstrate this clearly
relatively small numbers of well
led heavily armed Greeks
had little difficulty in breaking right through
the hordes of their more lightly equipped
and less cohesively ranked
adversaries from the east
end quote
why?
this is a fascinating question
to ponder and it goes down roads that are
unquantifiable and unmeasurable
you know when you start getting into
questions of things like toughness
how
on earth does one measure toughness
and how is toughness infused
you know if you could take all the children
from a so called tough
civilization and transfer them to the parents
from a so called weak civilization whatever
tough and weak mean in the military sense
and take the children from the weak civilization
and give them all to the parents of the tough generation
a generation from then do you
change the power relationships at all
does the weak civilization stay
weaker does it get tough and vice versa and then
why
what is toughness anyway
what the heck is
this dominance that these hoplites
have or could it be something that's simply
based on you know the way
they fight I mean their formations
and their weapons and stuff like that
this is the stuff that historians argue
about
Victor Davis Hansen probably is the
you know leading proponent of what
maybe you could call the traditionalist
approach to thinking about hoplites as
you know he calls them
at one point in one of his books I love
the way he phrased it he called
them heavily armed and armored
farmers
and each city state is a little
like a sports team and they
all have personalities I mean if you think
Pittsburgh Steelers is tough blue color
you know guys and that's reflected in
the way that they play in the toughness of their
teams it's a little like you know you have
thieves the city state of rustic farmers
and they're known to be kind of brawny because
they're always out there farming but they're a little
rustic I mean every every city state
had sort of its own kind of reputation
and record versus
you know traditional opponents how are the
Spartans doing against the Argives
and some of these city states were considered
to be tougher than others
but according to the
traditional approach most
hoplite armies are militias
they're the citizens of the city state
usually just a percentage of them but
as Hanson points out
you know about 80% of most of these
city states were made up of farmers or
people who made money in farming
Athens and Sparta
are always kind of exceptions
to the city state rule by the way
Athens
is kind of the New York City or the Paris
or the London of ancient Greece
it's a little bit more chic
a little bit more gossipy a little bit more
gossamer into the theater
and the latest trends and very glib
politically speaking
talented funny humorous wonderful
entertainers
and the Spartans are a laboratory experiment
I love these things where you use human
beings as the guinea pigs on whether or not
you can create a soldier
you know that's extra special if all the
societal carrots and sticks are arranged correctly
when I was growing up
there was a ton of admiration for Sparta
and their system and everything
nowadays even conservative historians
are much more hard on the
Spartan system than they used to be
I mean Victor Davis Hanson
himself will say about
Sparta quote
Sparta's closed militaristic society
produced an army of professionals
immune from pressing
economic or other peacetime obligations
they were free to threaten the farms
of others to fight year round
if need be secure in the
knowledge that in their nightmarish
system of apartheid
servants were busy with their own harvests
end quote
now there's all kinds
of debate and discussion and disagreement
amongst historians about a lot of things
I mean you have Victor Davis Hanson in one corner
you got a guy like Hans Van Wies for example
in another
and he wrote a fascinating book
called Greek Warfare Myths and Realities
that I'm still trying to get my mind around
because it's so challenging to traditional beliefs
doesn't make it true, doesn't make Hanson true
as one reviewer I read
said maybe it's more like something
in between the two is true
but Van Wies
says that everything we know about
hoplite warfare comes from a later
period than this
50, 75 years afterwards
and that the armies we're talking
about here are much
more rustic even than the ones
you know from classical
Greece as it's called this is still archaic
Greece to him
he says the only
reason that the Spartans are considered dangerous
at all is because they're the only
Greek city state that prepares for
war at all
what's that line in a world where everyone's blind
the one eyed man is king
maybe the Spartans aren't so badass
compared to anybody who actually trains
for war that seems heretical
but his point is that if
most of these city states
are simply getting all their people together
you know the ones who fight the 30
or 40% of the male population out there
free male population that actually fights
when you get them out there
if they're not trained to move
as a group you know to follow
commands and do drills
what are they gonna do out there
and Van Wies
his point is that the Spartans actually did do
that drilling which made them seem almost
otherworldly to these armies where
you know guys just got together
one day when needed for war
imagine you know you have a spear
and some armor that sits over
your fireplace and as needed once
or twice a year or maybe once every two
years you don the armor
you meet up with everybody in your neighborhood
that you normally fight with and you go out there for the day
and you try to beat the neighboring
city state on a nice
beautifully labeled flat field of battle
with some certain rules probably
so he's been believed that these Greeks had rules
but you know not too many of us are gonna use
bows or anything like that right this is
a man on man contest right
in terms of weaponry
the Greek hoplite was a spearman
wielding a
seven, eight, nine foot long
sometimes we even hear of longer long spear
but that spear was only about an inch thick
it had an iron spear head
and a bronze butt spike on the end
one historian said that was called the lizarder
whatever that means it sounds awful
the lizarder
and that these troops
would form up in very close formation
shoulder to shoulder essentially
with their shield in front
and their spears you know ahead of them
now this means that the spears
for about three or four ranks behind
the front rank
protrude beyond the front of the formation
so you have a pincushion here
usually the ones behind that
would keep their spears up
the hoplite formation is called a phalanx
we now know
as we did maybe 50 years ago
or 60 years ago that the phalanx
is a formation that has been used ever since
very very ancient times
Mesopotamian cities were using it a long time ago
but the Greeks may have formed even closer
than the norm it's debated and debatable
the one thing that these formations
had a real problem with
is any sort of difficult terrain
in fact maybe even just a little
uneven ground because if you are trying
to stay shoulder to shoulder
with the person next to you and in front of you and behind you
the last thing you want to do is run into
for example some bushes
what does that do to your formation
Victor Davis Hansen's
approach to thinking about how this phalanx
fought would make it seem something like
a very very very pointy
irresistible steam roller
and usually they would put
the best men in front
and often times the best men
in the rear file too
and put the least
trustworthy, brave, experienced
what have you men in the middle of the formation
because then there's really no way out
and many of the people who write about
the Greek hoplite phalanx and how it fought
will point out that it doesn't require
a ton of weapons drill
you don't have to really learn how to do much
in the way of
the great warrior out there with swordplay
or using the spear like a
like a Shaolin monk you know
there's not that kind of thing, you're more of a part of a machine
in the phalanx
and the Greek authors and the modern day
historians often say that what seems to be
stressed in the sources is much more what we would call
today physical fitness
endurance, strength
that kind of thing and it partially
explains why you can have old people
fighting in these
phalanxes, why everyone doesn't have to be 25
like in today's military
well part of it is it's a militia right
you're supposed to get a cross-section
of the public but also because in a formation
like that older people
aren't required to be so nimble
the arthritis you know could be more
controlled I mean you just sort of stay and do your
job stand and die or
you know conquer and move forward but
all as a part of this mass working together
in fact the older people
added both experience
and solidity I mean they
had you know veteran status
and they could help stiffen some of the younger
newer soldiers in the formation
and some of this is believed by some people
to try to explain maybe why these
hoplites do so well
when they face non-hoplites I mean why are they
kicking ass you know who knows
is it the armor well other people have armor
is it the long spears well anybody
could put long spears in the hands of their troops
what makes them do
what they do what makes samurai so good what
makes Mounted Knights so good what makes
Mongols so good what makes
Apache so good
Hans van Wies also has another idea
about armor and such
and he points out that well why don't I
let him explain how he
sees the development of armor is different
from everything we've always learned
quote as scholars
had traditionally reconstructed
the history of hoplite equipment
it follows in a perfect arc
beginning in the late eighth century
we witnessed the gradual introduction
of hoplite armor culminating
in the universal adoption of the full hoplite
panoply in the middle of the seventh century
then from the middle of the sixth century
onwards parts of the panoply begin to be
discarded until by the end of the fifth
century we reach the rather lightly
equipped hoplite already described
this tidy picture needs some
modification
quote
and in his opinion the artwork
is kind of
you know biased in what it shows right the
artist wants to show the biggest
baddest guy with the coolest looking armor
sometimes I'm paraphrasing here no offense to
the historian
but his point is that you know when you actually look at
archaeological finds and all this other stuff it's
probable that this was always a cost thing
and when you throw people
of different wealth classes
into a large body of
people and tell them to wear
their own stuff this is sort of the
hallmark of all of the
you know city states except
sparta is you buy and bring
your own kit right so
everybody's kits kind of different and
personalized and sometimes they all go
down to the neighborhood market and they're selling helmets
and they're all alike and we get five of the same kind
but if you put all these people together on battle day
it doesn't look very uniform
and because of this we're told
there's even conspicuous display
you know the rich guys come
you know and drive up in the BMWs
right and they have the
horsehair crest that's triple
and maybe ostrich feathers sticking out too
and the really cool bronze
armor that's the latest you know the
Nimbus 2000 kind of thing
and the poor guy shows up in some
leather jerking or maybe some
you know thing of linen they used to think it went from
the bronze armor then to the linen armor
it might have just always been a cost question
and the more wealthy the phalanx
you know members were
the better the armor looked you know
well while the experts may disagree
or discuss quite a lot we'll say
questions of what a hoplite was
or how they exactly fought
we can say with a pretty good
level of certainty can't we
that those are the kind of troops regardless of what
they are that Athens is going to have to rely on
if they are going to
turn back this
Persian amphibious assault
that I mentioned a little while ago
that lands at a place called Marathon
about 25 or so miles outside of Athens
there will be a lively debate in this
wonderfully interesting democracy
and Athenian democracy
in some ways reminds you a little
of the early French Revolution in the sense that
they're democratic about like all
kinds of things like they elect generals
and if you believe Herodotus
they elect multiple generals
who then have to you know share
their demands somehow maybe by you know
today's my day tomorrow's your day I mean
in that sense it's a kind of a
radical democracy in
all kinds of ways
there will be a debate in the city
about the best course of action
you know in dealing with the Persians
is that the realism point of view
do you fortify the city and stay here
or do you go out and meet them and eventually
in part led by
a guy named Miltiades we mentioned earlier
they will put together their hoplites
and maybe their attendance
a lot of debate over how much the people
that actually held the armor for the
hoplites and then once the hoplites
were ready to fight what did those guys do
did they pick up javelins and fight as
light infantry a lot of debate over that too
but Athens will put together 10 or 11,000
of these citizen militia soldiers
who maybe train every now and then
as you know some sort of yearly event
or whatnot and they certainly
would have had experience fighting
but men from different social classes
men from different age brackets up to
you know guys in their 40s certainly
and prominent people
there's a lot of prominent people who will
forever afterwards remember that they fought
in that phalanx that day
and they will take off from Marathon
given that famous order
something to the effective
to take food with them and march
to grab provisions
and go
and so this citizen militia of Athens
takes off
they're joined by
800 to 1000 hoplites from the small city
state of Plataea
and then they go and put themselves
in a blocking
position
to keep the Persians from breaking
out of their little beach head area and
expanding out into the countryside
and then they sit and hunker down
within sight of the Persian army
in this face off which goes on
for a couple of days I try to keep
reminding myself
of the intimidation factor
you know something that tends to diminish
over time
but the Persians in this time period are like
the heavyweight champions of the world and they have
a certain aura about them and Herodotus comments
about this
he says that these Athenians camped out
there are the first to endure
he says quote
the sight of the Medes clothing
and the men wearing it
Persians Medes
he calls the Greeks Helenes and he says quote
in fact
until then even to hear the name
Medes spoken would strike
terror into Helenes
end quote
so there's
a intimidation factor here
there's also a
tactical reality that the Greeks
understand the Persians have cavalry
and cavalry
is something that the Greek way
of fighting without
extra troops around can't deal with
I mean if you're in a formation where the number
one thing you have to do is stand shoulder to shoulder
with the guys around you and not
break formation because then you're doomed
how do you deal with cavalry
that you can't catch
that can ride up to you in small squadrons
and pelt you with javelins and then as you
move out to deal with them
you know run away and if you chase them
you break your formation
and then you meet for that same cavalry
that can come in there now that you're all
disordered and take you apart
the Greeks also
don't have archers the one thing that might
keep that cavalry at arms length
right it's a way to respond at least
at the tactical level they don't have that either
but the Persians do
lots of them
so that'll keep you
camped out for a while wondering what to do
the other reason that historians think it's a logical
thing to wonder about that the
Athenians are waiting for here are for Spartans
they sent
a runner to Sparta remember
as opposed to a championship chariot driver
or horseman
we don't understand why but he made it in record time
so who's gonna argue
and then this person tells the Spartans
you know you can't let this greatest city
of all Greece get wiped out and taken by barbarians
and the Spartans say yeah yeah yeah
we'll be there but we're in the middle of a religious
festival right now
can't make it right this second
but as soon as the moon gets into this proper
phase we're there
and so the Athenians are waiting there for the
Spartans and you know
hopefully nothing happens before then
historians wonder why the Persians are waiting
also and many theories center
around the idea that they're waiting for
you know the coup d'etat to occur in Athens
right for the people there to
you know the realism party
which the war party would call the collaborator
party the medisers
just waiting for those guys to get the upper hand
those same historians think maybe
those guys are waiting for the Persians to
defeat the Athenian army
and then throw open the gates everybody kind of
wants to hedge their bets right that's natural
but if Athens
gates are thrown open the Persians can just get
back in their ships maybe leave a covering force
on the beach and sail around to Athens
and go take it while the army that should be
defending Athens is still waiting for the
Spartans at Marathon
and truthfully
this is an enormously compelling
story and always has been
if you look at it
from the Greek side
and you know as much as I'm trying to look at this
from the Persian side you know I'm only
human and I'm a fan of history and
you know if you forget all that you know fun
we were having with the nonsense of the home
team of western civilization
there's still a compelling
angle that a totally neutral screen
writer would want to exploit here forget
Herodotus who's you know Greek
anyway writing for a Greek audience
I mean if you're a neutral
Persian screenwriter
you might turn this story into a great
movie because I mean these
Athenians have no chance
they're not just the underdogs
but the stakes are everything
if the Persians
lose here and and what are the odds
that they almost never lose
no big deal to them
if the Athenians lose well there's two
ways of looking at it the macro and the micro
the micro is if the Athenians lose
they get sold into slavery
the males probably all die a lot of people
die it's gonna be horrible and they will
pay for all they've done to Persia
but on the macro Athens hasn't reached
its civilizational high point yet
as historians might place it
you know the part of Athens that makes
it so influential on the rest of world
history the reason we still think
of it is different now
they really haven't come to that point
yet they're on the way I mean democracy
started and all these things but the high water mark
is still a ways away if they get
wiped out before that happens
well there's a lot of ways you could play that
what if game right so on the macro level
we all have a stake in maybe
Athens surviving a little bit longer
at least but there's almost
no chance of that right now the Persian
numbers are unknown as always
the ancient sources put them as high as
500,000 Persians there on the beach somehow
being fed and everything well that's crazy
I've seen numbers as low as
the eight or nine thousand which would make the Greeks
outnumber them that seems unlikely too
historians usually think
there was about a you know three to one
outnumbering that's that's a pretty
safe number to throw in there also the range
25,000 to 50,000 men seems
pretty normal to run into
there's debate over whether
or not the whole army was there on the beach
or whether or not some of them were still embarked on ships
going elsewhere doing other things no one
knows
but not only do you have this intimidating army
which Herodotus specifically mentions
the intimidation factor
of Persians there on the beach
but they probably outnumber you and they might outnumber
you three to one
and you don't even have the Spartans with you
and you don't have any cavalry and you don't have any archers
so not only
is this like a David and Goliath
struggle but it's like you go up to David
and say by the way give me that sling and that rock
too and anything else you might be carrying
and take your shoes off and do this barefoot
how many things can be against these Athenians
it's something that adds
to the compelling nature of the story
the odds are just incredible and then they keep getting worse
earlier we talked about history
as a crime scene
and how often historians have to go in there
and you know be the investigators
there have been so many
different interpretations on this battle of
marathon
that is about to happen here
and you'd expect that there would be a lot of interest
after all this battle is often
infused with almost
mythical levels of importance
I think it was John Stuart Mill
who said that the battle of
marathon
was a more significant event in British history
than the battle of Hastings was
but what's kind of crazy is for such an important
event we know
so little about it for sure and it leaves
a lot of room for the experts to sit there and disagree
because there's a ton of things that have to be
pieced together
number one on the list is how the heck does it even happen
according
to Herodotus who's one of the closest
earliest sources about 70-75 years later
he says there's a disagreement amongst
the commanders
these democratically elected generals
of whom Miltiades is one
when Herodotus says Miltiades
and four other generals want to attack
and five other generals
on the other side don't want to attack
boom and even split
so he says Miltiades then goes to
the war archon
who's there who can break the
deadlock and Miltiades
gives him a whole bunch of arguments why he should
the only one that has
any bearing on why all of a sudden
the Athenians should go on the offensive
instead of waiting for the Spartans
you would think they would wait
Miltiades doesn't want to wait and he says that the people in Athens
are liable
to turn against them to
go over to the collaboration side to Miltiades
if they don't do something
the rot will get worse according to one of my translations
that's how he puts it
so the longer we sit here
the more the chances are
that the tide will turn
and the wrong party will get a hold of Athens
and they'll open the gates and all of this will be for naught
so we can't wait for the Spartans
a later tradition
a very late tradition probably an unreliable tradition
suggests there was a turncoat
a spy on the Persian side
who told the Greeks
that the Persian cavalry
was gone
the horsemen are away
it's an old line
the reason that that comes up is because nobody can figure out
how
the biggest thing that the Greeks were worried about
the Persian cavalry
how it's not going to play any important role at all
no mentionable role
in what's about to happen
given the fact that Herodotus emphasizes
that they had specially built
horse transports
made to convey the horses
and that Marathon was specifically chosen
because it would be good for cavalry
where the heck are the horses
when all of a sudden
Miltiades is able to convince
the war archon to support
an aggressive attack
against the Persian lines
I should also point out that there are other historians
who think that what probably happened here
is that the Persians decided to attack
and the Greeks
put on their armor
got already formed up and met them
another line of thinking is that the Persians
finally decided to move
nothing's happening here
let's get on our ships and we'll sail to Athens
and we'll
wave to this army as we leave them on the beach
and then we'll beat them back to their home city
it doesn't matter what happened
apparently the Greeks moved out
according to Herodotus
they lined up their troops in a way
so that they could match the Persian line
which supposedly outnumbered them
and so in order to match the length
of the opposite side
they had to make their ranks
thinner
Herodotus says that on the wings
they were normal depth
which most historians think was about 8 ranks deep
but he says that they were only a few
ranks deep in the center
a lot of historians think that's more like 4 ranks deep
so they're taking a chance here
they'll avoid getting outflanked
on the left or the right
by matching the length of the Persian line
but they're taking a chance
by going awful shallow in the center
the center is where the Persians
put their best troops
according to Herodotus
the Persians are caught off guard
by an army
of more than 10,000 spearmen
charging them
at a run
after the troops were in position
and the sacrifices had proven favorable
when the Athenians were let loose
and allowed to advance
they charged at a run toward the barbarians
the space between the two armies
was about a mile
and the Persians who saw the Athenians
advancing towards them on the double
prepared to meet their attack
they assumed that the Athenians were seized
by destructive madness
as they observed how few of the Athenians
were in number
and how they were charging toward them
with neither cavalry nor archers in support
so the barbarians suspected
that the Athenians had gone mad
end quote
historians have been tearing apart
Herodotus' account of events ever since
but in many ways
we can't expect him to give us
the sort of details that we need to envision
what's really going on here
Honstel Brook was saying there's no way
those hoplites ran
a mile in armor
and then got to the Persian
lines where they then had to exert themselves
fighting, impossible
so the many many
books and papers written out there
about what actually happened at Marathon
will disagree about all the specifics
and of course what everyone would love
is a little bit more detail from Herodotus
I mean he sets this great story up and then
he doesn't tell us anything about the archery
or the cavalry or what happened
I mean there's just you're left to piece it together
it does appear that
there was some running involved
because the battle would become known as a battle
where these hoplites ran into contact
Victor Davis Hansen
says you know over the years
to follow veterans of this battle
could tell others that they fought there simply
by saying we ran
and everyone would know what that meant
and it makes sense to do a lot of historians
because if you're going to run into
one of the great bow fire armies
in history we said earlier
like a machine gun of archery
fire you don't want
to sort of move into
contact by taking your time
right you want to get to the line
so you can start to fight and not suck up
any more arrows than you have to
on the way in so it makes sense
like almost all the ancient writers
Herodotus is just vague
on all the details we would want
there's a lot of writing
about why this is and there seem to be
two general reasons one the ancient
authors thought it may be not
up to the style that they liked
to go into the gory details
we wonder about in terms of the blood
and the guts and everything and how it was
visually for the senses like a horror movie
but also so many of the physical
elements the physics of the battlefield
we talked about earlier that we'd like to understand
better was known to them and their
audience of mostly people who would have
occasionally have fought in battles
like this so it would be known to them too
here's the way you know Hans van Wies
sort of points out this
well understood problem we have
with the sources not telling us things
that's obvious to them but that baffle us
quote
exactly how hoplites
fought their fearsome battles is not
immediately clear from ancient descriptions
all the most explicit evidence
relates to the heavy infantry employed
by the macadonian and Hellenistic
kingdoms from Philip II
and Alexander the Great onwards
rather than to the heavy infantry of the
Greek city states
archaic and classical Greek
authors assumed that their audiences
were familiar with the experience of
combat and apart from recording
the occasional striking detail
described battle only in the most
general terms armies
advance, fight, and
in quotation marks
push until one side
in quotation marks breaks
and runs
end quote
so it's sort of left
to modern day historians
to sort of fill in the gaps a little bit
and one of the best accounts
if you're going to do this movie
you're going to turn Herodotus' story into a movie
you want a guy like historian Tom
Holland to do the you know modern
day screenplay because it's cinematic
he turns it into
one of these charge of the light brigade
type stories which it kind of is
so he's sticking to the
spirit of the event
and he has this phalanx
advancing into combat and all of a sudden
the storm of arrows starts
he's got the countdown
they're at 150 yards, they're at 100 yards
they're at 50 yards you know all the way
getting closer and closer and then he writes quote
those of the enemy directly
in their path had already begun
scrambling to erect wicker defenses
as they realized to their horror
that the wall of shields and iron tip
spears far from providing
easy pickings for their bowmen
as they had first imagined was not going
to be halted 100 yards
50, 20, 10
then as the Athenians war cry
a terrifying eululation
rose even above the
thundering of their feet upon the dry earth
the cacophony of clattering metal
and the screams of the panic-stricken enemy
the phalanx crunched into the
Persian lines
the impact was devastating
he writes
the Athenians had honed their style of warfare
in combat with other phalanxes
wooden shields smashing against wooden shields
iron spear tips clattering
against breast plates of bronze
now though
in these first terrible seconds of collision
there was nothing but a pulverizing crash
of metal into flesh and bone
then a rolling of the Athenian tide
over men wearing at most
quilted jerkins for protection
and armed perhaps
with nothing more than bows or slings
the hoplite's ash spears
rather than shivering as invariably happened
when one phalanx crushed into another
could instead stab
and stab again
and those of the enemy who avoided their fearful jabbing
might easily be crushed to death
beneath the sheer weight of the advancing
men of bronze
end quote
the account by Herodotus
leaves out almost all the stuff
you'd want to know about
his official account of the battle
this most famous of
military charges
against all odds
like a charge of the light brigade
he says quote
they fought in the battle at Marathon
for a long time
the barbarians prevailed in the center
of the line where the Persians themselves
and the Saka were deployed
and as the barbarians were winning here
they broke through the line of the Helens
and chased them inland
but at the same time the Athenians
and Platians were prevailing on the wings
in their victory there
they allowed the barbarian troops that they
had routed to flee
and then drawing both their wings together
they fought those enemy troops
who had broken through the center
and in this encounter too the Athenians were victorious
and as the Persians fled
the Athenians pursued them
and cut them down until they reached the sea
where they called for fire
and started to seize the ships
end quote
one of the things that's crazy about Herodotus
as a
screenwriter if that's what we're going to see him as
is here he's trying to please
an audience of Greeks including Greek veterans
and he goes into
loving paragraph after paragraph
detail
you know over something like
Darius and his six hit team assassins
going after the false Bardia
and yet for one of the greatest
battles in world history even
recognized at that time as being a huge deal
he gives us
like three paragraphs from start
to finish
and in those three paragraphs
he takes some time off with some digressions
and the one real solid
thing you would think you could count on in terms of a fact
turns out to be wrong almost
assuredly
this is a perfect example
why so many of the historians of this period
have to be like crime scene investigators
and how little they have to go on and how they
will ingeniously do things
like mine
the plays and the drama
being performed in the Greek theater for example
during this era right popular
entertainment
because the playwrights who are writing these
plays were oftentimes veterans
sometimes veterans of these very conflicts
were talking about
and the audience members
were too
and so if they make a joke about
the rich guy who shows up
at the phalanx with the super
nice clothes and the triple horse hair
crest with the ostrich feathers and the
Nimbus 2000 armor
and then by the end of the battle
it's all brown below the waist
because he defecated on himself out of fear
and the audience laughs
it's kind of because those things
may have happened
the audience is probably sitting there going
I know a guy just like that right
which is why it played well
and the historians can go aha we can piece together
that piece of information into the puzzle
of what it was like
to fight these kind of battles
listen full disclosure here there's a small chance
that I've told you this entire tale
so that I'd have a reason
to talk about my fascination
with ancient combat
I'm fascinated
with all combat actually
because they all
you know all combat experiences
tend to score pretty highly on my list
of extremes of human experience
and as I said earlier I'm fascinated
by that but the different eras
each come
with their own particularly
horrifying variables
and there are certain elements of warfare
that are unchanged since the stone age
but there's a ton
that's different too right what you face
and say
the battle of Verdun
or the battle of the psalm or something in the first world war
is a very different experience from what the ancient soldier faced
obviously
in a warfare sense
it's a little like the difference between a hundred yard
dash
you know and a if you'll pardon the pun
marathon
ancient warfare is
sprinting
modern 20th century you know long war
warfare that's
those are long hard
distance runs
the challenges to the front line soldier
are different too
it's like the worst game ever of would you rather
would you rather be
a you know soldier
in the trenches in the first world war
or would you rather be
an ancient persian warrior
at the battle marathon take your choice
the challenges
and the stress on your psyche
is different isn't it in those two kinds of situations
you think of the modern soldier
and there's a drip drip drip
constant pressure if you think about it
on the psyche of men
who will serve
you know a week or two or longer on the front lines
in the trenches under fire
you know 24-7 risk of death day after day
that beats on you
in a certain way
the ancient warriors
facing a different task
their lives are relatively fine
most of the time outside of battle day
but on battle day
the stress the intensity
and the fear is extreme
and so they don't get a drip drip drip on their psyche
they get a tidal wave
you know on their psyche that hits over the space
of a couple of hours
equally horrific challenge
but different
and when I think about myself
and I think this is our modern bias by the way
I think we all have it though
but in terms of my modern bias as to what I'm going to pick
I'm going to pick the First World War
which I have described several of the battles of
as reminding me of Mordor
but the First World War
as unimaginable as some of it is
is something I can conceptualize
I think we're conditioned
to understand better things
closer to our own time
and the way they fought in the First World War
you know we grew up understanding right
sit there and use the machine guns
sit there be under fire
it's all a part of our understanding
of essentially modern warfare
and what people go through
and soldiers we know and all that
ancient warfare is much more exotic
and therefore perhaps scary
and it's only exotic because of the time difference
because they were doing this kind of warfare
you know from stone age
times up until a couple hundred years ago
but for modern people watching it
it looks horrifically
similar to watching Jack the Ripper
at work
it is butchery
in the pure sense of the word
and it's close up
you're looking into the eyes
of the people you're killing
maybe I'm just a modern wimp
but it's a lot easier for me
to shoot from across
a nice little intervening distance
at somebody moving towards me
whose face I can just barely make out
than it is to sit there
and hear the grunts and the groans
and the last breath out of their mouth
and I think most people feel that way
one soldier quoted in one of the books I read
it said that when you know when you're close up
and you can hear them
it's a bitch
well in ancient warfare
most of the time
once the arrow fire was done with
it was a bitch
here's what historian Hans van Wies writes
concerning the differences
in what a soldier in the modern 20th century
great wars for example might have faced
and what the
you know ancient warriors on the
battlefield at marathon faced
he writes quote
the trauma of ancient greek battle
was different from the experiences
which leave so many modern soldiers
shell shocked
or debilitated by post traumatic stress disorder
greek soldiers he writes
rarely came close to suffering
the extremes of physical deprivation
associated with trench or jungle
warfare and never saw their
friends blown to pieces
on the other hand hoplites suffered
the devastating experience
almost unknown in modern warfare
dominated as it is by long range
fighting with guns artillery and bombs
of standing at no more than
an arms length from the enemy
and laying into one man after another
with spear sword
and ultimately bare hands and teeth
end quote
see this is where ancient
combat
becomes like my little
laboratory for observing
us
you know and what's innate
in us versus what's a
you know an effect of our culture
on our development
I mean think about yourself
for a second
I think you like me can imagine yourself
firing a rifle at some enemy
can you really imagine yourself
under almost any conditions on a battlefield
you know holding one
end of the spear as you drive the other
end into the chest or face of another
human being
and then by the way you're not done you have to go then
to the next human being and do something like that again
or hope you can
or if that doesn't work and you're down to your other weapon
you know slicing them
or stabbing them with a sword
face to face
while they try to do the same to you
I mean some of you can
I understand that we have all kinds of people
but I mean for the majority of you out there
is this something you could realistically
imagine yourself doing
under almost any
circumstance
and I ask that because remember
most of the people in these greek city
states with you know Sparta accepted
are regular people
I mean these are not professional warriors these are commercial people
these are bakers these are farmers
these are even
you know the politicians of Athens
would be out there even
I mean these people are going back to their
jobs the day after the battle
I can't help but think
about us in the same situation
I mean if the great simulation
player in the sky
I can't help but think about
my Nick Bostrom simulation theory at a time like this
if he changes the preference
on his game
to one that no longer allows us to have
any weapons that were invented after the year
1300
could we go back to fighting
the way they fought back then
I mean could we create
a
city state phalanx maybe the Los Angeles
phalanx train it up
for a little while send it back in time to take on
the average city
phalanx in ancient Greek times
and have them
not defecate
and run away as soon as the spears
of the enemy came close
I mean I'm wondering if you could even train
one of our military units up that way forget the people
of Los Angeles they may be
a little too thin for this gig
but I mean if you could train a military
unit of ours for a year and send them back
I bet you they'd be better
than the Greek phalanx at maneuvering
and and drill and all that kind
of stuff I bet they'd have that down it's
the rubber meets the road moment though
that counts when they have to face
the spears headlong of a citizen
phalanx of bakers and potters
and farmers who've done this before
from a culture
that understands it
do you think our even military
unit would stand there when the
spears start jabbing in each
other's faces and
not run away
and here's
the you know
question that really gets me thinking
if you won't stand there
because we just don't do that it's not our
culture you know we don't have what they
have anymore how long would it take
to get it back if you decided
you know the great simulator in the sky
just took guns away we have to fight like
this if we're going to defend ourselves how long
would it take how long does it take
for the culture to rebuild the ability
to do a skill that has not
been necessary for a very long time
and the thing is
is you wouldn't think it would be so difficult
theoretically
but it turns out that over the last several hundred
years as people have shot at each other
more on the battlefields
it's become harder and harder
to actually you know
walk up to somebody else and stick them
with a pointy object there's been
quite a bit written about this
it seems to be
both particularly
feared as one might expect
but also particularly abhorrent
to the people who have to do the
skewering
and I've read elsewhere this is one of the things that makes
some of the famed military
units out there like the British girkus for example
that are known for hand-to-hand combat
you know more particularly intimidating
because unlike most people
they're generally okay with the idea
of coming to close grips most people
would rather you know stay away
because obviously
it's nasty stuff
in his book on
killing lieutenant colonel
Dave Grossman says that
it is the proximity to the victim
that determines
you know how resistant to killing people tend to be
and that by the time you get to like
bayonet range he says the resistance
on the part of human beings both on the
receiving end and the giving end of the bayonet
is intense
but what happens when you're talking about
a period in warfare
where that's not an unusual event
as it is in modern warfare
it's the way you do business it's how you
fight we stick people with pointy
things or they stick us with theirs
welcome to war for
well most of human history from the
stone age until a couple hundred years ago
nowadays it's the nastiest
thing most soldiers
contemplate
Grossman along with a lot
of other historians goes on to point out how
most historians think
that the idea that there was ever bayonet
fighting you know bayonets those
those long knives on the ends of
rifles that people used for
a long time I mean the American Revolution
we had them the Napoleonic wars the US
Civil War the First World War they still
use bayonets or have them
for militaries today
but it seems like almost
never is anyone killed
by one
and the dirty little secret apparently according to
Grossman and others is that one side
always runs before having to
get stuck by the other
and usually according to Grossman the side
that didn't have to stick the other side is kind of
glad they didn't have to either
he says when two bayonet lines
came together historically he said
quote very often neither side can bring
itself to close with the enemies bayonets
the advanced falters and the two
parties begin to fire at one another from
ridiculously short ranges
end quote
he then quote some other stories that say when
soldiers would come in bayonet
range with other soldiers somehow they just
managed to turn their guns around and were often
using the butts of their rifles as clubbing
instruments instead
he said quote we can understand
then that the average soldier has an intense
resistance towards bayonetting
his fellow man and that this act
is surpassed only by the resistance to
being bayoneted the horror
of being bayoneted is intense
end quote
well of course it is
so he said that modern people don't want to
stick a knife into anybody else and that
they don't want a knife stuck into them
makes perfect sense
but nowadays you can avoid that in most
cases this is the goal
of ancient battle the very thing he says
modern people would most like
to avoid in a grossman is quoting veterans
who are saying that the worst thing that they
ever dealt with was the kind of thing that
greek and persian soldiers dealt with in every
battle
what's missing of course from this whole question
from the persian side
to try to get an idea of what it was like
for a persian soldier fighting in the ranks
after all we try to look at this a little bit more than
well at least normal
from the persian side of things but there aren't
any accounts
for individual soldiers in the ranks
or generals or anything from the persian side
that has come down to us that would give us
the equivalent of what the greeks do which is
a tiny little window one more little tile
in the mosaic
helping the historical investigators
recreate a little bit about what this
combat must have been like
it's sort of historically
ironic that what little you can
divine about what this must have been like
for the persians you get from the greek
sources
often talking about hoplites who fought
differently than their opponents
you have to weed out
things that are specifically part of the greek
hoplite experience that wouldn't apply
to persia and say something like that
and then notice the other things maybe we would
call them
the physics of the battlefield
that would be present for anybody in a pre-gun
powder battle
whether we're talking about the wounds
or the fear
persians have to deal with that on their side
as much as the greeks have to deal with it on theirs
but we may only have the greeks version of the events
in order to extrapolate
what the persian experience must have been like
you know we've mentioned the idea
a couple of times of
creeping in continents and then turning
and running away
because in these ancient battles
fear is the key
component
in fact one could make a case that the main
thing that a general wants to figure out
how to do in a battle plane is how to create
the biggest chance that you're going to scare
the other side
I mean if you think about
people as kind of like spooked animals
have you ever seen a horse herd
when they get scared and all of a sudden the fear spreads
from the initial point of contact
to the little rattlesnake that scared them
or whatever and you know sort of moves
like a shock wave through the whole herd
that's what people facing
danger would choose to do
if allowed to do whatever came naturally
right we see danger we go in the other direction
part of what military discipline
has been aiming to do
pretty much since ancient Sumeria or before
is to keep people
from giving in to that natural urge
right that self-defense
preservation urge and evolutionary
you know advantage certainly right
and the reason fear is a bigger
more acute problem on an ancient
battlefield than a modern one has to do
with the size
when you have an occasion where units
panic and run break
route whatever term you want to use
in the big modern wars
that is a small cancer
in a big organism
and it can usually be
isolated and cauterized
relatively easily
without the entire enterprise along a giant
line being too badly affected
but in the constrained
space of these ancient battlefields
panic was contagious
and you don't know
how many people it takes
to run before
you know everybody does
nonetheless when people start to run
it's almost as though
the little thin
piece of your intellect
that is keeping you where you're
supposed to be due to all military
discipline and everything else snaps
and you've heard that saying last one
is a rotten egg
on the ancient battlefield
last one is dead
would be a better phrase
because
when a route happens
the people most likely to stand
and try to
stick it out are the ones who are the most brave
and the least likely to give in
the ones that don't want to be cowards and shirkers
and aren't going to run away
but they're also the last to get away
and the ones who get speared in the back first during the pursuit
where the majority of casualties are dished out
by the way
that's where you die
on an ancient battle historian Richard Gabriel
says quote
in every army there is a mob
waiting to escape
and its motivation is fear
the real killer on the ancient battlefield
in combat have their instinctive
flight or flight responses held
in delicate balance by a thin string
of intellect continued stress
increases the probability that someone
within the ranks will lose his nerve
and run sometimes the actions
of a single soldier are sufficient
to forge the onset of panic
in an entire unit once
the integrity of the formation began to erode
the ancient soldier was a very
great risk of death or injury
end quote
and so everybody is kind of
trying to stand their ground
without wanting to be the last guy
to get away if things go badly
so everything is sort of held
by such a narrow
strand of discipline
the greeks used to talk about
the god Phobos
and that's from the
the root of the same word that gave us phobia
meaning fear
or the god Pan
the root of the word Panic
who could sometimes come into
these ancient battlefields and sweep
through them in like a herd of horses
you know just spook everybody
I mean if you saw someone get around your flank
on an ancient battlefield you might run
you might spook and if you do
the unit next to you might spook also
if you see a friendly unit route
you might spook and run
and if a bunch of people
in your unit start getting
torn to pieces
in a bloody carnage right near you
you might decide to turn
and run too or your psyche
might decide to
eliminate all choice from the matter
and terror, blind terror
might just take over
and fear is actually
you know something that
is exploitable and that's
paid attention to I mean you feel like
there's almost a connection to the animal kingdom
when you're talking about warfare
in the era where you came to grips
with your adversary or nearly so
in the same way some of those animals
will get up on their hind legs
or stand up tall or their neckle
bulge out to make them look bigger
it's a psychological thing right
it's a intimidation
move maybe you could call it
I mean part of the reason these Greeks
have these giant crests on their helmet
same reason those Napoleonic troops
would get those really
tall grenadier caps too
it makes you look taller, gives you that little bit
of extra intimidation
it's a housing factor
on an opponent that at least in Greek times
you might come face to face with
and that's when something like a little
extra intimidation factor
could be the difference between life or death
in fact some
units were considered to be and some peoples
and armies were considered to be extra intimidating
there are stories about whole
units running before combat
sometimes running after they see the
lambdas on the Spartan
shields so that they knew
uh oh the people in front of us are Spartans
some people didn't wait around
to see how that was going to turn out
and so to be intimidating
was just one extra thing
that helped the Spartans when they actually came to battle
and there were bunches of units
and types of troops that had those sorts of
intimidating
reputations that sort of preceded them
to be intimidating
is something that can actually
give you an edge in hand to hand combat
and you know even that term
hand to hand combat
you know I mean it sounds almost nice
doesn't it like a helping hand
when in reality I keep trying to
remind myself that we are talking about
you know what if it happened in a
civilian sort of context today
would be a face to face
brutal murder
there's a lot of footage you can watch
of modern conflicts in many places
where you'll see someone get killed
and they'll be manning a gun somewhere
or moving somewhere and all of a sudden you'll hear a crack
sometimes from a distance where no one's looking
and someone will fall down and it'll be this horrifying
experience for all concerned who are there
but it's this shock it's over in two seconds
and you don't even I mean the terror
is sort of after the fact
it's a whole different thing when you get a chance
to march up and see
your fate
you know as it marches towards you
and you know knowing that one of you is not getting out here alive
and you both might die
and as you're
getting closer to people summing up you know
which person out of that crowd of people you're running
towards you're going to aim towards
and you know what might be aiming towards you
I mean the thoughts that run through the head
that challenge you in different ways in these ancient
battles
you again just wonder
how people did this
historians
often use the book the Iliad
the stories of Homer
as a tool to
understand kind of how these weapons
you know what kind of wounds that they
inflicted and how people
reacted and what not because
the weapons are the same even if maybe how they used
and was different and it's terrifying
stuff it's one horrific
you know outcome after another
the spear goes through the eye hole
and the brain oozes down the shaft
I mean it's stuff like that
horrible things lots of people get hit in the groin
and it's awful and and you turn around
and you start to realize you know maybe the
reason that these ancient playwrights
and these authors didn't get into the gory details
you know about all these battles
that we want to hear because we can't imagine it
might be because the people in their audience
might have been trying to forget some of it
but it's
absolutely terrifying
warfare is terrifying anyway
but having to face this kind
of conflict and you know you need to
remember at least in terms of the greek phalanx
a lot of times the people fighting right next
to you are relatives and friends
and loved ones and local politicians
and the butcher and the baker and the people
that you know and that's great in terms
of stiffening you and helping you resolve
and and fostering sort of a
camaraderie from people you know
who aren't training together all the time
you have the camaraderie naturally because you're related
and you know each other and you grew up together
and what have you
but when those people start
dying it's the double
edge sword of that effect and all of a sudden
you and the ranks trying to keep it together
and not run or watching
you know your loved ones and people you know
get speared in the face and having the brain
run through the eye hole down
the shaft of the spear
is there I mean it's just it's terrifying
on a this you don't even know how people control
themselves forget about having
any sort of conscious sense of fear
the greeks were terrified to although people
have been
let's just say very
respectful of the power of combat
forever
in the sound besides the you know involuntary
loss of
you know the incontinence shall we say of the
of the rankers you know there's stories
of trembling in the ranks there's stories
of teeth chattering
that was so loud and widespread
I think it was supposed to have drowned out
the sound of a speaker
people understood what they faced
and there was involuntary
responses to that that are just human
how do these soldiers deal with this
fear
well how would you deal with it how
soldiers dealt with it forever there have been
widespread
conversations shall we say amongst historians
for a very long time over how
much you should or should not assume
the presence of alcohol in a lot of
these battles or other drugs
there are all kinds of problems
trying to figure this out I mean for example
in a lot of these cultures they drank a lot
anyway how do you separate
what was the normal wine ration
for a breakfast for some of these
soldiers you know from the extra
amount they drank because they were going to
you know face a wall of spears that they had
to run into head on that day
again hard to figure one historian
when asked to theorize
about the likelihood
of hoplights
going into battle drunk he said
that the likelihood was that they were
almost drunk
so take that for what it's worth
but you know who would be surprised
and you know one part of me
wonders how people gear themselves
up to do this but the other part of me
wonders how they live with it afterwards
I mean do things haunt
their dreams
how would you react
if you killed someone by hand
what if you killed eight people
with a knife over your lifetime
would that change you
how would that change you
would you still be normal
what is normal
what is normal
I mean what if you'd done this in the service
of your country killed eight people with a knife
you're a hero
are you unaffected
and if you're affected how are you affected
and if that's not normal
especially in our society today
and that person is unusual
you know when compared to the normal
you know rank and file of the population
they have an unusual experience
what about the ancient world
where in some of these places
you could reasonably expect a decent percentage
of the people in these societies
to have killed people in hand to hand combat
sometimes multiple people
so in other words
what might be very abnormal
in this society to be a
person who's killed multiple people
with an edged weapon might be a
relatively normal experience
in some of these other places
how does that change the society
I mean when people could say
my husband did that
my dad did that
my grandfather did that and killed 16 people actually
and I hope my son will grow up someday
and do that too
I mean when that's
you know the carrots and sticks and the expectation levels
in society how does that alter the equation
and this whole question
about culture and environment
and nature and nurture I guess you could say
it even goes back to
really manifests when you
have debates between the experts
on whether or not these ancient peoples
suffered from what we would call today
post-traumatic stress disorder
because of their involvement in this kind of murderous
conflict
historian Richard Gabriel suggests
that there must have been thousands of psychological
casualties after these
terrible ancient battles
but there's a whole school of thought
that suggests that that's not true
and by the way
it's been wonderful to see the addition
to the traditional historians and classicists
who've been dealing with this kind of question forever
neuroscientists
evolutionary biologists
biochemists and people who
you know focus so much on how the brain
functions because some of this stuff
that these people go through can be impacted
by the way they were raised but some of this stuff
is just how your brain is wired
hard to figure out where one ends and the other begins
and the debate is fantastic
for example if we went back
in our little mythical encounter
between the Los Angeles phalanx
and the city state of Thebes
do you think if you could go interview
the survivors of the Los Angeles phalanx
40 years later
that we'd be expecting some psychological
PTSD, hangover type
casualties, some effects
I imagine we would all expect
there to be some
let's just say haunting
memories at the very least
the question over
whether the ancients actually suffered from this
though is interesting and as you might
imagine historians
and others comb through the original
material in fact at the battle
of Marathon Herodotus says
there is a case that modern
day researchers often point
to as an example of
PTSD Herodotus says
there's a story of a soldier who went
blind at the battle but who
was totally uninjured
the story is that he saw a warrior
a huge warrior with a huge beard
coming to strike him and instead the warrior
struck the man next to him
and the sight instantly disappeared from this
man and he never got it back
and a lot of as I said modern day researchers
point to that as an example of what in the
first world war the second world war they might
have called hysterical blindness
one of these guys I was reading
called it a convergence disorder or something
like that it's above my pay grade you understand
but the point was as they suggested in 20th century
combat it would not be an unexpected
thing to have happen
anthropologist Alan Young for example
says that what we call
PTSD today is not
timeless or uniform
he says that the idea
of traumatic memory is
quote man-made
end quote something that originated
in 19th century thought
and he says quote before
that time there is unhappiness
despair and disturbing recollections
but no traumatic
memory in the sense that we know it today
in short
the person who quotes him that I'm reading
from says it's a culturally conditioned
response to trauma
end quote
the person who I'm quoting from those historian
Lawrence Trittle who is
suggesting that due to
neuroscience now becoming
involved it's starting to look
more and more like the responses
that modern day soldiers have to some
of their combat experiences is timeless
and has a sort of
a universal soldier they call it
aspect to it the kind of thing
where modern day soldiers would be able
to commiserate with these hoplites
or these Persians at Marathon
and talk about some similar things maybe
I've read some other interesting things that suggest
that the Greeks for example
maybe the Persians too wouldn't have had
any bad thoughts about the people
killed they wouldn't have been haunted by
ghosts and stuff like that because all the
societal carrots and sticks reward that
they would have been notches
on the sword belt the family
honor would have gone up
no societies really discourage the killing
of enemies
to the people or the state
or your local district
or what have you so there would have been a ton of support
for the idea that great things had been done
things worth bragging about as opposed to
fretting about
at the same time
anybody's liable to go through
these experiences that just haunt your
nightmares and you wake up in cold
sweats from later right forget about
you killing somebody else how about you narrowly
being killed yourself
or watching your buddy have that spear
shoved through his face or whatever it might
be the panic of the moment
isn't it just human to expect that
that might come and find you later
in your dreams or elsewhere
or does your culture
insulate you somehow from that
too
what article i read suggested
maybe a case could be made that enough of these
societies were enough of those people had
experienced incidents like that
could be called a traumatized society
and does that explain
things that it would
go through and did I mean
does it take a traumatized society to fight
in one of these battles that would traumatize us today
because they're insulated from it
I don't know the answer
to any of these things but I find them all fascinating
and I find that the laboratory
that helps us to
do experiments with these kinds
of questions is ancient battle
so it opens up the door I told you I'm totally
fascinated by what this can
tell us about people and culture and stuff
like that
and when we think about cultural
differences for a minute let's
remember what you know as many of you will
always point out to me what these people grew up
watching what their lives were like
I mean these are people that in a lot of these
eras enjoyed going to executions
for the entertainment value
alright so let's remember that
a little bit Victor Davis Hansen tells
a story and trying to give us an idea about
how terrifyingly horrible
the battlefields were the day after
the battle was over and any of these ancient
battles and he says
that sightseers
would go to the battles that sometimes
the rulers who would won these battles
would actually you know ferry the sight
seers over and sometimes couldn't even keep up
with the demand these people that wanted to
walk not for looting purposes
just for entertainment value
now let me say something here I know
we're a sick bunch
and I know that if you put this stuff up on
YouTube a lot of you out there
would go and watch it
many of you out there
would click on the
website video that showed
you one of these battlefields
afterwards you know which is really
indicative of how nasty these battles are
because you know unlike modern warfare
this all happens in a confined
space and it is the confined
space that creates the uniquely
horrific slaughterhouse
that is an ancient battlefield which by the way
is a historically extinct
thing nobody will
ever see this again and nobody has seen it for
like 400 years
this kind of slaughter in a combined
space would you go on the tour
I've said I want to be in that hot air balloon
which by the way I read in another book
someone else said so I've obviously ripped it off unconsciously
but I've often said I want to be
up there in the hot air balloon looking down
and answering all of my questions about how did this formation
that had no drill actually move on the battlefield
totally forgetting that going on
100 feet below me is
absolute madness
people absolutely
scared out of their minds
cutting each other up at the I mean
madness
and there's no way
I'm going on the foot tour
afterwards and you know I had somebody I knew once
who said that you know you could kind of say that
modern warfare is like a bunch of jumbo
jets crashing
over a relatively wide area
and the bodies are often
burned or torn up and that's
considered to be an extra bad thing if you're in the first
world war it's the torn up bodies are
destabilizing to your mind it's awful
and the smell is like
you know of explosives
or fuel
but if you go to an ancient battlefield
it looks a lot more like a bunch
of individual murders thousands of them
you know
Xenophon wrote and basically made it sound like
you could kind of walk the battlefield
and recreate what you were seeing this guy stabbed
that guy these two people killed each other
but both died I mean
you're watching a lot of different individual
stories when you walk those battlefields
and you're getting your shoes
extremely dirty Victor Davis Hanson
reconstructs
what one of these fields must have looked like and remember
he's talking about the onlookers who would go
afterwards to experience
what it was like at one of these
battlefields the day afterwards
by the way Herodotus says like 6400
Persians
died at Marathon at about 200 Greeks
which shows you
how one sided ancient battle could be if those numbers
are correct
imagine going to the battlefield the day after that
here's how Hanson describes
the reality of this
historically extinct thing
that must have been very familiar to
you know human beings for tens
of thousands of years he writes quote
besides the sheer concentration
of bodies the most common sight
to these onlookers would have been the quantity
of spilled blood and gore
in some of the larger battles
between hoplites
Deleon, luctra and platea
thousands of corpses lay with huge
gaping wounds from the spear
and sword since the flesh was never
incinerated as it came to be
in modern battles by the explosion
of bomb and shell and because the entry
and exit wounds created by
double edged iron spearheads
tends to be larger than those
caused by small arms fire
the bodies would have drained much of their
bodily fluids upon the ground
walking among the pile of corpses
entailed treading everywhere
over stained earth and pools
of blood
Polybius says that after Zama
the battlefield was so thick with bloody
corpses that it was nearly impossible
to advance over the ground which suggests
that many had attempted to do just that
in his famous description of Coronia
Xenophon recalls that the very
earth had turned red
a phrase that was probably no exaggeration
and in Sicily at the final
slaughter of the Athenians in 413
the bodies of the dead lay piled
on top of each other in the water
their spilled blood turning the very current
red. Plutarch recorded
a similar picture after the death of some
25,000 Macedonian pikemen
at Pidna. The entire plane there
he says was filled with corpses
and the river Lucos ran red with
their blood. Again this seems likely
if each of the fallen men lost
a mere third of his six courts of blood
either during the final moments of death
or after the corpse lay in the dust
there could have been more than
10,000 gallons to soak the field
and quote
10,000 gallons of
blood soaking a field that's
10 or 20 football fields long
to me simply
walking that field the next day would be
one of the extremes of human experience
I can't imagine being one of the people
who had to create that mess
or to be honest
anyone who had to try to clean it up
the mess at Marathon
afterwards could not have been tidied up
too quickly because one of the things
of course being very different men than yours
truly that we are told
that the Spartans wanted
to do as soon as the moons phase
you know turned correct and they were
able to show up too late to fight
in the battle but apparently
not too late to see the bodies
and they wanted to go look at the dead
Persians in the battlefield
probably wouldn't mind seeing a good executioner
today
different times you know
the aftermath of the battle of Marathon
is frustrating from a military history
standpoint because didn't we say earlier
that this is an occasion where
tactical weapons
systems actually impact
history all the way up to the really
big trends and forces level
but there's not enough
information about how this battle
went the way it did for you to discern anything
I mean you want to know how the cavalry
is going to face off against the hoplites
and how that you know weird
weapon system anomaly is going to play out
but Herodotus doesn't even mention the cavalry
which is why everyone wonders where it
is
then you wonder about the archery and is the machine gun
archery just going to mow these hoplites down
Herodotus doesn't mention anything about the archery
either
the only thing he mentions within his certitude
is he said that the
victorious wings of the Greek
army turned around and surrounded
you know the Persian
center in other words a double
envelopment which I can't find
historians who think yes that's likely
in a period where Greeks were better
trained and better drilled in the Hellenistic
era you still rarely
could have a single envelopment but
historians suggest it's
a little strange to think that these citizen
hoplites from Athens were able
to achieve a double one especially
planning to and then carrying
it out
so the one thing Herodotus tells you turns out to not
be true
historians you know will play with ideas like
well the Greeks were victorious because they had a lot
more to fight for which is certainly true
but it's all speculation
and it doesn't tell you anything and you feel like
you waited you know through a whole thing
for a cliffhanger episode
and then the cliffhanger episode of the show
you're watching has a cliffhanger episode at the
end
it's a heavyweight fight that ends on a fowl
although let's not take anything away from
the Greek victory it's huge it saves Athens
right
and the Athenians will take such pride in
their victory at Marathon that they will continually
be reminding Greeks of it for a very
long time
famous playwrights will have it put
on their you know the equivalent of their
tombstone instead of any reference to
their you know work in the theater
I want you to know I fought at Marathon
the Medes know it
that kind of thing
so it becomes a part
of mythology
and not just Greek mythology but as we said
at the beginning you know western
traditional mythology
ever since but from the Persian point
of view you know Marathon
may have even just been a single
setback on an expedition
that had tons of
positives Pierre Brion
suggest that this whole affair
was a punitive
expedition you know we burned Eritrea
we had most
of the area submit
earth and water to the great king so before
we left those places weren't
beholden to us now they are
so you have one setback at Marathon
troops we can easily replace
money we have more than we need
and by the way
they don't really look like a beaten army
when they leave Marathon we're
told that the battle of Marathon ends when the
Persians get on their ships and leave
but where do they go
they don't go home like tail between
their legs straggling hoping
that they're not chased down
you know and run down to the ground
they go to Athens
they take another stab at getting
into the city heck the army's not there
we just lost to the army so why not sail around
take advantage of our extra mobility
and capture Athens while they're gone
and again you know rumors of
fifth columnists inside the city saying
now now now and shields flashing
on the top of mountain sides you know
then you have another part of this
story which is famous again
from the Greek point of view where the
troops at Marathon go
the 25 miles on foot at high
speed faster than you could even expect
and by the time the Persian fleet pulls into the
harbour at Athens they see the army
they just lost to waiting there
for them
so now they compare the prophet and lost column
and especially if Briand and others are right
and this is more of a punitive expedition
it's already achieved the major goals
so now they go home
and while the Greeks
and especially the Athenians are justifiably
proud of defeating the Persians
at Marathon and they should be
I mean what were the odds of that
you can't help
but think that what's happened here now
is that they've
managed to go from
a gnat that was a minor
annoyance on a dragon
or a giant and they were absent-mindedly
swatting at them with their hand
to something a bit hard enough
to get their full attention
and find themselves now
in the cross hairs
of a man
who's not just the king of kings
but he's been on the throne
for more than 30 years
he is
uber confident his people
according to Herodotus
you know think of him as a shopkeeper
or a huckster we thought of him more like a CEO
he reminds me of like
a Steve Jobs type character
somebody who's you know whole sort of
being is infused
in the corporate structure
I mean after 30 years of rule
the Persian Empire has Darius
all over it and now
he decides
that he's going to lead
a bigger, better prepared
expedition
to Greece
himself
if you want something
done right
sometimes you just have to do it personally
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can you have drama without the dramatist
it's something I keep asking myself
as I look ahead
to the next part of the story
because if you believe the ancient sources
they always make it sound as though
the mainland Greeks like the Athenians
and the Spartans really had little
or no contact with the Persian Empire
until the period that we just talked about
but once that period
happens the Greeks
and the Persians you can just see their fates
become like
unbreakably linked with each other
and it influences this story
dramatically because the dramatic
people who are writing about it
take the dry facts
that you might be able to glean
from the Babylonian records
for example the cuneiform tablets
and make them live
they re-inject the color into the situation
if you talk about big political type things
like I tend to do
in these shows
those are dramatized by people like Herodotus
the Persian Empire
is doing things in other corners of their empire
things that you can sometimes find out about
or glean
from things like Babylonian cuneiform tablets
but that doesn't mean they're dramatic
and sometimes there's very little to talk about
other than to say we can tell
that the Persians were operating in the northeast
of their empire during these years
if Herodotus or a Greek tells
that story there's probably
a love affair involved
or some wonderful oracle has spoken
or somebody's doing some stuff
that he's getting some karmic payback for
so even though we want to look at this story
more from the Persian side than is normal
we're going to be hamstrung like everyone else
and we're going to have to
and you know let's be honest
it's hard to not lovingly embrace some of these
Persian and Greek kabuki
dances that they do with each other
we'll try to look at it
from the Persian side as much as we can
but as always
you're getting the Dan Carlin version of this story
and I find
just like a filmmaker would be
give me as much latitude please as you'd give Oliver Stone
to take the part of the story out that just
blow my mind and string them together
I always figure you can get
the traditional telling of this story
from some more credible source than yours truly
but you can't get my incredible
telling of this story from any credible source
I don't know if that's a compliment or not
but in the next episode
of this program we're going to start out
pretty darn soon at the beginning
with war
and it's one of the most famous wars
ever
and it's going to be followed by
some similar conflicts after that
if this little
intertwined destiny
between the Greek and the Persian
you know peoples it's a little like
I was thinking it's a little like a man and a woman
that just can't stay away from each other
but they had this poisonous relationship
and maybe at some point the man
representing the Persian Empire
who's the CEO who could have any woman he wants
he doesn't need all of this drama
he goes back and finally breaks away
and the toxic relationship is ended
and then somehow some way
the Greek Spitfire woman
shows up with a new abusive boyfriend
who punches him in the nose
oh did I just give the rest of the show away
well probably in the next episode
we're going to make no promises
that and a whole bunch more
as we continue this
maybe endless saga
with Kings of Kings
Part 3