Danny Jones Podcast - #388 - Cartel Insider Exposes ‘Sasquatch’ Triple Murder You Won’t Believe | David Holthouse
Episode Date: April 17, 2026Watch every episode ad-free & uncensored on Patreon: https://patreon.com/dannyjones David Holthouse is a gonzo journalist, writer & filmmaker. His documentaries include Operation Odessa, the Last Nar...c, Sasquatch & Krishnas. https://davidholthouse.com SPONSORS https://amentara.com/go/dj - Use code DJ22 for 22% off your first order. https://shopify.com/dannyjones - Sign up for your one-dollar-per-month trial today. https://liquid-iv.com - Use code DANNY for 20% off your first order. https://mengotomars.com - Use code DANNY for 50% Off & 3 Free Gifts. https://whiterabbitenergy.com/?ref=DJP - Use code DJP for 20% off. EPISODE LINKS https://davidholthouse.com FOLLOW DANNY JONES https://www.instagram.com/dannyjones https://twitter.com/jonesdanny OUTLINE 00:00 - Operation Odessa 05:38 - Surveillance in Russia 12:07 - Cartel's access to technology & intel 14:44 - Cartel Influencers 18:13 - Why Chihuaua City, Mexico is terrifying 21:06 - Gonzo journalism 24:39 - The Last Narc & who killed Kiki Camarena 30:53 - Felix Rodriguez responds to Kiki Camerana rumors 35:59 - The trauma of Vietnam veterans 39:18 - More veterans die at home than at war 42:07 - Felix Rodriguez's relationship with CIA 45:03 - California's unsolved Sasquatch murder 49:13 - The scariest moment of filming Sasquatch documentary 53:32 - The scariest part of California 01:01:31 - "Mirroring" for good documentary filmmaking 01:04:51 - What Chinese cartels are up to 01:06:19 - Narco Mennonites 01:11:25 - Crazy story about El Chapo 01:15:14 - Staying up for 72 hours with meth heads 01:20:34 - Embedding with Skinheads 01:29:48 - Visiting Aryan Fest 01:37:59 - How to spot Scientologists 01:41:14 - The Hare Krishna movement 01:48:39 - David's production style 01:55:44 - David's secret to finding new projects 02:02:13 - Supernatural beliefs in Mendocino, CA 02:07:53 - Interdimensional portals in the woods 02:08:55 - David saw the Pheonix Lights 02:15:17 - Link between Epstein Files & UFOs 02:19:33 - California's energy policy relies on Iran oil 02:26:17 - Why we need nuclear power Learn more about your ad choices. Visit podcastchoices.com/adchoices
Transcript
Discussion (0)
All right, David.
Thanks for coming, man.
Yeah, thanks for having me.
Incredibly huge fan of your work, bro.
I just watched the most recent one I watched was the Sasquatch movie, which is incredible.
We'll talk about it.
Cool.
But just right before we started, we were talking about the Operation Odessa movie, which is one of the most insane documentaries ever.
I was surprised because when I was doing some background research on you and I saw that, I was like, no shit.
I'm like, that was one of my top, top 10 movies I've probably ever seen.
So why don't you explain that one real quick for people?
How did you get introduced to that one?
Yeah, so Operation Odessa was directed by a really good friend of mine,
a long-time colleague, Tiller Russell.
And he'd been working on that story for about a year
trying to get access to this Russian gangster named Ludwig Feinberg,
aka Tarzan, because Tiller and I had worked on a show together,
that actually I think never actually made it to air
that was about undercover agents, okay?
And there was this one undercover agent
that we interviewed that was like the DEA's top Russian mob guy.
And off-camera, Tiller asked him,
okay, like, what's the craziest case that you ever worked?
And this guy was like, bar none,
the first case I ever worked.
And he told us the story of Operation Odessa,
which was that this Russian mobster, Tarzan,
got connected with a Colombian trafficker
named Juan Almeida and a Cuban spy known by Tony Yester.
And this is right after the fall of the Soviet Union.
And Tarzan had connections in the former Soviet Union
to get like surplus military hardware.
Because in like, you know, in Russia, right after the fall,
like no one was mining the store.
And so like you could get motorcycles, military motorcycles,
AK-47s, RPGs, whatever, right?
All these like military generals and officers on down the line
weren't getting paychecks, okay?
And so they started this trio.
They connected at this strip club that Tarzan ran in Miami called Porkies because he was a big fan in the movie.
Okay.
So he named a strip club Porkies.
And they started off moving like motorcycles to the, to a cartel in Columbia, okay, to the Cali Cartel.
Yeah.
And from there it went to the cartel, asked him if they could get like a heavy military transport helicopter.
which they could use to, like, move, like, you know, tons of coke with by hooking it up on a, you know, a cable hook.
Yeah.
And they brokered that deal successfully.
And, like, transported this massive Soviet military helicopter to Colombia using a transport plane.
Holy shit.
Yeah.
And so after they pulled that off, the cartel was like, can you get us a submarine?
Okay.
And so that's the story of Operation Odessa.
That's the, you know, that's the story of the film.
And wasn't there a famous scene in there or one of the parts I remember were they sitting in a sauna and the dude's like, you want to nuke?
Yeah. So the three, like Tony Yester is like straight out of Scarface. He was a Cuban intelligence agent that Castro sent over on the Marial boat lift with the intention of getting into the cocaine trade to send drug proceeds back to the Castro regime in Cuba.
And so Tony Hester was a trained fighter pilot and trained intelligence agent that came over on the boat lift with the intention of getting involved in drug trafficking, which he did.
But after a couple of years of sending money back as he was ordered to, he was like, you know, I can be a spy and get my own thing going.
So he kept funneling money back to Castro, but he also had his side business going.
And the scene you're referencing was he went to Russia with Tarzan while they were trying to broker the submarine deal.
And all the military guys, the Soviet military guys, wanted them to go in a sauna because a lot of business is done there.
You know, it's kind of a thing in Russia.
We all get naked and sweaty and do business.
Exactly.
There's a thing like when you're naked, like you see one another as you really are, right?
And Tiller and I, the jumping around,
Tiller and I, when we were making Operation Odessa,
we went to like a Russian mafia sauna in Moscow with Tarzan.
It was like part of like, you know, building rapport with him.
Like we had to do the thing with like the getting beat
with the, you know, the evergreen branches
and the whole, you know, fucking thing
and drinking beer and eating shrimp.
I still have the hat from that sauna place.
You know, all these like mob guys.
So anyway, but Tony, you know, Tony's Cuban and he's like,
you know, as he told the story, he's like, Tarzan, I'm from Cuba,
man, I don't do this get naked with other guys thing, you know?
And Tarzan, but Tarzan was in the sauna with the, with the Soviet,
former Soviet military officers, and he came out at one point and he's like,
Tony, they're saying they can sell us a nuclear weapon.
Should we buy a nuclear weapon?
Tony's like, fuck, no, man, no, we're here to buy a submarine.
Like, stop with the nuclear weapon talk, right?
Oh my God.
Yeah, but actually shows you how crazy shit was, you know,
in the Soviet Union after the collapse.
It was just like anything goes.
They were just trying to sell anything and everything that was left behind.
Yeah.
Dude.
So what year was that?
No, when you were filming, when you were filming?
Oh, I would say 2014.
2014.
Yeah.
How much time did you guys spend in Moscow?
Just about a week.
Yeah.
What was it like?
Man, it was sketchy.
And we were warned by that DEA agent before we went to Moscow.
He was like, look, you guys should assume.
from day one when you land that you're under surveillance,
that your hotel rooms are bugged,
that you're being watched constantly,
partly just because you're an American documentary crew,
but also because of who you're there to talk to.
You know, assume that they know what you're doing.
And so we were like really cautious the first few days we were there,
but we were staying at the four seasons.
It just opened right off Red Square, like five-star hotel.
And...
Was it nice?
It was fucking awesome.
It was like...
you know, heated floors. I mean, it was super, it was super luxe. Yeah. And um,
compared to DC, how would you rate it? And, uh, well above. And, um, and so we were, you know,
we, we'd interviewed Tarzan for a couple days, a couple days of all day, uh, interviews with
him. And we, we were, thought we were being careful with the footage. We thought we were
sending a copy of each day's footage via FedEx back to LA. That was,
one copy. The second copy
we were leaving in the hotel safe
and the third copy was with
our line producer. Okay, so we thought
we had three copies of the footage and one was leaving the country.
And there were
these Chechen secret police
guards. They were not so secret
because they're pretty easy to spot.
They're all over the tourist area.
Chechen's secret police in Moscow.
Yeah, they got beards. They got beards. They wear like
kind of ill-fitting off-the-rack suits. They're all like super ripped.
You know, they're undercover.
They're not in uniform, but like, you know who they are.
Is there any reason they're Chechen?
Putin likes Chechens.
Okay.
All right.
It's just a thing.
Okay.
All right.
They're like a branch of the SFB, the former KGB, that are there to surveil, you know,
Westerners that are staying in these hotels.
Okay.
I mean, that's how it was explained to me.
And they were always in the lobby.
And so we had this, like, kind of saying, like, as long as the Chechens stay in the lobby,
we're cool.
And but we got careless.
And it was like the third day we were there, I think,
and we got a, Tiller got a call from Tony Yester, the Cuban spy,
who like everyone we'd interviewed, FBI, FBI, D-EA, Department of Justice, whatever,
they told us there's no way you're going to get this guy to go on camera.
We can't find him.
He was on the FBI's 10 most wanted list at the time.
Nobody claimed to even know where he was in the world.
Which guy are you talking about?
Tony Yester, the Cuban spy.
Yeah, the guy that wouldn't go in the sauna, okay?
the guy that came over on the boat lift.
Right.
And while we were in Moscow, you know, Tiller had been using every contact he could to try and get word to Tony that we wanted to talk to him.
And we got a call, Tiller got a call from Tony Esther that said, I hear you're in Russia, you know, interviewing the waiters.
Why don't you come to Africa and interview the chef?
And we got really excited because we're like, we got a line on this guy.
He didn't agree to do an interview, but he agreed to talk to us.
He's like, meet me in Johannesburg in 72 hours, and I'll talk to you.
you guys. That's what he told Tiller. And so that night, we were like in our hotel room and we fucked
up and we were like in our line producers hotel room and we were just talking openly about all this.
Submarines, Cuban spies, D-E-A, going to Africa, you know, because we got so excited and we were careless.
And the next day when Tiller and I met Tarzan in the hotel and we left the hotel and the
Cheshans got up out of the lobby and started to follow us.
And they're just following us and like Tarzan picked up on it right away,
Tiller and I saw them.
I mean,
they weren't being subtle about it, okay?
As these badass looking motherfuckers.
They were making it obvious.
Yeah.
They were following you.
Yeah.
And so we got on the phone with the line producer and he's like, guys, we've got to,
he didn't even know that we were being followed.
He's like, guys, we got a problem.
He's like, that footage that we thought we were sending back to L.A. every day,
it's still here at the hotel.
And the hotel is saying that those copies of the footage,
and the copies we've been leaving in the hotel safe
are both under the control of somebody, not us.
Like the hotel can't give them to us.
There was a problem with the paperwork,
supposedly sending them out,
and there's powers that be that have interest in this footage,
and they have control.
So now the only copy of the footage we have is...
In control of state.
Yeah, we have one copy, and that's that the line producer has.
And so we were just like, fuck it.
We pulled the plug in the last day of interviews,
and we basically just went to the airport in Moscow
and got the first plane out, which was to London.
No issues?
No, no issues.
But we were sweating it, dude.
It's a bus ride from Moscow.
It's a good 30-minute, 40-minute ride.
And, you know, we were on this bus with this fixer
that we'd hired to kind of smooth things out in Moscow,
who we always kind of assumed that she was probably working for the government.
And she, like, popped a bottle of champagne
on the way out there that she'd been saving for the...
the end of the shoot and we all like fucking ducked man we were we were sketched out we were sketched
out yeah no but we got to the airport and you know we were really sweating it all the way through
security but we got out with the one copy of the footage oh my god that's fucking insane so you
went from there to london yeah and then did you go meet him in johannisburg after that yeah we did
went from london to joeberg again without the guy agreeing to do an interview and then um you know
Tiller met with him alone a couple times,
and I was really sweating that because, you know,
Tiller got in a car with this guy and was gone for,
you know, a few hours and out of touch.
And I was like, fuck, I don't know if,
you know, I don't know if Tiller's coming back.
I was really, really, really scared for him.
But he did, and then Tiller and I went out to dinner with him
that night, and then Tiller met with him again alone
and talked to him in and doing the interview.
And the leverage that Tiller used, which is really smart,
was like, this is your chance to tell your story for your
kids. Like we picked up on that this guy Tony really regretted that he was not a part of his
kids' lives because he was on the run. Yeah. He was a fugitive. Right. And so Tiller was like,
look, this is your chance to tell your story. Your kids will see this. And, you know, that's why he
agreed to do it. Mm-hmm. Dude, it's, I've heard so many stories over the past few years from
a lot of people that I've been in here that I reported on, like, the cartel stuff that's been
happening in South America and Mexico and everything. And the, the, the, the, the, the, the, the,
level of technology that they've been able to get their hands on over the years is just astonishing.
Like the not even just talking about weapons and stuff, but like the types of surveillance and
spy espionage, like equipment and technology that they have, like tracking people's whereabouts
at all times and stuff that they're getting from, from they somehow get this stuff.
They buy this from companies all over the world from Israel to from Israel to from Israel to
Europe, Africa, and they get it somehow. And they have like their own decoupled like military
intelligence. And I wouldn't be surprised if they got their hands on a nuke at one point, you know.
I mean, well, they have unlimited funding, practically speaking. And they've got lots of ex-intelligence
guys on their payroll, whether it's Mossad or, you know, CIA, Green Berets. I mean, they actively
seek these guys out and bring them down there both to train their guys, but also because of the
access to the kind of hardware that you're talking about.
Yeah, famously, I think Noriega was the guy.
We had a dude on here recently who did a whole story on Noriega.
And he was, he wrote this whole story, made this documentary.
Was it documentary?
I think it was a documentary.
Or was it a book?
No, he wrote a book about this guy who was an ex-Massad agent who was hired by Noriega
and was like Noriega's right-hand man during like his whole run.
And this dude, this dude was like in his late 80s, maybe early 90s when he was telling him all this stuff.
Just crazy stories, man.
And, yeah, man, it's frightening to think of, like, all of the military equipment and weapons and shit that those, that those, basically, their cartels, rogue cartel militias have.
And, you know, they don't have, there's no mutually assured destruction when you're talking about cartels.
Like, they could put a tactical nuke in the bed of a pickup truck in any country or state.
And they would never know where it came from.
Right. You know, Trump talking about going down, you know, sending 101st Airborne into Mexico or whatever to bang it out with the cartels.
Yeah, I'm sure they could take him, but I think it may be more of a fight than he may be anticipating.
And I mean, that shit. I mean, another doc that I worked on Tiller Russell with was called The Last Nark. It was about like CIA cocaine trafficking.
And kind of the origins, the origin story of the Mexican drug cartels.
And, you know, back in those days, 80s, 90s, I mean, all the drug lords, they wanted to do.
die old and rich.
And the guys that are running the game in Mexico right now,
they're all younger.
Most of them are addicted to Coke and or meth.
And they just like,
it's all about like clicks and views and going out in a blazing.
It's just completely different.
Yes,
they're all out of TikTok people.
Yes, it's fucking nuts, man.
And it's terrifying.
It's just like a,
it's like a,
almost like a nealistic death cold down there right now.
But they have like, you know,
heavily, heavily armed.
And it's just all about your social,
media and going out in a blaze of glory. Yeah, dude. I had this guy was showing me these
TikTok videos of this guy. I think his name was El Mini Leek or something, who was one of the, I think
he was one of the security guards for El Chapo's kids. And yeah, he was just like he had millions
of TikTok views posting videos of his shoe collection, his money, his golden AK-47s that he had,
driving around in like lifted trucks and Lamborghinis or whatever. These guys are just, yeah, they're
They're super wealthy and they're like, in many cases, teenagers from what I understand.
And they just like, they want to be fucking internet famous or something.
Yeah.
It's so strange.
They're influencers.
They're influencers.
Yeah, exactly.
Narco influencers.
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I was, yeah, my most recent show, it's out on a Canadian streamer called Crave, which they're best known for that gay hockey.
player show he did rivalry but they just about a month ago in um february uh dropped narco mennonites
was a three-part series on a mennonite drug cartel so in the process of reporting that series
um i was in uh chihuahua uh chihuahua city and uh which is and near where the where the menonite
cartel is based in mexico which is a little bit of the menonite cartel yeah most people haven't
what made it such a fucking great story. I'd never heard of it until I got onto it, you know.
But, you know, I was in...
Where is Chihuahua geographically on the Mexican map?
It's up against Texas.
Okay. Oh, so it's on the border?
No, no, it's Chihuahua cities, oh shit, I don't want to fuck this up. It's a few hours
south of the border. Okay.
But, you know, I was in jumping around geographically and topically. I was in Ukraine
like a couple years ago. And I was...
far more scared and worried about my safety in Chihuahua City than I was anywhere in Ukraine.
I was there because the people...
Oh, okay. That's where it is. Yeah. Oh, it's huge.
Yeah. And so where the Mennonite cartels base is a little town called Kwok-Tamuk, which is about
45 minutes north of Chihuahua City. Okay. Yeah, but part of it was like the people,
the people in Chihuahua City.
Like you could just feel the climate of fear.
And it's supposedly it's neutral territory.
Like a lot of the drug lords,
like their kids go to private schools in Chihuahua City.
Right.
You know, it's supposed to be a place where like,
you know, you're not supposed to take each other out.
But you could just sense that things could jump off at any time.
And you could literally just like see the fear in people's eyes.
Just like the people on the streets.
There's just an atmosphere of fear.
Yeah.
that's the word fear and I didn't find that in Kiev you know I didn't find that that people were
just sort of like commonly terrified like we're in Chihuahua city what were you doing in
kev I was uh I was doing reporting for a project that I can't say a whole hell of a lot about it involves
like um intelligence agencies and corruption in Ukraine and like the U.S. Department of Justice
using the power of politically motivated prosecutions of certain like alleged organized crime figures in Ukraine.
I know I'm being vague, but I kind of have to be because that's still in development.
But I was in Kiev meeting with, you know, former high-ranking Ukrainian officials and politicians, I guess I would say.
And that was another situation where I just assumed I was being surveilled the entire time I was there.
Yeah, yeah.
Dude, you're like a fucking cowboy, right?
You're nuts.
You're going to all the hottest hornist nests all around the world,
just like immersing, immersing yourself into all this stuff.
You're one of the original immersionists.
There's not many more of people like you left, man.
Well, you know, and I've, I mean, yeah, I still consider myself to be a gonzo journalist,
even though my medium has changed for the most part from, you know, writing to filmmaking.
But like that, I first, like, became aware of your work with that deck hands.
Really?
That was gonzo as fuck, bro.
That's gonzo, man.
That's my favorite thing I probably ever did, yeah.
I mean, guys, it's hard to define what gonzo journalism is, but, like, you know it when you see it,
and that was fucking gonzo.
That's awesome, dude.
Yeah, we had so much fun doing that.
It was so, like, not even playing.
land either. Just me and my buddy were just one day bored and we're like, dude, you know those
fucking crazy crackheads we see hanging out in front of 7-Eleven? It's like, we should just go film
them, see what they have to say. We're like, fuck it. Okay. Yeah. The next thing we know,
we're just fucking sucked into the Twilight Zone with these guys. And it's crazy how like, it's crazy how you can
go into something like that just by like seeing an interesting looking person and going to talk to them
and then getting sucked into this whole other universe of a story about like a corrupt corporate
fucking system that is right in your backyard that connects to everything around like to Washington,
D.C., you know?
Right.
It was so insane.
And like those people, dude, those like those people that we met and that we like spent time around,
the fact that they've been living here in this town right under my nose,
my whole life and I never even knew about it. That kind of blows my mind more than anything.
Yeah, but to do gonzo right, you've got to be gonzo yourself. I mean, meaning that
they picked up on something about you to where they trusted you to tell their stories.
Yeah. Like the godfather of Gonzo, Hunter is Thompson and that's saying that like when the going
gets weird, the weird turns pro, the weird, when the going gets weird, the weird turn pro.
And like, you got to be weird. You got to be fringe yourself to do Gonzo journalism right. And it's like,
you know, a lot of the, um, a lot of the most important work like takes place like off camera
or off the record, like, you know, building relationships with people. Yeah. But also they,
they recognize something in you as a gonzo journalist. Mm-hmm. That makes you able to temporarily
inhabit their world. Yes. Yeah. You got to get down and dirty. And, and you got to like live like them,
you know, like when we were doing that, we were, I was like, you know, it'd be like one o'clock p.m.
1 p.m. I'd be sitting on a fucking rat infested island drinking vodka and mountain dew with these guys.
You know, just like making sure my fuck I had a battery on my camera to get this footage.
Yeah, dude. It's just, God, man, that was so much fun.
The hard thing about it is, though, it's like it's not that sustainable to be able to, at least for me, it was like, it was hard for me to find stuff like that, you know.
Like that was a, for me, that was like a, like finding a diamond.
a rough, but for me to actually like go out and seek out those stories all the time, I feel like I would go
crazy.
Yeah.
It could be hard on the soul, too.
You know, it's a lot of darkness.
A lot of darkness, bro.
Yeah.
The last NARC, what year was that that you guys did that?
Well, we were making it like 2018 to early 2020.
Okay.
And then it came out, I think, fall of 2020.
And that's essentially the story of Kiki Kamerina.
Right.
Yeah.
But it's really, yes, it's the story of Kiki Kamerina who was a DE agent who was kidnapped
and tortured to death in Mexico in 1985.
And they based a whole season of that Netflix series on it, right?
Yeah, they did.
The Narcos.
Was it called Narcos?
Yep.
Yep.
They did.
But in my opinion, they pulled some punches on the CIA of it all.
You know, I'm convinced that Kiki Camerina was killed because he stumbled across the CIA's cocaine trafficking operation, where they were moving Coke from Colombia to Mexico, the trampoline, you know, and then into the U.S. and then using that money to illegally fund the Contras in Central America.
Right.
I don't think Kiki Kamarina knew what he'd stumbled across, you know.
I mean, but it's clear, like, we were able to, you know, get a hold of the actual transfer.
transcripts of, because when Kiki was being tortured, it was being recorded, and we were able to get a hold of what I'm convinced are the legitimate transcripts of those torture and interrogation sessions. And they were asking him questions that he clearly didn't have the answers to. Like, he couldn't give them the information that they wanted because he didn't know it. And I think he had just, he'd been really kind of laser focused on Raphael Carl Kintaro. And I think Kiki had been, uh,
surveilling an airfield and had seen, you know, planes that were CIA operative planes.
And he thought it was cartels.
Yeah, yeah.
Yeah, I don't think that he knew what he, I don't think he knew why he was being tortured to death.
He couldn't give him the information that they wanted.
But it's clear from the questions they were asking that that's what they were, they were getting at.
Do you think you know who killed him?
Well, I mean, I think he was, I think it's an oversimplification to say that the CIA killed Kiki
Camerina. I mean, I think it's a mistake to think of the CIA as this sort of like monolith.
Yeah, yeah. I mean, but I think a CIA operative was involved, let's put that way. You know,
specifically a guy by the name of Felix Rodriguez, who, now I don't think Felix Rodriguez actually
tortured Kiki Camarena or actually murdered him. I think it was just, you know, thugs,
the cartel thugs that did the actual torture and murder. But Felix Rodriguez is one of those guys that,
I mean, you think he was interrogating him, maybe?
Yeah. I think he was directing it. And I think things got out of hand. I mean, Carl Contaro
fucking hated Kiki Camarena because Camerina had taken out Carl Contaro's, like, biggest marijuana
plantation, you know, and I don't think that they plan to murder him. I think they plan to
interrogate him. And so I want to be careful here. I don't think that Kiki Kamerina was murdered
on orders from Felix Rodriguez, but I think Felix Rodriguez was involved in the abduction and
interrogation of Kiki Kamerina. And then, you know, he was being held captive, you know, at a
at a house that was controlled by the Guadalajara cartel,
and I think that things just got out of hand,
and they took things too far with the torture.
Did you guys ever try to get a hold of Felix?
Oh, yeah. Yeah, he wouldn't do an interview.
Really?
Yeah.
We interviewed him.
Did you?
Yeah.
Oh, shit.
I asked him about Kiki.
What do you say?
He kind of threw his hands up and, like, no, no, no, no.
Oh, those fucking morons.
No, no, no, that's the wrong guy.
I was in Miami. I was in Miami that day.
Well, I'll tell you this. I mean, we did interview on the record, you know, three different cartel, you know, you could call them Sicario's, enforcers, you know, guys that were around, guys that did everything from, you know, carrying out hits to fetching cigarettes and booze for, you know, hooker parties, right? But guys that were around and the guys that were around, you know, that mansion while Kiku is being held captive. And their accounts were entirely consistent.
consistent that Felix Rodriguez was, you know, in and out of that mansion.
See if you can find the clip, Steve, from the interview where I asked him about it.
Let me be interesting to see.
So all the guys, who were the guys that you said that had consistent stories?
They were, they worked for, they each kind of, they were all former police officers that had become, I mean, they may have still carried bad.
They did still carry badges, but they'd gone to work for, you know, for the cartel.
Yeah. And they're, I mean, you know, they're all on the record in the last narc like telling their stories.
And the story, I guess the idea is, or the story goes, he had a, like a fake name or a pseudonym.
Went back in that time. Yeah. And it wasn't Felix. They were calling him something else. Right. Yeah. Yeah. But whatever that name was, he said that he didn't have that name yet. I forget what the name was. You remember?
I can't. I can't. I know it's in the show, but I can't.
Yeah.
Yeah, anyways, yeah, he said, A, he goes, he goes, I have an alibi that I was in Miami that day.
And B, he goes, I didn't get that pseudonym yet.
I was, uh, what's he going to say?
Yeah, I was a little nervous when I asked him.
Right, of course, of course he's going to say no.
But it was interesting when I was in there, when I went to go meet him in Miami, he wouldn't come here.
We had to go to Miami interview him.
Like, there was all of these other Cuban dudes around there, all these like Bay of Pigs dudes in this building.
He owned this museum, I guess, this like, um,
this Cuban-American
anti-communist museum
and there was like posters and shit
and books on the wall of like
pictures of Kennedy with like fucking crosshairs
on his forehead and shit
and they all hated Kennedy man
that was crazy that was crazy to see
like one guy pulled me aside
he's like look at my new book and he's showing me
the picture like the cover is literally Kennedy
with a fucking bull's eye on his forehead.
Yeah well
Is this the clip?
Yeah, play it.
Let's see what he actually says.
Documentary out there about the DEA agent in Latin America or in Mexico.
And there's people that in that documentary, they accuse you of being tied to the murder of the DEA agent.
You're familiar with that?
Kiki Camarino.
Yeah, yeah, yeah.
Yeah, we're being aware of that.
Yeah.
What is your response to those people?
No, no.
And absolutely lie.
First of all, I can prove where I was during that day, and especially now.
I have, since I knew that thing was happening, I was taking note to the thing that I do every day.
Okay?
And now more.
In 1993, I started writing everything in detail what I do every day.
So you tell me that I did something in 1995, September 4, 3 o'clock in the afternoon.
I can tell you exactly where I was.
Who do I met?
What I did?
What did I eat?
Everything.
When Kiki Kamaire, when they claimed the day I was supposed to be killing Kiki Kamaer, I
have a phone call with the White House.
That's when they called me that day to tell me that General Gorman wanted to talk to me
and they gave me a phone number to call General Gorman in Panama.
Who he's talking about that?
That day, I had a meeting with Perry Rifkin the director of immigration here in Miami,
with Pedro Reboredo, the mayor of the city of West Miami.
because we had three Nicaraguan
contra fighters
who have been very badly wounded.
One called the Tigritu.
He had a bullet through his face here.
All this thing was hanging down.
He destroyed his bandibular
and half of his thumb and everything.
And the other two were paralyzed.
And we were able to get through a friend of mind
the hospital of Recaray in Cuba,
which is now, I guess he owes a lot of trouble.
Anyways, he goes on a long tangent.
Yeah, well, I mean, look,
first of all, he's talking about one day, right?
And I don't think any of the, you know, cartel sources that we interviewed necessarily put Felix Rodriguez there on the day that Kiki was actually killed.
They basically just finished him off.
This went on over several days.
Right, right, right.
And they said that he was in and out.
He was tortured for several days.
You know, I will say this about Felix Rodriguez.
First of all, good on you for getting that interview that's fucking.
Yeah.
Figured he's not got much time left.
Right, right.
God, I love to tell that guy's story, you know.
But when we were, you know,
when we were trying to get an interview with Felix Rodriguez,
like I exchanged several letters with him.
And, you know, he wrote me, like,
he obviously looked into who I was
and looked into my background,
and, you know, I'm very open about the fact
and done a lot of advocacy about it
that I was sexually assaulted when I was seven years old.
And he wrote me a really, like, heartfelt letter about that,
you know, expressing a lot of,
empathy for me and respect for the you know for for telling my story and trying to help other
survivors and things and I really appreciated that so I well I I think you know I I I bet the
house that he was actually was at that mansion while Kiki was being tortured and that he knew
Kiki been picked up as they say in Mexico picked up meaning kidnapped you know I I still have a lot
respect for Felix Rodriguez yeah yeah that's wild man I didn't know about that so yeah
Yeah, he, the story, you're familiar with the story of how he killed, how he caught Che Guevar.
It's like, that's insane, man.
Like, and he wasn't the one who killed him either.
Like, he just, like, went in and, like, had an interview with it.
Like, just talked to him for a few minutes before they went out and executed him.
And they brought his body back.
Fucking, I mean, the amount of shit that that guy's seen, like, the amount of death,
especially when he's in Vietnam.
Yeah.
Like, mowing down people in Vietnam.
Like, I've heard a lot of stories.
about dudes in Vietnam and they come back like different if you ever shopped online
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Yeah, I did interviews for this show that it was a development gig where I,
15 years ago, one of my first gigs in documentary filmmaking where I just interviewed
Vietnam vets all day long for 10 to 12 hours a day for like two weeks, man.
And it was online too. It was all online, like trying to do casting for this show.
The concept was it was going to follow one combat platoon all the way through the Vietnam War.
His guys got killed and replaced and cycled out.
So it was a pretty good idea, actually.
But didn't get picked up.
But man, the fucking stories and just seeing the like different levels of trauma,
still like and how it manifested
these guys lies and then the special forces
guys were like a breed apart just still
just just fucking ice in the veins
like to this day cold like no
you know comparing them
to like the you know the guys that were drafted
and there's grunts that were still just like haunted
by everything they'd seen and done like it was
really remarkable comparing them to like the
like sob guys you know there was
like very few guys who
like seeked it out you know like seeked out the war
like there was guys who
there's one guy named Billy Waugh
who Annie Jacobson writes about him in this book
that she did called Surprise Kill Vanish
that during Vietnam
he guess he worked at the post office and he like
would catch
he would catch the bus from where he lived in Texas
to D.C. So he'd go sign up for the Vietnam War.
Like that's how bad he wanted to go to war.
And like sent him off to Vietnam
and I think like the first week
he got shot in the foot or the leg
and like he literally almost died.
Like he was crawling back to the helicopter
like to get out of there like crawling over dead bodies.
His foot got like smashed into a million pieces.
And then he got sent home and needed to do the rehab forever.
And they were like you got whatever.
You get the purple heart.
You're good.
And he wanted to go back.
Like he just he he kept going back like did all.
Like went to the hospital trying to get like more surgeries done and make his foot better.
And like they were like no, no, no, you can't go back.
You're literally disabled.
And he's like, no, I'm not.
I can run faster than you.
you bitch. And like they eventually just sent him back. And this was when he was in his 20s.
And he stayed in the military until like his late 80s. He was deploying to the Middle East like
in his 80s for the CIA to go track Osama bin Laden. Like this is one of the dudes that was
every fiber of his being was drawn to this. You know? Yeah, that's him. But most most people I feel like,
most people that I've talked to on the show are people that, you know, since the, if you were talking about like the wars in Iraq and Afghanistan, they went to those wars, they weren't like that. They just signed up for those wars because they didn't really have any better options. Yeah. You know, it was like, oh, I could go to college or I could go to this or I could sign up for this war. You know, this sounds exciting. Let me try this. And then they go do that and they come back and they're like,
Well, it's a range of reactions.
I mean, some of them then go, you know, work as contractors then.
Yeah.
You know, some of them get hooked on it.
Some of them get hooked on it, yeah.
But some of them don't.
Some of them spiral out of control after that, after they get back, you know, and they get like, I mean, just, what was the, what's the stat?
Like, how many veterans kill themselves every day?
It's fucking staggering, you know, and I've tried to get traction several times with a documentary on just that.
I mean, if you look at like, you compare, like, almost take any, any combat unit that, that,
saw heavy action in Iraq and Afghanistan and compare their casualty rate when they were in country
to the casualty rate of guys that have either died of overdoses, accidents, or suicide since they got
back. And across the board, it's comparable. And in a lot of cases, like, if you take a
unit, more guys have died since they got back from, like, misadventure or drugs or eating a bullet
then got killed in the Middle East. Yeah. You know, and it's fucked up. Our government's done a
terrible job of like helping these guys out yeah you know yeah it's fucked up man and like now that's
like everyone's kind of aware i feel like i mean i don't know i'm i'm young but um it feels to me like
more than any time in my life that everyone's kind of like more aware of all like the government
lying you know i think it's probably a lot to do with like technology and social media and
podcasts yeah there's way more access to information and it's like the emperor has no clothes now
And like you even have veterans from the Iraq war and Afghanistan that are like, what the fuck were we doing?
Like this was all for what?
And how do you justify any more wars?
It's like we're living in this this hyper-normalization.
Like when the Soviet Union, you know Adam Curtis, the BBC documentary filmmaker?
He does these crazy documentaries where he basically compiles footage, like historical footage.
And he lays him out in a storyline with his voiceover.
And he kind of like tells the story.
And I highly recommend the great historical like storytelling.
And one of them is called hyper-normalization.
And like it explains how during the Soviet Union before it fell during the 70s and 80s,
how like everyone who lived there was aware how their government and their economy and their society.
was failing.
But there's nothing they could do about it.
And they were just trying to pretend as long as they could that nothing was wrong.
And eventually it did all just collapse.
But they were basically just like living in a fake reality and they all knew about it.
Like the government knew that they knew.
And they knew the government knew that they knew that nothing was real and everything was on
the brink of collapse.
And that's kind of like what I feel like we're living in right now.
Yeah, I was about to say.
So kind of like America right now.
Yeah, man.
It's fucking scary, dude.
One more thing about Felix Rodriguez, if I could,
because I don't want to leave that thread hanging because he's basically, he called me out on your show.
It's like one thing I would say, like, what motivation would these three cartel gunmen have to lie
versus what would motivation when Felix Rodriguez have to lie?
But also, you know, think about that.
Totally.
Okay.
And the second is, you know,
Felix Rodriguez is a classic case study in what is the CIA.
Like was Felix Rodriguez a CIA agent?
No.
Was he taking action on behalf of the CIA?
At least a faction within the CIA, right?
I mean, there's all kinds of factions within the CIA,
and a lot of times one hand doesn't know what the other's doing.
He was, was he not?
He was an operative.
I mean, he was like a paramilitary guy, right?
Yeah, yeah.
But he wasn't like recruited out of American university to join the CIA.
Right, right, right.
You know what I mean? But he was a CIA asset or CIA operative.
So that's where it gets like there's a lot of tentacles coming out of the CIA.
And so it's like it gets tricky when you start saying things like the CIA killed Kiki Camerena.
It's like, well, you know, I don't think William Casey like put a hit on a DEA agent.
Right.
Yeah.
Yeah.
Like shit just went south.
Yeah, there's so many people that are employed by the CIA.
It's insane.
And it's like the same thing with Kennedy.
Like people like to say, oh, the CIA killed Kennedy.
But it's like, you know, there was probably less than a handful of people that actually knew what was going on, you know?
Like if you could track all the cables and all the stuff like that, there was there was probably, I would say less than 10 people if I was to guess that actually knew what was going on.
And, you know, that's another thing.
That's another like, that's another thing that they never will have to fess up to.
But like if you pulled all of Americans today and asked him like, do you think Lee Harvey Oswald did it or do you think the CIA did it?
I bet you like 90% of people would say they think the CIA did it.
But it's like, is that going to change shit?
No.
Nothing's going to change.
Who was the M.K. Ultra guy that went in and like spent time with Jack Ruby in prison?
That's that was when I finally tumbled where I was like, wait, what?
Yeah, Jolly West.
Yes.
Jolly West.
He was everywhere.
Yeah.
He was attached to everything.
Charles Manson,
Kennedy with Jack Ruby.
He was even meeting with Stanley Kubrick and Edgar Cay.
Is Edgar Casey or no?
Yeah, I think it was Stanley Kubrick and Edgar Casey
when Stanley Kubrick was filming 2001 Space Odyssey over in the UK.
Yeah, look at this.
This is on the set of 2001 Space Odyssey,
and that's Stanley Kubrick in the front.
And it's fucking Jolly West in the back.
Yep.
Like, what the fuck?
This guy was everywhere.
So the Sasquatch movie, how did you get involved in this one?
Is this, this is not, this was not very recent.
This was at least four years ago, five years ago?
Four years ago.
Yeah, it came out.
Yeah.
I'd made a, I'd made a couple shows with this filmmaker named Josh Rofay.
And he was a big.
fan of this podcast of Sasquatch Chronicles and he was you know one day he was just
kicking around ideas he was like man if we could just find like a true crime story that
had a Sasquatch angle and like I immediately like tumbled back to this memory from
like 1993 when I kind of visited a I was hanging out you know on a weed plantation the
Emerald Triangle and there's this story going around about how like you know three
dudes have been killed on this
a backwood weed plot by a Sasquatch.
And it was just being like, you know,
it was just like a legend, basically, maybe, right?
Or a story, a rumor.
And so I was like, well, you know,
why don't we like try and track that story
that was going around in Mendocino
and Humboldt County in the fall of 1993
trying to follow that back to its source
and see what we find out.
So that's how that project got going.
So you, but you were there at like
the start of this whole movie.
Like this was,
This all started out like when you were in your early 20s in 1993,
sitting in this log cabin in the middle of the wood, the redwoods.
Yeah, yeah, really good.
And these tweakers come in saying they just fucking saw some guys get chopped up and it was the big foot.
They claimed that they had just been at the scene of this crime.
And that like there was bodies that were mutilated.
There was like Bigfoot footprints and they were like legit terrified.
And I was on mushrooms.
I was coming down, but I was still.
tripping, you know, and I was just like, their energy was so fucking panicked, and I hadn't had a lot
of experience with crystal meth by that point in my life, you know, that I really recognized,
like, that that was also an element in their behavior, right? So I just kind of tried to sink into
the couch, you know, but I kind of just like took it in, and it stuck with me. And then when we,
you know, when I told Joshua Faye about that instance, he was like, well, let's just start
making some calls and see if like anybody else heard that story. And so that was really the
genesis of it. It's like, and we did that on camera, like just calling like every connection I could
find, you know, that was involved in the weed trade in the Emerald Triangle in the 90s,
be like, hey, did you ever hear this story, you know? And it was like a lot of like dead ends.
And then finally we started to hit on people that were like, yeah, I remember.
that i remember hearing that like yeah like three dudes got got killed and the word was that that somehow
a saskatch had had uh had killed him and then it extended from there that there was like this supposedly
this sort of like tribe of saskatch that were you know like as the farms were pushing further and further
up into the woods off road like there was like people were having encounters with these pissed off
Sasquash that were like hucking rocks at them and stuff and like bluff charging them.
And so it kind of like got all wrapped into this one urban legend about like that the dope
growers had infringed upon this Sasquatch turf, if you will, and that the three dudes that got
killed, like they set up a plot and they were like camping on it. And, you know, that's what
led to them being killed. Of course, that's, we did track down, I think the, the truth.
story of who killed those guys and why but I don't want to spoil it for anybody that
hasn't seen the show yeah yeah um dude that was like scaring the shit out of
me watching it just the way that that just the way that that whole landscape is
laid out you know where you're meeting these confidential sources on the top
of these giant wooded mountains that have you have no cell phone signal yeah
nothing like that like did are you not terrified
I kind of get into this zone when I'm reporting like that where I'm where I'm able to kind of
Just disassociate I think yeah, you know and and then but then I get an adrenaline dump after and that's when I get sketched out, but yeah, especially the there's this one
Road one mountain Spy Rock and there's this road Spy Rock Road that's like like to this day like the police will not go there unless they're rolling deep meaning like unless unless
they're going with like basically SWAT team force.
Like this, you know, it's, it's, it's really, yeah, there was, there was one scene that I think
for the most part didn't make it into the show.
And I had, I went up Spy Rock by myself.
Most of the time, I had like an ex-cop that would kind of be along with me in an, you know,
undercover, but kind of like watching my back, basically.
But in this instance, I was by myself.
and wound up on this dope farm that was run by these like two women,
they were both heroin addicts.
And they had a bunch of pit bulls.
And one of the women told me the story about,
and I had a hidden camera,
and I was wearing a wire, okay?
Which makes your nerves even more.
Now, one of them, not the one that's telling me the story I'm about to relay,
but the other one had become a contact.
And like I had interviewed her a couple times on camera.
She knew I was making a movie.
You know, I think she probably would have covered for me
if they'd figured out that I had a camera or recording device, hopefully.
But didn't come to that.
But her friend told me the story about, you know,
how these black guys from Los Angeles had come up, make a big deal,
and how she and some biker friends of hers had just killed these guys
and took their money instead of selling them the dope
and they buried them on her property
and she's telling me all this on camera
and one of her and one of the guys had
and she told this story like it's funny
how one of the guys as he was waiting to be murdered
basically had pissed himself
and after they buried his body
one of her pit bulls had smelled the urine or something
and gone and dug up his shoe
and brought it back to her cabin and dropped it
and she was telling this story like it was hilarious
and her friends laughing
and I'm having to force myself to laugh.
Like, this is the funniest fucking thing I've heard too, you know.
But the reason that we couldn't use it is because she was dropping the end bomb and describing these guys.
And, like, Hulu wouldn't air that footage just because even if we bleeped that they were like,
they still know what she's saying.
And so, like, that just, that one word is so radioactive, right, that we can't even use this footage.
It was fucking, you know, it was hard-won footage.
That was probably in the entire experience of making Sasquatch,
that was probably the time that I was the most sort of sphincter puckered.
You were by yourself?
I was by myself.
Oh, yeah.
Because I've been in that situation before where you know you're just getting gold.
Yeah.
But like I've always had somebody with me where I'm looking at it.
I'm like, can you fucking believe this shit is real?
Like, I can't wait to fucking get this shit on the hard drive.
Right.
Right.
But like, oh my God, being alone, dude.
especially not like you're hiding the camera.
So like you're terrified if they discover it.
Like you don't know what the fuck's gonna happen.
These people are like self-admitted murderers.
Yeah, yeah.
I mean it was one I was in a watch
and then I also had a camera that's in like a key fob.
So I had to kind of keep my keys out
and you know kind of worked angle on it.
Yeah.
You know, and I had a rifle in the trunk of my car,
but I was like, I was whole,
was very aware of how many steps away from that trunk I was.
And it was, yeah, it was, it was sketchy, man.
And I, but the only way that I was going to get that access was to go by myself.
Right.
You know, and this was, this was, this was somebody that supposedly had, you know,
information about that triple homicide back in 1993.
Mm-hmm.
So.
Yeah.
I, I, I was completely unaware until watching that film that, that,
that part of California was like that.
That it's just like this twilight zone
where people can get away with,
it seems like just people can get away with murder
like it's nothing there.
And especially these people that are like living off the grid.
Yeah.
And I don't, do they have electricity up there?
Some don't.
Some live totally off the grid, you know?
And it's, but like, I mean, there's still like some
like just kind of classic hippies up there.
Right.
That are, that are.
I really love.
My favorite guy was the guy who reminded me of Captain Hook from the movie Hook with Robin Williams, Dustin Hoffman.
He's got like the hook eyebrows, the hippie guy.
Yeah.
He had like leathery skin.
Yeah.
He was awesome.
Yeah.
He was that?
I don't remember his name.
He was on the right side of the frame.
Yeah, like a bookshelf behind him.
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
He was a great source.
He was, he grew weed for the hell's angels like back in the day.
Oh, really?
Yeah.
And he still has a lot of juice in there.
And it was pretty well protected.
And that's why he felt comfortable going on camera.
Yeah.
You were like, I think we found the killer.
He's like, oh, really?
He's like, he used to be my neighbor.
I get you his number.
Yep.
Yeah.
Yeah.
So do you think that that, so that guy that you talked to,
do you think he was the killer?
That you complete, you never said his name once on the film.
You bleeped his name out of the film.
Yeah.
No.
No, I don't.
You don't.
I think he probably knew something about it,
but I don't think he was actually involved.
Yeah, because it was very weird how when you,
I mean, it was like, first of all,
the way you just so bluntly asked him straight up.
Yeah.
Like, do you know, so you're telling me you didn't murder three people?
Like, you straight out.
And he's like, I don't know what you're talking about.
Click and then hangs up.
Yeah.
Yeah, like I said, I think it, well, it depends on what you mean by the murder.
Do I think he actually carried it out?
No, do I think that he's involved?
Yeah.
Yeah.
Yeah.
Yeah.
Yeah.
You know, and it's funny that, um, it's, like, biker slang kind of, like, played into it.
And that, like, the story was is that, like, these three guys had, like, somehow abused some dude's daughter.
But, like, in the outlaw biker world, daughter can mean, like, just kind of a young woman under your protection, too.
You know?
And so that's where, like, like, things got a little, uh, vague, I guess.
interesting
you know it's like the story was yeah
this guy's daughter had been
you know by these three guys
you know that was one version of it
right
yeah that's also so weird how you would get
all these people telling you this story
or I don't know if it was one source
or two sources that told you that story
yeah and like you talked to the guy
named Bigfoot
Bigfoot Jacobs or whatever his name was
and Bigfoot Gary
Bigfoot Gary's like I never even had a daughter in 93
yeah and that's where
where does people make the shit up
But that's where, that's what I mean is it's like he may not have had a biological daughter, but like if there was a young woman that was not romantically involved with him, but it was kind of like a foster kid in a way, which is kind of common in that world, you know, like splintered families and like sort of taken under his wing.
She would be known as his daughter, even though she's not his biological daughter or adopted daughter even.
It's just like a young woman that's sort of like part of his tribe.
Okay.
Did you ever meet him face-to-face, Bigfoot Gary?
No.
No?
No.
We tried, like, even, you know, one of the guys that I made that show with, you know, went so far as to kind of like stake out this, this gas station that we knew he got coffee out every morning.
And he just happened not to show up a couple mornings.
And then, like, the second or third day that Zach was there, he got made and kind of like run off.
So we pulled out all the stops to try him.
But I did finally get him on the fucking phone.
Yeah, that was nuts.
Yeah.
Yeah.
And some of those biker gang dudes, like some of the Hells Angels dudes have, like, protection from the FBI.
Like, some of them work with the FBI, right?
Yeah.
Yeah, of course.
So I wonder, I wonder, like, how many of them are, like, just protected or, like, basically, like, there's some informants, right?
Yeah, in any organized crime, you know, there's guys that are, yeah, just that informants.
I mean, look at Whitey Boulder, right?
I mean.
Yeah.
Yeah, that's another scary thing.
Like these guys, like, you're not just some, like, undocumented migrant that's out there farming stuff.
Like, you're, like, a legitimate, like, documentary filmmaker, American citizen doing this stuff.
So it's like, on one hand, you think you're safe because of that.
But on the other hand, you don't know, like, maybe these guys have, like, a get-out-a-jail-free car.
Right.
Right.
Right.
And I didn't trust the cops, you know, in that part of the world.
I mean, it's just, you've got to, like, witness and experience the Emerald Triangle to understand it.
It's like, you know, there's a couple state parks with the Redwoods there, and, you know, people go there camping with their family.
Once you get outside that part of that world, it is like, it's outlaw country, you know.
It just is.
I mean, it's like you've got the kids, the trimmigrants that come from all over the world there, like every harvest season.
You know, and a lot of them just disappear every year.
And it's been going on for decades.
I mean, there's so, the missing persons rate in that part of the world is so high.
It's crazy.
Yeah.
And you know they're just buried in the redwoods.
Right.
Yeah, I'm sure the, I'm sure this, when you bury somebody in that soil, like, just
with the environment it's in, just like eats it up.
Like all the bugs and insects and stuff in the soil, probably just soaks it all up and
dissolves into nothing.
Yeah.
Like I said, that one woman was just laughing about, you know, two or three bodies being
buried on the property.
Yeah.
That's insane.
Yeah.
Mm-hmm.
It's like another world right in our own backyard, like right in this country.
Yeah.
And she was like, I remember she was banging heroin and she also like got.
Right in front of you?
Oh yeah.
And she had like a handle of Captain Morgan's and she wanted me to drive her into town to get a pint of ice cream.
And so we drove down Spy Rock.
I bought her a pint of ice cream and a handle of Captain Morgan's and drove back up.
And after she like shot up heroin, she would just pouring the Captain Morgan's into the ice cream and just,
like eating it. Whoa.
As I'm interviewing her.
Whoa, that's crazy.
Yeah. Yeah.
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When you're in those woods, like, obviously you didn't spend the night in the woods.
You went to like the towns every night.
Yeah.
But like, does it have like any effect on your psyche when you spend that much time,
kind of like in a different part of the world, sort of disconnected from regular society?
And you're like out with surrounded by all these misfits.
fits. Oh yeah, without a doubt. I mean, every assignment like that where you're like basically
embedding in a criminal subculture, you have to, you have to, you know, first you have to like
develop some contacts and gain people's trust, right? But you have to start mirroring. You have to
start making yourself, making yourself seem part of that world. So you like try and pick up as much
of the like, you know, slang as you can quickly, adjust the way you dress, just the way you act,
your mannerisms, like, and and sort of give your.
yourself over to that mindset.
And that does exact a toll.
Yeah.
Every time.
I mean, I've been doing this for 30 plus years now.
My risk tolerance is lower than it used to be.
You know, when I was in my 20s, early 30s,
I would take what seemed to me to be now like crazy fucking risks.
But like Sasquots was definitely risky.
For sure.
I mean, but to answer your question, I mean,
those little towns that are just like,
first of all, they're just riddled with meth.
with meth, I mean, just riddled with meth.
And oxy, you know?
And so you just got like fucking junkie zombies
wandering all over the place.
You gotta be careful at all the gas stations
that there's not like a little chip reader
on the thing to steal your credit card
because they often are.
There's like cheap little pieces of shit hardware
to like steal your credit card numbers.
You gotta peel them off before you get gas.
And yeah, it just-
What is it about that part of the world
that enables that behavior?
Is it the woods?
I think a lot of it's the remoteness, you know, and also like legalization hit that part of the world hard, you know?
I mean, it's just like it's a lot harder to make money growing weed than it used to be.
And when times are hard, like violence ticks up.
And so, you know, it's like with the legalization, with like big corporations coming in,
like putting up these like death stars of like hydroponic weed down around like Palm Springs or wherever,
it's a lot harder for those like backwoods black market farmers, even if they're still selling
on the black market to make money.
And so competitions fierce and competition,
that part of world equals violence, you know?
And like a lot of, a lot of them have gone
from growing to becoming rippers, you know,
just stealing shit, stealing plants, stealing money.
It's just things that are rough.
Is it still like that today?
I assume it is.
I haven't been back up there since, you know,
2021, but I assume it is.
I heard that there were like literal cartels
doing operations up there now, like going into the woods and doing all their grows now,
because I guess it's a misdemeanor now?
Yeah, I mean, and that was, that also played into the Sasquatch story,
is that it was like, you know, the cartels were, you know, Mexican cartels started to move
in on the Emerald Triangle in the late 80s.
And by the early 90s, you know, when this story about the Sasquatch killing three guys
circulated, I mean, the cartels were definitely making a move there, you know.
But speaking of a cartel, like, one of the craziest stories in the weeds.
world for me is like these Chinese cartels that are growing weed on like, you know, uh, native land,
you know, around like New Mexico and Arizona and shit. Like these, do you know about this?
No. Yeah, it's like these Chinese, Chinese organized crime have these like huge weed growing setups,
you know, on, uh, reservations, basically. That's, that's a story that I haven't been able to get into yet.
Yeah. Yeah. Yeah. It's been, it's been covered. That's I'm not, I'm not, you know, it's been in.
Weed of all drugs. Yeah. Yeah. Yeah. Still.
In New Mexico.
New Mexico, Arizona.
Yeah, Four Corners region.
Does this seem like a great place to grow weed?
Well, it's all indoors, right?
They're not...
Is it?
Yeah.
You don't really hear much about Chinese organized crime anymore, do you?
I've heard a lot of...
I've heard about, like, how they've been involved in Mexico,
like with the fishing stuff offshore in Mexico,
and also buying up mines and stuff,
and mining lithium in Mexico.
and hiring the cartels as like security
for their operations that they're doing down there,
as well as like bringing fentanyl into Mexico.
But, yeah, beyond that,
and then buying up real estate and stuff in the U.S.,
you don't really hear much about that.
It's bananas.
Yeah, they're growing weed, you know,
but they can talk about the Narco-Mennonites series?
Yeah, yeah, yeah.
So the, all that,
weed was like that the Mennonites started moving for the Mexican cartels in the 80s was all like
outdoor weed you know from the from the what they call a golden triangle right like mena
menonites basically migrated from Canada to Mexico about a hundred years ago a few thousand of them
and they just happened to settle in this town Kwoktamuk which is like the closest population center
to where in the 1960s like Mexican opium poppy farmers and marijuana farmers started to
plant their crops. And so somehow in the 80s, like, you know, the first, first cartel,
the Guadalajara cartel got the bright idea of starting to use Mennonites to run dope for them
in the U.S., right? Thinking like, because the Mennonites, they had these special visas that
enabled them to, you know, transit the U.S. to Canada to visit relatives. And so the border
guards, you know, in Mexico, the U.S. and Canada, they just see a carload of Mennonites driving,
and maybe with a truckload of furniture,
and they think, like, no problem,
they just wave them on through.
And a lot of time that furniture was packed with weed,
but outdoor weed, you know,
what we used to call brickweed, right?
Uh-huh.
Not as good.
Right, right.
And then in the 90s, when BC Budd started to come online,
you know, especially in Canada,
kind of pushed the Mennonites out of the weed business,
and they started, you know, shifting to harder drugs then,
Coke specifically.
Yeah.
And that's what they're doing now, mainly Coke?
into everything man a lot of what they're doing now is is laundering money for the cartels because you know
this town in mexico quak tamuk it's like every business practically every business is men and i own
they do do a lot of farming but uh they do a lot of you know what our sources and law enforcement
mexico told us is that you know yeah they're still running dope but a lot of what they do is
is laundering money for the cartels now huh and the menonites they've been really smart about like
keeping their finger in the wind and kind of like never getting too big and being very careful
about when and how they shift their allegiances with all the cartels wars going on in mexico over the
decades so they're always like careful about who they're they're sort of loyal to
interesting yeah yeah it seems like the uh the heads the leaders of all the cartels they
never seem to have to pay the price for anything it's always like the low level pawns
are the ones that are getting murdered and shipped around.
And they're the ones that get the blunt end of the stick.
There's, I have this friend who's a lawyer, a criminal lawyer, right down the street from here.
And one of his first cases he ever got, he was a public defender for it.
And it was a Cuban guy, or not a Cuban guy.
He was a Colombian dude, a ship captain, a cargo ship captain who got hijacked.
by a cartel on the way from Columbia to Florida.
And on halfway through the trip,
the cartel boarded his ship,
put a gun to his head and said,
if you don't take all our Coke into Tampa,
we're going to kill you and your whole family.
So of course he took the Coke in,
he went in and got like,
you know,
they were trying to give him like double life sentences.
And my lawyer buddy ended up getting him,
off scoff free like this is he had no this this guy was like fresh out of law school and uh the other
guy had zero money and uh you know he was just trying to do this to make a name for himself and help
the guy let the guy live in his house for a couple months when they were fighting the case and um you know
now you know he's been involved with more and more of these cartel cases in mexico and south
America and like the heads of the cartels are trying to hire him for shit and like flying him down
to Mexico City to meet at the Ritz Carlton and like and he you know the way he explains it to me it's
like those are the people it's like the low level poor fisherman boat captains or whatever
those are the guys that are lining the prisons this like those the guys getting arrested and
killed and it's like it's never the dudes who are at the top of the pyramid who are who are making
the real money you know those guys are
either just they have too much money and too much security to get caught or they're working with
the feds.
Yeah.
Every once in a while the government in Mexico, though, it seems decides to give one of these guys up.
Like the, I can't remember the dude's name, but the guy that was the head of the
Halisco New Generation cartel just got killed a couple weeks ago.
Yeah.
You know, which now all hell is breaking loose down in Mexico because of that.
So for the most of that, that guy, that guy.
I didn't follow that story.
But, you know, I think every once in a while, like the Mexican government decides, okay, we got to appease the
US and give one of these guys up. I think that they know, you know, where they are at all times.
I think, you know, same thing happened, I think, with Chapo Guzman. El Chapo, yeah.
Yeah. Crazy story about Chopo. Like that same guy, Tony Yester, that was in Operation Odessa.
Yeah. After Chopo escaped from prison the second time, Tony Yester called up Tilla Russell and I
and was basically like, it took a while because he's got a heavy Cuban accent. And he was calling,
I presume from Africa, and he was also talking sort of in code.
But once we figured out what he was saying,
he was saying that Chopo wanted to do an interview.
And he could line up this interview.
And Tiller and I talked about it for like a couple of days,
and we were just like, fuck, it just felt too dicey.
And so we didn't do it.
And then Sean Pan wound up getting it for Rolling Stone.
Like Choppel was just determined to tell his story.
No way.
He'd seen Operation Odessa.
That was going to be you guys.
I know.
I know.
We're still kicking our own asses over it.
Oh, that's so crazy, dude.
I heard that he's still calling shots from inside prison.
I'm sure, even in Supermax.
Yeah.
And his son just set up that guy that was one of the, you know, OGs.
I mean, it's just fucking chaos down there right now.
Who did his son set up?
Oh, shit, I'm blanket on that name, too.
But he, like, told the guy that they were going to go look at a real estate investment,
like, just south of the U.S. border and wound up, like, landing in New Mexico.
and then the guy got arrested.
It just happened like a year and a half or so ago.
Oh.
Oh, are you talking about, yeah, why am I blanking on this guy's name too?
The guy who was basically the boss of the Sinaloa cartel, right?
Mayo.
Yeah, El Mayo, thank you.
Yeah.
It was Amayo's son, I think.
Yeah, that's...
And El Mayo is another guy.
Like, it's like no one, you know, no one paid attention to that guy forever,
when he was like the old dude behind the scenes.
And El Chapa was really kind of like the poster boy.
You know, he was kind of just like one of the henchmen to start out with.
And then just became like the most famous or notorious for whatever reason.
Yeah, I mean, the same guys that we interviewed for the last NARC.
We're telling stories about Chapo back in the day.
And he was just like a low-level thug.
Right.
He was just like a homicidal maniac.
Right.
You know, why just use one bullet when you can use 70 kind of guy.
Yeah. Yeah, I mean, like the theme of all these stories is just like desperation drives like the most violence out of any.
Like people who are the most destitute who have absolutely nothing to lose will do like the worst, most heinous things to feed themselves or their families, you know?
And it's like whether you're talking about drug smuggling and cartels or like poaching animals in Africa, like the dudes that are that are killing these endangered animals like these.
elephants and shit in Africa. These people are just trying to feed their families.
Yeah. Look at these fucking guys are getting blown up in all these boat strikes.
I mean, these aren't drug lords. Right. You know, he's a guy's just trying to feed their families.
Oh, you're probably the recent Venezuela thing? All those all those like boats that,
that we've been blowing up. Yeah. You know, the last six to eight months. Yeah.
It's all just like guys are probably like part-time fishermen. Yes. Yeah. Those are
poor people. Those people aren't calling any shows. Those people aren't making any different. First of all,
Those boats that they're driving with the motors that they have on there, those guys can't make it halfway to Cuba, let alone the United States with those motors.
Like, what are you talking about? They're bringing drugs to the U.S.
Like a 50 horsepower, Evan Rood.
Yeah, yeah.
Right, right.
Yeah.
The story they told us about that being about drugs was just like a joke.
I don't think anyone bought that.
It's a house of cars.
Or they're terrorists, you know?
Whether they're narco terrorists?
Right.
Come on.
Yeah.
No, man, it's a it's a house of cards at this point, man. It really is. But like so, so going back to the beginning of, like, what got you into this stuff in the very, very beginning? Like, what was the first project that you worked on that got you into this type of journalism, this type of filmmaking?
That's a good question. I mean, it really started in college. Some buddies of mine and I started a newspaper, University of California, Santa Cruz, called the Fish Rap.
And, you know, we were all about Hunter S. Thompson, you know.
And so we all, like, were practicing our, you know,
our version of Gonzo journalism.
I'd say the first, like, big story, though, that I did was my first job out of college
was for the Anchorage Daily News.
That's my hometown newspaper.
I grew up in Anchorage.
And a couple of street gangs from Southern California were making inroads in Anchorage at the time.
And I did a, you know, a big,
It was like my first big front page story.
It was called A Question of Gangs.
But it was when I realized that I really had a knack for kind of embedding with criminals.
Yeah.
That I could get criminals to open up to me where they might not be as candid or as accepting of the presence of other reporters.
Right.
And so that's when I think the switch clicked for me there.
And then pretty quickly after the, you know, I bounced from mainstream daily paper to a chain of alternative weeklies in the 90s that at the time was new times that then became Village Voice Media.
And, you know, then I just started writing like long form gonzow shit and just went all in, you know, embedding with gutter punks and street gangs and tweakers.
Yeah.
Yeah, didn't you embed with a bunch of meth addicts or something?
Yeah, I did that a couple times.
I did one story in Phoenix, but then I think the one you're probably talking about was I was I was working for a paper in Denver called the Westward and I
Stayed up for 72 hours with with some tweakers, but they weren't like
I don't know I don't want to say yuppie tweakers. What were they they had they had they had they had they had money they had money to afford
You know really really pure crystal meth called shaboo you know like really like pure came like in a in a crystal statue that just kind of like
shave little curls off of and smoke.
Yeah, yeah, it's really popular in Hawaii, I guess.
These are like upper class dudes?
Yeah, yeah, definitely.
Definitely like, you know, it's going far back enough.
I could say like, somebody that own a flower shop and a clothing store, you know,
DJs, you know, that kind of thing.
People that had lives other than Crystal Meth.
Right.
But they would get together, you know, once a month and like, you know, go at it,
hard for two to three days. Wow. And so, but I, I didn't. Do you try it? I didn't. I have done,
I have done Crystal, but not for that story. That story, I was, I was taking a medaphanal,
which is like an anti-narcolepsy drug. Oh, yeah. We'll keep you awake. Yeah. It's like pro-vigil.
Yeah, same stuff. Okay. Same stuff. And, you know, but if it's, I was, I was definitely starting to, like,
kind of brown out, you know, around hour 50. Yeah, I was going to say, like, that many hours,
I would have, like, take up a little head of it. I still have my notebook from that story,
and it's hilarious, because the notes, the notes start off, like, really kind of lucid, you know,
and you can just, and I keep, I kept doing timestamps, and, like, by the end, it's just, like,
hours are passing between the times I did notes, and there, and some of them are just gibberish,
you know, but it kind of, like, I was really worried about it. I was like, fuck, I think I
didn't get the story because I just was not, I was not like cogent there at the end, but it kind of,
it kind of worked in a way that even, even in the writing of the story, it's like written in a timeline
format. It just gets more kind of scattered and kind of feels like it's going off the rails,
which was the experience of, you know, embedding with them for that time, too. They, they started
to go off the rails. What is you, what kind of stuff did you ask them? Were you just hanging out
just like being a fly on the wall? Yeah, 100%. Just, just. Just, just.
Yep, just observing, participant observer.
And how did you go about doing that?
Like, yo, you guys like math?
Can I hang out and like writing about it?
I mean, I, I, I knew them before.
I knew that they did this.
I kind of knew them from the.
And it was like a ritual for them?
Semi ritualized, I'd say.
I mean, they did it once a month.
It was like planned out.
They would clear their calendars.
You know, they would all pull their money to buy this really good shit.
And there was one guy's house that was kind of the mothership for the operation.
They would go out to clubs and after hour spots and stuff and come back.
and smoke there.
And then put,
the,
the time I was with him,
they decided about hour 36 or so
to like get on a charter flight to Vegas.
So we all went from Denver to Vegas.
You know.
Oh my.
And like,
it was summer.
It was just like,
oh,
it was so bad,
dude.
That was so bad.
It was so rough.
Just like the Vegas strip,
like pounding sun,
you know,
you're just like dehydrated and just,
yeah.
Oh,
it sounds like fucking.
Hell, dude.
Yeah.
Yeah.
Yeah.
And you also embedded with like some skinheads?
Yeah.
I did quite a bit of that actually.
I, uh, you know, at least half a dozen times probably went undercover as a neo-Nazi skinhead.
So to be clear, like with the with the Shaboo smokers, they knew I was a journalist.
I was there as a journalist.
A lot of the reporting I've done on like neo-Nazi organizations, white nationalist organizations,
organizations, that was done undercover.
I think that's pretty much the only time I've worked under cover.
Mm.
Was when I would go undercover as a skin.
No.
No, I was posing as a fellow neo-Nazi.
And why would you do it that way?
Do you think they wouldn't be open to you reporting on what they're doing?
No.
No.
They have a very strict policy.
You know, if anybody, if you're contacted by the media,
the only thing you say is, I have nothing to say.
It's it.
I mean, they don't really do interviews sometimes, right?
reviews sometimes, right? But like they're real hardcore, like, you know, hate groups. They're not,
they're not media friendly. Yeah. Yeah. So where, so where did you first go? Denver.
Also Denver. This was in Denver. Yeah. It was a, um, there was a investigator for the anti-defamation
league that got a hold of me and let me know that there was this event coming up called the Rocky
Mountain Heritage Fest. And it was like basically like, if you want, I will, um, give you kind of a
crash course and how to, you know, work under, you know, work under,
Yeah, yeah. And so like I spent, I think I only had like a couple weeks. I had hair like even longer than I do now. Shaved it, of course, down to just a one buzz cut. And just spent like a couple weeks just like learning how to dress, how to walk the music, the slang, you know, the history of the of that culture.
Listen to a screwdriver. Yeah, of course. Yeah. Listen to a bunch of Max resist. You know, all the hate rock bands.
and, you know, and winter cover it.
But it got fucked up because like this, like the Antifa had found out where the event was going to be.
And they showed up in force in a way that like shut it down.
It was like it was originally going to be at this venue called the Aztec Theater in Denver.
And like the owners like figured out because Antifa showed up what was going on.
And they like told the skinheads like this isn't happening here because it was clearly going to be a brawl.
Yeah.
And so it just, so then they were suspicious about who was like letting Antifa know, you know, what, where their location was.
And so like their security, and their security was being run by these guys called the Hammer Skins.
And the Hammer Skins, they're like a, well, they were, and I believe still are, like a national skinhead organization.
Their symbol is the crossed hammers from Pink Floyd the Wall, those red and black hammers.
Anyway, and so they were running security.
And like, nobody, nobody knew me.
I didn't have an inn, you know.
And I also, I didn't have any tattoos.
Right.
And both of those things were fucking problem.
I did after that, I actually, after that story came out, I got a whole of the organizers.
Because I think I wanted to get a quote from the story and did.
And was like, hey, that guy, you know, David from Alaska, that was me.
I'm not really a skinhead.
I'm a reporter.
I'm doing a story.
And I think they actually did, contrary to what I just told you, give me a couple quotes about the event.
Because they knew I had gotten in.
And they were like, yeah, we knew there was something.
off about you. We didn't think you were a cop, but like you weren't reading right. And I was like,
well, what was it? And they were like, well, you didn't have any tattoos, you know? Like,
were they were they weren't mad. They weren't mad. They were actually kind of like impressed.
Wow.
They were like, dude, you've got some balls, you know. Like you know you would have gotten curb stumped
if we'd figured it out, right? You know, and I was like, well, are you going to come after me
now? And they're like, no. And I, you know, I think I treated him fairly in the story.
Like, I didn't ridicule them, you know. What did you learn about them?
Well, I'll answer that by saying what I've learned about skinheads more broadly, not just from that one story, is that a lot of skinheads grow up in the movement.
I'll just say neo-Nazis, okay?
A lot of them grow up in the movement, but a lot of them are just like island of lost children that are just looking for a place to fucking belong.
And it's like they took a wrong turn at the Renaissance Fair or something, you know, and they wound up like, because there is something.
like very seductive about that feeling of intense community based on your racial identity.
Okay.
Like there is something like reassuring or empowering about being part of a skinhead set.
And I also found out that when I, one of the things I did before I went to the actual Rocky
Mountain Heritage Fest is I just went out in Denver dressed out as a skinhead by myself.
And I like I realized like people were fucking intimidated, you know.
I'm not a small guy, but just walking into bars, dressed, you know, fully kidded out,
bomber jacket, dark martins, you know, the whole thing, white power shirt.
Like I could see people were like, fuck.
And the reason they were is not is because they, I was representing them that I'm part
of something a lot bigger than just me.
And if you fuck with me, you're fucking with me and, you know, presumably my whole, my whole crew.
And, you know, and so I think if you're like somebody that doesn't, you know, have a lot going on in your life and you're like looking for an identity, there's something very attractive about that.
What did I learn about it?
I learned that even then, and this is like the early 2000s, like that subculture is a lot broader and better funded and organized than most people understand.
When I say that culture, I don't just mean skinheads.
I mean more broadly like the white supremacist kind of underworld.
It's funded.
Well, that they've got dough, okay?
Like rich parents, you mean?
Or they have careers, they're kind of living two lives?
Or this is kind of like baked it.
Is this baked into every part of their life or do they kind of hide it from some people?
I think it varies a lot.
But when I say that they're funded, yeah, let me, that like a lot of its merchandise sales.
Also, they smuggle a lot of shit to Europe and make a lot of money that way.
Oh, shit.
Stuff because of our First Amendment.
Ukraine has a lot of Nazis, right?
Yeah.
Russia does for sure.
Really?
Yeah.
But in Europe, in France, for example, Germany, like hate rock, like symbols, the shirts, the flags, all that shit's banned.
You know, it's illegal.
Right.
So you can smuggle that shit over there and make, you know, a good amount of money.
Whoa.
Stuff that's cheap here because it's protected by the first.
Amendment. Yeah. This dude, have you heard that guy named Daryl Davis, the black dude? Yeah.
Who befriended the Nazis. Yeah. When I was talking to him, he was saying that, you know,
the first time he ever discovered racism, because he grew up, he said overseas, like, he was
going to school overseas. And like he would come back here and he was like doing this, some Boy Scout thing,
like doing some like march, some public march and some dude threw a fucking rock at his head.
And he went home and he was like asking his mom. He was like asking his mom.
questions about it and his mom was explaining to him why they did it and that was his first encounter
like in his he was maybe 10 years old of racism like he had no concept of it whatsoever and um
you know that's what got him so interested in the kKK and and all that and like went out and started
like going to bars trying to meet these kKK members and um ended up befriending a bunch of them
getting them to leave the clan for good and like i think he said the biggest common denominator
between all of them was that none of them had been outside the zip code they were born in.
Like they were all born and raised in this little town and none of them had left the country, let alone their fucking zip code.
Which I thought that kind of made sense to me.
You know, if you're surrounded your whole life by this like certain ideology or people that have one way of viewing the world, you never exposed to any alternative view of anything, then maybe.
maybe that's just what happens to you.
Yeah.
I think white nationalist groups now,
I mean,
this is born 20 years ago
that we're talking
that I was doing this shit.
I mean, it's changed a lot.
I mean, those groups,
they're a lot more online-based now
than they were, you know,
in the early 2000s,
and they're a lot more overt.
They're less underground.
You know, I think they feel a lot more comfortable
with publicly representing that ideology.
Yeah, I've never run into it
in the real world before.
I've never running anything like that.
I know there's like a lot.
a clan around like there's like little pockets of florida where you can find like the clan like
where they there's bars and stuff they go to it i'm sure they do fucking meetings in the woods somewhere
around here but like yeah i don't know i just never i mean i'm not i'm not out searching for it either
but um yeah it's like for me you only i only hear about it like on message boards and things
like that but it's it's just wild to hear that they're like still doing their thing you know
Well, the tightest spot I got in, I got in a couple, but one of them was at an event in Arizona called Aryan Fest.
And there's always traditionally been a lot of tension between like neo-Nazis and the clan, you know.
But this was a, this was like a sort of a pan white supremacist gathering.
So there were, they were clans.
Why is there a riff between them?
They don't like punk?
I think there's like skinheads, like part of its region.
original. But I think like the skinheads, like kind of regard, like the clan is like, you know, they had their day and they fucked it up. Yeah. And just kind of look at him as like, there's also an age difference. Like generally like, you know, skinheads are younger, right? Yeah. Or neo-Nazu guys. Um, but there was, uh, there was a, there was a, there was a clavern there at at Aryan Fest. And one of the clan guys just, he just called me out, you know. And I think I had one of those like disposable Kodak cameras. I was taking. I was, uh, there was a, there was a, he was a
photos with, you know, which was okay. I wasn't the only one taking photos. Yeah.
And I think I just took one photo too many or something. And he called me out and accused me of
being like from the anti-defamation league. And I had to just get right in his fucking face.
I mean, it's just one of those things where like I knew if I just pretended to ignore it,
you know, because he was kind of making comments out the side of his mouth at me.
That your ADL guy. Yeah. Yeah. I took a photo and he was like, oh, I guess we'll see that
on the anti, on the ADL website next week or something like that. Yeah, yeah, yeah. You know, and I
knew that if I just pretended like I didn't hear it or or I tried to like laugh it off or
something that that would that's not that wouldn't be right that would like be suspicious that's not
what a real deal I just had to get right up in his fucking face you know and just call him out and
call a clan a bunch of fucking posers a bunch of she heads and shit you know fucking sheethead you know
like you know ask yeah you like oh were did I mean did you find anything any any any any
Were you able to find any humanity in those guys?
Like, was there any sort of like,
any soft spot you could find for them
or like you kind of understood them from a,
from any kind of perspective or where you felt bad for them?
Or like, you could see, you could understand.
Not so much with the skinheads,
but there was like an organization called
the National Socialist Movement.
And they were like, you know,
straight up brown shirts, swastika armbands,
like dressing like they were from the third.
who were Nazis.
Yeah.
And I just remember at some of their rallies, like running in these kids that just like seemed
to have no idea what the fuck they were doing there, what this group was really about.
It just seemed like total lost souls.
You know, they just somehow gotten wrapped up into this.
Or you just wanted to like kind of take them under your wing and just get them out of this shit.
Yeah.
So I did have some empathy for them, you know, but most of the skinheads, like, I mean, but in the skinhead movement, like, it's really easy to become a leader.
Like if you've got like, you know, decently high-eyed.
and some organizational skills,
you can become a big shot in that movement pretty easily.
The same way, like, if you're just a mediocre musician,
if you start making hate rock or white power or punk,
all of a sudden you got a fan base, right?
You can actually sell records or, you know, now downloads, right?
And have a fan base and like tour of the world,
you know, and have groupies and the whole fucking rock experience.
Point being, like, with some of the leaders,
I was always wondering, like, how much do they actually,
like, believe this shit?
How much of it is just like power for power
And they saw that this is a way to get people to like follow them.
Mm-hmm.
Yeah.
Right.
And then the other people just trying to fit into a crowd, you know, being misfits and just trying to find someone else, just trying to find a place to fit in.
Yeah.
You know, in prisons, you're, you know, in prisons, you're, you know, the people, you have to join one of the clubs, right?
You have to either, you could be with the blacks, you could be with the skinheads, you could be with the, or like, the, the one group you never want to be a part of is the chomos who everyone fucking tries to kill me.
all the time. And it's like, it's like Lord of the Flies, you know. Hold that thought. I got to get
pee real quick. We'll be right back to it. Man, I hit this point recently where I just felt off.
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Locked and loaded for the Lord.
Reverend Moon, who died in 2012, his church split apart and two of his sons established the new congregation.
And their followers are eagerly awaiting the end times.
And they are armed.
It's called the sanctuary church.
Um, here's, here's their members.
This is what their members look like, bro.
They look, look.
Look, I mean, look, that lady looks happy.
Like, that's how they go to church.
Where is this?
This is in Pennsylvania.
Dude, we might need to go investigate them.
We should sign up.
Attendees hold rifles.
And this is the, this is their blessing ceremony.
Look at that, dude.
Like, how do you end up there?
You know?
Like, how do you get recruited to go to that?
That's what I want to know.
Like, how do you come up, like, meet somebody and get convinced that this would be a great idea to go here every other, every once a week with your fucking AR-15 and await the end times?
It's wild to me.
It's wild to me.
You know, this right here, where we are right now is like the hub of Scientology.
This is like this town is where Scientology all started.
Right, it's down the road, right?
Yeah, the church is like right down the street from here.
The dude who created Elron Hubbard had this ship that was parked right out there when he was alive.
That's how he tried to escape and tried to avoid all the tax evasion ship.
This is one of their e-meters.
This is what they use to do like technological exorcisms on people.
Right.
Are you familiar with Scientology at all?
Yes.
I've seen the South Park episode.
That's all you need to know.
No, I am.
Yeah. A guy I worked with at the New Times in Phoenix, Tony Ortega, he's done a lot of investigative reporting on the...
How do I know that name?
He's done a lot of, like, reporting on Scientology.
And like every few years, man, I get a call from somebody presenting themselves as like a private investigator or a filmmaker or something.
And they're trying to dig up dirt on him.
And they find me because they just know that I worked with him, you know, in the 90s at a
paper in Phoenix. It's crazy. They're still out to get him. Yeah. Tony Ortega. Yeah, I definitely
know that name. The Scientologists are, they're, they're ruthless with like the amount of
intimidation and stalking they'll do to people. That's what they're doing to him. Yeah.
They're always just trying to dig up any, you know, any dirt I have him on the day. So I just
trying to like fucking mislead them. Yeah. I mean, you hear of all like the crazy sinister,
evil cults that have bubbled up in America over the years.
And Scientology is the one that was able to get away with the most.
They were able to get away with being tax exempt by attacking the IRS
and having all their members sue the file lawsuits against the IRS
and eventually having them cave.
And like, you know, I hear their membership is dwindling.
But like, dude, you walk up or you drive up and down the streets around here.
They're everywhere.
There's young people that are still in it that walk up and down the streets.
Part of the Corg.
The Corgs, like the faction of it, who are.
are like the workers who basically, they get paid nothing.
They basically have to work for free, clean toilets and try to recruit people and do these
auditing sessions on people.
And it's just like, God, you're these, like this day I was driving by and this girl,
she looked like she was maybe 21 years old, you know?
And I just wondered, like, how did you end up here?
Can you spot them?
You can spot them for sure.
Yeah.
How do you spot them?
They wear this certain outfit.
They wear this like this event.
that's like this color, this like maroon color with like a white, a white long sleeve button up
collar dress shirt with this maroon vest they wear. Sometimes it's a it's like a royal blue vest
and they all walk together and they look like robots. One of my one of my, um, one of my friends.
So like another weird thing is like there's a bunch of big companies around here. Like all of the
all of the big Scientologists around here are very well.
Most of the wealthy people in this area are Scientologists for some reason.
They're all super rich, like the high level ones.
And they own like a lot of big businesses around here.
And one of my friends worked for one of the businesses that was owned by Scientologists.
And I was like, dude, I'm like, this town is invested with Scientologists.
Right.
I'm like, I'm sure a lot of them are nice people.
whatever like they don't bother anybody but like how do you how do you know can you
tell like who is and who isn't he's like oh yeah he's like I can tell you I know
exactly it's easy for me to spot a Scientologist anywhere I'm like are there any
here with us in this fucking restaurant we're in he's like yeah it's like there's
one right in this room right now I'm like what how do you know like there was no
one dressed weird like everyone was dressed pretty normal he's like you just look
into their eyes and it's just it's like a robotic vibe you'll get from him
And I looked around and sure shit, I could spot.
I'm like, is it that guy?
He's like, yep, that's the guy.
And you could just tell.
Like, there was something about the guy, the way the guy carried himself and like the look in his eyes.
It was just like robotic.
And I, you know, one of, somebody told me that one of the reasons they think that they were able to maintain for so long is because they never became a sex cult.
Like they were never, they were never associated with any like sexual abuse or anything like that, you know?
And it makes me wonder, like, was that on purpose?
Like, was there an executive decision made, like, early on?
Like, we're never going to do any kind of, like, sexual depravity or, like, sexually assault people.
Like, every other cult does.
Right.
So maybe that's why they were able to get by for so long.
But apparently, their numbers are dwindling.
Apparently, like, it's dying, a slow death.
It's crazy that also, like, Elron Hubbard was best friends with Jack Parsons and Alistair
Crowley and all these people from back in the day, all these occultists.
It's bonkers, man.
You know, I did a series, like, a couple years ago, I was on Peacock called Krishnas.
It was about the Hari Krishna.
It was about organized crime within the Hari Krishna movement.
You know, and I spent a lot of time with, with Hari Krishnas.
And I got to say, like, they did not have that, like, you know, robotic vibe at all.
Like, some of the, like, happiest, most well-adjusted people I've ever
met or Christian and devotees.
What is that?
Can you explain what that group is?
Yeah, so it started in the, I mean,
their sort of spiritual tradition is like ancient
and like far predates Christianity.
It goes back to the Vedas, like the oldest religious texts
in the world known.
And but it came to the US with this, I guess you could say,
guru from India, Prabupad, who came in his timing was perfect.
He like came over in the mid-60s and you know,
just at the time as the, he just,
he just surfed the wave of the counterculture, like, perfectly, like, had, like, you know,
wow.
You know, kind of events, I guess you could say in Golden Gate Park in San Francisco,
and, like, George Harrison, the Beatles got super into it and stuff.
He, like, sent over a group of devotees to London to, like, recruit the Beatles in the movement.
But, you know, I went into it, like, thinking, like, are the Harry Christian is really a cult?
And I came away thinking, like, no, but there was this one, when Prabupon,
the founder of what we call the Hari Krishna's in the U.S.
When he died, he like appointed all males,
some of his top disciples to carry on the movement.
And one of them was this guy named Keith Ham,
but his Christian name was Kirtananda.
And he started this commune in the mountains of West Virginia
that's still there called New Vrendavan.
Rindavan's a city in India that's, you know,
the birthplace of Krishna in that mythology or belief system.
Yeah.
And he started this commune in West Virginia called New Vendavn.
And speaking the sex stuff, I mean, that's what took him down.
He was like abusing the kids, you know, in the commune.
That's what eventually, you know, got him dethroned.
Is that him?
Yeah, that's him.
He looks white.
Yeah.
Yeah, he is.
Oh, he is?
Yeah.
Yeah.
All the guys that carried, like Prabupad was Indian.
But all of his devotees that carried on the movement after he died were white guys.
Americans.
I think maybe one Canadian.
Anyway, this guy is like Keith Ham or Kirtananaanda.
In Vrndavan in India, there's this, his tomb is there.
And he still has, like, devout followers of Kirtananda that, like, live around his tomb.
There's these, like, big buildings that look kind of half-finished.
And I went to Rundava and to film for this series
and got access to Kirtan Ananda's tomb
and was like interviewing the guy that kind of keeps it
and there's candles and pictures and shit.
And I kind of asked one question too many
and all of a sudden like all these like devotees of Kirtananda
started coming out of this building and I was just there
with like one camera guy and me and our like, you know, interpreter.
And the interpreter was like, it's time to go now.
It's time to go now.
Like you get the fuck out of there.
Whoa.
Yeah.
because he's real like controversial figure he's kind of like officially excommunicated by the by the
harry krishna's but still has kind of adherence within the movement so what do the harry
christians believe like what is their primary belief like what sets them apart well they believe
in reincarnation karma you know um akin to hindu you know i'm not a religious scholar so i don't want
to like misrepresent their belief system but yeah they definitely believe in like
The cycle of reincarnation.
And they believe in dancing a lot.
Dancing.
Yeah, yeah.
I mean, the heart Christians,
you know,
the whole, like, you know,
like that comedy in the 80s,
like airplane or whatever.
Like, there was the running joke
about the Christians in the airports.
Used to see them in the airports in the U.S. a lot.
Like in the 80s, they'd be, like,
selling flowers and books and shit.
Or you'd see them, like, in Venice Beach in California.
Like, they call them Kirtons,
and they're, like, sort of like, dancing, drumming,
ceremonies, chanting.
Mm-hmm. Yeah. Wow. And what, and so, so you just like discovered one day you, you, you became aware of them and you went and when you, when you embedded with them, you didn't have to like, you were an over. I stayed. I stayed at the at the commune at New Vendavan in West Virginia. I mean, where a lot of like evil shit went down like in the 80s and early 90s. Like this guy, Kyrton Ananda, he had, you know, basically this Vietnam vet that was like his enforcers.
that would just kill people on his orders.
Like people that started to challenge his authority, you know?
And he wasn't the only, like, guru that went bad.
There was another one guy who became known as the machine gun swami,
who was like into, like, you know, running guns and shit.
Like some of these guys really went to the dark side because they had all that power
because, like, if you're a, you know, if you're a guru,
you're basically like a direct conduit to the divine.
And so you had these, you know, I mean, I think Prabupod was like really in a,
jam he'd started this movement that had grown very big very fast in the u.s and then he died or
you know on his deathbed he kind of like appointed these guys to carry it on but they were all
just like young dudes in their 20s and then all of a sudden they're gurus you know and some of them
kind of carried it on in a in a righteous way and some of them you know went to the dark side all
that power went to their head and how did the sexual abuse part get involved like how about
well keerton and under was a profile i mean you know and so he was you know and so he was you know
And the, you know, the Hari Christian is like, as a movement,
have had problems akin to the Catholic Church.
Although I'd say, like, unlike the Catholic Church,
they sort of confronted it head on, you know, a decade or so ago.
But Kyrton Ananda was one of the worst examples of, like,
child abuse within that, you know, religion.
And he just had, he had, you know, several hundred, I think,
yeah, several hundred, like followers that lived on this isolated,
lived in this isolated commune up in the mountains in West Virginia,
the closest city is Pittsburgh,
but it's like kind of, it's out there, man.
You know, especially in the 80s,
they were really kind of cut off.
And it was a place that, you know,
if you were a fuck-up in a Krishna temple in Los Angeles or Denver, wherever,
they would send you to New Vrindavan,
so Kirtanaana could kind of like whip you into shape.
So it was also kind of like a lot of like,
difficult personalities,
I guess you could say were sort of funneled to him.
Yeah.
You know, it was in some ways it was kind of a dumping ground for the movement.
But to this day, there's this temple there that's just like, it looks like the fucking Taj Mahal or something.
It's incredible.
You're just driving on these winding roads in West Virginia.
And there's just this palace, this like tribute to Prabopod that's there that was basically built by the devotees.
And it's incredible.
Whoa.
Yeah.
Is this one of your most recent moves?
Yeah, it's on Peacock.
On Peacock?
It's called Krishna's.
Yeah, it came out a couple of years ago.
How long do you typically spend on these projects?
A little over a year.
A little over a year.
Yeah, sometimes I'm working on more than one at a time, you know?
I'm always usually making one and then trying to figure out what's next.
You know, trying to sell the next thing.
But like, yeah.
Yeah.
So sometimes I'm working on two at two at once.
But in terms of one project, it's, I would say, it nets out at about,
a year to a year and a half per show. How involved do you get with like the editing and stuff?
Very much. Yeah. Yeah. I have a really old school method. I mean, I take all the like interviews,
all the archival material we have and I actually write what's called a radio script, which is a really like
kind of frankly antiquated method of doing things. And I have to have editors that are like will work
with me on that because I don't like to work on machines. I like to work with paper. Okay.
Like even sometimes pen and paper. I just think that I'm just, I'm not exactly a Luddite, but let's just
They, you know, I prefer to write at least on screen when I'm creating.
And so I write a script and then give it to the editors and be like, okay, take this part
of the interview and then this piece of archival and this B-roll and actually give them a script
and then we collaborate and, you know, mix it up and stuff like that.
Yeah.
Yeah.
For me, like, like for when I was filming deck hands, I remember it sat on my heart, it sat on hard drives
for probably two years before I ever touched it because I was like kind of scared to go watch it again.
So I knew it was on the hard drives and I like our like the experience.
was so overwhelming.
I was just like,
you know,
like,
for me,
it was just the,
the idea of attacking all of that footage
and trying to mold it into something
just was so daunting.
And I was like,
I'm a,
I'm a ferocious procrastinator.
And I just,
you know,
I didn't want to fucking dive into it,
A,
because it was so dark.
I was like,
I don't really want to go back into that.
And like,
B, I knew it was going to be such a big project to like actually try to tackle and wrangle
into something that made sense and that was cohesive.
So like when I finally start, like when I first started like putting it together, you know,
you kind of like, like, oh, okay, this is kind of cool.
And then I started to piece more stuff together, piece more pieces together.
And then I like, I kind of like, I realized, okay, I'm missing a lot of, I'm missing a lot of
transitions here.
I got like a lot of cool like little pocket stories.
but now I got to fucking go back
all these years later
and I gotta fill in these gaps
to make this make sense
you know like to actually tell the story
so like
that was the kind of way
the kind of like the way I did
and for me like
the music was a huge part of it too
like the music like it was kind of like a music
it was kind of like a like a creepy music video
like there was no narration
it was like it was more of kind of like
the music playing in with like
the scenery and the ambiance
of it kind of just like made you feel a certain way, you know?
Yeah.
Yeah, it was just kind of like a dystopian music video in my mind,
which I like enjoyed doing that.
I used to like doing music videos when I was younger.
On deck ends, did you have collaborators or did you just like cut that yourself?
I did it all myself, everything myself, yeah.
That's one of the things I like about making docs is like it's a,
it's a collaborative like team effort.
I mean, when I was doing just gonzo print journalism,
I mean, every once in a while I'd be paired with a photographer
for an assignment, but for the most part,
it's like total lone wolf, you know?
Yeah.
And I really like working with crews, like in the field, you know?
Yeah.
And I do write those scripts, I mean, I do write those scripts,
but then I like sitting in the editing bay with an editor
and just like kicking ideas around
and actually moving shit around and stuff.
It's like, it's a very satisfying, creative process.
Yeah, yeah.
It was just like, the part of it for me
was just like jumping from, you know,
in the middle of that, like being on a boat
with a bunch of dudes like doing blow
and watching their porno collection.
I think going home and having dinner with my family that night.
Just like, like, God, am I going to do this forever?
Like, it's fucking crazy, you know?
And it was like, it was really, it was really like,
it felt good to be able to like to accomplish that task.
But I don't know.
I guess I just like wasn't cut out.
Like what's the next thing going to be?
Like how am I going to go find and sustain this?
you know, forever.
Because I came from the,
I came from like a world of like before I started doing that kind of stuff like on YouTube,
I was kind of like trying to do what you're doing now.
I was trying to like do like documentaries and like real documentaries, you know,
and like sell them to like networks or whatever.
This was kind of like before streaming.
I started doing that like in the boom of like the reality show type thing.
When like deck can or not,
I'm sorry,
when like Duck Dynasty and like pawn stars were becoming big shows,
like the reality craze.
And like trying to.
to do shit that I thought was cool.
And like I was never able to get anything off the ground.
And like that's when I started like just digging into like my archives.
And it's like, I'm just gonna throw all this shit on YouTube and just see what happens.
And, uh, you know, that's when when shit started to stick.
Because like I got a really bad taste in my mouth from like working with those production companies and like trying to like deal with like, you know, shopping it to networks and to.
streamers like that.
It was like I was like constantly riding this emotional roller coaster of like like my fate
was in somebody else's hands, you know?
Yeah.
And you just got to get used to fucking people telling you that it's like right at the finish
line and then they just kick your fucking check in.
Exactly.
Over and over again.
I felt like I was just getting put on a shelf with a bunch of other stuff.
You know?
And like they're just, they're intentionally the parasites that are in that business.
They intentionally try to play on your emotions to keep you strong.
along, you know, and in that little shopping agreement that they have you locked into.
Yeah, yeah. I mean, I'm fortunate in that I'm always trying, I mean, I'm always trying to
develop my own ideas, but I'm fortunate in that, like, if somebody has like a gonzo idea,
they'll come to me. Like with Narco Mennonites, there's this filmmaker Sherry Finbo,
who's Canadian, but she lives in Australia, and she'd figured out this story and it sold it.
And she was like, hey, you know, I've sold this story to crave the streamer in Canada. It sounds like
something you might be interested in. I was like, what is it? She's like, it's about a
Mennonite drug cartel. And I was like, bingo, you know, I'm in, right? Same thing with the
with the Krishna's. Like, I didn't have to sell that show. A production company had sold that
show to Peacock and then they, you know, wanted somebody to make it. And they were like,
well, this seems like something Holt House might be interested in. So I've gotten to that
place, which is good. But I know it's, you know, I can't tell you how many times the last couple
years, especially with all of this like consolidation going on in the industry.
Yeah. Everybody's nervous as fuck about AI.
Yeah. You know, most recently everyone's like wondering like this Ellison deal is going to go through, you know, when Netflix was in a bidding war with them and that dust still hasn't settled. Like people just aren't buying a lot of stuff right now. It's, it's a tough time. So I'm fortunate to be in that place where people are coming to me with shows that they've already sold and they just need help making them.
So you don't have to necessarily go kicking down doors and shaking trees. I'm still doing the hustle all the time. Are you? You're still trying to find stuff yourself. Yeah. How do you do that? You're just like, you have like a network.
of people you're constantly talking to?
Yeah, I do have, I do have a good network of, you know, my secret to my success has been
working both sides of the street, meaning cops and crooks.
So I've got really good sources among law enforcement and really good sources on the other
side of things, you know, so I'm always talking to them about stories.
And a lot of it's just, you know, just fucking reading, reading everything I can every day, you know,
about what's going on in the world right now, but also like, you know, that library of books
you have outside this room, you know, shit like that, just, just, just, just, just, just,
constantly digging through.
Turning over rocks.
Just looking under rocks.
Exactly.
Yeah, it's usually like the most interesting shit
is the shit that's not being reported on by anyone.
Stuff that you're not going to find in the news, you know?
Right.
Stuff more like the stuff you find behind the fucking 7-Eleven.
Yeah.
Yeah, man.
The whole, the fucking, like,
some of the stuff that's going on right now is just,
it seems like,
it just seems like supernatural shit,
like bubbling up into reality where it's like,
you don't even know what's real,
especially with like what gets reported on with like mainstream news and like this whole thing about the this epstein files thing i don't know how much you paid attention to that
well i pay a lot to entertain but it's like it's it's one of the most insane things to me is that that stuff can be made public
and and admitted to by the doj and like nobody cares it seems like nobody cares other than a few journalists
It's really disheartening.
I think part of it's everybody's attention is so, you know, discombobulated.
Like, it just seems like there's so much to try and pay attention to right now.
But that story is fucking crazy.
I mean, it just seems clear to me that he was and some kind of Israeli intelligence agent
and was, you know, gathering blackmail material.
I mean, he was both a pimp, but he was also, you know, running honey traps.
I mean, it's not even, it's not even conspirators.
there, it just seems like that's been reported. I mean,
the dots are right there.
Big giant 24 point dots to connect.
Yeah. And all of these crazy Q&ON
Pizza Gate people are being vindicated.
The people who we were all making fun of a few years
ago. Well, they didn't have it exactly
right. They had it pretty damn close.
I mean, it wasn't in the basement of a pizza
shop in Washington, D.C., but it was
fucking everywhere else. Yeah.
The guy should have gone and shut up Epstein's
mansion in New York. Right. Yeah. Yeah. It's crazy. And like, you know, we've all,
we've all heard the stories of like the Rockefellers and the Rothschilds and here it is,
plain as day in declassified emails. Like the guys talking to the Rothschilds. And now they're
doing these subpoenas on all these people, like this Les Wexner guy who owns Victoria's Secret
and they subpoena or they did a deposition of him. They did a deposition of Bill Clinton,
deposition to Hillary Clinton. And they're all talking about, yes, the Rothschilds. He worked for
the Rothschilds. And like before all this came out, like the consensus seemed to be, at least from
my view, that like what you said, he seemed to be like an intelligence agent who worked for
multiple different intelligence factions like probably the MI6, the Mossad, and the CIA. But from what
it seems like with these files is that they worked for him. You know, like these people were,
like he was a, like there was that that layer of intelligence.
that's kind of above the politicians that run countries, right?
So you have us, politicians, intelligence.
And then you have this Epstein Rothschild Rockefeller layer that's like behind the curtain
doing all these crazy arms deals and like funding civil wars in Sierra Leone and like
profiting off war, selling arms, trilateral commission stuff.
It's like it's like ripped open a veil in reality that I don't think I don't think people are are ready to accept that that's real.
But they've fucking they've made it public.
Yeah.
I don't mean to say that he was just that he was just working with Mossad.
I mean, there's also links between Epstein and FSB.
I mean, there's emails where he was like, you know, trying to get to Putin through an FSB agent.
Right.
You know, I mean, so I think that he had, I think he had his, I was about to make a bad comparison that I won't.
He definitely had the most, he had the biggest connection to the Mossad for sure because he had the guy, the former head of it, the former prime minister like at his house every day.
What drives me crazy, though, it's in this, like, hyperpartisan environment that we're in that it's like both sides are taking what they want from the Epstein files.
You know, oh, it's all, oh, Bill Clinton.
It's all about Bill Clinton.
Right, right, right.
Oh, no, it's all about like Trump.
Well, it's fucking both of them.
Exactly.
And this is the most.
It's not either or.
It's both and.
Yeah.
It's the most bipartisan story probably of my lifetime.
Everyone is implicated in this stuff.
It's not left or right.
It's not Republican Democrat left right.
It's us versus the layer above us.
It's a vertical fight, not a horizontal fight, right?
And it's like, yeah, man.
Like the more.
pay attention to it, like the more it just drives you crazy.
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Like the code words, the code words, like, jerky,
like trafficking people, and, like, allegedly,
it looks like, depending on how you want to interpret the code words
they were using, that they were fucking eating people.
Like, what?
And where are all the videos?
Right.
you know yeah he had cameras everywhere where the fuck are they and what did they like if the
FBI's had all this shit for so long like what did they make of it like what did I'm sure they
have to have some sort of analysis of what those code words meant right like I'm sure they had to
come to some conclusion but they didn't instead they're just like trying to fucking hide everything
and start wars to distract us from it
or you know i don't know man it's a lot to digest going back to the the the saskatch film it seemed
like a lot of the people in uh in that area in the mendicino area there was like this overwhelming
sort of like belief in the supernatural with those people not just with the big foot stuff
but it just seemed like that was kind of like a yeah i know i know it's i know what you're saying and
And it makes a lot more sense if you've been there, okay?
Meaning that, yes, the people there are much more willing to entertain the possibility
of the paranormal and cryptids than like your quote unquote average American.
Yeah.
And part of that may be the level to which psychedelics permeated that culture.
But there's also just something about those ancient forests that.
that lend themselves to giving credence to possibilities
that maybe don't make sense in suburbia.
Meaning that there was one time I was hiking by myself
in the redwoods just kind of trying to get my head
around the story and I stopped and looked around.
I was like fuck, like Sasquatch makes a lot more sense
like when you're actually here.
I mean I wouldn't have been surprised
of a fucking bronosaurus had just started walking by me
in those forests because they just feel so ancient,
and spooky and magical.
Yeah.
I've got to feel it.
Like you've got to experience it.
I've heard people explain something similar to me.
Like this dude Paul Rosalie, who's been on the show,
he's been spent most of his life in the Amazon.
And he explains that like when you're there
and you're like disconnected from modern technological society
and you're kind of like just walking barefoot on the dirt
and you have like all the insects, insect noises,
around you, like the birds and the monkeys and all those noises.
He's like, he's like it almost kind of like removes a layer between you and like something
else that you can't really explain.
Like almost like it unlocks like a buried ancient sensory ability that we may have had.
Right.
Your senses are definitely heightened.
Yeah.
And you're like more in, you're in tuned.
You're in tune with something else.
You can feel that current.
Yeah, that makes sense.
Yeah.
I think the same is true in those redwood forests and in a lot of other, you know, places where you can really feel that current.
Yeah, I mean, it makes sense that like being, like living in a fucking a city surrounded by stacked on top of where you're in an apartment building, you're stacked on top of people and there's traffic and like all these like crazy sounds and pollution.
it's like you're kind of like a killer whale in a tank at sea world.
Right.
You know?
Right.
Right.
Well, also in like in the Emerald Triangleman, it's self-selective, right?
These are people, for the most part, that have either grown up there.
So they are the descendants of people that made a deliberate choice to get away from that,
to get away from the Orca Tank at SeaWorld.
Yeah.
Or they've made that choice for themselves as adults and have moved there in recent years,
one of the two, meaning those people by nature are going to be more.
open to those possibilities both because of their personalities and then you add on that the environment
in which they're steeped in their daily lives and you get a lot more openness to the possibilities of
paranormal right and so okay but you you grew up in alaska in anchorage yeah and then you moved to
santa cruz is that we said yeah i went to college in santa cruz california yeah and that's pretty
close to mendocino right oh it's a few hours away i mean it's bay area so it's it's about
probably about three hours or so.
Yeah.
Yeah,
the Benesino's way up,
way,
it's just far north, man.
Yeah,
it is way fucking,
yeah.
I mean,
they were telling me
these stories about like harvest season,
you know,
people driving like RVs
packed with weed
down to the Bay Area
to sell it,
you know,
and it was just like
fucking running the gauntlet of cops,
you know.
It's just like you're nerve-wracking
and some of them
were just fucking idiots about it.
I mean,
they'd look like,
there was pictures
of some of the vehicles.
I mean,
the people that got busted.
I mean,
they just looked like deadheads
or something. I mean, they might as well had a sign that said, pull me over. Like, driving a beat to
shit, like Winnebago, like painted with, you know, psychedelic eye of horace and shit. It's like,
you know, come on. Like the guys that got away with it's like the most nondescript vehicle
you can imagine. You make multiple runs packed in a hidden compartment in the trunk, you know,
change the vehicles, like be smart about it. Yeah. Yeah, there's a, yeah, there's, I mean,
so many wild stories that come out of that part of the country too. Like, there's like,
you know there's a ton of ufo abduction stories that come out of that part of the world too or that
part of the country too you know where you have people like i wonder like how you know where you
explain like walking through the woods by yourself you said you you wouldn't be surprised we saw
a brontosaurus walk walk by like i wonder what sort of like psychological connection there is
between that and like people seeing flying saucers or think they got abducted by a ufo or something
you know like i wonder like what what that unlocks in the psyche
that could be going on.
That's not like real, you know, nuts and bolts, you know, like,
just like Bigfoot may not be some biological thing.
Maybe it's just some, like, psychological phenomenon that is conducive to being in that,
to living in that environment.
Maybe that maybe the UFO thing has, like, a similar connection.
Maybe.
Maybe there's a port, there's portals around there, right?
I mean, some of the stuff that made, I don't know if it made the most sense,
but I thought it was most interesting was people that lived in that area that
believe that like there, there are interdimensional portals in the woods around there and that
that explains the Sasquatch sightings. The Sasquatch is like an interdimensional being
or messenger that sort of like flits back and forth between our reality and a parallel
universe and the metaverse. Whoa. Okay. That's like a commonly held belief up there.
Really? Yeah. Yeah. What are those people say about like UFOs? Do they have like any belief
that or are they not into that?
I didn't talk to them about UFOs.
I was just really just focused on the...
Because I saw there was...
In your documentary, there's you're talking to the guy in the first episode
where like you're asking about Sasquash.
He starts talking about UFOs.
You're like, what?
Yeah, right.
Yeah, I do remember that.
I was on the phone with him.
Yeah.
You know, I saw a UFO.
You did?
I saw the Phoenix Lights.
What?
Almost 30 years ago.
Yeah.
That was the one of the...
That, and the more time that went by after I saw that craft,
and it did not, like, really after the wars in Iraq and Afghanistan,
because I always, like, I believe that what I saw was probably a military,
sort of airship, giant airship that had a cloaking device of some kind,
stealth cloaking device that had fritzed out, and they were testing it.
I was like, I don't think that was a fucking alien space guy.
Really?
But then after the wars in Iraq and Afghanistan,
and we didn't deploy anything like that,
then I really started to think,
well, maybe that was something else.
You know, the 30th anniversary of the Phoenix Lights
just passed, like March 13th, I think.
But I mean, I was, you know,
probably know that was like one of the biggest UFO sightings,
you know, they were documented.
Fuck, I wish we had these cameras
and everyone had had a camera in their pocket on that night.
There were some photos of it.
There is footage.
There is footage.
It was all of VHS, you know,
and I just wish there'd been a lot more angles,
a lot more footage of it.
And so that's, yeah, so people saw two different things, right?
They saw this array of lights.
And then in the East Valley, like over around Tempe or Mesa, where I was,
a lot of people saw what I saw, which was a much bigger single craft.
Like huge.
The V-shaped craft?
Huge.
Yeah, I saw the V-shaped craft, but it also seemed like it changed shape to me into something
that was like a lot even big.
bigger than just that that V shape, like that stealth bomber shape thing.
It seemed like it was changing shapes as it was flying.
And you don't think it was alien?
Well, the more time has gone by that we haven't,
that that military technology has not been revealed
to be military technology, the more,
the more I questioned what it was.
But I know what I fucking saw.
And, you know, I remember like the governor of Arizona.
Fife Symington.
He saw it, but he had a press,
conference about it because people were freaking the fuck out because like thousands of people had seen two at least two different UFOs or two different UFO phenomenon and he had to where the governor had held a press conference about it but he had like somebody dressed up in like a silver like alien space suit come out and kind of like mocking it mocking it even though he had seen it himself yeah that shit he actually came out and apologized for that he did he did yeah did you wait so when you saw it
What time was it?
Was it like, was it night time?
I don't remember, I wanna say.
It wasn't super late though, right?
No, it wasn't super late.
And were you able to see like, other than the lights?
Were able to see like an outline of anything?
Definitely, definitely.
And that's what I'm saying is that I saw,
I did not see the like sort of scattered array of lights
that seemed to be smaller craft.
And also remember that like that same night,
the military went up and dropped a bunch of flares.
Okay?
And then initially that was like one of the explanations for it.
So why did the military go up and like drop a bunch of flares,
if not to like provide some kind of cover story,
not a cover story, but an explanation
for what people were seeing?
In other words, people started to see the lights.
And then around the same time,
the military went up and dropped a bunch of bright burning
flares in the sky.
So people saw a lot of stuff in the sky that night.
What I saw was this.
I saw the large craft with a V-shaped lights on it.
And then at one point,
point those lights went out and it seemed to me as if the shape of that craft changed and
elongated and got larger like it was morphing okay and and at that point it was dark there
were the lights went out but it was at low altitude a lot of people said that they saw it and
was really high up what i saw over tempi was low altitude like close noiseless um um
And almost like you could make out the shape by it blocking out, you know, light in the sky.
You could just see a dark shape.
And went on, you know, several minutes.
It was not like a fleeting thing and it was slow moving.
I think there was photos or videos of somebody who was like up on a mountain top, like really, really close to it.
Do you remember I was talking about that, Steve?
Is that with David?
No, not with Morehouse.
Morehouse came in and he was.
a he was saying that it was definitely military stuff he was saying that it was a balloon
but if it morphed shape that wouldn't make sense no it was not a fucking balloon and it wasn't
flares yeah yeah i i i you know i i i i'm not going to sit here and tell you that it was definitely
an extraterrestrial craft but i know what i fucking saw and it's it's like the these explanations that
it was like a you know a balloon or that it was it was all these flares that the military dropped
There's just, there's no way that that conforms with what I saw and I know what I saw.
So, I mean, I was asked to come to like a 30th anniversary event, you know, this year and I didn't do it.
And here I am talking about it on your show because I don't want to be that guy, you know?
But it's like, oh, that Project Blue Book shit about like, you know, deliberately setting it up so that people that recount these kinds of experiences or things that they saw that they're mocked, ridiculed.
you know, it's done a good job because here I'm still, I'm nervous right now, like, telling you about it because like, I'm going to, fuck, I'm going to be the, like, the Phoenix Lights UFO guy now, you know, but I. Yeah, that's weird, right. I just keep coming back to it. I believe what I see and I saw it. Yeah. I mean, the fact that they had a whole project to discredit people and to like just so disinfo. Like, if it's, if it's nothing, then why would you go to that much effort to do that? Exactly. Yeah. Yeah. It's a, it's one of those topics that just gets like, you know, you know,
know there's so many different layers to it and so many people that talk about it all the time it's just like
god you get kind of like burnt out on it it's like i don't want to fucking hear anymore about this shit you
know it's like let me know when you figure it out it's like too much to pay attention to um well i feel
it's like i mean the link between the epstein files and UFOs is is that it's all right there
out in front of this it feels like right now it's like happening in real time the evidence is right
there and it's just almost like the idea of this like one top you know 10th of percent of people
running the world right that the curtain got peeled back on that over here and then here it's like
it just seems like the evidence of these unexplained and unexplainable uh aircraft it's all
out in the open right now it's just overwhelming right i think it's on purpose you know to your
you know that's spooky right well i mean it's like because of the internet and there's so because
there's so much shit available on the internet we have so much access to everything they could they could
hide the real shit in there with a bunch of other bullshit and nobody would know the difference right
it's like some sort of like weird limited hangout where it's like some people could know
think they know the truth like you could have uh the good shit mixed in with all the bullshit and like
it doesn't matter to you because no one's gonna ever know which one's real
on which one isn't. It's like trying to pick a needle out of a haystack.
Right, because we're just flooded.
Yeah. And I'm sure there's a lot. I'm sure like, dude, like some of the craziest stories
you've ever heard about UFOs, they could very well just be real. And to us, like, rational thinkers,
like, you're like, no, of course that's like the craziest thing's never going to be the real thing.
But like, if you're on, if you put the shoe on the other foot, like, you know, maybe it's
some sort of like weird fucking sciop. Who knows? Who knows, man?
Yeah, one of my teachers at UC Santa Cruz was Frank Drake, who was one of the founders of SETI, and he came up with the Drake equation, which is like a way to, like, you know, punch in different variables to estimate the number of other intelligent species just in our galaxy, you know?
And the way he broke it down is like, of course, of course.
There has to be.
There's probably hundreds of thousands of highly developed technological beings just in our, just in the Milky Way.
Mm-hmm.
And it's very convincing.
So I'm convinced that that's true.
Yeah.
You know?
Yeah, I think it's probably, if it is anything,
it could potentially be like a former breakaway civilization of human beings,
maybe, that like lives underwater.
Or like was a part of a, they were maybe humans once and they like evolved in a weird way for some reason.
Like they developed some crazy technology,
been trying to avoid some sort of fucking catastrophe that happened.
on Earth. Maybe they went underground or underwater. And like they're so, and everyone else got
wiped out, but they were so advanced technologically. Everyone else got reset, but they stayed the
same. They were like some breakaway or whatever. And they hid somewhere on Earth. And like maybe now
they're like popping up in random places and we don't know what it is. I'll tell you what.
If you were like, if you were an extraterrestrial life form and you wanted to come check us out,
what better place to hide than the ocean. Right. Yeah. We've explored more of the surface of
Mars and we have our own oceans. Yeah. It's insane.
Yeah, it's bonkers, dude.
And the fact that like all those occultists and people that were hanging out with El Ron Hubbard and the fucking Nazis that we recruited to come over here and work on the atomic bomb, they were the same ones that were like fascinated with all this UFO stuff.
You know, that was right in the time that Roswell happened.
Yeah, that's another layer that, I don't know, I don't know if humanity can handle that one being exposed.
But who knows?
I didn't think they'd be able to handle this Epstein shit,
but apparently people just can ignore it and just go about their day.
I think it's just a massive state of denial.
Yeah, I think so.
Or refusal to confront it and what it indicates.
Speaking about the Epstein files.
Yeah. How many projects are you working on now?
Or do you have like one in particular?
I know we mentioned the Ukraine one, but like,
do you have anything like big you're planning on doing or that you can talk about?
Yeah, I'm working on a couple projects right now.
One of them is on, basically on energy
and focusing on like California's energy policy,
which is like, you know, California is at the vanguard
of trying to move towards quote unquote net zero in the United States, right?
And so California has essentially passed a lot of rules and regulations
to try and shut down its domestic oil production in California.
There's a lot of fucking oil in California.
right? And so you think like, okay, well, California is shutting down all this oil product,
the government of California is making it so hard for these oil companies do business. It must
mean that California is using a lot less oil. But that's not the case at all. California's still
burning as much oil as it ever has. And so I started with that question. I was like, okay,
well, what are the ramifications of that? And California is importing a lot of oil. And the single
greatest source of imported oil for California is Iraq. What? Iraq. 40% of California's imported oil.
comes from Iraq right now.
So people have this perception of California being like kind of at the vanguard,
the green movement, the United States.
You know, it's a massive economy.
It's now the fifth biggest economy in the world, California is, right?
And so I'm just kind of like digging into that and being like,
okay, what are the like national security implications of California relying so much on oil
from the Middle East?
And is it really better for the environment to be trucking this oil from, you know,
overseas on these tankers that burn this really dirty fuel?
Yeah, not a little.
Only are they still burning the same amount of fuel, but now they're actually paying this tankers to burn more fuel just to get it there.
Correct. Correct. So I'm still kind of feeling my way. I've partnered up with this great director named AJ Carter on this. And we're, you know, it's all like independently financed so that we have editorial control, total editorial control of this story. And that'll probably come out like later this year or early next, I would say. But it's crazy that we started making this.
film, you know, a few months ago and we were talking with like all these energy experts
and national security experts about the Strait of Hormuz, you know?
Really?
They were presenting it as like this theoretical risk.
Like, what if war broke out in the Middle East and all this oil that California is depending
on is somehow, as in cut off?
It's going to be a real big fucking problem for California.
And then it happened, dude.
So is California the most fucked state because of this war?
Look, gas, there was this USC professor who last year came out with his study, and he predicted the possibility of gasoline rising to $8 a gallon in California at the pump because these big oil refineries in California are shutting down because the government's been so hostile to the industry that they just kind of like threw in the towel.
And he was saying like, you know, something goes wrong.
Some X factor gets introduced to this gas could skyrocket to $8 a gallon in California.
California, and he was fucking ridiculed by Governor Newsom, right?
His name was Michael Meshay, is a business professor at USC.
And within a few days of the war in Iran starting,
there were gas stations in Southern California that were posting prices of $8.20 a gallon.
So he was totally vindicated.
And so this idea that he put out there that was like, you know,
seemed ludicrous or that was ridiculed by the governor in the media was totally proven right.
So that's just like, you know, I really like stories that sort of like challenge conventional wisdom.
Yeah.
You know, or challenge like the prevailing, um, accepted truth, I guess.
You know?
And in this case, the accepted truth is that like shutting down the oil industry in California must be good for the environment and good for the country.
And I'm not so convinced that that's true.
Yeah, that's a fucking, that whole topic is a maze to try to navigate because there's so many, like,
Like it's so, it's so, it's so, uh, politic.
There's so much political baggage that comes along with it, you know?
And like, it's really hard to know what's, what the fucking, what's really going on with that shit.
Because like, I mean, right, that's crazy.
Like, right when you start this thing, you have the whole Venezuela thing happen.
Yes.
Where we apparently went over there to get all their oil.
And then, which actually kind of makes sense.
Now, now that we did the Iran war, it would kind of make sense that we would want to go get
Venezuela first, right? So maybe that was part of the plan the whole time. And now that you have the
Iran thing happening and choking off all of that oil, like how does that affect, how does that
affect? I mean, I, first of all, I had no idea that different states could import oil from
different countries. Yeah. I didn't know that was how it worked. Well, it works. That's the way it
works in California. California is a unique situation because they don't have an interstate pipeline.
They have in-state pipelines, but they don't have an interstap. In other words, California can't
just like buy a bunch of oil, you know, from Texas, for example. All right? And so California
could entirely like produce and refine its own oil just in California. But there were policy decisions
made not to do that. But at the same time, because we don't have with existing technology, we
don't have the technology to replace fossil fuels right now.
We just don't.
Yeah.
All the windmills and solar panels can't do it?
No, there's no way.
There's so many of them.
I know.
Death Valley is crazy.
The amount of solar panels that we'd have to have to like even come close.
And solar, you know, wind and sun, right?
Solar, they only replace like electricity.
In the words, you can't like, you can't manufacture steel with solar power.
You could do it with nuclear.
But you can't, like solar and wind power, like that only can address basically like our electricity needs.
In other words, about 30% of our energy consumption.
Believe me, I wish I hadn't learned a lot of the shit that I've learned in the making of this, you know, documentary because it's fucking terrifying.
Because it's like the technology, this whole idea of like just stop oil, it's like completely unrealistic.
This idea that we could just like flip a switch.
If we just had the political willpower, we could just stop using fossil fuels and switch.
to renewables is frankly it's a fantasy.
That's what I'm finding.
Yeah. And that's scary.
You're, you were of the opposite belief before you started this.
You thought it might have been possible.
Yeah. Yeah, I was.
I was thought that, you know, I was thought that nuclear power might need to be a part of the equation,
but I didn't understand just how completely reliant our world is upon fossil fuels right now.
Mm.
I wonder what, what, how much to have you learned about the nuclear power possible?
Like how much of a reality do you think that could be?
I think that in my opinion, like that's the answer.
If we accept that climate change is like a, you know, is a serious threat, like assuming that that's true, then I think that it, and all of the above energy approach is the only answer and that nuclear has to be a big part of that equation.
I mean, what else? Again, because solar and wind can only address like, you know, electricity.
it doesn't address like transportation or manufacturing, okay?
Which is what most of the energy is used for.
Yeah.
So, and then what frustrates me is I see some of the same voices that 50 years ago in California,
you know, we're pressuring the government in California to put a moratorium on nuclear power in California.
Some of those same voices today are like the just stop oil, just leave it in the ground.
We can just, you know, flip a switch and go to net zero.
So, you know, it's a fallacy.
It's a, you know, it's a comforting idea,
but it's completely divorced from reality, in my opinion.
You know, because like, look, even with,
especially with AI coming online right now
and the energy demands of that, you know,
you start factoring that in.
The amount of energy that's derived from fossil fuels now
compared to the 1970s, like we're using,
just a little bit more in terms of percentage.
In other words, there is no energy transition going on.
The idea that there's an energy transition away from fossil fuels, there really isn't.
But we're using way more energy, right?
Yes, true.
But I'm saying as a percentage of the amount of energy we're using, sure, we're using more renewables,
but as a percentage of the total energy we're using worldwide, fossil fuels, it's now about
like 86%, like in the 70s, it's about like 83, 84.
So it's slightly more now than it was 50 years ago.
Right. And then with the onset of AI and all this stuff, I mean, it's going to be exponentially growing.
Like it's not just going to be, it's not going to be a steady rate. Like this is going to be an exponential growth as technology and AI and fucking quantum computer start to become a thing. Like how much energy is that shit going to take?
Right. That's crazy.
Then you think about all the plants on Taiwan that we depend on to manufacture all the chips and everything. They need that.
natural gas from the Middle East that's now choked off.
They run a natural gas.
So what happens if they can't make those chips?
What happens like six, eight, 12 weeks from now?
Right, right.
Okay, we're just now starting to feel the impacts of this.
And right now it's just the price at the pump.
Well, our whole economy is based off oil, right?
That's what the whole world.
The petro dollar, right?
It's all based on, that's propping up the,
our currency as being the world currency is because of the oil that comes out of the Middle East.
and all those countries over there that export all that oil,
the deal they made was to only take US dollars
so they could invest it in all these other companies
and a lot of them, AI companies that are basically like doing a circle
and fueling our economy in return.
So like not only are they choking off all that oil
and raising all the gas prices and creating all this destabilization in the energy sector,
but they're also like going to fucking,
I wonder what it's going to do to the fucking American economy in general, you know,
Like our stock market and all that stuff.
Everything's going to get more expensive.
Yeah.
Not just gas.
You know.
Yeah.
Right, because the petroleum is used to make most things, right?
Plastics are they use that to make plastic.
These headphones.
Yeah.
Our phones.
You know, the chairs were sitting in.
Yeah.
The remote control that used to turn on the TV, the TV itself.
Yeah.
It's everywhere.
God, dude.
well bro
fertilizer you know
oh yeah
everything man
I mean like
yeah I don't know
I don't know what's going on dude
I'm trying to make
I can't make heads or tails
of what the fuck's going on in this world right now
it's just at least you're trying
I'm trying
I'm trying
the fucking key man
the more I learn the more confused I get
but bro
thank you for doing this man
appreciate it
this has been this has been fucking phenomenal
um
we
where can I
tell people to go to, maybe just link to your movies or do you have like a website or anything
people can go to? Yeah, I do have a website that has links. And then the latest show, Narco
Mennonites is on Crave right now, which you can watch if you're in Canada, but I think it'll
be available in the US like real soon. Okay. Cool. And when is, uh, what's the plan with that
Ukrainian one or the oil one too? Yeah. Yeah, I'd say the oil documentary would be out like
later this year, maybe early next. Okay. Yeah, it's going to be a feature doc, not a series.
okay okay cool fantastic bro well thanks again dude thank you this has been awesome uh we have patreon
questions we do all right we got we got people on our our patreon that ask you specific questions
so we'll do that separately that's it for the podcast good night everybody
